Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2603
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2450 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2680
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2683 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2682 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2450 …}
  -formView: Symfony\Component\Form\FormView {#2719 …}
  -form: Symfony\Component\Form\Form {#2869 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 389
    -nom: "Charles Mingus Presents Charles Mingus"
    -informationComplementaire: ""
    -description: """
      "Charles Mingus has a fascinating way of offering music that is grounded in tradition while remaining startlingly original. The freshness of a piece like Charles Mingus Presents Charles Mingus has the effect of rendering much of what passes for jazz as tedious. The band is small for Mingus and includes Eric Dolphy on alto saxophone and bass clarinet, Ted Curson on trumpet and Dannie Richmond on drums. It would be one of Dolphy and Curson's last recording dates with the artist, and they seem determined to go all out for it. The leader's bass line kicks off 'Folk Forms N° 1', followed by Dolphy outlining the melody, and then joined by Curson. A simple riff develops into a lively New Orleans funeral march that's developed for 12 minutes. 'Original Faubus Fables' is serious in intent - a political attack on segregation governor Faubus - but Mingus and Richmond's singing is difficult to listen to with a straight face. Still, this doesn't distract from the wonderful music. Again and again, the elasticity of the sound is fascinating, at once spacious with the bass and drums balanced against the brass and then noisy, with the horns wailing and crying. The last two pieces, 'What I Love ?' and the outrageously titled 'All the Things Could Be by Now if Sigmund Freud's Wife Was Your Mother,' are much looser, bordering on free jazz. The album accomplishes what the best of Mingus accomplishes: the perfect tension between jazz played as an ensemble and jazz played as totally free". - Review by Ronnie Lankford, Jr\r\n
      \r\n
      "… This record is required listening for any lover of jazz, even those who are generally shy of the more avant-garde sound of Dolphy mixed with the creative genius that always defined Mingus. It is a classic that deserves a place on the shelf along side of more accessible and better-known Columbia classics Mingus Ah Um and Mingus Dynasty… The original Candid pressings were first rate, and this re-issue combines all the strengths of the original with a better mastering chain and superior vinyl". Recording = 9/10; Music = 10/10 – Dennis Davis, Hi-Fi+, Issue 42 \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Charles Mingus (bass), Ted Curson (trumpet), Eric Dolphy (alto saxophone, bass clarinet), Dannie Richmond drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hJe_ZlFC084"
    -referenceProduit: "Pure Pleasure Records CJS 9005"
    -titreMorceau: [
      [
        "nom" => "1. Folk Forms, N° 1"
        "ordre" => 1
      ]
      [
        "nom" => "1. What Love"
        "ordre" => 4
      ]
      [
        "nom" => "2. All The Things You Could Be By Now If Sigmund Freud’s Wife Was Your Mother "
        "ordre" => 5
      ]
      [
        "nom" => "2. Original Faubus Fables"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1288016892 {#1928
      date: 2010-10-25 14:28:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1667547997 {#1921
      date: 2022-11-04 07:46:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-charles-mingus-presents-charles-mingus-pure-pleasure-records-cjs-9005"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3141
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2682 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 389
    -nom: "Charles Mingus Presents Charles Mingus"
    -informationComplementaire: ""
    -description: """
      "Charles Mingus has a fascinating way of offering music that is grounded in tradition while remaining startlingly original. The freshness of a piece like Charles Mingus Presents Charles Mingus has the effect of rendering much of what passes for jazz as tedious. The band is small for Mingus and includes Eric Dolphy on alto saxophone and bass clarinet, Ted Curson on trumpet and Dannie Richmond on drums. It would be one of Dolphy and Curson's last recording dates with the artist, and they seem determined to go all out for it. The leader's bass line kicks off 'Folk Forms N° 1', followed by Dolphy outlining the melody, and then joined by Curson. A simple riff develops into a lively New Orleans funeral march that's developed for 12 minutes. 'Original Faubus Fables' is serious in intent - a political attack on segregation governor Faubus - but Mingus and Richmond's singing is difficult to listen to with a straight face. Still, this doesn't distract from the wonderful music. Again and again, the elasticity of the sound is fascinating, at once spacious with the bass and drums balanced against the brass and then noisy, with the horns wailing and crying. The last two pieces, 'What I Love ?' and the outrageously titled 'All the Things Could Be by Now if Sigmund Freud's Wife Was Your Mother,' are much looser, bordering on free jazz. The album accomplishes what the best of Mingus accomplishes: the perfect tension between jazz played as an ensemble and jazz played as totally free". - Review by Ronnie Lankford, Jr\r\n
