Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2559
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2636
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2639 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
  -formView: Symfony\Component\Form\FormView {#2675 …}
  -form: Symfony\Component\Form\Form {#2825 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2888
    -nom: "Silver in Seattle : Live at the Penthouse"
    -informationComplementaire: null
    -description: """
      Horace Silver "Silver In Seattle : Live At The Penthouse" 180 -gram vinyl !\r\n
      \r\n
      The great jazz pianist, composer, and Blue Note legend Horace Silver only released one live album during his lifetime, but his quintets were always among the most reliably thrilling working bands in jazz, delivering high-energy, crowd-pleasing performances of Silver's indelible compositions to fans around the world.\r\n
      \r\n
      In August 1965, Silver brought a powerhouse lineup to The Penthouse in Seattle with Woody Shaw on trumpet, Joe Henderson on tenor saxophone, Teddy Smith on bass, and Roger Humphries on drums. A newly discovered recording of those performances gets its first-ever release with Silver In Seattle : Live at the Penthouse featuring the band delivering uninhibited renditions of Silver classics including "Song For My Father", "The Cape Verdean Blues", "The Kicker", and more.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Horace Silver (piano), Woody Shaw (trumpet), Joe Henderson (tenor saxophone), Teddy Smith (bass), Roger Humphries\t(drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=a4Vn5gj3utg&list=RDa4Vn5gj3utg&start_radio=1"
    -referenceProduit: "Blue Note Records 8731"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Kicker"
      ]
      [
        "ordre" => 2
        "nom" => "2. Song For My Father"
      ]
      [
        "ordre" => 3
        "nom" => "3. Cape Verdean Blues"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sayonara Blues"
      ]
      [
        "ordre" => 6
        "nom" => "2. Band Introductions"
      ]
      [
        "ordre" => 7
        "nom" => "3. No Smoking"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1761468954 {#1875
      date: 2025-10-26 08:55:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769275238 {#1868
      date: 2026-01-24 17:20:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-silver-in-seattle-live-at-the-penthouse-blue-note-records-8731"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3100
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2888
    -nom: "Silver in Seattle : Live at the Penthouse"
    -informationComplementaire: null
    -description: """
      Horace Silver "Silver In Seattle : Live At The Penthouse" 180 -gram vinyl !\r\n
      \r\n
      The great jazz pianist, composer, and Blue Note legend Horace Silver only released one live album during his lifetime, but his quintets were always among the most reliably thrilling working bands in jazz, delivering high-energy, crowd-pleasing performances of Silver's indelible compositions to fans around the world.\r\n
      \r\n
      In August 1965, Silver brought a powerhouse lineup to The Penthouse in Seattle with Woody Shaw on trumpet, Joe Henderson on tenor saxophone, Teddy Smith on bass, and Roger Humphries on drums. A newly discovered recording of those performances gets its first-ever release with Silver In Seattle : Live at the Penthouse featuring the band delivering uninhibited renditions of Silver classics including "Song For My Father", "The Cape Verdean Blues", "The Kicker", and more.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Horace Silver (piano), Woody Shaw (trumpet), Joe Henderson (tenor saxophone), Teddy Smith (bass), Roger Humphries\t(drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=a4Vn5gj3utg&list=RDa4Vn5gj3utg&start_radio=1"
    -referenceProduit: "Blue Note Records 8731"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Kicker"
      ]
      [
        "ordre" => 2
        "nom" => "2. Song For My Father"
      ]
      [
        "ordre" => 3
        "nom" => "3. Cape Verdean Blues"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sayonara Blues"
      ]
      [
        "ordre" => 6
        "nom" => "2. Band Introductions"
      ]
      [
        "ordre" => 7
        "nom" => "3. No Smoking"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1761468954 {#1875
      date: 2025-10-26 08:55:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769275238 {#1868
      date: 2026-01-24 17:20:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-silver-in-seattle-live-at-the-penthouse-blue-note-records-8731"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

[
  "produit" => App\Entity\Produit {#2046
    -id: 387
    -nom: "Speakin' My Piece"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray from Original Master Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Pianist Horace Parlan is perhaps best known for his work with Charles Mingus on the bassist's seminal 1959 albums Mingus Ah Um and Blues & Roots. That same year Parlan made his first Blue Note appearance with Lou Donaldson and in 1960 he began leading his own sessions for the label with the trio albums Movin' & Groovin' and Us Three.\r\n
      \r\n
      For his third Blue Note date Speakin' My Piece, also recorded in 1960, Parlan expanded his trio with bassist George Tucker and drummer Al Harewood into a quintet with the addition of a frontline horn section featuring Stanley Turrentine on tenor saxophone and his brother Tommy Turrentine on trumpet. The result is a quintessential Blue Note hard bop album, adorned with a playful Reid Miles album cover design, and featuring Parlan originals like the bluesy "Wadin'" and tuneful "Up In Cynthia's Room" along with pieces by each of the Turrentine brothers and a show-stopping performance on the ballad "Oh So Blue".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Horace Parlan (piano), George Tucker (bass), Stanley Turrentine (tenor saxophone), Tommy Turrentine (trumpet), Al Harewood (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sFw7cHY9yz8"
    -referenceProduit: "Blue Note Records BST 84043"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Wadin' "
      ]
      [
        "ordre" => 2
        "nom" => "2. Up In Cynthia's Room "
      ]
      [
        "ordre" => 3
        "nom" => "3. Borderline"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Rastus "
      ]
      [
        "ordre" => 6
        "nom" => "2. Oh So Blue "
      ]
      [
        "ordre" => 7
        "nom" => "3. Speakin' My Piece"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2057 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2050 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2052 …}
    -enregistreLe: DateTime @1287675641 {#2042
      date: 2010-10-21 15:40:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769274381 {#2041
