Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2561
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2408 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2638
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2641 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2640 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2408 …}
  -formView: Symfony\Component\Form\FormView {#2677 …}
  -form: Symfony\Component\Form\Form {#2827 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 1952
    -nom: "Afternoon In Paris"
    -informationComplementaire: null
    -description: """
      It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on Afternoon in Paris neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well known in European jazz circles.\r\n
      \r\n
      With Lewis on piano, Distel on guitar, Wilen on tenor, Michelot or Percy Heath on bass, and Kenny Clarke or Connie Kay on drums, the part-American, part-French group of improvisers provides an above-average bop album that ranges from “Willow Weep for Me”, “All The Things You Are”, and “I Cover the Waterfront” to Milt Jackson’s “Bags’ Groove” and Lewis’ title song. The big-toned Wilen was only 19 when "Afternoon in Paris" was recorded, but as his lyrical yet hard-swinging solos demonstrate, he matured quickly as a sax man. A mythic LP and one of the best recorded in France !
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Lewis (piano), Sacha Distel (guitar), Barney Wilen (tenor saxophone), Percy Heath, Pierre Michelot (bass), Connie Kay, Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Sam Records SR 121"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I Cover The Waterfront \t"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dear Old Stockholm "
      ]
      [
        "ordre" => 3
        "nom" => "3. Afternoon In Paris"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. All The Things You Are "
      ]
      [
        "ordre" => 6
        "nom" => "2. Bags’ Groove "
      ]
      [
        "ordre" => 7
        "nom" => "3. Willow Deep For Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1605027919 {#1896
      date: 2020-11-10 17:05:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769786778 {#1889
      date: 2026-01-30 15:26:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-afternoon-in-paris-sam-records-sr-121"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3102
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2640 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 1952
    -nom: "Afternoon In Paris"
    -informationComplementaire: null
    -description: """
      It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on Afternoon in Paris neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well known in European jazz circles.\r\n
      \r\n
      With Lewis on piano, Distel on guitar, Wilen on tenor, Michelot or Percy Heath on bass, and Kenny Clarke or Connie Kay on drums, the part-American, part-French group of improvisers provides an above-average bop album that ranges from “Willow Weep for Me”, “All The Things You Are”, and “I Cover the Waterfront” to Milt Jackson’s “Bags’ Groove” and Lewis’ title song. The big-toned Wilen was only 19 when "Afternoon in Paris" was recorded, but as his lyrical yet hard-swinging solos demonstrate, he matured quickly as a sax man. A mythic LP and one of the best recorded in France !
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Lewis (piano), Sacha Distel (guitar), Barney Wilen (tenor saxophone), Percy Heath, Pierre Michelot (bass), Connie Kay, Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Sam Records SR 121"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I Cover The Waterfront \t"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dear Old Stockholm "
      ]
      [
        "ordre" => 3
        "nom" => "3. Afternoon In Paris"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. All The Things You Are "
      ]
      [
        "ordre" => 6
        "nom" => "2. Bags’ Groove "
      ]
      [
        "ordre" => 7
        "nom" => "3. Willow Deep For Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1605027919 {#1896
      date: 2020-11-10 17:05:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769786778 {#1889
      date: 2026-01-30 15:26:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-afternoon-in-paris-sam-records-sr-121"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2408 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 718
    -nom: "Peace Treaty"
    -informationComplementaire: null
    -description: """
      - Re-mastered from the original stereo master tapes..\r\n
      - Cut by Kevin Gray\r\n
      - 180 gram vinyl pressed by Optimal in Germany.\r\n
      - Facsimile reissue using the original photo by Jean-Pierre Leloir.\r\n
      - Double insert using an original photo by JP Leloir from 1965.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      \r\n
      \r\n
      One of the first true moments of genius from saxophonist Nathan Davis a mid 60s European session cut for the tiny SFP label and a record that’s even rarer than his early classics for MPS! The sound here is similar to the MPS sides a mixture of soul jazz and modal jazz served up with a bit more freedoms than Davis might have gotten on the US scene, and featuring a lineup that includes Woody Shaw on trumpet, Jean-Louis Chautemps on baritone sax, Rene Urtreger on piano, Jimmy Woode on bass, and Kenny Clarke on drums. The tight rhythm of Woode and Clarke is a nice counterpoint to the modernism of Davis and Shaw  Davis works a bit on soprano, which sounds especially great! Titles include “Peace Treaty”, “Klook’s Theme”, “Now Let M’ Tell Ya”, “Kansas City Special”, and “Sconsolato”. (Review courtesy of Dusty Groove)
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Nathan Davis (tenor & soprano saxophone), Woody Shaw (trumpet), Jean-Louis Chautemps (barytone saxophone), René Urtreger (piano), Jimmy Woode (bass), Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=p3XKtq-EvQ0"
    -referenceProduit: "Sam Records SRLP17/1"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Klook’s Theme"
      ]
      [
        "ordre" => 2
        "nom" => "2. Peace Treaty"
      ]
      [
        "ordre" => 3
        "nom" => "3. Now Let M’ Tell Ya 5’58”"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Sconsolato (J. Woode)"
      ]
      [
        "ordre" => 6
        "nom" => "2. Ruby My Dear (T. Monk)"
      ]
      [
        "ordre" => 7
        "nom" => "3. Kansas City Special"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1415345801 {#2032
      date: 2014-11-07 07:36:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769331153 {#2033
      date: 2026-01-25 08:52:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-peace-treaty-sam-records-srlp17-1"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3216
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2640 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 718
    -nom: "Peace Treaty"
    -informationComplementaire: null
    -description: """
      - Re-mastered from the original stereo master tapes..\r\n
      - Cut by Kevin Gray\r\n
      - 180 gram vinyl pressed by Optimal in Germany.\r\n
      - Facsimile reissue using the original photo by Jean-Pierre Leloir.\r\n
      - Double insert using an original photo by JP Leloir from 1965.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      \r\n
      \r\n
