Components
4
Twig Components
6
Render Count
6
ms
Render Time
6.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
3 | 1.60ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 2.91ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.30ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.24ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 6.0 MiB | 2.91 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2406 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2253 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 6.0 MiB | 1.30 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2483 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2486 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2485 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2059 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2253 …} -formView: Symfony\Component\Form\FormView {#2522 …} -form: Symfony\Component\Form\Form {#2672 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.69 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1885 -id: 1325 -nom: "Casino" -informationComplementaire: "" -description: """ Master of the strings, Al Di Meola, turns his back on over-ambitious manual dexterity as in "Elegant Gypsy" to concentrate more on musical substance and demonstrates his intensive work with the material in the follow-up album "Casino". For example in "Egyptian Danza", an amalgamation of melodies which circle around one another and evoke with light electronics the contrasting worlds of the Orient, Occident and New World. A far sharper sound is conjured up in "Chasin‘ The Voodoo", which escalates to an extremely tightly-knit continuous fire, infused with the maestro‘s familiar guitar sound. Al Di Meola with himself alone combines the idea of multiple rhythms and parts : In the "Fantasia Suite For Two Guitars", four miniatures with percussive zapateado and whirling flamenco, he accompanies himself thanks to multi-tracking. All great stuff, but the best comes last: in the lengthy title number "Casino" all powers come together to create a magnificent performance with varying tempos, layered patterns, deceptive metrical changes and, of course, guitar playing of the highest order.\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …} -musicienOrchestre: "Al Di Meola (guitar), Barry Miles (keyboards), Anthony Jackson (bass guitar), Mingo Lewis (conga), Eddie Colon (percussion), Steve Gadd (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=S922n9zA9ik" -referenceProduit: "Columbia 35277" -titreMorceau: [ [ "nom" => "1. Egyptian Danza" "ordre" => 1 ] [ "nom" => "1. Senor Mouse" "ordre" => 5 ] [ "nom" => "2. Chasin' The Voodoo" "ordre" => 2 ] [ "nom" => "2. Fantasia Suite for Two Guitars :" "ordre" => 6 ] [ "nom" => "3. Casino" "ordre" => 11 ] [ "nom" => "3. Dark Eye Tango" "ordre" => 3 ] [ "nom" => "a. Viva La Danzarina" "ordre" => 7 ] [ "nom" => "b. Guitars of the Exotic Isle" "ordre" => 8 ] [ "nom" => "c. Rhapsody Italia" "ordre" => 9 ] [ "nom" => "d. Bravoto Fantasia" "ordre" => 10 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1880 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2009 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1911 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#1997 …} -enregistreLe: DateTime @1534229628 {#1890 : 2018-08-14 06:53:48.0 UTC (+00:00) } -modifierLe: DateTime @1546243019 {#1870 : 2018-12-31 07:56:59.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2003 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-casino-columbia-35277" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#2947 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2485 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2059 …} +produit: App\Entity\Produit {#1885 -id: 1325 -nom: "Casino" -informationComplementaire: "" -description: """ Master of the strings, Al Di Meola, turns his back on over-ambitious manual dexterity as in "Elegant Gypsy" to concentrate more on musical substance and demonstrates his intensive work with the material in the follow-up album "Casino". For example in "Egyptian Danza", an amalgamation of melodies which circle around one another and evoke with light electronics the contrasting worlds of the Orient, Occident and New World. A far sharper sound is conjured up in "Chasin‘ The Voodoo", which escalates to an extremely tightly-knit continuous fire, infused with the maestro‘s familiar guitar sound. Al Di Meola with himself alone combines the idea of multiple rhythms and parts : In the "Fantasia Suite For Two Guitars", four miniatures with percussive zapateado and whirling flamenco, he accompanies himself thanks to multi-tracking. All great stuff, but the best comes last: in the lengthy title number "Casino" all powers come together to create a magnificent performance with varying tempos, layered patterns, deceptive metrical changes and, of course, guitar playing of the highest order.