      date: 2026-01-24 17:06:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2054 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-speakin-my-piece-blue-note-records-bst-84043"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3214
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2046
    -id: 387
    -nom: "Speakin' My Piece"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray from Original Master Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Pianist Horace Parlan is perhaps best known for his work with Charles Mingus on the bassist's seminal 1959 albums Mingus Ah Um and Blues & Roots. That same year Parlan made his first Blue Note appearance with Lou Donaldson and in 1960 he began leading his own sessions for the label with the trio albums Movin' & Groovin' and Us Three.\r\n
      \r\n
      For his third Blue Note date Speakin' My Piece, also recorded in 1960, Parlan expanded his trio with bassist George Tucker and drummer Al Harewood into a quintet with the addition of a frontline horn section featuring Stanley Turrentine on tenor saxophone and his brother Tommy Turrentine on trumpet. The result is a quintessential Blue Note hard bop album, adorned with a playful Reid Miles album cover design, and featuring Parlan originals like the bluesy "Wadin'" and tuneful "Up In Cynthia's Room" along with pieces by each of the Turrentine brothers and a show-stopping performance on the ballad "Oh So Blue".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Horace Parlan (piano), George Tucker (bass), Stanley Turrentine (tenor saxophone), Tommy Turrentine (trumpet), Al Harewood (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sFw7cHY9yz8"
    -referenceProduit: "Blue Note Records BST 84043"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Wadin' "
      ]
      [
        "ordre" => 2
        "nom" => "2. Up In Cynthia's Room "
      ]
      [
        "ordre" => 3
        "nom" => "3. Borderline"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Rastus "
      ]
      [
        "ordre" => 6
        "nom" => "2. Oh So Blue "
      ]
      [
        "ordre" => 7
        "nom" => "3. Speakin' My Piece"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2057 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2050 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2052 …}
    -enregistreLe: DateTime @1287675641 {#2042
      date: 2010-10-21 15:40:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769274381 {#2041
      date: 2026-01-24 17:06:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2054 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-speakin-my-piece-blue-note-records-bst-84043"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

[
  "produit" => App\Entity\Produit {#2062
    -id: 2639
    -nom: "Up & Down"
    -informationComplementaire: null
    -description: """
      - Horace Parlan "Up & Down" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      - Deluxe gatefold tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The bluesy and soulful pianist Horace Parlan is perhaps best known for his work with Charles Mingus on the bassist's seminal 1959 albums Mingus Ah Um and Blues & Roots. That same year Parlan made his first Blue Note appearance on Lou Donaldson's album The Time Is Right and in early-1960 he began leading his own sessions for the label with a run of six quintessential hard bop dates recorded over a prolific 16 month period.\r\n
      \r\n
      Following the trio albums Movin' & Groovin' and Us Three, Parlan expanded to a quintet for his classic Speakin' My Piece, and in 1961 capped off his hot streak with the quintet album Up & Down. The six-song set was anchored by Parlan's trusty trio with bassist George Tucker and drummer Al Harewood and featured the two new band members in guitarist and Blue Note stalwart Grant Green and brawny tenor saxophonist Booker Ervin. Opening with Ervin's catchy, hard-swinging number "The Book's Beat" the set's other highlights include Parlan's up-tempo title tune, Tucker's soulful blues-waltz "Fugee", Green's swaggering blues "The Other Part of Town", and the plaintive ballad "Lonely One" which was written by Babs Gonzales for Billie Holiday.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Horace Parlan (piano), Booker Ervin (tenor saxophone), Grant Green (guitar), George Tucker (bass), Al Harewood (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=f__tO5DUBRE"
    -referenceProduit: "Blue Note Tone Poet Series 84082"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Book's Beat"
      ]
      [
        "ordre" => 2
        "nom" => "2. Up And Down"
      ]
      [
        "ordre" => 3
        "nom" => "3. Fugee"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. The Other Part Of Town"
      ]
      [
        "ordre" => 6
        "nom" => "2. Lonely One"
      ]
      [
        "ordre" => 7
        "nom" => "3. Light Blue"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2064 …}
    -label: Proxies\__CG__\App\Entity\Label {#2067 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2076 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2069 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2071 …}
    -enregistreLe: DateTime @1739295560 {#2059
      date: 2025-02-11 17:39:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769243070 {#2060
      date: 2026-01-24 08:24:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2073 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-up-down-blue-note-tone-poet-series-84082"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3265
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2062
    -id: 2639
    -nom: "Up & Down"
    -informationComplementaire: null
    -description: """
      - Horace Parlan "Up & Down" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      - Deluxe gatefold tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The bluesy and soulful pianist Horace Parlan is perhaps best known for his work with Charles Mingus on the bassist's seminal 1959 albums Mingus Ah Um and Blues & Roots. That same year Parlan made his first Blue Note appearance on Lou Donaldson's album The Time Is Right and in early-1960 he began leading his own sessions for the label with a run of six quintessential hard bop dates recorded over a prolific 16 month period.\r\n
      \r\n
      Following the trio albums Movin' & Groovin' and Us Three, Parlan expanded to a quintet for his classic Speakin' My Piece, and in 1961 capped off his hot streak with the quintet album Up & Down. The six-song set was anchored by Parlan's trusty trio with bassist George Tucker and drummer Al Harewood and featured the two new band members in guitarist and Blue Note stalwart Grant Green and brawny tenor saxophonist Booker Ervin. Opening with Ervin's catchy, hard-swinging number "The Book's Beat" the set's other highlights include Parlan's up-tempo title tune, Tucker's soulful blues-waltz "Fugee", Green's swaggering blues "The Other Part of Town", and the plaintive ballad "Lonely One" which was written by Babs Gonzales for Billie Holiday.