      One of the first true moments of genius from saxophonist Nathan Davis a mid 60s European session cut for the tiny SFP label and a record that’s even rarer than his early classics for MPS! The sound here is similar to the MPS sides a mixture of soul jazz and modal jazz served up with a bit more freedoms than Davis might have gotten on the US scene, and featuring a lineup that includes Woody Shaw on trumpet, Jean-Louis Chautemps on baritone sax, Rene Urtreger on piano, Jimmy Woode on bass, and Kenny Clarke on drums. The tight rhythm of Woode and Clarke is a nice counterpoint to the modernism of Davis and Shaw  Davis works a bit on soprano, which sounds especially great! Titles include “Peace Treaty”, “Klook’s Theme”, “Now Let M’ Tell Ya”, “Kansas City Special”, and “Sconsolato”. (Review courtesy of Dusty Groove)
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Nathan Davis (tenor & soprano saxophone), Woody Shaw (trumpet), Jean-Louis Chautemps (barytone saxophone), René Urtreger (piano), Jimmy Woode (bass), Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=p3XKtq-EvQ0"
    -referenceProduit: "Sam Records SRLP17/1"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Klook’s Theme"
      ]
      [
        "ordre" => 2
        "nom" => "2. Peace Treaty"
      ]
      [
        "ordre" => 3
        "nom" => "3. Now Let M’ Tell Ya 5’58”"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Sconsolato (J. Woode)"
      ]
      [
        "ordre" => 6
        "nom" => "2. Ruby My Dear (T. Monk)"
      ]
      [
        "ordre" => 7
        "nom" => "3. Kansas City Special"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1415345801 {#2032
      date: 2014-11-07 07:36:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769331153 {#2033
      date: 2026-01-25 08:52:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-peace-treaty-sam-records-srlp17-1"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2408 …}
}

[
  "produit" => App\Entity\Produit {#2051
    -id: 1415
    -nom: "Live In Paris - The ORTF Recordings 1966/67"
    -informationComplementaire: null
    -description: """
      Sam Records presents  :\r\n
      A never-before released Nathan Davis 1966/67 live recordings.\r\n
      First official release with the full permission and cooperation of the Nathan Davis Estate & INA (Institut National de l’Audiovisuel).\r\n
      Hand numbered strictly edition, limited to 1500 copies.\r\n
      \r\n
      Nathan Davis, The Hip Doctor.\r\n
      Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style.\r\n
      His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world was equally original and knew no boundaries.\r\n
      This concert in Paris is audible proof that as a performer, his fluid phrasing, distinct articulation, booming bottom register, growls and shrieks were fuelled by tremendous drive and furious invention the man was on fire !\r\n
      These live sessions demonstrate the limitless invention of Nathan’s solos. Holding no punches, weaving signature phrases, shouts and riffs into his solos, he was a fierce and fervid performer. With a sort of hollow resonance at the heart of his reedy and warm sound, Nathan Davis was a highly original artist, from an era when having a distinct sound on your instrument was the grail of jazz artistry. Harold Land, Jimmy Heath, John Gilmore, Paul Gonsalves, Charlie Rouse, George Coleman, Booker Ervin, Clifford Jordan… Jazz is made of such giants and Nathan Davis was one of them. - Jean Szlamowicz \r\n
      \r\n
      - 3 LP Set – 180 gram vinyl pressed by Pallas in Germany.\r\n
      - Housed in a tri-fold cover with full size photos by Jean-Pierre Leloir.\r\n
      - Re-mastered from the original master tapes.\r\n
      - Cut at SST Studio in Germany.\r\n
      - Title & informations on removable orange strip (OBI).\r\n
      - Notes inside with an essay by Jean Szlamowicz.\r\n
      - Each record has been visually checked to prevent defects.
      """
    -prixVente: "79.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Nathan Davis (saxophone), Georges Arvanitas (piano, organ), Jack Diéval (piano), Jacky Samson, Jacques Hess (bass), Franco Manzecchi, Charles Saudrais (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4D47DW7LjrU"
    -referenceProduit: "Sam Records SR20/2"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Hip Walk (N. Davis)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Yesterdays ( J. Kern)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. A5 (N. Davis)"
      ]
      [
        "ordre" => 5
        "nom" => "2. Nathalie's Bounce (N. Davis) "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Love Ye The Neighbor (N. Davis)"
      ]
      [
        "ordre" => 8
        "nom" => "2. Mid Evil Dance (N. Davis)"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. The Rules of Freedom (N. Davis)"
      ]
      [
        "ordre" => 11
        "nom" => "2. The Thing (N. Davis)"
      ]
      [
        "ordre" => 12
        "nom" => "Side E : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Yesterdays ( J. Kern)"
      ]
      [
        "ordre" => 14
        "nom" => "2. Blues For Southeast Asia (N. Davis)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2055 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2057 …}
    -enregistreLe: DateTime @1541497639 {#2048
      date: 2018-11-06 09:47:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769331071 {#2049
      date: 2026-01-25 08:51:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2059 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-paris-the-ortf-recordings-1966-67-sam-records-sr20-2"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3267
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2640 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2051
    -id: 1415
    -nom: "Live In Paris - The ORTF Recordings 1966/67"
    -informationComplementaire: null
    -description: """
      Sam Records presents  :\r\n
      A never-before released Nathan Davis 1966/67 live recordings.\r\n
      First official release with the full permission and cooperation of the Nathan Davis Estate & INA (Institut National de l’Audiovisuel).\r\n
      Hand numbered strictly edition, limited to 1500 copies.\r\n
      \r\n
      Nathan Davis, The Hip Doctor.\r\n
      Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style.\r\n
      His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world was equally original and knew no boundaries.\r\n
      This concert in Paris is audible proof that as a performer, his fluid phrasing, distinct articulation, booming bottom register, growls and shrieks were fuelled by tremendous drive and furious invention the man was on fire !\r\n
      These live sessions demonstrate the limitless invention of Nathan’s solos. Holding no punches, weaving signature phrases, shouts and riffs into his solos, he was a fierce and fervid performer. With a sort of hollow resonance at the heart of his reedy and warm sound, Nathan Davis was a highly original artist, from an era when having a distinct sound on your instrument was the grail of jazz artistry. Harold Land, Jimmy Heath, John Gilmore, Paul Gonsalves, Charlie Rouse, George Coleman, Booker Ervin, Clifford Jordan… Jazz is made of such giants and Nathan Davis was one of them. - Jean Szlamowicz \r\n
      \r\n
      - 3 LP Set – 180 gram vinyl pressed by Pallas in Germany.\r\n
      - Housed in a tri-fold cover with full size photos by Jean-Pierre Leloir.\r\n
      - Re-mastered from the original master tapes.\r\n
      - Cut at SST Studio in Germany.\r\n
      - Title & informations on removable orange strip (OBI).\r\n
      - Notes inside with an essay by Jean Szlamowicz.\r\n
      - Each record has been visually checked to prevent defects.
