Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2552
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2629
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2632 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
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    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
  -formView: Symfony\Component\Form\FormView {#2668 …}
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  +formName: "pays"
  +formValues: [
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}

[
  "produit" => App\Entity\Produit {#1841
    -id: 3060
    -nom: "Ravel : The Complete Solo Piano Works"
    -informationComplementaire: "Plongez dans l’univers de Ravel avec Seong-Jin Cho, dont l’interprétation d’une rare élégance révèle toute la richesse du piano. Une intégrale d’exception, entre raffinement, virtuosité et poésie sonore."
    -description: """
      Avec "Ravel : The Complete Solo Piano Works", Seong-Jin Cho propose une lecture complète et profondément inspirée de l’œuvre pour piano seul de Maurice Ravel. Enregistré pour le label Deutsche Grammophon, cet album rassemble l’ensemble des pièces majeures du compositeur français, offrant un voyage musical à travers son univers sonore, de la délicatesse de la Pavane pour une infante défunte à la virtuosité saisissante de Gaspard de la nuit.\r\n
      \r\n
      Reconnu pour son toucher d’une grande finesse et son sens aigu des couleurs, Seong-Jin Cho met en lumière toute la subtilité de l’écriture ravélienne. Son interprétation allie clarté, élégance et intensité, révélant chaque nuance avec une précision remarquable. Sans artifice, en piano solo, il restitue toute la richesse expressive de ces œuvres, entre impressionnisme et modernité.\r\n
      \r\n
      Cette intégrale s’impose comme une référence contemporaine, aussi bien pour les amateurs de musique classique que pour les auditeurs en quête d’une expérience sonore immersive et poétique.\r\n
      \r\n
      Seong-Jin Cho "Ravel : The Complete Solo Piano Works" Limited Edition 180 gram Vinyl (3 LP) !\r\n
      \r\n
      Now on vinyl, Korean pianist Seong-Jin Cho releases "Ravel : The Complete Solo Piano Works", on which he lays his focus on the music of Maurice Ravel. Having loved the French composer since childhood and immersed himself in him while studying at the Paris Conservatoire, Cho has chosen to mark the 150th anniversary of the composer's birth in 2025 by recording his complete solo piano music and the two piano concertos.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Seong-Jin Cho (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hLvqzOaSTtk"
    -referenceProduit: "Deutsche Grammophon Records 0338"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Serenade Grotesque, M. 5"
      ]
      [
        "ordre" => 2
        "nom" => "2. Menuet Antique, M. 7"
      ]
      [
        "ordre" => 3
        "nom" => "3. Pavane Pour Une Infante Défunte, M. 19"
      ]
      [
        "ordre" => 4
        "nom" => "4. Jeux D'eau, M. 30 "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Sonatina, M. 40 : I. Modéré"
      ]
      [
        "ordre" => 7
        "nom" => "2. Sonatina, M. 40 : II. Mouvement de Menuet"
      ]
      [
        "ordre" => 8
        "nom" => "3. Sonatina, M. 40 : III. Anime"
      ]
      [
        "ordre" => 9
        "nom" => "Side C :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Mirrors, M. 43 : I. Noctuelles. Très Léger"
      ]
      [
        "ordre" => 11
        "nom" => "2. Mirrors, M. 43 : II. Oiseaux tristes. Très lent"
      ]
      [
        "ordre" => 12
        "nom" => "3. Mirrors, M. 43 : III. A Barque Sur L'Ocean. D'un Rythme Souple"
      ]
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        "ordre" => 13
        "nom" => "4. Mirrors, M. 43 : IV. Alborada Del Gracioso. Assez Vif"
      ]
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        "ordre" => 14
        "nom" => "5. Mirrors, M. 43 : V. La Vallée Des Cloches. Tres Lent "
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Gaspard de la Nuit, M. 55 : I. Ondine. Lent"
      ]
      [
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        "nom" => "2. Gaspard de la Nuit, M. 55 : II. Le Gibet. Très lent"
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        "nom" => "4. Menuet Sur Le Nom D'Haydn, M. 58"
      ]
      [
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        "nom" => "Side E :"
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        "nom" => "7. Valses Nobles Et Sentimentales, M. 61 : VII. Moins vif"
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        "nom" => "8. Valses Nobles Et Sentimentales, M. 61 : VIII. Epilogue. Lent"
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        "nom" => "9. Péelude, M. 65"
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      [
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        "nom" => "10. A la Manière de Borodine, M. 63/1"
      ]
      [
        "ordre" => 33
        "nom" => "11. A la Manière de Chabrier, M. 63/2"
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      [
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        "nom" => "Side F : "
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        "nom" => "1. Le Tombeau de Couperin, M. 68 : I. Prelude. Vif"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1775749904 {#1896
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    }
    -modifierLe: DateTime @1778185473 {#1889
      date: 2026-05-07 20:24:33.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ravel-the-complete-solo-piano-works-deutsche-grammophon-records-0338"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3093
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 3060
    -nom: "Ravel : The Complete Solo Piano Works"
    -informationComplementaire: "Plongez dans l’univers de Ravel avec Seong-Jin Cho, dont l’interprétation d’une rare élégance révèle toute la richesse du piano. Une intégrale d’exception, entre raffinement, virtuosité et poésie sonore."
    -description: """
      Avec "Ravel : The Complete Solo Piano Works", Seong-Jin Cho propose une lecture complète et profondément inspirée de l’œuvre pour piano seul de Maurice Ravel. Enregistré pour le label Deutsche Grammophon, cet album rassemble l’ensemble des pièces majeures du compositeur français, offrant un voyage musical à travers son univers sonore, de la délicatesse de la Pavane pour une infante défunte à la virtuosité saisissante de Gaspard de la nuit.\r\n
      \r\n
      Reconnu pour son toucher d’une grande finesse et son sens aigu des couleurs, Seong-Jin Cho met en lumière toute la subtilité de l’écriture ravélienne. Son interprétation allie clarté, élégance et intensité, révélant chaque nuance avec une précision remarquable. Sans artifice, en piano solo, il restitue toute la richesse expressive de ces œuvres, entre impressionnisme et modernité.\r\n
      \r\n
      Cette intégrale s’impose comme une référence contemporaine, aussi bien pour les amateurs de musique classique que pour les auditeurs en quête d’une expérience sonore immersive et poétique.\r\n
      \r\n
      Seong-Jin Cho "Ravel : The Complete Solo Piano Works" Limited Edition 180 gram Vinyl (3 LP) !\r\n
      \r\n
      Now on vinyl, Korean pianist Seong-Jin Cho releases "Ravel : The Complete Solo Piano Works", on which he lays his focus on the music of Maurice Ravel. Having loved the French composer since childhood and immersed himself in him while studying at the Paris Conservatoire, Cho has chosen to mark the 150th anniversary of the composer's birth in 2025 by recording his complete solo piano music and the two piano concertos.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Seong-Jin Cho (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=hLvqzOaSTtk"
    -referenceProduit: "Deutsche Grammophon Records 0338"
    -titreMorceau: [
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        "nom" => "2. Menuet Antique, M. 7"
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        "nom" => "3. Pavane Pour Une Infante Défunte, M. 19"
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        "nom" => "4. Jeux D'eau, M. 30 "
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        "nom" => "Side B : "
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        "nom" => "1. Sonatina, M. 40 : I. Modéré"
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      [
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        "nom" => "Side C :"
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      [
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      [
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        "nom" => "2. Mirrors, M. 43 : II. Oiseaux tristes. Très lent"
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      [
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      date: 2026-05-07 20:24:33.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-ravel-the-complete-solo-piano-works-deutsche-grammophon-records-0338"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
}

[
  "produit" => App\Entity\Produit {#2037
    -id: 3074
    -nom: "Richard Wagner - Das Rheingold"
    -informationComplementaire: "Avec "Das Rheingold", Herbert von Karajan et le Berliner Philharmoniker livrent une interprétation précise et intense de l’œuvre de Richard Wagner, révélant toute la richesse du langage wagnérien."
