Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2431
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2278 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2508
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2511 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2510 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2084 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2278 …}
  -formView: Symfony\Component\Form\FormView {#2547 …}
  -form: Symfony\Component\Form\Form {#2697 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1879
    -id: 2645
    -nom: "Good As I Been To You - (Edition SuperVinyl)"
    -informationComplementaire: null
    -description: """
      - Dylan's 1992 solo acoustic album remains an overlooked gem !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed at RTI on Supervinyl compound !\r\n
      - Housed in a Stoughton Printing jacket !\r\n
      \r\n
      Sourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity’s 180 gram SuperVinyl 33 RPM LP Plays with Riveting Detail, Strictly Limited to 5000 Numbered Copies\r\n
      \r\n
      Three decades before he released The Philosophy of Modern Song an insightful book devoted to 66 tunes that both impacted his career and the music world at large Bob Dylan issued Good As I Been to You. The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly 20 years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar.\r\n
      \r\n
      Good As I Been to You ? Dylan has seldom been better.\r\n
      \r\n
      Sourced from the original master tapes, pressed at RTI, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP of Good As I Been to You reveals the immediacy, detail, and stripped-down nature of recording sessions that took place in Dylan's garage studio in California. Simple, raw, and unplugged, the record presents Dylan in peak form and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and close-up ambience that on this reissue emerge like never before. As the first-ever audiophile edition of this almost-lost classic, this LP also benefits from SuperVinyl's extraordinary properties: a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces among them.\r\n
      \r\n
      Recorded and mixed by Micajah Ryan, and supervised by Debbie Gold, Good As I Been to You took shape at Dylan's home shortly after the singer-songwriter completed sessions in Chicago with a full band. Unaccompanied, he again gravitated to existing works in this case, traditional folk music and, with Gold serving as a trusted advisor, performed the songs in multiple keys and tempos until he arrived at what he desired. That careful, determined albeit loose, organic approach emanates from this reissue, on which each note, movement, and space come across more directly, fully, and immediately than on the original formats. It helps draw a through-line to Another Side of Bob Dylan (1964) as well as the similarly themed follow-up, World Gone Wrong (1993) and immersive old-world storytelling of Tempest (2012) and Rough and Rowdy Ways (2020).\r\n
      \r\n
      Well before Dylan made those renowned 21st century LPs, however, he needed to find a way out of a funk that — save for his 1989 collaboration with Daniel Lanois, Oh Mercy followed him for years. As author Clinton Heylin reported Dylan admitting in 1997 : "My influences have not changed and any time they have done, the music goes off to a wrong place. That's why I recorded two LPs of old songs, so I could personally get back to the music that's true for me".\r\n
      \r\n
      Truth : Few, if any, concepts better encapsulate Good As I Been to You. It resonates with the same originality, honesty, resolve, and age- and time-defying relevance as the seminal Anthology of American Folk Music that fired Dylan's imagination as a kid in small-town Minnesota and, later, per Greil Marcus' That Old Weird America book, informed Dylan and the Band's Basement Tapes sessions. This record also contains the type of music Dylan was playing during his acoustic sets at his period Never Ending Tour shows; within a year of the record's release, Dylan would play half the album's songs live.\r\n
      \r\n
      As for those songs: Rife with strange mystery, common circumstance, and epic adventure, the stories appeal to our base instincts. Their themes jealousy, temptation, sacrifice, love, revenge, identity, opportunity operate on a fundamentally human level immune to trends, generations, or eras. They're ancient and modern, serious and comical, open and disguised, simple and multi-layered. They talk of vengeance and justice "Frankie & Albert"; "Jim Jones", romance and tenderness "Tomorrow Night," "Froggie Went a Courtin'", the troubled and trouble-free "Hard Times", "Sittin' on Top of the World". They lend voice to lovers scorned and freed "Blackjack Davey", the used and users "Diamond Joe", the powerful and powerless "Arthur McBride", "Canadee-I-O", the followed and followers "Little Maggie". And akin to much of Dylan's finest output, things are not always what they appear to be.\r\n
      \r\n
      Spanning country, folk, sea shanty, bluegrass, and blues motifs, Good As I Been to You re-confirms Dylan's position as an elite interpreter and sculptor not of just structure but emotion. Dylan delivers the tunes as if he's known them forever. He plays with a subtle sense of mischievousness and retains a largely upbeat demeanor; his eyes seemingly twinkle as he sings and picks. His guitar serves as the guidepost for shuffles, boogies, ballads, and mess-arounds while his innate feel for each specific arrangement and melody helps inform pacing, tone, attack.\r\n
