Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2442
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2289 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2519
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2522 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2521 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2095 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2289 …}
  -formView: Symfony\Component\Form\FormView {#2558 …}
  -form: Symfony\Component\Form\Form {#2708 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1879
    -id: 2128
    -nom: "Live At The Laren Jazz Festival 1975"
    -informationComplementaire: null
    -description: """
      Meet one of jazz music's most enchanting voices. Sarah Vaughan, brought back to life for one night only. A previously unreleased live concert, remastered for the very first time. The "Divine" like you've never heard her before: playful, provocative, seductive. An intimate moment of rare emotional power.\r\n
      \r\n
      More than 40 years have passed since the Divine Sarah Vaughan gave this concert, one of her finest. At 10 pm,  August 5, 1975. Sarah Vaughan entered the stage of the Singer Hall in Laren, the Netherlands. With her were pianist Carl Schroeder, her accompanist for more than 20 years, bassist Bob Magnusson, a highly sought-after sideman with over 150 albums to his credit and one of the most sensitive drummers in the history of jazz, Jimmy Cobb. Need we remind you that from 1958 to 1962 he was Miles Davis' drummer, the one who recorded Kind of Blue (1959), a masterpiece ?\r\n
      \r\n
      The woman who was known throughout her career as "The Divine Sarah" was 51 years old and at the peak of her talent, the apex of her energy. Her vocal range remained exceptional. Provocative, seductive and often plain funny, she conquered her audience with a succession of songs, exuding potency with "Round Midnight", tenderness with "There Will Never Be Another You", vigour with "Everything Must Change". She wound up her medley with the touching "Moonlight in Vermont", and ended with "Tenderly".\r\n
      \r\n
      And she slipped off the stage as discretely as she had entered. The audience was up on its feet, clapping wildly. From the fast paced opening number, "The Man I Love" through her incomparable version of "Lover Man", never since bettered by any other singer, to "Tenderly", the finale, the Divine Sarah was in a state of grace, sending shivers down the spines of all listening.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Sarah Vaughan (vocals), Carl Schroeder (piano), Bob Magnusson (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e3aN0oLvgz0"
    -referenceProduit: "The Lost Recordings 4022"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Man I Love "
      ]
      [
        "ordre" => 2
        "nom" => "2. I Got It Bad (And That Ain't Good) "
      ]
      [
        "ordre" => 3
        "nom" => "3. Watch What Happens "
      ]
      [
        "ordre" => 4
        "nom" => "4. Round Midnight "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. The Lamp Is Low "
      ]
      [
        "ordre" => 7
        "nom" => "2. "Introduction" Body Heat "
      ]
      [
        "ordre" => 8
        "nom" => "3. Everything Must Change "
      ]
      [
        "ordre" => 9
        "nom" => "4. On a Clear Day (You Can See Forever)"
      ]
      [
        "ordre" => 10
        "nom" => "Side C : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Lover Man "
      ]
      [
        "ordre" => 12
        "nom" => "2. Sarah's Blues "
      ]
      [
        "ordre" => 13
        "nom" => "3. What Are You Doing the Rest of Your Life "
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. There Will Never Be Another You "
      ]
      [
        "ordre" => 16
        "nom" => "2. Medley : It's Magic, My Reverie, Body and Soul, Moonlight in Vermont "
      ]
      [
        "ordre" => 17
        "nom" => "3. Tenderly"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1910 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2011 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1913 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1999 …}
    -enregistreLe: DateTime @1631346997 {#1894
      date: 2021-09-11 07:56:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765123941 {#1724
      date: 2025-12-07 16:12:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2005 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-laren-jazz-festival-1975-the-lost-recordings-4022"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2983
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2521 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2095 …}
  +produit: App\Entity\Produit {#1879
    -id: 2128
    -nom: "Live At The Laren Jazz Festival 1975"
    -informationComplementaire: null
    -description: """