      """
    -prixVente: "60.00"
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    -musicienOrchestre: "Horace Parlan (piano), Booker Ervin (tenor saxophone), Grant Green (guitar), George Tucker (bass), Al Harewood (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2064 …}
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    -modifierLe: DateTime @1769243070 {#2060
      date: 2026-01-24 08:24:30.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2073 …}
    -disponible: null
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    -slug: "vinyles-up-down-blue-note-tone-poet-series-84082"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

[
  "produit" => App\Entity\Produit {#2083
    -id: 1210
    -nom: "Don't Smoke In Bed"
    -informationComplementaire: null
    -description: """
      - Now on 45 RPM (2 LP) for ultimate cartridge tracking and detailed sound reproduction !\r\n
      - Multiple styles displayed on Holly Cole's 1993 sophomore album !\r\n
      - Mastered by Bernie Grundman from the original master tapes !\r\n
      - Plating and 200 gram vinyl pressing by Quality Record Pressings !\r\n
      - Old-style gatefold tip-on jacket by Stoughton Printing !\r\n
      \r\n
      Holly Cole brings her own dimension to the tradition of cabaret, a strong voice that's still capable of nuance, an ear for quirky repertoire, and a light touch that keeps some of these performances floating just at the edge of irony.\r\n
      \r\n
      On her second album, 1993's Don't Smoke in Bed, Cole explores varied musical styles, adding pop, blues, country and a French ballad to her standard, low-key jazz. It's a favorite of ours, which is why for this Analogue Productions reissue we've given it the reissue treatment it deserves. Bernie Grundman did the mastering and cut the lacquers at 45 RPM, from the original analog tapes, at his Los Angeles studio, giving this release a spectacular foundation. Plating and pressing on 200 gram heavyweight vinyl was done by Gary Salstrom and crew at Quality Record Pressings, makers of the world's finest-sounding LPs. Lastly we wrapped up the whole package in a premium gatefold tip-on jacket from Stoughton Printing. There's nothing but aces in this smokin' hot reissue and the quality shines through. \r\n
      \r\n
      Holly's delivery of more traditional fare shines on Cole Porter's witty "Get Out of Town" and Kurt Weill's torchy "Je Ne T'aime Pas", while she brings clarity, power, and anthemic passion to the surprising treatment of Johnny Nash's "I Can See Clearly Now". She's generally well supported in this intimate set by pianist Aaron Davis and bassist Davd Piltch, while there's sparing and effective use of strings. There are fine guest spots by tenor saxophonist Joe Henderson, on "Everyday Will Be Like a Holiday", and David Lindley, whose steel guitar contributes to the strange country music of "Don't Let the Teardrops Rust Your Shining Heart".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Holly Cole (vocals), Aaron Davis (piano), David Piltch (bass, percussion), Howard Levy (harmonica)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -limitedEdition: true
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    -referenceProduit: "Analogue Productions AAPP 049-45"
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        "nom" => "2. So and So"
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        "nom" => "3. The Tennessee Waltz"
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        "nom" => "2. Blame It On My Youth"
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        "nom" => "3. Ev'rything I've Got"
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      ]
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        "nom" => "4. Don't Smoke In Bed"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: Proxies\__CG__\App\Entity\Label {#2088 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2094 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-don-t-smoke-in-bed-analogue-productions-aapp-049-45"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3316
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2083
    -id: 1210
    -nom: "Don't Smoke In Bed"
    -informationComplementaire: null
    -description: """
      - Now on 45 RPM (2 LP) for ultimate cartridge tracking and detailed sound reproduction !\r\n
      - Multiple styles displayed on Holly Cole's 1993 sophomore album !\r\n
      - Mastered by Bernie Grundman from the original master tapes !\r\n
      - Plating and 200 gram vinyl pressing by Quality Record Pressings !\r\n
      - Old-style gatefold tip-on jacket by Stoughton Printing !\r\n
      \r\n
      Holly Cole brings her own dimension to the tradition of cabaret, a strong voice that's still capable of nuance, an ear for quirky repertoire, and a light touch that keeps some of these performances floating just at the edge of irony.\r\n
      \r\n
      On her second album, 1993's Don't Smoke in Bed, Cole explores varied musical styles, adding pop, blues, country and a French ballad to her standard, low-key jazz. It's a favorite of ours, which is why for this Analogue Productions reissue we've given it the reissue treatment it deserves. Bernie Grundman did the mastering and cut the lacquers at 45 RPM, from the original analog tapes, at his Los Angeles studio, giving this release a spectacular foundation. Plating and pressing on 200 gram heavyweight vinyl was done by Gary Salstrom and crew at Quality Record Pressings, makers of the world's finest-sounding LPs. Lastly we wrapped up the whole package in a premium gatefold tip-on jacket from Stoughton Printing. There's nothing but aces in this smokin' hot reissue and the quality shines through. \r\n
      \r\n
      Holly's delivery of more traditional fare shines on Cole Porter's witty "Get Out of Town" and Kurt Weill's torchy "Je Ne T'aime Pas", while she brings clarity, power, and anthemic passion to the surprising treatment of Johnny Nash's "I Can See Clearly Now". She's generally well supported in this intimate set by pianist Aaron Davis and bassist Davd Piltch, while there's sparing and effective use of strings. There are fine guest spots by tenor saxophonist Joe Henderson, on "Everyday Will Be Like a Holiday", and David Lindley, whose steel guitar contributes to the strange country music of "Don't Let the Teardrops Rust Your Shining Heart".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Holly Cole (vocals), Aaron Davis (piano), David Piltch (bass, percussion), Howard Levy (harmonica)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=HdL9EOcMHlA&list=OLAK5uy_knSC7Q_xde_h4KhQpTIylw9ia3c3tyOS0&index=3"
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      [
        "ordre" => 6
        "nom" => "3. The Tennessee Waltz"
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        "ordre" => 7
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      [
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      [
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      [
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      ]
      [
        "ordre" => 13
        "nom" => "2. Cry (If you Want To)"
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      [
        "ordre" => 14
        "nom" => "3. Que Sera Sera"
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      [
        "ordre" => 15
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: Proxies\__CG__\App\Entity\Label {#2088 …}
    -style: App\Entity\Style {#1063 …}
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      date: 2026-01-24 08:14:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

[
  "produit" => App\Entity\Produit {#2102
    -id: 1387
    -nom: "Temptation"
    -informationComplementaire: null
    -description: """
      One of the best-recorded, best-sounding female jazz vocal performances !\r\n
      \r\n
      Over the past decade, new talents such as Cassandra Wilson, Patricia Barber and Holly Cole have redefined the world of female jazz vocals. Cole's Temptation, a 1995 Blue Note release, is her musical tribute to the writings of Tom Waits. Besides being a superb audiophile recording (perfect in every production detail, from the rendering of Cole's amazing voice to the incredibly natural sound captured by producer Craig Street's team), this album has garnered kudos for her interpretation of Waits' unique compositions.\r\n
      \r\n
      Now hear how the Analogue Productions 180 gram LP reissue makes this standout album even stronger! Doug Sax at the Mastering Lab, assisted by Gavin Lurssen remastered the 33 1/3 recording that gives Cole's vocals richer detail and greater body. Premium pressing by Quality Record Pressings provides flawless reproduction against a super-silent background for pure listening enjoyment. Lastly, top it off with a Stoughton Printing old-style tip-on jacket and this disc is a sure winner. A great addition to your jazz collection.\r\n