    -description: """
      L’enregistrement de "Das Rheingold" par Herbert Von Karajan à la tête des Berliner Philharmoniker est une interprétation magistrale du prologue du cycle monumental Der Ring des Nibelungen de Richard Wagner.\r\n
      \r\n
      Réalisée dans les années 1960–70, cette version se distingue par sa précision orchestrale, sa richesse sonore et son sens dramatique exceptionnel. Karajan y déploie une vision à la fois fluide et immersive, mettant en valeur chaque détail de l’orchestration wagnérienne tout en maintenant une tension narrative constante.\r\n
      \r\n
      Les voix soigneusement sélectionnées s’intègrent parfaitement à la texture orchestrale, créant une expérience presque cinématographique. L’auditeur est transporté des profondeurs du Rhin aux sommets du Walhalla, dans un voyage sonore d’une intensité rare.\r\n
      \r\n
      Cet enregistrement est aujourd’hui considéré comme une référence incontournable pour les amateurs d’opéra et de musique classique.\r\n
      \r\n
      - Herbert von Karajan "Richard Wagner - Das Rheingold" 180 gram Virgin Vinyl  (3 LP Box Set) !\r\n
      - Hand Numbered, Limited Edition 2500 Copies !\r\n
      - The Original Source Series !\r\n
      - 100 % Pure Analogue !\r\n
      - Mastered by Rainer Maillard & Cut by Sidney C. Meyer Directly from the Original ¼ inch 2 Track Tapes at Emil Berliner Studios !\r\n
      - Original Cover & Lyrics !\r\n
      - Photos & Facsimiles of the Original Recording Logs & Tape Boxes !\r\n
      - Box with Lift-Off Lid !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Herbert von Karajan and the Berliner Philharmoniker's Wagner: Das Rheingold is set to be reissued as a (3 LP) release via Deutsche Grammophon's Original Source Series.\r\n
      \r\n
      The deluxe limited and numbered box set, which features the original covers and lyrics, additional photos, and facsimiles of the original recording logs and tape boxes, will be released on April 3.\r\n
      \r\n
      Karajan's historic performance as a conductor first came to him in a vision in the summer of 1965 while working on a Boris Godunov opera. "I suddenly sensed a burning desire to stage and conduct Wagner in Salzburg", he explained, before adding : "My baton shall teach future ages which road they have to take ".\r\n
      \r\n
      Regarding Das Rheingold, Karajan once explained : "When we did the ‘Ring', people said it was 'chamber music', but I would deny that. It was the full Wagner orchestra, with full sonority but played with real subtlety and the full range of dynamics".\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original multitrack tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berliner Philharmoniker"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jKwtxP1P2BM&list=PLyPTjSogIU3kAgwsr6mHwRoRw_ITYbTDw"
    -referenceProduit: "Deutsche Grammophon"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Prelude"
      ]
      [
        "ordre" => 2
        "nom" => "Scene 1 :"
      ]
      [
        "ordre" => 3
        "nom" => "2. Weia ! Waga ! Woge du Welle !"
      ]
      [
        "ordre" => 4
        "nom" => "3. He he! Ihr Nicker!"
      ]
      [
        "ordre" => 5
        "nom" => "4. Garstig glatter glitschriger Glimmer !"
      ]
      [
        "ordre" => 6
        "nom" => "5. Lugt, Schwestern! Die Weckerin lacht in den Grund"
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      [
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      [
        "ordre" => 8
        "nom" => "7. Der Welt Erbe gewänn' ich zu eigen durch dich ?"
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        "nom" => "8. Haltet den Räuber !"
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        "nom" => "Scene 2 :"
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        "nom" => "9. Introduction"
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        "nom" => "10. Wotan ! Gemahl ! Erwache !"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 14
        "nom" => "Scene 2 :"
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      [
        "ordre" => 15
        "nom" => "1. So schirme sie jetzt"
      ]
      [
        "ordre" => 16
        "nom" => "2. Sanft schloß Schlaf dein Aug'"
      ]
      [
        "ordre" => 17
        "nom" => "3. Was sagst du ? Ha, sinnst du Verrat ?"
      ]
      [
        "ordre" => 18
        "nom" => "4. Du da, folge uns !"
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      [
        "ordre" => 19
        "nom" => "5. Endlich, Loge !"
      ]
      [
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        "nom" => "Side C :"
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      [
        "ordre" => 21
        "nom" => "Scene 2 :"
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      [
        "ordre" => 22
        "nom" => "1. Immer ist Undank Loges Lohn !"
      ]
      [
        "ordre" => 23
        "nom" => "2. Ein Runenzauber zwingt das Gold zum Reif"
      ]
      [
        "ordre" => 24
        "nom" => "3. Hör', Wotan, der Harrenden Wort !"
      ]
      [
        "ordre" => 25
        "nom" => "4. Schwester ! Brüder ! Rettet ! Helft !"
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      [
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        "nom" => "5. Wotan, Gemahl, unsel'ger Mann !"
      ]
      [
        "ordre" => 27
        "nom" => "6. Transformation Scene"
      ]
      [
        "ordre" => 28
        "nom" => "Side D : "
      ]
      [
        "ordre" => 29
        "nom" => "Scene 3 :"
      ]
      [
        "ordre" => 30
        "nom" => "1. Hehe! hieher ! Tückischer Zwerg ! – Schau, du Schelm !"
      ]
      [
        "ordre" => 31
        "nom" => "2. Nibelheim hier"
      ]
      [
        "ordre" => 32
        "nom" => "3. Nehmt euch in acht !"
      ]
      [
        "ordre" => 33
        "nom" => "4. Die in linder Lüfte Wehn da oben ihr lebt"
      ]
      [
        "ordre" => 34
        "nom" => "5. Ohe ! Ohe ! Schreckliche Schlange"
      ]
      [
        "ordre" => 35
        "nom" => "6. Dort die Kröte ! Greife sie rasch !"
      ]
      [
        "ordre" => 36
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 37
        "nom" => "7. Da, Vetter, sitze du fest !"
      ]
      [
        "ordre" => 38
        "nom" => "8. Wohlan, die Nibelungen rief ich mir nah"
      ]
      [
        "ordre" => 39
        "nom" => "Side E :"
      ]
      [
        "ordre" => 40
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 41
        "nom" => "1. Gezahlt hab' ich; nun lasst mich zieh'n !"
      ]
      [
        "ordre" => 42
        "nom" => "2. Ist er gelöst ?"
      ]
      [
        "ordre" => 43
        "nom" => "3. Lauschtest du seinem Liebesgruß ?"
      ]
      [
        "ordre" => 44
        "nom" => "4. Lieblichste Schwester, süsseste Lust !"
      ]
      [
        "ordre" => 45
        "nom" => "5. Gepflanzt sind die Pfähle nach Pfandes Maß"
      ]
      [
        "ordre" => 46
        "nom" => "6. Weiche, Wotan, weiche !"
      ]
      [
        "ordre" => 47
        "nom" => "7. Soll ich sorgen und fürchten"
      ]
      [
        "ordre" => 48
        "nom" => "Side F : "
      ]
      [
        "ordre" => 49
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 50
        "nom" => "1. Halt, du Gieriger ! Gönne mir auch was !"
