Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2547
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2624
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2627 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
  -formView: Symfony\Component\Form\FormView {#2663 …}
  -form: Symfony\Component\Form\Form {#2813 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 403
    -nom: "Roxy Music  (Half-Speed Master)"
    -informationComplementaire: null
    -description: """
      - Roxy Music "Roxy Music" (Half-Speed Master)180 gram vinyl !\r\n
      - Remastered and cut at half speed from the original 1/4-inch tapes !\r\n
      - At Abbey Road Studios in London !\r\n
      \r\n
      The groundbreaking debut album from Roxy Music! The debut album by the glam / art rock band hit N° 10 on the U.K. charts. The band's glamorous style was showcased in the lyrics and the 1950's style album cover.\r\n
      \r\n
      In 2003, Rolling Stone magazine picked the album as No. 62 in its list of the best debut albums of all time.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bryan Ferry (keyboards, lead vocals), Brian Eno (synthesizers, backing vocals), Andy Mackay (oboe, saxophone), Phil Manzanera (electric guitar), Graham Simpson (bass guitar), Paul Thompson (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=kWhzG9cQGgc&list=RDkWhzG9cQGgc&start_radio=1"
    -referenceProduit: "Republic Records 6021"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Re-Make / Re-Model"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ladytron"
      ]
      [
        "ordre" => 3
        "nom" => "3. If There Is Something"
      ]
      [
        "ordre" => 4
        "nom" => "4. 2HB  Side"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. The Bob (Medley)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Chance Meeting"
      ]
      [
        "ordre" => 8
        "nom" => "3. Would You Believe ?"
      ]
      [
        "ordre" => 9
        "nom" => "4. Sea Breezes"
      ]
      [
        "ordre" => 10
        "nom" => "5. Bitters End"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1291359412 {#1875
      date: 2010-12-03 06:56:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768636108 {#1868
      date: 2026-01-17 07:48:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-roxy-music-half-speed-master-republic-records-6021"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3088
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 403
    -nom: "Roxy Music  (Half-Speed Master)"
    -informationComplementaire: null
    -description: """
      - Roxy Music "Roxy Music" (Half-Speed Master)180 gram vinyl !\r\n
      - Remastered and cut at half speed from the original 1/4-inch tapes !\r\n
      - At Abbey Road Studios in London !\r\n
      \r\n
      The groundbreaking debut album from Roxy Music! The debut album by the glam / art rock band hit N° 10 on the U.K. charts. The band's glamorous style was showcased in the lyrics and the 1950's style album cover.\r\n
      \r\n
      In 2003, Rolling Stone magazine picked the album as No. 62 in its list of the best debut albums of all time.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bryan Ferry (keyboards, lead vocals), Brian Eno (synthesizers, backing vocals), Andy Mackay (oboe, saxophone), Phil Manzanera (electric guitar), Graham Simpson (bass guitar), Paul Thompson (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=kWhzG9cQGgc&list=RDkWhzG9cQGgc&start_radio=1"
    -referenceProduit: "Republic Records 6021"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Re-Make / Re-Model"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ladytron"
      ]
      [
        "ordre" => 3
        "nom" => "3. If There Is Something"
      ]
      [
        "ordre" => 4
        "nom" => "4. 2HB  Side"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. The Bob (Medley)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Chance Meeting"
      ]
      [
        "ordre" => 8
        "nom" => "3. Would You Believe ?"
