Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2594
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2671
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2674 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
  -formView: Symfony\Component\Form\FormView {#2710 …}
  -form: Symfony\Component\Form\Form {#2860 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1894
    -id: 2239
    -nom: "Live In Tokyo"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Remastering by Ray Staff at Air Mastering !\r\n
      \r\n
      "This Superb 1974 releaseslive album, recorded on Music Inc's first Japanese tour, begins in the most Tollveresque way possible- with a powerful, declamatory trumpet blast on the opening `Drought', and from then on, the tempo never lets up. Live In Tokyo is exceptionally powerful acoustic hard bop, easily the equal of the electric and fusion experiments of the time -and proof positive that Tolliver, who astutely (and acutely) combined the best of both traditional swing and jazz throughout the 1970, remains one of the music's great-and most underrated". - Kevin Whitlock\r\n
      \r\n
      There's certainly a keen eye that goes into the joyous task of plunging through the Strata-East vaults and although Charles Tolliver and Music Inc's Live in Tokyo 1973 isn't as forgotten a treasure as previous Pure Pleasure reissues of projects like Stanley Cowell's ‘Such Great Friends' may be, it's no less of an incredible project to revisit in this way.\r\n
      \r\n
      Recorded Dec. 7, 1973, the fifth album by trumpeter Charles Tolliver and his quartet of musicians comprising Music Inc performed a 50 minute set in Tokyo's Yubinchokin Hall. The performance was initially released through Strata-East the following year and would even be revisited a further time by Mosaic Records in 2005 as part of a three-disc box set all of this a true testament to the masters of the craft gracing the stage on this night.Despite the slew of releases with Music Inc, Tolliver boasts an incredible resume that has seen him perform alongside luminaries including Horace Silver, Andrew Hill, Roy Ayers, Gary Bartz among others. Born in Jacksonville, Florida, and raised in New York from the age of 10 years old, Tolliver's inspired contributions to jazz couldn't be celebrated enough from his innumerable successes as a musician in his own right to his achievements as co-founder of Strata along with Stanley Cowell. Despite neither having any formal or business training, Tolliver and Cowell's pioneering efforts positioned them as beacons for being an independent, black-owned success story.\r\n
      \r\n
      With the Music Inc quartet comprised of bassist Clint Houston, drummer Clifford Barbaro and Stanley Cowell on piano, Tolliver and company present a set of five compositions including tracks from the pen of the trumpeter himself (‘Drought' and ‘Stretch') as well as a heralded rendition of ‘Round Midnight' initially composed by Thelonious Monk. Kicking the project off with the exquisite slow build of "Drought" which starts with Tolliver's trumpet holding court on centre stage while the glorious crescendo builds around him. "Stretch" eschews in another high-energy number before making way to the sublime lament of "Truth".\r\n
      \r\n
      Live in Tokyo 1973 is certainly a project that has been afforded its due reverence over the years but once again, an exceptional performance from Charles Tolliver and Music Inc benefits from an unrivalled presentation at the hands of Pure Pleasure.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1932 …}
    -musicienOrchestre: "Charles Tolliver (trumpet, flugelhorn), Stanley Cowell (piano), Clint Houston (bass), Clifford Barbaro (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FJJ7ZhlRvzw"
    -referenceProduit: "Pure Pleasure Records 19745"
    -titreMorceau: [
      [
        "nom" => "1 Truth "
        "ordre" => 4
      ]
      [
        "nom" => "1. Drought "
        "ordre" => 1
      ]
      [
        "nom" => "2. Effi "
        "ordre" => 5
      ]
      [
        "nom" => "2. Stretch"
        "ordre" => 2
      ]
      [
        "nom" => "3. ‘Round Midnight"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1654602373 {#1949
      date: 2022-06-07 11:46:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1657780694 {#1942
      date: 2022-07-14 06:38:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-tokyo-pure-pleasure-records-19745"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3132
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#1894
    -id: 2239
    -nom: "Live In Tokyo"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Remastering by Ray Staff at Air Mastering !\r\n
      \r\n
      "This Superb 1974 releaseslive album, recorded on Music Inc's first Japanese tour, begins in the most Tollveresque way possible- with a powerful, declamatory trumpet blast on the opening `Drought', and from then on, the tempo never lets up. Live In Tokyo is exceptionally powerful acoustic hard bop, easily the equal of the electric and fusion experiments of the time -and proof positive that Tolliver, who astutely (and acutely) combined the best of both traditional swing and jazz throughout the 1970, remains one of the music's great-and most underrated". - Kevin Whitlock\r\n
      \r\n
      There's certainly a keen eye that goes into the joyous task of plunging through the Strata-East vaults and although Charles Tolliver and Music Inc's Live in Tokyo 1973 isn't as forgotten a treasure as previous Pure Pleasure reissues of projects like Stanley Cowell's ‘Such Great Friends' may be, it's no less of an incredible project to revisit in this way.\r\n
      \r\n
      Recorded Dec. 7, 1973, the fifth album by trumpeter Charles Tolliver and his quartet of musicians comprising Music Inc performed a 50 minute set in Tokyo's Yubinchokin Hall. The performance was initially released through Strata-East the following year and would even be revisited a further time by Mosaic Records in 2005 as part of a three-disc box set all of this a true testament to the masters of the craft gracing the stage on this night.Despite the slew of releases with Music Inc, Tolliver boasts an incredible resume that has seen him perform alongside luminaries including Horace Silver, Andrew Hill, Roy Ayers, Gary Bartz among others. Born in Jacksonville, Florida, and raised in New York from the age of 10 years old, Tolliver's inspired contributions to jazz couldn't be celebrated enough from his innumerable successes as a musician in his own right to his achievements as co-founder of Strata along with Stanley Cowell. Despite neither having any formal or business training, Tolliver and Cowell's pioneering efforts positioned them as beacons for being an independent, black-owned success story.\r\n