      \r\n
      Standout tracks include a catchy version of "Jersey Girl", which made it onto a number of radio playlists, and a rendition of "The Briar and the Rose", augmented by the Canadian Brass. Also included are "Take Me Home", "Train Song", "Temptation", "Falling Down", "Invitation to the Blues", "Frank's Theme", "Little Boy Blue", "I Don't Wanna Grow Up", "Tango 'til They're Sore", "The Heart of Saturday Night", "Soldier's Things", "I Want You" and "Good Old World".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Holly Cole (vocals), Aaron Davis (piano), David Piltch (bass, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=x3MwtN4LLHM"
    -referenceProduit: "Analogue Productions AAPP 048"
    -titreMorceau: [
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        "ordre" => 3
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      ]
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      [
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        "nom" => "Side B :"
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      [
        "ordre" => 7
        "nom" => "1. Invitation To The Blues"
      ]
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        "ordre" => 8
        "nom" => "2. Cinny’s Waltz"
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        "ordre" => 9
        "nom" => "3. Frank’s Theme"
      ]
      [
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        "nom" => "4. Little Boy Blue"
      ]
      [
        "ordre" => 11
        "nom" => "5. I Don’t Wanna Grow Up"
      ]
      [
        "ordre" => 12
        "nom" => "Side C : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Tango Til They’re Sore"
      ]
      [
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        "nom" => "2. (Looking For) The Heart Of Saturday Night"
      ]
      [
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      [
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      ]
      [
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        "nom" => "5. Good Old World"
      ]
      [
        "ordre" => 18
        "nom" => "Side D : "
      ]
      [
        "ordre" => 19
        "nom" => "1. The Briar And The Rose"
      ]
      [
        "ordre" => 20
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      ]
      [
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        "nom" => "3. Shiver Me Timbers"
      ]
      [
        "ordre" => 22
        "nom" => "4. Last Rose Of Summer"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2104 …}
    -label: Proxies\__CG__\App\Entity\Label {#2088 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-temptation-analogue-productions-aapp-048"
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App\Twig\Components\GestionPanierFavoriComponents {#3367
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2102
    -id: 1387
    -nom: "Temptation"
    -informationComplementaire: null
    -description: """
      One of the best-recorded, best-sounding female jazz vocal performances !\r\n
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      Over the past decade, new talents such as Cassandra Wilson, Patricia Barber and Holly Cole have redefined the world of female jazz vocals. Cole's Temptation, a 1995 Blue Note release, is her musical tribute to the writings of Tom Waits. Besides being a superb audiophile recording (perfect in every production detail, from the rendering of Cole's amazing voice to the incredibly natural sound captured by producer Craig Street's team), this album has garnered kudos for her interpretation of Waits' unique compositions.\r\n
      \r\n
      Now hear how the Analogue Productions 180 gram LP reissue makes this standout album even stronger! Doug Sax at the Mastering Lab, assisted by Gavin Lurssen remastered the 33 1/3 recording that gives Cole's vocals richer detail and greater body. Premium pressing by Quality Record Pressings provides flawless reproduction against a super-silent background for pure listening enjoyment. Lastly, top it off with a Stoughton Printing old-style tip-on jacket and this disc is a sure winner. A great addition to your jazz collection.\r\n
      \r\n
      Standout tracks include a catchy version of "Jersey Girl", which made it onto a number of radio playlists, and a rendition of "The Briar and the Rose", augmented by the Canadian Brass. Also included are "Take Me Home", "Train Song", "Temptation", "Falling Down", "Invitation to the Blues", "Frank's Theme", "Little Boy Blue", "I Don't Wanna Grow Up", "Tango 'til They're Sore", "The Heart of Saturday Night", "Soldier's Things", "I Want You" and "Good Old World".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Holly Cole (vocals), Aaron Davis (piano), David Piltch (bass, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=x3MwtN4LLHM"
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[
  "produit" => App\Entity\Produit {#2118
    -id: 1857
    -nom: "Temptation"
    -informationComplementaire: null
    -description: """
      - Box Set (4 LP), 180 Gram 45 RPM !\r\n
      - Mastered by Bernie Grundman From The Analog Master Tape !\r\n
      - Pressed at QRP !\r\n
      \r\n
      Over the past decades, new talents such as Cassandra Wilson, Patricia Barber, and Holly Cole have redefined the world of female jazz vocals. Cole's Temptation, a 1995 Blue Note release, is her musical tribute to the writings of Tom Waits. Besides being a superb audiophile recording (perfect in every production detail, from the rendering of Cole's amazing voice to the incredibly natural sound captured by producer Craig Street's team), this album has garnered kudos for her interpretation of Waits' unique compositions.\r\n
      \r\n
      How does it get any better ? Well, Analogue Productions has cut this edition at 45 RPM ! The dead-quiet 4 LP set, with the music spread over eight sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      Standouts include a catchy version of "Jersey Girl", which made it onto a number of radio playlists, and a rendition of "The Briar and the Rose", brilliantly augmented by the Canadian Brass. Also included are "Take Me Home", "Train Song", "Temptation", "Falling Down", "Invitation to the Blues", "Frank's Theme", "Little Boy Blue", "I Don't Wanna Grow Up", "Tango 'til They're Sore", "The Heart of Saturday Night", "Soldiers Things", "I Want You" and "Good Old World".\r\n
      \r\n
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      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Holly Cole (vocals), Aaron Davis (piano), David Piltch (bass, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3ELeiDSy8LY"
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App\Twig\Components\GestionPanierFavoriComponents {#3420
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    -id: 1857
    -nom: "Temptation"
    -informationComplementaire: null
    -description: """
      - Box Set (4 LP), 180 Gram 45 RPM !\r\n
      - Mastered by Bernie Grundman From The Analog Master Tape !\r\n
      - Pressed at QRP !\r\n
      \r\n
      Over the past decades, new talents such as Cassandra Wilson, Patricia Barber, and Holly Cole have redefined the world of female jazz vocals. Cole's Temptation, a 1995 Blue Note release, is her musical tribute to the writings of Tom Waits. Besides being a superb audiophile recording (perfect in every production detail, from the rendering of Cole's amazing voice to the incredibly natural sound captured by producer Craig Street's team), this album has garnered kudos for her interpretation of Waits' unique compositions.\r\n
      \r\n
      How does it get any better ? Well, Analogue Productions has cut this edition at 45 RPM ! The dead-quiet 4 LP set, with the music spread over eight sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      Standouts include a catchy version of "Jersey Girl", which made it onto a number of radio playlists, and a rendition of "The Briar and the Rose", brilliantly augmented by the Canadian Brass. Also included are "Take Me Home", "Train Song", "Temptation", "Falling Down", "Invitation to the Blues", "Frank's Theme", "Little Boy Blue", "I Don't Wanna Grow Up", "Tango 'til They're Sore", "The Heart of Saturday Night", "Soldiers Things", "I Want You" and "Good Old World".\r\n
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      Analogue Productions has gone all out for this revealing new reissue. Exquisite sonic detail is captured on this 200 gram Quality Record Pressings LP, bringing out the exemplary mastering job for this 45 RPM edition by Bernie Grundman in Los Angeles. Top it off with old-style tip-on jackets by Stoughton Printing, all in a custom slipcase box, and you'll be proud to add this one to your collection.