      \r\n
      "… This record is required listening for any lover of jazz, even those who are generally shy of the more avant-garde sound of Dolphy mixed with the creative genius that always defined Mingus. It is a classic that deserves a place on the shelf along side of more accessible and better-known Columbia classics Mingus Ah Um and Mingus Dynasty… The original Candid pressings were first rate, and this re-issue combines all the strengths of the original with a better mastering chain and superior vinyl". Recording = 9/10; Music = 10/10 – Dennis Davis, Hi-Fi+, Issue 42 \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Charles Mingus (bass), Ted Curson (trumpet), Eric Dolphy (alto saxophone, bass clarinet), Dannie Richmond drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hJe_ZlFC084"
    -referenceProduit: "Pure Pleasure Records CJS 9005"
    -titreMorceau: [
      [
        "nom" => "1. Folk Forms, N° 1"
        "ordre" => 1
      ]
      [
        "nom" => "1. What Love"
        "ordre" => 4
      ]
      [
        "nom" => "2. All The Things You Could Be By Now If Sigmund Freud’s Wife Was Your Mother "
        "ordre" => 5
      ]
      [
        "nom" => "2. Original Faubus Fables"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1288016892 {#1928
      date: 2010-10-25 14:28:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1667547997 {#1921
      date: 2022-11-04 07:46:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-charles-mingus-presents-charles-mingus-pure-pleasure-records-cjs-9005"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2450 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 2301
    -nom: "Here It Is : A Tribute to Leonard Cohen"
    -informationComplementaire: ""
    -description: """
      - 180g Vinyl Double LP !\r\n
      \r\n
      - Extraordinary, Heartfelt Tribute to the Late, Great Leonard Cohen !\r\n
      Features James Taylor, Iggy Pop, Mavis Staples, Norah Jones, Peter Gabriel & More Backed by a Remarkable Jazz Quintet!\r\n
      \r\n
      Four-time Grammy winning producer Larry Klein, who produced Herbie Hancock's Album of the Year winner, River : The Joni Letters, has assembled another extraordinary star-studded project with Here It Is: A Tribute to Leonard Cohen. This heartfelt tribute to Klein's dear friend, the legendary singer-songwriter Leonard Cohen, presents stunning renditions of his profound songs by an impressive and eclectic lineup of guest vocalists including James Taylor, Iggy Pop, Mavis Staples, Norah Jones, Gregory Porter, Peter Gabriel, Nathaniel Rateliff, David Gray, Sarah McLachlan, and Luciana Souza. The backing band is no less impressive featuring a remarkable quintet of modern jazz talent that Klein calls "a group of the most prescient and forward-looking musicians in the jazz world", including guitarist Bill Frisell, saxophonist Immanuel Wilkins, pianist Kevin Hays, bassist Scott Colley, and drummer Nate Smith.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4BccEV-4kpk"
    -referenceProduit: "Blue Note Records 2201"
    -titreMorceau: [
      [
        "nom" => "1. Coming Back To You – James Taylor \t"
        "ordre" => 9
      ]
      [
        "nom" => "1. Hallelujah – Sarah McLachlan \t"
        "ordre" => 5
      ]
      [
        "nom" => "1. Seems So Long Ago, Nancy – David Gray \t"
        "ordre" => 13
      ]
      [
        "nom" => "1. Steer Your Way – Norah Jones \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. Avalanche – Immanuel Wilkins \t"
        "ordre" => 6
      ]
      [
        "nom" => "2. Famous Blue Raincoat – Nathaniel Rateliff \t"
        "ordre" => 14
      ]
      [
        "nom" => "2. Here It Is – Peter Gabriel \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. You Want It Darker – Iggy Pop \t"
        "ordre" => 10
      ]
      [
        "nom" => "3. Bird On The Wire – Bill Frisell"
        "ordre" => 15
      ]
      [
        "nom" => "3. Hey, That’s No Way To Say Goodbye – Luciana Souza"
        "ordre" => 7
      ]
      [
        "nom" => "3. If It Be Your Will – Mavis Staples"
