Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2595
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2672
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2675 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
  -formView: Symfony\Component\Form\FormView {#2711 …}
  -form: Symfony\Component\Form\Form {#2861 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 3081
    -nom: "Whistle Stop"
    -informationComplementaire: "Élégant, subtil et intensément inspiré, "Whistle Stop" de Kenny Dorham incarne toute la finesse du hard bop des années 60. Un album incontournable signé Blue Note Records, entre swing raffiné, mélodies lumineuses et atmosphère intemporelle."
    -description: """
      Avec Whistle Stop, Kenny Dorham signe l’un des albums majeurs du jazz hard bop des années 60. Enregistré pour Blue Note Records, ce disque réunit autour du trompettiste un casting prestigieux, Hank Mobley au saxophone ténor, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie.\r\n
      \r\n
      L’album se distingue par l’élégance de ses arrangements, la finesse de ses compositions originales et l’équilibre parfait entre virtuosité et retenue. Le morceau-titre “Whistle Stop” ouvre le voyage avec une énergie maîtrisée, tandis que des titres comme “Sunrise in Mexico” ou “Windmill” révèlent toute la richesse harmonique et mélodique de Dorham.\r\n
      \r\n
      À la fois accessible et profondément sophistiqué, "Whistle Stop" demeure une référence incontournable pour les amateurs de jazz moderne et de l’esthétique Blue Note. Un album intemporel où chaque note semble raconter une histoire, entre tension urbaine et chaleur mélodique.\r\n
      \r\n
      - Kenny Dorham "Whistle Stop" !\r\n
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      After having recorded early bop classics such as Afro-Cuban and ‘Round About Midnight At The Café Bohemia for Blue Note in the mid-1950s, trumpeter Kenny Dorham made an invigorating return to the label in 1961 with Whistle Stop. The album is a seven-song set of Dorham originals performed by a top-shelf hard bop quintet with Hank Mobley on tenor saxophone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Inventive compositions like "Philly Twist", "Sunset", and "Sunrise In Mexico" provide ample grist for the mill, leading the musicians down inspired paths.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RHuBSAeTC3E&list=RDRHuBSAeTC3E&start_radio=1"
    -referenceProduit: "Blue Note Records 1366"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. 'Philly' Twist"
      ]
      [
        "ordre" => 2
        "nom" => "2. Buffalo"
      ]
      [
        "ordre" => 3
        "nom" => "3. Sunset "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Whistle Stop"
      ]
      [
        "ordre" => 6
        "nom" => "2. Sunrise In Mexico"
      ]
      [
        "ordre" => 7
        "nom" => "3. Windmill"
      ]
      [
        "ordre" => 8
        "nom" => "4. Dorham's Epitaph"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1778398047 {#1875
      date: 2026-05-10 07:27:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778399685 {#1868
      date: 2026-05-10 07:54:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-whistle-stop-blue-note-records-1366"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3136
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 3081
    -nom: "Whistle Stop"
    -informationComplementaire: "Élégant, subtil et intensément inspiré, "Whistle Stop" de Kenny Dorham incarne toute la finesse du hard bop des années 60. Un album incontournable signé Blue Note Records, entre swing raffiné, mélodies lumineuses et atmosphère intemporelle."
    -description: """
      Avec Whistle Stop, Kenny Dorham signe l’un des albums majeurs du jazz hard bop des années 60. Enregistré pour Blue Note Records, ce disque réunit autour du trompettiste un casting prestigieux, Hank Mobley au saxophone ténor, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie.\r\n
      \r\n
      L’album se distingue par l’élégance de ses arrangements, la finesse de ses compositions originales et l’équilibre parfait entre virtuosité et retenue. Le morceau-titre “Whistle Stop” ouvre le voyage avec une énergie maîtrisée, tandis que des titres comme “Sunrise in Mexico” ou “Windmill” révèlent toute la richesse harmonique et mélodique de Dorham.\r\n
      \r\n
      À la fois accessible et profondément sophistiqué, "Whistle Stop" demeure une référence incontournable pour les amateurs de jazz moderne et de l’esthétique Blue Note. Un album intemporel où chaque note semble raconter une histoire, entre tension urbaine et chaleur mélodique.\r\n
      \r\n
      - Kenny Dorham "Whistle Stop" !\r\n
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      After having recorded early bop classics such as Afro-Cuban and ‘Round About Midnight At The Café Bohemia for Blue Note in the mid-1950s, trumpeter Kenny Dorham made an invigorating return to the label in 1961 with Whistle Stop. The album is a seven-song set of Dorham originals performed by a top-shelf hard bop quintet with Hank Mobley on tenor saxophone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Inventive compositions like "Philly Twist", "Sunset", and "Sunrise In Mexico" provide ample grist for the mill, leading the musicians down inspired paths.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RHuBSAeTC3E&list=RDRHuBSAeTC3E&start_radio=1"
    -referenceProduit: "Blue Note Records 1366"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. 'Philly' Twist"
      ]
      [
        "ordre" => 2
        "nom" => "2. Buffalo"
      ]
      [
        "ordre" => 3
        "nom" => "3. Sunset "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Whistle Stop"
      ]
      [
        "ordre" => 6
        "nom" => "2. Sunrise In Mexico"
      ]
      [
        "ordre" => 7
        "nom" => "3. Windmill"
      ]
      [
        "ordre" => 8
        "nom" => "4. Dorham's Epitaph"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1778398047 {#1875
      date: 2026-05-10 07:27:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778399685 {#1868
      date: 2026-05-10 07:54:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-whistle-stop-blue-note-records-1366"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "produit" => App\Entity\Produit {#2046
    -id: 3078
    -nom: "Stable Mable"
    -informationComplementaire: "Une session de jazz nocturne, libre et profondément vivante. Avec "Stable Mable", Dexter Gordon réunit un quartet d’exception pour un enregistrement incandescent entre swing, élégance et improvisation magistrale."
    -description: """
      Enregistré à Copenhague en 1975 pour le label SteepleChase, "Stable Mable" capture toute la maturité artistique du saxophoniste américain Dexter Gordon. Entouré du pianiste Horace Parlan, du contrebassiste Niels-Henning Ørsted Pedersen et du batteur Tony Inzalaco, Gordon livre un jazz ample, chaleureux et intensément expressif.\r\n
      \r\n
      Entre standards revisités et longues envolées improvisées, l’album révèle une complicité rare entre les musiciens. Le son est fluide, profond, habité par cette élégance décontractée qui caractérise les grandes sessions européennes du jazz des années 70.\r\n
      \r\n
      Stable Mable est une œuvre incontournable pour les amateurs de hard bop et de jazz moderne, portée par le souffle immense et la présence magnétique de Dexter Gordon.\r\n
      \r\n
      - Dexter Gordon Quartet "Stable Mable" !\r\n
      - Newly remastered from the original master tapes !\r\n
      - 180 gram audiophile edition !\r\n
      \r\n
      "...Dexter plays brilliantly on every track... beautifully recorded..." - Jazz Journal, 1976\r\n
      \r\n
      Celebrating its legacy from the 1976 LP and 1990 CD release, Stable Mable returns in May 2026 as a newly remastered 180 gram audiophile edition. Captured in Copenhagen just weeks after Dexter Gordon's ambitious orchestral project More Than You Know, this session strips the setting back to its purest form : a no-frills blowing date where Gordon's imagination, authority, and melodic wit shine without disguise. Joined by Horace Parlan, Niels Henning Ørsted Pedersen, and Tony Inzalaco, Gordon navigates standards like "Just Friends", "Misty", "Red Cross", and "So What" with a mix of relaxed confidence and fiery invention.\r\n
      \r\n
      His soprano reading of "In a Sentimental Mood" adds a rare, reflective touch. Remastered from the original tapes, this edition highlights the quartet's clarity, swing, and interplay an essential snapshot of Gordon's Copenhagen years and a definitive statement of his enduring mastery.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dexter Gordon (tenor & soprano saxophone), Horace Parlan (piano), Niels-Henning Ørsted Pedersen (bass), Tony Inzalaco (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wJiw8Ee00cI&list=RDwJiw8Ee00cI&start_radio=1"
    -referenceProduit: "SteepleChase Records 4017"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Just Friends"
      ]
      [
        "ordre" => 2
        "nom" => "2. Misty"
      ]
      [
        "ordre" => 3
        "nom" => "3. Red Cross "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. So What"
      ]
      [
        "ordre" => 6
        "nom" => "2. In A Sentimemental Mood"
      ]
      [
        "ordre" => 7
        "nom" => "3. Stablemates"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2051 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2060 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2053 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2055 …}
    -enregistreLe: DateTime @1778244534 {#2042
      date: 2026-05-08 12:48:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778244745 {#2041
      date: 2026-05-08 12:52:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2057 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stable-mable-steeplechase-records-4017"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3250
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2046
    -id: 3078
    -nom: "Stable Mable"
    -informationComplementaire: "Une session de jazz nocturne, libre et profondément vivante. Avec "Stable Mable", Dexter Gordon réunit un quartet d’exception pour un enregistrement incandescent entre swing, élégance et improvisation magistrale."