      \r\n
      Like a great author, he understands the importance of adhering to concision, luring an audience, holding their attention, and maximizing the impact of details, actions, and unexpected turns. Though already coarse and ragged, his voice feels ideal for the subject matter and his phrasing from the clever ways he stretches syllables to underline meanings on the surprise twists of "Canadee-I-O" to the sheer delight he gets from singing "rowdy-dow-dow" on the protest song "Arthur McBride" outstanding.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Bob Dylan (guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=7WM4lnTRi8o"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSV1-532"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Frankie & Albert"
      ]
      [
        "ordre" => 2
        "nom" => "2. Jim Jones"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blackjack Davey"
      ]
      [
        "ordre" => 4
        "nom" => "4. Canadee-I-O"
      ]
      [
        "ordre" => 5
        "nom" => "5. Sittin' on Top of the World"
      ]
      [
        "ordre" => 6
        "nom" => "6. Little Maggie"
      ]
      [
        "ordre" => 7
        "nom" => "7. Hard Times"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Step It up and Go"
      ]
      [
        "ordre" => 10
        "nom" => "2. Tomorrow Night"
      ]
      [
        "ordre" => 11
        "nom" => "3. Arthur McBride (Remastered)"
      ]
      [
        "ordre" => 12
        "nom" => "4. You're Gonna Quit Me"
      ]
      [
        "ordre" => 13
        "nom" => "5. Diamond Joe"
      ]
      [
        "ordre" => 14
        "nom" => "6. Froggie Went a Courtin'"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2011 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1913 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1999 …}
    -enregistreLe: DateTime @1740174545 {#1894
      date: 2025-02-21 21:49:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767215892 {#1724
      date: 2025-12-31 21:18:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2005 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-good-as-i-been-to-you-edition-supervinyl-mobile-fidelity-sound-lab-mfsv1-532"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2984
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2510 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2084 …}
  +produit: App\Entity\Produit {#1879
    -id: 2645
    -nom: "Good As I Been To You - (Edition SuperVinyl)"
    -informationComplementaire: null
    -description: """
      - Dylan's 1992 solo acoustic album remains an overlooked gem !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed at RTI on Supervinyl compound !\r\n
      - Housed in a Stoughton Printing jacket !\r\n
      \r\n
      Sourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity’s 180 gram SuperVinyl 33 RPM LP Plays with Riveting Detail, Strictly Limited to 5000 Numbered Copies\r\n
      \r\n
      Three decades before he released The Philosophy of Modern Song an insightful book devoted to 66 tunes that both impacted his career and the music world at large Bob Dylan issued Good As I Been to You. The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly 20 years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar.\r\n
      \r\n
      Good As I Been to You ? Dylan has seldom been better.\r\n
      \r\n
      Sourced from the original master tapes, pressed at RTI, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP of Good As I Been to You reveals the immediacy, detail, and stripped-down nature of recording sessions that took place in Dylan's garage studio in California. Simple, raw, and unplugged, the record presents Dylan in peak form and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and close-up ambience that on this reissue emerge like never before. As the first-ever audiophile edition of this almost-lost classic, this LP also benefits from SuperVinyl's extraordinary properties: a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces among them.\r\n
      \r\n
      Recorded and mixed by Micajah Ryan, and supervised by Debbie Gold, Good As I Been to You took shape at Dylan's home shortly after the singer-songwriter completed sessions in Chicago with a full band. Unaccompanied, he again gravitated to existing works in this case, traditional folk music and, with Gold serving as a trusted advisor, performed the songs in multiple keys and tempos until he arrived at what he desired. That careful, determined albeit loose, organic approach emanates from this reissue, on which each note, movement, and space come across more directly, fully, and immediately than on the original formats. It helps draw a through-line to Another Side of Bob Dylan (1964) as well as the similarly themed follow-up, World Gone Wrong (1993) and immersive old-world storytelling of Tempest (2012) and Rough and Rowdy Ways (2020).\r\n
      \r\n