        "ordre" => 11
      ]
      [
        "nom" => "3. Suzanne – Gregory Porter"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2102 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2111 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2104 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2106 …}
    -enregistreLe: DateTime @1666074973 {#2094
      date: 2022-10-18 06:36:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1667546264 {#2095
      date: 2022-11-04 07:17:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2108 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-here-it-is-a-tribute-to-leonard-cohen-blue-note-records-2201"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3255
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2682 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2097
    -id: 2301
    -nom: "Here It Is : A Tribute to Leonard Cohen"
    -informationComplementaire: ""
    -description: """
      - 180g Vinyl Double LP !\r\n
      \r\n
      - Extraordinary, Heartfelt Tribute to the Late, Great Leonard Cohen !\r\n
      Features James Taylor, Iggy Pop, Mavis Staples, Norah Jones, Peter Gabriel & More Backed by a Remarkable Jazz Quintet!\r\n
      \r\n
      Four-time Grammy winning producer Larry Klein, who produced Herbie Hancock's Album of the Year winner, River : The Joni Letters, has assembled another extraordinary star-studded project with Here It Is: A Tribute to Leonard Cohen. This heartfelt tribute to Klein's dear friend, the legendary singer-songwriter Leonard Cohen, presents stunning renditions of his profound songs by an impressive and eclectic lineup of guest vocalists including James Taylor, Iggy Pop, Mavis Staples, Norah Jones, Gregory Porter, Peter Gabriel, Nathaniel Rateliff, David Gray, Sarah McLachlan, and Luciana Souza. The backing band is no less impressive featuring a remarkable quintet of modern jazz talent that Klein calls "a group of the most prescient and forward-looking musicians in the jazz world", including guitarist Bill Frisell, saxophonist Immanuel Wilkins, pianist Kevin Hays, bassist Scott Colley, and drummer Nate Smith.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4BccEV-4kpk"
    -referenceProduit: "Blue Note Records 2201"
    -titreMorceau: [
      [
        "nom" => "1. Coming Back To You – James Taylor \t"
        "ordre" => 9
      ]
      [
        "nom" => "1. Hallelujah – Sarah McLachlan \t"
        "ordre" => 5
      ]
      [
        "nom" => "1. Seems So Long Ago, Nancy – David Gray \t"
        "ordre" => 13
      ]
      [
        "nom" => "1. Steer Your Way – Norah Jones \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. Avalanche – Immanuel Wilkins \t"
        "ordre" => 6
      ]
      [
        "nom" => "2. Famous Blue Raincoat – Nathaniel Rateliff \t"
        "ordre" => 14
      ]
      [
        "nom" => "2. Here It Is – Peter Gabriel \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. You Want It Darker – Iggy Pop \t"
        "ordre" => 10
      ]
      [
        "nom" => "3. Bird On The Wire – Bill Frisell"
        "ordre" => 15
      ]
      [
        "nom" => "3. Hey, That’s No Way To Say Goodbye – Luciana Souza"
        "ordre" => 7
      ]
      [
        "nom" => "3. If It Be Your Will – Mavis Staples"
        "ordre" => 11
      ]
      [
        "nom" => "3. Suzanne – Gregory Porter"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2102 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2111 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2104 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2106 …}
    -enregistreLe: DateTime @1666074973 {#2094
      date: 2022-10-18 06:36:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1667546264 {#2095
      date: 2022-11-04 07:17:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2108 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-here-it-is-a-tribute-to-leonard-cohen-blue-note-records-2201"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2450 …}
}

[
  "produit" => App\Entity\Produit {#2116
    -id: 1641
    -nom: "The Poll Winners"
    -informationComplementaire: ""
    -description: "Barney Kessel, Shelly Manne, and Ray Brown did not record together simply because they all happened to have won first place on their respective instruments in the Down Beat, Playboy, and Metronome polls. Their collaboration was due to mutual respect, and their sensitivity to one another's musical requirements. Here, in a set composed mainly of pop and jazz standards, they represent the ultimate in their fields, constituting a rhythm section that also provides brilliant solo interludes by all three members. Collectively, Kessel, Manne, and Brown won dozens of polls over the years; this record eloquently tells you why."