      """
    -prixVente: "79.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Nathan Davis (saxophone), Georges Arvanitas (piano, organ), Jack Diéval (piano), Jacky Samson, Jacques Hess (bass), Franco Manzecchi, Charles Saudrais (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4D47DW7LjrU"
    -referenceProduit: "Sam Records SR20/2"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. The Hip Walk (N. Davis)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Yesterdays ( J. Kern)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. A5 (N. Davis)"
      ]
      [
        "ordre" => 5
        "nom" => "2. Nathalie's Bounce (N. Davis) "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Love Ye The Neighbor (N. Davis)"
      ]
      [
        "ordre" => 8
        "nom" => "2. Mid Evil Dance (N. Davis)"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. The Rules of Freedom (N. Davis)"
      ]
      [
        "ordre" => 11
        "nom" => "2. The Thing (N. Davis)"
      ]
      [
        "ordre" => 12
        "nom" => "Side E : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Yesterdays ( J. Kern)"
      ]
      [
        "ordre" => 14
        "nom" => "2. Blues For Southeast Asia (N. Davis)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2055 …}
    -typeMasterTape: null
    -marque: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2057 …}
    -enregistreLe: DateTime @1541497639 {#2048
      date: 2018-11-06 09:47:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769331071 {#2049
      date: 2026-01-25 08:51:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2059 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-paris-the-ortf-recordings-1966-67-sam-records-sr20-2"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2408 …}
}

[
  "produit" => App\Entity\Produit {#2067
    -id: 2886
    -nom: "Jazz by Sun Ra, Vol 2. + (16 page booklet)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sun Ra (Hammond B-3 organ, piano), Art Hoyle, Dave Young (trumpet), John Avant (trombone), Pat Patrick (alto & baritone saxophone), John Gilmore (tenor saxophone), Charles Davis (baritone saxophone), Victor Sproles (electric bass, tambourine), Jim Herndon (tympani, timbales, bells), William ‘Bugs’ Cochran (drums, percussion).\r\n
      \r\n
      - Limited Edition 1000 copies !\r\n
      - Mastering by François Lê Xuân, Studio 101 !\r\n
      - Cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Garcia & Co, Marciac, France !\r\n
      - Tip-on jacket screen-printed by Pozzoli, Italy !\r\n
      - 16 page booklet !\r\n
      - Produced by François Lê Xuân and Fred Thomas for Sam Records /Saga !\r\n
      - Under licence from Delmark Records !\r\n
      - Each record has been visually checked to prevent defects !\r\n
      \r\n
      Premium historical reissues !\r\n
      \r\n
      Recorded in July 1956 and released in 1957, Jazz by Sun Ra Vol. 1 is known to be the first LP by Sun Ra. The album showcases all the musical ideas the musician had previously experimented with : advanced time signatures coupled with harmonic scales based on mathematical equations, all in the service of a clever mix of hard bop, swing and African influences.\r\n
      \r\n
      Following on this first volume, a new session was recorded by Tom Wilson in December 1956 in Chicago. Although scheduled for release, Jazz by Sun Ra Vol. 2 would never be issued on Transition, as the label had to close doors during the year 1957. The album was only be released in 1968 by Delmark under the title Sound of Joy.\r\n
      \r\n
      Jazz by Sun Ra Vol. 1 and Vol. 2 may be the most accessible work in the Sun Ra catalogue, as well as one of the most enjoyable to listen to. The two volumes are now reunited and available together for the first time, as originally planned !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sun Ra (Hammond B-3 organ, piano), Art Hoyle, Dave Young (trumpet), John Avant (trombone), Pat Patrick (alto & baritone saxophone), John Gilmore (tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Sam Records"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. El Is A Sound Of Joy (Sun Ra) "
      ]
      [
        "ordre" => 2
        "nom" => "2. Overtones Of China (Sun Ra) "
      ]
      [
        "ordre" => 3
        "nom" => "3. Two Tones (Davis – Patrick) "
      ]
      [
        "ordre" => 4
        "nom" => "4. Paradise (Sun Ra) "
      ]
      [
        "ordre" => 5
        "nom" => "5. Planet Earth (Sun Ra) "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Ankh (Sun Ra)"
      ]
      [
        "ordre" => 8
        "nom" => "2. Saturn (Sun Ra)"
      ]
      [
        "ordre" => 9
        "nom" => "3. Reflections In Blue (Sun Ra)"
      ]
      [
        "ordre" => 10
        "nom" => "4. El Viktor (Sun Ra) "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2071 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -unite: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …}
    -enregistreLe: DateTime @1761348066 {#2064
      date: 2025-10-24 23:21:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765289535 {#2065
      date: 2025-12-09 14:12:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jazz-by-sun-ra-vol-2-16-page-booklet-sam-records"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3318
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2640 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2067
    -id: 2886
    -nom: "Jazz by Sun Ra, Vol 2. + (16 page booklet)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sun Ra (Hammond B-3 organ, piano), Art Hoyle, Dave Young (trumpet), John Avant (trombone), Pat Patrick (alto & baritone saxophone), John Gilmore (tenor saxophone), Charles Davis (baritone saxophone), Victor Sproles (electric bass, tambourine), Jim Herndon (tympani, timbales, bells), William ‘Bugs’ Cochran (drums, percussion).\r\n
      \r\n
      - Limited Edition 1000 copies !\r\n
      - Mastering by François Lê Xuân, Studio 101 !\r\n
      - Cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Garcia & Co, Marciac, France !\r\n
      - Tip-on jacket screen-printed by Pozzoli, Italy !\r\n
      - 16 page booklet !\r\n
      - Produced by François Lê Xuân and Fred Thomas for Sam Records /Saga !\r\n
      - Under licence from Delmark Records !\r\n
      - Each record has been visually checked to prevent defects !\r\n
      \r\n
      Premium historical reissues !\r\n
      \r\n
      Recorded in July 1956 and released in 1957, Jazz by Sun Ra Vol. 1 is known to be the first LP by Sun Ra. The album showcases all the musical ideas the musician had previously experimented with : advanced time signatures coupled with harmonic scales based on mathematical equations, all in the service of a clever mix of hard bop, swing and African influences.\r\n
      \r\n
      Following on this first volume, a new session was recorded by Tom Wilson in December 1956 in Chicago. Although scheduled for release, Jazz by Sun Ra Vol. 2 would never be issued on Transition, as the label had to close doors during the year 1957. The album was only be released in 1968 by Delmark under the title Sound of Joy.\r\n
      \r\n
