Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2536
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2613
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2616 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
  -formView: Symfony\Component\Form\FormView {#2652 …}
  -form: Symfony\Component\Form\Form {#2802 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 1490
    -nom: "Amused To Death (Box Set 4 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Roger Waters (bass guitar, acoustic guitar, keyboards, vocals), Jeff Beck (lead guitar), Patrick Leonard (keyboards), Rita Coolidge, Don Henley, James Taylor, P.P. Arnold, Jim Haas, Carol Kenyon, Katie Kissoon (vocals), Trevor Morais (vocals, backing vocals), Neil Jason (bass guitar), B.J. Cole (pedal steel guitar), Graham Broad (drums, percussion), Trevor Morais (percussion), Andy Newmark (drums), Michael Kamen (Orchestral arrangements and conducting).\r\n
      \r\n
      - Long-time audiophile favorite returns as a 45 RPM on four 200 gram LPs !\r\n
      - Plated and pressed at Quality Record Pressings! Every cricket chirp and dog bark in stellar detail !\r\n
      - An essential upgrade to the listening experience; improved sonic intensity !\r\n
      - Roger Waters' take on America's entertainment-obsessed society !\r\n
      \r\n
      This audiophile favorite and a brisk seller since its Analogue Productions 33 1/3 reissue in 2015 is back with an upgrade. Now a 45 RPM (4 LP) 200 gram set, the remastered audio completed by longtime Roger Waters / Pink Floyd collaborator and co-producer James Guthrie is chillingly detailed every cricket chirp and dog bark on this distinctive album has even more sonic intensity and dimension.\r\n
      \r\n
      An unblinking look at an entertainment-obsessed society, Amused to Death addresses issues that have only grown in complexity and urgency over the past two decades. With Amused to Death, Roger Waters sounded the alarm about a society increasingly and unthinkingly in thrall to its television screens. Twenty-three years later, Amused to Death speaks to our present moment in ways that could scarcely have been anticipated two decades ago. In 2018, television is just one option in an endless array of distractions available to us anytime, anywhere, courtesy of our laptops, tablets and smartphones. With eyes glued to our screens, the dilemmas and injustices of the real world can easily recede from view.\r\n
      \r\n
      The 2018 (4 LP) 45 RPM 200 gram vinyl edition of Amused to Death features remastered audio completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie, and has been pressed at Quality Record Pressings. The updated cover and gatefold art is by Sean Evans, the creative director of Waters' 2010-2013 "The Wall Live" tour and movie.
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Roger Waters (bass guitar, acoustic guitar, keyboards, vocals), Jeff Beck (lead guitar), Patrick Leonard (keyboards)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K-P614lmP3Y"
    -referenceProduit: "Analogue Productions AAPP 468761-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. The Ballad of Bill Hubbard"
      ]
      [
        "ordre" => 1
        "nom" => "2. What God Wants, Part I"
      ]
      [
        "ordre" => 2
        "nom" => "3. Perfect Sense, Part I"
      ]
      [
        "ordre" => 3
        "nom" => "4. Perfect Sense, Part II"
      ]
      [
        "ordre" => 4
        "nom" => "5. The Bravery of Being Out of Range"
      ]
      [
        "ordre" => 5
        "nom" => "6. Late Home Tonight, Part I"
      ]
      [
        "ordre" => 6
        "nom" => "7. Late Home Tonight, Part II"
      ]
      [
        "ordre" => 7
        "nom" => "8. Too Much Rope"
      ]
      [
        "ordre" => 8
        "nom" => "9. What God Wants, Part II"
      ]
      [
        "ordre" => 9
        "nom" => "10. What God Wants, Part III"
      ]
      [
        "ordre" => 10
        "nom" => "11. Watching TV"
      ]
      [
        "ordre" => 11
        "nom" => "12. Three Wishes"
      ]
      [
        "ordre" => 12
        "nom" => "13. It's A Miracle"
      ]
      [
        "ordre" => 13
        "nom" => "14. Amused To Death"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1546083642 {#1896
      date: 2018-12-29 11:40:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769940255 {#1889
      date: 2026-02-01 10:04:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-amused-to-death-box-set-4-lp-45-rpm-analogue-productions-aapp-468761-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3077
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 1490
    -nom: "Amused To Death (Box Set 4 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Roger Waters (bass guitar, acoustic guitar, keyboards, vocals), Jeff Beck (lead guitar), Patrick Leonard (keyboards), Rita Coolidge, Don Henley, James Taylor, P.P. Arnold, Jim Haas, Carol Kenyon, Katie Kissoon (vocals), Trevor Morais (vocals, backing vocals), Neil Jason (bass guitar), B.J. Cole (pedal steel guitar), Graham Broad (drums, percussion), Trevor Morais (percussion), Andy Newmark (drums), Michael Kamen (Orchestral arrangements and conducting).\r\n
      \r\n
      - Long-time audiophile favorite returns as a 45 RPM on four 200 gram LPs !\r\n
      - Plated and pressed at Quality Record Pressings! Every cricket chirp and dog bark in stellar detail !\r\n
      - An essential upgrade to the listening experience; improved sonic intensity !\r\n
      - Roger Waters' take on America's entertainment-obsessed society !\r\n
      \r\n
      This audiophile favorite and a brisk seller since its Analogue Productions 33 1/3 reissue in 2015 is back with an upgrade. Now a 45 RPM (4 LP) 200 gram set, the remastered audio completed by longtime Roger Waters / Pink Floyd collaborator and co-producer James Guthrie is chillingly detailed every cricket chirp and dog bark on this distinctive album has even more sonic intensity and dimension.\r\n
      \r\n
      An unblinking look at an entertainment-obsessed society, Amused to Death addresses issues that have only grown in complexity and urgency over the past two decades. With Amused to Death, Roger Waters sounded the alarm about a society increasingly and unthinkingly in thrall to its television screens. Twenty-three years later, Amused to Death speaks to our present moment in ways that could scarcely have been anticipated two decades ago. In 2018, television is just one option in an endless array of distractions available to us anytime, anywhere, courtesy of our laptops, tablets and smartphones. With eyes glued to our screens, the dilemmas and injustices of the real world can easily recede from view.\r\n
      \r\n
      The 2018 (4 LP) 45 RPM 200 gram vinyl edition of Amused to Death features remastered audio completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie, and has been pressed at Quality Record Pressings. The updated cover and gatefold art is by Sean Evans, the creative director of Waters' 2010-2013 "The Wall Live" tour and movie.