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: "Barney Kessel (guitar), Ray Brown (bass), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1188 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=pBMpFRW0d90"
    -referenceProduit: "Original Jazz Classics 0156"
    -titreMorceau: [
      [
        "nom" => "1. Don't Worry 'Bout Me"
        "ordre" => 6
      ]
      [
        "nom" => "1. Jordu"
        "ordre" => 1
      ]
      [
        "nom" => "2. Green Dolphin Street"
        "ordre" => 7
      ]
      [
        "nom" => "2. Satin Doll"
        "ordre" => 2
      ]
      [
        "nom" => "3. It Could Happen To You"
        "ordre" => 3
      ]
      [
        "nom" => "3. You Go To My Head"
        "ordre" => 8
      ]
      [
        "nom" => "4. Mean To Me"
        "ordre" => 4
      ]
      [
        "nom" => "4. Minor Mood"
        "ordre" => 9
      ]
      [
        "nom" => "5. Nagasaki"
        "ordre" => 10
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2118 …}
    -label: Proxies\__CG__\App\Entity\Label {#2121 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2130 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2123 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
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App\Twig\Components\GestionPanierFavoriComponents {#3306
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  +produit: App\Entity\Produit {#2116
    -id: 1641
    -nom: "The Poll Winners"
    -informationComplementaire: ""
    -description: "Barney Kessel, Shelly Manne, and Ray Brown did not record together simply because they all happened to have won first place on their respective instruments in the Down Beat, Playboy, and Metronome polls. Their collaboration was due to mutual respect, and their sensitivity to one another's musical requirements. Here, in a set composed mainly of pop and jazz standards, they represent the ultimate in their fields, constituting a rhythm section that also provides brilliant solo interludes by all three members. Collectively, Kessel, Manne, and Brown won dozens of polls over the years; this record eloquently tells you why."
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
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[
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    -id: 1682
    -nom: "The Paris Concert"
    -informationComplementaire: ""
    -description: """
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      \n
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App\Twig\Components\GestionPanierFavoriComponents {#3357
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    -nom: "The Paris Concert"
    -informationComplementaire: ""
    -description: """
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[
  "produit" => App\Entity\Produit {#2151
    -id: 1654
    -nom: "The Last Trane"
    -informationComplementaire: ""
    -description: "The Last Trane represents the final studio session for Prestige in the productive recording relationship between John Coltrane and Red Garland. Often with trumpeter Donald Byrd on Board, the two made a succession of dates in 1957 and '58 in which Coltrane's genius could be heard developing. His celebrated job with Thelonious Monk had Deepend his harmonic understanding and reinforced his determination to explore beyond the boundaries of standard jazz improvisations. In his remarkable blues solo on By the Numbers, Coltrane both aggirms his roots and announces a new direction. Compared with the other slow blues, Slowtrane, made eight months earlier, in instructive. Recording engineered by Rudy Van Gelder. "
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Donald Byrd (trumpet), Red Garland (piano), Paul Chambers, Earl May (bass), Louis Hayes, Arthur Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=KJtoi_6VQ9s"
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    -slug: "vinyles-the-last-trane-original-jazz-classics-0394"
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App\Twig\Components\GestionPanierFavoriComponents {#3410
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  +produit: App\Entity\Produit {#2151
    -id: 1654
    -nom: "The Last Trane"
    -informationComplementaire: ""
    -description: "The Last Trane represents the final studio session for Prestige in the productive recording relationship between John Coltrane and Red Garland. Often with trumpeter Donald Byrd on Board, the two made a succession of dates in 1957 and '58 in which Coltrane's genius could be heard developing. His celebrated job with Thelonious Monk had Deepend his harmonic understanding and reinforced his determination to explore beyond the boundaries of standard jazz improvisations. In his remarkable blues solo on By the Numbers, Coltrane both aggirms his roots and announces a new direction. Compared with the other slow blues, Slowtrane, made eight months earlier, in instructive. Recording engineered by Rudy Van Gelder. "
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}

[
  "produit" => App\Entity\Produit {#2164
    -id: 1657
    -nom: "The Believer"
    -informationComplementaire: ""
    -description: """
      The tracks on this album, taken from three different sessions of 1957-58 vintage, show John Coltrane's keen interest in young jazz talent. The title piece was composed by McCoy Tyner, still a teenager at the time and more than two years away from his key role in Coltrane's working quartet. Another high school student, Ray Draper, is featured on two bonus tracks added to the program of the original LP, which find Coltrane forming half of an unusual tuba/tenor sax front line.\n
      \n
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      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Donald Byrd, Freddie Hubbard (trumpet), Red Garland (piano), Paul Chambers (bass), Louis Hayes, Arthur Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1188 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=zPa4GtZ2FTk"