      Jazz by Sun Ra Vol. 1 and Vol. 2 may be the most accessible work in the Sun Ra catalogue, as well as one of the most enjoyable to listen to. The two volumes are now reunited and available together for the first time, as originally planned !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sun Ra (Hammond B-3 organ, piano), Art Hoyle, Dave Young (trumpet), John Avant (trombone), Pat Patrick (alto & baritone saxophone), John Gilmore (tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Sam Records"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. El Is A Sound Of Joy (Sun Ra) "
      ]
      [
        "ordre" => 2
        "nom" => "2. Overtones Of China (Sun Ra) "
      ]
      [
        "ordre" => 3
        "nom" => "3. Two Tones (Davis – Patrick) "
      ]
      [
        "ordre" => 4
        "nom" => "4. Paradise (Sun Ra) "
      ]
      [
        "ordre" => 5
        "nom" => "5. Planet Earth (Sun Ra) "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Ankh (Sun Ra)"
      ]
      [
        "ordre" => 8
        "nom" => "2. Saturn (Sun Ra)"
      ]
      [
        "ordre" => 9
        "nom" => "3. Reflections In Blue (Sun Ra)"
      ]
      [
        "ordre" => 10
        "nom" => "4. El Viktor (Sun Ra) "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2071 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …}
    -enregistreLe: DateTime @1761348066 {#2064
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    }
    -modifierLe: DateTime @1765289535 {#2065
      date: 2025-12-09 14:12:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-jazz-by-sun-ra-vol-2-16-page-booklet-sam-records"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2408 …}
}

[
  "produit" => App\Entity\Produit {#2085
    -id: 2885
    -nom: "Jazz by Sun Ra, Vol. 1 + (24 page booklet)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sun Ra (Hammond B-3 organ, piano), Art Hoyle (trumpet, percussion), Dave Young (trumpet, percussion), Julian Priester (trombone, percussion), James Scales (alto saxophone), John Gilmore (tenor saxophone, percussion), Pat Patrick (baritone saxophone, percussion), Richard Evans (bass), Wilburn Green (electric bass, tambourine), Jim Herndon (tympani, timbales, bells), Robert Barry (drums, percussion).\r\n
      \r\n
      - Sun Ra "Jazz By Sun Ra Vol. 1" + booklet !\r\n
      - Deluxe Edition limited to 1000 copies !\r\n
      - Mastering by François Lê Xuân, Studio 101 !\r\n
      - Cut by Kevin Gray at Cohearent Audio !\r\n
      - 180 gram LP pressed by Garcia & Co., Marciac, France !\r\n
      - Tip-on jacket screen printed by Pozzoli, Italy !\r\n
      - Includes 24 page booklet !\r\n
      - Produced by François Lê Xuan and Fred Thomas for Sam Records / Saga !\r\n
      \r\n
      Recorded in July 1956 and released in 1957, Jazz by Sun Ra Vol. 1 is known to be the first LP by Sun Ra. The album showcases all the musical ideas the musician had previously experimented with: advanced time signatures coupled with harmonic scales based on mathematical equations, all in the service of a clever mix of hard bop, swing and African influences.\r\n
      \r\n
      Following on from this first volume, a new session was recorded by Tom Wilson in December 1956 in Chicago. Although scheduled for release, Jazz by Sun Ra Vol. 2 would never be issued on Transition, as the label had to close doors during the year 1957.\r\n
      \r\n
      The album was only be released in 1968 by Delmark under the title Sound of Joy. Jazz by Sun Ra Vol. 1 and Vol. 2 may be the most accessible work in the Sun Ra catalog, as well as one of the most enjoyable to listen to. The two volumes are now reunited and available together for the first time, as originally planned !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sun Ra (Hammond B-3 organ, piano), Art Hoyle (trumpet, percussion), Dave Young (trumpet, percussion), Julian Priester (trombone, percussion), James Scales (alto saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=E8o8ueQ_l7g&list=PLpszlaVYHIX73j_6LtnE_7xbcIZ4FBOsn"
    -referenceProduit: "Sam Records 006"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Brainville (Sun Ra)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Call For All Demons (Sun Ra)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Transition (Sun Ra)"
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      [
        "ordre" => 4
        "nom" => "4. Possession (Harry Revell)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Street Named Hell (Sun Ra)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Lullaby For Realville (Richard Evans)"
      ]
      [
        "ordre" => 8
        "nom" => "2. Future (Sun Ra)"
      ]
      [
        "ordre" => 9
        "nom" => "3. New Horizons (Sun Ra)"
      ]
      [
        "ordre" => 10
        "nom" => "4. Fall Off The Log (Sun Ra)"
      ]
      [
        "ordre" => 11
        "nom" => "5. Sun Song (Sun Ra)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2093 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2086 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2088 …}
    -enregistreLe: DateTime @1761347233 {#2081
      date: 2025-10-24 23:07:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765289491 {#2080
      date: 2025-12-09 14:11:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2090 …}
    -disponible: null
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    -slug: "vinyles-jazz-by-sun-ra-vol-1-24-page-booklet-sam-records-006"
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App\Twig\Components\GestionPanierFavoriComponents {#3371
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2640 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2085
    -id: 2885
    -nom: "Jazz by Sun Ra, Vol. 1 + (24 page booklet)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sun Ra (Hammond B-3 organ, piano), Art Hoyle (trumpet, percussion), Dave Young (trumpet, percussion), Julian Priester (trombone, percussion), James Scales (alto saxophone), John Gilmore (tenor saxophone, percussion), Pat Patrick (baritone saxophone, percussion), Richard Evans (bass), Wilburn Green (electric bass, tambourine), Jim Herndon (tympani, timbales, bells), Robert Barry (drums, percussion).\r\n
      \r\n
      - Sun Ra "Jazz By Sun Ra Vol. 1" + booklet !\r\n
      - Deluxe Edition limited to 1000 copies !\r\n
      - Mastering by François Lê Xuân, Studio 101 !\r\n
      - Cut by Kevin Gray at Cohearent Audio !\r\n
      - 180 gram LP pressed by Garcia & Co., Marciac, France !\r\n
      - Tip-on jacket screen printed by Pozzoli, Italy !\r\n
      - Includes 24 page booklet !\r\n
      - Produced by François Lê Xuan and Fred Thomas for Sam Records / Saga !\r\n
      \r\n
      Recorded in July 1956 and released in 1957, Jazz by Sun Ra Vol. 1 is known to be the first LP by Sun Ra. The album showcases all the musical ideas the musician had previously experimented with: advanced time signatures coupled with harmonic scales based on mathematical equations, all in the service of a clever mix of hard bop, swing and African influences.\r\n
      \r\n
      Following on from this first volume, a new session was recorded by Tom Wilson in December 1956 in Chicago. Although scheduled for release, Jazz by Sun Ra Vol. 2 would never be issued on Transition, as the label had to close doors during the year 1957.\r\n
      \r\n