      Well before Dylan made those renowned 21st century LPs, however, he needed to find a way out of a funk that — save for his 1989 collaboration with Daniel Lanois, Oh Mercy followed him for years. As author Clinton Heylin reported Dylan admitting in 1997 : "My influences have not changed and any time they have done, the music goes off to a wrong place. That's why I recorded two LPs of old songs, so I could personally get back to the music that's true for me".\r\n
      \r\n
      Truth : Few, if any, concepts better encapsulate Good As I Been to You. It resonates with the same originality, honesty, resolve, and age- and time-defying relevance as the seminal Anthology of American Folk Music that fired Dylan's imagination as a kid in small-town Minnesota and, later, per Greil Marcus' That Old Weird America book, informed Dylan and the Band's Basement Tapes sessions. This record also contains the type of music Dylan was playing during his acoustic sets at his period Never Ending Tour shows; within a year of the record's release, Dylan would play half the album's songs live.\r\n
      \r\n
      As for those songs: Rife with strange mystery, common circumstance, and epic adventure, the stories appeal to our base instincts. Their themes jealousy, temptation, sacrifice, love, revenge, identity, opportunity operate on a fundamentally human level immune to trends, generations, or eras. They're ancient and modern, serious and comical, open and disguised, simple and multi-layered. They talk of vengeance and justice "Frankie & Albert"; "Jim Jones", romance and tenderness "Tomorrow Night," "Froggie Went a Courtin'", the troubled and trouble-free "Hard Times", "Sittin' on Top of the World". They lend voice to lovers scorned and freed "Blackjack Davey", the used and users "Diamond Joe", the powerful and powerless "Arthur McBride", "Canadee-I-O", the followed and followers "Little Maggie". And akin to much of Dylan's finest output, things are not always what they appear to be.\r\n
      \r\n
      Spanning country, folk, sea shanty, bluegrass, and blues motifs, Good As I Been to You re-confirms Dylan's position as an elite interpreter and sculptor not of just structure but emotion. Dylan delivers the tunes as if he's known them forever. He plays with a subtle sense of mischievousness and retains a largely upbeat demeanor; his eyes seemingly twinkle as he sings and picks. His guitar serves as the guidepost for shuffles, boogies, ballads, and mess-arounds while his innate feel for each specific arrangement and melody helps inform pacing, tone, attack.\r\n
      \r\n
      Like a great author, he understands the importance of adhering to concision, luring an audience, holding their attention, and maximizing the impact of details, actions, and unexpected turns. Though already coarse and ragged, his voice feels ideal for the subject matter and his phrasing from the clever ways he stretches syllables to underline meanings on the surprise twists of "Canadee-I-O" to the sheer delight he gets from singing "rowdy-dow-dow" on the protest song "Arthur McBride" outstanding.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Bob Dylan (guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=7WM4lnTRi8o"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSV1-532"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Frankie & Albert"
      ]
      [
        "ordre" => 2
        "nom" => "2. Jim Jones"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blackjack Davey"
      ]
      [
        "ordre" => 4
        "nom" => "4. Canadee-I-O"
      ]
      [
        "ordre" => 5
        "nom" => "5. Sittin' on Top of the World"
      ]
      [
        "ordre" => 6
        "nom" => "6. Little Maggie"
      ]
      [
        "ordre" => 7
        "nom" => "7. Hard Times"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Step It up and Go"
      ]
      [
        "ordre" => 10
        "nom" => "2. Tomorrow Night"
      ]
      [
        "ordre" => 11
        "nom" => "3. Arthur McBride (Remastered)"
      ]
      [
        "ordre" => 12
        "nom" => "4. You're Gonna Quit Me"
      ]
      [
        "ordre" => 13
        "nom" => "5. Diamond Joe"
      ]
      [
        "ordre" => 14
        "nom" => "6. Froggie Went a Courtin'"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2011 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1913 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1999 …}
    -enregistreLe: DateTime @1740174545 {#1894
      date: 2025-02-21 21:49:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767215892 {#1724
      date: 2025-12-31 21:18:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2005 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-good-as-i-been-to-you-edition-supervinyl-mobile-fidelity-sound-lab-mfsv1-532"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2278 …}
}

[
  "produit" => App\Entity\Produit {#2028
    -id: 266
    -nom: "Blonde on Blonde"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Bob Dylan (guitar, harmonica, piano, vocals), Robbie Robertson (guitar, vocals), Al Kooper (organ, guitar), Bill Aikins (keyboards),  Wayne Butler (trombone), Rick Danko, Henry Strzelecki (bass guitar), Paul Griffin (piano), Jerry Kennedy (guitar ), Charlie McCoy (bass guitar, guitar, harmonica, trumpet), Wayne Moss (guitar, vocals), Hargus “Pig” Robbins (piano, keyboards), Joe South (bass guitar, guitar), Kenneth A. Buttrey, Bobby Gregg (drums). \r\n
      \r\n
      - Bob Dylan "Blonde on Blonde" Hand-Numbered Limited Edition 180 gram  45 RPM (3 LP) Box Set from Mobile Fidelity !\r\n