      ]
      [
        "ordre" => 51
        "nom" => "2. Nun blinzle nach Freias Blick"
      ]
      [
        "ordre" => 52
        "nom" => "3. He da! He do! Zu mir, du Gedüft !"
      ]
      [
        "ordre" => 53
        "nom" => "4. Bruder, hieher ! Weise der Brücke den Weg ! – Zur Burg führt die Brücke"
      ]
      [
        "ordre" => 54
        "nom" => "5. Abendlich strahlt der Sonne Auge"
      ]
      [
        "ordre" => 55
        "nom" => "6. So grüss' ich die Burg"
      ]
      [
        "ordre" => 56
        "nom" => "7. Rheingold ! Rheingold ! Reines Gold !"
      ]
      [
        "ordre" => 57
        "nom" => ""
      ]
      [
        "ordre" => 58
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2039 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2048 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2041 …}
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    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2043 …}
    -enregistreLe: DateTime @1777880920 {#2033
      date: 2026-05-04 07:48:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777882280 {#2032
      date: 2026-05-04 08:11:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2045 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-richard-wagner-das-rheingold-deutsche-grammophon"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3207
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2037
    -id: 3074
    -nom: "Richard Wagner - Das Rheingold"
    -informationComplementaire: "Avec "Das Rheingold", Herbert von Karajan et le Berliner Philharmoniker livrent une interprétation précise et intense de l’œuvre de Richard Wagner, révélant toute la richesse du langage wagnérien."
    -description: """
      L’enregistrement de "Das Rheingold" par Herbert Von Karajan à la tête des Berliner Philharmoniker est une interprétation magistrale du prologue du cycle monumental Der Ring des Nibelungen de Richard Wagner.\r\n
      \r\n
      Réalisée dans les années 1960–70, cette version se distingue par sa précision orchestrale, sa richesse sonore et son sens dramatique exceptionnel. Karajan y déploie une vision à la fois fluide et immersive, mettant en valeur chaque détail de l’orchestration wagnérienne tout en maintenant une tension narrative constante.\r\n
      \r\n
      Les voix soigneusement sélectionnées s’intègrent parfaitement à la texture orchestrale, créant une expérience presque cinématographique. L’auditeur est transporté des profondeurs du Rhin aux sommets du Walhalla, dans un voyage sonore d’une intensité rare.\r\n
      \r\n
      Cet enregistrement est aujourd’hui considéré comme une référence incontournable pour les amateurs d’opéra et de musique classique.\r\n
      \r\n
      - Herbert von Karajan "Richard Wagner - Das Rheingold" 180 gram Virgin Vinyl  (3 LP Box Set) !\r\n
      - Hand Numbered, Limited Edition 2500 Copies !\r\n
      - The Original Source Series !\r\n
      - 100 % Pure Analogue !\r\n
      - Mastered by Rainer Maillard & Cut by Sidney C. Meyer Directly from the Original ¼ inch 2 Track Tapes at Emil Berliner Studios !\r\n
      - Original Cover & Lyrics !\r\n
      - Photos & Facsimiles of the Original Recording Logs & Tape Boxes !\r\n
      - Box with Lift-Off Lid !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Herbert von Karajan and the Berliner Philharmoniker's Wagner: Das Rheingold is set to be reissued as a (3 LP) release via Deutsche Grammophon's Original Source Series.\r\n
      \r\n
      The deluxe limited and numbered box set, which features the original covers and lyrics, additional photos, and facsimiles of the original recording logs and tape boxes, will be released on April 3.\r\n
      \r\n
      Karajan's historic performance as a conductor first came to him in a vision in the summer of 1965 while working on a Boris Godunov opera. "I suddenly sensed a burning desire to stage and conduct Wagner in Salzburg", he explained, before adding : "My baton shall teach future ages which road they have to take ".\r\n
      \r\n
      Regarding Das Rheingold, Karajan once explained : "When we did the ‘Ring', people said it was 'chamber music', but I would deny that. It was the full Wagner orchestra, with full sonority but played with real subtlety and the full range of dynamics".\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original multitrack tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berliner Philharmoniker"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jKwtxP1P2BM&list=PLyPTjSogIU3kAgwsr6mHwRoRw_ITYbTDw"
    -referenceProduit: "Deutsche Grammophon"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Prelude"
      ]
      [
        "ordre" => 2
        "nom" => "Scene 1 :"
      ]
      [
        "ordre" => 3
        "nom" => "2. Weia ! Waga ! Woge du Welle !"
      ]
      [
        "ordre" => 4
        "nom" => "3. He he! Ihr Nicker!"
      ]
      [
        "ordre" => 5
        "nom" => "4. Garstig glatter glitschriger Glimmer !"
      ]
      [
        "ordre" => 6
        "nom" => "5. Lugt, Schwestern! Die Weckerin lacht in den Grund"
      ]
      [
        "ordre" => 7
        "nom" => "6. Nur wer der Minne Macht entsagt"
      ]
      [
        "ordre" => 8
        "nom" => "7. Der Welt Erbe gewänn' ich zu eigen durch dich ?"
      ]
      [
        "ordre" => 9
        "nom" => "8. Haltet den Räuber !"
      ]
      [
        "ordre" => 10
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 11
        "nom" => "9. Introduction"
      ]
      [
        "ordre" => 12
        "nom" => "10. Wotan ! Gemahl ! Erwache !"
      ]
      [
        "ordre" => 13
        "nom" => "Side B : "
      ]
      [
        "ordre" => 14
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 15
        "nom" => "1. So schirme sie jetzt"
      ]
      [
        "ordre" => 16
        "nom" => "2. Sanft schloß Schlaf dein Aug'"
      ]
      [
        "ordre" => 17
        "nom" => "3. Was sagst du ? Ha, sinnst du Verrat ?"
      ]
      [
        "ordre" => 18
        "nom" => "4. Du da, folge uns !"
      ]
      [
        "ordre" => 19
        "nom" => "5. Endlich, Loge !"
      ]
      [
        "ordre" => 20
        "nom" => "Side C :"
      ]
      [
        "ordre" => 21
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 22
        "nom" => "1. Immer ist Undank Loges Lohn !"
      ]
      [
        "ordre" => 23
        "nom" => "2. Ein Runenzauber zwingt das Gold zum Reif"
      ]
      [
        "ordre" => 24
        "nom" => "3. Hör', Wotan, der Harrenden Wort !"
      ]
      [
        "ordre" => 25
        "nom" => "4. Schwester ! Brüder ! Rettet ! Helft !"
      ]
      [
        "ordre" => 26
        "nom" => "5. Wotan, Gemahl, unsel'ger Mann !"
      ]
      [
        "ordre" => 27
        "nom" => "6. Transformation Scene"
      ]
      [
        "ordre" => 28
        "nom" => "Side D : "
      ]
      [
        "ordre" => 29
        "nom" => "Scene 3 :"
      ]
      [
        "ordre" => 30
        "nom" => "1. Hehe! hieher ! Tückischer Zwerg ! – Schau, du Schelm !"
      ]
      [
        "ordre" => 31
        "nom" => "2. Nibelheim hier"
      ]
      [
        "ordre" => 32
        "nom" => "3. Nehmt euch in acht !"
      ]
      [
        "ordre" => 33
        "nom" => "4. Die in linder Lüfte Wehn da oben ihr lebt"
      ]
      [
        "ordre" => 34
        "nom" => "5. Ohe ! Ohe ! Schreckliche Schlange"
      ]
      [
        "ordre" => 35
        "nom" => "6. Dort die Kröte ! Greife sie rasch !"
