Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2563
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2640
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2643 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
  -formView: Symfony\Component\Form\FormView {#2679 …}
  -form: Symfony\Component\Form\Form {#2829 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 618
    -nom: "Bartok : Concerto For Orchestra"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound !\r\n
      - Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings !\r\n
      - "These records are definitive" - Michael Fremer, editor, AnalogPlanet.com\r\n
      \r\n
      Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. \r\n
      \r\n
      "Analogue Productions' reissue of the RCA Living Stereo titles continues apace with one of the great masterpieces of the twentieth century Béla Bartók's Concerto For Orchestra with the Chicago Symphony Orchestra, conducted by Fritz Reiner... (it) is is an audiophile's dream recording. It has string tone to die for, a soundstage that fills your living room, and exhibits startling dynamics... if you pass on this issue, you will miss out on what is the best-sounding pressing of this LP. In combination with great remastering, pressing on whisper quiet vinyl, and packaging in a first-class record sleeve, this is a bargain." Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 121\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
      Since its original release on LP in the mid-1950s, Fritz Reiner's rendition of the Concerto for Orchestra has stood as the standard against which all other recordings of the work are measured. Reiner's superb control of his orchestra and of Bartók's rhythms and textures is still unsurpassed, even by dozens of subsequent conductors in the digital age. Likewise, the Music for Strings, Percussion, and Celesta shows just what an incredible ensemble the Chicago Symphony was under Reiner's direction. The original 2 track session tapes were used in mastering for LPs and SACDs. Reiner delivers definitive interpretations that set a standard that remains unsurpassed.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "The Chicago Symphony Orchestra conducted by Fritz Reiner"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nkosAkYYCAI&list=RDnkosAkYYCAI&start_radio=1"
    -referenceProduit: "Analogue Productions AAPC 1934"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Introduzione : Andante non troppo, Allegro vivace"
      ]
      [
        "ordre" => 2
        "nom" => "2. Giuoco delle copple : Allegretto scherzando"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Elegia : Andante non troppe"
      ]
      [
        "ordre" => 5
        "nom" => "2. Intermezzo interrotto : Allegretto"
      ]
      [
        "ordre" => 6
        "nom" => "3. Pesante : Presto"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1368772373 {#1875
      date: 2013-05-17 06:32:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767370222 {#1868
      date: 2026-01-02 16:10:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bartok-concerto-for-orchestra-analogue-productions-aapc-1934"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3104
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 618
    -nom: "Bartok : Concerto For Orchestra"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound !\r\n
      - Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings !\r\n
      - "These records are definitive" - Michael Fremer, editor, AnalogPlanet.com\r\n
      \r\n
      Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. \r\n
      \r\n
      "Analogue Productions' reissue of the RCA Living Stereo titles continues apace with one of the great masterpieces of the twentieth century Béla Bartók's Concerto For Orchestra with the Chicago Symphony Orchestra, conducted by Fritz Reiner... (it) is is an audiophile's dream recording. It has string tone to die for, a soundstage that fills your living room, and exhibits startling dynamics... if you pass on this issue, you will miss out on what is the best-sounding pressing of this LP. In combination with great remastering, pressing on whisper quiet vinyl, and packaging in a first-class record sleeve, this is a bargain." Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 121\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
      Since its original release on LP in the mid-1950s, Fritz Reiner's rendition of the Concerto for Orchestra has stood as the standard against which all other recordings of the work are measured. Reiner's superb control of his orchestra and of Bartók's rhythms and textures is still unsurpassed, even by dozens of subsequent conductors in the digital age. Likewise, the Music for Strings, Percussion, and Celesta shows just what an incredible ensemble the Chicago Symphony was under Reiner's direction. The original 2 track session tapes were used in mastering for LPs and SACDs. Reiner delivers definitive interpretations that set a standard that remains unsurpassed.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "The Chicago Symphony Orchestra conducted by Fritz Reiner"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nkosAkYYCAI&list=RDnkosAkYYCAI&start_radio=1"
    -referenceProduit: "Analogue Productions AAPC 1934"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Introduzione : Andante non troppo, Allegro vivace"
      ]
      [
        "ordre" => 2
        "nom" => "2. Giuoco delle copple : Allegretto scherzando"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Elegia : Andante non troppe"
      ]
      [
        "ordre" => 5
        "nom" => "2. Intermezzo interrotto : Allegretto"
      ]
      [
        "ordre" => 6
        "nom" => "3. Pesante : Presto"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1368772373 {#1875
      date: 2013-05-17 06:32:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767370222 {#1868
      date: 2026-01-02 16:10:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bartok-concerto-for-orchestra-analogue-productions-aapc-1934"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 2928
    -nom: "Chopin & Scriabin : Preludes"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Deutsche Grammophone Records)"