      ]
      [
        "ordre" => 9
        "nom" => "4. Sea Breezes"
      ]
      [
        "ordre" => 10
        "nom" => "5. Bitters End"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1291359412 {#1875
      date: 2010-12-03 06:56:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768636108 {#1868
      date: 2026-01-17 07:48:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-roxy-music-half-speed-master-republic-records-6021"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 1101
    -nom: "Stranded  (Half-Speed Master)"
    -informationComplementaire: null
    -description: """
      - Roxy Music "Stranded" (Half-Speed Master) !\r\n
      - Lacquer cutting by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Stranded gave Roxy Music their first No. 1 album in the U.K. and brought with it an undeniable presence that would see the American audience take note. It was becoming all too clear that Roxy Music were ahead of their time. Released in 1973, it was their third studio album and includes the Top 10 U.K. hit, "Street Life." This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bryan Ferry (keyboards, vocals), Phil Manzanera (guitar), Andy Mackay (oboe, saxophones, keyboards), John Porter (bass), Eddie Jobson (keyboards, violin), Paul Thompson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5reyXUSeEMI&list=PL_TaS3ukydpLXWlHm-gFHSeyTSignH2Sq"
    -referenceProduit: "Republic Records 6023"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Street Life"
      ]
      [
        "ordre" => 2
        "nom" => "2. Just Like You"
      ]
      [
        "ordre" => 3
        "nom" => "3. Amazona"
      ]
      [
        "ordre" => 4
        "nom" => "4. Psalm"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Serenade"
      ]
      [
        "ordre" => 7
        "nom" => "2. Song for Europe"
      ]
      [
        "ordre" => 8
        "nom" => "3. Mother of Pearl"
      ]
      [
        "ordre" => 9
        "nom" => "4. Sunset"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2052 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2045 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2047 …}
    -enregistreLe: DateTime @1483168597 {#2041
      date: 2016-12-31 07:16:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768635215 {#2042
      date: 2026-01-17 07:33:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2049 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stranded-half-speed-master-republic-records-6023"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3204
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 1101
    -nom: "Stranded  (Half-Speed Master)"
    -informationComplementaire: null
    -description: """
      - Roxy Music "Stranded" (Half-Speed Master) !\r\n
      - Lacquer cutting by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Stranded gave Roxy Music their first No. 1 album in the U.K. and brought with it an undeniable presence that would see the American audience take note. It was becoming all too clear that Roxy Music were ahead of their time. Released in 1973, it was their third studio album and includes the Top 10 U.K. hit, "Street Life." This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bryan Ferry (keyboards, vocals), Phil Manzanera (guitar), Andy Mackay (oboe, saxophones, keyboards), John Porter (bass), Eddie Jobson (keyboards, violin), Paul Thompson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5reyXUSeEMI&list=PL_TaS3ukydpLXWlHm-gFHSeyTSignH2Sq"
    -referenceProduit: "Republic Records 6023"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Street Life"
      ]
      [
        "ordre" => 2
        "nom" => "2. Just Like You"
      ]
      [
        "ordre" => 3
        "nom" => "3. Amazona"
      ]
      [
        "ordre" => 4
        "nom" => "4. Psalm"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Serenade"
      ]
      [
        "ordre" => 7
        "nom" => "2. Song for Europe"
      ]
      [
        "ordre" => 8
        "nom" => "3. Mother of Pearl"
      ]
      [
        "ordre" => 9
        "nom" => "4. Sunset"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2052 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2045 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2047 …}
    -enregistreLe: DateTime @1483168597 {#2041
      date: 2016-12-31 07:16:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768635215 {#2042
      date: 2026-01-17 07:33:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2049 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stranded-half-speed-master-republic-records-6023"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2057
    -id: 2269
    -nom: "Country Life  (Half-Speed Master)"