    -description: """
      Enregistré à Copenhague en 1975 pour le label SteepleChase, "Stable Mable" capture toute la maturité artistique du saxophoniste américain Dexter Gordon. Entouré du pianiste Horace Parlan, du contrebassiste Niels-Henning Ørsted Pedersen et du batteur Tony Inzalaco, Gordon livre un jazz ample, chaleureux et intensément expressif.\r\n
      \r\n
      Entre standards revisités et longues envolées improvisées, l’album révèle une complicité rare entre les musiciens. Le son est fluide, profond, habité par cette élégance décontractée qui caractérise les grandes sessions européennes du jazz des années 70.\r\n
      \r\n
      Stable Mable est une œuvre incontournable pour les amateurs de hard bop et de jazz moderne, portée par le souffle immense et la présence magnétique de Dexter Gordon.\r\n
      \r\n
      - Dexter Gordon Quartet "Stable Mable" !\r\n
      - Newly remastered from the original master tapes !\r\n
      - 180 gram audiophile edition !\r\n
      \r\n
      "...Dexter plays brilliantly on every track... beautifully recorded..." - Jazz Journal, 1976\r\n
      \r\n
      Celebrating its legacy from the 1976 LP and 1990 CD release, Stable Mable returns in May 2026 as a newly remastered 180 gram audiophile edition. Captured in Copenhagen just weeks after Dexter Gordon's ambitious orchestral project More Than You Know, this session strips the setting back to its purest form : a no-frills blowing date where Gordon's imagination, authority, and melodic wit shine without disguise. Joined by Horace Parlan, Niels Henning Ørsted Pedersen, and Tony Inzalaco, Gordon navigates standards like "Just Friends", "Misty", "Red Cross", and "So What" with a mix of relaxed confidence and fiery invention.\r\n
      \r\n
      His soprano reading of "In a Sentimental Mood" adds a rare, reflective touch. Remastered from the original tapes, this edition highlights the quartet's clarity, swing, and interplay an essential snapshot of Gordon's Copenhagen years and a definitive statement of his enduring mastery.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dexter Gordon (tenor & soprano saxophone), Horace Parlan (piano), Niels-Henning Ørsted Pedersen (bass), Tony Inzalaco (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wJiw8Ee00cI&list=RDwJiw8Ee00cI&start_radio=1"
    -referenceProduit: "SteepleChase Records 4017"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Just Friends"
      ]
      [
        "ordre" => 2
        "nom" => "2. Misty"
      ]
      [
        "ordre" => 3
        "nom" => "3. Red Cross "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. So What"
      ]
      [
        "ordre" => 6
        "nom" => "2. In A Sentimemental Mood"
      ]
      [
        "ordre" => 7
        "nom" => "3. Stablemates"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2051 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2060 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2053 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2055 …}
    -enregistreLe: DateTime @1778244534 {#2042
      date: 2026-05-08 12:48:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778244745 {#2041
      date: 2026-05-08 12:52:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2057 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
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[
  "produit" => App\Entity\Produit {#2065
    -id: 3059
    -nom: "Play Monk, Ellington and Strayhorn - Live at Yoshi's 1994"
    -informationComplementaire: "Un face-à-face magistral entre Mal Waldron et Steve Lacy, capté en live au Yoshi’s en 1994. Entre Monk, Ellington et Strayhorn, le duo livre une interprétation libre, intense et profondément élégante. Un incontournable pour les amateurs de jazz en vinyle."
    -description: """
      - Mal Waldron & Steve Lacy "Play Monk, Ellington and Strayhorn - Live at Yoshi's 1994" !\r\n
      - First-Ever Release Limited Edition !\r\n
      - Double LP 180 gram Virgin Vinyl !\r\n
      - Audio Transferred from the Original Tapes !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab !\r\n
      - Deluxe Gatefold !\r\n
      - Exclusive Photos by Hugo Peeters !\r\n
      - Special Essay by Renowned Jazz Author Kevin Whitehead !\r\n
      \r\n
      Enregistré en public au mythique Yoshi’s d’Oakland en juin 1994, "Play Monk, Ellington & Strayhorn" capture la rencontre exceptionnelle entre deux figures majeures du jazz moderne, le pianiste Mal Waldron et le saxophoniste soprano Steve Lacy.\r\n
      \r\n
      Intimiste et profondément habité, ce concert rend hommage à trois piliers du répertoire, Thelonious Monk, Duke Ellington et Billy Strayhorn. Le duo revisite ces compositions avec une liberté totale, mêlant rigueur, abstraction et émotion brute. Les silences, les tensions harmoniques et les dialogues subtils entre piano et saxophone donnent à l’ensemble une intensité rare.\r\n
      \r\n
      Au-delà des standards, quelques compositions originales viennent enrichir ce programme, témoignant de la complicité artistique unique entre Waldron et Lacy.\r\n
      \r\n
      Proposé ici en double vinyle, cet enregistrement restitue toute la chaleur et la profondeur du live, dans une édition soignée qui séduira autant les amateurs de jazz exigeant que les collectionneurs.\r\n
      \r\n
      On Live at Yoshi’s 1994, Mal Waldron and Steve Lacy turn a decades‑deep partnership into a single, extended act of listening, folding Monk, Ellington, Strayhorn and their own themes into a stark, tensile dialogue where every note feels earned.\r\n
      \r\n
      Live at Yoshi’s 1994 presents Mal Waldron and Steve Lacy in the setting where their shared language burns brightest: a bare‑bones duo, piano and soprano saxophone alone on stage, no place to hide and no reason to. Recorded on June 8, 1994 at Yoshi’s in Oakland, California, this previously unreleased performance catches two long‑time collaborators in late‑career form, with all the accumulated trust, eccentricity and shared history that implies. Waldron’s percussive, mantra‑like approach to the piano and Lacy’s acerbic yet songful soprano meet not as contrasts to be reconciled, but as parallel obsessions that have learned, over decades, how to circle and provoke one another.\r\n
      \r\n
      The repertoire draws a clear map of their affinities. Both musicians had long been devoted interpreters of Thelonious Monk, and Monk’s pieces here are treated less as standards than as familiar thought‑objects, themes whose angular lyricism and off‑centre swing provide starting points for extended investigations. Waldron’s left‑hand patterns worry at small rhythmic cells with a hypnotic insistence, while his right hand threads terse, sometimes gnarly commentary through Monk’s intervals; Lacy responds by tightening his focus on the tune’s contour, worrying a handful of notes until they begin to glow with overtones and implication. When the duo turn to Duke Ellington and Billy Strayhorn, the atmosphere shifts from jagged street‑corner koan to lush, shadowed interior. Ellington’s harmonic richness and Strayhorn’s bittersweet voicings are distilled into their essence, a few key changes of light that Waldron stretches into deep, tolling chords and Lacy traces in long, slightly grainy arcs.\r\n
      \r\n
      Interspersed with these homages are originals that make explicit what has always been implicit in their playing - how much of Monk and Ellington has been absorbed into their own compositional DNA, and how strongly their personal voices resist mere imitation. Waldron’s pieces tend to emerge from ostinato and slow‑burn development, building tension through repetition and subtle displacement; Lacy’s themes often arrive as tight, asymmetrical lines that seem to invite being taken apart. In both cases, the improvisations feel like an extension of the writing rather than a departure from it, blurring the line between “tune” and “solo”. The set unfolds with a sense of narrative, motifs resurfacing, energies cresting and ebbing, silences stretching a fraction longer as the night goes on.\r\n
      \r\n
      This edition underscores the care with which the music has been brought forward. Transferred from the original tapes and mastered by Matthew Lutthans at The Mastering Lab, the 180 gram (2 LP) gatefold presses into vinyl an intimacy that might otherwise have been lost: the grain of Waldron’s touch when he barely grazes the keys, the way Lacy’s soprano hardens at the top of a phrase then relaxes into breath. The package is completed by previously unseen photographs from Hugo Peeters, which frame the two musicians not as distant legends but as working artists mid‑conversation, and a specially commissioned essay by jazz writer Kevin Whitehead, who teases out the threads connecting their shared devotion to Monk’s angles and Ellingtonia’s deep harmonic currents.\r\n
      \r\n
      What emerges over the course of Live at Yoshi’s 1994 is less a showcase than a document of process. Waldron and Lacy play with deep concentration and lyrical sensitivity, often allowing the music to hover on the edge of silence before nudging it forward with a single, carefully placed gesture. At the same time, there is no shortage of risk, phrases are left hanging, structures are tested, and the duo are unafraid to let a piece veer into abstraction if that is where the logic of the moment leads. The album stands as a powerful record of spontaneous musical conversation between two singular voices, an unhurried yet intense encounter in which history is constantly being rewritten in real time, one note and one shared breath at a time.
      """
    -prixVente: "69.50"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2067 …}
    -label: Proxies\__CG__\App\Entity\Label {#2070 …}
    -style: App\Entity\Style {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3301
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2065
    -id: 3059
    -nom: "Play Monk, Ellington and Strayhorn - Live at Yoshi's 1994"
    -informationComplementaire: "Un face-à-face magistral entre Mal Waldron et Steve Lacy, capté en live au Yoshi’s en 1994. Entre Monk, Ellington et Strayhorn, le duo livre une interprétation libre, intense et profondément élégante. Un incontournable pour les amateurs de jazz en vinyle."