      ]
      [
        "ordre" => 36
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 37
        "nom" => "7. Da, Vetter, sitze du fest !"
      ]
      [
        "ordre" => 38
        "nom" => "8. Wohlan, die Nibelungen rief ich mir nah"
      ]
      [
        "ordre" => 39
        "nom" => "Side E :"
      ]
      [
        "ordre" => 40
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 41
        "nom" => "1. Gezahlt hab' ich; nun lasst mich zieh'n !"
      ]
      [
        "ordre" => 42
        "nom" => "2. Ist er gelöst ?"
      ]
      [
        "ordre" => 43
        "nom" => "3. Lauschtest du seinem Liebesgruß ?"
      ]
      [
        "ordre" => 44
        "nom" => "4. Lieblichste Schwester, süsseste Lust !"
      ]
      [
        "ordre" => 45
        "nom" => "5. Gepflanzt sind die Pfähle nach Pfandes Maß"
      ]
      [
        "ordre" => 46
        "nom" => "6. Weiche, Wotan, weiche !"
      ]
      [
        "ordre" => 47
        "nom" => "7. Soll ich sorgen und fürchten"
      ]
      [
        "ordre" => 48
        "nom" => "Side F : "
      ]
      [
        "ordre" => 49
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 50
        "nom" => "1. Halt, du Gieriger ! Gönne mir auch was !"
      ]
      [
        "ordre" => 51
        "nom" => "2. Nun blinzle nach Freias Blick"
      ]
      [
        "ordre" => 52
        "nom" => "3. He da! He do! Zu mir, du Gedüft !"
      ]
      [
        "ordre" => 53
        "nom" => "4. Bruder, hieher ! Weise der Brücke den Weg ! – Zur Burg führt die Brücke"
      ]
      [
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        "nom" => "5. Abendlich strahlt der Sonne Auge"
      ]
      [
        "ordre" => 55
        "nom" => "6. So grüss' ich die Burg"
      ]
      [
        "ordre" => 56
        "nom" => "7. Rheingold ! Rheingold ! Reines Gold !"
      ]
      [
        "ordre" => 57
        "nom" => ""
      ]
      [
        "ordre" => 58
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2039 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
}

[
  "produit" => App\Entity\Produit {#2057
    -id: 3063
    -nom: "Faure, Debussy, Szymanowski, Chopin"
    -informationComplementaire: "Deux sensibilités, une même poésie. Rafał Blechacz et Bomsori Kim tissent un dialogue délicat entre rêve et émotion, dans un voyage musical d’une élégance lumineuse."
    -description: """
      Dans cet enregistrement raffiné, le pianiste Rafał Blechacz et la violoniste Bomsori Kim unissent leurs sensibilités pour explorer un répertoire d’une grande richesse poétique.\r\n
      \r\n
      Le programme traverse les univers de Gabriel Fauré, Claude Debussy, Karol Szymanowski et Frédéric Chopin, offrant un dialogue subtil entre les esthétiques française et polonaise du tournant des XIXe et XXe siècles.\r\n
      \r\n
      Entre impressionnisme vaporeux, lyrisme romantique et modernité naissante, les deux interprètes façonnent un univers sonore d’une grande délicatesse. Le jeu limpide et introspectif de Blechacz se mêle à la sonorité chaleureuse et expressive de Bomsori Kim, révélant toute la profondeur émotionnelle de ces œuvres pour violon et piano.\r\n
      \r\n
      - Rafal Blechacz & Bomsori Kim "Faure, Debussy, Szymanowski, Chopin" 180 gram Audiophile Virgin Vinyl Double LP !\r\n
      - Mastered from the Original Masters of Universal Music by Rainer Maillard at Emil Berliner Studios !\r\n
      - Pressed at Optimal in Germany !\r\n
      - First Time Ever on Vinyl !\r\n
      \r\n
      It seems that Blechacz has done well to find Kim, too, because there's an audible meeting of musical minds across their exploration of French lyricism and Polish melancholy, heard right from the start of the opening Fauré Violin Sonata N° 1. First, Blechacz's picked-out melody sings out brightly with passionate amour from within lucid-textured cascading figures. Then in comes Kim, counterfoiling her equal romance with a clean, supple sound. Engineering-wise, as well, there's a nicely egalitarian balance between the two of them. What does remain constant, is the sheer energy and drive, aided by Kim's sound itself : direct and ardent, with mahogany-hued lower registers contrasting with sweetly ringing, singing upper ones. This all combines to especial effect with the Debussy, in an unusually driven, emotional-ly strong reading of this autumnal work. One of Kim's most effective gifts here is her spotlighting of Debussy's linguistic debt to the Orient; listen in the first movement to how grace-note inflections and sur la touche playing is so very husky and languorous that the parallels with Asian voice flute are unmissable. (Gramophone)
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Rafal Blechacz (piano), Bomsori Ki (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ua5oSMOxrOw&list=RDUa5oSMOxrOw&start_radio=1"
    -referenceProduit: "Deutsche Grammophon Records 1953"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "Gabriel Fauré - Sonata For Violin And Piano N° 1 In A Major Op. 13"
      ]
      [
        "ordre" => 2
        "nom" => "1. Allegro Molto"
      ]
      [
        "ordre" => 3
        "nom" => "2. Andante"
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App\Twig\Components\GestionPanierFavoriComponents {#3258
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    -description: """
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      \r\n
      Le programme traverse les univers de Gabriel Fauré, Claude Debussy, Karol Szymanowski et Frédéric Chopin, offrant un dialogue subtil entre les esthétiques française et polonaise du tournant des XIXe et XXe siècles.\r\n
      \r\n
      Entre impressionnisme vaporeux, lyrisme romantique et modernité naissante, les deux interprètes façonnent un univers sonore d’une grande délicatesse. Le jeu limpide et introspectif de Blechacz se mêle à la sonorité chaleureuse et expressive de Bomsori Kim, révélant toute la profondeur émotionnelle de ces œuvres pour violon et piano.\r\n
      \r\n
      - Rafal Blechacz & Bomsori Kim "Faure, Debussy, Szymanowski, Chopin" 180 gram Audiophile Virgin Vinyl Double LP !\r\n
      - Mastered from the Original Masters of Universal Music by Rainer Maillard at Emil Berliner Studios !\r\n
      - Pressed at Optimal in Germany !\r\n
      - First Time Ever on Vinyl !\r\n
      \r\n
      It seems that Blechacz has done well to find Kim, too, because there's an audible meeting of musical minds across their exploration of French lyricism and Polish melancholy, heard right from the start of the opening Fauré Violin Sonata N° 1. First, Blechacz's picked-out melody sings out brightly with passionate amour from within lucid-textured cascading figures. Then in comes Kim, counterfoiling her equal romance with a clean, supple sound. Engineering-wise, as well, there's a nicely egalitarian balance between the two of them. What does remain constant, is the sheer energy and drive, aided by Kim's sound itself : direct and ardent, with mahogany-hued lower registers contrasting with sweetly ringing, singing upper ones. This all combines to especial effect with the Debussy, in an unusually driven, emotional-ly strong reading of this autumnal work. One of Kim's most effective gifts here is her spotlighting of Debussy's linguistic debt to the Orient; listen in the first movement to how grace-note inflections and sur la touche playing is so very husky and languorous that the parallels with Asian voice flute are unmissable. (Gramophone)
      """
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    -id: 3062
    -nom: "Rachmaninoff : Piano Concerto N° 3"
    -informationComplementaire: "Martha Argerich s’empare du redoutable Concerto N° 3 de Sergei Rachmaninoff avec une intensité saisissante.  Portée par Riccardo Chailly et le RSO Berlin, cette version live est un concentré de virtuosité et d’émotion."
