Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2620
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2697
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2700 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
  -formView: Symfony\Component\Form\FormView {#2736 …}
  -form: Symfony\Component\Form\Form {#2886 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 1216
    -nom: "Friday Night In San Francisco"
    -informationComplementaire: ""
    -description: """
      Mastered by Bernie Grundman and Bob Donnelly from the Original Analog Master Tapes ! \r\n
      \r\n
      Numbered Limited Edition 100 % Analog 180 gram Vinyl LP! Limited To Only 3000 Numbered Copies ! \r\n
      \r\n
      Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as "a musical event that could be compared to the Benny Goodman Band's performance at Carnegie Hall in 1938...(it) may be considered the most influential of all live acoustic guitar albums. All the tracks except Guardian Angel were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.\r\n
      \r\n
      This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.\r\n
      \r\n
      Ah the Mediterranean... Filled with fine foods, wines, beautiful people, and the inspirational style of music that descended upon the able fingers of these guitar giants. This is by far one of the hottest guitar albums ever to bless sweet vinyl. Al Dimeola, John McLaughlin, & Paco Delucia play classical guitars (the kind with the nylon strings) in a flamenco / jazz style that will blow your socks off ! \r\n
      \r\n
      Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.\r\n
      \r\n
      Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.\r\n
      \r\n
      John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him "the best guitarist alive." In 2003, McLaughlin was ranked 49th in Rolling Stone's "100 Greatest Guitarists of All Time". After contributing to several key British groups of the early sixties and making his first solo record, he moved to the US where he played with Tony Williams' group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums : In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.\r\n
      \r\n
      "Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers". - www.allmusic.com\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco de Lucía (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oGbLEco2Ezc"
    -referenceProduit: "Impex Records IMP 6029"
    -titreMorceau: [
      [
        "nom" => "1. Frevo Rasgado"
        "ordre" => 4
      ]
      [
        "nom" => "1. Mediterranean Sundance/Rio Ancho"
        "ordre" => 1
      ]
      [
        "nom" => "2. Fantasia Suite"
        "ordre" => 5
      ]
      [
        "nom" => "2. Short Tales of the Black Forest"
        "ordre" => 2
      ]
      [
        "nom" => "3. Guardian Angel"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1504851189 {#1928
      date: 2017-09-08 06:13:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684666473 {#1921
      date: 2023-05-21 10:54:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-friday-night-in-san-francisco-impex-records-imp-6029"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3158
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 1216
    -nom: "Friday Night In San Francisco"
    -informationComplementaire: ""
    -description: """
      Mastered by Bernie Grundman and Bob Donnelly from the Original Analog Master Tapes ! \r\n
      \r\n
      Numbered Limited Edition 100 % Analog 180 gram Vinyl LP! Limited To Only 3000 Numbered Copies ! \r\n
      \r\n
      Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as "a musical event that could be compared to the Benny Goodman Band's performance at Carnegie Hall in 1938...(it) may be considered the most influential of all live acoustic guitar albums. All the tracks except Guardian Angel were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.\r\n
      \r\n
      This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.\r\n
      \r\n
      Ah the Mediterranean... Filled with fine foods, wines, beautiful people, and the inspirational style of music that descended upon the able fingers of these guitar giants. This is by far one of the hottest guitar albums ever to bless sweet vinyl. Al Dimeola, John McLaughlin, & Paco Delucia play classical guitars (the kind with the nylon strings) in a flamenco / jazz style that will blow your socks off ! \r\n
      \r\n
      Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.\r\n
      \r\n
      Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.\r\n
      \r\n
      John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him "the best guitarist alive." In 2003, McLaughlin was ranked 49th in Rolling Stone's "100 Greatest Guitarists of All Time". After contributing to several key British groups of the early sixties and making his first solo record, he moved to the US where he played with Tony Williams' group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums : In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.\r\n
      \r\n
      "Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers". - www.allmusic.com\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco de Lucía (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oGbLEco2Ezc"
    -referenceProduit: "Impex Records IMP 6029"
    -titreMorceau: [
      [
        "nom" => "1. Frevo Rasgado"
        "ordre" => 4
      ]
      [
        "nom" => "1. Mediterranean Sundance/Rio Ancho"
        "ordre" => 1
      ]
      [
        "nom" => "2. Fantasia Suite"
        "ordre" => 5
      ]
      [
        "nom" => "2. Short Tales of the Black Forest"
        "ordre" => 2
      ]
      [
        "nom" => "3. Guardian Angel"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1504851189 {#1928
      date: 2017-09-08 06:13:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684666473 {#1921
      date: 2023-05-21 10:54:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-friday-night-in-san-francisco-impex-records-imp-6029"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 2386
    -nom: "West Side Story"
    -informationComplementaire: ""
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2023 !\r\n
      \r\n
      - Seven key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Andre Previn, Leroy Vinnegar, Ornette Coleman, Curtis Counce, Art Farmer and Phineas Newborn Jr. !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which continues for 2023 with seven album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180-gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      One of the best of a series of showtune albums perhaps THE best recorded by the trio of pianist Andre Previn, bassist Red Mitchell and drummer Shelly Manne. Here the all-star group is focusing on the music of West Side Story (AllMusic notes Previn and Manne alternated leadership, and it was the drummer's good fortune to have the famous My Fair Lady alum under his own name). The album has eight of the main themes from the famous musical, including "I Feel Pretty", "Maria" and "America". As usual, the melodies are treated respectfully yet swingingly, and Andre Previn in particular excels in this setting. Recommended.\r\n
      \r\n
      Founded in 1951 by film producer, screenwriter and record collector Lester Koenig (1917-1977), Contemporary Records became the epicenter of the West Coast jazz scene, while its cutting-edge approach to sound and design attracted some of the era's most exciting artists. The Contemporary Records Acoustic Sounds series which launched in the spring of 2022 with titles by Art Pepper, Barney Kessel and Benny Carter, among others honors the label's rich legacy through meticulous reissues that highlight the label's influential classics, as well as its must-hear rarities.\r\n
      \r\n
      Since its initial rollout, the series has earned accolades from a slew of outlets, including JazzTimes, which spoke to the impact of the label, reflecting : "Artists, producers, and engineers alike have held Contemporary aloft... as a label dedicated to presenting jazz at its absolute purest, richest, and live-est," adding that the new reissues "are living, breathing proof of that label's hotly cutting clarity". Audiophile Review, meanwhile, marveled at the stereo pressing of Art Pepper + Eleven : Modern Jazz Classics, which it called "top-notch," elaborating that it sounds "richer and more inviting... deliver[ing] a bit more cinemascopic ‘view' of the group". Praising Hampton Hawes' Four ! as "pristine", Audiophile Audition added, "Kudos to Craft Recordings for re-introducing a brilliant pianist". 