    -description: """
      - Mal Waldron & Steve Lacy "Play Monk, Ellington and Strayhorn - Live at Yoshi's 1994" !\r\n
      - First-Ever Release Limited Edition !\r\n
      - Double LP 180 gram Virgin Vinyl !\r\n
      - Audio Transferred from the Original Tapes !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab !\r\n
      - Deluxe Gatefold !\r\n
      - Exclusive Photos by Hugo Peeters !\r\n
      - Special Essay by Renowned Jazz Author Kevin Whitehead !\r\n
      \r\n
      Enregistré en public au mythique Yoshi’s d’Oakland en juin 1994, "Play Monk, Ellington & Strayhorn" capture la rencontre exceptionnelle entre deux figures majeures du jazz moderne, le pianiste Mal Waldron et le saxophoniste soprano Steve Lacy.\r\n
      \r\n
      Intimiste et profondément habité, ce concert rend hommage à trois piliers du répertoire, Thelonious Monk, Duke Ellington et Billy Strayhorn. Le duo revisite ces compositions avec une liberté totale, mêlant rigueur, abstraction et émotion brute. Les silences, les tensions harmoniques et les dialogues subtils entre piano et saxophone donnent à l’ensemble une intensité rare.\r\n
      \r\n
      Au-delà des standards, quelques compositions originales viennent enrichir ce programme, témoignant de la complicité artistique unique entre Waldron et Lacy.\r\n
      \r\n
      Proposé ici en double vinyle, cet enregistrement restitue toute la chaleur et la profondeur du live, dans une édition soignée qui séduira autant les amateurs de jazz exigeant que les collectionneurs.\r\n
      \r\n
      On Live at Yoshi’s 1994, Mal Waldron and Steve Lacy turn a decades‑deep partnership into a single, extended act of listening, folding Monk, Ellington, Strayhorn and their own themes into a stark, tensile dialogue where every note feels earned.\r\n
      \r\n
      Live at Yoshi’s 1994 presents Mal Waldron and Steve Lacy in the setting where their shared language burns brightest: a bare‑bones duo, piano and soprano saxophone alone on stage, no place to hide and no reason to. Recorded on June 8, 1994 at Yoshi’s in Oakland, California, this previously unreleased performance catches two long‑time collaborators in late‑career form, with all the accumulated trust, eccentricity and shared history that implies. Waldron’s percussive, mantra‑like approach to the piano and Lacy’s acerbic yet songful soprano meet not as contrasts to be reconciled, but as parallel obsessions that have learned, over decades, how to circle and provoke one another.\r\n
      \r\n
      The repertoire draws a clear map of their affinities. Both musicians had long been devoted interpreters of Thelonious Monk, and Monk’s pieces here are treated less as standards than as familiar thought‑objects, themes whose angular lyricism and off‑centre swing provide starting points for extended investigations. Waldron’s left‑hand patterns worry at small rhythmic cells with a hypnotic insistence, while his right hand threads terse, sometimes gnarly commentary through Monk’s intervals; Lacy responds by tightening his focus on the tune’s contour, worrying a handful of notes until they begin to glow with overtones and implication. When the duo turn to Duke Ellington and Billy Strayhorn, the atmosphere shifts from jagged street‑corner koan to lush, shadowed interior. Ellington’s harmonic richness and Strayhorn’s bittersweet voicings are distilled into their essence, a few key changes of light that Waldron stretches into deep, tolling chords and Lacy traces in long, slightly grainy arcs.\r\n
      \r\n
      Interspersed with these homages are originals that make explicit what has always been implicit in their playing - how much of Monk and Ellington has been absorbed into their own compositional DNA, and how strongly their personal voices resist mere imitation. Waldron’s pieces tend to emerge from ostinato and slow‑burn development, building tension through repetition and subtle displacement; Lacy’s themes often arrive as tight, asymmetrical lines that seem to invite being taken apart. In both cases, the improvisations feel like an extension of the writing rather than a departure from it, blurring the line between “tune” and “solo”. The set unfolds with a sense of narrative, motifs resurfacing, energies cresting and ebbing, silences stretching a fraction longer as the night goes on.\r\n
      \r\n
      This edition underscores the care with which the music has been brought forward. Transferred from the original tapes and mastered by Matthew Lutthans at The Mastering Lab, the 180 gram (2 LP) gatefold presses into vinyl an intimacy that might otherwise have been lost: the grain of Waldron’s touch when he barely grazes the keys, the way Lacy’s soprano hardens at the top of a phrase then relaxes into breath. The package is completed by previously unseen photographs from Hugo Peeters, which frame the two musicians not as distant legends but as working artists mid‑conversation, and a specially commissioned essay by jazz writer Kevin Whitehead, who teases out the threads connecting their shared devotion to Monk’s angles and Ellingtonia’s deep harmonic currents.\r\n
      \r\n
      What emerges over the course of Live at Yoshi’s 1994 is less a showcase than a document of process. Waldron and Lacy play with deep concentration and lyrical sensitivity, often allowing the music to hover on the edge of silence before nudging it forward with a single, carefully placed gesture. At the same time, there is no shortage of risk, phrases are left hanging, structures are tested, and the duo are unafraid to let a piece veer into abstraction if that is where the logic of the moment leads. The album stands as a powerful record of spontaneous musical conversation between two singular voices, an unhurried yet intense encounter in which history is constantly being rewritten in real time, one note and one shared breath at a time.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Mal Waldron (piano), Steve Lacy (soprano saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=DJIjZQ804ag"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2067 …}
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    -disponible: null
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    -slug: "vinyles-play-monk-ellington-and-strayhorn-live-at-yoshi-s-1994-elemental-music-0562"
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}

[
  "produit" => App\Entity\Produit {#2088
    -id: 3057
    -nom: "Asante"
    -informationComplementaire: "Plongez au cœur d’un jazz incandescent avec "Asante", une œuvre vibrante de McCoy Tyner où rythmes africains, improvisations enflammées et spiritualité se rencontrent pour créer une expérience sonore aussi intense qu’intemporelle."
    -description: """
      Asante est un album du pianiste de jazz McCoy Tyner, enregistré en 1970 et publié sur le label Blue Note Records. À cette période charnière de sa carrière, après son passage légendaire aux côtés de John Coltrane, Tyner développe un langage musical profondément personnel, mêlant puissance rythmique, spiritualité et influences africaines.\r\n
      \r\n
      Entouré de musiciens d’exception comme Gary Bartz, Woody Shaw, Ron Carter et Elvin Jones, il livre une œuvre intense et immersive. Les compositions, souvent modales, s’étendent en longues explorations collectives, portées par une énergie brute et une recherche sonore audacieuse.\r\n
      \r\n
      Asante s’inscrit dans le courant du jazz spirituel et post-bop des années 70, où la musique devient à la fois voyage intérieur et célébration collective.\r\n
      \r\n
      - McCoy Tyner "Asante" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "McCoy Tyner (piano), Andrew White, Gary Bartz (alto saxophone), Woody Shaw (trumpet), Ron Carter (bass), Elvin Jones (drums), James Mtume (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=nzGrH4UBLfI&list=PLWX0mJtyf2cegRS8soO-FxsGohjYN8N3e&index=5"
    -referenceProduit: "Blue Note Tone Poet Series 9787"
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        "nom" => "2. Fulfillment"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3352
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2088
    -id: 3057
    -nom: "Asante"
    -informationComplementaire: "Plongez au cœur d’un jazz incandescent avec "Asante", une œuvre vibrante de McCoy Tyner où rythmes africains, improvisations enflammées et spiritualité se rencontrent pour créer une expérience sonore aussi intense qu’intemporelle."
    -description: """
      Asante est un album du pianiste de jazz McCoy Tyner, enregistré en 1970 et publié sur le label Blue Note Records. À cette période charnière de sa carrière, après son passage légendaire aux côtés de John Coltrane, Tyner développe un langage musical profondément personnel, mêlant puissance rythmique, spiritualité et influences africaines.\r\n
      \r\n
      Entouré de musiciens d’exception comme Gary Bartz, Woody Shaw, Ron Carter et Elvin Jones, il livre une œuvre intense et immersive. Les compositions, souvent modales, s’étendent en longues explorations collectives, portées par une énergie brute et une recherche sonore audacieuse.\r\n
      \r\n
      Asante s’inscrit dans le courant du jazz spirituel et post-bop des années 70, où la musique devient à la fois voyage intérieur et célébration collective.\r\n
      \r\n
      - McCoy Tyner "Asante" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Pianist McCoy Tyner had been increasingly looking to Mother Africa for inspiration on his Blue Note recordings of the late-1960s on pieces such as "African Village" and "Message from the Nile". With his 1970 album Asante, Tyner brought those influences to the fore with a powerful set rooted in the swirling percussive rhythmic bed laid by drummer Billy Hart and percussionist Mtume. Bassist Buster Williams, guitarist Ted Dunbar, and alto saxophonist Andrew White make up the rest of the extraordinary ensemble on this four-song set that also includes the ethereal vocals of Songai on the extended album opener "Malika" and the title track. While elements of the modal jazz that Tyner pioneered in the John Coltrane Quartet course through the album, most prominently on the kinetic closing track "Fulfillment", the music here also pointed towards future creative directions that Tyner would explore.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "McCoy Tyner (piano), Andrew White, Gary Bartz (alto saxophone), Woody Shaw (trumpet), Ron Carter (bass), Elvin Jones (drums), James Mtume (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nzGrH4UBLfI&list=PLWX0mJtyf2cegRS8soO-FxsGohjYN8N3e&index=5"
    -referenceProduit: "Blue Note Tone Poet Series 9787"
    -titreMorceau: [
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      [
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        "nom" => "1. Malika"
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        "nom" => "2. Asante "
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        "nom" => "1. Goin' Home"
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        "nom" => "2. Fulfillment"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2090 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2099 …}
    -disponible: null
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    -slug: "vinyles-asante-blue-note-tone-poet-series-9787"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "produit" => App\Entity\Produit {#2109
    -id: 3058
    -nom: "Dexter Calling"
    -informationComplementaire: "Le hard bop à l’état pur, porté par le souffle inimitable de Dexter Gordon. Avec "Dexter Calling...", chaque note respire, un son ample, chaleureux, et toute l’élégance du jazz Blue Note."
    -description: """
      Enregistré en 1961 pour le mythique label Blue Note Records, "Dexter Calling..." capture Dexter Gordon à un moment de parfaite maîtrise artistique. Son jeu de saxophone ténor, à la fois posé et expressif, déroule des phrases longues, pleines de swing et d’une élégance naturelle.\r\n
      \r\n
      Pour cette session, il s’entoure d’un trio d’exception, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie. Ensemble, ils créent un équilibre parfait entre souplesse rythmique et énergie bop, donnant à chaque morceau une respiration fluide et vivante.\r\n
      \r\n
      Entre standards revisités et compositions originales, l’album oscille avec finesse entre lyrisme et swing, confirmant le statut de Dexter Gordon comme l’une des grandes voix du jazz moderne.\r\n
      \r\n
      Dexter Calling... n’est pas seulement un disque, c’est une conversation musicale, un appel lancé aux amateurs de jazz et une réponse immédiate pour ceux qui cherchent l’essence du hard bop.\r\n
      \r\n
      - Dexter Gordon "Dexter Calling" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Though he first recorded in the late-1940s, Dexter Gordon's 1961 signing to Blue Note Records marked the beginning of a career renaissance for the great tenor saxophonist after a tumultuous decade. With the swift one-two punch of his label debut Doin' Allright and Dexter Calling, recorded just three days apart in May 1961, Dexter solidified his return to form with aplomb. Dexter Calling featured an entirely different band with Dexter holding forth at the helm of a potent quartet with pianist Kenny Drew, bassist Paul Chambers, and drummer Philly Joe Jones. The set opens with the soulful hard bop gem "Soul Sister" before shifting into high gear and proving his dexterity on hard-charging numbers such as "Modal Mood", "I Want More", and "Clear the Dex". Gordon slows down for the stunning ballad "Ernie's Tune" before closing the set with Charlie Chaplin's joyous "Smile".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dexter Gordon (tenor saxophone), Kenny Drew –(piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=nxLCnWurc48&list=RDnxLCnWurc48&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series  9548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Soul Sister"
      ]
      [
        "ordre" => 2
        "nom" => "2. Modal Mood"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Want More "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. End Of A Love Affair"
      ]
      [
        "ordre" => 6
        "nom" => "2. Clear The Dex"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ernie's Tune"
      ]
      [
        "ordre" => 8
        "nom" => "4. Smile"
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      [
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: Proxies\__CG__\App\Entity\Label {#2093 …}
    -style: App\Entity\Style {#1063 …}
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    -modifierLe: DateTime @1777963829 {#2104
      date: 2026-05-05 06:50:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-dexter-calling-blue-note-tone-poet-series-9548"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3403
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2109
    -id: 3058
    -nom: "Dexter Calling"
    -informationComplementaire: "Le hard bop à l’état pur, porté par le souffle inimitable de Dexter Gordon. Avec "Dexter Calling...", chaque note respire, un son ample, chaleureux, et toute l’élégance du jazz Blue Note."