    -description: """
      - Mikhail Pletnev "Chopin & Scriabin : Preludes" !\r\n
      - 180 gram 45 RPM gatefold double LP !\r\n
      - Sensational ! Pletnev releases his first studio album with Deutsche Grammophon since 2005 !\r\n
      - First purely analog DG new production since the 1980s !\r\n
      \r\n
      Mikhail Pletnev releases his first studio album with Deutsche Grammophon since 2005. The artistic versatility of the pianist, conductor, and composer is reflected in the unique expressiveness of his interpretations of two significant prelude cycles : Chopin's 24 Préludes, Op. 28 and Scriabin's 24 Préludes, Op. 11. With his unmistakable sound, the legendary Russian artist captures the character of each individual piece.\r\n
      \r\n
      This is a release full of surprises that defies every cliché. Originally intended as a concert recording, it was ultimately recorded in the studio. This is fortunate for all listeners, as what emerged from the studio recording in a single four-and-a-half-hour session can only be described as pure magic, whether this was coincidence or the intervention of a higher musical providence.\r\n
      \r\n
      Pletnev recorded the album on his favourite instrument: a Shigeru Kawai grand piano that he alone plays, and which is brought to all his concerts. Its tonal palette and clarity lend his interpretations additional depth.\r\n
      \r\n
      This vinyl recording is a sensation for another reason : it's the first purely analogue DG new production since the 1980s ! Pletnev's performance was captured using custom-made Sennheiser microphones and a Studer C37 tube tape machine, and edited using traditional cutting and splicing techniques. The result is a sound that is both authentic and full of warm musicality, bringing life and depth to the original.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Mikhail Pletnev (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=PipH97I1lqg"
    -referenceProduit: "Deutsche Grammophon Records 20003"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Chopin : 24 Preludes, Op. 28, N°  1-14"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Chopin : 24 Preludes, Op. 28, N° 15-24"
      ]
      [
        "ordre" => 4
        "nom" => "Side C :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Scriabin : 24 Preludes, Op. 11, N° 1-12"
      ]
      [
        "ordre" => 6
        "nom" => "Side D : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Scriabin : 24 Preludes, Op. 11, N° 13-24"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
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      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1767356171 {#2041
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    }
    -modifierLe: DateTime @1767356644 {#2042
      date: 2026-01-02 12:24:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-chopin-scriabin-preludes-deutsche-grammophon-records-20003"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3218
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 2928
    -nom: "Chopin & Scriabin : Preludes"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Deutsche Grammophone Records)"
    -description: """
      - Mikhail Pletnev "Chopin & Scriabin : Preludes" !\r\n
      - 180 gram 45 RPM gatefold double LP !\r\n
      - Sensational ! Pletnev releases his first studio album with Deutsche Grammophon since 2005 !\r\n
      - First purely analog DG new production since the 1980s !\r\n
      \r\n
      Mikhail Pletnev releases his first studio album with Deutsche Grammophon since 2005. The artistic versatility of the pianist, conductor, and composer is reflected in the unique expressiveness of his interpretations of two significant prelude cycles : Chopin's 24 Préludes, Op. 28 and Scriabin's 24 Préludes, Op. 11. With his unmistakable sound, the legendary Russian artist captures the character of each individual piece.\r\n
      \r\n
      This is a release full of surprises that defies every cliché. Originally intended as a concert recording, it was ultimately recorded in the studio. This is fortunate for all listeners, as what emerged from the studio recording in a single four-and-a-half-hour session can only be described as pure magic, whether this was coincidence or the intervention of a higher musical providence.\r\n
      \r\n
      Pletnev recorded the album on his favourite instrument: a Shigeru Kawai grand piano that he alone plays, and which is brought to all his concerts. Its tonal palette and clarity lend his interpretations additional depth.\r\n
      \r\n
      This vinyl recording is a sensation for another reason : it's the first purely analogue DG new production since the 1980s ! Pletnev's performance was captured using custom-made Sennheiser microphones and a Studer C37 tube tape machine, and edited using traditional cutting and splicing techniques. The result is a sound that is both authentic and full of warm musicality, bringing life and depth to the original.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Mikhail Pletnev (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -preCommande: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=PipH97I1lqg"
    -referenceProduit: "Deutsche Grammophon Records 20003"
    -titreMorceau: [
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      [
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        "nom" => "1. Chopin : 24 Preludes, Op. 28, N° 15-24"
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        "ordre" => 5
        "nom" => "1. Scriabin : 24 Preludes, Op. 11, N° 1-12"
      ]
      [
        "ordre" => 6
        "nom" => "Side D : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Scriabin : 24 Preludes, Op. 11, N° 13-24"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1767356171 {#2041
      date: 2026-01-02 12:16:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767356644 {#2042
      date: 2026-01-02 12:24:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-chopin-scriabin-preludes-deutsche-grammophon-records-20003"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

[
  "produit" => App\Entity\Produit {#2063
    -id: 323
    -nom: "1812 Overture"
    -informationComplementaire: "Last copy in stock !"