      \r\n
      With the Music Inc quartet comprised of bassist Clint Houston, drummer Clifford Barbaro and Stanley Cowell on piano, Tolliver and company present a set of five compositions including tracks from the pen of the trumpeter himself (‘Drought' and ‘Stretch') as well as a heralded rendition of ‘Round Midnight' initially composed by Thelonious Monk. Kicking the project off with the exquisite slow build of "Drought" which starts with Tolliver's trumpet holding court on centre stage while the glorious crescendo builds around him. "Stretch" eschews in another high-energy number before making way to the sublime lament of "Truth".\r\n
      \r\n
      Live in Tokyo 1973 is certainly a project that has been afforded its due reverence over the years but once again, an exceptional performance from Charles Tolliver and Music Inc benefits from an unrivalled presentation at the hands of Pure Pleasure.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1932 …}
    -musicienOrchestre: "Charles Tolliver (trumpet, flugelhorn), Stanley Cowell (piano), Clint Houston (bass), Clifford Barbaro (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FJJ7ZhlRvzw"
    -referenceProduit: "Pure Pleasure Records 19745"
    -titreMorceau: [
      [
        "nom" => "1 Truth "
        "ordre" => 4
      ]
      [
        "nom" => "1. Drought "
        "ordre" => 1
      ]
      [
        "nom" => "2. Effi "
        "ordre" => 5
      ]
      [
        "nom" => "2. Stretch"
        "ordre" => 2
      ]
      [
        "nom" => "3. ‘Round Midnight"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1654602373 {#1949
      date: 2022-06-07 11:46:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1657780694 {#1942
      date: 2022-07-14 06:38:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-tokyo-pure-pleasure-records-19745"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2088
    -id: 2048
    -nom: "Mambo Man  (Original Motion Picture Soundtrack)"
    -informationComplementaire: ""
    -description: """
      180 gram double LP !\r\n
      \r\n
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
      \r\n
      "There is rather the mature and conscious gaze of two authors who want to represent Cuba, and the story of the protagonist, with truth and love. With this awareness, each shot conveys a charm superior to that of a good staging. This film, made with passion, penetrates the audience to the rhythm of music and tells us about a whole, small, precious universe, absorbing its beauty and misery. "Mambo Man" is a bit like Cuba : beautiful, kind and melancholic". - Rome Prisma Independent Film Awards\r\n
      \r\n
      "It's a dynamic, colourful film, with bustling markets, lively clubs, friendly outdoor cafes, and best of all a remarkable soundtrack of classic Cuban music, which is a focal point of the film". - J.B. Spins, Joe Bendel\r\n
      \r\n
      With the Buena Vista Stars, including Candido Fabre. Based on a true story and filmed in the exotic countryside outside Havana, this remarkable and engaging film will move both your spirit and your feet with its unforgettable passion and intoxicating music. The soundtrack and live performances in the film include some of the legendary Cuban artists who appeared in the box office smash, Buena Vista Social Club.\r\n
      \r\n
      Mambo Man is packed with musical contributions from Cuban legends including; Candido Fabre, Maria Ochoa, Alma Latina, David Alvarez, Arturo Jorge, Omara Portuondo, Eliades Ochoa, Juan De Marcos Gonzalez and the Afro-Cuban All Stars.\r\n
      """
    -prixVente: "76.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1932 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VfRdUfEIZ5A"
    -referenceProduit: "Pure Pleasure Records PPAN 023"
    -titreMorceau: [
      [
        "nom" => "1. A los Soneros \t"
        "ordre" => 1
      ]
      [
        "nom" => "1. De Cauto Cristo a Rio Cauto \t"
        "ordre" => 7
      ]
      [
        "nom" => "1. Maidel Mambo \t"
        "ordre" => 13
      ]
      [
        "nom" => "1. Romance "
        "ordre" => 19
      ]
      [
        "nom" => "2. Brisa Mañanera (Mambo Man film version) \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. De Cuba Vengo y Cubano Soy \t"
        "ordre" => 8
      ]
      [
        "nom" => "2. Mambo Man (also known as Ella es Asi) \t"
        "ordre" => 14
      ]
      [
        "nom" => "2. Son Para envidiosos "
        "ordre" => 20
      ]
      [
        "nom" => "3. Cada Vez Que te Veo \t"
        "ordre" => 3
      ]
      [
        "nom" => "3. Descarga Cubana \t"
        "ordre" => 9
      ]
      [
        "nom" => "3. Nada de Ti 4. No Critiques al Nene \t"
        "ordre" => 15
      ]
      [
        "nom" => "3. There is still hope "
        "ordre" => 21
      ]
      [
        "nom" => "4. Carretero \t"
        "ordre" => 4
      ]
      [
        "nom" => "4. Finca Santaelena \t"
        "ordre" => 10
      ]
      [
        "nom" => "4. Yo Quiero Gozar"
        "ordre" => 22
      ]
      [
        "nom" => "5. Como las Mariposas "
        "ordre" => 5
      ]
      [
        "nom" => "5. La Vida "
        "ordre" => 11
      ]
      [
        "nom" => "5. Pa Apartar lo Malo \t"
        "ordre" => 16
      ]
      [
        "nom" => "6. Quiero Cantar Son del Llano "
        "ordre" => 17
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 18
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2090 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1532 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2099 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2092 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2094 …}
    -enregistreLe: DateTime @1622011662 {#2085
      date: 2021-05-26 06:47:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1641559426 {#2086
      date: 2022-01-07 12:43:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2096 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mambo-man-original-motion-picture-soundtrack-pure-pleasure-records-ppan-023"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3246
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2088
    -id: 2048
    -nom: "Mambo Man  (Original Motion Picture Soundtrack)"
    -informationComplementaire: ""
    -description: """