      """
    -prixVente: "229.50"
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    -musicienOrchestre: "Holly Cole (vocals), Aaron Davis (piano), David Piltch (bass, percussion)"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
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[
  "produit" => App\Entity\Produit {#2131
    -id: 1603
    -nom: "Takin' Off"
    -informationComplementaire: null
    -description: """
      In honor of Blue Note Records’ 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180 gram vinyl releases in standard packaging with albums spanning the many eras of the label’s history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. \r\n
      \r\n
      On his debut album Takin’ Off recorded and released in 1962 jazz legend Herbie Hancock arrived fully formed at the helm of an impressive quintet with trumpeter Freddie Hubbard, tenor saxophonist Dexter Gordon, bassist Butch Warren, and drummer Billy Higgins. Though rooted firmly in hard bop, the brilliant pianist and composer presented his own strikingly original voice on this 6-song album consisting entirely of his own compositions from the "Watermelon Man" to the timeless ballad "Alone and I".\r\n
      \r\n
      "Blue Note Records continues the label's 80th birthday celebration with a new trio of vinyl reissues, with this latest batch including two of the crown jewels in their vast discography and a more recent gem from a future superstar. In the case of 1962's Takin' Off, this was pianist Herbie Hancock's debut album as a bandleader after establishing himself in sessions with Donald Byrd and onstage with Al Grey. And he sets the tone immediately by recording a full set of originals and by pulling one of the sharpest ensembles on the scene at that time, including saxophonist Dexter Gordon and trumpeter Freddie Hubbard. It's a bop album with a bluesy sense of cool and a playfulness that can only come from young people making a joyful noise together". - Paste Magazine
      """
    -prixVente: "38.00"
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    -musicienOrchestre: "Herbie Hancock (piano), Freddie Hubbard (trumpet), Dexter Gordon (tenor saxophone), Butch Warren (bass), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3466
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  +produit: App\Entity\Produit {#2131
    -id: 1603
    -nom: "Takin' Off"
    -informationComplementaire: null
    -description: """
      In honor of Blue Note Records’ 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180 gram vinyl releases in standard packaging with albums spanning the many eras of the label’s history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. \r\n
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      On his debut album Takin’ Off recorded and released in 1962 jazz legend Herbie Hancock arrived fully formed at the helm of an impressive quintet with trumpeter Freddie Hubbard, tenor saxophonist Dexter Gordon, bassist Butch Warren, and drummer Billy Higgins. Though rooted firmly in hard bop, the brilliant pianist and composer presented his own strikingly original voice on this 6-song album consisting entirely of his own compositions from the "Watermelon Man" to the timeless ballad "Alone and I".\r\n
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      """
    -prixVente: "38.00"
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    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2145 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2138 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2140 …}
    -enregistreLe: DateTime @1552978550 {#2128
      date: 2019-03-19 06:55:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769197274 {#2129
      date: 2026-01-23 19:41:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-takin-off-universal-blue-note-2399"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

[
  "produit" => App\Entity\Produit {#2150
    -id: 1798
    -nom: "The Prisoner"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Herbie Hancock (acoustic & electric piano), Johnny Coles (flugelhorn), Garnett Brown (trombone), Joe Henderson (tenor saxophone, alto flute), Buster Williams (bass), Tony Studd, Jack Jeffers (bass trombone), Hubert Laws (flute), Jerome Richardson (bass clarinet, flute), Romeo Penque (bass clarinet), Tootie Heath (drums).\r\n
      \r\n
      - All Analog 180 Gram Vinyl LP !\r\n
      - Tone Poet Audiophile Vinyl Reissue Series !\r\n
      - Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape !\r\n
      - Produced By Music Matters' Joe Harley !\r\n
      - Pressed at RTI !\r\n
      \r\n
      The Prisoner is the seventh Herbie Hancock album, his final on the Blue Note label, released and recorded in 1969. Dedicated to the memory of Martin Luther King, Jr., Hancock suggested in 1969 that he had been able to get closer to his real self with this album than on any other previous. Hancock praised flute player Hubert Laws on the album, suggesting that Laws was one of the finest flute players in classical or jazz music.\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : \r\n
      "Tone Poet" Joe Harley-co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered from the original master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder's studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard", he says. "It means that you will never find a superior version".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Herbie Hancock (acoustic & electric piano), Johnny Coles (flugelhorn), Garnett Brown (trombone), Joe Henderson (tenor saxophone, alto flute), Buster Williams (bass), Tony Studd, Jack Jeffers (bass trombone), Hubert Laws (flute)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=E8-rRmTv6Ww"
    -referenceProduit: "Blue Note Tone Poet 46001"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I Have A Dream"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Prisoner"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Firewater"
      ]
      [
        "ordre" => 5
        "nom" => "2. He Who Lives In Fear"
      ]
      [
        "ordre" => 6
        "nom" => "3. Promise Of The Sun"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
    -label: Proxies\__CG__\App\Entity\Label {#2067 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2158 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2151 …}
    -typeMasterTape: null
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    -typeMateriel: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2153 …}
    -enregistreLe: DateTime @1580542923 {#2147
      date: 2020-02-01 07:42:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769197136 {#2148
      date: 2026-01-23 19:38:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-prisoner-blue-note-tone-poet-46001"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3519
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2150
    -id: 1798
    -nom: "The Prisoner"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Herbie Hancock (acoustic & electric piano), Johnny Coles (flugelhorn), Garnett Brown (trombone), Joe Henderson (tenor saxophone, alto flute), Buster Williams (bass), Tony Studd, Jack Jeffers (bass trombone), Hubert Laws (flute), Jerome Richardson (bass clarinet, flute), Romeo Penque (bass clarinet), Tootie Heath (drums).\r\n
      \r\n
      - All Analog 180 Gram Vinyl LP !\r\n
      - Tone Poet Audiophile Vinyl Reissue Series !\r\n
      - Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape !\r\n
      - Produced By Music Matters' Joe Harley !\r\n
      - Pressed at RTI !\r\n
      \r\n