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Roger Waters (bass guitar, acoustic guitar, keyboards, vocals), Jeff Beck (lead guitar), Patrick Leonard (keyboards)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K-P614lmP3Y"
    -referenceProduit: "Analogue Productions AAPP 468761-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. The Ballad of Bill Hubbard"
      ]
      [
        "ordre" => 1
        "nom" => "2. What God Wants, Part I"
      ]
      [
        "ordre" => 2
        "nom" => "3. Perfect Sense, Part I"
      ]
      [
        "ordre" => 3
        "nom" => "4. Perfect Sense, Part II"
      ]
      [
        "ordre" => 4
        "nom" => "5. The Bravery of Being Out of Range"
      ]
      [
        "ordre" => 5
        "nom" => "6. Late Home Tonight, Part I"
      ]
      [
        "ordre" => 6
        "nom" => "7. Late Home Tonight, Part II"
      ]
      [
        "ordre" => 7
        "nom" => "8. Too Much Rope"
      ]
      [
        "ordre" => 8
        "nom" => "9. What God Wants, Part II"
      ]
      [
        "ordre" => 9
        "nom" => "10. What God Wants, Part III"
      ]
      [
        "ordre" => 10
        "nom" => "11. Watching TV"
      ]
      [
        "ordre" => 11
        "nom" => "12. Three Wishes"
      ]
      [
        "ordre" => 12
        "nom" => "13. It's A Miracle"
      ]
      [
        "ordre" => 13
        "nom" => "14. Amused To Death"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1546083642 {#1896
      date: 2018-12-29 11:40:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769940255 {#1889
      date: 2026-02-01 10:04:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-amused-to-death-box-set-4-lp-45-rpm-analogue-productions-aapp-468761-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
}

[
  "produit" => App\Entity\Produit {#2037
    -id: 478
    -nom: "Amused To Death"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Roger Waters (bass guitar, acoustic guitar, keyboards, vocals), Jeff Beck (lead guitar), Patrick Leonard (keyboards), Rita Coolidge, Don Henley, James Taylor, P.P. Arnold, Jim Haas, Carol Kenyon, Katie Kissoon (vocals), Trevor Morais (vocals, backing vocals), Neil Jason (bass guitar), B.J. Cole (pedal steel guitar), Graham Broad (drums, percussion), Trevor Morais (percussion), Andy Newmark (drums), Michael Kamen (Orchestral arrangements and conducting).\r\n
      \r\n
      - Now even more applicable to current times than its creation era !\r\n
      - Mastered from the original analog tapes to high-resolution digital by James Guthrie and Joel Plante. Lacquers cut by Bernie Grundman !\r\n
      - QSoundTM "surround sound Every cricket chirp and dog bark in stellar detail !\r\n
      - 200 gram gatefold double LP pressed at Quality Record Pressings !\r\n
      \r\n
      "In some ways, this is even better than The Wall. Waters got a lot of top performers to play on the album, usually behind his singing and speaking of the lyrics... Guitarist Jeff Beck is heard frequently in the album, with his special virtuosity on eight of the tracks... (Waters is) certainly at his cynical best here - and without him Pink Floyd never mind the general doom and gloom wouldn't have been the top rock group it is and was". - Audiophile Audition, Jan. 12, 2016.\r\n
      \r\n
      "Despite the bombast and conceit, this long-time audiophile favorite sounds outstanding in this 200 gram vinyl edition. Back in the day you needed some pretty heady drugs to make DSOTM sound this good, and the stellar line-up of musicians, with Jeff Beck on eight tracks, makes for a pharmaceutical-free audiophile amusement ride. The LP surfaces are dead quiet too, allowing you to hear every nuance of cricket chirp and dog bark". Recording = 9.5/10; Music = 8.5/10 - Dennis D. Davis, Hi-Fi +, Issue 128\r\n
      \r\n
      "I have the original double vinyl issue of this, that until recently went for upwards of $600, and this reissue beats that one in every possible way... The QSoundTM "surround sound" is more intensely drawn, dynamics are staggering, deep bass is monumental and the depth and width of the cinematic soundstage is beyond that of every other record I can think of in my collection. The 200 gram QRP pressing I got (sealed) was perfectly quiet and flat and after sitting through all four sides I felt as if I'd experienced a 3D IMAX movie, only with greater sonic intensity and dimensionality". - Music = 9/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. Read the whole review here.\r\n
      \r\n
      "Even if you have one of the original issue vinyl LPs, the new version of Amused to Death on the Analogue Productions label is an essential upgrade to your listening experience. Like The Division Bell and The Endless River vinyl LPs before it, Analogue Productions has kept their commitment for quality meticulously high with Amused to Death. The record pressing is uniformly excellent..." - Paul Powell Jr., Brain Damage U.K. Pink Floyd News, August 2015.\r\n
      \r\n
      An unblinking look at an entertainment-obsessed society, Amused to Death addresses issues that have only grown in complexity and urgency over the past two decades. With Amused to Death, Roger Waters sounded the alarm about a society increasingly and unthinkingly in thrall to its television screens. Twenty-three years later, Amused to Death speaks to our present moment in ways that could scarcely have been anticipated two decades ago. In 2015, television is just one option in an endless array of distractions available to us anytime, anywhere, courtesy of our laptops, tablets and smartphones. With eyes glued to our screens, the dilemmas and injustices of the real world can easily recede from view.\r\n
      \r\n
      The 2015 2 LP 200 gram vinyl edition of Amused to Death features remastered audio completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie, and has been pressed at Quality Record Pressings. The cover and gatefold art has been updated for 2015 by Sean Evans, the creative director of Waters' 2010-2013 "The Wall Live" tour and movie.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Roger Waters (bass guitar, acoustic guitar, keyboards, vocals), Jeff Beck (lead guitar), Patrick Leonard (keyboards)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zpotZUiKLbU"
    -referenceProduit: "Analogue Productions AAPP 468761"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Ballad of Bill Hubbard"
      ]
      [
        "ordre" => 2
        "nom" => "2. What God Wants, Part I"
      ]
      [
        "ordre" => 3
        "nom" => "3. Perfect Sense, Part I"
      ]
      [
        "ordre" => 4
        "nom" => "4. Perfect Sense, Part II"
      ]
      [
        "ordre" => 5
        "nom" => "Side B :"
      ]
      [
        "ordre" => 6
        "nom" => "1. The Bravery of Being Out of Range"
      ]
      [
        "ordre" => 7
        "nom" => "2. Late Home Tonight, Part I"
      ]
      [
        "ordre" => 8
        "nom" => "3. Late Home Tonight, Part II"
      ]
      [
        "ordre" => 9
        "nom" => "4. Too Much Rope"
      ]
      [
        "ordre" => 10
        "nom" => "5. What God Wants, Part II"
      ]
      [
        "ordre" => 11
        "nom" => "Side C : "
      ]
      [
        "ordre" => 12
        "nom" => "1. What God Wants, Part III"
      ]
      [
        "ordre" => 13
        "nom" => "2. Watching TV"
      ]
      [
        "ordre" => 14
        "nom" => "3. Three Wishes"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. It's a Miracle"
      ]
      [
        "ordre" => 17
        "nom" => "2. Amused To Death"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1476 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2045 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2038 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2040 …}
    -enregistreLe: DateTime @1322488647 {#2033
      date: 2011-11-28 13:57:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769940203 {#2032
      date: 2026-02-01 10:03:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2042 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-amused-to-death-analogue-productions-aapp-468761"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3193
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2037
    -id: 478
    -nom: "Amused To Death"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Roger Waters (bass guitar, acoustic guitar, keyboards, vocals), Jeff Beck (lead guitar), Patrick Leonard (keyboards), Rita Coolidge, Don Henley, James Taylor, P.P. Arnold, Jim Haas, Carol Kenyon, Katie Kissoon (vocals), Trevor Morais (vocals, backing vocals), Neil Jason (bass guitar), B.J. Cole (pedal steel guitar), Graham Broad (drums, percussion), Trevor Morais (percussion), Andy Newmark (drums), Michael Kamen (Orchestral arrangements and conducting).\r\n