      - Mastered from the 1/2" / 30 IPS Analog Remix Master to DSD 64 to Analog Console to Lathe !\r\n
      - Pressed at RTI !\r\n
      - Recorded with one of the most ear-awakening lineups ever assembled : Al Kooper, "Pig" Robbins, Joe South, Kenny Buttrey, and The Band's Rick Danko and Robbie Robertson among musicians !\r\n
      - Vaudeville, pop, fiery rock 'n' roll, Memphis blues, folk-derived sagas among enriched palette of styles !\r\n
      - Ranked N° 9 on Rolling Stone's list of the 500 Greatest Albums of All Time !\r\n
      - A Stereophile 2014 Record To Die For !\r\n
      \r\n
      Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. ttp://www.analogplanet.com/content/gruvy-awards\r\n
      \r\n
      Blonde on Blonde : A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didn't know. Professor Sean Wilentz, historian-in-residence for Bob Dylan's website, comes as close to summing up its brilliance in his superb Bob Dylan In America as any who've tried : "The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beauty-in short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld" No lie.\r\n
      \r\n
      As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45 RPM LPs at RTI. The end result is the very finest, most transparent analog edition of Blonde on Blonde ever produced. Forever renowned for what the Bard deemed "that thin, that wild mercury sound", the album's famed aural character lives and breathes on this superb version, with wider and deeper grooves affording playback of previously buried information and lifelike presentation of the studio sessions.\r\n
      \r\n
      Prized for a unique sound that cultural critic Greil Marcus tagged "the most glamorous record imaginable; listening you [can] see the checkered jester's suit Dylan had worn on stage for the nine previous, furious months", Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water. The secret to its inimitable aural character partially stems from Dylan's request in Nashville to producer Bob Johnston to remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality that drifts from one microphone to another. Mobile Fidelity's reissue captures this ensemble ambience, with echoes, resonation, and some of the most natural timbres you'll ever hear in plain sight.\r\n
      \r\n
      The story of Blonde on Blonde is almost as compelling as the music within. Dylan, frustrated with how initial attempts fared in New York, relocating to Tennessee and pairing with Nashville's top session players as well as members of what would become the Band, feverishly chasing perfectionism while also arriving at an on-the-fly feel that remains a reference point for recorded music. The Bard sweated over lyrics, demanded his band get the exact sounds he heard in his head, and limited most takes to a handful at most. A majority of songs were recorded long after midnight, the post-A.M. vibe reflected in the nocturnal aura, woozy optimism, inversion of intervals, and spiritual soulfulness of the playing.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Bob Dylan (guitar, harmonica, piano, vocals), Robbie Robertson (guitar, vocals), Al Kooper (organ, guitar), Bill Aikins (keyboards),  Wayne Butler (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dRLXZVojdhQ&list=RDdRLXZVojdhQ&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 3 - 45009"
    -titreMorceau: [
      [
        "nom" => "1. Rainy Day Women #12 & 35 "
        "ordre" => 0
      ]
      [
        "nom" => "2. Pledging My Time "
        "ordre" => 1
      ]
      [
        "nom" => "3. Visions Of Johanna "
        "ordre" => 2
      ]
      [
        "nom" => "4. One Of Us Must Know (Sooner or Later) "
        "ordre" => 3
      ]
      [
        "nom" => "5. I Want You "
        "ordre" => 4
      ]
      [
        "nom" => "6. Stuck Inside of Mobile with the Memphis Blues Again "
        "ordre" => 5
      ]
      [
        "nom" => "7. Leopard-skin Pill-box Hat "
        "ordre" => 6
      ]
      [
        "nom" => "8. Just Like A Woman "
        "ordre" => 7
      ]
      [
        "nom" => "9. Most Likely You Go You Way And I'll Go Mine "
        "ordre" => 8
      ]
      [
        "nom" => "10. Temporary Like Achilles "
        "ordre" => 9
      ]
      [
        "nom" => "11. Absolutely Sweet Marie "
        "ordre" => 10
      ]
      [
        "nom" => "12. 4th Time Around "
        "ordre" => 11
      ]
      [
        "nom" => "13. Obviously 5 Believers "
        "ordre" => 12
      ]
      [
        "nom" => "14. Sad Eyed Lady Of The Lowlands"
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    -artiste: App\Entity\Artiste {#1063 …}
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  +produit: App\Entity\Produit {#2028
    -id: 266
    -nom: "Blonde on Blonde"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Bob Dylan (guitar, harmonica, piano, vocals), Robbie Robertson (guitar, vocals), Al Kooper (organ, guitar), Bill Aikins (keyboards),  Wayne Butler (trombone), Rick Danko, Henry Strzelecki (bass guitar), Paul Griffin (piano), Jerry Kennedy (guitar ), Charlie McCoy (bass guitar, guitar, harmonica, trumpet), Wayne Moss (guitar, vocals), Hargus “Pig” Robbins (piano, keyboards), Joe South (bass guitar, guitar), Kenneth A. Buttrey, Bobby Gregg (drums). \r\n
      \r\n