      Meet one of jazz music's most enchanting voices. Sarah Vaughan, brought back to life for one night only. A previously unreleased live concert, remastered for the very first time. The "Divine" like you've never heard her before: playful, provocative, seductive. An intimate moment of rare emotional power.\r\n
      \r\n
      More than 40 years have passed since the Divine Sarah Vaughan gave this concert, one of her finest. At 10 pm,  August 5, 1975. Sarah Vaughan entered the stage of the Singer Hall in Laren, the Netherlands. With her were pianist Carl Schroeder, her accompanist for more than 20 years, bassist Bob Magnusson, a highly sought-after sideman with over 150 albums to his credit and one of the most sensitive drummers in the history of jazz, Jimmy Cobb. Need we remind you that from 1958 to 1962 he was Miles Davis' drummer, the one who recorded Kind of Blue (1959), a masterpiece ?\r\n
      \r\n
      The woman who was known throughout her career as "The Divine Sarah" was 51 years old and at the peak of her talent, the apex of her energy. Her vocal range remained exceptional. Provocative, seductive and often plain funny, she conquered her audience with a succession of songs, exuding potency with "Round Midnight", tenderness with "There Will Never Be Another You", vigour with "Everything Must Change". She wound up her medley with the touching "Moonlight in Vermont", and ended with "Tenderly".\r\n
      \r\n
      And she slipped off the stage as discretely as she had entered. The audience was up on its feet, clapping wildly. From the fast paced opening number, "The Man I Love" through her incomparable version of "Lover Man", never since bettered by any other singer, to "Tenderly", the finale, the Divine Sarah was in a state of grace, sending shivers down the spines of all listening.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Sarah Vaughan (vocals), Carl Schroeder (piano), Bob Magnusson (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e3aN0oLvgz0"
    -referenceProduit: "The Lost Recordings 4022"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Man I Love "
      ]
      [
        "ordre" => 2
        "nom" => "2. I Got It Bad (And That Ain't Good) "
      ]
      [
        "ordre" => 3
        "nom" => "3. Watch What Happens "
      ]
      [
        "ordre" => 4
        "nom" => "4. Round Midnight "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. The Lamp Is Low "
      ]
      [
        "ordre" => 7
        "nom" => "2. "Introduction" Body Heat "
      ]
      [
        "ordre" => 8
        "nom" => "3. Everything Must Change "
      ]
      [
        "ordre" => 9
        "nom" => "4. On a Clear Day (You Can See Forever)"
      ]
      [
        "ordre" => 10
        "nom" => "Side C : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Lover Man "
      ]
      [
        "ordre" => 12
        "nom" => "2. Sarah's Blues "
      ]
      [
        "ordre" => 13
        "nom" => "3. What Are You Doing the Rest of Your Life "
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. There Will Never Be Another You "
      ]
      [
        "ordre" => 16
        "nom" => "2. Medley : It's Magic, My Reverie, Body and Soul, Moonlight in Vermont "
      ]
      [
        "ordre" => 17
        "nom" => "3. Tenderly"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1910 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2011 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1913 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1999 …}
    -enregistreLe: DateTime @1631346997 {#1894
      date: 2021-09-11 07:56:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765123941 {#1724
      date: 2025-12-07 16:12:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2005 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-laren-jazz-festival-1975-the-lost-recordings-4022"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2289 …}
}

[
  "produit" => App\Entity\Produit {#2028
    -id: 2373
    -nom: "Debut In The Netherlands"
    -informationComplementaire: null
    -description: """
      - Dave Brubeck "Debut In The Netherlands 1958" 180 gram double LP !\r\n
      - Remastered from the original analog tapes !\r\n
      - Limited to 2000 copies worldwide !\r\n
      - Pressed at Optimal in Germany !\r\n
      - Dave Brubeck Quartet Europe, here we come !\r\n
      \r\n
      With the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on February 26 in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music.\r\n
      \r\n
      Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck's hotel door to congratulate him. Brubeck is said to have responded, "It should have been you." He dedicated one of his most famous pieces, "The Duke," included on this album, to his fellow pianist.\r\n
      \r\n
      That winter evening of 1958, the four American musicians, all in their late thirties, took the stage of the Concertgebouw.\r\n
      \r\n