    -description: """
      The legendary Reiner 1812 that was only available as a 1S pressing having been deleted soon after the Mercury 1812 featuring live cannon shots was released making for a very rare original to find. The performance is mind bending and features the incomparable CSO brass section. This reissue was cut for the first time from the original 30 ips session master tape which adds significantly to the low level information and clarity on the LP.\r\n
      \r\n
      One of the most sought after RCA Living Stereo "Shaded Dog" titles. Not to be missed by music lovers and audiophiles alike !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "The Chicago Symphony Orchestra conducted by Fritz Reiner"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5AhDSNvc5es&list=RD5AhDSNvc5es&start_radio=1"
    -referenceProduit: "Classic Records LSC 2241"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Tchaïkovsky : Overture op. 49"
      ]
      [
        "ordre" => 2
        "nom" => "2. Mendelssohn : Fingal's Cave op. 2"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Liszt : Mephisto Waltz"
      ]
      [
        "ordre" => 5
        "nom" => "2. Brahms : Tragic Overture op. 81"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
    -label: Proxies\__CG__\App\Entity\Label {#2068 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2077 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2072 …}
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    }
    -modifierLe: DateTime @1766744633 {#2061
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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]

App\Twig\Components\GestionPanierFavoriComponents {#3269
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2063
    -id: 323
    -nom: "1812 Overture"
    -informationComplementaire: "Last copy in stock !"
    -description: """
      The legendary Reiner 1812 that was only available as a 1S pressing having been deleted soon after the Mercury 1812 featuring live cannon shots was released making for a very rare original to find. The performance is mind bending and features the incomparable CSO brass section. This reissue was cut for the first time from the original 30 ips session master tape which adds significantly to the low level information and clarity on the LP.\r\n
      \r\n
      One of the most sought after RCA Living Stereo "Shaded Dog" titles. Not to be missed by music lovers and audiophiles alike !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "The Chicago Symphony Orchestra conducted by Fritz Reiner"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=5AhDSNvc5es&list=RD5AhDSNvc5es&start_radio=1"
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        "nom" => "1. Liszt : Mephisto Waltz"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
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    }
    -modifierLe: DateTime @1766744633 {#2061
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-1812-overture-classic-records-lsc-2241"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

[
  "produit" => App\Entity\Produit {#2084
    -id: 2868
    -nom: "Mussorgsky - Pictures at an Exhibition / Prokofieff - Symphonie Classique"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4- & 8 Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Numbered, Limited Edition !\r\n
      \r\n
      An art exhibition in honor of his friend, the painter Victor Hartmann, inspired Mussorgsky to compose his piano cycle in 1874, the idea of which is as simple as it is obvious: a kind of 'first-person narrator' wanders through the gallery and looks at ten paintings in great detail. Maurice Ravel orchestrated them for orchestra in 1922. Giulini's performance with the Chicago Symphony Orchestra is widely regarded as a reference recording.\r\n
      \r\n
      Prokofiev wrote his first symphony in the middle of the First World War. In sound and form, it differs from other works by the composer. No gigantic late romantic orchestra, no performance time of an hour, but a classical orchestra, and only fifteen minutes are needed for his Symphony No. 1, which was written in 1916/17.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      The copies of this series will be released in a limited and numbered edition on 180 gram vinyl and in a deluxe gatefold sleeve with original covers and lyrics, accompanied by additional photos and facsimiles of the recording notes and tape box.\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality," notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series:\r\n
      \r\n
      Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4-track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4 track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4 track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4-track masters instead of the 2 track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      For the new releases, two technical aspects have to be taken into account. Firstly, 4 track tape is twice as wide as the usual 2-track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      The Original Source Series means: no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding : greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Carlo Maria Giulini conducts the Chicago Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9bFLOwtbt-0&list=RD9bFLOwtbt-0&start_radio=1"
    -referenceProduit: "Deutsche Grammophon Records 2530783"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "Mussorgsky : Pictures at an Exhibition"
      ]
      [
        "ordre" => 2
        "nom" => "1. Promenade 1"
      ]
      [
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      ]
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        "nom" => "3. Promenade 2"
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        "nom" => "4. II. The Old Castle"
