Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2542
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2389 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2619
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2622 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2389 …}
  -formView: Symfony\Component\Form\FormView {#2658 …}
  -form: Symfony\Component\Form\Form {#2808 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 702
    -nom: "Mardi Gras"
    -informationComplementaire: ""
    -description: """
      Now pressed at Quality Record Pressings and with tip-on jackets !\r\n
      \r\n
      Mastered by Kevin Gray and Steve Hoffman from the original analog tapes !\r\n
      \r\n
      Continuing with our widely praised Analogue Productions / AcousTech CCR reissue series Kevin Gray and Steve Hoffman have cut another masterpiece. Pared down to a trio, Mardi Gras was Creedence Clearwater Revival's last LP. It includes the Fogerty classic "Sweet Hitch Hicker" and a great cover of Ricky Nelson's "Hello Mary Lou".\r\n
      \r\n
      Originally released in 1972.\r\n
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "John Fogerty (guitar, claviers, vocals), Stu Cook (guitar bass & rhythm, piano, vocals), Doug "Cosmo" Clifford (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zTei8gZNqMo"
    -referenceProduit: "AAPP 9404"
    -titreMorceau: [
      [
        "nom" => "1. Lookin' For A Reason"
        "ordre" => 1
      ]
      [
        "nom" => "1. What Are You Gonna Do"
        "ordre" => 7
      ]
      [
        "nom" => "2. Sail Away"
        "ordre" => 8
      ]
      [
        "nom" => "2. Take It Like A Friend"
        "ordre" => 2
      ]
      [
        "nom" => "3. Hello Mary Lou"
        "ordre" => 9
      ]
      [
        "nom" => "3. Need Someone To Hold"
        "ordre" => 3
      ]
      [
        "nom" => "4. Door To Door"
        "ordre" => 10
      ]
      [
        "nom" => "4. Tearin' Up The Country"
        "ordre" => 4
      ]
      [
        "nom" => "5. Someday Never Comes"
        "ordre" => 5
      ]
      [
        "nom" => "5. Sweet Hitch-Hiker"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: null
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1998 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1891 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1921 …}
    -enregistreLe: DateTime @1410607079 {#1896
      date: 2014-09-13 11:17:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1730843770 {#1889
      date: 2024-11-05 21:56:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1992 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mardi-gras-aapp-9404"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3093
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 702
    -nom: "Mardi Gras"
    -informationComplementaire: ""
    -description: """
      Now pressed at Quality Record Pressings and with tip-on jackets !\r\n
      \r\n
      Mastered by Kevin Gray and Steve Hoffman from the original analog tapes !\r\n
      \r\n
      Continuing with our widely praised Analogue Productions / AcousTech CCR reissue series Kevin Gray and Steve Hoffman have cut another masterpiece. Pared down to a trio, Mardi Gras was Creedence Clearwater Revival's last LP. It includes the Fogerty classic "Sweet Hitch Hicker" and a great cover of Ricky Nelson's "Hello Mary Lou".\r\n
      \r\n
      Originally released in 1972.\r\n
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "John Fogerty (guitar, claviers, vocals), Stu Cook (guitar bass & rhythm, piano, vocals), Doug "Cosmo" Clifford (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zTei8gZNqMo"
    -referenceProduit: "AAPP 9404"
    -titreMorceau: [
      [
        "nom" => "1. Lookin' For A Reason"
        "ordre" => 1
      ]
      [
        "nom" => "1. What Are You Gonna Do"
        "ordre" => 7
      ]
      [
        "nom" => "2. Sail Away"
        "ordre" => 8
      ]
      [
        "nom" => "2. Take It Like A Friend"
        "ordre" => 2
      ]
      [
        "nom" => "3. Hello Mary Lou"
        "ordre" => 9
      ]
      [
        "nom" => "3. Need Someone To Hold"
        "ordre" => 3
      ]
      [
        "nom" => "4. Door To Door"
        "ordre" => 10
      ]
      [
        "nom" => "4. Tearin' Up The Country"
        "ordre" => 4
      ]
      [
        "nom" => "5. Someday Never Comes"
        "ordre" => 5
      ]
      [
        "nom" => "5. Sweet Hitch-Hiker"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: null
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1998 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1891 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1921 …}
    -enregistreLe: DateTime @1410607079 {#1896
      date: 2014-09-13 11:17:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1730843770 {#1889
      date: 2024-11-05 21:56:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1992 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mardi-gras-aapp-9404"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2389 …}
}

[
  "produit" => App\Entity\Produit {#2015
    -id: 899
    -nom: "Link (LP + CD single + livret 12 pages) / 100 % analogique"
    -informationComplementaire: ""
    -description: """
      Un combo rock originaire de bordeaux enregistré sur bandes, mixé sur bandes, laqué et gravé depuis les bandes (en UK, car plus possible en France aujourd'hui) sur du vinyle 180 g. \r\n
      \r\n
      KRAZOLTA s'est construit autour de Guillaume Sciota. Musicien à Bordeaux depuis la fin des années 90 et nostalgique d'une période où le rock n'avait pas d'étiquette. Après 2 albums avec le groupe Bordelais RDV (2006-2014), Guillaume poursuit son chemin artistique au gré des rencontres avec en toile de fond, l'envie d'enregistrer uniquement sur bande, sans aucune intervention digitale. En un mot : retrouver les conditions d'enregistrement des années 70 pour coller à un esprit, à un son.\r\n
      \r\n
      C'est naturellement au Studio Berduquet (Cénac- Bordeaux) que l'histoire prend forme. Le studio, tenu par Serge Deuerling audiophile et passionné, est déjà connu pour la qualité des ses équipements.\r\n
      Berduquet franchit un cap début 2015 en proposant une chaîne entièrement analogique. A ce jour, le studio a totalement recomposé le process (Enregistrement et Mixage) qui était utilisée avant l'apparition du numérique. Le matériel utilisé est une Console Neve V2, un magnétophone à bande Ampex 24 pistes, un Magneto Ampex 2 pistes pour le mix.\r\n
      \r\n
      C'est par l'intermédiaire de Nicolas Bonnière et Romain Humeau (Eiffel, Dolly...) que Guillaume entre en contact avec l'ingénieur du son et producteur Clive Martiin (Queen, Les Négresses Vertes, Wampas, Silmarils...). Clive est immédiatement emballé à l'idée de travailler sur cet album et uniquement en analogique, ce qu'il n'a pas fait depuis plus de 10 ans.\r\n
      \r\n
      Afin de poursuivre la logique jusqu'au bout, les fameuses bandes qui contiennent l'album doivent donc trouver un studio capable de graver les laques en direct sans digitalisation. Pas de studio en France.... C'est donc à Londres que les bandes doivent voyager. C'est au Studio 3345 avec NOEL SUMMERVILLE que nous aimerions prolonger le rêve.\r\n
      \r\n
      De même pour les versions numériques, le mastering de l'enregistrement sera effectué dans le même studio spécifiquement équipé afin de ne pas perdre la qualité sonore acquise au cours de l'enregistrement sur bandes.\r\n
      \r\n
      KRAZOLTA c'est aussi et enfin une bande d'amis musiciens qui se sont retrouvés pour donner vie à 10 chansons. Le groupe prendra plusieurs formes :\r\n
      \r\n
      KRAZOLTA (Sweet Folk Rock Trio) :\r\n
      Guillaume Sciota, Emily Moutet, Kriss "Winery" Vigneau\r\n
      \r\n
      KRAZOLTA (Rock'n'roll division) :\r\n
      Guillaume Sciota, Kriss Vigneau, John "Rolling" Gérard, Romain Arnault\r\n
      \r\n
      KRAZOLTA (Full Rythm'n'Blues band) :\r\n
      "Rock'n'roll division" and Julien "juke" Attik (Keyboards),  Brass section : Simon "Master" Mestre / Franck Vogler / Giordano "Bello" Muto / Lucas St cricq\r\n
      \r\n
      Le Rock, le Blues, la Folk, le Rhythm’n’blues composent donc l'univers de KRASOLTA, avec une constante : partager l'amour d'un son vintage quasiment perdu à l'heure actuelle. Aux Etats-Unis cet état d'esprit revient en force avec des ambassadeurs comme Steve Albini ou encore Jack White qui s'efforcent de remettre en lumière la préciosité sonore de l'enregistrement analogique. KRAZOLTA leur emboite aujourd'hui le pas …\r\n
      \r\n
      ( All Songs Written by G.Sciota except * G.Sciota / J.Grenier et ** G.Sciota / M.Santos )\r\n
      2016 - Krazolta Music\r\n
      \r\n
      Enregistré et mixé à STUDIO BERDUQUET ( France) Entre Juillet / Octobre 2015\r\n
      par Clive MARTIN ( UK)\r\n
      Master et Gravure par Noel SUMMERVILLE, 3345 Studio ( London UK)\r\n
      Fabrication MPO France\r\n
      \r\n
      - Une enveloppe PVC transparente de protection \r\n
      - Pochette Carton 300g dos carré 5mm\r\n
      - Vinyle 180 g ( lacques gravées depuis les bandes)\r\n
      - Sliver papier blanc\r\n
      - CD en carton single\r\n
      - Carte de téléchargement format FLAC ( Wav)\r\n
      - Livret 12 pages couleur\r\n
      - Stickers du groupe collector.