      The album was only be released in 1968 by Delmark under the title Sound of Joy. Jazz by Sun Ra Vol. 1 and Vol. 2 may be the most accessible work in the Sun Ra catalog, as well as one of the most enjoyable to listen to. The two volumes are now reunited and available together for the first time, as originally planned !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sun Ra (Hammond B-3 organ, piano), Art Hoyle (trumpet, percussion), Dave Young (trumpet, percussion), Julian Priester (trombone, percussion), James Scales (alto saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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[
  "produit" => App\Entity\Produit {#2100
    -id: 1953
    -nom: "Chet Baker And His Quintet With Bobby Jaspar : Chet Baker In Paris, Vol. 3"
    -informationComplementaire: null
    -description: """
      - Limited edition 180 gram vinyl !\r\n
      - Remastered from the original master tapes !\r\n
      -Pressed at Pallas in Germany !\r\n
      - Faithfully recreated original artwork / photos !\r\n
      \r\n
      In answer to an offer from Nicole Barclay, Chet Baker arrived in Paris early in September 1955. On the 22nd or maybe the 23rd he signed a contract to make seven records... (The figure was later erased and replaced by 'three', which turned out to be correct). Released after the trumpeter's return to the USA, this last volume was construed as rather a poor relation opposite the others in the trilogy, all the more so because, hurriedly drafted, the sleeve-notes did little to render unto Caesar the things which were Caesar's. Unlike the earlier opuses, this one was in no way a concept-album: It contented itself with a simple overview of Chet's Parisian associations, depending on where his fancies took him in the course of his stay.\r\n
      \r\n
      Chet entered the Studio Pathé-Magellan on October 25th with only Jimmy Bond and his contrabass left from his original accompanying trio. In the ensuing octet session Chet’s melodic gifts were magnified by (remarkable) scores penned by Pierre Michelot Chet, Dinah and Christian Chevalier (Vline). The three pieces were mini-concertos, and sounded magnificent. On November 28, Chet went back into the same studio, this time with Raymond Fol on piano, Benoît Quersin on bass and Jean-Louis Viale on drums. They recorded two improvisations: the first was based on a 1932 standard from Howard Dietz and Arthur Schwartz, "Alone Together", while the second began with "Exitus", a composition written by one of Baker’s friends, Phil Urso. The performances are among the most beautiful that Chet produced during this period, along with "Chekeeta" or Chik-Etah and "How about You ?"\r\n
      \r\n
      To respect his next bookings, Chet had to get a stable band together, and as his pianist he chose Raph Schecroun later known as Errol Parker who was himself replaced by Francy Boland. Alongside him were bassist Eddie de Haas, who'd previously been with Martial Solal and Henri Renaud (the latter, in the adventure, also lost his regular drummer, Charles Saudrais, who was just seventeen. According to Jean-Louis Chautemps, « When Bobby Jaspar couldn't do it or just wanted too much, they looked for someone cheaper; and that was me. There wasn't really an audition : we were in the Tabou, I played with Chet, he said OK and, two days later, we found ourselves in Reykjavik, Iceland ». The tune "Tasty Pudding" written by Al Cohn and "Anticipated Blues", one of the rare pieces Chet claimed to have written, were in the repertoire played by this last Baker-led formation on the Old Continent.\r\n
      \r\n
      Both pieces, once again, moved Pierre Michelot to pass judgement: With ordinary means, Chet managed to play phrases of extraordinary beauty with simplicity and clarity.
      """
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    -id: 1953
    -nom: "Chet Baker And His Quintet With Bobby Jaspar : Chet Baker In Paris, Vol. 3"
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    -description: """
      - Limited edition 180 gram vinyl !\r\n
      - Remastered from the original master tapes !\r\n
      -Pressed at Pallas in Germany !\r\n
      - Faithfully recreated original artwork / photos !\r\n
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      In answer to an offer from Nicole Barclay, Chet Baker arrived in Paris early in September 1955. On the 22nd or maybe the 23rd he signed a contract to make seven records... (The figure was later erased and replaced by 'three', which turned out to be correct). Released after the trumpeter's return to the USA, this last volume was construed as rather a poor relation opposite the others in the trilogy, all the more so because, hurriedly drafted, the sleeve-notes did little to render unto Caesar the things which were Caesar's. Unlike the earlier opuses, this one was in no way a concept-album: It contented itself with a simple overview of Chet's Parisian associations, depending on where his fancies took him in the course of his stay.\r\n
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      Chet entered the Studio Pathé-Magellan on October 25th with only Jimmy Bond and his contrabass left from his original accompanying trio. In the ensuing octet session Chet’s melodic gifts were magnified by (remarkable) scores penned by Pierre Michelot Chet, Dinah and Christian Chevalier (Vline). The three pieces were mini-concertos, and sounded magnificent. On November 28, Chet went back into the same studio, this time with Raymond Fol on piano, Benoît Quersin on bass and Jean-Louis Viale on drums. They recorded two improvisations: the first was based on a 1932 standard from Howard Dietz and Arthur Schwartz, "Alone Together", while the second began with "Exitus", a composition written by one of Baker’s friends, Phil Urso. The performances are among the most beautiful that Chet produced during this period, along with "Chekeeta" or Chik-Etah and "How about You ?"\r\n
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      Both pieces, once again, moved Pierre Michelot to pass judgement: With ordinary means, Chet managed to play phrases of extraordinary beauty with simplicity and clarity.
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2120
    -id: 2887
    -nom: "Paris ’58"
    -informationComplementaire: null
    -description: """
      - Donald Byrd & Bobby Jaspar "Paris ’58" 180 gram vinyl (Mono) !\r\n
      - Sam Records presents The Lost Live Series !\r\n
      - Limited to 4000 copies !\r\n
      - Cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed at Optimal in Germany !\r\n
      - Double insert using original photos by Jean-Pierre Leloir !\r\n
      - A never-before released Donald Byrd & Bobby Jaspar studio recording !\r\n
      - First official release with the full permission and cooperation of the Institut National de l'Audiovisuel !\r\n
      \r\n
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      \r\n
      Recorded in Paris, November & December, 1958.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3468
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    -id: 2887
    -nom: "Paris ’58"
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    -description: """
      - Donald Byrd & Bobby Jaspar "Paris ’58" 180 gram vinyl (Mono) !\r\n
      - Sam Records presents The Lost Live Series !\r\n
      - Limited to 4000 copies !\r\n
      - Cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed at Optimal in Germany !\r\n
      - Double insert using original photos by Jean-Pierre Leloir !\r\n
      - A never-before released Donald Byrd & Bobby Jaspar studio recording !\r\n
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      Recorded in Paris, November & December, 1958.