      \r\n
      - Now even more applicable to current times than its creation era !\r\n
      - Mastered from the original analog tapes to high-resolution digital by James Guthrie and Joel Plante. Lacquers cut by Bernie Grundman !\r\n
      - QSoundTM "surround sound Every cricket chirp and dog bark in stellar detail !\r\n
      - 200 gram gatefold double LP pressed at Quality Record Pressings !\r\n
      \r\n
      "In some ways, this is even better than The Wall. Waters got a lot of top performers to play on the album, usually behind his singing and speaking of the lyrics... Guitarist Jeff Beck is heard frequently in the album, with his special virtuosity on eight of the tracks... (Waters is) certainly at his cynical best here - and without him Pink Floyd never mind the general doom and gloom wouldn't have been the top rock group it is and was". - Audiophile Audition, Jan. 12, 2016.\r\n
      \r\n
      "Despite the bombast and conceit, this long-time audiophile favorite sounds outstanding in this 200 gram vinyl edition. Back in the day you needed some pretty heady drugs to make DSOTM sound this good, and the stellar line-up of musicians, with Jeff Beck on eight tracks, makes for a pharmaceutical-free audiophile amusement ride. The LP surfaces are dead quiet too, allowing you to hear every nuance of cricket chirp and dog bark". Recording = 9.5/10; Music = 8.5/10 - Dennis D. Davis, Hi-Fi +, Issue 128\r\n
      \r\n
      "I have the original double vinyl issue of this, that until recently went for upwards of $600, and this reissue beats that one in every possible way... The QSoundTM "surround sound" is more intensely drawn, dynamics are staggering, deep bass is monumental and the depth and width of the cinematic soundstage is beyond that of every other record I can think of in my collection. The 200 gram QRP pressing I got (sealed) was perfectly quiet and flat and after sitting through all four sides I felt as if I'd experienced a 3D IMAX movie, only with greater sonic intensity and dimensionality". - Music = 9/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. Read the whole review here.\r\n
      \r\n
      "Even if you have one of the original issue vinyl LPs, the new version of Amused to Death on the Analogue Productions label is an essential upgrade to your listening experience. Like The Division Bell and The Endless River vinyl LPs before it, Analogue Productions has kept their commitment for quality meticulously high with Amused to Death. The record pressing is uniformly excellent..." - Paul Powell Jr., Brain Damage U.K. Pink Floyd News, August 2015.\r\n
      \r\n
      An unblinking look at an entertainment-obsessed society, Amused to Death addresses issues that have only grown in complexity and urgency over the past two decades. With Amused to Death, Roger Waters sounded the alarm about a society increasingly and unthinkingly in thrall to its television screens. Twenty-three years later, Amused to Death speaks to our present moment in ways that could scarcely have been anticipated two decades ago. In 2015, television is just one option in an endless array of distractions available to us anytime, anywhere, courtesy of our laptops, tablets and smartphones. With eyes glued to our screens, the dilemmas and injustices of the real world can easily recede from view.\r\n
      \r\n
      The 2015 2 LP 200 gram vinyl edition of Amused to Death features remastered audio completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie, and has been pressed at Quality Record Pressings. The cover and gatefold art has been updated for 2015 by Sean Evans, the creative director of Waters' 2010-2013 "The Wall Live" tour and movie.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Roger Waters (bass guitar, acoustic guitar, keyboards, vocals), Jeff Beck (lead guitar), Patrick Leonard (keyboards)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zpotZUiKLbU"
    -referenceProduit: "Analogue Productions AAPP 468761"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Ballad of Bill Hubbard"
      ]
      [
        "ordre" => 2
        "nom" => "2. What God Wants, Part I"
      ]
      [
        "ordre" => 3
        "nom" => "3. Perfect Sense, Part I"
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        "ordre" => 4
        "nom" => "4. Perfect Sense, Part II"
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        "ordre" => 5
        "nom" => "Side B :"
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        "nom" => "1. The Bravery of Being Out of Range"
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        "nom" => "2. Late Home Tonight, Part I"
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        "ordre" => 13
        "nom" => "2. Watching TV"
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      [
        "ordre" => 14
        "nom" => "3. Three Wishes"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. It's a Miracle"
      ]
      [
        "ordre" => 17
        "nom" => "2. Amused To Death"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
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    }
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      date: 2026-02-01 10:03:23.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
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[
  "produit" => App\Entity\Produit {#2052
    -id: 1863
    -nom: "Hoodoo Man Blues"
    -informationComplementaire: null
    -description: """
      - Now in a gatefold jacket with new artwork !\r\n
      - Plated and pressed on 180 gram 2 LP 45 RPM at Quality Record Pressings !\r\n
      - Limited edition of 1000 copies !\r\n
      - New additional liner notes by Jim O'Neal, co-founder of Living Blues Magazine !\r\n
      \r\n
      "This viscerally punchy electric blues is anchored by unimprovable harp playing from Junior Wells, a young Buddy Guy by his side. From the kick of up-tempo numbers like "Snatch It Back and Hold It" to the deep, sexy, slow moan of "Early in the Morning", you just can't top this. Current audiophile bona fides are in excellent order, thanks to fine remastering by Kevin Gray and Analogue Productions for 45 RPM, LP, SACD / CD, and DSD download". - Sasha Matson, Stereophile's Records To Die For, February 2018\r\n
      \r\n
      "...this album is DYNOMITE and this pressing is sweet. A truly great album done truly well". Music = 11/11; Sound = 10/11 – Mark Schlack \r\n
      \r\n
      \r\n
      One of the all-time great urban blues records and the best-seller in the famed Delmark catalog. Hoodoo Man Blues is so full of bravado and snap it'll make you feel tough just listening to it. Not all of the Delmark titles were recorded very well, but this one certainly was. And at 45 RPM 2 LP, plated and pressed at Quality Record Pressings, this now stands as the undisputed definitive version. For 2020 we've added a redesigned gatefold jacket with new artwork, plus, additional liner notes from Jim O'Neal, co-founder of Living Blues Magazine.\r\n
      \r\n
      Hoodoo Man Blues, which features Buddy Guy on guitar, is not only Junior Wells' first LP appearance, it's damn near the first LP by a Chicago blues band. Chess and a few other labels had reissued 45s by Muddy Waters, Sonny Boy Williamson, Howlin' Wolf, Jimmy Reed, Elmore James, etc., but virtually no one had tried to capture the Chicago blues sound free of the limitations of juke box/airplay promotion. Hoodoo Man Blues went a long way in the popularization of real Chicago blues and of Junior Wells.\r\n
      \r\n
      Originally released in 1965.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
    -musicienOrchestre: "Junior Wells (harmonica, vocals), Buddy Guy (guitar), Jack Myers (bass), Billy Warren (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UbtH8ymaSAU"
    -referenceProduit: "Analogue Productions AAPB 034-45"
    -titreMorceau: [
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        "ordre" => 3
        "nom" => "3. Good Morning Schoolgirl"
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        "ordre" => 4
        "nom" => "Side B : "
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        "nom" => "1. Hound Dog"
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        "ordre" => 7
        "nom" => "3. Hey Lawdy Mama"
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      [
        "ordre" => 8
        "nom" => "Side C : "
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      [
        "ordre" => 9
        "nom" => "1. Hoodoo Man Blues"
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      [
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      [
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        "nom" => "3. We're Ready"