    -description: """
      Cet enregistrement live du Concerto pour piano N° 3 en ré mineur, op. 30 de Sergei Rachmaninoff réunit des interprètes d’exception, la pianiste Martha Argerich, le chef d’orchestre Riccardo Chailly et le RSO Berlin.\r\n
      \r\n
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      \r\n
      Sous la direction précise et engagée de Riccardo Chailly, l’orchestre berlinois accompagne avec puissance et finesse, mettant en valeur les contrastes dramatiques et les élans lyriques de la partition.\r\n
      \r\n
      Un enregistrement de référence, où la tension du live sublime chaque instant de cette œuvre monumentale.\r\n
      \r\n
      - Martha Argerich "Rachmaninoff : Piano Concerto N° 3" 180 gram Audiophile Virgin Vinyl LP !\r\n
      - From the Original Master of Universal Music !\r\n
      - Audiophile Analog Mastering by Sidney Claire Meyer at Emil Berliner Studios !\r\n
      - Pressed at Optimal in Germany !\r\n
      - First Time Ever on Vinyl !\r\n
      \r\n
      To describe both performances as 'live' is to deal in understatement, for rarely in her entire and extraordinary career has Argerich sounded more exhaustingly restless and quixotic, her mind and fingers flashing with reflexes merely dreamt of by other less phenomenally endowed pianists. Yet her Rachmaninov is full of surprises, her opening Allegro almost convivial until she meets directions such as più vivo or veloce, where the tigress in her shows her claws and the music is made to seethe and boil at a white-hot temperature. The cadenza rises to the sort of climax that will make all pianists' hearts beat faster and her first entry in the "Intermezzo" interrupts the orchestra's musing with the impatience of a hurricane. But throughout these pages it is almost as if she is searching for music that will allow her virtuosity its fullest scope. In the finale she finds it, accelerating out of the second movement with a sky-rocketing propulsion. Here the music races like wildfire, with a truly death-defying turn of speed at 7:20 and an explosive energy throughout that must have left audience, conductor and orchestra feeling as if hit by some seismic shock-wave. (Gramophone)
      """
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    -description: """
      Cet enregistrement live du Concerto pour piano N° 3 en ré mineur, op. 30 de Sergei Rachmaninoff réunit des interprètes d’exception, la pianiste Martha Argerich, le chef d’orchestre Riccardo Chailly et le RSO Berlin.\r\n
      \r\n
      Œuvre mythique du répertoire romantique, ce concerto est réputé pour sa redoutable difficulté technique et sa profondeur expressive. Dans cette version captée en concert, Martha Argerich livre une interprétation électrisante, mêlant virtuosité fulgurante, liberté rythmique et intensité émotionnelle.\r\n
      \r\n
      Sous la direction précise et engagée de Riccardo Chailly, l’orchestre berlinois accompagne avec puissance et finesse, mettant en valeur les contrastes dramatiques et les élans lyriques de la partition.\r\n
      \r\n
      Un enregistrement de référence, où la tension du live sublime chaque instant de cette œuvre monumentale.\r\n
      \r\n
      - Martha Argerich "Rachmaninoff : Piano Concerto N° 3" 180 gram Audiophile Virgin Vinyl LP !\r\n
      - From the Original Master of Universal Music !\r\n
      - Audiophile Analog Mastering by Sidney Claire Meyer at Emil Berliner Studios !\r\n
      - Pressed at Optimal in Germany !\r\n
      - First Time Ever on Vinyl !\r\n
      \r\n
      To describe both performances as 'live' is to deal in understatement, for rarely in her entire and extraordinary career has Argerich sounded more exhaustingly restless and quixotic, her mind and fingers flashing with reflexes merely dreamt of by other less phenomenally endowed pianists. Yet her Rachmaninov is full of surprises, her opening Allegro almost convivial until she meets directions such as più vivo or veloce, where the tigress in her shows her claws and the music is made to seethe and boil at a white-hot temperature. The cadenza rises to the sort of climax that will make all pianists' hearts beat faster and her first entry in the "Intermezzo" interrupts the orchestra's musing with the impatience of a hurricane. But throughout these pages it is almost as if she is searching for music that will allow her virtuosity its fullest scope. In the finale she finds it, accelerating out of the second movement with a sky-rocketing propulsion. Here the music races like wildfire, with a truly death-defying turn of speed at 7:20 and an explosive energy throughout that must have left audience, conductor and orchestra feeling as if hit by some seismic shock-wave. (Gramophone)
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[
  "produit" => App\Entity\Produit {#2089
    -id: 3061
    -nom: "Beethoven : Violin Sonatas 6-8"
    -informationComplementaire: "Une rencontre au sommet entre deux légendes, Kremer et Argerich insufflent à Beethoven une intensité brûlante, où chaque phrase devient dialogue, tension et émotion pure."
    -description: """
      Dans cet enregistrement des sonates pour violon et piano N° 6 à 8, opus 30, Beethoven affirme un langage plus libre et audacieux, où les deux instruments dialoguent d’égal à égal. Entre élégance classique (N° 6), tension dramatique (N° 7) et éclat virtuose (N° 8), ces œuvres marquent une étape clé dans son évolution.\r\n
      \r\n
      Le duo formé par Gidon Kremer et Martha Argerich en offre une lecture d’une rare intensité, un jeu incisif, des contrastes puissants et une complicité musicale qui donne à l’ensemble une énergie presque improvisée.\r\n
      \r\n
      Une interprétation de référence, à la fois fougueuse, profonde et captivante.\r\n
      \r\n
      - Gidon Kremer & Martha Argerich "Beethoven : Violin Sonatas 6-8" 180 gram double LP !\r\n
      - Mastered from the original masters of Universal Music by Rainer Maillard at Emil Berliner Studios !\r\n
      - Pressed at Optimal in Germany !\r\n
      - First-time ever on vinyl !\r\n
      \r\n
      "Beethoven's op.30 violin and piano sonatas are three irresistibly lively and individual spirits in the hands and imaginations of Martha Argerich and Gidon Kremer. The first, in A major, has that particular quality of blithe and elusive joy reminiscent of the Spring Sonata, and created here by the lightest and truest touch on string and key, fused with bright rhythmic clarity. The slow movement is a tremulous song of long-forgotten, far-off things, in which violin and piano find an intimate balance of tone. The G major Sonata's centrepiece is its Minuet and Trio, which Argerich and Kremer cunningly tease and charm into revealing its archaic qualities: a dance glimpsed through a lace veil. It is framed by two fast movements that would identify their performers anywhere, with their high-voltage velocity and wittily imaginative anticipation of each other's every move". - Gramophone
      """
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App\Twig\Components\GestionPanierFavoriComponents {#3360
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    -id: 3061
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    -informationComplementaire: "Une rencontre au sommet entre deux légendes, Kremer et Argerich insufflent à Beethoven une intensité brûlante, où chaque phrase devient dialogue, tension et émotion pure."