      """
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[
  "produit" => App\Entity\Produit {#2138
    -id: 2884
    -nom: "Ron Jefferson Choir"
    -informationComplementaire: null
    -description: """
      - Ron Jefferson "Ron Jefferson Choir" 180 gram vinyl !\r\n
      - Rare French jazz session recorded in 1965 !\r\n
      - Pressed at Pallas in Germany !\r\n
      \r\n
      This self-titled album is a testimony of the short lived-band led by New-York drummer Ron Jefferson during his stay in Paris in the mid-'60s. After a first album under his name on Pacific Jazz in 1962, the founding member of The Jazz Modes and the Les McCann trio made the trip overseas.\r\n
      \r\n
      Here, he made his living by playing with the popular pianists Errol Parker or Hazel Scott but his main drive was this trio that he formed with two other U.S. expats, bassist Roland Haynes (the same musician who recorded an album on Black Jazz as a pianist, as confirmed by Kirk Lightsey) and guitarist Buz Saviano. After a highly successful show at ‘Palais de Chaillot' in 1965, they were invited for a series of concerts in Dakar Sénégal. On their return, Polydor International proposed them this session. You can hear the deep impact their stay in the Motherland had on their music on the stand-out track "Africa the Beautiful". On pair with the best of Yusef Lateef's afro-eastern explorations from the time, it showcases Ron on flute and Senegalese percussion. The album release nonetheless was a commercial failure that prompted the band's separation and Ron's return to New-York where he performed until his passing in 2007.\r\n
      \r\n
      Only a few copies of this record ever made it to the shops at the time and very few have had the chance to listen to it before this legit reissue remastered from the original mono master tapes. 180-gram pressed at Pallas in Germany !
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ron Jefferson (drums, flute), Buz Saviano (guitar), Roland Haynes (bass), Jackie Robinson (vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …}
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    -slug: "vinyles-ron-jefferson-choir-sam-records-023"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3519
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    -id: 2884
    -nom: "Ron Jefferson Choir"
    -informationComplementaire: null
    -description: """
      - Ron Jefferson "Ron Jefferson Choir" 180 gram vinyl !\r\n
      - Rare French jazz session recorded in 1965 !\r\n
      - Pressed at Pallas in Germany !\r\n
      \r\n
      This self-titled album is a testimony of the short lived-band led by New-York drummer Ron Jefferson during his stay in Paris in the mid-'60s. After a first album under his name on Pacific Jazz in 1962, the founding member of The Jazz Modes and the Les McCann trio made the trip overseas.\r\n
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      Here, he made his living by playing with the popular pianists Errol Parker or Hazel Scott but his main drive was this trio that he formed with two other U.S. expats, bassist Roland Haynes (the same musician who recorded an album on Black Jazz as a pianist, as confirmed by Kirk Lightsey) and guitarist Buz Saviano. After a highly successful show at ‘Palais de Chaillot' in 1965, they were invited for a series of concerts in Dakar Sénégal. On their return, Polydor International proposed them this session. You can hear the deep impact their stay in the Motherland had on their music on the stand-out track "Africa the Beautiful". On pair with the best of Yusef Lateef's afro-eastern explorations from the time, it showcases Ron on flute and Senegalese percussion. The album release nonetheless was a commercial failure that prompted the band's separation and Ron's return to New-York where he performed until his passing in 2007.\r\n
      \r\n
      Only a few copies of this record ever made it to the shops at the time and very few have had the chance to listen to it before this legit reissue remastered from the original mono master tapes. 180-gram pressed at Pallas in Germany !
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ron Jefferson (drums, flute), Buz Saviano (guitar), Roland Haynes (bass), Jackie Robinson (vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-ron-jefferson-choir-sam-records-023"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2408 …}
}

[
  "produit" => App\Entity\Produit {#2156
    -id: 1994
    -nom: "Antibes '75"
    -informationComplementaire: null
    -description: """
      - Limited Edition 180 gram Vinyl LP - Only 2000 Copies !\r\n
      - Never-Before-Released Live Recording !\r\n
      - Mastered From The Original Stereo Master Tapes !\r\n
      - Pressed At Pallas in Germany !\r\n
      \r\n
      Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes '75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further.\r\n
      \r\n
      That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper's signature tunes "Cry Of Hunger" and "Croquet Ballet" reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer.\r\n
      \r\n
      Sam Records are honored to present to you this concert for the first time on record, a 180 gram LP including a 6 page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "illy Harper (tenor saxophone), Virgil Jones (trumpet), Joe Bonner (piano), David Friesen (bass), Malcolm Pinson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ypnSBi6zJTg&list=RDypnSBi6zJTg&start_radio=1"
    -referenceProduit: "Sam Records 022"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2158 …}
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      date: 2025-10-24 08:52:38.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-antibes-75-sam-records-022"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3570
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2640 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2156
    -id: 1994
    -nom: "Antibes '75"
    -informationComplementaire: null
    -description: """
      - Limited Edition 180 gram Vinyl LP - Only 2000 Copies !\r\n
      - Never-Before-Released Live Recording !\r\n
      - Mastered From The Original Stereo Master Tapes !\r\n
      - Pressed At Pallas in Germany !\r\n
      \r\n
      Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes '75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further.\r\n
      \r\n
      That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper's signature tunes "Cry Of Hunger" and "Croquet Ballet" reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer.\r\n
      \r\n
      Sam Records are honored to present to you this concert for the first time on record, a 180 gram LP including a 6 page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "illy Harper (tenor saxophone), Virgil Jones (trumpet), Joe Bonner (piano), David Friesen (bass), Malcolm Pinson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ypnSBi6zJTg&list=RDypnSBi6zJTg&start_radio=1"
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2172
    -id: 1848
    -nom: "Art Blakey & The New Jazz Live In Paris '65"
    -informationComplementaire: null
    -description: """
      - Limited edition 180 gram vinyl reissue !\r\n
      - Never-before-released Art Blakey 1965 live recordings !\r\n
      - First official release with permission and cooperation of the Art Blakey Estate and INA\r\n
      (Institut National de l'Audiovisuel) !\r\n
      - Limited to 2000 copies worldwide !\r\n
      - A truly powerhouse quintet !\r\n
      \r\n
      Art Blakey, Live in '65 boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums.\r\n
      \r\n
      Freddie Hubbard's incendiary playing on "Blue Moon" and the blistering 24 minute version of his own "Crisis"\r\n
      shows that he was one of the most innovative trumpeters in jazz history.\r\n
      \r\n
      On this live session, the audiences seem to have been enthusiastic and appreciative. "Everywhere we'd go people would say, This is the best Jazz Messengers we've heard !", according to Davis. "And because of the way Jaki would play and Reggie would go, it was like a semi-freedom thing with Messengers heads, you know, but when we got to soloing... ! And Blakey was ridin' and floatin' the time... but he would always be loose enough to follow, to keep it going. He's one helluva musician".\r\n