      180 gram double LP !\r\n
      \r\n
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
      \r\n
      "There is rather the mature and conscious gaze of two authors who want to represent Cuba, and the story of the protagonist, with truth and love. With this awareness, each shot conveys a charm superior to that of a good staging. This film, made with passion, penetrates the audience to the rhythm of music and tells us about a whole, small, precious universe, absorbing its beauty and misery. "Mambo Man" is a bit like Cuba : beautiful, kind and melancholic". - Rome Prisma Independent Film Awards\r\n
      \r\n
      "It's a dynamic, colourful film, with bustling markets, lively clubs, friendly outdoor cafes, and best of all a remarkable soundtrack of classic Cuban music, which is a focal point of the film". - J.B. Spins, Joe Bendel\r\n
      \r\n
      With the Buena Vista Stars, including Candido Fabre. Based on a true story and filmed in the exotic countryside outside Havana, this remarkable and engaging film will move both your spirit and your feet with its unforgettable passion and intoxicating music. The soundtrack and live performances in the film include some of the legendary Cuban artists who appeared in the box office smash, Buena Vista Social Club.\r\n
      \r\n
      Mambo Man is packed with musical contributions from Cuban legends including; Candido Fabre, Maria Ochoa, Alma Latina, David Alvarez, Arturo Jorge, Omara Portuondo, Eliades Ochoa, Juan De Marcos Gonzalez and the Afro-Cuban All Stars.\r\n
      """
    -prixVente: "76.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1932 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VfRdUfEIZ5A"
    -referenceProduit: "Pure Pleasure Records PPAN 023"
    -titreMorceau: [
      [
        "nom" => "1. A los Soneros \t"
        "ordre" => 1
      ]
      [
        "nom" => "1. De Cauto Cristo a Rio Cauto \t"
        "ordre" => 7
      ]
      [
        "nom" => "1. Maidel Mambo \t"
        "ordre" => 13
      ]
      [
        "nom" => "1. Romance "
        "ordre" => 19
      ]
      [
        "nom" => "2. Brisa Mañanera (Mambo Man film version) \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. De Cuba Vengo y Cubano Soy \t"
        "ordre" => 8
      ]
      [
        "nom" => "2. Mambo Man (also known as Ella es Asi) \t"
        "ordre" => 14
      ]
      [
        "nom" => "2. Son Para envidiosos "
        "ordre" => 20
      ]
      [
        "nom" => "3. Cada Vez Que te Veo \t"
        "ordre" => 3
      ]
      [
        "nom" => "3. Descarga Cubana \t"
        "ordre" => 9
      ]
      [
        "nom" => "3. Nada de Ti 4. No Critiques al Nene \t"
        "ordre" => 15
      ]
      [
        "nom" => "3. There is still hope "
        "ordre" => 21
      ]
      [
        "nom" => "4. Carretero \t"
        "ordre" => 4
      ]
      [
        "nom" => "4. Finca Santaelena \t"
        "ordre" => 10
      ]
      [
        "nom" => "4. Yo Quiero Gozar"
        "ordre" => 22
      ]
      [
        "nom" => "5. Como las Mariposas "
        "ordre" => 5
      ]
      [
        "nom" => "5. La Vida "
        "ordre" => 11
      ]
      [
        "nom" => "5. Pa Apartar lo Malo \t"
        "ordre" => 16
      ]
      [
        "nom" => "6. Quiero Cantar Son del Llano "
        "ordre" => 17
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 18
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2090 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1532 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2099 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2092 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2094 …}
    -enregistreLe: DateTime @1622011662 {#2085
      date: 2021-05-26 06:47:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1641559426 {#2086
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[
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    -id: 2049
    -nom: "Live At Slugs' Volume 1"
    -informationComplementaire: ""
    -description: """
      180 gram LP !\r\n
      \r\n
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
      \r\n
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      \r\n
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    -nom: "Live At Slugs' Volume 1"
    -informationComplementaire: ""
    -description: """
      180 gram LP !\r\n
      \r\n
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
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      Where have you gone, Charles Tolliver ? There was such promise in the concept of Music Inc., and in Strata East, but evidently the music world's attention was elsewhere and this tremendous live set was probably heard by only a few hundred sets of ears. On the back of the record sleeve, Tolliver undersigned his mission statement : "Music Inc. was created out of the desire to assemble men able to see the necessity for survival of a heritage and an art in the hopes that the sacrifices and high level of communication between them will eventually reach every soul".\r\n
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
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[
  "produit" => App\Entity\Produit {#2117
    -id: 2101
    -nom: "Music From The Source"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy / Air Mastering !\r\n
      \r\n
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    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1932 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3345
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
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  +produit: App\Entity\Produit {#2117
    -id: 2101
    -nom: "Music From The Source"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy / Air Mastering !\r\n
      \r\n
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[
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    -id: 2062
    -nom: "Live At Slugs's Volume II"
    -informationComplementaire: ""
    -description: """
      180 gram LP !\r\n
      \r\n
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
      \r\n
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    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=haMdAiPZm0k"
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App\Twig\Components\GestionPanierFavoriComponents {#3398
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    -id: 2062
    -nom: "Live At Slugs's Volume II"
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      180 gram LP !\r\n