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "André Previn (piano), Red Mitchell (bass), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wnVrcKl_its"
    -referenceProduit: "Acoustic Sounds Series Contemporary 0390"
    -titreMorceau: [
      [
        "nom" => "1. Gee, Officer Krupke ! "
        "ordre" => 6
      ]
      [
        "nom" => "1. Something`s Coming "
        "ordre" => 1
      ]
      [
        "nom" => "2. Cool "
        "ordre" => 7
      ]
      [
        "nom" => "2. Jet Song "
        "ordre" => 2
      ]
      [
        "nom" => "3. Maria "
        "ordre" => 8
      ]
      [
        "nom" => "3. Tonight "
        "ordre" => 3
      ]
      [
        "nom" => "4. America"
        "ordre" => 9
      ]
      [
        "nom" => "4. I Feel Pretty"
        "ordre" => 4
      ]
      [
        "nom" => "Side A: "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1679473864 {#2094
      date: 2023-03-22 08:31:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684607591 {#2095
      date: 2023-05-20 18:33:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-west-side-story-acoustic-sounds-series-contemporary-0390"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3274
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2097
    -id: 2386
    -nom: "West Side Story"
    -informationComplementaire: ""
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2023 !\r\n
      \r\n
      - Seven key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Andre Previn, Leroy Vinnegar, Ornette Coleman, Curtis Counce, Art Farmer and Phineas Newborn Jr. !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which continues for 2023 with seven album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180-gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      One of the best of a series of showtune albums perhaps THE best recorded by the trio of pianist Andre Previn, bassist Red Mitchell and drummer Shelly Manne. Here the all-star group is focusing on the music of West Side Story (AllMusic notes Previn and Manne alternated leadership, and it was the drummer's good fortune to have the famous My Fair Lady alum under his own name). The album has eight of the main themes from the famous musical, including "I Feel Pretty", "Maria" and "America". As usual, the melodies are treated respectfully yet swingingly, and Andre Previn in particular excels in this setting. Recommended.\r\n
      \r\n
      Founded in 1951 by film producer, screenwriter and record collector Lester Koenig (1917-1977), Contemporary Records became the epicenter of the West Coast jazz scene, while its cutting-edge approach to sound and design attracted some of the era's most exciting artists. The Contemporary Records Acoustic Sounds series which launched in the spring of 2022 with titles by Art Pepper, Barney Kessel and Benny Carter, among others honors the label's rich legacy through meticulous reissues that highlight the label's influential classics, as well as its must-hear rarities.\r\n
      \r\n
      Since its initial rollout, the series has earned accolades from a slew of outlets, including JazzTimes, which spoke to the impact of the label, reflecting : "Artists, producers, and engineers alike have held Contemporary aloft... as a label dedicated to presenting jazz at its absolute purest, richest, and live-est," adding that the new reissues "are living, breathing proof of that label's hotly cutting clarity". Audiophile Review, meanwhile, marveled at the stereo pressing of Art Pepper + Eleven : Modern Jazz Classics, which it called "top-notch," elaborating that it sounds "richer and more inviting... deliver[ing] a bit more cinemascopic ‘view' of the group". Praising Hampton Hawes' Four ! as "pristine", Audiophile Audition added, "Kudos to Craft Recordings for re-introducing a brilliant pianist". 
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "André Previn (piano), Red Mitchell (bass), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wnVrcKl_its"
    -referenceProduit: "Acoustic Sounds Series Contemporary 0390"
    -titreMorceau: [
      [
        "nom" => "1. Gee, Officer Krupke ! "
        "ordre" => 6
      ]
      [
        "nom" => "1. Something`s Coming "
        "ordre" => 1
      ]
      [
        "nom" => "2. Cool "
        "ordre" => 7
      ]
      [
        "nom" => "2. Jet Song "
        "ordre" => 2
      ]
      [
        "nom" => "3. Maria "
        "ordre" => 8
      ]
      [
        "nom" => "3. Tonight "
        "ordre" => 3
      ]
      [
        "nom" => "4. America"
        "ordre" => 9
      ]
      [
        "nom" => "4. I Feel Pretty"
        "ordre" => 4
      ]
      [
        "nom" => "Side A: "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1679473864 {#2094
      date: 2023-03-22 08:31:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684607591 {#2095
      date: 2023-05-20 18:33:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-west-side-story-acoustic-sounds-series-contemporary-0390"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

[
  "produit" => App\Entity\Produit {#2113
    -id: 2427
    -nom: " Mal/2 "
    -informationComplementaire: "AVAILABILITY : 31/07/2023 (subject Concord Craft Recordings)"
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      \r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      \r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Originally released in 1957, Mal Waldron's Mal/2 album features some of jazz music's biggest names. Joining Mal Waldron (piano) are John Coltrane (tenor sax), Idrees Sulieman (trumpet) and Ed Thigpen (drums) among others. This new edition of the album is released as part of the Original Jazz Classics Series and is pressed on 180 gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket.\r\n
      \r\n
      Since its inception in 1982, Fantasy's Original Jazz Classics® (OJC) series quickly established a reputation as the go-to imprint for collectible jazz reissues. OJC served as a home for the label's impressive jazz catalog which had grown to include thousands of celebrated titles from Prestige, Galaxy, Milestone, Riverside, Debut, Contemporary, Jazzland, and Pablo. Drawing on this vast wealth of material, Original Jazz Classics released more than 850 titles.\r\n
      \r\n
      Its goal was simple: to reissue influential jazz albums with the utmost care and reverence for the originals from the cover art and liner notes to the audio recordings themselves. Given Craft Recordings' shared passion for meticulous preservation and quality, it is a natural step to relaunch Original Jazz Classics as part of the Craft family.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Mal Waldron\t(piano), Idrees Sulieman, Bill Hardman (trumpet), John Coltrane (tenor saxophone), Jackie McLean, Sahib Shihab\t(alto saxophone), Julian Euell, Ed Thigpen, Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BKgrzhH0RSk"
    -referenceProduit: "Concord Craft Recordings CR 00616"
    -titreMorceau: [
      [
        "nom" => "1. From This Moment On "
        "ordre" => 1
      ]
      [
        "nom" => "1. One By One "
        "ordre" => 5
      ]
      [
        "nom" => "2. Don’t Explain "
        "ordre" => 6
      ]
      [
        "nom" => "2. J.M.’s Dream Doll "
        "ordre" => 2
      ]
      [
        "nom" => "3. Potpourri"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Way You Look Tonight "