    -referenceProduit: "Original Jazz Classics 0876"
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        "nom" => "1. Nakatini Serenade"
        "ordre" => 3
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        "nom" => "1. The Believer"
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      [
        "nom" => "2. Do I Love You Because You're Beautiful"
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        "ordre" => 2
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2137 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3458
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  +produit: App\Entity\Produit {#2164
    -id: 1657
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    -extraitYoutube: "https://www.youtube.com/watch?v=zPa4GtZ2FTk"
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    -modifierLe: DateTime @1667118558 {#2162
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[
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    -nom: "Stardust "
    -informationComplementaire: ""
    -description: """
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App\Twig\Components\GestionPanierFavoriComponents {#3506
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    -nom: "Stardust "
    -informationComplementaire: ""
    -description: """
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}

[
  "produit" => App\Entity\Produit {#2190
    -id: 1663
    -nom: "Lush Life"
    -informationComplementaire: ""
    -description: "John Coltrane's Prestige years began when he joined the Miles Davis Quintet in 1955. Durning the next few years, when he was either with Davis or the Thelonious Monk Quartet, he functioned as both leader and sideman for this label. These recordings documnet the first part of his relatively short but highly influential time in the spotlight. Lush Life, a combination of standards and blues, treated in the unique Coltrane manner- sound wedded to material in a completely personal way  contains three tracks without a piano. This is the first time he recorded in this manner, other than when Monk was "strolling", and it offers another aspect from, and of Coltrane.\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1188 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=44NtZDiOcGI"
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    -titreMorceau: [
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        "nom" => "1. Like Someone In Love"
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        "nom" => "1. Lush Life"
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        "ordre" => 4
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2137 …}
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      date: 2022-10-30 08:24:22.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3554
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2682 …}
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  +produit: App\Entity\Produit {#2190
    -id: 1663
    -nom: "Lush Life"
    -informationComplementaire: ""
    -description: "John Coltrane's Prestige years began when he joined the Miles Davis Quintet in 1955. Durning the next few years, when he was either with Davis or the Thelonious Monk Quartet, he functioned as both leader and sideman for this label. These recordings documnet the first part of his relatively short but highly influential time in the spotlight. Lush Life, a combination of standards and blues, treated in the unique Coltrane manner- sound wedded to material in a completely personal way  contains three tracks without a piano. This is the first time he recorded in this manner, other than when Monk was "strolling", and it offers another aspect from, and of Coltrane.\n"
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[
  "produit" => App\Entity\Produit {#2203
    -id: 1677
    -nom: "Kessel Plays Standards"
    -informationComplementaire: ""
    -description: "One of the first of the modern jazz guitarists to follow in the wake of Charlie Christian, Barney Kessel became a prolific recording artist for Contemporary in a series of dates which are noteworthy for their variety as well as their excellence. By using different instruments with the guitar, Kessel was able to make each recording session an entity unto itself. Here it is Bob Cooper's oboe and tenor saxophone that added the other colors to Barney's combination of harmonic sophistication and Oklahoma twang. When that inherent blues sensibility is applied to great material from the American Songbook, it is an unbeatable combination. "
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=-4OoRtBS440"
    -referenceProduit: "Original Jazz Classics 0238"
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        "ordre" => 8
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App\Twig\Components\GestionPanierFavoriComponents {#3600
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2682 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2203
    -id: 1677
    -nom: "Kessel Plays Standards"
    -informationComplementaire: ""
    -description: "One of the first of the modern jazz guitarists to follow in the wake of Charlie Christian, Barney Kessel became a prolific recording artist for Contemporary in a series of dates which are noteworthy for their variety as well as their excellence. By using different instruments with the guitar, Kessel was able to make each recording session an entity unto itself. Here it is Bob Cooper's oboe and tenor saxophone that added the other colors to Barney's combination of harmonic sophistication and Oklahoma twang. When that inherent blues sensibility is applied to great material from the American Songbook, it is an unbeatable combination. "