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      date: 2021-08-06 09:03:30.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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[
  "produit" => App\Entity\Produit {#2146
    -id: 2007
    -nom: "Dirty Pool"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy/Air Mastering, London !\r\n
      \r\n
      Electric blues guitarist Melvin Taylor had been sporadically recording solo albums for 20 years when Dirty Pool arrived and was somehow just beginning to find fame. Already a hit in Europe, it had taken a steady run of performing in Chicago's famed blues clubs to slowly earn Taylor a well-deserved reputation as an equal talent among the giants before him, such as Otis Rush, Albert King and Stevie Ray Vaughan.\r\n
      \r\n
      While early records such as Melvin Taylor Plays the Blues For You show off an equally amazing jazz side, Taylor traded away his Wes Montgomery-inspired runs for more Luther Allison / Jimi Hendrix attacks with the formation of the trio Melvin Taylor and the Slack Band in the mid '90's.\r\n
      \r\n
      "The title song of the second album by that outfit, 'Dirty Pool', is actually more the balls-to-the-wall, no-compromise, hard-rockin' electric Texas blues of Vaughan and Johnny Winter than the sweet Chicago soul of Buddy Guy.\r\n
      \r\n
      Indeed, three tracks on this 1997 release, including 'Dirty Pool', were SRV tunes. Other standards, like 'Kansas City' and 'Floodin' in California' also have more of a Lone Star State approach to them. But the Jackson, Miss.-born Taylor's guitar is cleaner than his forebears and technically, he even surpasses them, yet the anger and sorrow of the blues is readily evident in his playing.\r\n
      \r\n
      This rare combination of qualities really comes out in a slow blues tune like his solo in 'Dirty Pool', which after repeated listens, still makes me head shake in disbelief when I hear it.\r\n
      \r\n
      "'Too Sorry' is a good example of how well Taylor fares when he treads in Jimi Hendrix territory, whereas his rhythm work is the best I've heard from a lead guitarist since Vaughan; listen to 'I Ain't Superstitious', 'Born Under A Bad Sign' and the funky 'Telephone Song' for your proof.\r\n
      \r\n
      It also helps that Taylor's drummer James Knowles is well in synch with him, while Ethan Farmer completely owns the low end of the sound. Farmer's peppering bass lines in and 'Floodin' in California' is the textbook way electric blues bass should be. Overall, a tight little band.\r\n
      \r\n
      "Taylor's vocals certainly won't draw any comparisons to the Wide-Brimmed-Hatted One but he holds his own just fine until it's cuttin' time. This is right at the top of my list of best blues guitar playing on record over the last couple of decades. If you decide to give this one a listen, prepare to be blown away". - S. Victor Aaron\r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Melvin Taylor (guitar, vocals), Ethan Farmer (bass guitar), James Knowles (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4YKXeaHxmUU"
    -referenceProduit: "Pure Pleasure Records 26058"
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    -id: 2007
    -nom: "Dirty Pool"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy/Air Mastering, London !\r\n
      \r\n
      Electric blues guitarist Melvin Taylor had been sporadically recording solo albums for 20 years when Dirty Pool arrived and was somehow just beginning to find fame. Already a hit in Europe, it had taken a steady run of performing in Chicago's famed blues clubs to slowly earn Taylor a well-deserved reputation as an equal talent among the giants before him, such as Otis Rush, Albert King and Stevie Ray Vaughan.\r\n
      \r\n
      While early records such as Melvin Taylor Plays the Blues For You show off an equally amazing jazz side, Taylor traded away his Wes Montgomery-inspired runs for more Luther Allison / Jimi Hendrix attacks with the formation of the trio Melvin Taylor and the Slack Band in the mid '90's.\r\n
      \r\n
      "The title song of the second album by that outfit, 'Dirty Pool', is actually more the balls-to-the-wall, no-compromise, hard-rockin' electric Texas blues of Vaughan and Johnny Winter than the sweet Chicago soul of Buddy Guy.\r\n
      \r\n
      Indeed, three tracks on this 1997 release, including 'Dirty Pool', were SRV tunes. Other standards, like 'Kansas City' and 'Floodin' in California' also have more of a Lone Star State approach to them. But the Jackson, Miss.-born Taylor's guitar is cleaner than his forebears and technically, he even surpasses them, yet the anger and sorrow of the blues is readily evident in his playing.\r\n
      \r\n
      This rare combination of qualities really comes out in a slow blues tune like his solo in 'Dirty Pool', which after repeated listens, still makes me head shake in disbelief when I hear it.\r\n
      \r\n
      "'Too Sorry' is a good example of how well Taylor fares when he treads in Jimi Hendrix territory, whereas his rhythm work is the best I've heard from a lead guitarist since Vaughan; listen to 'I Ain't Superstitious', 'Born Under A Bad Sign' and the funky 'Telephone Song' for your proof.\r\n
      \r\n
      It also helps that Taylor's drummer James Knowles is well in synch with him, while Ethan Farmer completely owns the low end of the sound. Farmer's peppering bass lines in and 'Floodin' in California' is the textbook way electric blues bass should be. Overall, a tight little band.\r\n
      \r\n
      "Taylor's vocals certainly won't draw any comparisons to the Wide-Brimmed-Hatted One but he holds his own just fine until it's cuttin' time. This is right at the top of my list of best blues guitar playing on record over the last couple of decades. If you decide to give this one a listen, prepare to be blown away". - S. Victor Aaron\r\n
       
      """
    -prixVente: "34.50"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
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[
  "produit" => App\Entity\Produit {#2162
    -id: 1968
    -nom: " Compassion"
    -informationComplementaire: ""