      ]
      [
        "ordre" => 6
        "nom" => "5. Promenade 3"
      ]
      [
        "ordre" => 7
        "nom" => "6. III. Tuileries"
      ]
      [
        "ordre" => 8
        "nom" => "7. IV. Bydlo 'The Oxcart'"
      ]
      [
        "ordre" => 9
        "nom" => "8. Promenade 4"
      ]
      [
        "ordre" => 10
        "nom" => "9. V. Ballet of the Unhatched Chicks"
      ]
      [
        "ordre" => 11
        "nom" => "10. VI. Samuel Goldenberg and Schmuÿle"
      ]
      [
        "ordre" => 12
        "nom" => "11. VII. The Market at Limoges"
      ]
      [
        "ordre" => 13
        "nom" => "12. VIIIa. Catacombae 'Sepulcrum romanum'"
      ]
      [
        "ordre" => 14
        "nom" => "13. VIIIb. Cum mortuis in lingua mortua"
      ]
      [
        "ordre" => 15
        "nom" => "14. IX. The Hut on Fowl's Legs 'Baba-Yaga'"
      ]
      [
        "ordre" => 16
        "nom" => "15. X. The Great Gates of Kyiv"
      ]
      [
        "ordre" => 17
        "nom" => "Side : B"
      ]
      [
        "ordre" => 18
        "nom" => "Prokofieff : Symphony N° 1 in D Major, Op. 25 'Classical Symphony'"
      ]
      [
        "ordre" => 19
        "nom" => "1. I. Allegro"
      ]
      [
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        "nom" => "2. II. Larghetto"
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        "nom" => "3. III. Gavotte. Non troppo allegro"
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        "nom" => "4. IV. Finale. Molto vivace"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2086 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2095 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2088 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2090 …}
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    -modifierLe: DateTime @1765312212 {#2079
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2092 …}
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    -slug: "vinyles-mussorgsky-pictures-at-an-exhibition-prokofieff-symphonie-classique-deutsche-grammophon-records-2530783"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3320
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2084
    -id: 2868
    -nom: "Mussorgsky - Pictures at an Exhibition / Prokofieff - Symphonie Classique"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4- & 8 Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Numbered, Limited Edition !\r\n
      \r\n
      An art exhibition in honor of his friend, the painter Victor Hartmann, inspired Mussorgsky to compose his piano cycle in 1874, the idea of which is as simple as it is obvious: a kind of 'first-person narrator' wanders through the gallery and looks at ten paintings in great detail. Maurice Ravel orchestrated them for orchestra in 1922. Giulini's performance with the Chicago Symphony Orchestra is widely regarded as a reference recording.\r\n
      \r\n
      Prokofiev wrote his first symphony in the middle of the First World War. In sound and form, it differs from other works by the composer. No gigantic late romantic orchestra, no performance time of an hour, but a classical orchestra, and only fifteen minutes are needed for his Symphony No. 1, which was written in 1916/17.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      The copies of this series will be released in a limited and numbered edition on 180 gram vinyl and in a deluxe gatefold sleeve with original covers and lyrics, accompanied by additional photos and facsimiles of the recording notes and tape box.\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality," notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series:\r\n
      \r\n
      Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4-track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4 track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4 track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4-track masters instead of the 2 track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      For the new releases, two technical aspects have to be taken into account. Firstly, 4 track tape is twice as wide as the usual 2-track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      The Original Source Series means: no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding : greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Carlo Maria Giulini conducts the Chicago Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9bFLOwtbt-0&list=RD9bFLOwtbt-0&start_radio=1"
    -referenceProduit: "Deutsche Grammophon Records 2530783"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "Mussorgsky : Pictures at an Exhibition"
      ]
      [
        "ordre" => 2
        "nom" => "1. Promenade 1"
      ]
      [
        "ordre" => 3
        "nom" => "2. I. Gnomus"
      ]
      [
        "ordre" => 4
        "nom" => "3. Promenade 2"
      ]
      [
        "ordre" => 5
        "nom" => "4. II. The Old Castle"
      ]
      [
        "ordre" => 6
        "nom" => "5. Promenade 3"
      ]
      [
        "ordre" => 7
        "nom" => "6. III. Tuileries"
      ]
      [
        "ordre" => 8
        "nom" => "7. IV. Bydlo 'The Oxcart'"
      ]
      [
        "ordre" => 9
        "nom" => "8. Promenade 4"
      ]
      [
        "ordre" => 10
        "nom" => "9. V. Ballet of the Unhatched Chicks"
      ]
      [
        "ordre" => 11
        "nom" => "10. VI. Samuel Goldenberg and Schmuÿle"
      ]
      [
        "ordre" => 12
        "nom" => "11. VII. The Market at Limoges"
      ]
      [
        "ordre" => 13
        "nom" => "12. VIIIa. Catacombae 'Sepulcrum romanum'"
      ]
      [
        "ordre" => 14
        "nom" => "13. VIIIb. Cum mortuis in lingua mortua"
      ]
      [
        "ordre" => 15
        "nom" => "14. IX. The Hut on Fowl's Legs 'Baba-Yaga'"
      ]
      [
        "ordre" => 16
        "nom" => "15. X. The Great Gates of Kyiv"