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: Proxies\__CG__\App\Entity\Label {#2118 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2127 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2120 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2122 …}
    -enregistreLe: DateTime @1684236936 {#2110
      date: 2023-05-16 11:35:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684237234 {#2111
      date: 2023-05-16 11:40:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2124 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mal-2-concord-craft-recordings-cr-00616"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3320
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2113
    -id: 2427
    -nom: " Mal/2 "
    -informationComplementaire: "AVAILABILITY : 31/07/2023 (subject Concord Craft Recordings)"
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      \r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      \r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Originally released in 1957, Mal Waldron's Mal/2 album features some of jazz music's biggest names. Joining Mal Waldron (piano) are John Coltrane (tenor sax), Idrees Sulieman (trumpet) and Ed Thigpen (drums) among others. This new edition of the album is released as part of the Original Jazz Classics Series and is pressed on 180 gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket.\r\n
      \r\n
      Since its inception in 1982, Fantasy's Original Jazz Classics® (OJC) series quickly established a reputation as the go-to imprint for collectible jazz reissues. OJC served as a home for the label's impressive jazz catalog which had grown to include thousands of celebrated titles from Prestige, Galaxy, Milestone, Riverside, Debut, Contemporary, Jazzland, and Pablo. Drawing on this vast wealth of material, Original Jazz Classics released more than 850 titles.\r\n
      \r\n
      Its goal was simple: to reissue influential jazz albums with the utmost care and reverence for the originals from the cover art and liner notes to the audio recordings themselves. Given Craft Recordings' shared passion for meticulous preservation and quality, it is a natural step to relaunch Original Jazz Classics as part of the Craft family.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Mal Waldron\t(piano), Idrees Sulieman, Bill Hardman (trumpet), John Coltrane (tenor saxophone), Jackie McLean, Sahib Shihab\t(alto saxophone), Julian Euell, Ed Thigpen, Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BKgrzhH0RSk"
    -referenceProduit: "Concord Craft Recordings CR 00616"
    -titreMorceau: [
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        "nom" => "1. From This Moment On "
        "ordre" => 1
      ]
      [
        "nom" => "1. One By One "
        "ordre" => 5
      ]
      [
        "nom" => "2. Don’t Explain "
        "ordre" => 6
      ]
      [
        "nom" => "2. J.M.’s Dream Doll "
        "ordre" => 2
      ]
      [
        "nom" => "3. Potpourri"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Way You Look Tonight "
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: Proxies\__CG__\App\Entity\Label {#2118 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2127 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2120 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2122 …}
    -enregistreLe: DateTime @1684236936 {#2110
      date: 2023-05-16 11:35:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684237234 {#2111
      date: 2023-05-16 11:40:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2124 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mal-2-concord-craft-recordings-cr-00616"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

[
  "produit" => App\Entity\Produit {#2132
    -id: 2276
    -nom: "In a Silent Way"
    -informationComplementaire: "Awaiting Repress"
    -description: """
      - FEATURES JOHN MCLAUGHLIN, CHICK COREA, HERBIE HANCOCK, JOE ZAWINUL, WAYNE SHORTER, DAVE HOLLAND, AND TONY WILLIAMS !\r\n
      \r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe ! \r\n
      \r\n
      Shhh. The command to be quiet is not just part of the title of one of the two sprawling compositions on this pioneering album. It's also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis' first full-on fusion effort and part of his "electric" era, the 1969 landmark claims a Who's Who lineup that sends the music into an ethereal stratosphere.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of "jazz", ˜rock", and "ambience", following a loose theory Davis dubbed "New Directions".\r\n
      \r\n
      Few albums are so delicately textured. And on Mobile Fidelity's meticulous reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams' inventive percussive touch he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight – is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis' nocturnal trumpet, Wayne Shorter's ribbon-unfurling saxophone, Dave Holland's extrapolative bass, and the mosaic of keys.\r\n
      \r\n
      If the record's only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons not the least of which is the seemingly telepathic communicative methods employed by the group's members. The lineup is great on paper, but, if it's even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.\r\n
      \r\n
      Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea's Fender Rhodes phrases to Davis' decorative spirals. And as color is the primary unit of currency on Davis' Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the set's maverick reputation attained via musings on solitude rather than explosions of noise.\r\n
      \r\n
      Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producer's could attempt and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1957 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Dave Holland (bass), Chick Corea, Herbie Hancock (electric piano),  Josef Zawinul (electric piano, organ), John McLaughlin (guitar),  Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "MFSL 1-377"
    -titreMorceau: [
      [
        "nom" => "1. In a Silent Way / It's About That Time"
        "ordre" => 3
      ]
      [
        "nom" => "1. Shhh / Peaceful"
        "ordre" => 1
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "\t"
        "ordre" => 4
      ]
      [
        "nom" => "\t"
        "ordre" => 5
      ]
      [
        "nom" => "\t"
        "ordre" => 6
      ]
      [
        "nom" => "\t"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: Proxies\__CG__\App\Entity\Label {#2137 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2146 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2139 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2141 …}
    -enregistreLe: DateTime @1663312268 {#2129
      date: 2022-09-16 07:11:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1681330613 {#2130
      date: 2023-04-12 20:16:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2143 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-in-a-silent-way-mfsl-1-377"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3371
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2132
    -id: 2276
    -nom: "In a Silent Way"
    -informationComplementaire: "Awaiting Repress"
    -description: """
      - FEATURES JOHN MCLAUGHLIN, CHICK COREA, HERBIE HANCOCK, JOE ZAWINUL, WAYNE SHORTER, DAVE HOLLAND, AND TONY WILLIAMS !\r\n
      \r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe ! \r\n
      \r\n