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_L1GTRiZc0Q"
    -referenceProduit: "Krazolta Music"
    -titreMorceau: [
      [
        "nom" => "1. Last Escape"
        "ordre" => 1
      ]
      [
        "nom" => "10. Emptiness in the Morning"
        "ordre" => 11
      ]
      [
        "nom" => "2. Fascista  "
        "ordre" => 2
      ]
      [
        "nom" => "3. More Moses"
        "ordre" => 3
      ]
      [
        "nom" => "4. Mr President "
        "ordre" => 4
      ]
      [
        "nom" => "5. Pacifista   "
        "ordre" => 5
      ]
      [
        "nom" => "6. Four Reasons  "
        "ordre" => 7
      ]
      [
        "nom" => "7. Expected Lines"
        "ordre" => 8
      ]
      [
        "nom" => "8. Faithless Junk "
        "ordre" => 9
      ]
      [
        "nom" => "9. Fishing Birds "
        "ordre" => 10
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: null
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1455 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2023 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2016 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2018 …}
    -enregistreLe: DateTime @1459502223 {#2012
      date: 2016-04-01 09:17:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1730756030 {#2013
      date: 2024-11-04 21:33:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2020 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-link-lp-cd-single-livret-12-pages-100-analogique-krazolta-music"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3185
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2015
    -id: 899
    -nom: "Link (LP + CD single + livret 12 pages) / 100 % analogique"
    -informationComplementaire: ""
    -description: """
      Un combo rock originaire de bordeaux enregistré sur bandes, mixé sur bandes, laqué et gravé depuis les bandes (en UK, car plus possible en France aujourd'hui) sur du vinyle 180 g. \r\n
      \r\n
      KRAZOLTA s'est construit autour de Guillaume Sciota. Musicien à Bordeaux depuis la fin des années 90 et nostalgique d'une période où le rock n'avait pas d'étiquette. Après 2 albums avec le groupe Bordelais RDV (2006-2014), Guillaume poursuit son chemin artistique au gré des rencontres avec en toile de fond, l'envie d'enregistrer uniquement sur bande, sans aucune intervention digitale. En un mot : retrouver les conditions d'enregistrement des années 70 pour coller à un esprit, à un son.\r\n
      \r\n
      C'est naturellement au Studio Berduquet (Cénac- Bordeaux) que l'histoire prend forme. Le studio, tenu par Serge Deuerling audiophile et passionné, est déjà connu pour la qualité des ses équipements.\r\n
      Berduquet franchit un cap début 2015 en proposant une chaîne entièrement analogique. A ce jour, le studio a totalement recomposé le process (Enregistrement et Mixage) qui était utilisée avant l'apparition du numérique. Le matériel utilisé est une Console Neve V2, un magnétophone à bande Ampex 24 pistes, un Magneto Ampex 2 pistes pour le mix.\r\n
      \r\n
      C'est par l'intermédiaire de Nicolas Bonnière et Romain Humeau (Eiffel, Dolly...) que Guillaume entre en contact avec l'ingénieur du son et producteur Clive Martiin (Queen, Les Négresses Vertes, Wampas, Silmarils...). Clive est immédiatement emballé à l'idée de travailler sur cet album et uniquement en analogique, ce qu'il n'a pas fait depuis plus de 10 ans.\r\n
      \r\n
      Afin de poursuivre la logique jusqu'au bout, les fameuses bandes qui contiennent l'album doivent donc trouver un studio capable de graver les laques en direct sans digitalisation. Pas de studio en France.... C'est donc à Londres que les bandes doivent voyager. C'est au Studio 3345 avec NOEL SUMMERVILLE que nous aimerions prolonger le rêve.\r\n
      \r\n
      De même pour les versions numériques, le mastering de l'enregistrement sera effectué dans le même studio spécifiquement équipé afin de ne pas perdre la qualité sonore acquise au cours de l'enregistrement sur bandes.\r\n
      \r\n
      KRAZOLTA c'est aussi et enfin une bande d'amis musiciens qui se sont retrouvés pour donner vie à 10 chansons. Le groupe prendra plusieurs formes :\r\n
      \r\n
      KRAZOLTA (Sweet Folk Rock Trio) :\r\n
      Guillaume Sciota, Emily Moutet, Kriss "Winery" Vigneau\r\n
      \r\n
      KRAZOLTA (Rock'n'roll division) :\r\n
      Guillaume Sciota, Kriss Vigneau, John "Rolling" Gérard, Romain Arnault\r\n
      \r\n
      KRAZOLTA (Full Rythm'n'Blues band) :\r\n
      "Rock'n'roll division" and Julien "juke" Attik (Keyboards),  Brass section : Simon "Master" Mestre / Franck Vogler / Giordano "Bello" Muto / Lucas St cricq\r\n
      \r\n
      Le Rock, le Blues, la Folk, le Rhythm’n’blues composent donc l'univers de KRASOLTA, avec une constante : partager l'amour d'un son vintage quasiment perdu à l'heure actuelle. Aux Etats-Unis cet état d'esprit revient en force avec des ambassadeurs comme Steve Albini ou encore Jack White qui s'efforcent de remettre en lumière la préciosité sonore de l'enregistrement analogique. KRAZOLTA leur emboite aujourd'hui le pas …\r\n
      \r\n
      ( All Songs Written by G.Sciota except * G.Sciota / J.Grenier et ** G.Sciota / M.Santos )\r\n
      2016 - Krazolta Music\r\n
      \r\n
      Enregistré et mixé à STUDIO BERDUQUET ( France) Entre Juillet / Octobre 2015\r\n
      par Clive MARTIN ( UK)\r\n
      Master et Gravure par Noel SUMMERVILLE, 3345 Studio ( London UK)\r\n
      Fabrication MPO France\r\n
      \r\n
      - Une enveloppe PVC transparente de protection \r\n
      - Pochette Carton 300g dos carré 5mm\r\n
      - Vinyle 180 g ( lacques gravées depuis les bandes)\r\n
      - Sliver papier blanc\r\n
      - CD en carton single\r\n
      - Carte de téléchargement format FLAC ( Wav)\r\n
      - Livret 12 pages couleur\r\n
      - Stickers du groupe collector.
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_L1GTRiZc0Q"
    -referenceProduit: "Krazolta Music"
    -titreMorceau: [
      [
        "nom" => "1. Last Escape"
        "ordre" => 1
      ]
      [
        "nom" => "10. Emptiness in the Morning"
        "ordre" => 11
      ]
      [
        "nom" => "2. Fascista  "
        "ordre" => 2
      ]
      [
        "nom" => "3. More Moses"
        "ordre" => 3
      ]
      [
        "nom" => "4. Mr President "
        "ordre" => 4
      ]
      [
        "nom" => "5. Pacifista   "
        "ordre" => 5
      ]
      [
        "nom" => "6. Four Reasons  "
        "ordre" => 7
      ]
      [
        "nom" => "7. Expected Lines"
        "ordre" => 8
      ]
      [
        "nom" => "8. Faithless Junk "
        "ordre" => 9
      ]
      [
        "nom" => "9. Fishing Birds "
        "ordre" => 10
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: null
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1455 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2023 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2016 …}
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    }
    -modifierLe: DateTime @1730756030 {#2013
      date: 2024-11-04 21:33:50.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2036
    -id: 2274
    -nom: "Kind of Blue  (33 1/3 RPM Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - Definitive handmade limited run reissue Ultra High Quality Record !\r\n
      \r\n
      - 33 1/3 RPM LP release limited to 25000 copies !\r\n
      \r\n
      - Best-selling album in jazz history; mastered directly from the original 3 Track master tapes by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® on a manual Finebilt press !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n
      \r\n
      "...this one is speed-corrected, so you can think of it as the one to own... the booklet that accompanies this edition is so comprehensive that, should you have the patience, you might want to read it from cover to cover before letting your stylus settle into the groove. It just might prepare you for what you are about to hear, which is to my ears so far above reproach that it has joined a minuscule list of albums I would have to classify as 'perfect'." - Ken Kessler, The Vinyl Adventure. Read Kessler's entire review here.\r\n
      \r\n
      "You really do feel like you're in the recording studio with the band; the realism of the room is that stark. I've heard the UHQR called the "apex release", and can confirm this to be true. It is, simply put, a stunning record." - Eric Pye, ecoustics.com. Read Pye's entire review here.\r\n
      \r\n
      "The result (drum rolls) is the best-sounding Kind of Blue ever, superior in every way to all previous pressings, including the original. The pressing is superquiet, allowing the slightest of details to pop out from the black backdrop. Cobb's drumkit is spooky real. I've heard this album, in one version or another, hundreds of times, and there are fine touches in Cobb's snare swooshes and cymbal taps accents on accents, rhythms within rhythms that I've never heard before. Chamber's bass lines are stunningly clear: the notes he's playing, the pluck of the strings, the glow of the wood. There are also new layers of detail in Miles' mouthpiece manipulations, Evans's pedal work, and the sheer beauty of Coltrane's and Adderley's saxophones... the chase is eternal. This reissue holds the brass ring, for now". - Fred Kaplan, Stereophile, August 2021\r\n
      \r\n
      "Quite clearly and obviously this new UHQR Kind of Blue sourced from Bernie Grundman's (1997) 'live' mix from the 3-track master, directly to lacquer sounds best compared to two early '6-Eyes', Classic's own double 180 gram set and that label's single-sided 45rpm set, and Mobile Fidelity's double 45 boxed edition, to which I compared the UHQR.\r\n
      \r\n
      "Even the quietest original pressing creates a pleasing romantic blur over a soft bed of noise but compared to this issue the overall picture is distant and hazy (though the romanticized version still pulls). The UHQR offers the blackest, quietest backgrounds and unparalleled transparency, but more critically, the modified Finebuilt hand press produces unprecedented transient precision and instrumental focus and resolves low level details that will deliver surprises to even the most blasé KOB veteran, one of whom visited and exclaimed 'I've never heard that before.' This pressing allows you to see further into the mix and transports you back in time and into the 30th Street studios. I don't care what version you now have you've never heard Kind of Blue quite like this". — Music = 11/11; Sound = 11/11 Michael Fremer, AnalogPlanet.com, May 17, 2021. Read the whole review here.\r\n
      \r\n
      "Until now The Classic Records Clarity Vinyl Flat Profile version of Kind of Blue was the closest to the sound on the three track session master from which it was cut. The Analogue Productions UHQR pressing from the same metal parts has taken it up a notch and gotten us even closer to the sound on those 1/2" analog session master tapes! Buy two so you have one for a backup or to give someone the gift of music!" - Michael Hobson, founder of Classic Records\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five-track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader".\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record.\r\n
      \r\n
      The 200 gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "...There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green," making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This UHQR was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95.\r\n
      \r\n
      Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "149.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1883 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ylXk1LBvIqU"
    -referenceProduit: "Analogue Productions AUHQR 004"
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        "ordre" => 5