    -description: """
      Enregistré en 1961 pour le mythique label Blue Note Records, "Dexter Calling..." capture Dexter Gordon à un moment de parfaite maîtrise artistique. Son jeu de saxophone ténor, à la fois posé et expressif, déroule des phrases longues, pleines de swing et d’une élégance naturelle.\r\n
      \r\n
      Pour cette session, il s’entoure d’un trio d’exception, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie. Ensemble, ils créent un équilibre parfait entre souplesse rythmique et énergie bop, donnant à chaque morceau une respiration fluide et vivante.\r\n
      \r\n
      Entre standards revisités et compositions originales, l’album oscille avec finesse entre lyrisme et swing, confirmant le statut de Dexter Gordon comme l’une des grandes voix du jazz moderne.\r\n
      \r\n
      Dexter Calling... n’est pas seulement un disque, c’est une conversation musicale, un appel lancé aux amateurs de jazz et une réponse immédiate pour ceux qui cherchent l’essence du hard bop.\r\n
      \r\n
      - Dexter Gordon "Dexter Calling" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Though he first recorded in the late-1940s, Dexter Gordon's 1961 signing to Blue Note Records marked the beginning of a career renaissance for the great tenor saxophonist after a tumultuous decade. With the swift one-two punch of his label debut Doin' Allright and Dexter Calling, recorded just three days apart in May 1961, Dexter solidified his return to form with aplomb. Dexter Calling featured an entirely different band with Dexter holding forth at the helm of a potent quartet with pianist Kenny Drew, bassist Paul Chambers, and drummer Philly Joe Jones. The set opens with the soulful hard bop gem "Soul Sister" before shifting into high gear and proving his dexterity on hard-charging numbers such as "Modal Mood", "I Want More", and "Clear the Dex". Gordon slows down for the stunning ballad "Ernie's Tune" before closing the set with Charlie Chaplin's joyous "Smile".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dexter Gordon (tenor saxophone), Kenny Drew –(piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=nxLCnWurc48&list=RDnxLCnWurc48&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series  9548"
    -titreMorceau: [
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      [
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        "nom" => "1. End Of A Love Affair"
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      [
        "ordre" => 6
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      [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
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      date: 2026-05-05 06:50:29.0 UTC (+00:00)
    }
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}

[
  "produit" => App\Entity\Produit {#2129
    -id: 1420
    -nom: "Moon Beams"
    -informationComplementaire: "Redécouvrez "Moon Beams" dans une somptueuse édition (2 LP) 45 RPM signée Analogue Productions. Le Bill Evans Trio y déploie toute sa finesse, sublimée par une qualité sonore exceptionnelle."
    -description: """
      Enregistré en 1962 pour le label Riverside Records, "Moon Beams" marque une période charnière dans la carrière de Bill Evans, avec l’arrivée du bassiste Chuck Israels aux côtés du batteur Paul Motian. L’album déploie un univers introspectif, fait de ballades aériennes et de silences habités, où chaque note semble suspendue dans le temps.\r\n
      \r\n
      Cette réédition Analogue Productions (Fantasy Series) restitue l’enregistrement original avec une fidélité remarquable, grâce à un mastering audiophile et un pressage en 45 RPM sur deux disques. Ce format permet d’élargir la dynamique sonore, d’améliorer la précision des timbres et d’offrir une scène sonore d’une transparence exceptionnelle.\r\n
      \r\n
      Présenté dans un élégant gatefold, ce double vinyle est une pièce de collection autant qu’un objet d’écoute ultime. Chaque détail, du toucher du piano d’Evans aux nuances subtiles de la section rythmique est magnifié, pour une immersion totale dans l’un des albums les plus sensibles du pianiste.\r\n
      \r\n
      - Bill Evans Trio "Moon Beams" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering (AAA) analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 rpm reissues are clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out !" Myles Astor, Positive-Feedback Online, Issue 34, www.positive-feedback.com\r\n
      \r\n
      Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular.\r\n
      \r\n
      Moonbeams includes ballad material from the sessions. The rest of the music from the sessions is in How My Heart Sings ! In Moonbeams, Evans did some of his most introspective playing, his sense of loss apparent but relieved by Israels' power and empathy. "Polka Dots and Moonbeams", "If You Could See Me Now", and the others represent Evans at his best, his lyricism underlaid with rhythmic firmness even in the extraordinarily slow "In Love in Vain".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ChQZMCuasJc&list=RDChQZMCuasJc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantasy) AJAZ 9428"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Re : Person I Knew"
      ]
      [
        "ordre" => 2
        "nom" => "2. Polka Dots And Moonbeams"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
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        "ordre" => 4
        "nom" => "1. I Fall In Love Too Easily"
      ]
      [
        "ordre" => 5
        "nom" => "2. Stairway To The Stars"
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        "nom" => "Side C :"
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        "nom" => "1. If You Could See Me Know"
      ]
      [
        "ordre" => 8
        "nom" => "2. It Might As Well Be Spring"
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        "nom" => "Side D : "
      ]
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        "nom" => "1. In Love In Vain"
      ]
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        "nom" => "2. Very Early"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
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      date: 2026-04-28 06:09:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-moon-beams-analogue-productions-fantasy-ajaz-9428"
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App\Twig\Components\GestionPanierFavoriComponents {#3454
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2129
    -id: 1420
    -nom: "Moon Beams"
    -informationComplementaire: "Redécouvrez "Moon Beams" dans une somptueuse édition (2 LP) 45 RPM signée Analogue Productions. Le Bill Evans Trio y déploie toute sa finesse, sublimée par une qualité sonore exceptionnelle."
    -description: """
      Enregistré en 1962 pour le label Riverside Records, "Moon Beams" marque une période charnière dans la carrière de Bill Evans, avec l’arrivée du bassiste Chuck Israels aux côtés du batteur Paul Motian. L’album déploie un univers introspectif, fait de ballades aériennes et de silences habités, où chaque note semble suspendue dans le temps.\r\n
      \r\n
      Cette réédition Analogue Productions (Fantasy Series) restitue l’enregistrement original avec une fidélité remarquable, grâce à un mastering audiophile et un pressage en 45 RPM sur deux disques. Ce format permet d’élargir la dynamique sonore, d’améliorer la précision des timbres et d’offrir une scène sonore d’une transparence exceptionnelle.\r\n
      \r\n
      Présenté dans un élégant gatefold, ce double vinyle est une pièce de collection autant qu’un objet d’écoute ultime. Chaque détail, du toucher du piano d’Evans aux nuances subtiles de la section rythmique est magnifié, pour une immersion totale dans l’un des albums les plus sensibles du pianiste.\r\n
      \r\n
      - Bill Evans Trio "Moon Beams" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering (AAA) analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 rpm reissues are clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out !" Myles Astor, Positive-Feedback Online, Issue 34, www.positive-feedback.com\r\n
      \r\n
      Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular.\r\n
      \r\n
      Moonbeams includes ballad material from the sessions. The rest of the music from the sessions is in How My Heart Sings ! In Moonbeams, Evans did some of his most introspective playing, his sense of loss apparent but relieved by Israels' power and empathy. "Polka Dots and Moonbeams", "If You Could See Me Now", and the others represent Evans at his best, his lyricism underlaid with rhythmic firmness even in the extraordinarily slow "In Love in Vain".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ChQZMCuasJc&list=RDChQZMCuasJc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantasy) AJAZ 9428"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Re : Person I Knew"
      ]
      [
        "ordre" => 2
        "nom" => "2. Polka Dots And Moonbeams"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. I Fall In Love Too Easily"
      ]
      [
        "ordre" => 5
        "nom" => "2. Stairway To The Stars"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. If You Could See Me Know"
      ]
      [
        "ordre" => 8
        "nom" => "2. It Might As Well Be Spring"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. In Love In Vain"
      ]
      [
        "ordre" => 11
        "nom" => "2. Very Early"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
    -label: Proxies\__CG__\App\Entity\Label {#2134 …}
    -style: App\Entity\Style {#1063 …}
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    -enregistreLe: DateTime @1542092144 {#2122
      date: 2018-11-13 06:55:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777356544 {#2123
      date: 2026-04-28 06:09:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2140 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-moon-beams-analogue-productions-fantasy-ajaz-9428"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "produit" => App\Entity\Produit {#2148
    -id: 3046
    -nom: "Africav/ Brass"
    -informationComplementaire: "Un souffle nouveau traverse le jazz. Avec "Africa / Brass", John Coltrane transcende le jazz en mêlant puissance orchestrale et profondeur spirituelle. Un album emblématique du label Impulse ! Records, à la fois intense, hypnotique et intemporel."