      - Bob Dylan "Blonde on Blonde" Hand-Numbered Limited Edition 180 gram  45 RPM (3 LP) Box Set from Mobile Fidelity !\r\n
      - Mastered from the 1/2" / 30 IPS Analog Remix Master to DSD 64 to Analog Console to Lathe !\r\n
      - Pressed at RTI !\r\n
      - Recorded with one of the most ear-awakening lineups ever assembled : Al Kooper, "Pig" Robbins, Joe South, Kenny Buttrey, and The Band's Rick Danko and Robbie Robertson among musicians !\r\n
      - Vaudeville, pop, fiery rock 'n' roll, Memphis blues, folk-derived sagas among enriched palette of styles !\r\n
      - Ranked N° 9 on Rolling Stone's list of the 500 Greatest Albums of All Time !\r\n
      - A Stereophile 2014 Record To Die For !\r\n
      \r\n
      Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. ttp://www.analogplanet.com/content/gruvy-awards\r\n
      \r\n
      Blonde on Blonde : A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didn't know. Professor Sean Wilentz, historian-in-residence for Bob Dylan's website, comes as close to summing up its brilliance in his superb Bob Dylan In America as any who've tried : "The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beauty-in short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld" No lie.\r\n
      \r\n
      As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45 RPM LPs at RTI. The end result is the very finest, most transparent analog edition of Blonde on Blonde ever produced. Forever renowned for what the Bard deemed "that thin, that wild mercury sound", the album's famed aural character lives and breathes on this superb version, with wider and deeper grooves affording playback of previously buried information and lifelike presentation of the studio sessions.\r\n
      \r\n
      Prized for a unique sound that cultural critic Greil Marcus tagged "the most glamorous record imaginable; listening you [can] see the checkered jester's suit Dylan had worn on stage for the nine previous, furious months", Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water. The secret to its inimitable aural character partially stems from Dylan's request in Nashville to producer Bob Johnston to remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality that drifts from one microphone to another. Mobile Fidelity's reissue captures this ensemble ambience, with echoes, resonation, and some of the most natural timbres you'll ever hear in plain sight.\r\n
      \r\n
      The story of Blonde on Blonde is almost as compelling as the music within. Dylan, frustrated with how initial attempts fared in New York, relocating to Tennessee and pairing with Nashville's top session players as well as members of what would become the Band, feverishly chasing perfectionism while also arriving at an on-the-fly feel that remains a reference point for recorded music. The Bard sweated over lyrics, demanded his band get the exact sounds he heard in his head, and limited most takes to a handful at most. A majority of songs were recorded long after midnight, the post-A.M. vibe reflected in the nocturnal aura, woozy optimism, inversion of intervals, and spiritual soulfulness of the playing.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Bob Dylan (guitar, harmonica, piano, vocals), Robbie Robertson (guitar, vocals), Al Kooper (organ, guitar), Bill Aikins (keyboards),  Wayne Butler (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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        "ordre" => 0
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        "nom" => "2. Pledging My Time "
        "ordre" => 1
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        "nom" => "12. 4th Time Around "
        "ordre" => 11
      ]
      [
        "nom" => "13. Obviously 5 Believers "
        "ordre" => 12
      ]
      [
        "nom" => "14. Sad Eyed Lady Of The Lowlands"
        "ordre" => 13
      ]
    ]
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[
  "produit" => App\Entity\Produit {#2041
    -id: 1052
    -nom: "Bob Dylan"
    -informationComplementaire: "Reissue 2023"
    -description: """
      Bob Dylan "Bob Dylan" on Numbered Limited Edition 180 gram 45 RPM 2 LP (Mono and Stereo).\r\n
      \r\n
      Understated 1962 Debut Launched Immeasurably Influential Career.\r\n
      \r\n
      Bob Dylan’s self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.\r\n
      \r\n
      Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan’s name or music is to miss the forest for the trees. Distinguished from the era’s other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he’d soon trailblaze and everyone else would follow.\r\n
      \r\n
      By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson’s “See That My Grave Is Kept Clean”, Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.\r\n
      \r\n
      As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, “Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn’t, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer’s name as if it were already common coin”. It all starts here.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Bob Dylan (acoustic guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ACla5QpZSyU"
    -referenceProduit: "MFSL 0420-45"
    -titreMorceau: [
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        "nom" => "1. Fixin' to Die"
        "ordre" => 6
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        "nom" => "1. Freight Train Blues"