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        "nom" => "1. So What"
        "ordre" => 1
      ]
      [
        "nom" => "2. Flamenco Sketches"
        "ordre" => 6
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      [
        "nom" => "2. Freddie Freeloader "
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue In Green"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2050 …}
    -label: App\Entity\Label {#1063 …}
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    -modifierLe: DateTime @1728394552 {#2026
      date: 2024-10-08 13:35:52.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-kind-of-blue-33-1-3-rpm-clarity-vinyl-analogue-productions-auhqr-004"
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  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2036
    -id: 2274
    -nom: "Kind of Blue  (33 1/3 RPM Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - Definitive handmade limited run reissue Ultra High Quality Record !\r\n
      \r\n
      - 33 1/3 RPM LP release limited to 25000 copies !\r\n
      \r\n
      - Best-selling album in jazz history; mastered directly from the original 3 Track master tapes by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® on a manual Finebilt press !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n
      \r\n
      "...this one is speed-corrected, so you can think of it as the one to own... the booklet that accompanies this edition is so comprehensive that, should you have the patience, you might want to read it from cover to cover before letting your stylus settle into the groove. It just might prepare you for what you are about to hear, which is to my ears so far above reproach that it has joined a minuscule list of albums I would have to classify as 'perfect'." - Ken Kessler, The Vinyl Adventure. Read Kessler's entire review here.\r\n
      \r\n
      "You really do feel like you're in the recording studio with the band; the realism of the room is that stark. I've heard the UHQR called the "apex release", and can confirm this to be true. It is, simply put, a stunning record." - Eric Pye, ecoustics.com. Read Pye's entire review here.\r\n
      \r\n
      "The result (drum rolls) is the best-sounding Kind of Blue ever, superior in every way to all previous pressings, including the original. The pressing is superquiet, allowing the slightest of details to pop out from the black backdrop. Cobb's drumkit is spooky real. I've heard this album, in one version or another, hundreds of times, and there are fine touches in Cobb's snare swooshes and cymbal taps accents on accents, rhythms within rhythms that I've never heard before. Chamber's bass lines are stunningly clear: the notes he's playing, the pluck of the strings, the glow of the wood. There are also new layers of detail in Miles' mouthpiece manipulations, Evans's pedal work, and the sheer beauty of Coltrane's and Adderley's saxophones... the chase is eternal. This reissue holds the brass ring, for now". - Fred Kaplan, Stereophile, August 2021\r\n
      \r\n
      "Quite clearly and obviously this new UHQR Kind of Blue sourced from Bernie Grundman's (1997) 'live' mix from the 3-track master, directly to lacquer sounds best compared to two early '6-Eyes', Classic's own double 180 gram set and that label's single-sided 45rpm set, and Mobile Fidelity's double 45 boxed edition, to which I compared the UHQR.\r\n
      \r\n
      "Even the quietest original pressing creates a pleasing romantic blur over a soft bed of noise but compared to this issue the overall picture is distant and hazy (though the romanticized version still pulls). The UHQR offers the blackest, quietest backgrounds and unparalleled transparency, but more critically, the modified Finebuilt hand press produces unprecedented transient precision and instrumental focus and resolves low level details that will deliver surprises to even the most blasé KOB veteran, one of whom visited and exclaimed 'I've never heard that before.' This pressing allows you to see further into the mix and transports you back in time and into the 30th Street studios. I don't care what version you now have you've never heard Kind of Blue quite like this". — Music = 11/11; Sound = 11/11 Michael Fremer, AnalogPlanet.com, May 17, 2021. Read the whole review here.\r\n
      \r\n
      "Until now The Classic Records Clarity Vinyl Flat Profile version of Kind of Blue was the closest to the sound on the three track session master from which it was cut. The Analogue Productions UHQR pressing from the same metal parts has taken it up a notch and gotten us even closer to the sound on those 1/2" analog session master tapes! Buy two so you have one for a backup or to give someone the gift of music!" - Michael Hobson, founder of Classic Records\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five-track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader".\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record.\r\n
      \r\n
      The 200 gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "...There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green," making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This UHQR was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95.\r\n
      \r\n
      Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "149.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1883 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ylXk1LBvIqU"
    -referenceProduit: "Analogue Productions AUHQR 004"
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        "ordre" => 5
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        "nom" => "1. So What"
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      ]
      [
        "nom" => "2. Flamenco Sketches"
        "ordre" => 6
      ]
      [
        "nom" => "2. Freddie Freeloader "
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue In Green"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2050 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2064 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2057 …}
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    }
    -modifierLe: DateTime @1728394552 {#2026
      date: 2024-10-08 13:35:52.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2061 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kind-of-blue-33-1-3-rpm-clarity-vinyl-analogue-productions-auhqr-004"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2389 …}
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[
  "produit" => App\Entity\Produit {#2069
    -id: 2562
    -nom: "Sunday At The Village Vanguard  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - The Bill Evans Trio's Sunday At The Village Vanguard on Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - The definitive version of one of the most classic jazz recordings of all time and a regular on most best-of jazz lists !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      "On the UHQR there's a real band playing together making sense in a real space with a real kind of interaction between them and it just sounds natural open and free. And the Mofi, you know, don't get me wrong it sounds wonderful but up against this it sounds slightly disjointed not as - you know -definitely not as natural, a little bit forced and a little bit sucked out at the same time". - The Bill Evans Trio - Sunday at the Village Vanguard Ultimate AAA Showdown : UHQR vs MOFI One-Step, Dave Dener, YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like." If we gave out 12s, these would have to get 12s but we only go up to 11." — Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      Widely regarded as one of the greatest live jazz recordings of all time, Sunday At The Village Vanguard from the Bill Evans Trio, captures a remarkable performance by pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian at the Village Vanguard jazz club in New York City on June 25, 1961.\r\n
      \r\n
      The album features a selection of jazz standards and original compositions, showcasing the exceptional musicianship and improvisational prowess of the trio. The interplay between Evans, LaFaro, and Motian is extraordinary, with each musician seamlessly complementing and responding to one another.\r\n
      \r\n
      The record showed how Evans had refined an approach to solo improvisation in which the pulse was not as obvious as it had been in swing and bop approaches. And his extraordinarily high standards required that each improvised melodic idea be extensively developed, resulting in more continuity and pacing than was common to any previous modern style.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Sunday At The Village Vanguard where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      One of the standout tracks on this album is the rendition of the jazz standard "Gloria's Step". Evans' delicate touch and lyrical piano playing shine through, while LaFaro's inventive and melodic bass lines add depth and richness to the sound. The trio's chemistry is evident as they navigate through intricate musical passages and engage in spontaneous musical conversations.\r\n
      \r\n
      Another notable track is "Alice in Wonderland", an original composition by Evans. It highlights his unique approach to harmony and melody, characterized by introspection, elegance, and a delicate touch. The trio's interpretation of this piece is enchanting and showcases their ability to create a magical atmosphere through their collective musical expression.\r\n
      \r\n
      Sunday at the Village Vanguard is celebrated not only for its exceptional music but also for its exceptional sound quality. The recording captures the intimate ambiance of the Vanguard, allowing listeners to experience the energy and intimacy of a live jazz performance.\r\n
      \r\n
       
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1883 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=4F1kIvIPK9Y"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2071 …}
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2069
    -id: 2562
    -nom: "Sunday At The Village Vanguard  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - The Bill Evans Trio's Sunday At The Village Vanguard on Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - The definitive version of one of the most classic jazz recordings of all time and a regular on most best-of jazz lists !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      "On the UHQR there's a real band playing together making sense in a real space with a real kind of interaction between them and it just sounds natural open and free. And the Mofi, you know, don't get me wrong it sounds wonderful but up against this it sounds slightly disjointed not as - you know -definitely not as natural, a little bit forced and a little bit sucked out at the same time". - The Bill Evans Trio - Sunday at the Village Vanguard Ultimate AAA Showdown : UHQR vs MOFI One-Step, Dave Dener, YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like." If we gave out 12s, these would have to get 12s but we only go up to 11." — Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      Widely regarded as one of the greatest live jazz recordings of all time, Sunday At The Village Vanguard from the Bill Evans Trio, captures a remarkable performance by pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian at the Village Vanguard jazz club in New York City on June 25, 1961.\r\n
      \r\n
      The album features a selection of jazz standards and original compositions, showcasing the exceptional musicianship and improvisational prowess of the trio. The interplay between Evans, LaFaro, and Motian is extraordinary, with each musician seamlessly complementing and responding to one another.\r\n
      \r\n