      Picture the packed auditorium murmuring expectantly, and four musicians overcome with stage fright yet eager to perform. After some timid applause, Desmond kicked off with the melancholy, sophisticated theme of "Two Part Contention". The piano came in, sounding out a counter-melody that revealed Brubeck's classical training and knowledge of counterpoint, acquired when he studied under Milhaud and Schoenberg. He had an inventiveness that was not only melodic but also rhythmic, and he knew how to win over an audience. This was followed by a Disney piece, "Someday, My Prince Will Come" introduced by the piano, three years before the great Miles Davis brought out his eponymous album. They continued with a 1930s standard, "These Foolish Things", by Jack Strachey, a song that had helped make Ella Fitzgerald famous. Paul led the show in his flowing, ethereal style, with sporadic brassy, dissonant contrasts, proving  if proof were needed  his consummate skills in harmonic phrasing.\r\n
      \r\n
      The saxophone then announced the theme of "One Moment Worth Years". Eugene, who liked to be called "the Senator", seemed to lead the private dialogue with an unseen hand, dexterous and sensitive. In the same vein, they led on with "For All We Know"  to thunderous applause. It was now Joe's turn to take the limelight. When he played "Watusi Drums", the audience discovered an exceptional drummer who had started out as a virtuoso violinist: 15 years previously, he had been playing Mendelssohn's Concerto with the Boston Symphony Orchestra. After hearing Jascha Heifetz, he decided he could never reach the maestro's heights and switched to drums. The band went on to play "The Wright Groove", a short piece written by Eugene. The concert concluded with "The Duke", a tribute to Ellington, and then a superb rendition of "Take the A-Train", a 1940s classic and the hallmark piece of Ellington's orchestra, played here in a whirlwind of energy and innovative rhythms. With their rhythmic patterns, interspersed with one or two bursts of resounding laughter, the musicians displayed the creative spirit that was to result in the legendary album Time Out a year later.\r\n
      \r\n
      Sadly, the original tape comes to a halt before the end of this piece could be recorded. Nevertheless, we have chosen to retain the surviving part to bear witness to the groundbreaking creativity then bubbling under the surface in this exceptional quartet's timeless art.\r\n
      \r\n
      The concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nWWuvbOW-FI&list=RDnWWuvbOW-FI&start_radio=1"
    -referenceProduit: "The Lost Recordings 4043"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Two Part Contention "
        "ordre" => 1
      ]
      [
        "nom" => "2. Someday My Prince Will Come "
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. These Foolish Things"
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "1. One Moment Worth Years "
        "ordre" => 6
      ]
      [
        "nom" => "2. For All We Know "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Watusi Drums "
        "ordre" => 9
      ]
      [
        "nom" => "2. The Wright Groove "
        "ordre" => 10
      ]
      [
        "nom" => "3. The Duke "
        "ordre" => 11
      ]
      [
        "nom" => "4. Take the "A" Train (incomplete)"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2030 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2039 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2032 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2034 …}
    -enregistreLe: DateTime @1677917666 {#2025
      date: 2023-03-04 08:14:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763975756 {#2026
      date: 2025-11-24 09:15:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2036 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-debut-in-the-netherlands-the-lost-recordings-4043"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3097
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2521 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2095 …}
  +produit: App\Entity\Produit {#2028
    -id: 2373
    -nom: "Debut In The Netherlands"
    -informationComplementaire: null
    -description: """
      - Dave Brubeck "Debut In The Netherlands 1958" 180 gram double LP !\r\n
      - Remastered from the original analog tapes !\r\n
      - Limited to 2000 copies worldwide !\r\n
      - Pressed at Optimal in Germany !\r\n
      - Dave Brubeck Quartet Europe, here we come !\r\n
      \r\n
      With the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on February 26 in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music.\r\n
      \r\n
      Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck's hotel door to congratulate him. Brubeck is said to have responded, "It should have been you." He dedicated one of his most famous pieces, "The Duke," included on this album, to his fellow pianist.\r\n
      \r\n