      Shhh. The command to be quiet is not just part of the title of one of the two sprawling compositions on this pioneering album. It's also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis' first full-on fusion effort and part of his "electric" era, the 1969 landmark claims a Who's Who lineup that sends the music into an ethereal stratosphere.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of "jazz", ˜rock", and "ambience", following a loose theory Davis dubbed "New Directions".\r\n
      \r\n
      Few albums are so delicately textured. And on Mobile Fidelity's meticulous reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams' inventive percussive touch he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight – is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis' nocturnal trumpet, Wayne Shorter's ribbon-unfurling saxophone, Dave Holland's extrapolative bass, and the mosaic of keys.\r\n
      \r\n
      If the record's only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons not the least of which is the seemingly telepathic communicative methods employed by the group's members. The lineup is great on paper, but, if it's even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.\r\n
      \r\n
      Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea's Fender Rhodes phrases to Davis' decorative spirals. And as color is the primary unit of currency on Davis' Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the set's maverick reputation attained via musings on solitude rather than explosions of noise.\r\n
      \r\n
      Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producer's could attempt and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1957 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Dave Holland (bass), Chick Corea, Herbie Hancock (electric piano),  Josef Zawinul (electric piano, organ), John McLaughlin (guitar),  Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "MFSL 1-377"
    -titreMorceau: [
      [
        "nom" => "1. In a Silent Way / It's About That Time"
        "ordre" => 3
      ]
      [
        "nom" => "1. Shhh / Peaceful"
        "ordre" => 1
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "\t"
        "ordre" => 4
      ]
      [
        "nom" => "\t"
        "ordre" => 5
      ]
      [
        "nom" => "\t"
        "ordre" => 6
      ]
      [
        "nom" => "\t"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: Proxies\__CG__\App\Entity\Label {#2137 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2146 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2139 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2141 …}
    -enregistreLe: DateTime @1663312268 {#2129
      date: 2022-09-16 07:11:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1681330613 {#2130
      date: 2023-04-12 20:16:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2143 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-in-a-silent-way-mfsl-1-377"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

[
  "produit" => App\Entity\Produit {#2151
    -id: 2403
    -nom: "Art Blakey Big Band"
    -informationComplementaire: "AVAILABILITY : 31/05/2023 (subject Bethlehem Records)"
    -description: """
      Musicians : \r\n
      Art Blakey (drums), Ray Copeland, Bill Hardman, Idrees Sulieman, Donald Byrd (trumpet), Frank Rehak, Jimmy Cleveland, Melba Liston (trombone), Bill Graham, Sahib Shihab (alto saxophone), Al Cohn, John Coltrane (tenor saxophone), Bill Slapin (baritone saxophone), Walter Bishop, Jr. (piano), Wendell Marshall (bass).\r\n
      \r\n
      The 1957 Bethlehem Records release Art Blakey Big Band finds the legendary drummer leading a 15-piece orchestra and quintet with appearances by the likes of Donald Byrd, John Coltrane, Ray Copeland, Bill Hardman and Walter Bishop Jr. among others. "In small combo work, you're free, you get to play. In a big band, nobody has freedom. And the drummer has to stay right with the rhythm section; he can't leave", Blakey said. "There are kicks though if you have the time to build a big band. The guys have to grow together. What makes a good big band drummer ? Aside from keeping time, all you can do is try to interpret the arrangements and fill in the holes." Remastered 180 gram vinyl LP.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Art Blakey (drums), Ray Copeland, Bill Hardman, Idrees Sulieman, Donald Byrd (trumpet), Frank Rehak, Jimmy Cleveland, Melba Liston (trombone), Bill Graham, Sahib Shihab (alto saxophone), Al Cohn, John Coltrane (tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=pjiLwmosQj8"
    -referenceProduit: "BMG Records "
    -titreMorceau: [
      [
        "nom" => "1. El Toro Valiente (2012 Remastered Version) "
        "ordre" => 6
      ]
      [
        "nom" => "1. Midriff (2012 Remastered Version) "
        "ordre" => 1
      ]
      [
        "nom" => "2. Ain't Life Grand (2012 Remastered Version) "
        "ordre" => 2
      ]
      [
        "nom" => "2. The Kiss of No Return (2012 Remastered Version) "
        "ordre" => 7
      ]
      [
        "nom" => "3. Late Date (2012 Remastered Version) "
        "ordre" => 8
      ]
      [
        "nom" => "3. Tippin' (2012 Remastered Version) "
        "ordre" => 3
      ]
      [
        "nom" => "4. Pristine (2012 Remastered Version)"
        "ordre" => 4
      ]
      [
        "nom" => "4. The Outer World (2012 Remastered Version)"
        "ordre" => 9
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2153 …}
    -label: Proxies\__CG__\App\Entity\Label {#2156 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2165 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2158 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2160 …}
    -enregistreLe: DateTime @1680813384 {#2148
      date: 2023-04-06 20:36:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1680848674 {#2149
      date: 2023-04-07 06:24:34.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2162 …}
    -disponible: null
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    -slug: "vinyles-art-blakey-big-band-bmg-records"
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App\Twig\Components\GestionPanierFavoriComponents {#3422
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2151
    -id: 2403
    -nom: "Art Blakey Big Band"
    -informationComplementaire: "AVAILABILITY : 31/05/2023 (subject Bethlehem Records)"
    -description: """
      Musicians : \r\n
      Art Blakey (drums), Ray Copeland, Bill Hardman, Idrees Sulieman, Donald Byrd (trumpet), Frank Rehak, Jimmy Cleveland, Melba Liston (trombone), Bill Graham, Sahib Shihab (alto saxophone), Al Cohn, John Coltrane (tenor saxophone), Bill Slapin (baritone saxophone), Walter Bishop, Jr. (piano), Wendell Marshall (bass).\r\n
      \r\n
      The 1957 Bethlehem Records release Art Blakey Big Band finds the legendary drummer leading a 15-piece orchestra and quintet with appearances by the likes of Donald Byrd, John Coltrane, Ray Copeland, Bill Hardman and Walter Bishop Jr. among others. "In small combo work, you're free, you get to play. In a big band, nobody has freedom. And the drummer has to stay right with the rhythm section; he can't leave", Blakey said. "There are kicks though if you have the time to build a big band. The guys have to grow together. What makes a good big band drummer ? Aside from keeping time, all you can do is try to interpret the arrangements and fill in the holes." Remastered 180 gram vinyl LP.