      The record showed how Evans had refined an approach to solo improvisation in which the pulse was not as obvious as it had been in swing and bop approaches. And his extraordinarily high standards required that each improvised melodic idea be extensively developed, resulting in more continuity and pacing than was common to any previous modern style.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Sunday At The Village Vanguard where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      One of the standout tracks on this album is the rendition of the jazz standard "Gloria's Step". Evans' delicate touch and lyrical piano playing shine through, while LaFaro's inventive and melodic bass lines add depth and richness to the sound. The trio's chemistry is evident as they navigate through intricate musical passages and engage in spontaneous musical conversations.\r\n
      \r\n
      Another notable track is "Alice in Wonderland", an original composition by Evans. It highlights his unique approach to harmony and melody, characterized by introspection, elegance, and a delicate touch. The trio's interpretation of this piece is enchanting and showcases their ability to create a magical atmosphere through their collective musical expression.\r\n
      \r\n
      Sunday at the Village Vanguard is celebrated not only for its exceptional music but also for its exceptional sound quality. The recording captures the intimate ambiance of the Vanguard, allowing listeners to experience the energy and intimacy of a live jazz performance.\r\n
      \r\n
       
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1883 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4F1kIvIPK9Y"
    -referenceProduit: "Analogue Productions AUHQR 0017-45"
    -titreMorceau: [
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      [
        "nom" => "1. Gloria's Step"
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      ]
      [
        "nom" => "1. Solar "
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      ]
      [
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      ]
      [
        "nom" => "2. My Man's Gone Now "
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      [
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      ]
      [
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      [
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      [
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        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2071 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2073 …}
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    -modifierLe: DateTime @1727336933 {#2067
      date: 2024-09-26 07:48:53.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2077 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-sunday-at-the-village-vanguard-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0017-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2389 …}
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[
  "produit" => App\Entity\Produit {#2085
    -id: 2561
    -nom: "Waltz For Debby  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - An All-Time Jazz Audiophile Masterpiece - Now on UHQR !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists !\r\n
      \r\n
      "Overall, this UHQR presentation is a more detailed, more refined presentation of the record in my opinion. This one really extracts the beauty and the ambiance and the texture and the emotion of the live recording". - Kenny's Audiophile Record Reviews YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like". If we gave out 12s, these would have to get 12s but we only go up to 11", - Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans' unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.\r\n
      \r\n
      The title track, "Waltz for Debby", serves as the centerpiece of the album. It is a hauntingly beautiful composition penned by Evans himself as a tribute to his niece, Debby. The waltz unfolds with a graceful and melancholic melody, carried by Evans' masterful piano playing.\r\n
      \r\n
      Throughout the album, Evans and his trio venture into other classic jazz standards, including "My Foolish Heart", "Detour Ahead", and "Milestones". With each performance, they delve deep into the heart of the music, exploring its nuances and improvising with a profound sense of lyricism. Evans' introspective style shines through, as he delicately navigates the harmonies, unveiling layers of emotion and introspection.\r\n
      \r\n
      The beauty of "Waltz for Debby" lies not only in the musicianship but also in the intimate atmosphere it creates. The live recording captures the ambiance of the Village Vanguard, with the audience's presence adding an extra dimension to the music. The subtle clinks of glasses, the occasional applause, and the hushed whispers become a part of the experience, enhancing the authenticity and charm of the album.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is creating the definitive Waltz For Debby reissue: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200 gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      Waltz for Debby stands as a testament to Bill Evans' genius as a pianist and composer. It is a profound and evocative exploration of melody, harmony, and improvisation, revealing the depths of emotion and the artistry that Evans brought to his music. The album remains a beloved gem in the jazz canon, cherished by fans and musicians alike for its timeless beauty and the lasting impact it has had on the genre.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1883 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gk4D7N0pzGs"
    -referenceProduit: "Analogue Productions AUHQR 0018-45"
    -titreMorceau: [
      [
        "nom" => "1. Detour Ahead "
        "ordre" => 4
      ]
      [
        "nom" => "1. My Foolish Heart"
        "ordre" => 1
      ]
      [
        "nom" => "1. My Romance"
        "ordre" => 6
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 8
      ]
      [
        "nom" => "2. Milestones (6:37)"
        "ordre" => 9
      ]
      [
        "nom" => "2. Waltz For Debby (6:54)"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2071 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2093 …}
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    -modifierLe: DateTime @1727336243 {#2083
      date: 2024-09-26 07:37:23.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2090 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3346
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2085
    -id: 2561
    -nom: "Waltz For Debby  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - An All-Time Jazz Audiophile Masterpiece - Now on UHQR !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists !\r\n
      \r\n
      "Overall, this UHQR presentation is a more detailed, more refined presentation of the record in my opinion. This one really extracts the beauty and the ambiance and the texture and the emotion of the live recording". - Kenny's Audiophile Record Reviews YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like". If we gave out 12s, these would have to get 12s but we only go up to 11", - Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans' unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.\r\n
      \r\n
      The title track, "Waltz for Debby", serves as the centerpiece of the album. It is a hauntingly beautiful composition penned by Evans himself as a tribute to his niece, Debby. The waltz unfolds with a graceful and melancholic melody, carried by Evans' masterful piano playing.\r\n
      \r\n
      Throughout the album, Evans and his trio venture into other classic jazz standards, including "My Foolish Heart", "Detour Ahead", and "Milestones". With each performance, they delve deep into the heart of the music, exploring its nuances and improvising with a profound sense of lyricism. Evans' introspective style shines through, as he delicately navigates the harmonies, unveiling layers of emotion and introspection.\r\n
      \r\n
      The beauty of "Waltz for Debby" lies not only in the musicianship but also in the intimate atmosphere it creates. The live recording captures the ambiance of the Village Vanguard, with the audience's presence adding an extra dimension to the music. The subtle clinks of glasses, the occasional applause, and the hushed whispers become a part of the experience, enhancing the authenticity and charm of the album.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is creating the definitive Waltz For Debby reissue: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200 gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
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      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1883 …}
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    ]
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[
  "produit" => App\Entity\Produit {#2098
    -id: 2343
    -nom: "The Wonderful Sounds Of Quality Record Pressings"
    -informationComplementaire: ""
    -description: """
      - The newest addition to the unbelievably popular Wonderful Sounds... series !\r\n
      \r\n
      - 180-gram three LP set !\r\n
      \r\n
      - Includes track-by-track liner notes by Michael Fremer !\r\n
      \r\n
      - Celebrate vinyl record pressing excellence with Quality Record Pressings !\r\n
      \r\n
      - Music chosen by Acoustic Sounds CEO Chad Kassem and classical music label Reference Recordings !\r\n
      \r\n
      - Perfect demo record captures genres that include blues, jazz, classical, R&B and female vocal !\r\n
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      - LPs housed in a 3 Pocket Tip-On M-Pack Jacket by Stoughton Printing !\r\n
      \r\n
      - Mastered by Kevin Gray !\r\n
      \r\n
      Celebrate the technical expertise of the world's finest LP pressing plant Quality Record Pressings with the finest LP sampler ever assembled !\r\n
      \r\n
      The Wonderful Sounds Of Quality Record Pressings includes music handpicked by Acoustic Sounds CEO Chad Kassem and classical music tracks chosen by the team at Reference Recordings. This collection of songs originally appeared on a sampler LP in 2008 celebrating the 125th anniversary of Thorens. That set is long out of print and now in extremely high demand.\r\n
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      \r\n
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        "ordre" => 20
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    -nom: "The Wonderful Sounds Of Quality Record Pressings"
    -informationComplementaire: ""
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      - The newest addition to the unbelievably popular Wonderful Sounds... series !\r\n
      \r\n
      - 180-gram three LP set !\r\n
      \r\n
      - Includes track-by-track liner notes by Michael Fremer !\r\n
      \r\n
      - Celebrate vinyl record pressing excellence with Quality Record Pressings !\r\n
      \r\n
      - Music chosen by Acoustic Sounds CEO Chad Kassem and classical music label Reference Recordings !\r\n
      \r\n
      - Perfect demo record captures genres that include blues, jazz, classical, R&B and female vocal !\r\n
      \r\n
      - LPs housed in a 3 Pocket Tip-On M-Pack Jacket by Stoughton Printing !\r\n
      \r\n
      - Mastered by Kevin Gray !\r\n
      \r\n
      Celebrate the technical expertise of the world's finest LP pressing plant Quality Record Pressings with the finest LP sampler ever assembled !\r\n
      \r\n
      The Wonderful Sounds Of Quality Record Pressings includes music handpicked by Acoustic Sounds CEO Chad Kassem and classical music tracks chosen by the team at Reference Recordings. This collection of songs originally appeared on a sampler LP in 2008 celebrating the 125th anniversary of Thorens. That set is long out of print and now in extremely high demand.\r\n
      \r\n