    -description: """
      Paru en 1961 sur le mythique label Impulse! Records, "Africa / Brass" marque un tournant majeur dans la trajectoire de John Coltrane. Derrière l’appellation de son quartet se cache en réalité une formation élargie, enrichie d’un ensemble de cuivres et de bois qui donne à l’album une dimension orchestrale inédite dans son œuvre.\r\n
      \r\n
      Arrangé en grande partie par Eric Dolphy et McCoy Tyner, le disque déploie une musique à la fois dense, modale et hypnotique. La pièce titre, "Africa", s’étire comme une transe profonde, portée par des ostinatos puissants et une section de cuivres majestueuse. À l’inverse, Greensleeves revisite un thème traditionnel avec une sensibilité méditative et une élégance presque spirituelle.\r\n
      \r\n
      Entre exploration sonore et rigueur structurelle, "Africa / Brass" témoigne de l’ambition de Coltrane d’élargir les frontières du jazz, annonçant déjà ses grandes fresques à venir. Un album à la fois monumental et introspectif, essentiel pour comprendre l’évolution du jazz des années 60.\r\n
      \r\n
      Musicians : \r\n
      John Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums), Booker Little, Freddie Hubbard (trumpet), Eric Dolphy (alto saxophone, bass clarinet, flute), Pat Patrick (baritone saxophone), Julius Watkins, Jim Buffington, Bob Northern, Donald Corrado, Robert Swisshelm (French horns), Julian Priester, Charles Greenlee, Carl Bowman (euphoniums), Britt Woodman (trombone), Bill Barber (tuba), Garvin Bushell (woodwinds), Art Davis (bass).\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      John Coltrane's incandescent 1961 classic, Africa / Brass was recorded by the legendary Rudy Van Gelder, produced by Bob Thiele, and is a showcase for bold, fearless and visionary music.  It was recorded during a period where many African countries were becoming independent, and African music and art were becoming better known in America, though not as well known in European colonial powers like France, Belgium, or England.\r\n
      \r\n
      Africa/Brass was Coletrane's monumental debut for Impulse! Records a sonic manifesto that shattered the boundaries of hard bop to reveal something primal and sophisticated. Under the visionary arrangements of Eric Dolphy and McCoy Tyner, the ensemble creates a dense, shimmering "drone" a revolutionary harmonic foundation that allows Coltrane to soar. His playing is more than skillful; it's athletic. \r\n
      \r\n
      Coltrane's working quartet is augmented by a larger ensemble that brings the total to 21 musicians. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. The interlocking brass lines move with the clockwork accuracy of a chamber orchestra, but breathe with the sweat and soul of a midnight jam session.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums), Booker Little, Freddie Hubbard (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=LqEouEEw6rU&list=RDLqEouEEw6rU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series (Impulse) 0301"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Africa "
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Greensleeves"
      ]
      [
        "ordre" => 4
        "nom" => "2. Blues Minor"
      ]
      [
        "ordre" => 5
        "nom" => ""
      ]
      [
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        "nom" => ""
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        "ordre" => 7
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: Proxies\__CG__\App\Entity\Label {#2153 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2162 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2155 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2157 …}
    -enregistreLe: DateTime @1775374067 {#2145
      date: 2026-04-05 07:27:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777113960 {#2146
      date: 2026-04-25 10:46:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2159 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-africav-brass-acoustic-sounds-series-impulse-0301"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3505
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2148
    -id: 3046
    -nom: "Africav/ Brass"
    -informationComplementaire: "Un souffle nouveau traverse le jazz. Avec "Africa / Brass", John Coltrane transcende le jazz en mêlant puissance orchestrale et profondeur spirituelle. Un album emblématique du label Impulse ! Records, à la fois intense, hypnotique et intemporel."
    -description: """
      Paru en 1961 sur le mythique label Impulse! Records, "Africa / Brass" marque un tournant majeur dans la trajectoire de John Coltrane. Derrière l’appellation de son quartet se cache en réalité une formation élargie, enrichie d’un ensemble de cuivres et de bois qui donne à l’album une dimension orchestrale inédite dans son œuvre.\r\n
      \r\n
      Arrangé en grande partie par Eric Dolphy et McCoy Tyner, le disque déploie une musique à la fois dense, modale et hypnotique. La pièce titre, "Africa", s’étire comme une transe profonde, portée par des ostinatos puissants et une section de cuivres majestueuse. À l’inverse, Greensleeves revisite un thème traditionnel avec une sensibilité méditative et une élégance presque spirituelle.\r\n
      \r\n
      Entre exploration sonore et rigueur structurelle, "Africa / Brass" témoigne de l’ambition de Coltrane d’élargir les frontières du jazz, annonçant déjà ses grandes fresques à venir. Un album à la fois monumental et introspectif, essentiel pour comprendre l’évolution du jazz des années 60.\r\n
      \r\n
      Musicians : \r\n
      John Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums), Booker Little, Freddie Hubbard (trumpet), Eric Dolphy (alto saxophone, bass clarinet, flute), Pat Patrick (baritone saxophone), Julius Watkins, Jim Buffington, Bob Northern, Donald Corrado, Robert Swisshelm (French horns), Julian Priester, Charles Greenlee, Carl Bowman (euphoniums), Britt Woodman (trombone), Bill Barber (tuba), Garvin Bushell (woodwinds), Art Davis (bass).\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      John Coltrane's incandescent 1961 classic, Africa / Brass was recorded by the legendary Rudy Van Gelder, produced by Bob Thiele, and is a showcase for bold, fearless and visionary music.  It was recorded during a period where many African countries were becoming independent, and African music and art were becoming better known in America, though not as well known in European colonial powers like France, Belgium, or England.\r\n
      \r\n
      Africa/Brass was Coletrane's monumental debut for Impulse! Records a sonic manifesto that shattered the boundaries of hard bop to reveal something primal and sophisticated. Under the visionary arrangements of Eric Dolphy and McCoy Tyner, the ensemble creates a dense, shimmering "drone" a revolutionary harmonic foundation that allows Coltrane to soar. His playing is more than skillful; it's athletic. \r\n
      \r\n
      Coltrane's working quartet is augmented by a larger ensemble that brings the total to 21 musicians. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. The interlocking brass lines move with the clockwork accuracy of a chamber orchestra, but breathe with the sweat and soul of a midnight jam session.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums), Booker Little, Freddie Hubbard (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=LqEouEEw6rU&list=RDLqEouEEw6rU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series (Impulse) 0301"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Africa "
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Greensleeves"
      ]
      [
        "ordre" => 4
        "nom" => "2. Blues Minor"
      ]
      [
        "ordre" => 5
        "nom" => ""
      ]
      [
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        "nom" => ""
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      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: Proxies\__CG__\App\Entity\Label {#2153 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2162 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2155 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2157 …}
    -enregistreLe: DateTime @1775374067 {#2145
      date: 2026-04-05 07:27:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777113960 {#2146
      date: 2026-04-25 10:46:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2159 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-africav-brass-acoustic-sounds-series-impulse-0301"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "produit" => App\Entity\Produit {#2167
    -id: 3045
    -nom: "The Young Lions"
    -informationComplementaire: "Avant d’être des icônes, ils étaient jeunes, audacieux et affamés de musique. The Young Lions raconte ce moment unique où Lee Morgan, Wayne Shorter et leurs compagnons capturent l’énergie brute d’une génération prête à marquer l’histoire du jazz."
    -description: """
      The Young Lions est un album emblématique du hard bop, enregistré en 1960 et réunissant une génération montante de musiciens destinés à marquer durablement l’histoire du jazz. Sous l’impulsion du trompettiste Lee Morgan et du saxophoniste Wayne Shorter, cet enregistrement capture l’énergie brute, l’audace et la créativité de jeunes artistes en pleine ascension.\r\n
      \r\n
      Accompagnés notamment de Bobby Timmons au piano et de Louis Hayes à la batterie, les musiciens livrent un jazz puissant et expressif, où se mêlent influences blues, gospel et bebop. L’album incarne parfaitement l’esprit du hard bop, une musique vivante, ancrée dans la tradition mais tournée vers l’avenir.\r\n
      \r\n
      À la fois témoignage d’une époque et tremplin pour des carrières exceptionnelles, "The Young Lions" reste une œuvre essentielle pour tout amateur de jazz.\r\n
      \r\n
      - The Young Lions "The Young Lions" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      The Young Lions was recorded at Bell Sound Studios in NYC in 1960 and released in 1961 on Vee-Jay Records. It includes four songs composed by Wayne Shorter, and one by Lee Morgan. The album title references Irwin Shaw's popular 1948 novel of the same name. In the album's liner notes, saxophonist Cannonball Adderley uses Shaw's novel to make an argument about jazz, claiming that there is a tension in modern jazz between tradition and the avant-garde. He suggests that conformity to either traditionalism or the avant-garde is stifling of "true genius".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Frank Strozier (alto saxophone), Bob Cranshaw (bass), Bobby Timmons (piano),  Louis Hayes, Albert "Tuttie" Heath (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ky1ZQ4ni6mk&list=PLUJ7V33M1wR1CpJHBiDJxUqy4prEgLxqG"
    -referenceProduit: "Craft Recordings (OJC Series) CR 00966"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Seeds Of Sin"
      ]
      [
        "ordre" => 2
        "nom" => "2. Scourn'"
      ]
      [
        "ordre" => 3
        "nom" => "3. Fat Lady "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Peaches And Cream"
      ]
      [
        "ordre" => 6
        "nom" => "2. That's Right"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
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        "nom" => ""
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        "ordre" => 12
        "nom" => ""
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        "nom" => ""
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        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2174 …}
    -typeMasterTape: null
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3556
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2167
    -id: 3045
    -nom: "The Young Lions"
    -informationComplementaire: "Avant d’être des icônes, ils étaient jeunes, audacieux et affamés de musique. The Young Lions raconte ce moment unique où Lee Morgan, Wayne Shorter et leurs compagnons capturent l’énergie brute d’une génération prête à marquer l’histoire du jazz."