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      [
        "ordre" => 12
        "nom" => "Side D : "
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      [
        "ordre" => 13
        "nom" => "1. You Don't Love Me, Baby"
      ]
      [
        "ordre" => 14
        "nom" => "2. Chitlin Con Carne"
      ]
      [
        "ordre" => 15
        "nom" => "3. Yonder Wall"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2054 …}
    -label: App\Entity\Label {#1063 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-hoodoo-man-blues-analogue-productions-aapb-034-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3239
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2052
    -id: 1863
    -nom: "Hoodoo Man Blues"
    -informationComplementaire: null
    -description: """
      - Now in a gatefold jacket with new artwork !\r\n
      - Plated and pressed on 180 gram 2 LP 45 RPM at Quality Record Pressings !\r\n
      - Limited edition of 1000 copies !\r\n
      - New additional liner notes by Jim O'Neal, co-founder of Living Blues Magazine !\r\n
      \r\n
      "This viscerally punchy electric blues is anchored by unimprovable harp playing from Junior Wells, a young Buddy Guy by his side. From the kick of up-tempo numbers like "Snatch It Back and Hold It" to the deep, sexy, slow moan of "Early in the Morning", you just can't top this. Current audiophile bona fides are in excellent order, thanks to fine remastering by Kevin Gray and Analogue Productions for 45 RPM, LP, SACD / CD, and DSD download". - Sasha Matson, Stereophile's Records To Die For, February 2018\r\n
      \r\n
      "...this album is DYNOMITE and this pressing is sweet. A truly great album done truly well". Music = 11/11; Sound = 10/11 – Mark Schlack \r\n
      \r\n
      \r\n
      One of the all-time great urban blues records and the best-seller in the famed Delmark catalog. Hoodoo Man Blues is so full of bravado and snap it'll make you feel tough just listening to it. Not all of the Delmark titles were recorded very well, but this one certainly was. And at 45 RPM 2 LP, plated and pressed at Quality Record Pressings, this now stands as the undisputed definitive version. For 2020 we've added a redesigned gatefold jacket with new artwork, plus, additional liner notes from Jim O'Neal, co-founder of Living Blues Magazine.\r\n
      \r\n
      Hoodoo Man Blues, which features Buddy Guy on guitar, is not only Junior Wells' first LP appearance, it's damn near the first LP by a Chicago blues band. Chess and a few other labels had reissued 45s by Muddy Waters, Sonny Boy Williamson, Howlin' Wolf, Jimmy Reed, Elmore James, etc., but virtually no one had tried to capture the Chicago blues sound free of the limitations of juke box/airplay promotion. Hoodoo Man Blues went a long way in the popularization of real Chicago blues and of Junior Wells.\r\n
      \r\n
      Originally released in 1965.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
    -musicienOrchestre: "Junior Wells (harmonica, vocals), Buddy Guy (guitar), Jack Myers (bass), Billy Warren (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=UbtH8ymaSAU"
    -referenceProduit: "Analogue Productions AAPB 034-45"
    -titreMorceau: [
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        "nom" => "Side A : "
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        "nom" => " 1. Snatch It Back And Hold It"
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        "nom" => "2. Ships On The Ocean"
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        "ordre" => 3
        "nom" => "3. Good Morning Schoolgirl"
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      [
        "ordre" => 4
        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. Hound Dog"
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      [
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        "nom" => "2. In The Wee Wee Hours"
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        "nom" => "3. Hey Lawdy Mama"
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      [
        "ordre" => 8
        "nom" => "Side C : "
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        "ordre" => 9
        "nom" => "1. Hoodoo Man Blues"
      ]
      [
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      [
        "ordre" => 11
        "nom" => "3. We're Ready"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
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      [
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        "nom" => "1. You Don't Love Me, Baby"
      ]
      [
        "ordre" => 14
        "nom" => "2. Chitlin Con Carne"
      ]
      [
        "ordre" => 15
        "nom" => "3. Yonder Wall"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2054 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1455 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2056 …}
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      date: 2026-01-31 13:24:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
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[
  "produit" => App\Entity\Produit {#2068
    -id: 746
    -nom: "Latin In A Satin Mood"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold LP plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
      \r\n
      The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.\r\n
      \r\n
      Analogue Productions has brought back Julie London sings Latin In A Satin Mood in damatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.\r\n
      \r\n
      Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male "mariachi-esque" serenade ads to the romantic ambiance.\r\n
      \r\n
      Speaking of the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Julie London (vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=F2IGBGFeC5w"
    -referenceProduit: "Analogue Productions AAPP 7278"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "SIDE A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Frenesi"
      ]
      [
        "ordre" => 2
        "nom" => "2. Be Mine Tonight"
      ]
      [
        "ordre" => 3
        "nom" => "3. Yours"
      ]
      [
        "ordre" => 4
        "nom" => "4. Besame Mucho"
      ]
      [
        "ordre" => 5
        "nom" => "5. Adios"
      ]
      [
        "ordre" => 6
        "nom" => "6. Sway"
      ]
      [
        "ordre" => 7
        "nom" => "Side B :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Perfidia"
      ]
      [
        "ordre" => 9
        "nom" => "2. Come Closer To Me"
      ]
      [
        "ordre" => 10
        "nom" => "3. Amor"
      ]
      [
        "ordre" => 11
        "nom" => "4. Magic Is The Moonlight"
      ]
      [
        "ordre" => 12
        "nom" => "5. You Belong To My Heart"
      ]
      [
        "ordre" => 13
        "nom" => "6. Vaya Con Dios"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2070 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2079 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2072 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2074 …}
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    }
    -modifierLe: DateTime @1769853018 {#2066
      date: 2026-01-31 09:50:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-latin-in-a-satin-mood-analogue-productions-aapp-7278"
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App\Twig\Components\GestionPanierFavoriComponents {#3290
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2068
    -id: 746
    -nom: "Latin In A Satin Mood"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold LP plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
      \r\n
      The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.\r\n
      \r\n
      Analogue Productions has brought back Julie London sings Latin In A Satin Mood in damatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.\r\n
      \r\n
      Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male "mariachi-esque" serenade ads to the romantic ambiance.\r\n
      \r\n
      Speaking of the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Julie London (vocals)"
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[
  "produit" => App\Entity\Produit {#2084
    -id: 1159
    -nom: "Latin In A Satin Mood (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold double LP, cut at 45 RPM !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
      \r\n
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      \r\n
      Analogue Productions has brought back Julie London sings Latin In A Satin Mood in dramatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular. And we've cut this version at 45 RPM, meaning the 12 tracks are spread over two LPs for even better cartridge tracking for superior sound quality !\r\n
      \r\n
      Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the back up male "mariachi-esque" serenade ads to the romantic ambiance.\r\n
      \r\n
      Speaking of the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: null
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    -id: 1159
    -nom: "Latin In A Satin Mood (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold double LP, cut at 45 RPM !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
      \r\n
      The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.\r\n
      \r\n
      Analogue Productions has brought back Julie London sings Latin In A Satin Mood in dramatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular. And we've cut this version at 45 RPM, meaning the 12 tracks are spread over two LPs for even better cartridge tracking for superior sound quality !\r\n
      \r\n
      Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the back up male "mariachi-esque" serenade ads to the romantic ambiance.\r\n
      \r\n
      Speaking of the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -limitedEdition: true
    -preCommande: false
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[
  "produit" => App\Entity\Produit {#2097
    -id: 1455
    -nom: "Julie Is Her Name (2 LP) 45 RPM"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Limited edition 45 RPM double mono LP set !\r\n
      - All-tube mastering by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      It's back. Analogue Productions' 45 RPM, (2 LP) version of the great Julie London debut on Liberty Records. Mastered by Bernie Grundman on his all-tube cutting system and now plated and pressed at Quality Record Pressings. This 45 RPM spreads the 12 tracks over two LPs for even better cartridge tracking and superior sound quality !\r\n
      \r\n
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      \r\n
      Supported by the legendary Barney Kessel on guitar and Ray Leatherwood on bass, this LP release brings back memories of the cool '50s. Whether you were a cool swinger in the '50s or you're a cool hi-fi lovin' swinger today, you will be transported to a time when a 15" coaxial speaker, a 20 watt amplifier and a girl who looks like Julie were all that mattered.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Julie London (vocals), Barney Kessel (guitar), Ray Leatherwood (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3391
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
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    -id: 1455
    -nom: "Julie Is Her Name (2 LP) 45 RPM"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
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      - All-tube mastering by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
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      \r\n
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      \r\n
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      """
    -prixVente: "129.50"
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    -musicienOrchestre: "Julie London (vocals), Barney Kessel (guitar), Ray Leatherwood (bass)"
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        "nom" => "4. Gone With The Wind"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
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[
  "produit" => App\Entity\Produit {#2110
    -id: 1158
    -nom: "Julie Is Her Name - Volume Two (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold double LP, cut at 45 RPM !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
      \r\n
      The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.\r\n
      \r\n
      Analogue Productions has brought back Julie Is Her Name Volume 2, making it an undeniable classic in every sense of the word. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the result is a memory-stirring masterpiece. And we've cut this version at 45 RPM, meaning the 12 tracks are spread over two LPs for even better cartridge tracking for superior sound quality!\r\n
      \r\n
      Julie Is Her Name - Volume Two, has all the sincerity and warmth of her professional album debut, the best-selling Julie Is Her Name, from Liberty. An untested singer with uncompromising musical faith, an unknown record company, sophisticated, tastefully presented standards presented simply backed by just a bass and guitar - Julie Is Her Name faced long odds of success. Yet it soared to become a best-selling hit. Julie London rose to the Top 10 of every list of female vocalists.\r\n
      \r\n
      And as to the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Julie London (vocals), Howard Roberts (guitar), Red Mitchell (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wBLjGE8Wl1M"
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        "nom" => "3. Goody Goody"
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      [
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        "nom" => "2. If I'm Lucky"
      ]
      [
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        "nom" => "3. Hot Toddy"
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      [
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      ]
      [
        "ordre" => 13
        "nom" => "1. Little White Lies"
      ]
      [
        "ordre" => 14
        "nom" => "2. I Guess I'll Have To Change My Plan"
      ]
      [
        "ordre" => 15
        "nom" => "3. I Got Lost In His Arms"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2070 …}
    -label: App\Entity\Label {#1063 …}
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    }
    -modifierLe: DateTime @1769852018 {#2108
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3439
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2110
    -id: 1158
    -nom: "Julie Is Her Name - Volume Two (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold double LP, cut at 45 RPM !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
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      The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.\r\n
      \r\n
      Analogue Productions has brought back Julie Is Her Name Volume 2, making it an undeniable classic in every sense of the word. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the result is a memory-stirring masterpiece. And we've cut this version at 45 RPM, meaning the 12 tracks are spread over two LPs for even better cartridge tracking for superior sound quality!\r\n
      \r\n
      Julie Is Her Name - Volume Two, has all the sincerity and warmth of her professional album debut, the best-selling Julie Is Her Name, from Liberty. An untested singer with uncompromising musical faith, an unknown record company, sophisticated, tastefully presented standards presented simply backed by just a bass and guitar - Julie Is Her Name faced long odds of success. Yet it soared to become a best-selling hit. Julie London rose to the Top 10 of every list of female vocalists.\r\n
      \r\n
      And as to the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Julie London (vocals), Howard Roberts (guitar), Red Mitchell (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wBLjGE8Wl1M"
    -referenceProduit: "Analogue Productions AAPP 7100-45"
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        "ordre" => 0
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2070 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
}

[
  "produit" => App\Entity\Produit {#2123
    -id: 527
    -nom: "It Serve You Right To Suffer - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - John Lee Hooker "It Serve You Right To Suffer" 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at AcousTech Mastering !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      John Lee Hooker himself did not know his exact date of birth. If he hadn't died at around the age of 80, this ageless musician would still be easily pulling the next generation to his gigs. Hooker remains a phenomenon, a mysterious figure of black rhythm and blues, a charismatic king who reigns supreme in rock 'n' roll's Hall of Fame. John W. Peters described his music as a synthesis of scorching emotional ardour, unrelenting rhythmic intensity, and original poetry of a highly personal character. Anyone hearing him for the first time may well be startled at the unfiltered passion and power of his music.\r\n
      \r\n
      And another surprise is in store for those who compare Hooker's late recordings with those made in the Sixties. His unmistakable, raw voice has fully matured, but his incantory style of singing appears markedly finer and more flexible. And then there is the perfect gem of a rhythm group whose sinewy sounds fill the grooves with merciless gravitational force. It's enough to make your spine tingle !