      That winter evening of 1958, the four American musicians, all in their late thirties, took the stage of the Concertgebouw.\r\n
      \r\n
      Picture the packed auditorium murmuring expectantly, and four musicians overcome with stage fright yet eager to perform. After some timid applause, Desmond kicked off with the melancholy, sophisticated theme of "Two Part Contention". The piano came in, sounding out a counter-melody that revealed Brubeck's classical training and knowledge of counterpoint, acquired when he studied under Milhaud and Schoenberg. He had an inventiveness that was not only melodic but also rhythmic, and he knew how to win over an audience. This was followed by a Disney piece, "Someday, My Prince Will Come" introduced by the piano, three years before the great Miles Davis brought out his eponymous album. They continued with a 1930s standard, "These Foolish Things", by Jack Strachey, a song that had helped make Ella Fitzgerald famous. Paul led the show in his flowing, ethereal style, with sporadic brassy, dissonant contrasts, proving  if proof were needed  his consummate skills in harmonic phrasing.\r\n
      \r\n
      The saxophone then announced the theme of "One Moment Worth Years". Eugene, who liked to be called "the Senator", seemed to lead the private dialogue with an unseen hand, dexterous and sensitive. In the same vein, they led on with "For All We Know"  to thunderous applause. It was now Joe's turn to take the limelight. When he played "Watusi Drums", the audience discovered an exceptional drummer who had started out as a virtuoso violinist: 15 years previously, he had been playing Mendelssohn's Concerto with the Boston Symphony Orchestra. After hearing Jascha Heifetz, he decided he could never reach the maestro's heights and switched to drums. The band went on to play "The Wright Groove", a short piece written by Eugene. The concert concluded with "The Duke", a tribute to Ellington, and then a superb rendition of "Take the A-Train", a 1940s classic and the hallmark piece of Ellington's orchestra, played here in a whirlwind of energy and innovative rhythms. With their rhythmic patterns, interspersed with one or two bursts of resounding laughter, the musicians displayed the creative spirit that was to result in the legendary album Time Out a year later.\r\n
      \r\n
      Sadly, the original tape comes to a halt before the end of this piece could be recorded. Nevertheless, we have chosen to retain the surviving part to bear witness to the groundbreaking creativity then bubbling under the surface in this exceptional quartet's timeless art.\r\n
      \r\n
      The concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nWWuvbOW-FI&list=RDnWWuvbOW-FI&start_radio=1"
    -referenceProduit: "The Lost Recordings 4043"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Two Part Contention "
        "ordre" => 1
      ]
      [
        "nom" => "2. Someday My Prince Will Come "
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
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[
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    -id: 1274
    -nom: "Live In Scheveningen 1958"
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    -description: """
      - 180 gram double LP !\r\n
      - Second pressing non-numbered !\r\n
      - Remastered from the original analog tapes !\r\n
      - Lacquers cut by André Perriat !\r\n
      \r\n
      On the evening of November 29, 1958 on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say "I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself", everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic "Moanin'" and saxophonist Benny Golson the famous "Along Came Betty", which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today.\r\n
      \r\n
      Recorded at the Kurhaus in Scheveningen, Netherlands, Nov. 29, 1958.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Benny Golson (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -limitedEdition: true
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App\Twig\Components\GestionPanierFavoriComponents {#3148
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  +produit: App\Entity\Produit {#2044
    -id: 1274
    -nom: "Live In Scheveningen 1958"
    -informationComplementaire: null
    -description: """
      - 180 gram double LP !\r\n
      - Second pressing non-numbered !\r\n
      - Remastered from the original analog tapes !\r\n
      - Lacquers cut by André Perriat !\r\n
      \r\n
      On the evening of November 29, 1958 on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say "I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself", everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic "Moanin'" and saxophonist Benny Golson the famous "Along Came Betty", which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today.\r\n
      \r\n
      Recorded at the Kurhaus in Scheveningen, Netherlands, Nov. 29, 1958.