      \r\n
      Recorded at Palais de la Mutualité, Paris, France, November 3, 1965.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Art Blakey (drums), Freddie Hubbard (trumpet), Nathan Davis (tenor saxophone), Jacki Byard (piano), Reggie Workman (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=cR2Skbh47Do&list=RDcR2Skbh47Do&start_radio=1"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2174 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3621
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2640 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2172
    -id: 1848
    -nom: "Art Blakey & The New Jazz Live In Paris '65"
    -informationComplementaire: null
    -description: """
      - Limited edition 180 gram vinyl reissue !\r\n
      - Never-before-released Art Blakey 1965 live recordings !\r\n
      - First official release with permission and cooperation of the Art Blakey Estate and INA\r\n
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      - Limited to 2000 copies worldwide !\r\n
      - A truly powerhouse quintet !\r\n
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      \r\n
      Freddie Hubbard's incendiary playing on "Blue Moon" and the blistering 24 minute version of his own "Crisis"\r\n
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      \r\n
      On this live session, the audiences seem to have been enthusiastic and appreciative. "Everywhere we'd go people would say, This is the best Jazz Messengers we've heard !", according to Davis. "And because of the way Jaki would play and Reggie would go, it was like a semi-freedom thing with Messengers heads, you know, but when we got to soloing... ! And Blakey was ridin' and floatin' the time... but he would always be loose enough to follow, to keep it going. He's one helluva musician".\r\n
      \r\n
      Recorded at Palais de la Mutualité, Paris, France, November 3, 1965.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Art Blakey (drums), Freddie Hubbard (trumpet), Nathan Davis (tenor saxophone), Jacki Byard (piano), Reggie Workman (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -modifierLe: DateTime @1761295707 {#2170
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2180 …}
    -disponible: null
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    -slug: "vinyles-art-blakey-the-new-jazz-live-in-paris-65-sam-records-021"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2408 …}
}

[
  "produit" => App\Entity\Produit {#2188
    -id: 719
    -nom: "Byrd in Paris, Vol 2"
    -informationComplementaire: null
    -description: """
      - Recorded October 22, 1958, Olympia hall, Paris.\r\n
      - Original LP issue : Brunswick 87 904.\r\n
      \r\n
      - Re-mastered from the original master tapes.\r\n
      - 180 gram vinyl pressed by Optimal in Germany using the Metal Mothers from Pallas.\r\n
      - Facsimile reissue using the original cover art (front photo is lost).\r\n
      - Double insert using an original photo by JP Leloir from 1958.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      - Important : A slight distortion may appear on the piano or the drums. This defect, due to the poor quality of the master tapes, is impossible to erase without distorting the entire recording.\r\n
      \r\n
      \r\n
      \r\n
      In its October ‘58 issue, the title carried by Jazz Hot magazine was : “Revelation at the Chat Qui Pêche’. The spirit of jazz (which some thought was dying) is sparkling with life in the Donald Byrd Quintet.” And indeed, on its first appearance at the Cannes Festival in July (the Jazz Festival, not the other one), the Donald Byrd Quintet brought the house down. Its members were hardly the Who’s Who of jazz, however. People vaguely knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins had played bass with them, and that pianist Walter Davis Jr. had been with Charlie Parker before he was 19. As for Art Taylor, if he’d already enjoyed a career longer than that of his colleagues, it hadn’t yet brought him recognition beyond a small circle of cognoscenti. Only Bobby Jaspar – who’d shone at the Club St. Germain – was famous with the Parisian audience.\r\n
      \r\n
      After appearing in Cannes (in the sun) and Knokke-le-Zoute (a much smaller audience) for almost three months, the Donald Byrd Quintet settled down for the autumn in one of the capital’s top jazz spots, the Chat Qui Pêche on the Rue de la Huchette. To crown a tour that had been extremely satisfying for everyone, a concert at the Olympia theatre was organised (there were gigs there called “Jazz Wednesdays”). Byrd and Co. took things very seriously, even though they preserved the relaxed approach that their (relatively) long association now permitted: La Marseillaise, and And the angels sing are both present in the introduction to Parisian Thoroughfare played by the two horns. The latter then went on to imitate other horns, those of the cars on 52nd Street… However, when it came to Stardust, it was with all the seriousness in the world, almost in meditation in fact, that Donald Byrd improvised over the backing provided by just Walter Davis Jr. and Doug Watkins. Bobby Jaspar, of course, was marvellous. If he showed a marked obedience to Sonny Rollins, he still preserved, intact, the virtues of sobriety that prevented him falling into the trap of serving up torrents of notes in pieces taken at a rapid tempo (At This Time, for example). During the exchanges on Formidable, you’d be forgiven for saying that he gets the better of Donald Byrd. As for the complicity that reigned between the members of the rhythm section, it gave the formation a homogenous character that was very rare in a quintet.\r\n
      \r\n
      Now, almost half a century later, one can only agree with Jazz Magazine’s critic on the subject of the Donald Byrd Quintet: “The only thing missing (…) was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well-served in Paris.”\r\n
      Text – Alain Tercinet
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Bobby Jaspar (flute, tenor saxophone), Walter Davis Jr. (piano), Doug Watkins (bass) Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e7-duuuUbrM"
    -referenceProduit: "Sam Records SRLP 111"
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        "nom" => "3. Stardust"
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        "ordre" => 4
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      [
        "nom" => "Side B : "
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      ]
      [
        "nom" => "4. Salt Peanuts reprise"
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2190 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2192 …}
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    }
    -modifierLe: DateTime @1761295331 {#2186
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    }
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    -disponible: null
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    -slug: "vinyles-byrd-in-paris-vol-2-sam-records-srlp-111"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3672
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2640 …}
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    -id: 719
    -nom: "Byrd in Paris, Vol 2"
    -informationComplementaire: null
    -description: """
      - Recorded October 22, 1958, Olympia hall, Paris.\r\n
      - Original LP issue : Brunswick 87 904.\r\n
      \r\n
      - Re-mastered from the original master tapes.\r\n
      - 180 gram vinyl pressed by Optimal in Germany using the Metal Mothers from Pallas.\r\n
      - Facsimile reissue using the original cover art (front photo is lost).\r\n
      - Double insert using an original photo by JP Leloir from 1958.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      - Important : A slight distortion may appear on the piano or the drums. This defect, due to the poor quality of the master tapes, is impossible to erase without distorting the entire recording.\r\n
      \r\n
      \r\n