      "I cherry-picked each of these songs to have a variety of great-sounding music. Since the Thorens sampler, many of the records that contain these songs have been pressed by Quality Record Pressings. Because we are celebrating more than 10 years of QRP and all of the hard work of our very talented and qualified team, we thought this would be an excellent opportunity to bring this amazing collection back into circulation". - Chad Kassem, Acoustic Sounds/Analogue Productions CEO\r\n
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      \r\n
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      What separates our world-renowned Quality Record Pressings LPs from other manufacturers? Since Acoustic Sounds CEO Chad Kassem launched QRP in 2011, the focus has been on producing consistently virtually silent vinyl playing surfaces.\r\n
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      \r\n
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      """
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[
  "produit" => App\Entity\Produit {#2114
    -id: 2514
    -nom: "Ballads - UHQR Box Set (2 LP) Clarity Vinyl"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - 45 RPM Ultra High Quality Record release limited to 5000 copies !\r\n
      \r\n
      - Mastered from the original tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® !\r\n
      \r\n
      - Includes a 12" x 12", 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall !\r\n
      \r\n
      "If you're a serious hardcore Coltrane fan, I would opt for the UHQR because I think this one sounds best in terms of depth, dimension, soundstage and detail. It is an amazing UHQR version". - Kenny's Audiophile Record Reviews. YouTube video\r\n
      \r\n
      "Coltrane's closely miked sax sounds vividly present, a bit more so on this UHQR compared to the others, and Tyner's piano, while not brilliantly recorded (n the RVG style) sounds a bit more solid and grounded in space on the UHQR compared to RKS's 33 1/3 cut... Does this edition beat the RKS 33 1/3 edition ? Yes. By leaps and bounds ? No, but it is better. Is the presentation superior? Yes. By leaps and bounds". - Music = 10/11; Sound = 9/11 - Michael Fremer, TrackingAngle.com. To read Fremer's full review click here.\r\n
      \r\n
      Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.\r\n
      \r\n
      You're about to experience Ballads at its peak of vinyl perfection in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      For this 45 RPM 2 LP edition you'll also receive a !2" x 12" 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.\r\n
      \r\n
      The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety".\r\n
      \r\n
      While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n
      \r\n
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      \r\n
      "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record\r\n
      """
    -prixVente: "249.50"
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    -musicienOrchestre: "John Coltrane (tenor saxophone), Jimmy Garrison (bass), McCoy Tyner (piano), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=8rOMV0A5jd0"
    -referenceProduit: "Analogue Productions "
    -titreMorceau: [
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        "ordre" => 1
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        "nom" => "2. You Don't Know What Love Is"
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      ]
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        "nom" => "3. Too Young To Go Steady (4:20)"
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      ]
      [
        "nom" => "4. All Or Nothing At All (3:35)"
        "ordre" => 5
      ]
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        "nom" => "5. I Wish I Knew (4:54)"
        "ordre" => 7
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      [
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      [
        "nom" => "8. Nancy (With The Laughing Face)"
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      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3443
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  +produit: App\Entity\Produit {#2114
    -id: 2514
    -nom: "Ballads - UHQR Box Set (2 LP) Clarity Vinyl"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - 45 RPM Ultra High Quality Record release limited to 5000 copies !\r\n
      \r\n
      - Mastered from the original tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® !\r\n
      \r\n
      - Includes a 12" x 12", 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall !\r\n
      \r\n
      "If you're a serious hardcore Coltrane fan, I would opt for the UHQR because I think this one sounds best in terms of depth, dimension, soundstage and detail. It is an amazing UHQR version". - Kenny's Audiophile Record Reviews. YouTube video\r\n
      \r\n
      "Coltrane's closely miked sax sounds vividly present, a bit more so on this UHQR compared to the others, and Tyner's piano, while not brilliantly recorded (n the RVG style) sounds a bit more solid and grounded in space on the UHQR compared to RKS's 33 1/3 cut... Does this edition beat the RKS 33 1/3 edition ? Yes. By leaps and bounds ? No, but it is better. Is the presentation superior? Yes. By leaps and bounds". - Music = 10/11; Sound = 9/11 - Michael Fremer, TrackingAngle.com. To read Fremer's full review click here.\r\n
      \r\n
      Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.\r\n
      \r\n
      You're about to experience Ballads at its peak of vinyl perfection in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      For this 45 RPM 2 LP edition you'll also receive a !2" x 12" 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.\r\n
      \r\n
      The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety".\r\n
      \r\n
      While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n
      \r\n
      Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.\r\n
      \r\n
      "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record\r\n
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Jimmy Garrison (bass), McCoy Tyner (piano), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -lpsMusic: 2
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    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=8rOMV0A5jd0"
    -referenceProduit: "Analogue Productions "
    -titreMorceau: [
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        "nom" => "1. Say It (Over And Over Again)"
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        "nom" => "2. You Don't Know What Love Is"
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        "nom" => "3. Too Young To Go Steady (4:20)"
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        "ordre" => 10
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        "nom" => "Side C : "
        "ordre" => 6
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        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: App\Entity\Label {#1063 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2132
    -id: 1285
    -nom: "The Wonderful Sounds of Female Vocals"
    -informationComplementaire: ""
    -description: """
      An Audiophile Go-To !\r\n
      \r\n
      The Record You Grab When You Want To Show Off Your System !\r\n
      \r\n
      All-Time Classic Performances And Recordings By All-Time Great Female Singers\r\n
      \r\n
      Each Track Selected By Acoustic Sounds Owner Chad Kassem\r\n
      \r\n
      Lacquers Cut By Kevin Gray\r\n
      \r\n
      Pressed At Quality Record Pressings On 200 Gram vinyl\r\n
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      \r\n
      Liner Notes By Michael Fremer\r\n
      \r\n
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      \r\n
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      \r\n
      Now, you can have all of those best demo tracks on one record. Show stoppers by Julie London, Diana Krall, Rickie Lee Jones, Nina Simone, Janis Ian, Phoebe Snow, Jennifer Warnes, Dusty Springfield, Shelby Lynne and many more. Every single track is an audiophile demo classic. Drop the needle and drop your friend's jaw !\r\n
      \r\n
      Michael Fremer, of AnalogPlanet.com and Stereophile Magazine, walks you through each track and its historic place with very through and entertaining liners.\r\n
      \r\n
      Plating and pressing was done at Quality Record Pressings.\r\n
      \r\n
      Ever have that moment where you want to really light up your system either for a late-night session by yourself or for when you've got company and you don't want to keep changing records to keep the hit parade going ? This record ends that issue. You've only got to make one selection.\r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Julie London, Ella Fitzgerald, Patricia Barber, Nina Simone, Joan Baez, Phoebe Snow, Dusty Springfield, Shelby Lynne, Rickie Lee Jones, Patsy Cline, Holly Cole,…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8L6KGuTr9TI"
    -referenceProduit: "AAPP 0122"
    -titreMorceau: [
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        "nom" => "1. Ballad of The Runaway Horse - Jennifer Warnes"
        "ordre" => 22
      ]
      [
        "nom" => "1. Crazy - Patsy Cline"
        "ordre" => 8
      ]
      [
        "nom" => "1. Cry Me A River - Julie London"
        "ordre" => 1
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      [
        "nom" => "1. The Moon Is Made of Gold - Rickie Lee Jones"
        "ordre" => 15
      ]
      [
        "nom" => "2. A Case of You - Diana Krall"
        "ordre" => 23
      ]
      [
        "nom" => "2. Black Coffee - Ella Fitzgerald"
        "ordre" => 2
      ]
      [
        "nom" => "2. Blue Moon - Julie London"
        "ordre" => 16
      ]
      [
        "nom" => "2. Tennessee Waltz - Holly Cole"
        "ordre" => 9
      ]
      [
        "nom" => "3. Blame It On the Moon - Nancy Bryan"
        "ordre" => 17
      ]
      [
        "nom" => "3. Breaking Silence - Janis Ian"
        "ordre" => 10
      ]
      [
        "nom" => "3. Poetry Man - Phoebe Snow"
        "ordre" => 3
      ]
      [
        "nom" => "3. The Look of Love - Dusty Springfield"
        "ordre" => 24
      ]
      [
        "nom" => "4. Brothers In Arms - Joan Baez"
        "ordre" => 25
      ]
      [
        "nom" => "4. Diamond and Rust - Joan Baez"
        "ordre" => 18
      ]
      [
        "nom" => "4. Hey There - Myra Taylor"
        "ordre" => 11
      ]
      [
        "nom" => "4. Son Of A Preacher Man - Dusty Springfield"
        "ordre" => 4
      ]
      [
        "nom" => "5. Just A Little Lovin' - Shelby Lynne"
        "ordre" => 5
      ]
      [
        "nom" => "5. Somebody Who Loves You - Joan Armatrading"
        "ordre" => 19
      ]
      [
        "nom" => "5. What A Shame - Patricia Barber"
        "ordre" => 12
      ]
      [
        "nom" => "6. Plain Gold Ring - Nina Simone"
        "ordre" => 13
      ]
      [
        "nom" => "6. Send In the Clowns - Judy Collins"
        "ordre" => 20
      ]
      [
        "nom" => "6. Show Biz Kids - Rickie Lee Jones"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 14
      ]
      [
        "nom" => "Side D : "
        "ordre" => 21
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1480 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2133 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2135 …}
    -enregistreLe: DateTime @1520755059 {#2128
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    -modifierLe: DateTime @1712785721 {#2127
      date: 2024-04-10 21:48:41.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-the-wonderful-sounds-of-female-vocals-aapp-0122"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3496
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2132
    -id: 1285
    -nom: "The Wonderful Sounds of Female Vocals"
    -informationComplementaire: ""