      ]
      [
        "ordre" => 17
        "nom" => "Side : B"
      ]
      [
        "ordre" => 18
        "nom" => "Prokofieff : Symphony N° 1 in D Major, Op. 25 'Classical Symphony'"
      ]
      [
        "ordre" => 19
        "nom" => "1. I. Allegro"
      ]
      [
        "ordre" => 20
        "nom" => "2. II. Larghetto"
      ]
      [
        "ordre" => 21
        "nom" => "3. III. Gavotte. Non troppo allegro"
      ]
      [
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[
  "produit" => App\Entity\Produit {#2100
    -id: 2867
    -nom: "Chopin : Sonate Op. 65, Polonaise Op. 3 / Schumann : Adagio & Allegro Op.70"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4 Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Numbered, Limited Edition !\r\n
      \r\n
      Chopin's four-movement Cello Sonata Op. 65 dates from 1845/46 and combines all the attractions of his richly ornamented writing for piano, here largely free from reminiscences of his native folk music. With an astonishing understanding of the individual character of the cello, one forgets that, at the outset, his creative concepts had been wholly pianistic in origin.\r\n
      \r\n
      Schumann wrote few works for cello and piano, but those few are of considerable importance. The Adagio and Allegro Op. 70 for cello and piano of 1849 is characteristic of Schumann's personal and unmistakable blend of eloquent melancholy with spontaneous naturalness, while the piano part, especially in the Allegro, is marked by subtly brilliant virtuosity. Perfect understanding and harmony mark this extraordinary recording by Argerich and Rostropovich.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      On 180 gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      "Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality," notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series:\r\n
      \r\n
      Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4-track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4 track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4 track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4 track masters instead of the 2 track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      For the new releases, two technical aspects have to be taken into account. Firstly, 4 track tape is twice as wide as the usual 2 track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      The Original Source Series means: no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding: greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Martha Argerich (piano), Mstislav Rostropovich (cello)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=lkd7kIjdpTM&list=RDlkd7kIjdpTM&start_radio=1"
    -referenceProduit: "Deutsche Grammophon Records 2531201"
    -titreMorceau: [
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        "nom" => "Chopin : Cello Sonata in G Minor, Op. 65"
      ]
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        "nom" => "Side B : "
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        "nom" => "Schumann : Adagio & Allegro in A-Flat Major, Op. 70 - Version for Cello"
      ]
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        "nom" => "1. I. Adagio – II. Allegro"
      ]
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        "nom" => "Chopin : Introduction & Polonaise brillante, Op. 3"
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    -id: 2867
    -nom: "Chopin : Sonate Op. 65, Polonaise Op. 3 / Schumann : Adagio & Allegro Op.70"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4 Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Numbered, Limited Edition !\r\n
      \r\n
      Chopin's four-movement Cello Sonata Op. 65 dates from 1845/46 and combines all the attractions of his richly ornamented writing for piano, here largely free from reminiscences of his native folk music. With an astonishing understanding of the individual character of the cello, one forgets that, at the outset, his creative concepts had been wholly pianistic in origin.\r\n
      \r\n
      Schumann wrote few works for cello and piano, but those few are of considerable importance. The Adagio and Allegro Op. 70 for cello and piano of 1849 is characteristic of Schumann's personal and unmistakable blend of eloquent melancholy with spontaneous naturalness, while the piano part, especially in the Allegro, is marked by subtly brilliant virtuosity. Perfect understanding and harmony mark this extraordinary recording by Argerich and Rostropovich.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      On 180 gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      "Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality," notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series:\r\n
      \r\n
      Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4-track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4 track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4 track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4 track masters instead of the 2 track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      For the new releases, two technical aspects have to be taken into account. Firstly, 4 track tape is twice as wide as the usual 2 track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      The Original Source Series means: no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding: greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Martha Argerich (piano), Mstislav Rostropovich (cello)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=lkd7kIjdpTM&list=RDlkd7kIjdpTM&start_radio=1"
    -referenceProduit: "Deutsche Grammophon Records 2531201"
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        "nom" => "Schumann : Adagio & Allegro in A-Flat Major, Op. 70 - Version for Cello"
      ]