      """
    -prixVente: "99.50"
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[
  "produit" => App\Entity\Produit {#2062
    -id: 2434
    -nom: "Donizetti : Lucia Di Lammermoor - Berlin 1955"
    -informationComplementaire: ""
    -description: """
      - Box Set (3 LP) 180 gram vinyl Limited to 5000 hand-numbered copies !\r\n
      \r\n
      - First vinyl edition of the opera Lucia di Lammermoor !\r\n
      \r\n
      - Remastered from the original analog tapes !\r\n
      \r\n
      - 33 1/3 lacquer cuts by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed in France by Marciac Workshop Pressings !\r\n
      \r\n
      - Includes 40 page booklet and a facsimile of the performance program !\r\n
      \r\n
      - Celebrating the 100th birthday of acclaimed soprano Maria Callas !\r\n
      \r\n
      - 16 bit album download included !\r\n
      \r\n
      Frédéric D'Oria-Nicolas, founder and director of The Lost Recordings record label, explains how this exceptional 3 LP release of Lucia di Lammermoor, recorded September 29, 1955, came to be. Recorded at the Städtische Oper Berlin, the cast featured Di Stefano, Panerai, Karajan and the renowned and influential soprano Maria Callas.\r\n
      \r\n
      In May 2022, while we were working in the archives of the Rundfunk Berlin-Brandenburg (RBB), we came across the original tapes of this mythical recording made in 1955. It was certainly one of the most significant testimonies of the lyric art of the twentieth century.\r\n
      \r\n
      Despite the fact that the first forty seconds of the first tape had deteriorated, when we listened to the minutes of the recording that followed, we heard timbres with a richness and a dynamic that bore no comparison to other recordings that have been known until the present. It took four months of painstaking work to restore all the brilliance to the orchestra, to the Scala choir and to the legendary voices of this poignant slice of history and of music.\r\n
      \r\n
      We wanted to be able to release our first vinyl edition of the opera in a limited number of 5000 on the occasion of the centenary of the birth of Maria Callas. Kevin Gray made the cutting and the three records were pressed in our very own workshop in the south of France, MWP, to our usual stringent standards.\r\n
      \r\n
      We are very grateful to the RBB for their trust in us. We would also like to thank the Callas Foundation, which safeguards and promotes Callas's legacy, and especially Tom Volf, for their help, as well as for the photographs they provided.  -  Frédéric D'Oria-Nicolas, founder and director of The Lost Recordings\r\n
      \r\n
      Tom Volf, president of the Maria Callas Foundation, says there's a personal connection with Callas's Lucia, calling it a "wonderful example of what it felt like to hear Callas on stage, in a performance that became legendary.\r\n
      \r\n
      Maria Callas said she "hated" recording for commercial (studio) releases and used to say that only live performances could convey her artistry in its full spectrum. In the later years of her life, she would collect her own pirate recordings and would often listen to performances such as this one. The best account of that comes from Robert Sutherland, her pianist during the last tour of concerts in 1973-74, who recalled the evenings spent at Callas's apartment at Avenue Georges Mande.\r\n
      \r\n
      We listened to a pirate recording of the Berlin Lucia. She remembered how Karajan angered the soloists by repeating the sextet without warning them. As we listened to the encore she said ‘You can hear how angry I was! And I still had the mad scene to sing! I told him afterwards at dinner that he dare not do that again on me or there would be trouble!' We listened to the mad scene, an amazing performance. She was visibly impressed. ‘I don't now how I did it. I just don't know how - and to think that I wept after that performance because I thought I was so far off my aim.' I had difficulty in expressing my reaction. Such a combination of controlled technical brilliance and artistic imagination was astounding. I attempted it with, ‘It's marvellous singing...' ‘Marvellous ? Marvellous ?' She pulled herself up in the sofa. ‘It isn't marvellous, it's bloody miraculous !'.\r\n
      \r\n