    -description: "On to my short review. I have to admit that I'm biased in favor of Charles Tolliver. He plays with a combination of strength and sweetness that goes beyond mere language. The fact that he is self taught is more miraculous. This particular recording has the best sound quality I've ever heard. The clarity is stunning and all the music is magnificent. The recording is so good, one can hear the sound of a musician's fingertips accidentally brushing across the bass strings, for example. Alvin Queen is always brilliant on the drums. This group has a synergy that just goes so deep, it feels like they're reading each others' minds. But I can't recommend this enough. It's some of the best recorded jazz I've ever experienced. - by Charlie Millthorpe\r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Charles Tolliver (trumpet), Nathan Page (guitar), Steve Novosel (bass), Alvin Queen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=b80IHpCN3QM"
    -referenceProduit: "Pure Pleasure Records SES 8001"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
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      date: 2021-02-17 10:25:39.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3497
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
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  +produit: App\Entity\Produit {#2162
    -id: 1968
    -nom: " Compassion"
    -informationComplementaire: ""
    -description: "On to my short review. I have to admit that I'm biased in favor of Charles Tolliver. He plays with a combination of strength and sweetness that goes beyond mere language. The fact that he is self taught is more miraculous. This particular recording has the best sound quality I've ever heard. The clarity is stunning and all the music is magnificent. The recording is so good, one can hear the sound of a musician's fingertips accidentally brushing across the bass strings, for example. Alvin Queen is always brilliant on the drums. This group has a synergy that just goes so deep, it feels like they're reading each others' minds. But I can't recommend this enough. It's some of the best recorded jazz I've ever experienced. - by Charlie Millthorpe\r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Charles Tolliver (trumpet), Nathan Page (guitar), Steve Novosel (bass), Alvin Queen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=b80IHpCN3QM"
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[
  "produit" => App\Entity\Produit {#2175
    -id: 501
    -nom: "Breakfast On The Morning Tram"
    -informationComplementaire: ""
    -description: """
      Stacey Kent is what men used to call a classy broad. Her elegant fashion sense and understated vocal style make her sound like a woman from another time, an unflappable sophisticate with a warm, slightly world-weary persona. She was born in the United Sates but after a trip to France, she decided to become a jazz singer. In the early '90s she landed in Oxford where she met her husband, musical director/sax player Jim Tomlinson. \r\n
      \r\n
      Tomlinson also produces Kent's albums, and this time out, he composed several charming tunes that sound like potential standards, plus collaborations with lyricist Kazuo Ishiguro, author of Remains of the Day. \r\n
      \r\n
      Original tunes like "The Ice Hotel" and "I Wish I Could Go Traveling Again" are full of wry humor, and Kentdelivers them with her usual effortless grace. "The Ice Hotel" is a samba that talks of forsaking the tropics for a room that keeps the temperature at a "steady five degrees". The ambivalent lyric is perfectly suited for Kent's unassuming style. Is she chiding a lover for his detached demeanor or promising a passionate night that will raise the temperature and put a sizzle in the air ? It's hard to tell, and with the music is as warm as the lyric is cool, the tune has a delicious tension. "I Wish I Could Go Traveling Again" sounds like the kind of tune Noël Coward used to write, full of urbane humor and references to "overpriced hotels devoid of charm". Its melancholy meditation on lost love is enhanced by John Parricelli's rippling guitar and Graham Harvey's subtle bluesy piano. Kent slows down "What a Wonderful World" making it sound more blue than celebratory. \r\n
      \r\n
      Her wistful phrasing imbues the song with a painful melancholy. On "Hard Hearted Hanna", Tomlinson supplies a brief, breezy solo while Kent sounds sly and impudent, playing up the lyric's over the top humor. "Ces Petits Reins", a Serge Gainsbourg tune, benefits from a percussive arrangement featuring bongos, muted guitar notes, and drummer Matt Skelton's brush work; Kent drops in brief faux trumpet accents. Kent's band provides subtle support throughout. Each player steps out for brief impressive solos, but mainly they lay back and support their boss' unobtrusive style. AMG\r\n
      \r\n
      \r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Stacey Kent (vocals), Dave Chamberlain (bass), John Parricelli (guitar), Graham Harvay (piano), Jim Tomlinson (saxophone), Matt Skelton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=SFtgxB1O7pM"
    -referenceProduit: "PPAN 50161"
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        "nom" => "1. Breakfast On the Morning Tram"
        "ordre" => 9
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        "nom" => "1. Hard Hearted Hannah"
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        "nom" => "1. The Ice Hotel"
        "ordre" => 1
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        "ordre" => 14
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      [
        "nom" => "2. Landslide"
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        "ordre" => 0
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        "ordre" => 4
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        "ordre" => 8
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      [
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        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3543
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  +produit: App\Entity\Produit {#2175
    -id: 501
    -nom: "Breakfast On The Morning Tram"
    -informationComplementaire: ""
    -description: """
      Stacey Kent is what men used to call a classy broad. Her elegant fashion sense and understated vocal style make her sound like a woman from another time, an unflappable sophisticate with a warm, slightly world-weary persona. She was born in the United Sates but after a trip to France, she decided to become a jazz singer. In the early '90s she landed in Oxford where she met her husband, musical director/sax player Jim Tomlinson. \r\n
      \r\n
      Tomlinson also produces Kent's albums, and this time out, he composed several charming tunes that sound like potential standards, plus collaborations with lyricist Kazuo Ishiguro, author of Remains of the Day. \r\n
      \r\n