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=pjiLwmosQj8"
    -referenceProduit: "BMG Records "
    -titreMorceau: [
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        "ordre" => 6
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        "ordre" => 9
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 5
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2153 …}
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    }
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      date: 2023-04-07 06:24:34.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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    -slug: "vinyles-art-blakey-big-band-bmg-records"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
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[
  "produit" => App\Entity\Produit {#2170
    -id: 662
    -nom: "E.S.P. "
    -informationComplementaire: ""
    -description: "Après plusieurs groupes intermédiaires (qui présentait des géants tels que Hank Mobley, Wynton Kelly, Victor Feldman, et George Coleman), Miles Davis a composé lentement son second grand quintet sur la période 1963-1964 et rassemblé  des musiciens tels que Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams (qui était âgé de 17 ans lorsqu’il a rejoint Miles Davis). Quand Miles Davis a assemblé Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams, il y avait un groupe à cheval sur les deux traditions du jazz et les challenges qui les attendaient. En 1965, l’album « E.S.P. » a été le premier enregistrement studio qui a capturé le jeu et le potentiel créatif que le groupe était en train de développer. Les cinq membres du quintette semblaient communiquer par télépathie, inspirant le titre « E.S.P. » (perception extra-sensorielle). Comportant le morceau de blues diablement génial « Eighty One » (en fait écrit par Ron Carter, mais probablement arrangé dans le studio par Miles Davis), sur lequel les rythmes binaires et tertiaires sont alternés (écoutez les improvisations et vous comprendrez). Bien que le concept mélodique de « Agitation » a souvent été utilisé pour ouvrir les concerts jusqu'en 1969, il a montré la manière et les options de « So What » et « Flamenco Sketches » pour trouver un nouveau débouché, six ans après Kind Of Blue. Mais le retour à l'inspiration des chefs-d'œuvre de 1959, est principalement attribuable à la composition de ses jeunes compagnons, qui étaient responsables de la composition de six des sept chansons sur l'album. Surtout remarquer le jeu brillant de Wayne Shorter avec Miles à la clôture du morceau « Mood », la ballade envoûtante écrite par le bassiste Ron Carter. C’est la première réédition audiophile de l’album « E.S.P. » de Miles Davis par Impex Records, remastérisé par Chris Bellman chez Bernie Grundman Mastering à partir des bandes masters originales. Cet album est strictement réédité à 3000 exemplaires numérotés. "
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (double bass), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=faW5IXgkMBQ"
    -referenceProduit: "IMP 6018"
    -titreMorceau: [
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        "ordre" => 6
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        "ordre" => 2
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        "nom" => "3. Mood"
        "ordre" => 8
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        "nom" => "4. R.J. "
        "ordre" => 4
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        "nom" => "Side A : "
        "ordre" => 0
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2173 …}
    -enregistreLe: DateTime @1386935968 {#2167
      date: 2013-12-13 11:59:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1680034225 {#2168
      date: 2023-03-28 20:10:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2175 …}
    -disponible: null
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    -slug: "vinyles-e-s-p-imp-6018"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3475
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2170
    -id: 662
    -nom: "E.S.P. "
    -informationComplementaire: ""
    -description: "Après plusieurs groupes intermédiaires (qui présentait des géants tels que Hank Mobley, Wynton Kelly, Victor Feldman, et George Coleman), Miles Davis a composé lentement son second grand quintet sur la période 1963-1964 et rassemblé  des musiciens tels que Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams (qui était âgé de 17 ans lorsqu’il a rejoint Miles Davis). Quand Miles Davis a assemblé Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams, il y avait un groupe à cheval sur les deux traditions du jazz et les challenges qui les attendaient. En 1965, l’album « E.S.P. » a été le premier enregistrement studio qui a capturé le jeu et le potentiel créatif que le groupe était en train de développer. Les cinq membres du quintette semblaient communiquer par télépathie, inspirant le titre « E.S.P. » (perception extra-sensorielle). Comportant le morceau de blues diablement génial « Eighty One » (en fait écrit par Ron Carter, mais probablement arrangé dans le studio par Miles Davis), sur lequel les rythmes binaires et tertiaires sont alternés (écoutez les improvisations et vous comprendrez). Bien que le concept mélodique de « Agitation » a souvent été utilisé pour ouvrir les concerts jusqu'en 1969, il a montré la manière et les options de « So What » et « Flamenco Sketches » pour trouver un nouveau débouché, six ans après Kind Of Blue. Mais le retour à l'inspiration des chefs-d'œuvre de 1959, est principalement attribuable à la composition de ses jeunes compagnons, qui étaient responsables de la composition de six des sept chansons sur l'album. Surtout remarquer le jeu brillant de Wayne Shorter avec Miles à la clôture du morceau « Mood », la ballade envoûtante écrite par le bassiste Ron Carter. C’est la première réédition audiophile de l’album « E.S.P. » de Miles Davis par Impex Records, remastérisé par Chris Bellman chez Bernie Grundman Mastering à partir des bandes masters originales. Cet album est strictement réédité à 3000 exemplaires numérotés. "
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (double bass), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=faW5IXgkMBQ"
    -referenceProduit: "IMP 6018"
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        "ordre" => 0
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        "ordre" => 5
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2178 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2171 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2173 …}
    -enregistreLe: DateTime @1386935968 {#2167
      date: 2013-12-13 11:59:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1680034225 {#2168
      date: 2023-03-28 20:10:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2175 …}
    -disponible: null
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    -slug: "vinyles-e-s-p-imp-6018"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

[
  "produit" => App\Entity\Produit {#2183
    -id: 2351
    -nom: "Dance with Death "
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe gatefold tip-on jacket !\r\n
      \r\n
      Blue Note Records has announced the 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the "Tone Poet" Joe Harley and features all-analog, 180 gram audiophile vinyl reissues that are mastered directly from the original master tapes by Kevin Gray of Cohearent Audio.\r\n
      \r\n
      Tone Poet vinyl is manufactured at RTI in Camarillo, California, and packaged in deluxe gatefold tip-on jackets. The titles were once again handpicked by Harley and include acknowledged treasures of the Blue Note catalog as well as underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz.\r\n
      \r\n