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        "nom" => "1. I. Adagio – II. Allegro"
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[
  "produit" => App\Entity\Produit {#2116
    -id: 628
    -nom: "Love Deluxe - Half-Speed Mastered"
    -informationComplementaire: null
    -description: """
      Sade "The Best Of Sade" 180 gram gatefold double LP !\r\n
      \r\n
      By the time this was released in 1994, something unexpected happened. Sade's early work became classic and the later additions boasted even better vocals and songs that nicely improved on the theme. The timeless sound and class always exhibited makes Sade Adu and her band a no-brainer for an appealing compilation. Like Al Green's Greatest Hits, The Best of Sade doesn't detract from the original albums and is a marker of time, not the end of the act.\r\n
      \r\n
      The ice-princess demeanor and detached vocals worked perfectly for the mid-'80s singles and radio samples "Smooth Operator" and "Your Love Is King." The tracks from the make-or-break second album, Promise, seem less dolorous propped up and sequenced for a compilation. The sensual-to-a-fault "The Sweetest Taboo" and "Never As Good As the First Time" both retain their strength here. The songs from Stronger Than Pride "Love Is Stronger Than Pride", "Nothing Can Come Between Us", and the great "Paradise" all benefit from Ian Cooper's mastering job.\r\n
      \r\n
      This set also includes tracks from Sade's "comeback" CD, Love Deluxe, including "Kiss of Life" and "No Ordinary Love". As a bonus, The Best of Sade also includes a rare cover of "Please Send Me Someone to Love" from the Philadelphia soundtrack.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=c_lgse6-JKo&list=PLRkE5-eyt9iVY7n9jJJtAJazzM-F6DASg"
    -referenceProduit: "Legacy Records 0591"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Your Love Is King"
      ]
      [
        "ordre" => 2
        "nom" => "2. Hang On To Your Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. Smooth Operator"
      ]
      [
        "ordre" => 4
        "nom" => "4. Jezebel"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. The Sweetest Taboo"
      ]
      [
        "ordre" => 7
        "nom" => "2. Is It A Crime"
      ]
      [
        "ordre" => 8
        "nom" => "3. Never As Good As The First Time"
      ]
      [
        "ordre" => 9
        "nom" => "4. Love Is Stronger Than Pride"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Paradise"
      ]
      [
        "ordre" => 12
        "nom" => "2. Nothing Can Come Between Us"
      ]
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        "nom" => "1. Kiss Of Life"
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        "nom" => "2. Please Send Me Someone To Love"
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        "nom" => "3. Cherish The Day"
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        "nom" => ""
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        "nom" => ""
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    -id: 628
    -nom: "Love Deluxe - Half-Speed Mastered"
    -informationComplementaire: null
    -description: """
      Sade "The Best Of Sade" 180 gram gatefold double LP !\r\n
      \r\n
      By the time this was released in 1994, something unexpected happened. Sade's early work became classic and the later additions boasted even better vocals and songs that nicely improved on the theme. The timeless sound and class always exhibited makes Sade Adu and her band a no-brainer for an appealing compilation. Like Al Green's Greatest Hits, The Best of Sade doesn't detract from the original albums and is a marker of time, not the end of the act.\r\n
      \r\n
      The ice-princess demeanor and detached vocals worked perfectly for the mid-'80s singles and radio samples "Smooth Operator" and "Your Love Is King." The tracks from the make-or-break second album, Promise, seem less dolorous propped up and sequenced for a compilation. The sensual-to-a-fault "The Sweetest Taboo" and "Never As Good As the First Time" both retain their strength here. The songs from Stronger Than Pride "Love Is Stronger Than Pride", "Nothing Can Come Between Us", and the great "Paradise" all benefit from Ian Cooper's mastering job.\r\n
      \r\n
      This set also includes tracks from Sade's "comeback" CD, Love Deluxe, including "Kiss of Life" and "No Ordinary Love". As a bonus, The Best of Sade also includes a rare cover of "Please Send Me Someone to Love" from the Philadelphia soundtrack.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -referenceProduit: "Legacy Records 0591"
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        "nom" => "Side C :"
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        "nom" => "1. Paradise"
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        "nom" => ""
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        "nom" => ""
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[
  "produit" => App\Entity\Produit {#2135
    -id: 2668
    -nom: "Piano Concertos N° 25 & 27"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl Double LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4-Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Hand-Numbered, Limited Edition !\r\n
      \r\n
      For its 125th birthday, Deutsche Grammophon is releasing legendary recordings with highest sound standards: The new audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
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      \r\n
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      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      "Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality", notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series :\r\n
      \r\n