    -description: """
      The Young Lions est un album emblématique du hard bop, enregistré en 1960 et réunissant une génération montante de musiciens destinés à marquer durablement l’histoire du jazz. Sous l’impulsion du trompettiste Lee Morgan et du saxophoniste Wayne Shorter, cet enregistrement capture l’énergie brute, l’audace et la créativité de jeunes artistes en pleine ascension.\r\n
      \r\n
      Accompagnés notamment de Bobby Timmons au piano et de Louis Hayes à la batterie, les musiciens livrent un jazz puissant et expressif, où se mêlent influences blues, gospel et bebop. L’album incarne parfaitement l’esprit du hard bop, une musique vivante, ancrée dans la tradition mais tournée vers l’avenir.\r\n
      \r\n
      À la fois témoignage d’une époque et tremplin pour des carrières exceptionnelles, "The Young Lions" reste une œuvre essentielle pour tout amateur de jazz.\r\n
      \r\n
      - The Young Lions "The Young Lions" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      The Young Lions was recorded at Bell Sound Studios in NYC in 1960 and released in 1961 on Vee-Jay Records. It includes four songs composed by Wayne Shorter, and one by Lee Morgan. The album title references Irwin Shaw's popular 1948 novel of the same name. In the album's liner notes, saxophonist Cannonball Adderley uses Shaw's novel to make an argument about jazz, claiming that there is a tension in modern jazz between tradition and the avant-garde. He suggests that conformity to either traditionalism or the avant-garde is stifling of "true genius".
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -referenceProduit: "Craft Recordings (OJC Series) CR 00966"
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        "nom" => "1. Peaches And Cream"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
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[
  "produit" => App\Entity\Produit {#2188
    -id: 3048
    -nom: "Introducing Lee Morgan"
    -informationComplementaire: "Un prodige de 18 ans, un son déjà légendaire. Avec "Introducing Lee Morgan", plongez aux origines d’un génie du jazz. Une session vibrante et maîtrisée, où chaque note annonce la naissance d’une icône. Le début d’une légende. À écouter absolument !"
    -description: """
      Introducing Lee Morgan est le premier album du trompettiste Lee Morgan, enregistré en 1956 alors qu’il n’a que 18 ans. Véritable révélation précoce, ce disque s’inscrit dans la grande tradition du hard bop, mêlant virtuosité technique, expressivité blues et énergie rythmique.\r\n
      \r\n
      Entouré de musiciens d’exception, dont Hank Mobley au saxophone ténor, Lee Morgan impose déjà un style puissant et affirmé. La section rythmique, avec Hank Jones, Doug Watkins et Art Taylor, offre un écrin solide et élégant à cette session devenue emblématique.\r\n
      \r\n
      Entre reprises inspirées et compositions originales, cet album capture l’émergence d’un des plus grands trompettistes de l’histoire du jazz, annonçant déjà la carrière brillante de Lee Morgan.\r\n
      \r\n
      - Lee Morgan "Introducing Lee Morgan" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      Introducing Lee Morgan is a 1956 hard bop record by the heralded jazz trumpeter, originally release on the Savoy label. Also featuring Hank Mobley, Hank Jones, Doug Watkins and Art Taylor, the album, recorded when Morgan was just 17, features seven cuts including the Mobley penned "Hank's Shout".
      """
    -prixVente: "38.00"
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    -musicienOrchestre: "Lee Morgan (trumpet), Hank Mobley (tenor saxophone), Hank Jones (piano), Doug Watkins (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SKwj8KT7SBE&list=RDSKwj8KT7SBE&start_radio=1"
    -referenceProduit: "Craft Recordings (OJC Series) CR 00967"
    -titreMorceau: [
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        "ordre" => 1
        "nom" => "1. Hank's Shout"
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        "nom" => "2. Nostalgia "
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        "nom" => "1. Bet"
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        "nom" => "2. Softly, As In A Morning Sunrise"
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        "nom" => "3. P.S. I Love You"
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        "ordre" => 7
        "nom" => "4. Easy Living"
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        "nom" => "5. That's All"
      ]
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2190 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3607
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  +produit: App\Entity\Produit {#2188
    -id: 3048
    -nom: "Introducing Lee Morgan"
    -informationComplementaire: "Un prodige de 18 ans, un son déjà légendaire. Avec "Introducing Lee Morgan", plongez aux origines d’un génie du jazz. Une session vibrante et maîtrisée, où chaque note annonce la naissance d’une icône. Le début d’une légende. À écouter absolument !"
    -description: """
      Introducing Lee Morgan est le premier album du trompettiste Lee Morgan, enregistré en 1956 alors qu’il n’a que 18 ans. Véritable révélation précoce, ce disque s’inscrit dans la grande tradition du hard bop, mêlant virtuosité technique, expressivité blues et énergie rythmique.\r\n
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      \r\n
      Entre reprises inspirées et compositions originales, cet album capture l’émergence d’un des plus grands trompettistes de l’histoire du jazz, annonçant déjà la carrière brillante de Lee Morgan.\r\n
      \r\n
      - Lee Morgan "Introducing Lee Morgan" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      Introducing Lee Morgan is a 1956 hard bop record by the heralded jazz trumpeter, originally release on the Savoy label. Also featuring Hank Mobley, Hank Jones, Doug Watkins and Art Taylor, the album, recorded when Morgan was just 17, features seven cuts including the Mobley penned "Hank's Shout".
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Hank Mobley (tenor saxophone), Hank Jones (piano), Doug Watkins (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2190 …}
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      date: 2026-04-25 10:41:55.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2206
    -id: 1832
    -nom: "The Complete 'Round About At The Cafe Bohemia"
    -informationComplementaire: "Un club mythique, une nuit de 1956, et l’un des plus beaux témoignages live du hard bop. Ce coffret exceptionnel de Kenny Dorham vous ouvre les portes du Café Bohemia dans une édition audiophile somptueuse, aussi immersive à l’écoute qu’à regarder."
    -description: """
      Avec "The Complete ’Round About Midnight at the Café Bohemia", plongez au cœur de l’âge d’or du jazz new-yorkais grâce à une réédition vinyle d’exception signée Blue Note. Enregistrées en live le 31 mai 1956, ces sessions capturent toute la magie du Café Bohemia, haut lieu du Greenwich Village où se retrouvaient les plus grands musiciens de l’époque.\r\n
      \r\n
      Ce coffret rassemble l’intégralité des performances du sextet de Kenny Dorham, entouré de J.R. Monterose, Kenny Burrell, Bobby Timmons, Sam Jones et Arthur Edgehill. Entre standards revisités et compositions originales, le groupe déploie une énergie vibrante, portée par des improvisations inspirées et une interaction constante entre les musiciens.\r\n
      \r\n
      Cette édition premium propose plusieurs vinyles pressés avec un soin audiophile, offrant une restitution sonore chaleureuse et détaillée, fidèle à l’ambiance du club. Le coffret est accompagné d’un livret richement illustré, incluant photos d’époque et notes détaillées, pour une immersion complète dans l’univers Blue Note.\r\n
      \r\n
      À la fois objet de collection et expérience d’écoute unique, ce coffret est une pièce incontournable pour les amateurs de jazz et de vinyle haut de gamme.\r\n
      \r\n
      - Kenny Dorham "The Complete 'Round About At The Cafe Bohemia" 180 gram (3 LP) !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tapes !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The great unsung trumpeter Kenny Dorham was a vital part of the early Blue Note story appearing as a sideman on bebop dates by Thelonious Monk and Art Blakey as well as foundational hard bop sessions with Horace Silver and as a founding member of The Jazz Messengers. In fact, just six months after The Jazz Messengers cut their landmark namesake live recordings at the Cafe Bohemia, Dorham brought his own sextet into the fabled NYC jazz club in May 1956 to record his maiden live recording date under his own name. Presented in full on the 3LP Tone Poet Vinyl Edition of "The Complete ‘Round About Midnight At The Cafe Bohemia" the sublime set features the trumpeter with J.R. Monterose on tenor saxophone, Kenny Burrell on guitar, Bobby Timmons on piano, Sam Jones on bass, and Arthur Edgehill on drums for an inspired collection of originals by Dorham, Monk, and Dizzy Gillespie, as well as choice Great American Songbook standards.\r\n
      \r\n
      Produced for release by Joe Harley, the vinyl is all-analog and cut directly from Rudy Van Gelder's original master tapes by Kevin Gray. Pressed on 180 gram vinyl at RTI, the three LPs come packaged in a deluxe tip-on trifold jacket which includes a booklet with never-before-seen photos by Francis Wolff and an in-depth essay and track-by-track analysis by Syd Schwartz.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), J. R. Monterose (tenor saxophone), Kenny Burrell (guitar), Bobby Timmons (piano), Sam Jones (bass), Arthur Edgehill (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=MwYajj7T0q0&list=RDMwYajj7T0q0&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 2882"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Monaco"
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        "ordre" => 2
        "nom" => "2. ‘Round About Midnight"
      ]
      [
        "ordre" => 3
        "nom" => "3. Mexico City "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. A Night In Tunisia"
      ]
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        "ordre" => 6
        "nom" => "2. Autumn In New York"
      ]
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        "ordre" => 7
        "nom" => "3. Hill’s Edge "
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        "nom" => "Side C :"
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        "nom" => "1. K.D.’s Blues"
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        "nom" => "2. Who Cares"
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        "nom" => "3. Mexico City (alternate take) "
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        "nom" => "Side D : "
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        "nom" => "1. Royal Roost"
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        "nom" => "2. My Heart Stood Still"
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        "nom" => "3. The Prophet "
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      ]
    ]
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …}
    -enregistreLe: DateTime @1585037990 {#2202
      date: 2020-03-24 08:19:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777113607 {#2201
      date: 2026-04-25 10:40:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-complete-round-about-at-the-cafe-bohemia-blue-note-tone-poet-series-2882"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3660
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2206
    -id: 1832
    -nom: "The Complete 'Round About At The Cafe Bohemia"
    -informationComplementaire: "Un club mythique, une nuit de 1956, et l’un des plus beaux témoignages live du hard bop. Ce coffret exceptionnel de Kenny Dorham vous ouvre les portes du Café Bohemia dans une édition audiophile somptueuse, aussi immersive à l’écoute qu’à regarder."