      Back at that time, pirate recordings circulated among avid admirers in the form of homemade LP's, such as those released by the BJR label which is probably the one that Callas was listening to that night with Robert Sutherland. Today, however, we have to commend Frédéric D'Oria-Nicolas and The Lost Recordings for retrieving the original tapes in Berlin and meticulously restoring them to a quality of sound which surpasses any previous release, thus providing us with the most authentic rendition of that historical performance. Therefore it was only natural for the Callas Foundation to be associated with this publication, providing texts and images to illustrate the booklet and honour the memory of Maria Callas through this magnificent edition celebrating her 100th anniversary.\r\n
      \r\n
      Features :\r\n
      \r\n
      - RIAS Symphonie-Orchester Berlin, Herbert Von Karajan, conductor\r\n
      - Recorded on Sept. 29, 1955 at Städtische Oper Berlin, Germany\r\n
      \r\n
      Cast : \r\n
      \r\n
      Maria Callas, Lucia\r\n
      Giuseppe Di Stefano, Edgardo\r\n
      Rolando Panerai, Enrico\r\n
      Nicola Zaccaria, Raimondo\r\n
      Giuseppe Zampieri, Arturo\r\n
      Luisa Villa, Alisa\r\n
      Mario Carlin, Normanno\r\n
      Coro del Teatro alla Scala, Milan
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_maNJkybAwI"
    -referenceProduit: "The Lost Recordings 3047"
    -titreMorceau: [
      [
        "nom" => "1. D’immenso giubilo s’innalzi un grido "
        "ordre" => 29
      ]
      [
        "nom" => "1. Lucia fra poco a te verrà... Tremante l’aspetto "
        "ordre" => 16
      ]
      [
        "nom" => "1. Prelude "
        "ordre" => 1
      ]
      [
        "nom" => "10. Egli s'avanza... Lucia, perdona se ad ora inusitata "
        "ordre" => 10
      ]
      [
        "nom" => "10. Tu che a Dio spiegasti l’ali"
        "ordre" => 38
      ]
      [
        "nom" => "10. T’allontana, sciagurato... Rispettate in me di Dio "
        "ordre" => 25
      ]
      [
        "nom" => "11. Sconsigliato! In queste porte chi ti guida ? "
        "ordre" => 26
      ]
      [
        "nom" => "11. Sulla tomba che rinserra il tradito genitore "
        "ordre" => 11
      ]
      [
        "nom" => "12. Qui di sposa eterna fede... Ah, soltanto il nostro foco "
        "ordre" => 12
      ]
      [
        "nom" => "12.. Esci, fuggi, il furor che mi accende"
        "ordre" => 27
      ]
      [
        "nom" => "13. Ah, talor del tuo pensiero venga un foglio messaggero "
        "ordre" => 13
      ]
      [
        "nom" => "14. Verranno a te sull'aure i miei sospiri ardenti"
        "ordre" => 14
      ]
      [
        "nom" => "2. Appressati, Lucia... Il pallor funesto, orrendo "
        "ordre" => 17
      ]
      [
        "nom" => "2. Dalle stanze ove Lucia tratta avea col suo consorte "
        "ordre" => 30
      ]
      [
        "nom" => "2. Percorrete... Percorriamo le spiagge vicine "
        "ordre" => 2
      ]
      [
        "nom" => "3. Oh! Qual funesto avvenimento! "
        "ordre" => 31
      ]
      [
        "nom" => "3. Soffriva nel pianto... Un folle t’accese "
        "ordre" => 18
      ]
      [
        "nom" => "3. Tu sei turbato!... E n’ho ben d’onde "
        "ordre" => 3
      ]
      [
        "nom" => "4. Che fia ?... Suonar di giubilo "
        "ordre" => 19
      ]
      [
        "nom" => "4. Cruda, funesta smania "
        "ordre" => 4
      ]
      [
        "nom" => "4. Il dolce suono mi colpì di sua voce!... "
        "ordre" => 32
      ]
      [
        "nom" => "5. Ardon gli incensi "
        "ordre" => 33
      ]
      [
        "nom" => "5. Il tuo dubbio è omai certezza... Come vinti da stanchezza "
        "ordre" => 5
      ]
      [
        "nom" => "5. Se tradirmi tu potrai... Tu che vedi il pianto mio "
        "ordre" => 20
      ]
      [
        "nom" => "6. La pietade in suo favore "
        "ordre" => 6
      ]
      [
        "nom" => "6. Per te d’immenso giubilo... Per poco fra le tenebre sparì lavos tra stella "
        "ordre" => 21
      ]
      [
        "nom" => "6. Spargi d'amaro pianto "
        "ordre" => 34
      ]
      [
        "nom" => "7. Ancor non giunse ? "
        "ordre" => 7
      ]
      [
        "nom" => "7. Dov e Lucia ?... Qui giungere or la vedrem "
        "ordre" => 22
      ]
      [
        "nom" => "7. Tombe degli avi miei "
        "ordre" => 35
      ]
      [
        "nom" => "8. Fra poco a me ricovero darà negletto avello "
        "ordre" => 36
      ]
      [
        "nom" => "8. Piange la madre estinta "
        "ordre" => 23
      ]
      [
        "nom" => "8. Regnava nel silenzio alta la notte e bruna "
        "ordre" => 8
      ]
      [
        "nom" => "9. Chi mi frena in tal momento "
        "ordre" => 24
      ]
      [
        "nom" => "9. Oh, meschina! Oh, fato orrendo! !"