        "ordre" => 14
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        "nom" => "1. Gospel Plow"
        "ordre" => 10
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        "nom" => "2. Baby, Let Me Follow You Down"
        "ordre" => 11
      ]
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        "nom" => "2. Pretty Peggy-O"
        "ordre" => 7
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        "nom" => "2. Song to Woody"
        "ordre" => 15
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        "ordre" => 2
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        "ordre" => 8
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        "ordre" => 12
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        "nom" => "3. In My Time of Dyin'"
        "ordre" => 3
      ]
      [
        "nom" => "3. See That My Grave Is Kept Clean"
        "ordre" => 16
      ]
      [
        "nom" => "4. Man of Constant Sorrow"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
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    -slug: "vinyles-bob-dylan-mfsl-0420-45"
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2510 …}
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  +produit: App\Entity\Produit {#2041
    -id: 1052
    -nom: "Bob Dylan"
    -informationComplementaire: "Reissue 2023"
    -description: """
      Bob Dylan "Bob Dylan" on Numbered Limited Edition 180 gram 45 RPM 2 LP (Mono and Stereo).\r\n
      \r\n
      Understated 1962 Debut Launched Immeasurably Influential Career.\r\n
      \r\n
      Bob Dylan’s self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.\r\n
      \r\n
      Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan’s name or music is to miss the forest for the trees. Distinguished from the era’s other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he’d soon trailblaze and everyone else would follow.\r\n
      \r\n
      By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson’s “See That My Grave Is Kept Clean”, Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.\r\n
      \r\n
      As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, “Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn’t, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer’s name as if it were already common coin”. It all starts here.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Bob Dylan (acoustic guitar, harmonica, vocals)"
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        "ordre" => 10
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        "ordre" => 1
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        "ordre" => 11
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        "nom" => "2. Pretty Peggy-O"
        "ordre" => 7
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        "nom" => "2. Song to Woody"
        "ordre" => 15
      ]
      [
        "nom" => "2. Talkin' New York"
        "ordre" => 2
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      [
        "nom" => "3. Highway 51"
        "ordre" => 8
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      [
        "nom" => "3. House of the Risin' Sun"
        "ordre" => 12
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        "nom" => "3. In My Time of Dyin'"
        "ordre" => 3
      ]
      [
        "nom" => "3. See That My Grave Is Kept Clean"
        "ordre" => 16
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        "ordre" => 4
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        "ordre" => 0
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      [
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        "ordre" => 13
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    ]
    -artiste: App\Entity\Artiste {#1063 …}
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      date: 2023-06-02 06:47:29.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-bob-dylan-mfsl-0420-45"
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[
  "produit" => App\Entity\Produit {#2054
    -id: 988
    -nom: "The Times They are a Changin' "
    -informationComplementaire: ""
    -description: """
      Bob Dylan The Times They Are A-Changin' on Numbered Limited Edition 180 gram  45 RPM 2 LP.\n
      \n
      Stark, Austere, Acoustic Record Dylan's First With All-Original Material.\n
      \n
      Immediately distinguished by the you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are A Changin' sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner unlike few albums before or since.\n
      \n
      Marking a shift from the looseness and comedy that pepper the preceding The Freewheelin’ Bob Dylan, The Times They Are A-Changin’ skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy’s assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.\n
      \n
      In doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They Are A Changin' is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction “The Lonesome Death of Hattie Carroll”, assertive “Restless Farewell”, and semi-autobiographical “North Country Blues”, Dylan casts hardships, greed, and victimization in such relatable terms it’s impossible to turn away and ignore their implications.\n
      \n