\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …} -musicienOrchestre: "Al Di Meola (guitar), Barry Miles (keyboards), Anthony Jackson (bass guitar), Mingo Lewis (conga), Eddie Colon (percussion), Steve Gadd (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=S922n9zA9ik" -referenceProduit: "Columbia 35277" -titreMorceau: [ [ "nom" => "1. Egyptian Danza" "ordre" => 1 ] [ "nom" => "1. Senor Mouse" "ordre" => 5 ] [ "nom" => "2. Chasin' The Voodoo" "ordre" => 2 ] [ "nom" => "2. Fantasia Suite for Two Guitars :" "ordre" => 6 ] [ "nom" => "3. Casino" "ordre" => 11 ] [ "nom" => "3. Dark Eye Tango" "ordre" => 3 ] [ "nom" => "a. Viva La Danzarina" "ordre" => 7 ] [ "nom" => "b. Guitars of the Exotic Isle" "ordre" => 8 ] [ "nom" => "c. Rhapsody Italia" "ordre" => 9 ] [ "nom" => "d. Bravoto Fantasia" "ordre" => 10 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1880 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2009 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1911 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#1997 …} -enregistreLe: DateTime @1534229628 {#1890 : 2018-08-14 06:53:48.0 UTC (+00:00) } -modifierLe: DateTime @1546243019 {#1870 : 2018-12-31 07:56:59.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2003 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-casino-columbia-35277" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2253 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.35 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2026 -id: 1413 -nom: "Lee Konitz with Warne Marsh " -informationComplementaire: "" -description: """ What a great rhythm group! A dream comes true: Oscar Pettiford and Kenny Clarke and then Billy Bauer on the guitar and alternately Ronnie Ball (UK) or Sal Mosca (USA) on the piano. No wonder that things really take off when these masters of improvisation from the Lennie Tristano school get going. \r\n In June 1955, in the Atlantic studio, standards provided the starting base for the long and wonderfully sophisticated improvisations by Lee Konitz and Wayne Marsh, who were at that time pupils of the great Chicago maestro. Although the numbers are declared as own compositions, such as "Background Music" and "Ronnie’s Line", they are actually none other than adaptations of "All Of Me" or "That Old Feeling" but at the very highest level. Lee Konitz always called this 'The Twelfth Step'. The repertoire is enriched by seldom-heard compositions by the great Oscar Pettiford. 'Time-keeping' a neologism of prime importance for jazz musicians is the most important element in "Donna Lee" and "There Will Never Be Another You" and there is no better drummer for this music than Kenny 'Klook' Clarke, who lived in those days in the USA before moving to Paris in 1956 where there was no racial discrimination.\r\n \r\n Of course, you can buy these recordings on various digital discs. But that can’t be compared to a superb black disc and a cover with lines notes by the famous Barry Ulanov.\r\n Just one thing more : one of the musicians is still on the road. Lee Konitz is often to be heard and seen somewhere in Europe. Despite his almost 91 years !\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : June 1955 at Coastal Studios, New York City, by Tom Dowd in mono\r\n Production : Nesuhi Ertegun\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …} -musicienOrchestre: "Lee Konitz (alto saxophone), Warne Marsh (tenor saxophone), Ronnie Ball, Sal Mosca (piano), Billy Bauer (guitar), Oscar Pettiford (bass), Kenny Clarke (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=9VdR9KNfurQ" -referenceProduit: "Atlantic 1217" -titreMorceau: [ [ "nom" => "1. Topsy" "ordre" => 1 ] [ "nom" => "1. Two Not One" "ordre" => 6 ] [ "nom" => "2. Don't Squawk" "ordre" => 7 ] [ "nom" => "2. There Will Never Be Another You" "ordre" => 2 ] [ "nom" => "3. I Can't Get Started" "ordre" => 3 ] [ "nom" => "3. Ronnie's Line" "ordre" => 8 ] [ "nom" => "4. Background Music" "ordre" => 9 ] [ "nom" => "4. Donna Lee" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2028 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2037 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2030 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2032 …} -enregistreLe: DateTime @1541405460 {#2023 : 2018-11-05 08:11:00.0 UTC (+00:00) } -modifierLe: DateTime @1545402833 {#2024 : 2018-12-21 14:33:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2034 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-lee-konitz-with-warne-marsh-atlantic-1217" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3061 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2485 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2059 …} +produit: App\Entity\Produit {#2026 -id: 1413 -nom: "Lee Konitz with Warne Marsh " -informationComplementaire: "" -description: """ What a great rhythm group! A dream comes true: Oscar Pettiford and Kenny Clarke and then Billy Bauer on the guitar and alternately Ronnie Ball (UK) or Sal Mosca (USA) on the piano. No wonder that things really take off when these masters of improvisation from the Lennie Tristano school get going. \r\n In June 1955, in the Atlantic studio, standards provided the starting base for the long and wonderfully sophisticated improvisations by Lee Konitz and Wayne Marsh, who were at that time pupils of the great Chicago maestro. Although the numbers are declared as own compositions, such as "Background Music" and "Ronnie’s Line", they are actually none other than adaptations of "All Of Me" or "That Old Feeling" but at the very highest level. Lee Konitz always called this 'The Twelfth Step'. The repertoire is enriched by seldom-heard compositions by the great Oscar Pettiford. 'Time-keeping' a neologism of prime importance for jazz musicians is the most important element in "Donna Lee" and "There Will Never Be Another You" and there is no better drummer for this music than Kenny 'Klook' Clarke, who lived in those days in the USA before moving to Paris in 1956 where there was no racial discrimination.\r\n \r\n Of course, you can buy these recordings on various digital discs. But that can’t be compared to a superb black disc and a cover with lines notes by the famous Barry Ulanov.\r\n Just one thing more : one of the musicians is still on the road. Lee Konitz is often to be heard and seen somewhere in Europe. Despite his almost 91 years !\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : June 1955 at Coastal Studios, New York City, by Tom Dowd in mono\r\n Production : Nesuhi Ertegun\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …} -musicienOrchestre: "Lee Konitz (alto saxophone), Warne Marsh (tenor saxophone), Ronnie Ball, Sal Mosca (piano), Billy Bauer (guitar), Oscar Pettiford (bass), Kenny Clarke (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=9VdR9KNfurQ" -referenceProduit: "Atlantic 1217" -titreMorceau: [ [ "nom" => "1. Topsy" "ordre" => 1 ] [ "nom" => "1. Two Not One" "ordre" => 6 ] [ "nom" => "2. Don't Squawk" "ordre" => 7 ] [ "nom" => "2. There Will Never Be Another You" "ordre" => 2 ] [ "nom" => "3. I Can't Get Started" "ordre" => 3 ] [ "nom" => "3. Ronnie's Line" "ordre" => 8 ] [ "nom" => "4. Background Music" "ordre" => 9 ] [ "nom" => "4. Donna Lee" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2028 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2037 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2030 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2032 …} -enregistreLe: DateTime @1541405460 {#2023 : 2018-11-05 08:11:00.0 UTC (+00:00) } -modifierLe: DateTime @1545402833 {#2024 : 2018-12-21 14:33:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2034 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-lee-konitz-with-warne-marsh-atlantic-1217" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2253 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.56 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2042 -id: 1175 -nom: "With The Ray Bryant Combo" -informationComplementaire: "" -description: """ Early relationships are not always blessed, and it is certainly no secret that the collaboration between Aretha Franklin and Columbia's record producer John H. Hammond did not last long. Hammond's later attempts to candy Franklin's irrepressible natural voice with sugary arrangements and studio gimmicks did not go down well with the public.\r\n \r\n On the first Franklin disc from Columbia, however, it was honeymoon all the way. With a successful mix of pop and jazz standards, the super talent — Aretha had just turned 18 years old - brought her vocal chords to vibrate. Fired on with youthful élan, these evergreens sound so fresh, new and intoxicating that the question of their genre is quite irrelevant. From a seesawing R&B ("Won't Be Long") via bell-like waves of melody ("Over The Rainbow") right up to the freely styled, jazzy Gershwin classic "It Ain't Necessarily So" - everything is right there !\r\n \r\n The Ray Bryant Trio - augmented with winds - proves itself a formidable ensemble with true presence yet unobtrusive accompaniment. If you compare the mature performances of Aretha Franklin in her subsequent years with Atlantic (Atlantic SD7205), you will soon recognize that the later "First Lady of Soul" was in full command of her profession right from the very beginning.