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Milt Hinton (bass), Joseph Barry Galbraith (guitar), William Wells (trombone), David "Panama" Francis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gJdHlra_fHA"
    -referenceProduit: "Analogue Productions AIPJ 9103"
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        "nom" => "1. Money"
      ]
      [
        "ordre" => 11
        "nom" => "2. It Serve You Right To Suffer"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2125 …}
    -label: App\Entity\Label {#1063 …}
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    }
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App\Twig\Components\GestionPanierFavoriComponents {#3485
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2123
    -id: 527
    -nom: "It Serve You Right To Suffer - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - John Lee Hooker "It Serve You Right To Suffer" 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at AcousTech Mastering !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      John Lee Hooker himself did not know his exact date of birth. If he hadn't died at around the age of 80, this ageless musician would still be easily pulling the next generation to his gigs. Hooker remains a phenomenon, a mysterious figure of black rhythm and blues, a charismatic king who reigns supreme in rock 'n' roll's Hall of Fame. John W. Peters described his music as a synthesis of scorching emotional ardour, unrelenting rhythmic intensity, and original poetry of a highly personal character. Anyone hearing him for the first time may well be startled at the unfiltered passion and power of his music.\r\n
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      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Milt Hinton (bass), Joseph Barry Galbraith (guitar), William Wells (trombone), David "Panama" Francis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=gJdHlra_fHA"
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      [
        "ordre" => 11
        "nom" => "2. It Serve You Right To Suffer"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2125 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1455 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2134 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2129 …}
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    -modifierLe: DateTime @1769793069 {#2121
      date: 2026-01-30 17:11:09.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
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[
  "produit" => App\Entity\Produit {#2139
    -id: 2428
    -nom: "The Healer"
    -informationComplementaire: null
    -description: """
      - John Lee Hooker's The Healer from Analogue Productions !\r\n
      - 180 gram 45 RPM double LP release !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      The Healer is a critically acclaimed album by the legendary blues musician John Lee Hooker. Released in 1989, it stands as a testament to Hooker's profound influence on the genre and his ability to evolve his sound while staying true to his roots. The album showcases his distinctive guitar style, gritty vocals, and masterful storytelling, creating an immersive and emotionally charged musical experience.\r\n
      \r\n
      The Healer features an impressive array of guest artists, each bringing their unique talents to the table. Renowned musicians such as Carlos Santana, Bonnie Raitt, Robert Cray, Canned Heat, and Los Lobos join forces with Hooker, creating a rich tapestry of blues, rock, and soul.\r\n
      \r\n
      On the title track Hooker's deep, resonant voice combined with Santana's searing guitar work creates an unforgettable blues anthem that speaks to the power of music as a healing force. The lyrics are introspective, introspective, and poignant, reflecting on the struggles of life and the solace found in the blues.\r\n
      \r\n
      Throughout the album, Hooker explores a range of themes, from love and loss to societal issues and personal introspection. Tracks like "I'm in the Mood" and "Baby Lee" exude a raw sensuality, showcasing Hooker's ability to infuse his music with passion and desire. Meanwhile, songs like "Cry Baby" and "The Healing Game" delve into deeper emotional territory, capturing the pain and resilience of the human spirit.\r\n
      \r\n
      Hooker was 73 years of age when The Healer came out and earned his first of many future Grammy accolades, winning Best Traditional Blues Recording for "I'm In The Mood". This edition features lacquers cut by Bernie Grundman, and pressing on 180 gram vinyl at Quality Record Pressings, for superior sound.\r\n
      \r\n
      With its exceptional musicianship, thought-provoking lyrics, and powerful collaborations, The Healer remains a standout album in John Lee Hooker's discography.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=lE4P8r8FENY"
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        "nom" => "1. My Dream "
      ]
      [
        "ordre" => 13
        "nom" => "2. No Substitute"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2125 …}
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  }
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App\Twig\Components\GestionPanierFavoriComponents {#3538
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2139
    -id: 2428
    -nom: "The Healer"
    -informationComplementaire: null
    -description: """
      - John Lee Hooker's The Healer from Analogue Productions !\r\n
      - 180 gram 45 RPM double LP release !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      The Healer is a critically acclaimed album by the legendary blues musician John Lee Hooker. Released in 1989, it stands as a testament to Hooker's profound influence on the genre and his ability to evolve his sound while staying true to his roots. The album showcases his distinctive guitar style, gritty vocals, and masterful storytelling, creating an immersive and emotionally charged musical experience.\r\n
      \r\n
      The Healer features an impressive array of guest artists, each bringing their unique talents to the table. Renowned musicians such as Carlos Santana, Bonnie Raitt, Robert Cray, Canned Heat, and Los Lobos join forces with Hooker, creating a rich tapestry of blues, rock, and soul.\r\n
      \r\n
      On the title track Hooker's deep, resonant voice combined with Santana's searing guitar work creates an unforgettable blues anthem that speaks to the power of music as a healing force. The lyrics are introspective, introspective, and poignant, reflecting on the struggles of life and the solace found in the blues.\r\n
      \r\n
      Throughout the album, Hooker explores a range of themes, from love and loss to societal issues and personal introspection. Tracks like "I'm in the Mood" and "Baby Lee" exude a raw sensuality, showcasing Hooker's ability to infuse his music with passion and desire. Meanwhile, songs like "Cry Baby" and "The Healing Game" delve into deeper emotional territory, capturing the pain and resilience of the human spirit.\r\n
      \r\n
      Hooker was 73 years of age when The Healer came out and earned his first of many future Grammy accolades, winning Best Traditional Blues Recording for "I'm In The Mood". This edition features lacquers cut by Bernie Grundman, and pressing on 180 gram vinyl at Quality Record Pressings, for superior sound.\r\n
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      With its exceptional musicianship, thought-provoking lyrics, and powerful collaborations, The Healer remains a standout album in John Lee Hooker's discography.
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    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "2. No Substitute"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2125 …}
    -label: App\Entity\Label {#1063 …}
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      date: 2026-01-30 17:04:16.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
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[
  "produit" => App\Entity\Produit {#2152
    -id: 600
    -nom: "Johnny Hodges With Billy Strayhorn (2 LP) 45 RPM"
    -informationComplementaire: "Awaiting instructions from Analogue Productions on availability"
    -description: """
      Musicians :\r\n
      Johnny Hodges (alto saxophone), Cat Anderson, Shorty Baker, Bill Berry, Howard McGhee, Ed Mullens (trumpet), Aaron Bell (bass), Lawrence Brown, Quentin Jackson (trombone), Harry Carney (bass clarinet, baritone saxophone, bass saxophone), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (clarinet, tenor saxophone), Russell Procope (clarinet, alto saxophone), Chuck Conors (bass trombone), Jimmy Jones (piano), Sam Woodyard (drums), Billy Strayhorn (arranger, conductor, performer).\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Recorded during the last decade of his long tenure with the Duke Ellington Orchestra, this album finds the great alto saxophonist Johnny Hodges' musical gifts not only intact but stronger than ever. Featuring the Ellington band with Jimmy Jones on piano and Billy Strayhorn as bandleader and arranger it is a fascinating program of Ellington remakes, including tome of the orchestra's most familiar numbers, all of which have been given subtle new orchestrations by Strayhorn and melodious new interpretations by Hodges.\r\n
      \r\n
      Recorded in 1961.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Johnny Hodges (alto saxophone), Cat Anderson, Shorty Baker, Bill Berry, Howard McGhee, Ed Mullens (trumpet), Aaron Bell (bass), Lawrence Brown, Quentin Jackson (trombone), Harry Carney (bass clarinet, baritone saxophone, bass saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lR3M35ycfqY"