    -informationComplementaire: "Bryan Ferry (keyboards, lead vocals), Andy Mackay (oboe, saxophones), Phil Manzanera (electric & acoustic guitar), John Gustafson (bass guitar), Eddie Jobson (keyboards, violin), Paul Thompson (drums, percussion)"
    -description: """
      - Roxy Music "Country Life"  (Half-Speed Master) !\r\n
      - Cut by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Critically, Country Life is deemed to be Roxy Music's most consistent and sophisticated album. Musically and lyrically, the album has been considered more cynical and hard-rocking than their previous work. Released in 1974, it was their fourth studio album and includes the singles "The Thrill of It All", and "All I Want Is You". This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Republic Records 6024"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Thrill of It All"
      ]
      [
        "ordre" => 2
        "nom" => "2. Three and Nine"
      ]
      [
        "ordre" => 3
        "nom" => "3. All I Want Is You"
      ]
      [
        "ordre" => 4
        "nom" => "4. Out of the Blue"
      ]
      [
        "ordre" => 5
        "nom" => "5. If It Takes All Night"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Bitter Sweet"
      ]
      [
        "ordre" => 8
        "nom" => "2. Triptych"
      ]
      [
        "ordre" => 9
        "nom" => "3. Casanova"
      ]
      [
        "ordre" => 10
        "nom" => "4. A Really Good Time"
      ]
      [
        "ordre" => 11
        "nom" => "5. Prairie Rose"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2065 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2058 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2060 …}
    -enregistreLe: DateTime @1662703658 {#2054
      date: 2022-09-09 06:07:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768634529 {#2055
      date: 2026-01-17 07:22:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2062 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-country-life-half-speed-master-republic-records-6024"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3252
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2057
    -id: 2269
    -nom: "Country Life  (Half-Speed Master)"
    -informationComplementaire: "Bryan Ferry (keyboards, lead vocals), Andy Mackay (oboe, saxophones), Phil Manzanera (electric & acoustic guitar), John Gustafson (bass guitar), Eddie Jobson (keyboards, violin), Paul Thompson (drums, percussion)"
    -description: """
      - Roxy Music "Country Life"  (Half-Speed Master) !\r\n
      - Cut by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Critically, Country Life is deemed to be Roxy Music's most consistent and sophisticated album. Musically and lyrically, the album has been considered more cynical and hard-rocking than their previous work. Released in 1974, it was their fourth studio album and includes the singles "The Thrill of It All", and "All I Want Is You". This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Republic Records 6024"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Thrill of It All"
      ]
      [
        "ordre" => 2
        "nom" => "2. Three and Nine"
      ]
      [
        "ordre" => 3
        "nom" => "3. All I Want Is You"
      ]
      [
        "ordre" => 4
        "nom" => "4. Out of the Blue"
      ]
      [
        "ordre" => 5
        "nom" => "5. If It Takes All Night"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Bitter Sweet"
      ]
      [
        "ordre" => 8
        "nom" => "2. Triptych"
      ]
      [
        "ordre" => 9
        "nom" => "3. Casanova"
      ]
      [
        "ordre" => 10
        "nom" => "4. A Really Good Time"
      ]
      [
        "ordre" => 11
        "nom" => "5. Prairie Rose"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2065 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2058 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2060 …}
    -enregistreLe: DateTime @1662703658 {#2054
      date: 2022-09-09 06:07:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768634529 {#2055
      date: 2026-01-17 07:22:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2062 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-country-life-half-speed-master-republic-records-6024"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2070
    -id: 1261
    -nom: "Crying"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Roy Orbison (guitar, vocals), Boudleaux Bryant, Fred Carter Jr., Grady Martin, Hank Garland, Harold Bradley, Joe Tanner, Ray Edenton, Scotty Moore (guitar), Bob Moore (bass), Bill Pursell, Floyd Cramer (piano), Boots Randolph, Harry Johnson (saxophone), Cam Mullins, Karl Garvin (trumpet), Charlie McCoy (harmonica), Byron Bach (cello), Brenton Banks, Cecil Brower, Dorothy Walker, George Binkley, Lillian Hunt, Solie Fott, Suzanne Parker, Vernal Richardson, Wilda Tinsley (violin), Howard Carpenter (viola), Buddy Harman, John Greubel  (drums).\r\n