\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …} -musicienOrchestre: "Aretha Franklin, Ray Bryant (piano, vocals), Al Sears, Warren Luckey (tenor saxophone), Bill Lee, Milt Hinton (bass), Quentin Jackson, Tyree Glenn (trombone), Lord Westbrook, Skeeter Best (guitar), Belton Evans, Osie Johnson, Sticks Evans (drums) " -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=-1u7tHQfiQc" -referenceProduit: "Columbia CS 8412" -titreMorceau: [ [ "nom" => "1. Right Now " "ordre" => 8 ] [ "nom" => "1. Won't Be Long " "ordre" => 1 ] [ "nom" => "2. Are You Sure " "ordre" => 9 ] [ "nom" => "2. Over The Rainbow " "ordre" => 2 ] [ "nom" => "3. Love Is The Only Thing " "ordre" => 3 ] [ "nom" => "3. Maybe I'm A Fool " "ordre" => 10 ] [ "nom" => "4. It Ain't Necessarily So " "ordre" => 11 ] [ "nom" => "4. Sweet Lover " "ordre" => 4 ] [ "nom" => "5. (Blue) By Myself " "ordre" => 12 ] [ "nom" => "5. All Night Long " "ordre" => 5 ] [ "nom" => "6. Today I Sing The Blues" "ordre" => 13 ] [ "nom" => "6. Who Needs You ?" "ordre" => 6 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2044 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2053 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2046 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2048 …} -enregistreLe: DateTime @1493845923 {#2039 : 2017-05-03 21:12:03.0 UTC (+00:00) } -modifierLe: DateTime @1525378620 {#2040 : 2018-05-03 20:17:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2050 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-with-the-ray-bryant-combo-columbia-cs-8412" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3112 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2485 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2059 …} +produit: App\Entity\Produit {#2042 -id: 1175 -nom: "With The Ray Bryant Combo" -informationComplementaire: "" -description: """ Early relationships are not always blessed, and it is certainly no secret that the collaboration between Aretha Franklin and Columbia's record producer John H. Hammond did not last long. Hammond's later attempts to candy Franklin's irrepressible natural voice with sugary arrangements and studio gimmicks did not go down well with the public.\r\n \r\n On the first Franklin disc from Columbia, however, it was honeymoon all the way. With a successful mix of pop and jazz standards, the super talent — Aretha had just turned 18 years old - brought her vocal chords to vibrate. Fired on with youthful élan, these evergreens sound so fresh, new and intoxicating that the question of their genre is quite irrelevant. From a seesawing R&B ("Won't Be Long") via bell-like waves of melody ("Over The Rainbow") right up to the freely styled, jazzy Gershwin classic "It Ain't Necessarily So" - everything is right there !\r\n \r\n The Ray Bryant Trio - augmented with winds - proves itself a formidable ensemble with true presence yet unobtrusive accompaniment. If you compare the mature performances of Aretha Franklin in her subsequent years with Atlantic (Atlantic SD7205), you will soon recognize that the later "First Lady of Soul" was in full command of her profession right from the very beginning.\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …} -musicienOrchestre: "Aretha Franklin, Ray Bryant (piano, vocals), Al Sears, Warren Luckey (tenor saxophone), Bill Lee, Milt Hinton (bass), Quentin Jackson, Tyree Glenn (trombone), Lord Westbrook, Skeeter Best (guitar), Belton Evans, Osie Johnson, Sticks Evans (drums) " -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=-1u7tHQfiQc" -referenceProduit: "Columbia CS 8412" -titreMorceau: [ [ "nom" => "1. Right Now " "ordre" => 8 ] [ "nom" => "1. Won't Be Long " "ordre" => 1 ] [ "nom" => "2. Are You Sure " "ordre" => 9 ] [ "nom" => "2. Over The Rainbow " "ordre" => 2 ] [ "nom" => "3. Love Is The Only Thing " "ordre" => 3 ] [ "nom" => "3. Maybe I'm A Fool " "ordre" => 10 ] [ "nom" => "4. It Ain't Necessarily So " "ordre" => 11 ] [ "nom" => "4. Sweet Lover " "ordre" => 4 ] [ "nom" => "5. (Blue) By Myself " "ordre" => 12 ] [ "nom" => "5. All Night Long " "ordre" => 5 ] [ "nom" => "6. Today I Sing The Blues" "ordre" => 13 ] [ "nom" => "6. Who Needs You ?" "ordre" => 6 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2044 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2053 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2046 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2048 …} -enregistreLe: DateTime @1493845923 {#2039 : 2017-05-03 21:12:03.0 UTC (+00:00) } -modifierLe: DateTime @1525378620 {#2040 : 2018-05-03 20:17:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2050 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-with-the-ray-bryant-combo-columbia-cs-8412" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2253 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 6.0 MiB | 0.24 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3309 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2253 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3310 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3358 …} +isValidated: false +validatedFields: [] } |
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