    -referenceProduit: "Analogue Productions AVRJ 8452-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Don't Get Around Much Anymore"
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        "ordre" => 5
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      ]
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        "ordre" => 6
        "nom" => "2. I'm Just a Lucky So and So"
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        "nom" => "1. Jeep's Blues"
      ]
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      ]
      [
        "ordre" => 10
        "nom" => "3. Juice a Plenty"
      ]
      [
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        "nom" => "Side D : "
      ]
      [
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        "nom" => "1. Azure"
      ]
      [
        "ordre" => 13
        "nom" => "2. Tailor Made"
      ]
      [
        "ordre" => 14
        "nom" => "3. Stardust"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    }
    -modifierLe: DateTime @1769789493 {#2150
      date: 2026-01-30 16:11:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-johnny-hodges-with-billy-strayhorn-2-lp-45-rpm-analogue-productions-avrj-8452-45"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3584
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2152
    -id: 600
    -nom: "Johnny Hodges With Billy Strayhorn (2 LP) 45 RPM"
    -informationComplementaire: "Awaiting instructions from Analogue Productions on availability"
    -description: """
      Musicians :\r\n
      Johnny Hodges (alto saxophone), Cat Anderson, Shorty Baker, Bill Berry, Howard McGhee, Ed Mullens (trumpet), Aaron Bell (bass), Lawrence Brown, Quentin Jackson (trombone), Harry Carney (bass clarinet, baritone saxophone, bass saxophone), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (clarinet, tenor saxophone), Russell Procope (clarinet, alto saxophone), Chuck Conors (bass trombone), Jimmy Jones (piano), Sam Woodyard (drums), Billy Strayhorn (arranger, conductor, performer).\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Recorded during the last decade of his long tenure with the Duke Ellington Orchestra, this album finds the great alto saxophonist Johnny Hodges' musical gifts not only intact but stronger than ever. Featuring the Ellington band with Jimmy Jones on piano and Billy Strayhorn as bandleader and arranger it is a fascinating program of Ellington remakes, including tome of the orchestra's most familiar numbers, all of which have been given subtle new orchestrations by Strayhorn and melodious new interpretations by Hodges.\r\n
      \r\n
      Recorded in 1961.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Johnny Hodges (alto saxophone), Cat Anderson, Shorty Baker, Bill Berry, Howard McGhee, Ed Mullens (trumpet), Aaron Bell (bass), Lawrence Brown, Quentin Jackson (trombone), Harry Carney (bass clarinet, baritone saxophone, bass saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -referenceProduit: "Analogue Productions AVRJ 8452-45"
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        "nom" => "Side C : "
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        "nom" => "1. Jeep's Blues"
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        "nom" => "3. Juice a Plenty"
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        "nom" => "1. Azure"
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      ]
      [
        "ordre" => 14
        "nom" => "3. Stardust"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: App\Entity\Label {#1063 …}
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      date: 2026-01-30 16:11:33.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2168
    -id: 644
    -nom: "Blues A Plenty (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Mastered by George Marino at Sterling Sound\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011\r\n
      \r\n
      One of the giants of the alto saxophone, Johnny Hodges was perhaps the most important soloist and sideman in Duke Ellington's orchestra from 1928 up to Hodges' death in 1970. The self-taught player made many solo forays during his long career - one of his '50s outfits included a young John Coltrane - but history remembers Hodges for his virtuosic sidemanship, particularly his sensitive rendering of ballads.\r\n
      \r\n
      Originally released in 1958.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Johnny Hodges (alto saxophone), Ben Webster (tenor saxophone), Vic Dickenson (trombone), Roy Eldridge (trumpet), Jimmy Woode (bass), Billy Strayhom (piano), Sam Woodyard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ux_yFSeYHFg"
    -referenceProduit: "Analogue Productions AAPP 6123-45"
    -titreMorceau: [
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        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. I Didn't Know About You"
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        "ordre" => 2
        "nom" => "2. Cool Your Motor"
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        "ordre" => 3
        "nom" => "3. Gone With the Wind"
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        "nom" => "Side B :"
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        "ordre" => 5
        "nom" => "1. Honey Hill"
      ]
      [
        "ordre" => 6
        "nom" => "2. Blues-A-Plenty"
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      [
        "ordre" => 7
        "nom" => "3. Don't Take Your Love From Me"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
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        "ordre" => 9
        "nom" => "1. Saturday Afternoon Blues"
      ]
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        "ordre" => 10
        "nom" => "2. Satin Doll"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Reeling and Rocking"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2176 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2169 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2171 …}
    -enregistreLe: DateTime @1377239399 {#2165
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    }
    -modifierLe: DateTime @1769789132 {#2166
      date: 2026-01-30 16:05:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2173 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-blues-a-plenty-2-lp-45-rpm-analogue-productions-aapp-6123-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3637
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2168
    -id: 644
    -nom: "Blues A Plenty (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Mastered by George Marino at Sterling Sound\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011\r\n
      \r\n
      One of the giants of the alto saxophone, Johnny Hodges was perhaps the most important soloist and sideman in Duke Ellington's orchestra from 1928 up to Hodges' death in 1970. The self-taught player made many solo forays during his long career - one of his '50s outfits included a young John Coltrane - but history remembers Hodges for his virtuosic sidemanship, particularly his sensitive rendering of ballads.\r\n
      \r\n
      Originally released in 1958.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Johnny Hodges (alto saxophone), Ben Webster (tenor saxophone), Vic Dickenson (trombone), Roy Eldridge (trumpet), Jimmy Woode (bass), Billy Strayhom (piano), Sam Woodyard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ux_yFSeYHFg"
    -referenceProduit: "Analogue Productions AAPP 6123-45"
    -titreMorceau: [
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        "nom" => "2. Cool Your Motor"
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        "nom" => "3. Gone With the Wind"
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        "nom" => "2. Blues-A-Plenty"
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        "nom" => "Side C :"
      ]
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        "nom" => "1. Saturday Afternoon Blues"
      ]
      [
        "ordre" => 10
        "nom" => "2. Satin Doll"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Reeling and Rocking"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2171 …}
    -enregistreLe: DateTime @1377239399 {#2165
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    }
    -modifierLe: DateTime @1769789132 {#2166
      date: 2026-01-30 16:05:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2173 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-blues-a-plenty-2-lp-45-rpm-analogue-productions-aapp-6123-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
}

[
  "produit" => App\Entity\Produit {#2181
    -id: 2467
    -nom: "John Prine"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - John Prine Self-titled 1971 debut by the American country / folk master singer-songwriter !\r\n
      - 180 gram 45 RPM double LP release from Analogue Productions !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois.\r\n
      \r\n
      Music journalist Erin Osmon, who traced the history leading up the album, spoke with Wisconsin Public Radio about the brilliance of Prine's songwriting and how he could write such memorable songs.\r\n
      \r\n
      "I think he did it because he kept it simple. When we think about great Midwestern songwriters, of course Bob Dylan comes to mind. But you know, many people compared Prine and Bob Dylan when Prine's self-titled album came out", Osmon said. "But with Prine, there was such a sense of simplicity and modesty. Prine never wanted to alienate the listener. On the contrary, he wanted to invite as many people as possible. That's why he wrote such simple yet profound statements through his lyrics".\r\n