      Original tunes like "The Ice Hotel" and "I Wish I Could Go Traveling Again" are full of wry humor, and Kentdelivers them with her usual effortless grace. "The Ice Hotel" is a samba that talks of forsaking the tropics for a room that keeps the temperature at a "steady five degrees". The ambivalent lyric is perfectly suited for Kent's unassuming style. Is she chiding a lover for his detached demeanor or promising a passionate night that will raise the temperature and put a sizzle in the air ? It's hard to tell, and with the music is as warm as the lyric is cool, the tune has a delicious tension. "I Wish I Could Go Traveling Again" sounds like the kind of tune Noël Coward used to write, full of urbane humor and references to "overpriced hotels devoid of charm". Its melancholy meditation on lost love is enhanced by John Parricelli's rippling guitar and Graham Harvey's subtle bluesy piano. Kent slows down "What a Wonderful World" making it sound more blue than celebratory. \r\n
      \r\n
      Her wistful phrasing imbues the song with a painful melancholy. On "Hard Hearted Hanna", Tomlinson supplies a brief, breezy solo while Kent sounds sly and impudent, playing up the lyric's over the top humor. "Ces Petits Reins", a Serge Gainsbourg tune, benefits from a percussive arrangement featuring bongos, muted guitar notes, and drummer Matt Skelton's brush work; Kent drops in brief faux trumpet accents. Kent's band provides subtle support throughout. Each player steps out for brief impressive solos, but mainly they lay back and support their boss' unobtrusive style. AMG\r\n
      \r\n
      \r\n
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
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[
  "produit" => App\Entity\Produit {#2191
    -id: 1908
    -nom: "Don’t Stop The Groove "
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Lyman Woodard (organ), Robert Lowe (guitar, vocals), Allan Barnes (tenor saxophone), Kerry Campbell (soprano saxophone), Marcus Belgrave, Ron Jackson (trumpet), Leroy Emmanuel (vocals), Lorenzo Brown (percussion, vocals), Leonard King (drums).\r\n
      \r\n
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London.\r\n
      \r\n
      When Cobb's Corner nightclub owner Henry Normile was murdered, followed by the in-street shooting and death of Eddie Jefferson, the heart of the Detroit jazz scene was ripped apart. Through the advent of the Labor Day Montreux-Detroit Jazz Festivals starting in 1980, things picked back up measurably, but the club scene has never been the same.\r\n
      \r\n
      This live recording of the Lyman Woodard Organization, which was taped the day before Normile was killed in his next door apartment, more than any other album or event exemplified the never say die spirit of Motor City jazz. It also was a hallmark for a unique style of the music, an urban rhythm & blues infused contemporary jazz that stood tall for both listeners and dancers during the tail-end of the disco movement. Woodard was in his prime, determined that his idea was singular, and went beyond soul-jazz into a realm where only he could claim ownership. With guitarist Robert Lowe and saxophonist Allan Barnes, who would both go on to national acclaim as leaders, the Organization was a powerhouse in live performance not to be denied, and for sure a solid sending crowd pleaser.\r\n
      \r\n
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      \r\n
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      """
    -prixVente: "34.50"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3594
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  +produit: App\Entity\Produit {#2191
    -id: 1908
    -nom: "Don’t Stop The Groove "
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Lyman Woodard (organ), Robert Lowe (guitar, vocals), Allan Barnes (tenor saxophone), Kerry Campbell (soprano saxophone), Marcus Belgrave, Ron Jackson (trumpet), Leroy Emmanuel (vocals), Lorenzo Brown (percussion, vocals), Leonard King (drums).\r\n
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      When Cobb's Corner nightclub owner Henry Normile was murdered, followed by the in-street shooting and death of Eddie Jefferson, the heart of the Detroit jazz scene was ripped apart. Through the advent of the Labor Day Montreux-Detroit Jazz Festivals starting in 1980, things picked back up measurably, but the club scene has never been the same.\r\n
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      This live recording of the Lyman Woodard Organization, which was taped the day before Normile was killed in his next door apartment, more than any other album or event exemplified the never say die spirit of Motor City jazz. It also was a hallmark for a unique style of the music, an urban rhythm & blues infused contemporary jazz that stood tall for both listeners and dancers during the tail-end of the disco movement. Woodard was in his prime, determined that his idea was singular, and went beyond soul-jazz into a realm where only he could claim ownership. With guitarist Robert Lowe and saxophonist Allan Barnes, who would both go on to national acclaim as leaders, the Organization was a powerhouse in live performance not to be denied, and for sure a solid sending crowd pleaser.\r\n
      \r\n
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[
  "produit" => App\Entity\Produit {#2207
    -id: 857
    -nom: "Louis Armstrong Plays W. C. Handy"
    -informationComplementaire: ""
    -description: """
      "The excellence of Louis' band is so high and so consistent that every man deserves commendation for his part in making this remarkably fine record. Trummy Young particularly should be singled out for his driving solos and for the way his 'boots' Louis in the final ensembles. The way I fell about this record can be summed up in this way. When I die, I want people to say, 'That's the guy that if it hadn't been for him and Louis Armstrong and W.C. Handy, there wouldn't have been that great record, Louis Armstrong Plays W.C. Handy". – excerpt from the sleeve notes by George Avakian\r\n
      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=uPEVmBOfiC8"
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        "nom" => "1. Chantez Les Bas (Sing ‘Em Low)"
        "ordre" => 11
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        "nom" => "1. Long Gone (From Bowling Green)"
        "ordre" => 6
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        "nom" => "1. Loveless Love (rehearsal sequence)"
        "ordre" => 16