      As correctly relayed by Dylan expert and cultural critic Greil Marcus, “[The record] forever fixed Bob Dylan in the popular imagination: the protest singer, the young man ‘able to see through metal’ (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break”.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Bob Dylan (acoustic guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mYQZSDOWwww"
    -referenceProduit: "MFSL 2-421 M/S"
    -titreMorceau: [
      [
        "nom" => "1. The Times They Are A-Changin'"
        "ordre" => 1
      ]
      [
        "nom" => "10. Restless Farewell"
        "ordre" => 13
      ]
      [
        "nom" => "2. Ballad of Hollis Brown"
        "ordre" => 2
      ]
      [
        "nom" => "3. With God on Our Side"
        "ordre" => 4
      ]
      [
        "nom" => "4. One Too Many Mornings"
        "ordre" => 5
      ]
      [
        "nom" => "5. North Country Blues"
        "ordre" => 6
      ]
      [
        "nom" => "6. Only a Pawn in Their Game"
        "ordre" => 8
      ]
      [
        "nom" => "7. Boots of Spanish Leather"
        "ordre" => 9
      ]
      [
        "nom" => "8. When the Ship Comes In"
        "ordre" => 10
      ]
      [
        "nom" => "9. The Lonesome Death of Hattie Carroll"
        "ordre" => 12
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2055 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2057 …}
    -enregistreLe: DateTime @1469948917 {#2051
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    }
    -modifierLe: DateTime @1654181492 {#2052
      date: 2022-06-02 14:51:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2059 …}
    -disponible: null
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    -slug: "vinyles-the-times-they-are-a-changin-mfsl-2-421-m-s"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3171
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2510 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2084 …}
  +produit: App\Entity\Produit {#2054
    -id: 988
    -nom: "The Times They are a Changin' "
    -informationComplementaire: ""
    -description: """
      Bob Dylan The Times They Are A-Changin' on Numbered Limited Edition 180 gram  45 RPM 2 LP.\n
      \n
      Stark, Austere, Acoustic Record Dylan's First With All-Original Material.\n
      \n
      Immediately distinguished by the you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are A Changin' sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner unlike few albums before or since.\n
      \n
      Marking a shift from the looseness and comedy that pepper the preceding The Freewheelin’ Bob Dylan, The Times They Are A-Changin’ skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy’s assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.\n
      \n
      In doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They Are A Changin' is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction “The Lonesome Death of Hattie Carroll”, assertive “Restless Farewell”, and semi-autobiographical “North Country Blues”, Dylan casts hardships, greed, and victimization in such relatable terms it’s impossible to turn away and ignore their implications.\n
      \n
      As correctly relayed by Dylan expert and cultural critic Greil Marcus, “[The record] forever fixed Bob Dylan in the popular imagination: the protest singer, the young man ‘able to see through metal’ (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break”.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Bob Dylan (acoustic guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mYQZSDOWwww"
    -referenceProduit: "MFSL 2-421 M/S"
    -titreMorceau: [
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        "nom" => "1. The Times They Are A-Changin'"
        "ordre" => 1
      ]
      [
        "nom" => "10. Restless Farewell"
        "ordre" => 13
      ]
      [
        "nom" => "2. Ballad of Hollis Brown"
        "ordre" => 2
      ]
      [
        "nom" => "3. With God on Our Side"
        "ordre" => 4
      ]
      [
        "nom" => "4. One Too Many Mornings"
        "ordre" => 5
      ]
      [
        "nom" => "5. North Country Blues"
        "ordre" => 6
      ]
      [
        "nom" => "6. Only a Pawn in Their Game"
        "ordre" => 8
      ]
      [
        "nom" => "7. Boots of Spanish Leather"
        "ordre" => 9
      ]
      [
        "nom" => "8. When the Ship Comes In"
        "ordre" => 10
      ]
      [
        "nom" => "9. The Lonesome Death of Hattie Carroll"
        "ordre" => 12
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2055 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2057 …}
    -enregistreLe: DateTime @1469948917 {#2051
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    }
    -modifierLe: DateTime @1654181492 {#2052
      date: 2022-06-02 14:51:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2059 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-times-they-are-a-changin-mfsl-2-421-m-s"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2278 …}
}

[
  "produit" => App\Entity\Produit {#2067
    -id: 1879
    -nom: "Rough and Rowdy Ways"
    -informationComplementaire: ""