    -description: """
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      \r\n
      Le duo formé par Gidon Kremer et Martha Argerich en offre une lecture d’une rare intensité, un jeu incisif, des contrastes puissants et une complicité musicale qui donne à l’ensemble une énergie presque improvisée.\r\n
      \r\n
      Une interprétation de référence, à la fois fougueuse, profonde et captivante.\r\n
      \r\n
      - Gidon Kremer & Martha Argerich "Beethoven : Violin Sonatas 6-8" 180 gram double LP !\r\n
      - Mastered from the original masters of Universal Music by Rainer Maillard at Emil Berliner Studios !\r\n
      - Pressed at Optimal in Germany !\r\n
      - First-time ever on vinyl !\r\n
      \r\n
      "Beethoven's op.30 violin and piano sonatas are three irresistibly lively and individual spirits in the hands and imaginations of Martha Argerich and Gidon Kremer. The first, in A major, has that particular quality of blithe and elusive joy reminiscent of the Spring Sonata, and created here by the lightest and truest touch on string and key, fused with bright rhythmic clarity. The slow movement is a tremulous song of long-forgotten, far-off things, in which violin and piano find an intimate balance of tone. The G major Sonata's centrepiece is its Minuet and Trio, which Argerich and Kremer cunningly tease and charm into revealing its archaic qualities: a dance glimpsed through a lace veil. It is framed by two fast movements that would identify their performers anywhere, with their high-voltage velocity and wittily imaginative anticipation of each other's every move". - Gramophone
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[
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    -id: 3033
    -nom: "Beethoven : Symphony N° 3 "Eroica""
    -informationComplementaire: "Redécouvrez “Eroica” de Beethoven dans une interprétation intense et profondément humaine, portée par Carlo Maria Giulinil ou l'Orchestre Philharmonique de Los Angeles révèle toute la noblesse et la profondeur de cette œuvre monumentale."
    -description: """
      L’album Beethoven: Symphony N° 3 “Eroica” réunit une interprétation magistrale de l’une des œuvres les plus révolutionnaires du répertoire symphonique, composée par Ludwig van Beethoven au début du XIXe siècle.\r\n
      \r\n
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      \r\n
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      \r\n
      Cet enregistrement est aujourd’hui considéré comme l’une des grandes références de l’“Eroica”, apprécié pour son équilibre entre puissance, rigueur et introspection.\r\n
      \r\n
      - Beethoven "Symphony N° 3 - Eroica"180 gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4  and 8 track recordings at Emil Berliner Studios !\r\n
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      - Pressed by Optimal in Germany !\r\n
      \r\n
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      \r\n
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      """
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App\Twig\Components\GestionPanierFavoriComponents {#3411
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    -nom: "Beethoven : Symphony N° 3 "Eroica""
    -informationComplementaire: "Redécouvrez “Eroica” de Beethoven dans une interprétation intense et profondément humaine, portée par Carlo Maria Giulinil ou l'Orchestre Philharmonique de Los Angeles révèle toute la noblesse et la profondeur de cette œuvre monumentale."
    -description: """
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      \r\n
      Enregistrée en 1979 pour le prestigieux label Deutsche Grammophon, cette version est dirigée par Carlo Maria Giulini à la tête du Los Angeles Philharmonic Orchestra. Elle se distingue par une approche profondément humaine et méditative, loin des lectures plus héroïques ou spectaculaires.\r\n
      \r\n
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      \r\n
      Cet enregistrement est aujourd’hui considéré comme l’une des grandes références de l’“Eroica”, apprécié pour son équilibre entre puissance, rigueur et introspection.\r\n
      \r\n
      - Beethoven "Symphony N° 3 - Eroica"180 gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4  and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
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      """
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[
  "produit" => App\Entity\Produit {#2123
    -id: 3032
    -nom: "Petrouchka"
    -informationComplementaire: "Plongez dans "Petrouchka" de Igor Stravinsky, une œuvre vibrante où rythmes et émotions s’entrelacent, portée par la direction inspirée de Claudio Abbado et l’énergie du London Symphony Orchestra."
    -description: """
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      \r\n
      Composé en 1911, "Petrouchka" est un ballet emblématique qui mêle folklore russe, modernité rythmique et richesse orchestrale. L’œuvre raconte l’histoire tragique d’une marionnette dotée d’émotions humaines, évoluant dans une foire animée, entre illusion et désespoir.\r\n
      \r\n
      Dans cet enregistrement, Claudio Abbado met en valeur toute la palette de couleurs de l’orchestre : les contrastes dynamiques, les rythmes incisifs et les textures foisonnantes prennent vie avec une clarté remarquable. Le London Symphony Orchestra, réputé pour sa virtuosité, restitue avec brio l’énergie brute et la poésie singulière de cette partition.\r\n
      \r\n
      - Igor Stravinsky "Petrushka" 180 gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Petrushka is one of three innovative ballets composed by Igor Stravinsky during his "Russian" period. With Petrushka, Stravinsky showed his neo-folkloric side and brought a colorful street crowd with a magician and his puppets, merchants and mummies to the ballet stage. In doing so, he showed the world that funfair and classical music are not contradictory, and his audience now heard folk music from a new perspective.\r\n
      \r\n
      This is one of the few Deutsche Grammophon productions from 1980 in which digital 2 track and analogue 8 track were recorded in parallel. By using the analogue 8 track master, this release now makes the recording available in purely analogue form for the very first time.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180-gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2125 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3462
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2123
    -id: 3032
    -nom: "Petrouchka"
    -informationComplementaire: "Plongez dans "Petrouchka" de Igor Stravinsky, une œuvre vibrante où rythmes et émotions s’entrelacent, portée par la direction inspirée de Claudio Abbado et l’énergie du London Symphony Orchestra."
    -description: """
      L’album "Petrouchka" de Igor Stravinsky, interprété par le London Symphony Orchestra sous la direction de Claudio Abbado, offre une lecture à la fois précise, vibrante et profondément expressive de ce chef-d’œuvre du XXe siècle.\r\n
      \r\n
      Composé en 1911, "Petrouchka" est un ballet emblématique qui mêle folklore russe, modernité rythmique et richesse orchestrale. L’œuvre raconte l’histoire tragique d’une marionnette dotée d’émotions humaines, évoluant dans une foire animée, entre illusion et désespoir.\r\n
      \r\n
      Dans cet enregistrement, Claudio Abbado met en valeur toute la palette de couleurs de l’orchestre : les contrastes dynamiques, les rythmes incisifs et les textures foisonnantes prennent vie avec une clarté remarquable. Le London Symphony Orchestra, réputé pour sa virtuosité, restitue avec brio l’énergie brute et la poésie singulière de cette partition.\r\n
      \r\n
      - Igor Stravinsky "Petrushka" 180 gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Petrushka is one of three innovative ballets composed by Igor Stravinsky during his "Russian" period. With Petrushka, Stravinsky showed his neo-folkloric side and brought a colorful street crowd with a magician and his puppets, merchants and mummies to the ballet stage. In doing so, he showed the world that funfair and classical music are not contradictory, and his audience now heard folk music from a new perspective.\r\n
      \r\n
      This is one of the few Deutsche Grammophon productions from 1980 in which digital 2 track and analogue 8 track were recorded in parallel. By using the analogue 8 track master, this release now makes the recording available in purely analogue form for the very first time.\r\n
      \r\n
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      """
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    -musicienOrchestre: "Claudio Abbado conducts the London Symphony Orchestra"
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[
  "produit" => App\Entity\Produit {#2139
    -id: 3031
    -nom: "Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219"
    -informationComplementaire: "Plongez dans le génie de Wolfgang Amadeus Mozart avec l’interprétation d’exception de Anne-Sophie Mutter et Herbert von Karajan, un équilibre parfait entre virtuosité et élégance."