      "Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4 track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      "In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4-track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      "Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4-track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      "A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4-track masters instead of the 2-track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      "For the new releases, two technical aspects have to be taken into account. Firstly, 4-track tape is twice as wide as the usual 2-track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      "The Original Source Series means : no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding: greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !"
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Friedrich Gulda (piano), Claudio Abbado conducts the Vienna Philharmonic Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -limitedEdition: true
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    -extraitYoutube: null
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    -titreMorceau: [
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    -id: 2668
    -nom: "Piano Concertos N° 25 & 27"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl Double LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4-Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Hand-Numbered, Limited Edition !\r\n
      \r\n
      For its 125th birthday, Deutsche Grammophon is releasing legendary recordings with highest sound standards: The new audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      Released on 180 gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are limited and numbered. They are accompanied by additional photos and facsimiles of the recording logs and tape boxes, plus an article, which explains the exact technical background.\r\n
      \r\n
      The collaboration between the eccentric pianist Friedrich Gulda, star conductor Claudio Abbado and the Vienna Philharmonic is legendary. Their recording of Mozart's Piano Concertos N° 25 and 27 are among the best interpretations of these works. "There the sky comes very close" (FonoForum)\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      "Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality", notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series :\r\n
      \r\n
      "Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4 track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      "In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4-track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      "Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4-track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      "A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4-track masters instead of the 2-track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      "For the new releases, two technical aspects have to be taken into account. Firstly, 4-track tape is twice as wide as the usual 2-track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      "The Original Source Series means : no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding: greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !"
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
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[
  "produit" => App\Entity\Produit {#2153
    -id: 1502
    -nom: "Beethoven : Violin Concerto (in D)"
    -informationComplementaire: "AVAILABILITY : 31/12/2025 (subject Analogue Productions)"
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Remastered from the original master tape and cut at 45 RPM by Bernie Grundman !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      When Jascha Heifetz stepped into the studio with Charles Munch and the Boston Symphony Orchestra, the result was nothing less than legendary. Beethoven's Violin Concerto, a work of noble lyricism and timeless beauty, found in Heifetz a soloist of supreme technical command and aristocratic poise. His playing radiates both precision and passion, every phrase polished to brilliance yet never losing its expressive depth.\r\n
      \r\n
      Charles Munch, the great French maestro, was a natural partner-bringing clarity, warmth, and a rhythmic lift that perfectly complements Heifetz's elegance. The Boston Symphony, in its Living Stereo prime, provides a luminous orchestral backdrop, captured with the spacious, natural sound that made RCA recordings of the era so prized.\r\n
      \r\n
      What makes this album especially notable is the sheer electricity of the collaboration: the world's most celebrated violinist at the height of his powers, paired with a conductor and orchestra who elevate the music to exhilarating heights. For classical music fans, it offers both an ideal introduction to Beethoven's concerto and a reference performance that seasoned collectors return to again and again.\r\n
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      """
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App\Twig\Components\GestionPanierFavoriComponents {#3524
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      - Includes 2 panel insert !\r\n
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[
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    -id: 1363
    -nom: "Cello Sonata & Arpeggione Sonata"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound !\r\n
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      - Lacquers plated by Gary Salstrom and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
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      \r\n
      Cellist Daniel Shafran performs Shostakovich's Cello Sonata and "Arpeggione" Sonata by Schubert. Opulent musicianship, incandescent phrasing, febrile poetry and more mark this as a referential cult album by the album's dedicated fans.