    -description: """
      An Audiophile Go-To !\r\n
      \r\n
      The Record You Grab When You Want To Show Off Your System !\r\n
      \r\n
      All-Time Classic Performances And Recordings By All-Time Great Female Singers\r\n
      \r\n
      Each Track Selected By Acoustic Sounds Owner Chad Kassem\r\n
      \r\n
      Lacquers Cut By Kevin Gray\r\n
      \r\n
      Pressed At Quality Record Pressings On 200 Gram vinyl\r\n
      \r\n
      Packaged In A Gatefold, Deluxe, Stoughton Tip-On Jacket\r\n
      \r\n
      Liner Notes By Michael Fremer\r\n
      \r\n
      "I've been doing this (cherry picking great recordings for reissue) for a long time, and I think I've got a good idea of what audiophiles like to hear. This is all of your female vocal demo cuts in one place". - Chad Kassem, Acoustic Sounds owner\r\n
      \r\n
      Female vocalists have forever been celebrated by audiophiles and music lovers alike. Whether the delivery is delicate or bombastic, a great female vocal well-recorded is just so sensuous. It's the genre that most often typifies the potential of hi-fi and what it can do to engage our emotions. It's no wonder the hallways of any hi-fi show will be resonating with the sounds of sparsely-arranged recordings of great women singers. It's the genre that best shows off the systems that manufacturers and dealers are trying to sell.\r\n
      \r\n
      Now, you can have all of those best demo tracks on one record. Show stoppers by Julie London, Diana Krall, Rickie Lee Jones, Nina Simone, Janis Ian, Phoebe Snow, Jennifer Warnes, Dusty Springfield, Shelby Lynne and many more. Every single track is an audiophile demo classic. Drop the needle and drop your friend's jaw !\r\n
      \r\n
      Michael Fremer, of AnalogPlanet.com and Stereophile Magazine, walks you through each track and its historic place with very through and entertaining liners.\r\n
      \r\n
      Plating and pressing was done at Quality Record Pressings.\r\n
      \r\n
      Ever have that moment where you want to really light up your system either for a late-night session by yourself or for when you've got company and you don't want to keep changing records to keep the hit parade going ? This record ends that issue. You've only got to make one selection.\r\n
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    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Julie London, Ella Fitzgerald, Patricia Barber, Nina Simone, Joan Baez, Phoebe Snow, Dusty Springfield, Shelby Lynne, Rickie Lee Jones, Patsy Cline, Holly Cole,…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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        "nom" => "1. Crazy - Patsy Cline"
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        "ordre" => 16
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        "nom" => "3. Blame It On the Moon - Nancy Bryan"
        "ordre" => 17
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      [
        "nom" => "3. Breaking Silence - Janis Ian"
        "ordre" => 10
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      [
        "nom" => "3. Poetry Man - Phoebe Snow"
        "ordre" => 3
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        "nom" => "3. The Look of Love - Dusty Springfield"
        "ordre" => 24
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      [
        "nom" => "4. Brothers In Arms - Joan Baez"
        "ordre" => 25
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      [
        "nom" => "4. Diamond and Rust - Joan Baez"
        "ordre" => 18
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        "ordre" => 11
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      [
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        "ordre" => 4
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      [
        "nom" => "5. Just A Little Lovin' - Shelby Lynne"
        "ordre" => 5
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      [
        "nom" => "5. Somebody Who Loves You - Joan Armatrading"
        "ordre" => 19
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      [
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        "ordre" => 12
      ]
      [
        "nom" => "6. Plain Gold Ring - Nina Simone"
        "ordre" => 13
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      [
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        "ordre" => 20
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      [
        "nom" => "6. Show Biz Kids - Rickie Lee Jones"
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        "ordre" => 14
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      [
        "nom" => "Side D : "
        "ordre" => 21
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: App\Entity\Label {#1063 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2133 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2135 …}
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    -modifierLe: DateTime @1712785721 {#2127
      date: 2024-04-10 21:48:41.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-the-wonderful-sounds-of-female-vocals-aapp-0122"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2389 …}
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[
  "produit" => App\Entity\Produit {#2145
    -id: 2468
    -nom: "Blues & Roots"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      \r\n
      - Mingus taps blues and roots sources for a joyous swinging outing !\r\n
      \r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      - Gatefold old-style "tip-on" jacket by Stoughton Printing !\r\n
      \r\n
      AllMusic marks Charles Mingus' Blues & Roots as a rejoinder to the critical carping that the virtuoso bass player and accomplished jazz pianist and bandleader and his evocative music "somehow didn't swing enough." For this album Mingus turned to the earthiest and earliest sources of black musical expression — blues, gospel, and old-time New Orleans jazz. The resulting album ranks arguably as Mingus' most joyously swinging outing.\r\n
      \r\n
      Recorded in 1959 and released in 1960, Blues & Roots' birth was explained by Mingus in the album's liner notes : "This record is unusual-it presents only one part of my musical world, the blues. A year ago, Nesuhi Ertegün suggested that I record an entire blues album in the style of 'Haitian Fight Song' (in Atlantic LP 1260), because some people, particularly critics, were saying I didn't swing enough. He wanted to give them a barrage of soul music: churchy, blues, swinging, earthy. I thought it over. I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing. So I agreed".\r\n
      \r\n
      Anyone who had heard "Haitian Fight Song" shouldn't have been surprised that such an album was well within Mingus' range. Mingus boosts the complexity of the music by assembling a nine-piece outfit and arranging multiple lines to be played simultaneously somewhat akin to the Dixieland ensembles of old, but with an acutely modern flavor.\r\n
      \r\n
      That modern flavor is reinforced and enhanced by the lush Analogue Productions reissue treatment that gives this new version more depth, richer sonic execution and acute audio clarity, particularly in the higher frequencies. Expert mastering from the original master tape by Kevin Gray at Cohearent Audio, and two 45 RPM flat-as-a-table 180 gram LP platters from Gary Salstrom and his crew at Quality Record Pressings properly unveil the loose and free-swinging performance. The wider-spaced grooves promote better cartridge tracking and the silent black playing surface stays clear of the audio playback.\r\n
      \r\n
      There's no question of Mingus' firm grounding in the basics on Blues & Roots, writes AllMusic, nor of his deeply felt affinity with them. Whether the music is explicitly gospel-based like the groundbreaking classic "Wednesday Night Prayer Meeting" or not, the whole album is performed with a churchy fervor that rips through both the exuberant swingers and the aching, mournful slow blues. Still, it's the blues that most prominently inform the feeling of the album, aside from the aforementioned "Wednesday Night Prayer Meeting" and the Jelly Roll Morton tribute "My Jelly Roll Soul".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Charles Mingus (bass), Jackie McLean, John Handy (alto saxophone), Pepper Adams (baritone saxophone), Horace Parlan, Mal Waldron (piano), Booker Ervin (tenor saxophone), Jimmy Knepper, Willie Dennis (trombone), Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uGJrFslQ4q4"
    -referenceProduit: "Analogue Productions AAPA 001-45"
    -titreMorceau: [
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        "nom" => "1. E's Flat Ah's Flat Too"
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        "nom" => "2. My Jelly Roll Soul"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3542
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    -id: 2468
    -nom: "Blues & Roots"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      \r\n
      - Mingus taps blues and roots sources for a joyous swinging outing !\r\n
      \r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      - Gatefold old-style "tip-on" jacket by Stoughton Printing !\r\n
      \r\n
      AllMusic marks Charles Mingus' Blues & Roots as a rejoinder to the critical carping that the virtuoso bass player and accomplished jazz pianist and bandleader and his evocative music "somehow didn't swing enough." For this album Mingus turned to the earthiest and earliest sources of black musical expression — blues, gospel, and old-time New Orleans jazz. The resulting album ranks arguably as Mingus' most joyously swinging outing.\r\n
      \r\n
      Recorded in 1959 and released in 1960, Blues & Roots' birth was explained by Mingus in the album's liner notes : "This record is unusual-it presents only one part of my musical world, the blues. A year ago, Nesuhi Ertegün suggested that I record an entire blues album in the style of 'Haitian Fight Song' (in Atlantic LP 1260), because some people, particularly critics, were saying I didn't swing enough. He wanted to give them a barrage of soul music: churchy, blues, swinging, earthy. I thought it over. I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing. So I agreed".\r\n
      \r\n
      Anyone who had heard "Haitian Fight Song" shouldn't have been surprised that such an album was well within Mingus' range. Mingus boosts the complexity of the music by assembling a nine-piece outfit and arranging multiple lines to be played simultaneously somewhat akin to the Dixieland ensembles of old, but with an acutely modern flavor.\r\n
      \r\n
      That modern flavor is reinforced and enhanced by the lush Analogue Productions reissue treatment that gives this new version more depth, richer sonic execution and acute audio clarity, particularly in the higher frequencies. Expert mastering from the original master tape by Kevin Gray at Cohearent Audio, and two 45 RPM flat-as-a-table 180 gram LP platters from Gary Salstrom and his crew at Quality Record Pressings properly unveil the loose and free-swinging performance. The wider-spaced grooves promote better cartridge tracking and the silent black playing surface stays clear of the audio playback.\r\n
      \r\n
      There's no question of Mingus' firm grounding in the basics on Blues & Roots, writes AllMusic, nor of his deeply felt affinity with them. Whether the music is explicitly gospel-based like the groundbreaking classic "Wednesday Night Prayer Meeting" or not, the whole album is performed with a churchy fervor that rips through both the exuberant swingers and the aching, mournful slow blues. Still, it's the blues that most prominently inform the feeling of the album, aside from the aforementioned "Wednesday Night Prayer Meeting" and the Jelly Roll Morton tribute "My Jelly Roll Soul".