    -description: """
      Enregistrés à la fin des années 1970 avec le prestigieux Berlin Philharmonic Orchestra, les Concertos pour violon N° 3 en sol majeur (KV216) et N° 5 en la majeur (KV219) comptent parmi les œuvres les plus emblématiques de Wolfgang Amadeus Mozart.\r\n
      \r\n
      Sous la direction magistrale de Herbert von Karajan, la jeune Anne-Sophie Mutter alors au début de sa carrière livre une interprétation d’une maturité et d’une sensibilité remarquables. Son jeu, à la fois précis, expressif et lumineux, sublime l’équilibre parfait entre virtuosité et lyrisme qui caractérise ces concertos.\r\n
      \r\n
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      \r\n
      Cette collaboration légendaire incarne une rencontre rare entre tradition et modernité, faisant de cet enregistrement une référence incontournable du répertoire pour violon.\r\n
      \r\n
      - Herbert Von Karajan, Anne Sophie Mutter (violin) : Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219180-gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Some sensations occur without much ado, as they almost seem to be a matter of course. One such sensation took place at the Berlin Philharmonic Hall in February 1978, when Herbert von Karajan introduced the 14-year-old violinist Anne-Sophie Mutter to the Berlin public in Mozart's G major Concerto. After the young musician had gone through her baptism of fire with flying colors the conductor beamed and the Berlin Philharmonic players applauded enthusiastically a rare occurrence. Her fellow performers and the audience had been equally aware of how auspicious her debut had been.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4- and 8-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berlin Philharmonic Orchestra, Anne Sophie Mutter (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xaJqkk8R-Q4"
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        "nom" => "1. Mozart : Violin Concerto N° 3 in G Major, K. 216 : I. Allegro"
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      [
        "ordre" => 2
        "nom" => "2. Mozart : Violin Concerto N° 3 in G Major, K. 216 : II. Adagio"
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        "nom" => "3. Mozart : Violin Concerto N° 3 in G Major, K. 216 :"
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        "nom" => "III. Rondeau. Allegro "
      ]
      [
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        "nom" => "Side B : "
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        "ordre" => 6
        "nom" => "1. Mozart : Violin Concerto N° 5 in A Major, K. 219 'Turkish' :"
      ]
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        "nom" => "I. Allegro aperto"
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        "ordre" => 8
        "nom" => "2. Mozart : Violin Concerto N° 5 in A Major, K. 219 'Turkish' :"
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        "ordre" => 10
        "nom" => "3. Mozart : Violin Concerto N° 5 in A Major, K. 219 "Turkish" :"
      ]
      [
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        "nom" => "III. Rondeau. Tempo di menuetto"
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2039 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3515
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2139
    -id: 3031
    -nom: "Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219"
    -informationComplementaire: "Plongez dans le génie de Wolfgang Amadeus Mozart avec l’interprétation d’exception de Anne-Sophie Mutter et Herbert von Karajan, un équilibre parfait entre virtuosité et élégance."
    -description: """
      Enregistrés à la fin des années 1970 avec le prestigieux Berlin Philharmonic Orchestra, les Concertos pour violon N° 3 en sol majeur (KV216) et N° 5 en la majeur (KV219) comptent parmi les œuvres les plus emblématiques de Wolfgang Amadeus Mozart.\r\n
      \r\n
      Sous la direction magistrale de Herbert von Karajan, la jeune Anne-Sophie Mutter alors au début de sa carrière livre une interprétation d’une maturité et d’une sensibilité remarquables. Son jeu, à la fois précis, expressif et lumineux, sublime l’équilibre parfait entre virtuosité et lyrisme qui caractérise ces concertos.\r\n
      \r\n
      Le Concerto N°3 séduit par sa fraîcheur mélodique et son élégance classique, tandis que le Concerto N° 5, surnommé “Turc”, surprend par ses contrastes et son final aux accents exotiques.\r\n
      \r\n
      Cette collaboration légendaire incarne une rencontre rare entre tradition et modernité, faisant de cet enregistrement une référence incontournable du répertoire pour violon.\r\n
      \r\n
      - Herbert Von Karajan, Anne Sophie Mutter (violin) : Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219180-gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Some sensations occur without much ado, as they almost seem to be a matter of course. One such sensation took place at the Berlin Philharmonic Hall in February 1978, when Herbert von Karajan introduced the 14-year-old violinist Anne-Sophie Mutter to the Berlin public in Mozart's G major Concerto. After the young musician had gone through her baptism of fire with flying colors the conductor beamed and the Berlin Philharmonic players applauded enthusiastically a rare occurrence. Her fellow performers and the audience had been equally aware of how auspicious her debut had been.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4- and 8-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berlin Philharmonic Orchestra, Anne Sophie Mutter (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xaJqkk8R-Q4"
    -referenceProduit: "Deutsche Grammophon Records 2531049"
    -titreMorceau: [
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        "nom" => "2. Mozart : Violin Concerto N° 3 in G Major, K. 216 : II. Adagio"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2039 …}
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[
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    -id: 3028
    -nom: "Ottorino Respighi : Pines of Rome, Roman Festivals, Fountains of Rome"
    -informationComplementaire: "Plongez au cœur de Rome comme vous ne l’avez jamais entendue. Avec Seiji Ozawa et le Boston Symphony Orchestra, la musique de Ottorino Respighi prend vie dans une explosion de couleurs, de lumière et d’émotions."
    -description: """
      Cet enregistrement emblématique réunit le chef d’orchestre Seiji Ozawa et le prestigieux Boston Symphony Orchestra autour de l’univers orchestral flamboyant de Ottorino Respighi.\r\n
      \r\n
      À travers trois poèmes symphoniques "Les Pins de Rome, Les Fontaines de Rome et Fêtes romaines" Respighi dépeint une fresque sonore spectaculaire de la Ville éternelle. Chaque œuvre explore des lieux et des moments différents, mêlant couleurs orchestrales éclatantes, évocations impressionnistes et puissance dramatique.\r\n
      \r\n
      Sous la direction précise et expressive d’Ozawa, l’orchestre révèle toute la richesse de cette musique, des murmures délicats des fontaines aux explosions festives des célébrations romaines. L’interprétation se distingue par sa clarté, son énergie et son sens du détail, offrant une immersion totale dans l’atmosphère de Rome.\r\n
      \r\n
      - Ottorino Respighi "Pines of Rome, Roman Festivals, Fountains of Rome" 180 gram gatefold (2 LP) !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      No contemporary Italian was as successful as an instrumental composer in the concert hall in the period after the First World War as Ottorino Respighi with his four-movement symphonic poems "Fountains Of Rome" (1917), "Pines Of Rome" (1924) and "Feste Romane" (1929). In these works, program music experienced a magnificent revival. Particularly noteworthy is Respighi's art of instrumentation, with which he rivaled orchestral composers such as Richard Strauss and Maurice Ravel. He made use of a musical language distilled from many sources, a kind of ‘Euro-Impressionism' that did not exclude modernist influences.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Seiji Ozawa conducts the Boston Symphony Orchestra"
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Tk2lX9vJI3A"
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        "nom" => "2. II. Pini presso una catacomba"
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        "nom" => "3. III. I pini del Gianicolo"
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      [
        "ordre" => 4
        "nom" => "4. IV. I pini della Via Appia "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. I. Circenses"
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        "nom" => "2. II. Il Giubileo"
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        "nom" => "3. III. L'Ottobrata"
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        "nom" => "4. IV. La Befana "
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
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      [
        "ordre" => 11
        "nom" => "1. I. The Valle Giulia Fountain at Dawn"
      ]
      [
        "ordre" => 12
        "nom" => "2. II. The Triton Fountain in the Morning"
      ]
      [
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        "nom" => "3. III. The Trevi Fountain at Midday"
      ]
      [
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        "nom" => "4. IV. The Villa Medici Fountain at Sunset"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
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      date: 2026-03-19 06:36:17.0 UTC (+00:00)
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    -modifierLe: DateTime @1773903055 {#2150
      date: 2026-03-19 06:50:55.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3561
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
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    -id: 3028
    -nom: "Ottorino Respighi : Pines of Rome, Roman Festivals, Fountains of Rome"
    -informationComplementaire: "Plongez au cœur de Rome comme vous ne l’avez jamais entendue. Avec Seiji Ozawa et le Boston Symphony Orchestra, la musique de Ottorino Respighi prend vie dans une explosion de couleurs, de lumière et d’émotions."