      \r\n
      Prine's musical experience began when his older brother Dave introduced him to the Old Town School of Folk Music in Chicago. Prine met Ray Tate, the lead guitar teacher at OTS. Tate described Prine as a focused, dedicated student who wanted to learn fingerpicking and fingerstyle guitar.\r\n
      \r\n
      Later Tate, and other instructors at OTS founded a club called the 5th Peg right across the street from the Old Town School, which is the first place Prine appeared on stage. One night a young arts critic from the Chicago Sun-Times, by the name of Roger Ebert, happened into the 5th Peg and caught Prine's set.\r\n
      \r\n
      Music wasn't Ebert's beat. But after Ebert saw Prine's set, he felt moved enough to share the news of a new local talent", Osmon recalled. "And from there, all of Chicago took notice because Roger was a respected critic by then. He was a Chicago personality, and that made Chicagoans take note. After Roger's review, folks started trickling in. They wanted to be at the feet of the singing mailman".\r\n
      \r\n
      Through some chance encounters, with singer-songwriter Kris Kristofferson and others, Prine wound up signed to Atlantic Records. Prine recorded his debut album at American Sound Studios in Memphis; the band for the recording was a studio session group called the Memphis Boys, the Memphis equivalent of the Los Angeles session band, the Wrecking Crew.\r\n
      \r\n
      "They know that record labels hire them to make hits, and if they don't deliver on that, they fail", Osmon said. "They knew correctly that Prine's stuff was really about the lyrics. So eventually, they all kind of dove into the songs and paid close attention to the lyrics, trying to highlight the words as much as they could".\r\n
      \r\n
      The album became an instant hit with songs such as "Illegal Smile", "Hello In There", "Sam Stone", "Your Flag Decal Won't Get You Into Heaven Anymore", and of course, the classic "Angel From Montgomery".\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Prine (acoustic guitar, vocals), Steve Goodman (acoustic guitar),  Mike Leach (bass), Reggie Young (lead guitar), Bobby Emmons (organ),  Leo LeBlanc (pedal steel guitar), Bobby Wood (piano), John Christopher (rhythm guitar), Gene Chrisman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7lHkugF0nyI"
    -referenceProduit: "Analogue Productions AAPA 004-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Illegal Smile"
      ]
      [
        "ordre" => 2
        "nom" => "2. Spanish Pipedream"
      ]
      [
        "ordre" => 3
        "nom" => "3. Hello In There"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sam Stone"
      ]
      [
        "ordre" => 6
        "nom" => "2. Paradise"
      ]
      [
        "ordre" => 7
        "nom" => "3. Pretty Good"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Your Flag Decal Won't Get You Into Heaven Anymore"
      ]
      [
        "ordre" => 10
        "nom" => "2. Far From Me"
      ]
      [
        "ordre" => 11
        "nom" => "3. Angel From Montogomery"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Quiet Man"
      ]
      [
        "ordre" => 14
        "nom" => "2. Donald And Lydia"
      ]
      [
        "ordre" => 15
        "nom" => "3. Six O' Clock News"
      ]
      [
        "ordre" => 16
        "nom" => "4. Flashback Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2183 …}
    -label: App\Entity\Label {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2187 …}
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    }
    -modifierLe: DateTime @1769787458 {#2179
      date: 2026-01-30 15:37:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2189 …}
    -disponible: null
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    -slug: "vinyles-john-prine-analogue-productions-aapa-004-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3683
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2615 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2181
    -id: 2467
    -nom: "John Prine"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - John Prine Self-titled 1971 debut by the American country / folk master singer-songwriter !\r\n
      - 180 gram 45 RPM double LP release from Analogue Productions !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois.\r\n
      \r\n
      Music journalist Erin Osmon, who traced the history leading up the album, spoke with Wisconsin Public Radio about the brilliance of Prine's songwriting and how he could write such memorable songs.\r\n
      \r\n
      "I think he did it because he kept it simple. When we think about great Midwestern songwriters, of course Bob Dylan comes to mind. But you know, many people compared Prine and Bob Dylan when Prine's self-titled album came out", Osmon said. "But with Prine, there was such a sense of simplicity and modesty. Prine never wanted to alienate the listener. On the contrary, he wanted to invite as many people as possible. That's why he wrote such simple yet profound statements through his lyrics".\r\n
      \r\n
      Prine's musical experience began when his older brother Dave introduced him to the Old Town School of Folk Music in Chicago. Prine met Ray Tate, the lead guitar teacher at OTS. Tate described Prine as a focused, dedicated student who wanted to learn fingerpicking and fingerstyle guitar.\r\n
      \r\n
      Later Tate, and other instructors at OTS founded a club called the 5th Peg right across the street from the Old Town School, which is the first place Prine appeared on stage. One night a young arts critic from the Chicago Sun-Times, by the name of Roger Ebert, happened into the 5th Peg and caught Prine's set.\r\n
      \r\n
      Music wasn't Ebert's beat. But after Ebert saw Prine's set, he felt moved enough to share the news of a new local talent", Osmon recalled. "And from there, all of Chicago took notice because Roger was a respected critic by then. He was a Chicago personality, and that made Chicagoans take note. After Roger's review, folks started trickling in. They wanted to be at the feet of the singing mailman".\r\n
      \r\n
      Through some chance encounters, with singer-songwriter Kris Kristofferson and others, Prine wound up signed to Atlantic Records. Prine recorded his debut album at American Sound Studios in Memphis; the band for the recording was a studio session group called the Memphis Boys, the Memphis equivalent of the Los Angeles session band, the Wrecking Crew.\r\n
      \r\n
      "They know that record labels hire them to make hits, and if they don't deliver on that, they fail", Osmon said. "They knew correctly that Prine's stuff was really about the lyrics. So eventually, they all kind of dove into the songs and paid close attention to the lyrics, trying to highlight the words as much as they could".\r\n
      \r\n
      The album became an instant hit with songs such as "Illegal Smile", "Hello In There", "Sam Stone", "Your Flag Decal Won't Get You Into Heaven Anymore", and of course, the classic "Angel From Montgomery".\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Prine (acoustic guitar, vocals), Steve Goodman (acoustic guitar),  Mike Leach (bass), Reggie Young (lead guitar), Bobby Emmons (organ),  Leo LeBlanc (pedal steel guitar), Bobby Wood (piano), John Christopher (rhythm guitar), Gene Chrisman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7lHkugF0nyI"
    -referenceProduit: "Analogue Productions AAPA 004-45"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 2
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      [
        "ordre" => 3
        "nom" => "3. Hello In There"
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        "ordre" => 4
        "nom" => "Side B : "
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        "ordre" => 5
        "nom" => "1. Sam Stone"
      ]
      [
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        "nom" => "2. Paradise"
      ]
      [
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        "nom" => "3. Pretty Good"
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        "nom" => "1. Your Flag Decal Won't Get You Into Heaven Anymore"
      ]
      [
        "ordre" => 10
        "nom" => "2. Far From Me"
      ]
      [
        "ordre" => 11
        "nom" => "3. Angel From Montogomery"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
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        "ordre" => 13
        "nom" => "1. Quiet Man"
      ]
      [
        "ordre" => 14
        "nom" => "2. Donald And Lydia"
      ]
      [
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      ]
      [
        "ordre" => 16
        "nom" => "4. Flashback Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2183 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1458 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2192 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2187 …}
    -enregistreLe: DateTime @1698662795 {#2178
      date: 2023-10-30 10:46:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769787458 {#2179
      date: 2026-01-30 15:37:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2189 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-john-prine-analogue-productions-aapa-004-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3883
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2383 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3884 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3932 …}
  +isValidated: false
  +validatedFields: []
}