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uGJrFslQ4q4"
    -referenceProduit: "Analogue Productions AAPA 001-45"
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      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …}
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    }
    -modifierLe: DateTime @1698664760 {#2143
      date: 2023-10-30 11:19:20.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blues-roots-analogue-productions-aapa-001-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2389 …}
}

[
  "produit" => App\Entity\Produit {#2161
    -id: 1859
    -nom: "The Wonderful Sounds Of Male Vocals"
    -informationComplementaire: ""
    -description: """
      An Audiophile Go-To !\r\n
      \r\n
      A Record You Grab When You Want To Show Off Your System !\r\n
      \r\n
      All-Time Classic Performances And Recordings By All-Time Great Male Singers !\r\n
      \r\n
      Each Track Selected By Acoustic Sounds Owner Chad Kassem !\r\n
      \r\n
      Lacquers Cut By Ryan K. Smith at Sterling Sound NYC !\r\n
      \r\n
      Pressed At Quality Record Pressings On 200 gram vinyl !\r\n
      \r\n
      Packaged In A Gatefold, Deluxe, Stoughton Tip-On Jacket !\r\n
      \r\n
      Liner Notes By Michael Fremer !\r\n
      \r\n
      Ready for another go with A-list caliber demo tracks chosen by the man himself, Acoustic Sounds founder and CEO Chad Kassem ? Here in our Analogue Productions Wonderful Sounds series, we have a treat for you following up on The Wonderful Sounds of Christmas, and Female Vocals, we've put together The Wonderful Sounds of Male Vocals stone-cold killers from the first song to the last !\r\n
      \r\n
      When you want to show off your hi-fi system's potential, why waste time with multiple LPs ? Skip the searching, un-sleeving, re-sleeving and more and give your audiophile friends what they like to hear. Grab this album and you'll hear show stoppers by Amos Lee, Dean Martin, Aaron Neville, Roy Orbison, Willie Nelson, Pure Prairie League, Harry Belafonte, Pete Seeger, The Beach Boys, Willy DeVille, Greg Brown, JD Souther, Tennessee Ernie Ford, Tony Bennett, Harry Nilsson, Tony Joe White and what would a male vocal compilation be without the truly great Elvis Presley ? Just how good older recordings can sound when the touch of an exceptional mastering engineer is involved is demonstrated by the matchless Ryan K. Smith at Sterling Sound.\r\n
      \r\n
      Like others in our Wonderful Sounds series, this album works well as entertainment and as a great sampler of the LPs, mostly released by Analogue Productions.\r\n
      \r\n
      Michael Fremer, of AnalogPlanet.com and Stereophile Magazine, walks you through each track and its historic place with very thorough and entertaining liners.\r\n
      \r\n
      Plating and pressing was done at Quality Record Pressings, where Gary Salstrom and his crew manufacture the world's best-sounding LPs with their exceptionally quiet playing surfaces.\r\n
      \r\n
      From "Fever" to "Spanish Jack", and "Amie" to "Blue Bayou" and everything in-between "Georgia on My Mind", "(I Left My Heart) In San Francisco", "Silver Blue" and more you'll be relishing this LP with each play. Make the easy selection and enjoy listening.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Dean Martin, Amos Lee, JD Souther, Tennessee Ernie Ford, Aaron Neville, Pure Prairie League, Tony Bennett, Roy Orbison, Willie Nelson, Willis Alan Ramsey, Pete Seeger (The Weavers), The Beach Boys, Greg Brown, Harry Belafonte, Elvis Presley…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YYR8_iHvU1Y"
    -referenceProduit: "Analogue Productions AAPP 131-45"
    -titreMorceau: [
      [
        "nom" => "1. Amie - Pure Prairie League "
        "ordre" => 7
      ]
      [
        "nom" => "1. I'm Confessin' (That I Love You) - Dean Martin"
        "ordre" => 1
      ]
      [
        "nom" => "1. Losing Hand - Harry Belafonte "
        "ordre" => 19
      ]
      [
        "nom" => "1. Ramblin' Boy - Pete Seeger (The Weavers) "
        "ordre" => 13
      ]
      [
        "nom" => "2. (I Left My Heart) In San Francisco - Tony Bennett "
        "ordre" => 8
      ]
      [
        "nom" => "2. Arms of a Woman - Amos Lee"
        "ordre" => 2
      ]
      [
        "nom" => "2. In My Room (Stereo Version) - The Beach Boys "
        "ordre" => 14
      ]
      [
        "nom" => "2. Spanish Jack - Willy DeVille "
        "ordre" => 20
      ]
      [
        "nom" => "3. Blue Bayou - Roy Orbison "
        "ordre" => 9
      ]
      [
        "nom" => "3. Brand New '64 Dodge - Greg Brown "
        "ordre" => 15
      ]
      [
        "nom" => "3. Fever - Elvis Presley "
        "ordre" => 21
      ]
      [
        "nom" => "3. Silver Blue - JD Souther"
        "ordre" => 3
      ]
      [
        "nom" => "4. Did Somebody Make a Fool out of You - Tony Joe White "
        "ordre" => 22
      ]
      [
        "nom" => "4. Georgia On My Mind - Willie Nelson "
        "ordre" => 10
      ]
      [
        "nom" => "4. Scarlet Ribbons - Harry Belafonte "
        "ordre" => 16
      ]
      [
        "nom" => "4. Try Me One More Time - Tennessee Ernie Ford"
        "ordre" => 4
      ]
      [
        "nom" => "5. (There'll Be) Peace in the Valley (For Me) – Elvis Presley"
        "ordre" => 17
      ]
      [
        "nom" => "5. Coconut - Harry Nilsson"
        "ordre" => 23
      ]
      [
        "nom" => "5. It Feels Like Rain - Aaron Neville"
        "ordre" => 5
      ]
      [
        "nom" => "5. Sympathy for a Train - Willis Alan Ramsey"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 18
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1480 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2162 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2164 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-the-wonderful-sounds-of-male-vocals-analogue-productions-aapp-131-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3595
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2161
    -id: 1859
    -nom: "The Wonderful Sounds Of Male Vocals"
    -informationComplementaire: ""
    -description: """
      An Audiophile Go-To !\r\n
      \r\n
      A Record You Grab When You Want To Show Off Your System !\r\n
      \r\n
      All-Time Classic Performances And Recordings By All-Time Great Male Singers !\r\n
      \r\n
      Each Track Selected By Acoustic Sounds Owner Chad Kassem !\r\n
      \r\n
      Lacquers Cut By Ryan K. Smith at Sterling Sound NYC !\r\n
      \r\n
      Pressed At Quality Record Pressings On 200 gram vinyl !\r\n
      \r\n
      Packaged In A Gatefold, Deluxe, Stoughton Tip-On Jacket !\r\n
      \r\n
      Liner Notes By Michael Fremer !\r\n
      \r\n
      Ready for another go with A-list caliber demo tracks chosen by the man himself, Acoustic Sounds founder and CEO Chad Kassem ? Here in our Analogue Productions Wonderful Sounds series, we have a treat for you following up on The Wonderful Sounds of Christmas, and Female Vocals, we've put together The Wonderful Sounds of Male Vocals stone-cold killers from the first song to the last !\r\n
      \r\n
      When you want to show off your hi-fi system's potential, why waste time with multiple LPs ? Skip the searching, un-sleeving, re-sleeving and more and give your audiophile friends what they like to hear. Grab this album and you'll hear show stoppers by Amos Lee, Dean Martin, Aaron Neville, Roy Orbison, Willie Nelson, Pure Prairie League, Harry Belafonte, Pete Seeger, The Beach Boys, Willy DeVille, Greg Brown, JD Souther, Tennessee Ernie Ford, Tony Bennett, Harry Nilsson, Tony Joe White and what would a male vocal compilation be without the truly great Elvis Presley ? Just how good older recordings can sound when the touch of an exceptional mastering engineer is involved is demonstrated by the matchless Ryan K. Smith at Sterling Sound.\r\n
      \r\n
      Like others in our Wonderful Sounds series, this album works well as entertainment and as a great sampler of the LPs, mostly released by Analogue Productions.\r\n
      \r\n
      Michael Fremer, of AnalogPlanet.com and Stereophile Magazine, walks you through each track and its historic place with very thorough and entertaining liners.\r\n
      \r\n
      Plating and pressing was done at Quality Record Pressings, where Gary Salstrom and his crew manufacture the world's best-sounding LPs with their exceptionally quiet playing surfaces.\r\n
      \r\n
      From "Fever" to "Spanish Jack", and "Amie" to "Blue Bayou" and everything in-between "Georgia on My Mind", "(I Left My Heart) In San Francisco", "Silver Blue" and more you'll be relishing this LP with each play. Make the easy selection and enjoy listening.\r\n