    -description: """
      Cet enregistrement emblématique réunit le chef d’orchestre Seiji Ozawa et le prestigieux Boston Symphony Orchestra autour de l’univers orchestral flamboyant de Ottorino Respighi.\r\n
      \r\n
      À travers trois poèmes symphoniques "Les Pins de Rome, Les Fontaines de Rome et Fêtes romaines" Respighi dépeint une fresque sonore spectaculaire de la Ville éternelle. Chaque œuvre explore des lieux et des moments différents, mêlant couleurs orchestrales éclatantes, évocations impressionnistes et puissance dramatique.\r\n
      \r\n
      Sous la direction précise et expressive d’Ozawa, l’orchestre révèle toute la richesse de cette musique, des murmures délicats des fontaines aux explosions festives des célébrations romaines. L’interprétation se distingue par sa clarté, son énergie et son sens du détail, offrant une immersion totale dans l’atmosphère de Rome.\r\n
      \r\n
      - Ottorino Respighi "Pines of Rome, Roman Festivals, Fountains of Rome" 180 gram gatefold (2 LP) !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      No contemporary Italian was as successful as an instrumental composer in the concert hall in the period after the First World War as Ottorino Respighi with his four-movement symphonic poems "Fountains Of Rome" (1917), "Pines Of Rome" (1924) and "Feste Romane" (1929). In these works, program music experienced a magnificent revival. Particularly noteworthy is Respighi's art of instrumentation, with which he rivaled orchestral composers such as Richard Strauss and Maurice Ravel. He made use of a musical language distilled from many sources, a kind of ‘Euro-Impressionism' that did not exclude modernist influences.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Seiji Ozawa conducts the Boston Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Tk2lX9vJI3A"
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2168
    -id: 2928
    -nom: "Chopin & Scriabin : Preludes"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Deutsche Grammophone Records)"
    -description: """
      - Mikhail Pletnev "Chopin & Scriabin : Preludes" !\r\n
      - 180 gram 45 RPM gatefold double LP !\r\n
      - Sensational ! Pletnev releases his first studio album with Deutsche Grammophon since 2005 !\r\n
      - First purely analog DG new production since the 1980s !\r\n
      \r\n
      Mikhail Pletnev releases his first studio album with Deutsche Grammophon since 2005. The artistic versatility of the pianist, conductor, and composer is reflected in the unique expressiveness of his interpretations of two significant prelude cycles : Chopin's 24 Préludes, Op. 28 and Scriabin's 24 Préludes, Op. 11. With his unmistakable sound, the legendary Russian artist captures the character of each individual piece.\r\n
      \r\n
      This is a release full of surprises that defies every cliché. Originally intended as a concert recording, it was ultimately recorded in the studio. This is fortunate for all listeners, as what emerged from the studio recording in a single four-and-a-half-hour session can only be described as pure magic, whether this was coincidence or the intervention of a higher musical providence.\r\n
      \r\n
      Pletnev recorded the album on his favourite instrument: a Shigeru Kawai grand piano that he alone plays, and which is brought to all his concerts. Its tonal palette and clarity lend his interpretations additional depth.\r\n
      \r\n
      This vinyl recording is a sensation for another reason : it's the first purely analogue DG new production since the 1980s ! Pletnev's performance was captured using custom-made Sennheiser microphones and a Studer C37 tube tape machine, and edited using traditional cutting and splicing techniques. The result is a sound that is both authentic and full of warm musicality, bringing life and depth to the original.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Mikhail Pletnev (piano)"
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=PipH97I1lqg"
    -referenceProduit: "Deutsche Grammophon Records 20003"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 6
        "nom" => "Side D : "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
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  +produit: App\Entity\Produit {#2168
    -id: 2928
    -nom: "Chopin & Scriabin : Preludes"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Deutsche Grammophone Records)"
    -description: """
      - Mikhail Pletnev "Chopin & Scriabin : Preludes" !\r\n
      - 180 gram 45 RPM gatefold double LP !\r\n
      - Sensational ! Pletnev releases his first studio album with Deutsche Grammophon since 2005 !\r\n
      - First purely analog DG new production since the 1980s !\r\n
      \r\n
      Mikhail Pletnev releases his first studio album with Deutsche Grammophon since 2005. The artistic versatility of the pianist, conductor, and composer is reflected in the unique expressiveness of his interpretations of two significant prelude cycles : Chopin's 24 Préludes, Op. 28 and Scriabin's 24 Préludes, Op. 11. With his unmistakable sound, the legendary Russian artist captures the character of each individual piece.\r\n
      \r\n
      This is a release full of surprises that defies every cliché. Originally intended as a concert recording, it was ultimately recorded in the studio. This is fortunate for all listeners, as what emerged from the studio recording in a single four-and-a-half-hour session can only be described as pure magic, whether this was coincidence or the intervention of a higher musical providence.\r\n
      \r\n
      Pletnev recorded the album on his favourite instrument: a Shigeru Kawai grand piano that he alone plays, and which is brought to all his concerts. Its tonal palette and clarity lend his interpretations additional depth.\r\n
      \r\n
      This vinyl recording is a sensation for another reason : it's the first purely analogue DG new production since the 1980s ! Pletnev's performance was captured using custom-made Sennheiser microphones and a Studer C37 tube tape machine, and edited using traditional cutting and splicing techniques. The result is a sound that is both authentic and full of warm musicality, bringing life and depth to the original.
      """
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[
  "produit" => App\Entity\Produit {#2184
    -id: 2868
    -nom: "Mussorgsky - Pictures at an Exhibition / Prokofieff - Symphonie Classique"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4- & 8 Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Numbered, Limited Edition !\r\n
      \r\n
      An art exhibition in honor of his friend, the painter Victor Hartmann, inspired Mussorgsky to compose his piano cycle in 1874, the idea of which is as simple as it is obvious: a kind of 'first-person narrator' wanders through the gallery and looks at ten paintings in great detail. Maurice Ravel orchestrated them for orchestra in 1922. Giulini's performance with the Chicago Symphony Orchestra is widely regarded as a reference recording.\r\n
      \r\n
      Prokofiev wrote his first symphony in the middle of the First World War. In sound and form, it differs from other works by the composer. No gigantic late romantic orchestra, no performance time of an hour, but a classical orchestra, and only fifteen minutes are needed for his Symphony No. 1, which was written in 1916/17.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      The copies of this series will be released in a limited and numbered edition on 180 gram vinyl and in a deluxe gatefold sleeve with original covers and lyrics, accompanied by additional photos and facsimiles of the recording notes and tape box.\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality," notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series:\r\n
      \r\n
      Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4-track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4 track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4 track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4-track masters instead of the 2 track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      For the new releases, two technical aspects have to be taken into account. Firstly, 4 track tape is twice as wide as the usual 2-track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      The Original Source Series means: no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding : greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !".
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlo Maria Giulini conducts the Chicago Symphony Orchestra"
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        "nom" => "11. VII. The Market at Limoges"
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        "nom" => "12. VIIIa. Catacombae 'Sepulcrum romanum'"
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        "nom" => "14. IX. The Hut on Fowl's Legs 'Baba-Yaga'"
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        "nom" => "15. X. The Great Gates of Kyiv"
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        "nom" => "4. IV. Finale. Molto vivace"
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