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      In its October ‘58 issue, the title carried by Jazz Hot magazine was : “Revelation at the Chat Qui Pêche’. The spirit of jazz (which some thought was dying) is sparkling with life in the Donald Byrd Quintet.” And indeed, on its first appearance at the Cannes Festival in July (the Jazz Festival, not the other one), the Donald Byrd Quintet brought the house down. Its members were hardly the Who’s Who of jazz, however. People vaguely knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins had played bass with them, and that pianist Walter Davis Jr. had been with Charlie Parker before he was 19. As for Art Taylor, if he’d already enjoyed a career longer than that of his colleagues, it hadn’t yet brought him recognition beyond a small circle of cognoscenti. Only Bobby Jaspar – who’d shone at the Club St. Germain – was famous with the Parisian audience.\r\n
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      After appearing in Cannes (in the sun) and Knokke-le-Zoute (a much smaller audience) for almost three months, the Donald Byrd Quintet settled down for the autumn in one of the capital’s top jazz spots, the Chat Qui Pêche on the Rue de la Huchette. To crown a tour that had been extremely satisfying for everyone, a concert at the Olympia theatre was organised (there were gigs there called “Jazz Wednesdays”). Byrd and Co. took things very seriously, even though they preserved the relaxed approach that their (relatively) long association now permitted: La Marseillaise, and And the angels sing are both present in the introduction to Parisian Thoroughfare played by the two horns. The latter then went on to imitate other horns, those of the cars on 52nd Street… However, when it came to Stardust, it was with all the seriousness in the world, almost in meditation in fact, that Donald Byrd improvised over the backing provided by just Walter Davis Jr. and Doug Watkins. Bobby Jaspar, of course, was marvellous. If he showed a marked obedience to Sonny Rollins, he still preserved, intact, the virtues of sobriety that prevented him falling into the trap of serving up torrents of notes in pieces taken at a rapid tempo (At This Time, for example). During the exchanges on Formidable, you’d be forgiven for saying that he gets the better of Donald Byrd. As for the complicity that reigned between the members of the rhythm section, it gave the formation a homogenous character that was very rare in a quintet.\r\n
      \r\n
      Now, almost half a century later, one can only agree with Jazz Magazine’s critic on the subject of the Donald Byrd Quintet: “The only thing missing (…) was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well-served in Paris.”\r\n
      Text – Alain Tercinet
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Bobby Jaspar (flute, tenor saxophone), Walter Davis Jr. (piano), Doug Watkins (bass) Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e7-duuuUbrM"
    -referenceProduit: "Sam Records SRLP 111"
    -titreMorceau: [
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2190 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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}

[
  "produit" => App\Entity\Produit {#2204
    -id: 2779
    -nom: "Paris 76"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - The Lost Live Series from Sam Records !\r\n
      - Never-before-released The Heath Brothers Paris '76 live recordings !\r\n
      - First release with full permission and cooperation of the INA (Institut Naational de l'Audiovisuel) !\r\n
      \r\n
      Sam Records is proud to present a live recording the band gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of "One for Juan", the band perform two tracks from the Marchin' On! album, "Watergate Blues" and a wonderful version of "Smilin' Billy".\r\n
      \r\n
      "That was the first Heath Brothers album. Stanley Cowell had started the Strata-East label with Charles Tolliver, and they engaged us to do a record. It was a family affair, and we adopted Stanley because we thought he was amazing. That was a different type of record for us. We recorded it while we were on tour in Oslo, Norway. We used to get on the train and travel around Europe, and we'd be playing in these cabins on the train. Percy played a bass with a cello body that Ray Brown created, Tootie and I played flutes, and Stanley played a chromatic African thumb piano. People would stop and listen to us on these trains going from one country to the next, and it was something that they liked. It was like a chamber-music group. So we decided to include that sound on the record". - Jimmy Heath in I Walked With Giants : The Autobiography of Jimmy Heath.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Jimmy Heath (tenor & soprano saxophones, flute), Stanley Cowell (piano, mbira), Percy Heath (bass, baby bass, cello), Albert “Tootie” Heath (drums, flute, African double‑reed)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Z6VOdaiUGMY&list=RDZ6VOdaiUGMY&start_radio=1"
    -referenceProduit: "Sam Records SAM 29"
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        "nom" => "Side A :"
        "ordre" => 0
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      [
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        "ordre" => 4
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2206 …}
    -label: App\Entity\Label {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2210 …}
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    }
    -modifierLe: DateTime @1761294543 {#2202
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2212 …}
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]

App\Twig\Components\GestionPanierFavoriComponents {#3723
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2640 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2204
    -id: 2779
    -nom: "Paris 76"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - The Lost Live Series from Sam Records !\r\n
      - Never-before-released The Heath Brothers Paris '76 live recordings !\r\n
      - First release with full permission and cooperation of the INA (Institut Naational de l'Audiovisuel) !\r\n
      \r\n
      Sam Records is proud to present a live recording the band gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of "One for Juan", the band perform two tracks from the Marchin' On! album, "Watergate Blues" and a wonderful version of "Smilin' Billy".\r\n
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      "That was the first Heath Brothers album. Stanley Cowell had started the Strata-East label with Charles Tolliver, and they engaged us to do a record. It was a family affair, and we adopted Stanley because we thought he was amazing. That was a different type of record for us. We recorded it while we were on tour in Oslo, Norway. We used to get on the train and travel around Europe, and we'd be playing in these cabins on the train. Percy played a bass with a cello body that Ray Brown created, Tootie and I played flutes, and Stanley played a chromatic African thumb piano. People would stop and listen to us on these trains going from one country to the next, and it was something that they liked. It was like a chamber-music group. So we decided to include that sound on the record". - Jimmy Heath in I Walked With Giants : The Autobiography of Jimmy Heath.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Jimmy Heath (tenor & soprano saxophones, flute), Stanley Cowell (piano, mbira), Percy Heath (bass, baby bass, cello), Albert “Tootie” Heath (drums, flute, African double‑reed)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Z6VOdaiUGMY&list=RDZ6VOdaiUGMY&start_radio=1"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2206 …}
    -label: App\Entity\Label {#1063 …}
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    -photoProduit: Doctrine\ORM\PersistentCollection {#2215 …}
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    }
    -modifierLe: DateTime @1761294543 {#2202
      date: 2025-10-24 08:29:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2212 …}
    -disponible: null
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    -slug: "vinyles-paris-76-sam-records-sam-29"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2408 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3918
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2408 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3919 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3967 …}
  +isValidated: false
  +validatedFields: []
}