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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[
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App\Twig\Components\GestionPanierFavoriComponents {#3653
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    -prixVente: "34.50"
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    -musicienOrchestre: "John Coltrane (tenor saxophone), Cecil Payne, Pepper Adams (baritone saxophone), Doug Watkins (bass), Mal Waldron (piano), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1188 …}
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[
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    -id: 2306
    -nom: "Re: Imagined II"
    -informationComplementaire: ""
    -description: """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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        "nom" => "(1995) "
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        "ordre" => 17
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        "ordre" => 25
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        "ordre" => 19
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App\Twig\Components\GestionPanierFavoriComponents {#3701
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    -nom: "Re: Imagined II"
    -informationComplementaire: ""
    -description: """
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      \r\n
      The first track to be released is South London vocalist Ego Ella May's reimagining of visionary drummer Chico Hamilton's "The Morning Side of Love", which first appeared on Hamilton's 1975 Blue Note album Peregrinations. Her version mirrors the understated, laid-back groove of the original while showcasing Ella May's arresting vocals.\r\n
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      \r\n
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    -prixVente: "69.50"
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[
  "produit" => App\Entity\Produit {#2245
    -id: 876
    -nom: "E.S.P. - (2 LP) 45 RPM - Numbered Limited Edition"
    -informationComplementaire: ""
    -description: """
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      \r\n
      Pressed at RTI, Mobile Fidelity's Reference-Caliber 45 RPM Vinyl 2LP Set Presents the Music In Intimate, Transformational, Lifelike Sound.\r\n
      \r\n
      First Album Recorded by Davis' Classic Second Quintet: E.S.P. Teems With Brilliant Intensity, Energy, Emotion, Steadiness, Tension, and Interplay.\r\n
      \r\n
      A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.\r\n
      \r\n
      Pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2LP set of E.S.P. treats each phrase and every note as sacred communication. This meticulously restored audiophile version renders the music's dynamics, pitch, colors, and textures with lifelike realism and proper scale. Reference-caliber separation, wall-to-wall soundstages, and distinct images magnify the intensity and beauty of Davis and Co.'s creations. Whether it's the distinctive snap of Tony Williams' drum sticks against the snare head, air moving through Davis' trumpet, acoustic thrum of Ron Carter's bass, or upper register of Herbie Hancock's piano, the sound is better than you'd even hear in the most intimate jazz clubs. Prepare to be swayed on every level.\r\n
      \r\n
      For many, E.S.P. looms among the decade's best albums if only because of the significance of Davis' lineup. While Hancock, Williams, and Carter are holdovers that began playing with one another on 1963's Seven Steps to Heaven, Wayne Shorter functions as the secret weapon and key addition responsible for this ensemble hitting a new peak. Indeed, the saxophonist helped pen two of the seven compositions here – notably, E.S.P. is entirely comprised originals and clocked in as one of the longest-running jazz LPs issued at the time – and, more importantly, grants Davis the confidence and leeway necessary for the eruption of enigma, steadiness, and tension.\r\n
      \r\n
      As he did with John Coltrane a year earlier, Davis hangs back and picks his moments to solo, with Shorter stepping up to supply the churn. Their bandmates respond in kind, itching to take off into new stratospheres all the while keeping their improvisations grounded and connected to the piece at hand. Guided by Davis' visions and inspired by current boundary-pushing works by the likes of Ornette Coleman, Cecil Taylor, and Coltrane, the magnificent results spark with variation, harmony, emotion, energy, and brilliant movement.\r\n
      \r\n
      Interlocking lines drive "Little One", alternating rhythms pulse through the funky "Eighty-One", melodies soar on the balladic "Iris", the aptly titled "Mood" broods over minor-key structures, and "Agitation" – goosed by a two-minute percussive introduction by Williams – delivers on its promise. No record – and no group of musicians – have ever balanced coherent themes and exploratory playing in better fashion than Davis' quintet on E.S.P. It's the avant-garde record even jazz traditionalists love, and essential on every level.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (double bass), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=faW5IXgkMBQ"
    -referenceProduit: "MFSL 2-451"
    -titreMorceau: [
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        "nom" => "1. Agitation"
        "ordre" => 7
      ]
      [
        "nom" => "1. E.S.P."
        "ordre" => 1
      ]
      [
        "nom" => "1. Little One"
        "ordre" => 4
      ]
      [
        "nom" => "1. Mood"
        "ordre" => 10
      ]
      [
        "nom" => "2. Eighty-One"
        "ordre" => 2
      ]
      [
        "nom" => "2. Iris"
        "ordre" => 8
      ]
      [
        "nom" => "2. R.J."