    -description: """
      Avec "The Complete ’Round About Midnight at the Café Bohemia", plongez au cœur de l’âge d’or du jazz new-yorkais grâce à une réédition vinyle d’exception signée Blue Note. Enregistrées en live le 31 mai 1956, ces sessions capturent toute la magie du Café Bohemia, haut lieu du Greenwich Village où se retrouvaient les plus grands musiciens de l’époque.\r\n
      \r\n
      Ce coffret rassemble l’intégralité des performances du sextet de Kenny Dorham, entouré de J.R. Monterose, Kenny Burrell, Bobby Timmons, Sam Jones et Arthur Edgehill. Entre standards revisités et compositions originales, le groupe déploie une énergie vibrante, portée par des improvisations inspirées et une interaction constante entre les musiciens.\r\n
      \r\n
      Cette édition premium propose plusieurs vinyles pressés avec un soin audiophile, offrant une restitution sonore chaleureuse et détaillée, fidèle à l’ambiance du club. Le coffret est accompagné d’un livret richement illustré, incluant photos d’époque et notes détaillées, pour une immersion complète dans l’univers Blue Note.\r\n
      \r\n
      À la fois objet de collection et expérience d’écoute unique, ce coffret est une pièce incontournable pour les amateurs de jazz et de vinyle haut de gamme.\r\n
      \r\n
      - Kenny Dorham "The Complete 'Round About At The Cafe Bohemia" 180 gram (3 LP) !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tapes !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The great unsung trumpeter Kenny Dorham was a vital part of the early Blue Note story appearing as a sideman on bebop dates by Thelonious Monk and Art Blakey as well as foundational hard bop sessions with Horace Silver and as a founding member of The Jazz Messengers. In fact, just six months after The Jazz Messengers cut their landmark namesake live recordings at the Cafe Bohemia, Dorham brought his own sextet into the fabled NYC jazz club in May 1956 to record his maiden live recording date under his own name. Presented in full on the 3LP Tone Poet Vinyl Edition of "The Complete ‘Round About Midnight At The Cafe Bohemia" the sublime set features the trumpeter with J.R. Monterose on tenor saxophone, Kenny Burrell on guitar, Bobby Timmons on piano, Sam Jones on bass, and Arthur Edgehill on drums for an inspired collection of originals by Dorham, Monk, and Dizzy Gillespie, as well as choice Great American Songbook standards.\r\n
      \r\n
      Produced for release by Joe Harley, the vinyl is all-analog and cut directly from Rudy Van Gelder's original master tapes by Kevin Gray. Pressed on 180 gram vinyl at RTI, the three LPs come packaged in a deluxe tip-on trifold jacket which includes a booklet with never-before-seen photos by Francis Wolff and an in-depth essay and track-by-track analysis by Syd Schwartz.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), J. R. Monterose (tenor saxophone), Kenny Burrell (guitar), Bobby Timmons (piano), Sam Jones (bass), Arthur Edgehill (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=MwYajj7T0q0&list=RDMwYajj7T0q0&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 2882"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Monaco"
      ]
      [
        "ordre" => 2
        "nom" => "2. ‘Round About Midnight"
      ]
      [
        "ordre" => 3
        "nom" => "3. Mexico City "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. A Night In Tunisia"
      ]
      [
        "ordre" => 6
        "nom" => "2. Autumn In New York"
      ]
      [
        "ordre" => 7
        "nom" => "3. Hill’s Edge "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. K.D.’s Blues"
      ]
      [
        "ordre" => 10
        "nom" => "2. Who Cares"
      ]
      [
        "ordre" => 11
        "nom" => "3. Mexico City (alternate take) "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Royal Roost"
      ]
      [
        "ordre" => 14
        "nom" => "2. My Heart Stood Still"
      ]
      [
        "ordre" => 15
        "nom" => "3. The Prophet "
      ]
      [
        "ordre" => 16
        "nom" => "Side E : "
      ]
      [
        "ordre" => 17
        "nom" => "1. K.D.’s Blues (alternate take)"
      ]
      [
        "ordre" => 18
        "nom" => "2. Riffin’ "
      ]
      [
        "ordre" => 19
        "nom" => "Side F : "
      ]
      [
        "ordre" => 20
        "nom" => "1. Who Cares (alternate take)"
      ]
      [
        "ordre" => 21
        "nom" => "2. Monaco (alternate take)"
      ]
      [
        "ordre" => 22
        "nom" => "3. N.Y. Theme"
      ]
      [
        "ordre" => 23
        "nom" => ""
      ]
      [
        "ordre" => 24
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#2093 …}
    -style: App\Entity\Style {#1063 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "produit" => App\Entity\Produit {#2221
    -id: 2906
    -nom: "Much Les"
    -informationComplementaire: "Plongez dans l’énergie vibrante de "Much Les", où Les McCann mêle groove, soul et improvisation avec une intensité rare. Capté en live, cet album respire la chaleur, la spontanéité et toute la puissance d’un jazz profondément vivant."
    -description: """
      Sorti en 1969, "Much Les" est un album emblématique de Les McCann, capturé en live au célèbre club Bohemian Caverns à Washington D.C. Il incarne parfaitement la transition du jazz vers des sonorités plus modernes, mêlant soul jazz, groove et influences funk.\r\n
      \r\n
      Porté par un jeu de piano expressif et chaleureux, McCann y déploie une musique à la fois accessible et profondément habitée. L’album se distingue par son énergie communicative, son interaction avec le public et ses longues improvisations pleines de feeling.\r\n
      \r\n
      Les morceaux oscillent entre moments intimes et envolées rythmiques, avec une section rythmique solide qui soutient parfaitement l’intensité du pianiste. Much Les est souvent considéré comme l’un des disques les plus représentatifs de son style, un jazz vivant, ancré dans l’émotion et ouvert à tous les publics.\r\n
      \r\n
      Musicians :\r\n
      Les McCann (piano, vocals), Leroy Vinnegar (bass), victor Pantoja\t(congas), Emanuel Green, Harvey Shapiro, Kermit Moore, Noel DaCosta, Richard Elias, Ron Carter, Selwart Clarke, Theodore Israel, Warren Laffredo, Winston Collymore (strings), Willie Bobo (strings, timbales), Donald Dean (drums).\r\n
      \r\n
      Together with the saxophone player Eddie Harris, Les McCann was responsible for one of the best-sold albums in the whole history of jazz Swiss Movement (Atlantic SD-1537). It was his debut album on the Atlantic label. 1968 saw the release of Much Les and elaborated it with new aspects of what McCann did best in his early years: his core sound was enhanced with a string section and Latin percussion. The result is convincing, appealing, and captivating throughout and is considered an underestimated classic.\r\n
      \r\n
      In all the numbers, McCann is supported strongly and in a relaxed manner by his former trio, the bassist Leroy Vinnegar and the drummer Donald Dean. However, it is the string section which dominates as McCann's accompaniment; of the six tracks they are to be heard in all three slow numbers, as well as surprisingly in the relaxed soul jazz of "Doin' That Thing", thus lending this track almost a film soundtrack feeling. Luckily the album does not wallow in sentimental kitsch; the strings are always employed with good taste in order to lend a solid base to the whole and provide counterpoint to McCann's economical solo playing in the ballads.\r\n
      \r\n
      Further into the album he transforms Cole Porter's "Love For Sale" in one of his characteristic funky soul-jazz grooves, and returns to his gospel roots in a lyrical, exuberant rendering of Burnin' Coal, where he employs a simple but catchy beat. The whole album is well varied, and the abundant, expanded arrangement serve to accentuate not to veil the masterly groove of the McCann Trio. And that is what makes Much Les such an entertaining, essential listening experience.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Les McCann (piano, vocals), Leroy Vinnegar (bass), victor Pantoja\t(congas), Donald Dean (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7i8luXI_2mY&list=RD7i8luXI_2mY&start_radio=1"
    -referenceProduit: "Atlantic SD 1516"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Doin' That Thing"
      ]
      [
        "ordre" => 2
        "nom" => "2. With These Hands"
      ]
      [
        "ordre" => 3
        "nom" => "3. Burnin‘ Coal"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Benjamin"
      ]
      [
        "ordre" => 6
        "nom" => "2. Love For Sale"
      ]
      [
        "ordre" => 7
        "nom" => "3. Roberta"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
    -label: Proxies\__CG__\App\Entity\Label {#2226 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2235 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2230 …}
    -enregistreLe: DateTime @1763666718 {#2217
      date: 2025-11-20 19:25:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777062290 {#2216
      date: 2026-04-24 20:24:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2232 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-much-les-atlantic-sd-1516"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3706
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2221
    -id: 2906
    -nom: "Much Les"
    -informationComplementaire: "Plongez dans l’énergie vibrante de "Much Les", où Les McCann mêle groove, soul et improvisation avec une intensité rare. Capté en live, cet album respire la chaleur, la spontanéité et toute la puissance d’un jazz profondément vivant."