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    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Dean Martin, Amos Lee, JD Souther, Tennessee Ernie Ford, Aaron Neville, Pure Prairie League, Tony Bennett, Roy Orbison, Willie Nelson, Willis Alan Ramsey, Pete Seeger (The Weavers), The Beach Boys, Greg Brown, Harry Belafonte, Elvis Presley…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YYR8_iHvU1Y"
    -referenceProduit: "Analogue Productions AAPP 131-45"
    -titreMorceau: [
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        "nom" => "1. Amie - Pure Prairie League "
        "ordre" => 7
      ]
      [
        "nom" => "1. I'm Confessin' (That I Love You) - Dean Martin"
        "ordre" => 1
      ]
      [
        "nom" => "1. Losing Hand - Harry Belafonte "
        "ordre" => 19
      ]
      [
        "nom" => "1. Ramblin' Boy - Pete Seeger (The Weavers) "
        "ordre" => 13
      ]
      [
        "nom" => "2. (I Left My Heart) In San Francisco - Tony Bennett "
        "ordre" => 8
      ]
      [
        "nom" => "2. Arms of a Woman - Amos Lee"
        "ordre" => 2
      ]
      [
        "nom" => "2. In My Room (Stereo Version) - The Beach Boys "
        "ordre" => 14
      ]
      [
        "nom" => "2. Spanish Jack - Willy DeVille "
        "ordre" => 20
      ]
      [
        "nom" => "3. Blue Bayou - Roy Orbison "
        "ordre" => 9
      ]
      [
        "nom" => "3. Brand New '64 Dodge - Greg Brown "
        "ordre" => 15
      ]
      [
        "nom" => "3. Fever - Elvis Presley "
        "ordre" => 21
      ]
      [
        "nom" => "3. Silver Blue - JD Souther"
        "ordre" => 3
      ]
      [
        "nom" => "4. Did Somebody Make a Fool out of You - Tony Joe White "
        "ordre" => 22
      ]
      [
        "nom" => "4. Georgia On My Mind - Willie Nelson "
        "ordre" => 10
      ]
      [
        "nom" => "4. Scarlet Ribbons - Harry Belafonte "
        "ordre" => 16
      ]
      [
        "nom" => "4. Try Me One More Time - Tennessee Ernie Ford"
        "ordre" => 4
      ]
      [
        "nom" => "5. (There'll Be) Peace in the Valley (For Me) – Elvis Presley"
        "ordre" => 17
      ]
      [
        "nom" => "5. Coconut - Harry Nilsson"
        "ordre" => 23
      ]
      [
        "nom" => "5. It Feels Like Rain - Aaron Neville"
        "ordre" => 5
      ]
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        "nom" => "5. Sympathy for a Train - Willis Alan Ramsey"
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[
  "produit" => App\Entity\Produit {#2174
    -id: 2335
    -nom: "Lady in Satin"
    -informationComplementaire: ""
    -description: """
      - 180 gram 45 RPM double LP from Analogue Productions !\r\n
      \r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      \r\n
      - Plated and pressed at Quality Record Pressings ! \r\n
      \r\n
      - Gatefold old-style "tip-on" jacket by Stoughton Printing !\r\n
      \r\n
      Lady in Satin was released in 1958 on Columbia Records, catalog CL 1157 in mono and CS 8048 in stereo. It is legendary singer Billie Holiday's penultimate album completed by the singer and released in her lifetime (her final album, Billie Holiday, being recorded in March 1959 and released just after her death).\r\n
      \r\n
      AllMusic says : "The feeling and tension she manages to put into almost every track set this album as one of her finest achievements. 'You've Changed' and 'I Get Along Without You Very Well' are high art performances from the singer who saw life from the bottom up".\r\n
      \r\n
      The song material for Lady in Satin derived from the usual sources for Holiday in her three-decade career, that of the Great American Songbook of classic pop. Unlike the bulk of Holiday's recordings, rather than in the setting of a jazz combo Holiday returns to the backdrop of full orchestral arrangements as done during her Decca years, this time in the contemporary vein of Frank Sinatra or Ella Fitzgerald on her Song Books series. The album consists of songs Holiday had never recorded before.\r\n
      \r\n
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      \r\n
      Now with our 45 RPM release, mastered from the original analog tape by Bernie Grundman, and pressed by our own Quality Record Pressings, the best-sounding version of this historic album gives listeners an even richer sonic experience. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      Original album produced by Irving Townsend, and engineered by Fred Plaut.\r\n
      """
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    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=QtFhUAtQS1s"
    -referenceProduit: "Analogue Productions AAPJ 144-45"
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        "nom" => "3. I'll Be Around"
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      [
        "nom" => "3. Violets For Your Furs "
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      [
        "nom" => "3. You Don't Know What Love Is "
        "ordre" => 3
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        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3641
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      - 180 gram 45 RPM double LP from Analogue Productions !\r\n
      \r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
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      - Plated and pressed at Quality Record Pressings ! \r\n
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      AllMusic says : "The feeling and tension she manages to put into almost every track set this album as one of her finest achievements. 'You've Changed' and 'I Get Along Without You Very Well' are high art performances from the singer who saw life from the bottom up".\r\n
      \r\n
      The song material for Lady in Satin derived from the usual sources for Holiday in her three-decade career, that of the Great American Songbook of classic pop. Unlike the bulk of Holiday's recordings, rather than in the setting of a jazz combo Holiday returns to the backdrop of full orchestral arrangements as done during her Decca years, this time in the contemporary vein of Frank Sinatra or Ella Fitzgerald on her Song Books series. The album consists of songs Holiday had never recorded before.\r\n
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      \r\n
      Now with our 45 RPM release, mastered from the original analog tape by Bernie Grundman, and pressed by our own Quality Record Pressings, the best-sounding version of this historic album gives listeners an even richer sonic experience. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
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[
  "produit" => App\Entity\Produit {#2190
    -id: 512
    -nom: "Seven Steps To Heaven"
    -informationComplementaire: ""
    -description: """
      "...The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured... with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy". - Marc Mickelson, The Audio Beat, December 2010\r\n
      \r\n
      In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this disc, he was in the process of forming a new band, as can be seen from the personnel: tenor saxophonist George Coleman, Victor Feldman (who turned down the job) and Herbie Hancock on pianos, bassist Ron Carter, and Frank Butler and Tony Williams on drums. Recorded at two separate sessions, this set is highlighted by the classic "Seven Steps To Heaven", "Joshua" and slow passionate versions of "Basin Street Blues" and "Baby Won't You Please Come Home".\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Miles Davis (trumpet), George Coleman (tenor saxophone), Herbie Hancock, Victor Feldman (piano), Ron Carter (bass), Frank Butler, Anthony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Hhfe1SUe2-A"
    -referenceProduit: "Analogue Productions AAPJ 8851-45"
    -titreMorceau: [
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        "nom" => "1. Basin Street Blues"
        "ordre" => 1
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        "nom" => "1. Joshua"
        "ordre" => 9
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        "ordre" => 8
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2050 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3694
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2190
    -id: 512
    -nom: "Seven Steps To Heaven"
    -informationComplementaire: ""
    -description: """
      "...The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured... with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy". - Marc Mickelson, The Audio Beat, December 2010\r\n
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2050 …}
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}