        "ordre" => 37
      ]
      [
        "nom" => "9. Quando rapito in estasi "
        "ordre" => 9
      ]
      [
        "nom" => "LP 1 :"
        "ordre" => 0
      ]
      [
        "nom" => "LP 2 :"
        "ordre" => 15
      ]
      [
        "nom" => "LP 3 :"
        "ordre" => 28
      ]
    ]
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      date: 2023-05-29 06:40:03.0 UTC (+00:00)
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      date: 2023-08-11 08:16:52.0 UTC (+00:00)
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  +produit: App\Entity\Produit {#2062
    -id: 2434
    -nom: "Donizetti : Lucia Di Lammermoor - Berlin 1955"
    -informationComplementaire: ""
    -description: """
      - Box Set (3 LP) 180 gram vinyl Limited to 5000 hand-numbered copies !\r\n
      \r\n
      - First vinyl edition of the opera Lucia di Lammermoor !\r\n
      \r\n
      - Remastered from the original analog tapes !\r\n
      \r\n
      - 33 1/3 lacquer cuts by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed in France by Marciac Workshop Pressings !\r\n
      \r\n
      - Includes 40 page booklet and a facsimile of the performance program !\r\n
      \r\n
      - Celebrating the 100th birthday of acclaimed soprano Maria Callas !\r\n
      \r\n
      - 16 bit album download included !\r\n
      \r\n
      Frédéric D'Oria-Nicolas, founder and director of The Lost Recordings record label, explains how this exceptional 3 LP release of Lucia di Lammermoor, recorded September 29, 1955, came to be. Recorded at the Städtische Oper Berlin, the cast featured Di Stefano, Panerai, Karajan and the renowned and influential soprano Maria Callas.\r\n
      \r\n
      In May 2022, while we were working in the archives of the Rundfunk Berlin-Brandenburg (RBB), we came across the original tapes of this mythical recording made in 1955. It was certainly one of the most significant testimonies of the lyric art of the twentieth century.\r\n
      \r\n
      Despite the fact that the first forty seconds of the first tape had deteriorated, when we listened to the minutes of the recording that followed, we heard timbres with a richness and a dynamic that bore no comparison to other recordings that have been known until the present. It took four months of painstaking work to restore all the brilliance to the orchestra, to the Scala choir and to the legendary voices of this poignant slice of history and of music.\r\n
      \r\n
      We wanted to be able to release our first vinyl edition of the opera in a limited number of 5000 on the occasion of the centenary of the birth of Maria Callas. Kevin Gray made the cutting and the three records were pressed in our very own workshop in the south of France, MWP, to our usual stringent standards.\r\n
      \r\n
      We are very grateful to the RBB for their trust in us. We would also like to thank the Callas Foundation, which safeguards and promotes Callas's legacy, and especially Tom Volf, for their help, as well as for the photographs they provided.  -  Frédéric D'Oria-Nicolas, founder and director of The Lost Recordings\r\n
      \r\n
      Tom Volf, president of the Maria Callas Foundation, says there's a personal connection with Callas's Lucia, calling it a "wonderful example of what it felt like to hear Callas on stage, in a performance that became legendary.\r\n
      \r\n
      Maria Callas said she "hated" recording for commercial (studio) releases and used to say that only live performances could convey her artistry in its full spectrum. In the later years of her life, she would collect her own pirate recordings and would often listen to performances such as this one. The best account of that comes from Robert Sutherland, her pianist during the last tour of concerts in 1973-74, who recalled the evenings spent at Callas's apartment at Avenue Georges Mande.\r\n
      \r\n
      We listened to a pirate recording of the Berlin Lucia. She remembered how Karajan angered the soloists by repeating the sextet without warning them. As we listened to the encore she said ‘You can hear how angry I was! And I still had the mad scene to sing! I told him afterwards at dinner that he dare not do that again on me or there would be trouble!' We listened to the mad scene, an amazing performance. She was visibly impressed. ‘I don't now how I did it. I just don't know how - and to think that I wept after that performance because I thought I was so far off my aim.' I had difficulty in expressing my reaction. Such a combination of controlled technical brilliance and artistic imagination was astounding. I attempted it with, ‘It's marvellous singing...' ‘Marvellous ? Marvellous ?' She pulled herself up in the sofa. ‘It isn't marvellous, it's bloody miraculous !'.\r\n
      \r\n