      Pianist Andrew Hill's excellent 1968 session Dance With Death featured his singular compositions performed by a versatile quintet with trumpeter Charles Tolliver, saxophonist Joe Farrell, bassist Victor Sproles, and drummer Billy Higgins.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Andrew Hill (piano), Joe Farrell (tenor & soprano saxophone), Victor Sproles (bass), Charles Tolliver (trumpet), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JCcsn_7uPV0"
    -referenceProduit: "Blue Note Tone Poet Series 73160"
    -titreMorceau: [
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        "ordre" => 5
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        "ordre" => 4
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2185 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2192 …}
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      date: 2023-03-25 09:25:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2194 …}
    -disponible: null
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    -slug: "vinyles-dance-with-death-blue-note-tone-poet-series-73160"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3521
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2183
    -id: 2351
    -nom: "Dance with Death "
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe gatefold tip-on jacket !\r\n
      \r\n
      Blue Note Records has announced the 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the "Tone Poet" Joe Harley and features all-analog, 180 gram audiophile vinyl reissues that are mastered directly from the original master tapes by Kevin Gray of Cohearent Audio.\r\n
      \r\n
      Tone Poet vinyl is manufactured at RTI in Camarillo, California, and packaged in deluxe gatefold tip-on jackets. The titles were once again handpicked by Harley and include acknowledged treasures of the Blue Note catalog as well as underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz.\r\n
      \r\n
      Pianist Andrew Hill's excellent 1968 session Dance With Death featured his singular compositions performed by a versatile quintet with trumpeter Charles Tolliver, saxophonist Joe Farrell, bassist Victor Sproles, and drummer Billy Higgins.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Andrew Hill (piano), Joe Farrell (tenor & soprano saxophone), Victor Sproles (bass), Charles Tolliver (trumpet), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JCcsn_7uPV0"
    -referenceProduit: "Blue Note Tone Poet Series 73160"
    -titreMorceau: [
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        "nom" => "1. Dance With Death "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2185 …}
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[
  "produit" => App\Entity\Produit {#2204
    -id: 2297
    -nom: "George Coleman At Yoshi's"
    -informationComplementaire: ""
    -description: """
      - 180 gram double LP !\r\n
      \r\n
      - Remastering by Cicely Baston at Air Mastering, London ! \r\n
      \r\n
      "When any recording made by George Coleman is issued, it's an instant event. Though Coleman has always been busy performing, writing, and especially teaching, scant few LPs or CDs have come listeners' way. It is especially thrilling to hear him live in concert performance at the initial site of the then newly minted Yoshi's in Oakland, CA, as his extended techniques and heightened sense of tonal ideas come fully to the fore.\r\n
      \r\n
      "Coleman and pianist Harold Mabern, both originally from the fertile jazz scene in Memphis, make the perfect tandem, ably supported by super pros in expatriate drummer Alvin Queen and veteran New York bassist Ray Drummond, both of whom Coleman played with when he was in Europe. There are many solemn, laid-back, and reflective moments from Coleman, as both of the opening tracks, 'They Say It's Wonderful' and 'Good Morning Heartache', warm slowly and simmer at their easily swinging maximum, with the tenor man progressively squeezing out more and more notes in refined fashion. Never far from the soul of his homeland, 'Laig Gobblin' Blues' is a refreshing modal original by the leader, a 5/4 beat in a 12-bar idea, with 7/4 tossed in cleverly. The dignity and class of Coleman cannot be overemphasized, as he further displays on his neat and clean composition 'Father'. A lovely and loping 'Soul Eyes' is a perfect closer over its nearly 17 minutes, giving pause to the thought that it was in fact Coleman who influenced John Coltrane.\r\n
      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -nom: "George Coleman At Yoshi's"
    -informationComplementaire: ""
    -description: """
      - 180 gram double LP !\r\n
      \r\n
      - Remastering by Cicely Baston at Air Mastering, London ! \r\n
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      "When any recording made by George Coleman is issued, it's an instant event. Though Coleman has always been busy performing, writing, and especially teaching, scant few LPs or CDs have come listeners' way. It is especially thrilling to hear him live in concert performance at the initial site of the then newly minted Yoshi's in Oakland, CA, as his extended techniques and heightened sense of tonal ideas come fully to the fore.\r\n
      \r\n
      "Coleman and pianist Harold Mabern, both originally from the fertile jazz scene in Memphis, make the perfect tandem, ably supported by super pros in expatriate drummer Alvin Queen and veteran New York bassist Ray Drummond, both of whom Coleman played with when he was in Europe. There are many solemn, laid-back, and reflective moments from Coleman, as both of the opening tracks, 'They Say It's Wonderful' and 'Good Morning Heartache', warm slowly and simmer at their easily swinging maximum, with the tenor man progressively squeezing out more and more notes in refined fashion. Never far from the soul of his homeland, 'Laig Gobblin' Blues' is a refreshing modal original by the leader, a 5/4 beat in a 12-bar idea, with 7/4 tossed in cleverly. The dignity and class of Coleman cannot be overemphasized, as he further displays on his neat and clean composition 'Father'. A lovely and loping 'Soul Eyes' is a perfect closer over its nearly 17 minutes, giving pause to the thought that it was in fact Coleman who influenced John Coltrane.\r\n
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[
  "produit" => App\Entity\Produit {#2223
    -id: 273
    -nom: "Bitches Brew"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      Musicians : \r\n
      Miles Davis (trumpet),  Wayne Shorter (soprano saxophone), Dave Holland (bass), Bennie Maupin (bass clarinet), Harvey Brooks (bass Fender), John McLaughlin (electric guitar), Electric Piano – Chick Corea, Joe Zawinul, Larry Young (electric piano), Jim Riley (percussion), Charles Alias, Jack DeJohnette, Lenny White (drums).\r\n
      \r\n
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      \r\n
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      \r\n
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      \r\n
      Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves later spliced together by producer Ted Macero. On this reissue, these creations take shape with utmost realism. Compositions stretch across black backgrounds and paint abstract canvasses on par with those of Axis: Bold As Love and Abraxas. Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve.\r\n
      \r\n
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      \r\n
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      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: ""
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    -extraitYoutube: "https://www.youtube.com/watch?v=vUVXMWOWaS8"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3625
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
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    -id: 273
    -nom: "Bitches Brew"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      Musicians : \r\n