    -description: "Rough and Rowdy Ways is Bob Dylan's first album of original material in eight years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released in the spring of 2020 : the album's lead-off track, "I Contain Multitudes", the nearly 17 minute epic "Murder Most Foul" and "False Prophet", Miraculously, "Murder Most Foul" became Dylan's first and only N° 1 Billboard chart hit. According to Sony Music CEO Rob Stringer, "These songs are unprecedented. By Bob or anybody else". Dylan is joined on the widely acclaimed recording by Charlie Sexton (guitar), Bob Britt (guitar), Donnie Herron (steel guitar, violin & accordian), Tony Garner (bass) and Matt Chamberlain (drums). 180 gram vinyl 2 LP set with gatefold jacket packaging and printed inner sleeves."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Bob Dylan (guitar, vocals), Charlie Sexton, Bob Britt (guitar), Donnie Herron (steel guitar, violin, accordion), Tony Garnier (bass guitar), Matt Chamberlain (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2QPBpFAKTGo"
    -referenceProduit: "Columbia Records 80994"
    -titreMorceau: [
      [
        "nom" => "1. I Contain Multitudes"
        "ordre" => 1
      ]
      [
        "nom" => "1. I've Made Up My Mind To Give Myself To You"
        "ordre" => 5
      ]
      [
        "nom" => "1. Mother Of Muses"
        "ordre" => 9
      ]
      [
        "nom" => "1. Murder Most Foul"
        "ordre" => 13
      ]
      [
        "nom" => "2. Black Rider"
        "ordre" => 6
      ]
      [
        "nom" => "2. Crossing The Rubicon"
        "ordre" => 10
      ]
      [
        "nom" => "2. False Prophet"
        "ordre" => 2
      ]
      [
        "nom" => "3. Goodbye Jimmy Reed"
        "ordre" => 7
      ]
      [
        "nom" => "3. Key West (Philosopher Pirate)"
        "ordre" => 11
      ]
      [
        "nom" => "3. My Own Version Of You"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
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      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2069 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2071 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …}
    -enregistreLe: DateTime @1593241432 {#2064
      date: 2020-06-27 07:03:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1598109422 {#2065
      date: 2020-08-22 15:17:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rough-and-rowdy-ways-columbia-records-80994"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3219
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2510 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2084 …}
  +produit: App\Entity\Produit {#2067
    -id: 1879
    -nom: "Rough and Rowdy Ways"
    -informationComplementaire: ""
    -description: "Rough and Rowdy Ways is Bob Dylan's first album of original material in eight years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released in the spring of 2020 : the album's lead-off track, "I Contain Multitudes", the nearly 17 minute epic "Murder Most Foul" and "False Prophet", Miraculously, "Murder Most Foul" became Dylan's first and only N° 1 Billboard chart hit. According to Sony Music CEO Rob Stringer, "These songs are unprecedented. By Bob or anybody else". Dylan is joined on the widely acclaimed recording by Charlie Sexton (guitar), Bob Britt (guitar), Donnie Herron (steel guitar, violin & accordian), Tony Garner (bass) and Matt Chamberlain (drums). 180 gram vinyl 2 LP set with gatefold jacket packaging and printed inner sleeves."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Bob Dylan (guitar, vocals), Charlie Sexton, Bob Britt (guitar), Donnie Herron (steel guitar, violin, accordion), Tony Garnier (bass guitar), Matt Chamberlain (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2QPBpFAKTGo"
    -referenceProduit: "Columbia Records 80994"
    -titreMorceau: [
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        "nom" => "1. I Contain Multitudes"
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        "ordre" => 5
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        "ordre" => 9
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        "nom" => "1. Murder Most Foul"
        "ordre" => 13
      ]
      [
        "nom" => "2. Black Rider"
        "ordre" => 6
      ]
      [
        "nom" => "2. Crossing The Rubicon"
        "ordre" => 10
      ]
      [
        "nom" => "2. False Prophet"
        "ordre" => 2
      ]
      [
        "nom" => "3. Goodbye Jimmy Reed"
        "ordre" => 7
      ]
      [
        "nom" => "3. Key West (Philosopher Pirate)"
        "ordre" => 11
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      [
        "nom" => "3. My Own Version Of You"
        "ordre" => 3
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        "ordre" => 0
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      [
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        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2069 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2071 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …}
    -enregistreLe: DateTime @1593241432 {#2064
      date: 2020-06-27 07:03:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1598109422 {#2065
      date: 2020-08-22 15:17:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rough-and-rowdy-ways-columbia-records-80994"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2278 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3411
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2278 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3412 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3460 …}
  +isValidated: false
  +validatedFields: []
}