      The Prisoner is the seventh Herbie Hancock album, his final on the Blue Note label, released and recorded in 1969. Dedicated to the memory of Martin Luther King, Jr., Hancock suggested in 1969 that he had been able to get closer to his real self with this album than on any other previous. Hancock praised flute player Hubert Laws on the album, suggesting that Laws was one of the finest flute players in classical or jazz music.\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : \r\n
      "Tone Poet" Joe Harley-co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered from the original master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder's studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard", he says. "It means that you will never find a superior version".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Herbie Hancock (acoustic & electric piano), Johnny Coles (flugelhorn), Garnett Brown (trombone), Joe Henderson (tenor saxophone, alto flute), Buster Williams (bass), Tony Studd, Jack Jeffers (bass trombone), Hubert Laws (flute)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=E8-rRmTv6Ww"
    -referenceProduit: "Blue Note Tone Poet 46001"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. I Have A Dream"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Prisoner"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Firewater"
      ]
      [
        "ordre" => 5
        "nom" => "2. He Who Lives In Fear"
      ]
      [
        "ordre" => 6
        "nom" => "3. Promise Of The Sun"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
    -label: Proxies\__CG__\App\Entity\Label {#2067 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2158 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2151 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2153 …}
    -enregistreLe: DateTime @1580542923 {#2147
      date: 2020-02-01 07:42:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769197136 {#2148
      date: 2026-01-23 19:38:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-prisoner-blue-note-tone-poet-46001"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

[
  "produit" => App\Entity\Produit {#2163
    -id: 2093
    -nom: "Maiden Voyage"
    -informationComplementaire: null
    -description: """
      Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined by Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums, along with Freddie Hubbard on trumpet and George Coleman on tenor saxophone. The quintet embarks on an oceanic exploration of five original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, "Eye of the Hurricane", and "Dolphin Dance".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Herbie Hancock (piano), Ron Carter (bass), Freddie Hubbard (trumpet), George Coleman (tenor saxophone), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hwmRQ0PBtXU"
    -referenceProduit: "Blue Note Records 84195"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Maiden Voyage "
      ]
      [
        "ordre" => 2
        "nom" => "2. The Eye of the Hurricane "
      ]
      [
        "ordre" => 3
        "nom" => "3. Little One "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Survival of the Fittest "
      ]
      [
        "ordre" => 6
        "nom" => "2. Dolphin Dance"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2171 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2164 …}
    -typeMasterTape: null
    -marque: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2166 …}
    -enregistreLe: DateTime @1628089703 {#2160
      date: 2021-08-04 15:08:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769197003 {#2161
      date: 2026-01-23 19:36:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2168 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-maiden-voyage-blue-note-records-84195"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3567
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2163
    -id: 2093
    -nom: "Maiden Voyage"
    -informationComplementaire: null
    -description: """
      Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined by Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums, along with Freddie Hubbard on trumpet and George Coleman on tenor saxophone. The quintet embarks on an oceanic exploration of five original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, "Eye of the Hurricane", and "Dolphin Dance".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Herbie Hancock (piano), Ron Carter (bass), Freddie Hubbard (trumpet), George Coleman (tenor saxophone), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hwmRQ0PBtXU"
    -referenceProduit: "Blue Note Records 84195"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Maiden Voyage "
      ]
      [
        "ordre" => 2
        "nom" => "2. The Eye of the Hurricane "
      ]
      [
        "ordre" => 3
        "nom" => "3. Little One "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Survival of the Fittest "
      ]
      [
        "ordre" => 6
        "nom" => "2. Dolphin Dance"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2171 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2164 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2166 …}
    -enregistreLe: DateTime @1628089703 {#2160
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    }
    -modifierLe: DateTime @1769197003 {#2161
      date: 2026-01-23 19:36:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2168 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-maiden-voyage-blue-note-records-84195"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

[
  "produit" => App\Entity\Produit {#2176
    -id: 2507
    -nom: "Speak Like a Child"
    -informationComplementaire: null
    -description: """
      After the release of his 1965 masterpiece Maiden Voyage, the brilliant pianist Herbie Hancock wouldn't record his Blue Note follow-up until 1968 with the innovative classic Speak Like A Child. The album was a showcase of several aspects of Hancock's artistry: as a pianist, a composer, and an arranger.\r\n
      \r\n
      The session found Hancock expanding his tonal palette by adding the unique coloring of flugelhorn (Thad Jones), bass trombone (Peter Phillips), and alto flute (Jerry Dodgion) to his trio with bassist Ron Carter and drummer Mickey Roker. However, the leader's piano would be spotlighted as the main solo instrument throughout this six-song set including Hancock originals such as the alluring title track, the churning "Riot", the plaintive "Goodbye to Childhood", and the mysterious closer "The Sorcerer", a dedication to Miles Davis which had been recorded by the trumpeter's quintet the year prior. On Carter's spry and cheerful "First Trip" the trio goes it alone delivering a wonderfully agile and swinging performance for the ages.\r\n
      \r\n
      This gatefold Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Herbie Hancock (piano), Ron Carter (bass), Jerry Dodgion (alto flute),  Thad Jones (flugelhorn), Peter Phillips (bass trombone), Mickey Roker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lTNLWi-xAkE"
    -referenceProduit: "Blue Note Records 0809"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Riot"
      ]
      [
        "ordre" => 2
        "nom" => "2. Speak Like A Child"
      ]
      [
        "ordre" => 3
        "nom" => "3. First Trip"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Toys"
      ]
      [
        "ordre" => 6
        "nom" => "2. Goodbye To Childhood"
      ]
      [
        "ordre" => 7
        "nom" => "3. The Sorcerer"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2184 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2177 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2179 …}
    -enregistreLe: DateTime @1710407979 {#2173
      date: 2024-03-14 09:19:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769196811 {#2174