    -description: """
      Sorti en 1969, "Much Les" est un album emblématique de Les McCann, capturé en live au célèbre club Bohemian Caverns à Washington D.C. Il incarne parfaitement la transition du jazz vers des sonorités plus modernes, mêlant soul jazz, groove et influences funk.\r\n
      \r\n
      Porté par un jeu de piano expressif et chaleureux, McCann y déploie une musique à la fois accessible et profondément habitée. L’album se distingue par son énergie communicative, son interaction avec le public et ses longues improvisations pleines de feeling.\r\n
      \r\n
      Les morceaux oscillent entre moments intimes et envolées rythmiques, avec une section rythmique solide qui soutient parfaitement l’intensité du pianiste. Much Les est souvent considéré comme l’un des disques les plus représentatifs de son style, un jazz vivant, ancré dans l’émotion et ouvert à tous les publics.\r\n
      \r\n
      Musicians :\r\n
      Les McCann (piano, vocals), Leroy Vinnegar (bass), victor Pantoja\t(congas), Emanuel Green, Harvey Shapiro, Kermit Moore, Noel DaCosta, Richard Elias, Ron Carter, Selwart Clarke, Theodore Israel, Warren Laffredo, Winston Collymore (strings), Willie Bobo (strings, timbales), Donald Dean (drums).\r\n
      \r\n
      Together with the saxophone player Eddie Harris, Les McCann was responsible for one of the best-sold albums in the whole history of jazz Swiss Movement (Atlantic SD-1537). It was his debut album on the Atlantic label. 1968 saw the release of Much Les and elaborated it with new aspects of what McCann did best in his early years: his core sound was enhanced with a string section and Latin percussion. The result is convincing, appealing, and captivating throughout and is considered an underestimated classic.\r\n
      \r\n
      In all the numbers, McCann is supported strongly and in a relaxed manner by his former trio, the bassist Leroy Vinnegar and the drummer Donald Dean. However, it is the string section which dominates as McCann's accompaniment; of the six tracks they are to be heard in all three slow numbers, as well as surprisingly in the relaxed soul jazz of "Doin' That Thing", thus lending this track almost a film soundtrack feeling. Luckily the album does not wallow in sentimental kitsch; the strings are always employed with good taste in order to lend a solid base to the whole and provide counterpoint to McCann's economical solo playing in the ballads.\r\n
      \r\n
      Further into the album he transforms Cole Porter's "Love For Sale" in one of his characteristic funky soul-jazz grooves, and returns to his gospel roots in a lyrical, exuberant rendering of Burnin' Coal, where he employs a simple but catchy beat. The whole album is well varied, and the abundant, expanded arrangement serve to accentuate not to veil the masterly groove of the McCann Trio. And that is what makes Much Les such an entertaining, essential listening experience.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Les McCann (piano, vocals), Leroy Vinnegar (bass), victor Pantoja\t(congas), Donald Dean (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7i8luXI_2mY&list=RD7i8luXI_2mY&start_radio=1"
    -referenceProduit: "Atlantic SD 1516"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. Doin' That Thing"
      ]
      [
        "ordre" => 2
        "nom" => "2. With These Hands"
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      [
        "ordre" => 3
        "nom" => "3. Burnin‘ Coal"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. Benjamin"
      ]
      [
        "ordre" => 6
        "nom" => "2. Love For Sale"
      ]
      [
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        "nom" => "3. Roberta"
      ]
      [
        "ordre" => 8
        "nom" => ""
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      [
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        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
    -label: Proxies\__CG__\App\Entity\Label {#2226 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2235 …}
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      date: 2025-11-20 19:25:18.0 UTC (+00:00)
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    -modifierLe: DateTime @1777062290 {#2216
      date: 2026-04-24 20:24:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2232 …}
    -disponible: null
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    -slug: "vinyles-much-les-atlantic-sd-1516"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "produit" => App\Entity\Produit {#2240
    -id: 3002
    -nom: "Tonight At Noon"
    -informationComplementaire: "Une œuvre qui se regarde autant qu’elle s’écoute. Avec "Tonight at Noon", Charles Mingus livre un jazz intense et libre, où chaque note vibre d’émotion et d’audace. Une expérience musicale brute, à la fois puissante et inoubliable."
    -description: """
      Tonight at Noon de Charles Mingus est un album aussi fascinant musicalement que visuellement. Sa pochette, dominée par un portrait expressionniste aux traits éclatés et aux couleurs vives, reflète parfaitement l’univers sonore de Mingus, intense, libre et profondément émotionnel.\r\n
      \r\n
      Sorti en 1964, l’album rassemble des enregistrements issus de différentes sessions, capturant un moment de transition dans le jazz moderne. Entre compositions structurées et élans d’improvisation, Mingus y façonne un langage unique, mêlant énergie brute et sophistication harmonique.\r\n
      \r\n
      À l’image de la peinture qui semble presque en mouvement, la musique de "Tonight at Noon" est vivante, imprévisible, traversée de contrastes. Chaque morceau révèle une tension entre ordre et chaos, signature du génie créatif de Mingus.\r\n
      \r\n
      Tonight at Noon compiles tracks from two earlier recordings sessions: one session from 1957 with Jimmy Knepper on the trombone, the drummer Dannie Richmond, saxophone player Shafi Hadi and the pianist Wade Legge, which were released on the album The Clown (Atlantic 1260). The second session took place in 1961 with Booker Ervin and Roland Kirk on the saxophone, Knepper, the bassist Doug Watkins, Mingus at the piano and Richmond on the drums, and was released on Oh Yeah (Atlantic SD 1377).\r\n
      \r\n
      The two sets differ in mood, but this does not mean that it is an album that uses leftovers. While Mingus in the first session strives for European harmonics and melodic approaches with a hard bop tempo (particularly on the title track) in the direction of the blues, the second session with its vespertine elegance and spatial explorations comes over rather as a sort of exercise à la avant-garde Ellington with sophisticated harmonies that pave the way for sluggish marches and gospel-like blues. Kirk and Ervin complement one another particularly well, their swing is apparently boundless. Mingus's piano playing is deeply rooted in the blues, and his sense of tempo and lightness enhances these numbers, particularly in "'Old' Blues for Walt's Torin".\r\n
      \r\n
      In these compositions one already finds hints of Mingus's later recordings. The most beautiful number is taken from the 1957 session and concludes the album : "Passions of a Woman Loved", almost ten minutes in length, feels like an Ellington suite. Although, or maybe simply because several years passed between the two sessions, one cannot deny this album's magic.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n
      \r\n
      Recording : March 1957 in mono and November 1961 in stereo in New York City by Tom Dowd and Phil Iehle.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Charlie Mingus (bass, piano), Jimmie Knepper (trombone), Shafi Hadi\t(alto saxophone), Roland Kirk (saxophone), Booker Ervin (tenor saxophone), Wade Legge (piano), Doug Watkins (bass), Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=n4ys-h1d0kY&list=RDn4ys-h1d0kY&start_radio=1"
    -referenceProduit: "Speakers Corner Atlantic SD 1416"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tonight At Noon"
      ]
      [
        "ordre" => 2
        "nom" => "2. Invisible Lady"
      ]
      [
        "ordre" => 3
        "nom" => "3. Old Blues For Walts Torin"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Peggy's Blue Skylight"
      ]
      [
        "ordre" => 6
        "nom" => "2. Passions Of A Woman Loved"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2242 …}
    -label: Proxies\__CG__\App\Entity\Label {#2226 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2251 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2244 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2246 …}
    -enregistreLe: DateTime @1771745318 {#2237
      date: 2026-02-22 07:28:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777062192 {#2238
      date: 2026-04-24 20:23:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2248 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tonight-at-noon-speakers-corner-atlantic-sd-1416"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3757
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2240
    -id: 3002
    -nom: "Tonight At Noon"
    -informationComplementaire: "Une œuvre qui se regarde autant qu’elle s’écoute. Avec "Tonight at Noon", Charles Mingus livre un jazz intense et libre, où chaque note vibre d’émotion et d’audace. Une expérience musicale brute, à la fois puissante et inoubliable."
    -description: """
      Tonight at Noon de Charles Mingus est un album aussi fascinant musicalement que visuellement. Sa pochette, dominée par un portrait expressionniste aux traits éclatés et aux couleurs vives, reflète parfaitement l’univers sonore de Mingus, intense, libre et profondément émotionnel.\r\n
      \r\n
      Sorti en 1964, l’album rassemble des enregistrements issus de différentes sessions, capturant un moment de transition dans le jazz moderne. Entre compositions structurées et élans d’improvisation, Mingus y façonne un langage unique, mêlant énergie brute et sophistication harmonique.\r\n
      \r\n
      À l’image de la peinture qui semble presque en mouvement, la musique de "Tonight at Noon" est vivante, imprévisible, traversée de contrastes. Chaque morceau révèle une tension entre ordre et chaos, signature du génie créatif de Mingus.\r\n
      \r\n
      Tonight at Noon compiles tracks from two earlier recordings sessions: one session from 1957 with Jimmy Knepper on the trombone, the drummer Dannie Richmond, saxophone player Shafi Hadi and the pianist Wade Legge, which were released on the album The Clown (Atlantic 1260). The second session took place in 1961 with Booker Ervin and Roland Kirk on the saxophone, Knepper, the bassist Doug Watkins, Mingus at the piano and Richmond on the drums, and was released on Oh Yeah (Atlantic SD 1377).\r\n
      \r\n
      The two sets differ in mood, but this does not mean that it is an album that uses leftovers. While Mingus in the first session strives for European harmonics and melodic approaches with a hard bop tempo (particularly on the title track) in the direction of the blues, the second session with its vespertine elegance and spatial explorations comes over rather as a sort of exercise à la avant-garde Ellington with sophisticated harmonies that pave the way for sluggish marches and gospel-like blues. Kirk and Ervin complement one another particularly well, their swing is apparently boundless. Mingus's piano playing is deeply rooted in the blues, and his sense of tempo and lightness enhances these numbers, particularly in "'Old' Blues for Walt's Torin".\r\n
      \r\n
      In these compositions one already finds hints of Mingus's later recordings. The most beautiful number is taken from the 1957 session and concludes the album : "Passions of a Woman Loved", almost ten minutes in length, feels like an Ellington suite. Although, or maybe simply because several years passed between the two sessions, one cannot deny this album's magic.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n
      \r\n
      Recording : March 1957 in mono and November 1961 in stereo in New York City by Tom Dowd and Phil Iehle.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Charlie Mingus (bass, piano), Jimmie Knepper (trombone), Shafi Hadi\t(alto saxophone), Roland Kirk (saxophone), Booker Ervin (tenor saxophone), Wade Legge (piano), Doug Watkins (bass), Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=n4ys-h1d0kY&list=RDn4ys-h1d0kY&start_radio=1"
    -referenceProduit: "Speakers Corner Atlantic SD 1416"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tonight At Noon"
      ]
      [
        "ordre" => 2
        "nom" => "2. Invisible Lady"
      ]
      [
        "ordre" => 3
        "nom" => "3. Old Blues For Walts Torin"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Peggy's Blue Skylight"
      ]
      [
        "ordre" => 6
        "nom" => "2. Passions Of A Woman Loved"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2242 …}
    -label: Proxies\__CG__\App\Entity\Label {#2226 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2251 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2244 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2246 …}
    -enregistreLe: DateTime @1771745318 {#2237
      date: 2026-02-22 07:28:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777062192 {#2238
      date: 2026-04-24 20:23:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2248 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tonight-at-noon-speakers-corner-atlantic-sd-1416"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3956
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3957 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4005 …}
  +isValidated: false
  +validatedFields: []
}