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2247 …}
    -label: Proxies\__CG__\App\Entity\Label {#2250 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2259 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2252 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2254 …}
    -enregistreLe: DateTime @1456125900 {#2242
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    }
    -modifierLe: DateTime @1664519468 {#2243
      date: 2022-09-30 06:31:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2256 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-e-s-p-2-lp-45-rpm-numbered-limited-edition-mfsl-2-451"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3747
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2682 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2245
    -id: 876
    -nom: "E.S.P. - (2 LP) 45 RPM - Numbered Limited Edition"
    -informationComplementaire: ""
    -description: """
      Landmark 1965 Recording Splits Divide Between Accessible Hard-Bop and Cutting-Edge Improvisation : Miles Davis' E.S.P. a Paragon of Cohesion, Chemistry, Interplay.\r\n
      \r\n
      Pressed at RTI, Mobile Fidelity's Reference-Caliber 45 RPM Vinyl 2LP Set Presents the Music In Intimate, Transformational, Lifelike Sound.\r\n
      \r\n
      First Album Recorded by Davis' Classic Second Quintet: E.S.P. Teems With Brilliant Intensity, Energy, Emotion, Steadiness, Tension, and Interplay.\r\n
      \r\n
      A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.\r\n
      \r\n
      Pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2LP set of E.S.P. treats each phrase and every note as sacred communication. This meticulously restored audiophile version renders the music's dynamics, pitch, colors, and textures with lifelike realism and proper scale. Reference-caliber separation, wall-to-wall soundstages, and distinct images magnify the intensity and beauty of Davis and Co.'s creations. Whether it's the distinctive snap of Tony Williams' drum sticks against the snare head, air moving through Davis' trumpet, acoustic thrum of Ron Carter's bass, or upper register of Herbie Hancock's piano, the sound is better than you'd even hear in the most intimate jazz clubs. Prepare to be swayed on every level.\r\n
      \r\n
      For many, E.S.P. looms among the decade's best albums if only because of the significance of Davis' lineup. While Hancock, Williams, and Carter are holdovers that began playing with one another on 1963's Seven Steps to Heaven, Wayne Shorter functions as the secret weapon and key addition responsible for this ensemble hitting a new peak. Indeed, the saxophonist helped pen two of the seven compositions here – notably, E.S.P. is entirely comprised originals and clocked in as one of the longest-running jazz LPs issued at the time – and, more importantly, grants Davis the confidence and leeway necessary for the eruption of enigma, steadiness, and tension.\r\n
      \r\n
      As he did with John Coltrane a year earlier, Davis hangs back and picks his moments to solo, with Shorter stepping up to supply the churn. Their bandmates respond in kind, itching to take off into new stratospheres all the while keeping their improvisations grounded and connected to the piece at hand. Guided by Davis' visions and inspired by current boundary-pushing works by the likes of Ornette Coleman, Cecil Taylor, and Coltrane, the magnificent results spark with variation, harmony, emotion, energy, and brilliant movement.\r\n
      \r\n
      Interlocking lines drive "Little One", alternating rhythms pulse through the funky "Eighty-One", melodies soar on the balladic "Iris", the aptly titled "Mood" broods over minor-key structures, and "Agitation" – goosed by a two-minute percussive introduction by Williams – delivers on its promise. No record – and no group of musicians – have ever balanced coherent themes and exploratory playing in better fashion than Davis' quintet on E.S.P. It's the avant-garde record even jazz traditionalists love, and essential on every level.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (double bass), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=faW5IXgkMBQ"
    -referenceProduit: "MFSL 2-451"
    -titreMorceau: [
      [
        "nom" => "1. Agitation"
        "ordre" => 7
      ]
      [
        "nom" => "1. E.S.P."
        "ordre" => 1
      ]
      [
        "nom" => "1. Little One"
        "ordre" => 4
      ]
      [
        "nom" => "1. Mood"
        "ordre" => 10
      ]
      [
        "nom" => "2. Eighty-One"
        "ordre" => 2
      ]
      [
        "nom" => "2. Iris"
        "ordre" => 8
      ]
      [
        "nom" => "2. R.J."
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2247 …}
    -label: Proxies\__CG__\App\Entity\Label {#2250 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2259 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2252 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2254 …}
    -enregistreLe: DateTime @1456125900 {#2242
      date: 2016-02-22 07:25:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1664519468 {#2243
      date: 2022-09-30 06:31:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2256 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-e-s-p-2-lp-45-rpm-numbered-limited-edition-mfsl-2-451"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2450 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3948
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2450 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3949 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3997 …}
  +isValidated: false
  +validatedFields: []
}