      date: 2026-01-23 19:33:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2181 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-speak-like-a-child-blue-note-records-0809"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3615
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2176
    -id: 2507
    -nom: "Speak Like a Child"
    -informationComplementaire: null
    -description: """
      After the release of his 1965 masterpiece Maiden Voyage, the brilliant pianist Herbie Hancock wouldn't record his Blue Note follow-up until 1968 with the innovative classic Speak Like A Child. The album was a showcase of several aspects of Hancock's artistry: as a pianist, a composer, and an arranger.\r\n
      \r\n
      The session found Hancock expanding his tonal palette by adding the unique coloring of flugelhorn (Thad Jones), bass trombone (Peter Phillips), and alto flute (Jerry Dodgion) to his trio with bassist Ron Carter and drummer Mickey Roker. However, the leader's piano would be spotlighted as the main solo instrument throughout this six-song set including Hancock originals such as the alluring title track, the churning "Riot", the plaintive "Goodbye to Childhood", and the mysterious closer "The Sorcerer", a dedication to Miles Davis which had been recorded by the trumpeter's quintet the year prior. On Carter's spry and cheerful "First Trip" the trio goes it alone delivering a wonderfully agile and swinging performance for the ages.\r\n
      \r\n
      This gatefold Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Herbie Hancock (piano), Ron Carter (bass), Jerry Dodgion (alto flute),  Thad Jones (flugelhorn), Peter Phillips (bass trombone), Mickey Roker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
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    -nom: "Empyrean Isles"
    -informationComplementaire: null
    -description: """
      Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums Takin' Off, My Point Of View, and Inventions & Dimensions before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock's artistry into a sweeping 35 minute musical journey.\r\n
      \r\n
      Joining Hancock on the voyage were three of his closest collaborators : trumpeter Freddie Hubbard and Hancock's Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums. Each of the four distinctive original pieces Hancock composed for the date occupies its own unique space. The quartet launches into the album opener "One Finger Snap" which consists of a single opening line that leads directly into blistering improvisations by Hubbard and Hancock.\r\n
      \r\n
      The first side concludes with the beguiling "Oliloquy Valley" which conjures a mysterious and mystical vibe. The flipside leads off with one of Hancock's most enduring themes, "Cantaloupe Island," with its undulating groove and unforgettable melody, before moving into a more exploratory realm with "The Egg", an expansive 14 minute epic that flirts with the avant-garde and gives ample space for the musicians to let their imaginations run wild.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Herbie Hancock (piano), Ron Carter (bass), Freddie Hubbard (cornet), Anthony Williams (drums)"
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    -id: 2392
    -nom: "Empyrean Isles"
    -informationComplementaire: null
    -description: """
      Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums Takin' Off, My Point Of View, and Inventions & Dimensions before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock's artistry into a sweeping 35 minute musical journey.\r\n
      \r\n
      Joining Hancock on the voyage were three of his closest collaborators : trumpeter Freddie Hubbard and Hancock's Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums. Each of the four distinctive original pieces Hancock composed for the date occupies its own unique space. The quartet launches into the album opener "One Finger Snap" which consists of a single opening line that leads directly into blistering improvisations by Hubbard and Hancock.\r\n
      \r\n
      The first side concludes with the beguiling "Oliloquy Valley" which conjures a mysterious and mystical vibe. The flipside leads off with one of Hancock's most enduring themes, "Cantaloupe Island," with its undulating groove and unforgettable melody, before moving into a more exploratory realm with "The Egg", an expansive 14 minute epic that flirts with the avant-garde and gives ample space for the musicians to let their imaginations run wild.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Herbie Hancock (piano), Ron Carter (bass), Freddie Hubbard (cornet), Anthony Williams (drums)"
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[
  "produit" => App\Entity\Produit {#2204
    -id: 1840
    -nom: "Helen Merrill"
    -informationComplementaire: null
    -description: """
      - A jewel of a jazz performance Helen Merrill's 1955 debut delivers !\r\n
      - Produced and arranged by Quincy Jones !\r\n
      - Includes noted trumpeter Clifford Brown !\r\n
      - Remastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plating and 180 gram pressing by Quality Record Pressings !\r\n
      - Tip-on gatefold jacket by Stoughton Printing !\r\n
      - A rare record, original copies selling for more than $1000 !\r\n
      \r\n
      "I confess my ignorance of jazz singer Helen Merrill or so it was until a couple of weeks ago, when Chad Kassem of Acoustic Sounds sent me a test pressing of his forthcoming reissue of her eponymous 1955 debut LP (EmArcy MG 36006 / Analogue Productions AAPJ 127). To say I was impressed is an understatement. The album was recorded in December of 1954 by the legendary Bob Fine, at Fine Sound Inc., 711 5th Avenue in New York. Merrill, then only 24, was backed by a combo that included Clifford Brown on trumpet, Oscar Pettiford on bass, and pianist Jimmy Jones, with arrangements by Quincy Jones himself a mere 21 years old at the time. The mono sound is on the (pleasantly) dry side and very forward, with taut-sounding drums and bass and an intimate vocal sound that at times comes close to being overly sibilant but never quite carries out the threat. Merrill's intonation isn't always spot-on (as in the intro to 'Yesterdays'), but there's something about her voice an odd combination of breathy innocence and husky-toned experience that pulls me in time after time. (In 'Don't Explain', she intones the word quiet in a manner that could launch any number of ships). And Clifford Brown's trumpet is, as one might expect, perfect. Prices for the original mono LP reach into four-figure territory, so news of an affordable reissue is very good news indeed. Torch on". - Art Dudley, Stereophile, March 2020\r\n
      \r\n
      Helen Merrill attributed her childhood musical influence to her mother's singing. Truth is, she didn't wait long herself to make a mark as a teenage jazz ingénue, following-up with the notable self-titled LP you have in your hands, newly remastered, and reissued by Analogue Productions.\r\n
      \r\n
      Helen Merrill arrives, remastered by Kevin Gray at Cohearant Audio, and plated and pressed to 200 gram vinyl by the dedicated crew at Quality Record Pressings, supervised by plating expert and general manager Gary Salstrom. No less than an old-style, tip-on Stoughton Printing gatefold jacket would suffice for such a phenomenal-sounding reissue. Rare photographs inside the gatefold originally appeared as sleeve art for the 7 inch singles recorded and released in conjunction with the original 1955 album release.\r\n
      \r\n