      Miles Davis (trumpet),  Wayne Shorter (soprano saxophone), Dave Holland (bass), Bennie Maupin (bass clarinet), Harvey Brooks (bass Fender), John McLaughlin (electric guitar), Electric Piano – Chick Corea, Joe Zawinul, Larry Young (electric piano), Jim Riley (percussion), Charles Alias, Jack DeJohnette, Lenny White (drums).\r\n
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    -prixVente: "99.50"
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      date: 2023-03-07 08:24:17.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2236
    -id: 784
    -nom: "Miles in the Sky (2 LP) 45 RPM"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      - FINAL EFFORT WITH CLASSIC SECOND QUINTET FINDS DAVIS LOOKING TO THE PAST AND THE FUTURE !\r\n
      \r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Miles in the Sky reflects the intriguing curiosities and rainbow possibilities suggested by the album cover. Miles Davis' fifth and final album with his classic second quintet is kaleidoscopic in sound, forward-looking in structure, and contextually grounded in approach. As the legendary leader's first venture into what would become fusion, it's historical for containing the premier appearances of electric piano, bass, and guitar on a Davis effort.\r\n
      \r\n
      The album's wide-open soundscapes soar. As do the fluid contributions of Davis' mates. Tony Williams' percussion, central to every composition here, transpires before your eyes. Herbie Hancock's piano hovers and fades with sublime purity. And George Benson, who sits on "Paraphernalia," blows the equivalent of smoke rings with his bluesy guitar, which here takes on brilliant tonality and definition. The acoustic material that occupies the second half of the record is equally transparent and full-bodied.\r\n
      \r\n
      Granted enhanced production and a greater field of audible information, Miles in the Sky can finally be perceived as belonging to the same upper echelon as Davis' ubiquitously acclaimed Nefertiti and Filles de Kilimanjaro--the albums that precede and follow, respectively, this watershed title. Commonly branded a "transitional" work, Miles in the Sky showcases Davis already at ease with electric instruments and eager to venture into uncharted territories. Doubling as organized jams and bridges between jazz and rock, both the rhythmically challenging "Stuff" and frisky "Paraphernalia" glancing toward the future while keeping solid footing in the past.\r\n
      \r\n
      Similarly, so do "Country Boy" and "Black Comedy". In his original review for jazz authority DownBeat, Larry Kart observes : "Davis takes material from his earlier days and darkens its emotional tone. His opening phrase on "Country Boy" recalls a fragment from his "Summertime" solo on the Porgy and Bess album, but here it is delivered with a vehemence that rejects the poignancy of the earlier performance. Even on ‘Black Comedy,' his most straightahead solo here, the orderly pattern of the past is displaced and fragmented".\r\n
      \r\n
      Flavored with humor, bossa nova, country, and even ballroom phrases, the compositions on Miles in the Sky explodes with creativity, purpose, and color.\r\n
      \r\n
      \r\n
       \r\n
      \r\n
      """
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App\Twig\Components\GestionPanierFavoriComponents {#3673
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  +produit: App\Entity\Produit {#2236
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    -nom: "Miles in the Sky (2 LP) 45 RPM"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      - FINAL EFFORT WITH CLASSIC SECOND QUINTET FINDS DAVIS LOOKING TO THE PAST AND THE FUTURE !\r\n
      \r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Miles in the Sky reflects the intriguing curiosities and rainbow possibilities suggested by the album cover. Miles Davis' fifth and final album with his classic second quintet is kaleidoscopic in sound, forward-looking in structure, and contextually grounded in approach. As the legendary leader's first venture into what would become fusion, it's historical for containing the premier appearances of electric piano, bass, and guitar on a Davis effort.\r\n
      \r\n
      The album's wide-open soundscapes soar. As do the fluid contributions of Davis' mates. Tony Williams' percussion, central to every composition here, transpires before your eyes. Herbie Hancock's piano hovers and fades with sublime purity. And George Benson, who sits on "Paraphernalia," blows the equivalent of smoke rings with his bluesy guitar, which here takes on brilliant tonality and definition. The acoustic material that occupies the second half of the record is equally transparent and full-bodied.\r\n
      \r\n
      Granted enhanced production and a greater field of audible information, Miles in the Sky can finally be perceived as belonging to the same upper echelon as Davis' ubiquitously acclaimed Nefertiti and Filles de Kilimanjaro--the albums that precede and follow, respectively, this watershed title. Commonly branded a "transitional" work, Miles in the Sky showcases Davis already at ease with electric instruments and eager to venture into uncharted territories. Doubling as organized jams and bridges between jazz and rock, both the rhythmically challenging "Stuff" and frisky "Paraphernalia" glancing toward the future while keeping solid footing in the past.\r\n
      \r\n
      Similarly, so do "Country Boy" and "Black Comedy". In his original review for jazz authority DownBeat, Larry Kart observes : "Davis takes material from his earlier days and darkens its emotional tone. His opening phrase on "Country Boy" recalls a fragment from his "Summertime" solo on the Porgy and Bess album, but here it is delivered with a vehemence that rejects the poignancy of the earlier performance. Even on ‘Black Comedy,' his most straightahead solo here, the orderly pattern of the past is displaced and fragmented".\r\n
      \r\n
      Flavored with humor, bossa nova, country, and even ballroom phrases, the compositions on Miles in the Sky explodes with creativity, purpose, and color.\r\n
      \r\n
      \r\n
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      \r\n
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[
  "produit" => App\Entity\Produit {#2249
    -id: 1642
    -nom: "Nefertiti - (2 LP) 45 RPM"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      - STEEPED IN INQUISITIVE INTERPLAY AND SUBCONSCIOUS IMPRESSIONISM !\r\n
      \r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Nefertit will always be known as the final all-acoustic record made by Miles Davis' classic second quintet. A thematic bookend to the preceding Sorcerer, the 1967 set shares much in common with its equally nuanced predecessor yet deviates by way of its focus on rhythm and exploratory soundscapes. The low-key music blooms with colorful bouquets of shadings, gradations, and overtones that on Mobile Fidelity's edition bring listeners to closer to the creative passions than ever before.\r\n
      \r\n
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      \r\n
      Throughout, the players' confidence, and Davis' trust in them, stamps every piece with rare self-assurance and authoritativeness. In particular, Williams and Carter bring rhythms to the forefront as the horns hypnotize and Herbie Hancock's piano points in several different directions like a compass gone crazy. Responsible for "Madness" and "Riot", Hancock contributes brief bursts of speed and slight aggression, but on a record on which complexity and introspection take precedent over blowing hot, the aural steam ultimately becomes opportunity for burrowing into unpredictable turns and deep grooves.\r\n
      \r\n
      Indeed, the thrilling sense of interplay and inclination of the ensemble to keep searching, moving forward in a concerted manner to uncover then-unheard jazz discoveries, marks Nefertiti as one of Davis' quintessential efforts. For historians, it's the signpost to the pioneering fusion the leader would begin to pursue with greater commitment on the record's follow-up, Miles in the Sky. For the rest of us, the album is music and music-making at its intriguing best.\r\n