      Back at that time, pirate recordings circulated among avid admirers in the form of homemade LP's, such as those released by the BJR label which is probably the one that Callas was listening to that night with Robert Sutherland. Today, however, we have to commend Frédéric D'Oria-Nicolas and The Lost Recordings for retrieving the original tapes in Berlin and meticulously restoring them to a quality of sound which surpasses any previous release, thus providing us with the most authentic rendition of that historical performance. Therefore it was only natural for the Callas Foundation to be associated with this publication, providing texts and images to illustrate the booklet and honour the memory of Maria Callas through this magnificent edition celebrating her 100th anniversary.\r\n
      \r\n
      Features :\r\n
      \r\n
      - RIAS Symphonie-Orchester Berlin, Herbert Von Karajan, conductor\r\n
      - Recorded on Sept. 29, 1955 at Städtische Oper Berlin, Germany\r\n
      \r\n
      Cast : \r\n
      \r\n
      Maria Callas, Lucia\r\n
      Giuseppe Di Stefano, Edgardo\r\n
      Rolando Panerai, Enrico\r\n
      Nicola Zaccaria, Raimondo\r\n
      Giuseppe Zampieri, Arturo\r\n
      Luisa Villa, Alisa\r\n
      Mario Carlin, Normanno\r\n
      Coro del Teatro alla Scala, Milan
      """
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      [
        "nom" => "10. Tu che a Dio spiegasti l’ali"
        "ordre" => 38
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      [
        "nom" => "10. T’allontana, sciagurato... Rispettate in me di Dio "
        "ordre" => 25
      ]
      [
        "nom" => "11. Sconsigliato! In queste porte chi ti guida ? "
        "ordre" => 26
      ]
      [
        "nom" => "11. Sulla tomba che rinserra il tradito genitore "
        "ordre" => 11
      ]
      [
        "nom" => "12. Qui di sposa eterna fede... Ah, soltanto il nostro foco "
        "ordre" => 12
      ]
      [
        "nom" => "12.. Esci, fuggi, il furor che mi accende"
        "ordre" => 27
      ]
      [
        "nom" => "13. Ah, talor del tuo pensiero venga un foglio messaggero "
        "ordre" => 13
      ]
      [
        "nom" => "14. Verranno a te sull'aure i miei sospiri ardenti"
        "ordre" => 14
      ]
      [
        "nom" => "2. Appressati, Lucia... Il pallor funesto, orrendo "
        "ordre" => 17
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        "ordre" => 30
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      [
        "nom" => "2. Percorrete... Percorriamo le spiagge vicine "
        "ordre" => 2
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      [
        "nom" => "3. Oh! Qual funesto avvenimento! "
        "ordre" => 31
      ]
      [
        "nom" => "3. Soffriva nel pianto... Un folle t’accese "
        "ordre" => 18
      ]
      [
        "nom" => "3. Tu sei turbato!... E n’ho ben d’onde "
        "ordre" => 3
      ]
      [
        "nom" => "4. Che fia ?... Suonar di giubilo "
        "ordre" => 19
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      [
        "nom" => "4. Cruda, funesta smania "
        "ordre" => 4
      ]
      [
        "nom" => "4. Il dolce suono mi colpì di sua voce!... "
        "ordre" => 32
      ]
      [
        "nom" => "5. Ardon gli incensi "
        "ordre" => 33
      ]
      [
        "nom" => "5. Il tuo dubbio è omai certezza... Come vinti da stanchezza "
        "ordre" => 5
      ]
      [
        "nom" => "5. Se tradirmi tu potrai... Tu che vedi il pianto mio "
        "ordre" => 20
      ]
      [
        "nom" => "6. La pietade in suo favore "
        "ordre" => 6
      ]
      [
        "nom" => "6. Per te d’immenso giubilo... Per poco fra le tenebre sparì lavos tra stella "
        "ordre" => 21
      ]
      [
        "nom" => "6. Spargi d'amaro pianto "
        "ordre" => 34
      ]
      [
        "nom" => "7. Ancor non giunse ? "
        "ordre" => 7
      ]
      [
        "nom" => "7. Dov e Lucia ?... Qui giungere or la vedrem "
        "ordre" => 22
      ]
      [
        "nom" => "7. Tombe degli avi miei "
        "ordre" => 35
      ]
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        "ordre" => 36
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        "ordre" => 23
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        "ordre" => 8
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        "ordre" => 24
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    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3250
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    -informationComplementaire: ""
    -description: """
      - 180 gram vinyl !\r\n
      \r\n
      - Remastered from the original analog tapes !\r\n
      \r\n
      - Lacquers cut by André Perriat !\r\n
      \r\n
      - Manufactured in Germany !\r\n
      \r\n
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App\Twig\Components\AjoutMailNewsletterComponent {#3445
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2289 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3446 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3494 …}
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