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        "nom" => "1. St Louis Blues"
        "ordre" => 1
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        "nom" => "2. Hesitating Blues (rehearsal sequence)"
        "ordre" => 17
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        "ordre" => 12
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        "nom" => "2. Memphis Blues"
        "ordre" => 7
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        "ordre" => 2
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        "nom" => "3. Alligator Story"
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        "nom" => "4. Aunt Hagar’s Blues"
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      ]
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        "nom" => "4. George Avakian’s Interview With W.C. Handy"
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        "nom" => "4. Long Gone (From Bowling Green) (rehearsal sequence)"
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        "nom" => "4. Ole Miss"
        "ordre" => 9
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    -id: 857
    -nom: "Louis Armstrong Plays W. C. Handy"
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    -extraitYoutube: "https://www.youtube.com/watch?v=uPEVmBOfiC8"
    -referenceProduit: "Pure Pleasure Records PPAN CL 591"
    -titreMorceau: [
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        "ordre" => 11
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        "ordre" => 6
      ]
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        "ordre" => 16
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        "nom" => "1. St Louis Blues"
        "ordre" => 1
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        "nom" => "2. Hesitating Blues (rehearsal sequence)"
        "ordre" => 17
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        "nom" => "2. Hesitating Blues"
        "ordre" => 12
      ]
      [
        "nom" => "2. Memphis Blues"
        "ordre" => 7
      ]
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        "nom" => "2. Yellow Dog Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. Alligator Story"
        "ordre" => 18
      ]
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        "nom" => "3. Atlanta Blues (Make Me One Pallet On Your Floor)"
        "ordre" => 13
      ]
      [
        "nom" => "3. Beale Street Blues"
        "ordre" => 8
      ]
      [
        "nom" => "3. Loveless Love"
        "ordre" => 3
      ]
      [
        "nom" => "4. Aunt Hagar’s Blues"
        "ordre" => 4
      ]
      [
        "nom" => "4. George Avakian’s Interview With W.C. Handy"
        "ordre" => 14
      ]
      [
        "nom" => "4. Long Gone (From Bowling Green) (rehearsal sequence)"
        "ordre" => 19
      ]
      [
        "nom" => "4. Ole Miss"
        "ordre" => 9
      ]
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        "nom" => "Side A :"
        "ordre" => 0
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        "nom" => "Side B :"
        "ordre" => 5
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      [
        "nom" => "Side C :"
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      [
        "nom" => "Side D : "
        "ordre" => 15
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2209 …}
    -label: App\Entity\Label {#1116 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2223
    -id: 1134
    -nom: "The Wildest"
    -informationComplementaire: "Out of Print ! 1 copie"
    -description: "A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Normally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock and roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat. His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence. A veritable greatest-hits album, The Wildest! is a gem of Louis Prima's catalog. \r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Louis Prima (trumpet, vocals), Keely Smith (vocals), Amato Rodriguez (bass), Jack Marshall (guitar), Willie McCumber Jr. (piano), Sam Butera (tenor saxophone), James Blount (trombone), Bobby Morris (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Kkrb4h4weW4"
    -referenceProduit: "Pure Pleasure Records PPAN T755"
    -titreMorceau: [
      [
        "nom" => "1. Basin Street Blues "
        "ordre" => 8
      ]
      [
        "nom" => "1. Just A Gigolo "
        "ordre" => 1
      ]
      [
        "nom" => "2. I Ain’t Got Nobody "
        "ordre" => 2
      ]
      [
        "nom" => "2. When It’s Sleepy Time Down South"
        "ordre" => 9
      ]
      [
        "nom" => "3. (Nothing’s Too Good) For My Baby "
        "ordre" => 3
      ]
      [
        "nom" => "3. Jump, Jive And Wail "
        "ordre" => 10
      ]
      [
        "nom" => "4. Buona Sera "
        "ordre" => 11
      ]
      [
        "nom" => "4. The Lip "
        "ordre" => 4
      ]
      [
        "nom" => "5. Body And Soul "
        "ordre" => 5
      ]
      [
        "nom" => "5. Night Train "
        "ordre" => 12
      ]
      [
        "nom" => "6. Oh Marie"
        "ordre" => 6
      ]
      [
        "nom" => "6. You Rascal You"
        "ordre" => 13
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      [
        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2225 …}
    -label: App\Entity\Label {#1116 …}
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    }
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    }
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    -disponible: null
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    -slug: "vinyles-the-wildest-pure-pleasure-records-ppan-t755"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3696
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2223
    -id: 1134
    -nom: "The Wildest"
    -informationComplementaire: "Out of Print ! 1 copie"
    -description: "A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Normally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock and roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat. His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence. A veritable greatest-hits album, The Wildest! is a gem of Louis Prima's catalog. \r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Louis Prima (trumpet, vocals), Keely Smith (vocals), Amato Rodriguez (bass), Jack Marshall (guitar), Willie McCumber Jr. (piano), Sam Butera (tenor saxophone), James Blount (trombone), Bobby Morris (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Kkrb4h4weW4"