      \r\n
      \r\n
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    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Iu0IfC_IUaA"
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        "nom" => "2. Pinocchio"
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App\Twig\Components\GestionPanierFavoriComponents {#3721
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    -id: 1642
    -nom: "Nefertiti - (2 LP) 45 RPM"
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    -description: """
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      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
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[
  "produit" => App\Entity\Produit {#2262
    -id: 2374
    -nom: "The Lost Sessions From The Netherlands"
    -informationComplementaire: ""
    -description: """
      - 180 gram vinyl !\r\n
      \r\n
      - Remastered from the original analog tapes !\r\n
      \r\n
      - Lacquers cut by André Perriat !\r\n
      \r\n
      - Manufactured in Germany !\r\n
      \r\n
      Among the great moments in the career of Blossom Dearie, an exceptional singer and pianist, are the concerts she gave and recorded in the Netherlands between 1968 and 1989, of which we have a faithful reflection here, thanks in particular to a fine recording. She dominates all instrumental formats, from solo to the large Metropole Orchestra, and all repertoires, from the film song "Raindrops Keep Falling On My Head", which she magnifies, to Joni Mitchell's "Both Sides Now", which she renews with intelligence, not forgetting a masterpiece for which she is responsible, "Winchester in Apple Blossom Time". Not forgetting her other personal works, as well as "Bring All Your Love Along", of which we hear the first recorded version here. Blossom's sublime farewell, eternal spring, in the form of a delicate reverence.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Blossom Dearie (piano, vocals), Jim Hughart (bass), John Morrell (guitar), Colin Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=n_0v3VQMVhA"
    -referenceProduit: "The Lost Recordings 4033"
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        "nom" => "1. Discover Who I Am "
        "ordre" => 1
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        "nom" => "1. Raindrops Keep Falling on My Head "
        "ordre" => 8
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        "nom" => "2. Sweet Georgie Fame "
        "ordre" => 9
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        "nom" => "2. The Music Played "
        "ordre" => 2
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        "nom" => "3. Feeling Good Being Me "
        "ordre" => 10
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        "nom" => "3. Winchester in Apple Blossom Time* "
        "ordre" => 3
      ]
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        "nom" => "4. Who Knows Why "
        "ordre" => 4
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        "nom" => "4. You Have Lived in Autumn "
        "ordre" => 11
      ]
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        "nom" => "5. Both Sides Now "
        "ordre" => 12
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      [
        "nom" => "5. Sammy. "
        "ordre" => 5
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        "nom" => "6. Bye Bye Country Boy "
        "ordre" => 6
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        "nom" => "6. Winchester in Apple Blossom Time "
        "ordre" => 13
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        "nom" => "7. Bring All You Love Along"
        "ordre" => 14
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2264 …}
    -label: Proxies\__CG__\App\Entity\Label {#2267 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2276 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2269 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2271 …}
    -enregistreLe: DateTime @1677999814 {#2259
      date: 2023-03-05 07:03:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1678000497 {#2260
      date: 2023-03-05 07:14:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2273 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-lost-sessions-from-the-netherlands-the-lost-recordings-4033"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3767
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2262
    -id: 2374
    -nom: "The Lost Sessions From The Netherlands"
    -informationComplementaire: ""
    -description: """
      - 180 gram vinyl !\r\n
      \r\n
      - Remastered from the original analog tapes !\r\n
      \r\n
      - Lacquers cut by André Perriat !\r\n
      \r\n
      - Manufactured in Germany !\r\n
      \r\n
      Among the great moments in the career of Blossom Dearie, an exceptional singer and pianist, are the concerts she gave and recorded in the Netherlands between 1968 and 1989, of which we have a faithful reflection here, thanks in particular to a fine recording. She dominates all instrumental formats, from solo to the large Metropole Orchestra, and all repertoires, from the film song "Raindrops Keep Falling On My Head", which she magnifies, to Joni Mitchell's "Both Sides Now", which she renews with intelligence, not forgetting a masterpiece for which she is responsible, "Winchester in Apple Blossom Time". Not forgetting her other personal works, as well as "Bring All Your Love Along", of which we hear the first recorded version here. Blossom's sublime farewell, eternal spring, in the form of a delicate reverence.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Blossom Dearie (piano, vocals), Jim Hughart (bass), John Morrell (guitar), Colin Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=n_0v3VQMVhA"
    -referenceProduit: "The Lost Recordings 4033"
    -titreMorceau: [
      [
        "nom" => "1. Discover Who I Am "
        "ordre" => 1
      ]
      [
        "nom" => "1. Raindrops Keep Falling on My Head "
        "ordre" => 8
      ]
      [
        "nom" => "2. Sweet Georgie Fame "
        "ordre" => 9
      ]
      [
        "nom" => "2. The Music Played "
        "ordre" => 2
      ]
      [
        "nom" => "3. Feeling Good Being Me "
        "ordre" => 10
      ]
      [
        "nom" => "3. Winchester in Apple Blossom Time* "
        "ordre" => 3
      ]
      [
        "nom" => "4. Who Knows Why "
        "ordre" => 4
      ]
      [
        "nom" => "4. You Have Lived in Autumn "
        "ordre" => 11
      ]
      [
        "nom" => "5. Both Sides Now "
        "ordre" => 12
      ]
      [
        "nom" => "5. Sammy. "
        "ordre" => 5
      ]
      [
        "nom" => "6. Bye Bye Country Boy "
        "ordre" => 6
      ]
      [
        "nom" => "6. Winchester in Apple Blossom Time "
        "ordre" => 13
      ]
      [
        "nom" => "7. Bring All You Love Along"
        "ordre" => 14
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2264 …}
    -label: Proxies\__CG__\App\Entity\Label {#2267 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2276 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2269 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2271 …}
    -enregistreLe: DateTime @1677999814 {#2259
      date: 2023-03-05 07:03:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1678000497 {#2260
      date: 2023-03-05 07:14:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2273 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-lost-sessions-from-the-netherlands-the-lost-recordings-4033"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3968
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3969 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4017 …}
  +isValidated: false
  +validatedFields: []
}