      Helen Merrill was born in New York City on July 21, 1930. Her professional career began at the age of 15 when, after singing at theatres and winning amateur contests, she landed a job as vocalist with Reggie Charles' Band. Merrill made her recording debut in 1952 when she sang "A Cigarette For Company" with the Earl Hines Band; the song was released on the D'Oro label, created specifically to record Hines' band with Merrill. The session was also notable for including vocalist Etta Jones, who was in Hines' band at the time. Merrill was later signed by Mercury Records to their EmArcy label. Helen Merrill is her debut studio album, backed by among others, trumpeter Clifford Brown and bassist/cellist Oscar Pettiford. The legendary Quincy Jones produced and arranged the album when he was just 21-years-old !\r\n
      \r\n
      The success of Helen Merrill prompted Mercury to sign her for an additional four-album contract. AllMusic reviewer Scott Yanow gave Helen Merrill 4 1/2 stars. "The music is essentially straight-ahead bop, yet the seven standards ... are uplifted by the presence of Merrill (in top form) and Brown". Her success associated Merrill with the first generation of bebop jazz musicians.\r\n
      \r\n
      Merrill's career continued with recordings and concerts throughout six decades, until the early 2000s. Her emotional, sensual vocal performances, particularly this engaging debut, stand as testament to her immense talent.\r\n
      \r\n
      This is a high-quality reissue of a rare and valuable record. Original copies have sold for more than $1000 !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Helen Merrill (vocals), Jimmy Jones (piano), Clifford Brown (trumpet), Oscar Pettiford (bass, cello)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=t16xMI29TPk"
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        "nom" => "2. You'd Be So Nice To Come Home To"
      ]
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        "ordre" => 3
        "nom" => "3. What's New"
      ]
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        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. Falling In Love With Love"
      ]
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        "nom" => "2. Yesterdays"
      ]
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        "nom" => "3. Born To Be Blue"
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        "nom" => "4. 'S Wonderful"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2206 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3709
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  +produit: App\Entity\Produit {#2204
    -id: 1840
    -nom: "Helen Merrill"
    -informationComplementaire: null
    -description: """
      - A jewel of a jazz performance Helen Merrill's 1955 debut delivers !\r\n
      - Produced and arranged by Quincy Jones !\r\n
      - Includes noted trumpeter Clifford Brown !\r\n
      - Remastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plating and 180 gram pressing by Quality Record Pressings !\r\n
      - Tip-on gatefold jacket by Stoughton Printing !\r\n
      - A rare record, original copies selling for more than $1000 !\r\n
      \r\n
      "I confess my ignorance of jazz singer Helen Merrill or so it was until a couple of weeks ago, when Chad Kassem of Acoustic Sounds sent me a test pressing of his forthcoming reissue of her eponymous 1955 debut LP (EmArcy MG 36006 / Analogue Productions AAPJ 127). To say I was impressed is an understatement. The album was recorded in December of 1954 by the legendary Bob Fine, at Fine Sound Inc., 711 5th Avenue in New York. Merrill, then only 24, was backed by a combo that included Clifford Brown on trumpet, Oscar Pettiford on bass, and pianist Jimmy Jones, with arrangements by Quincy Jones himself a mere 21 years old at the time. The mono sound is on the (pleasantly) dry side and very forward, with taut-sounding drums and bass and an intimate vocal sound that at times comes close to being overly sibilant but never quite carries out the threat. Merrill's intonation isn't always spot-on (as in the intro to 'Yesterdays'), but there's something about her voice an odd combination of breathy innocence and husky-toned experience that pulls me in time after time. (In 'Don't Explain', she intones the word quiet in a manner that could launch any number of ships). And Clifford Brown's trumpet is, as one might expect, perfect. Prices for the original mono LP reach into four-figure territory, so news of an affordable reissue is very good news indeed. Torch on". - Art Dudley, Stereophile, March 2020\r\n
      \r\n
      Helen Merrill attributed her childhood musical influence to her mother's singing. Truth is, she didn't wait long herself to make a mark as a teenage jazz ingénue, following-up with the notable self-titled LP you have in your hands, newly remastered, and reissued by Analogue Productions.\r\n
      \r\n
      Helen Merrill arrives, remastered by Kevin Gray at Cohearant Audio, and plated and pressed to 200 gram vinyl by the dedicated crew at Quality Record Pressings, supervised by plating expert and general manager Gary Salstrom. No less than an old-style, tip-on Stoughton Printing gatefold jacket would suffice for such a phenomenal-sounding reissue. Rare photographs inside the gatefold originally appeared as sleeve art for the 7 inch singles recorded and released in conjunction with the original 1955 album release.\r\n
      \r\n
      Helen Merrill was born in New York City on July 21, 1930. Her professional career began at the age of 15 when, after singing at theatres and winning amateur contests, she landed a job as vocalist with Reggie Charles' Band. Merrill made her recording debut in 1952 when she sang "A Cigarette For Company" with the Earl Hines Band; the song was released on the D'Oro label, created specifically to record Hines' band with Merrill. The session was also notable for including vocalist Etta Jones, who was in Hines' band at the time. Merrill was later signed by Mercury Records to their EmArcy label. Helen Merrill is her debut studio album, backed by among others, trumpeter Clifford Brown and bassist/cellist Oscar Pettiford. The legendary Quincy Jones produced and arranged the album when he was just 21-years-old !\r\n
      \r\n
      The success of Helen Merrill prompted Mercury to sign her for an additional four-album contract. AllMusic reviewer Scott Yanow gave Helen Merrill 4 1/2 stars. "The music is essentially straight-ahead bop, yet the seven standards ... are uplifted by the presence of Merrill (in top form) and Brown". Her success associated Merrill with the first generation of bebop jazz musicians.\r\n
      \r\n
      Merrill's career continued with recordings and concerts throughout six decades, until the early 2000s. Her emotional, sensual vocal performances, particularly this engaging debut, stand as testament to her immense talent.\r\n
      \r\n
      This is a high-quality reissue of a rare and valuable record. Original copies have sold for more than $1000 !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Helen Merrill (vocals), Jimmy Jones (piano), Clifford Brown (trumpet), Oscar Pettiford (bass, cello)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2210 …}
    -enregistreLe: DateTime @1586246208 {#2201
      date: 2020-04-07 07:56:48.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769190941 {#2202
      date: 2026-01-23 17:55:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2212 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-helen-merrill-analogue-productions-aapj-0127"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3910
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3911 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3959 …}
  +isValidated: false
  +validatedFields: []
}