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3575
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2169
    -id: 1363
    -nom: "Cello Sonata & Arpeggione Sonata"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound !\r\n
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      \r\n
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      """
    -prixVente: "60.00"
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    -musicienOrchestre: "Daniel Shafran (cello),  Lydia Pecherskaya (piano)"
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[
  "produit" => App\Entity\Produit {#2185
    -id: 1802
    -nom: "Brahms : Violin Concerto"
    -informationComplementaire: "AVAILABILITY : 31/12/2025 (subject Analogue Productions)"
    -description: """
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      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
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      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Jascha Heifetz (violin), Fritz Reiner conducts the Chicago Symphony Orchestra"
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    -modifierLe: DateTime @1764366570 {#2183
      date: 2025-11-28 21:49:30.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3628
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2185
    -id: 1802
    -nom: "Brahms : Violin Concerto"
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      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Remastered from the original master tape and cut at 45 RPM by Bernie Grundman !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      Praise for our 331/3 edition series reissues :\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
      Another of the rare performances of violinist Jascha Heifetz and conductor Fritz Reiner together with the Chicago Symphony Orchestra. The original 30 ips 2 track analog tape was used in mastering for LPs and SACDs. This stunning performance is nothing short of breathtaking.\r\n
      \r\n
      Mastered by Bernie Grundman from the original 2 track master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs, no other editions match these for the quietest 180 gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2 panel insert.
      """
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    -extraitYoutube: "https://www.youtube.com/watch?v=GSiQH09zhLE&list=RDGSiQH09zhLE&start_radio=1"
    -referenceProduit: "Analogue Productions AAPC 1903-45"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2155 …}
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[
  "produit" => App\Entity\Produit {#2198
    -id: 1058
    -nom: "Charles Munch Mendelssohn Concerto in E Minor & Prokofieff Concerto in G Minor"
    -informationComplementaire: "AVAILABILITY : 31/12/2025 (subject Analogue Productions)"
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Remastered from the original master tape and cut at 45 RPM by Bernie Grundman !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
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      Praise for our 331/3 edition series reissues :\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
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      \r\n
      Mastered by Bernie Grundman from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2 panel insert.
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3ysV7BQKI5E&list=RD3ysV7BQKI5E&start_radio=1"
    -referenceProduit: "Analogue Productions AAPC 2314-45"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2155 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3676
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    -nom: "Charles Munch Mendelssohn Concerto in E Minor & Prokofieff Concerto in G Minor"
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      - Remastered from the original master tape and cut at 45 RPM by Bernie Grundman !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
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      Praise for our 331/3 edition series reissues :\r\n
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      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2155 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2211
    -id: 509
    -nom: "Sibelius - Violin Concerto in D Minor, Op. 47"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound !\r\n
      - Lacquers plated by Gary Salstrom and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      \r\n
      "These records are definitive". - Michael Fremer, editor, AnalogPlanet.com\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jascha Heifetz (violin), Walter Hendl conducts the Chicago Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=iNAtoJF4ydw&list=RDiNAtoJF4ydw&start_radio=1"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2155 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2216 …}
    -disponible: null
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    -slug: "vinyles-sibelius-violin-concerto-in-d-minor-op-47-analogue-productions-aapc-2435"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3724
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2211
    -id: 509
    -nom: "Sibelius - Violin Concerto in D Minor, Op. 47"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound !\r\n
      - Lacquers plated by Gary Salstrom and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      \r\n
      "These records are definitive". - Michael Fremer, editor, AnalogPlanet.com\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
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    -prixVente: "60.00"
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    -musicienOrchestre: "Jascha Heifetz (violin), Walter Hendl conducts the Chicago Symphony Orchestra"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2155 …}
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    -modifierLe: DateTime @1764356381 {#2209
      date: 2025-11-28 18:59:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2216 …}
    -disponible: null
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    -slug: "vinyles-sibelius-violin-concerto-in-d-minor-op-47-analogue-productions-aapc-2435"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3920
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3921 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3969 …}
  +isValidated: false
  +validatedFields: []
}