    -referenceProduit: "Pure Pleasure Records PPAN T755"
    -titreMorceau: [
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        "nom" => "1. Basin Street Blues "
        "ordre" => 8
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        "nom" => "1. Just A Gigolo "
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      ]
      [
        "nom" => "2. I Ain’t Got Nobody "
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      ]
      [
        "nom" => "2. When It’s Sleepy Time Down South"
        "ordre" => 9
      ]
      [
        "nom" => "3. (Nothing’s Too Good) For My Baby "
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        "nom" => "3. Jump, Jive And Wail "
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      ]
      [
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        "nom" => "4. The Lip "
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      ]
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        "nom" => "5. Body And Soul "
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      ]
      [
        "nom" => "5. Night Train "
        "ordre" => 12
      ]
      [
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      ]
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      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2225 …}
    -label: App\Entity\Label {#1116 …}
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    -enregistreLe: DateTime @1488871301 {#2220
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    }
    -modifierLe: DateTime @1590823442 {#2221
      date: 2020-05-30 07:24:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2231 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-wildest-pure-pleasure-records-ppan-t755"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2239
    -id: 1762
    -nom: "Lullaby For Linda"
    -informationComplementaire: ""
    -description: """
      Musicians: \r\n
      Linda Hill (piano, vocals), Jugegr Juan Grey (vocals), Sabir Matteen (tenor saxophone, clarinet), Aubrey Hart (flute), Adele Sebastian (flute, vocals), Fundi Legohn (french horn), Roberto Miranda (bass), Virjilio Figueroa (percussion), Everett Brown Jr. (drums).\r\n
      \r\n
      Linda Hill recorded this LP for Nimbus West in 1981 with fellow Arkestra members, including flautist Adele Sebastian. And it's Sebastian's vocal duet with Hill on the spiritual jazz epic "Leland's Song" that opens this stunning LP. Hill's ensemble also included the serious horn player Sabir Matteen, as well as bassist Roberto Miranda and drummer Everett Brown Jr., who would all go on to record LPs for Nimbus.\r\n
      \r\n
      The Arkestra first started rehearsing at pianist Linda Hill's house in the early '60s. "In a few months, we'd built up from seven or eight to about 18 cats, musicians started living there", Tapscott wrote in his autobiography. "People got involved with the Arkestra like it was their life's work". Hill took the role seriously, earning her the name of "the Ark's matriarch" by Tapscott.\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Linda Hill (piano, vocals), Jugegr Juan Grey (vocals), Sabir Matteen (tenor saxophone, clarinet), Aubrey Hart (flute), Adele Sebastian (flute, vocals), Fundi Legohn (french horn), Roberto Miranda (bass), Virjilio Figueroa (percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Pure Pleasure Records PPAN NS 791"
    -titreMorceau: [
      [
        "nom" => "1. Leland's Song"
        "ordre" => 1
      ]
      [
        "nom" => "1. Lullaby For Linda"
        "ordre" => 4
      ]
      [
        "nom" => "2. Children"
        "ordre" => 5
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      [
        "nom" => "2. The Creator's Musician"
        "ordre" => 2
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        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2241 …}
    -label: App\Entity\Label {#1116 …}
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    }
    -modifierLe: DateTime @1581755043 {#2237
      date: 2020-02-15 08:24:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2247 …}
    -disponible: null
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    -slug: "vinyles-lullaby-for-linda-pure-pleasure-records-ppan-ns-791"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3747
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2239
    -id: 1762
    -nom: "Lullaby For Linda"
    -informationComplementaire: ""
    -description: """
      Musicians: \r\n
      Linda Hill (piano, vocals), Jugegr Juan Grey (vocals), Sabir Matteen (tenor saxophone, clarinet), Aubrey Hart (flute), Adele Sebastian (flute, vocals), Fundi Legohn (french horn), Roberto Miranda (bass), Virjilio Figueroa (percussion), Everett Brown Jr. (drums).\r\n
      \r\n
      Linda Hill recorded this LP for Nimbus West in 1981 with fellow Arkestra members, including flautist Adele Sebastian. And it's Sebastian's vocal duet with Hill on the spiritual jazz epic "Leland's Song" that opens this stunning LP. Hill's ensemble also included the serious horn player Sabir Matteen, as well as bassist Roberto Miranda and drummer Everett Brown Jr., who would all go on to record LPs for Nimbus.\r\n
      \r\n
      The Arkestra first started rehearsing at pianist Linda Hill's house in the early '60s. "In a few months, we'd built up from seven or eight to about 18 cats, musicians started living there", Tapscott wrote in his autobiography. "People got involved with the Arkestra like it was their life's work". Hill took the role seriously, earning her the name of "the Ark's matriarch" by Tapscott.\r\n
      \r\n
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    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Linda Hill (piano, vocals), Jugegr Juan Grey (vocals), Sabir Matteen (tenor saxophone, clarinet), Aubrey Hart (flute), Adele Sebastian (flute, vocals), Fundi Legohn (french horn), Roberto Miranda (bass), Virjilio Figueroa (percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -extraitYoutube: ""
    -referenceProduit: "Pure Pleasure Records PPAN NS 791"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2241 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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    -slug: "vinyles-lullaby-for-linda-pure-pleasure-records-ppan-ns-791"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3947
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3948 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3996 …}
  +isValidated: false
  +validatedFields: []
}