      \r\n
      - Double LP cut at 45 RPM !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - 180 Gram LPs plated and pressed by Quality Record Pressings !\r\n
      - Old style tip-on heavyweight gatefold jacket by Stoughton Printing !\r\n
      - "Crying" N° 69 on Rolling Stone's list of 500 Greatest Songs of All Time !\r\n
      \r\n
      The second Roy Orbison album issued by the Monument label, Crying was originally released in 1962 and became Orbison's chart breakthrough, reaching No. 21 on the Billboard chart and No. 17 in the U.K. The album name comes from the 1961 hit song of the same name that in 2002 was honored with a Grammy Hall of Fame Award.\r\n
      \r\n
      By 1962, Roy Orbison had established himself as one the leading lights out of Nashville. Still, it wasn't until he met songwriting partner Joe Melson that things began to fall into place for Roy. He moved to Monument Records in 1960 the focus in the studio was centered around exploiting the quality and range of his voice. Soon Orbison and Melson penned the hits "Only The Lonely" and "Running Scared". Orbison had arrived.\r\n
      \r\n
      The focus on this Analogue Productions reissue of Crying was extracting the absolute highest-quality sound from the original analog tape. Mastered by Bernie Grundman at 45 RPM, the four sides of dead-silent 180 Gram vinyl pressed at Quality Record Pressings provide reduced distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The heavyweight gatefold tip-on jacket from Stoughton Printing cradles the LPs in style.\r\n
      \r\n
      The Orbison-Melson penned title track zoomed to N° 2 on the Billboard charts. "Crying" is a slow-burning lament, allowing Roy's voice to come shining through, accompanied by strings, soulful vocals and a dynamically great vocal hook. Hear the Analogue Productions difference how great this familiar tune and its album namesake can sound.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Roy Orbison (guitar, vocals), Boudleaux Bryant, Fred Carter Jr., Grady Martin, Hank Garland, Harold Bradley, Joe Tanner, Ray Edenton, Scotty Moore (guitar), Bob Moore (bass), Bill Pursell, Floyd Cramer (piano)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tNdBLBleO90"
    -referenceProduit: "Analogue Productions AAPP 14007-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Crying "
      ]
      [
        "ordre" => 2
        "nom" => "2. The Great Pretender "
      ]
      [
        "ordre" => 3
        "nom" => "3. Love Hurts"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. She Wears My Ring "
      ]
      [
        "ordre" => 6
        "nom" => "2. Wedding Day "
      ]
      [
        "ordre" => 7
        "nom" => "3. Summersong"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Dance "
      ]
      [
        "ordre" => 10
        "nom" => "2. Lana "
      ]
      [
        "ordre" => 11
        "nom" => "3. Loneliness"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Let’s Make A Memory "
      ]
      [
        "ordre" => 14
        "nom" => "2. Nite Life "
      ]
      [
        "ordre" => 15
        "nom" => "3. Running Scared"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2072 …}
    -label: Proxies\__CG__\App\Entity\Label {#2075 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2084 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2077 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2079 …}
    -enregistreLe: DateTime @1514015840 {#2067
      date: 2017-12-23 07:57:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768632964 {#2068
      date: 2026-01-17 06:56:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2081 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-crying-analogue-productions-aapp-14007-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3298
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2070
    -id: 1261
    -nom: "Crying"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Roy Orbison (guitar, vocals), Boudleaux Bryant, Fred Carter Jr., Grady Martin, Hank Garland, Harold Bradley, Joe Tanner, Ray Edenton, Scotty Moore (guitar), Bob Moore (bass), Bill Pursell, Floyd Cramer (piano), Boots Randolph, Harry Johnson (saxophone), Cam Mullins, Karl Garvin (trumpet), Charlie McCoy (harmonica), Byron Bach (cello), Brenton Banks, Cecil Brower, Dorothy Walker, George Binkley, Lillian Hunt, Solie Fott, Suzanne Parker, Vernal Richardson, Wilda Tinsley (violin), Howard Carpenter (viola), Buddy Harman, John Greubel  (drums).\r\n
      \r\n
      - Double LP cut at 45 RPM !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - 180 Gram LPs plated and pressed by Quality Record Pressings !\r\n
      - Old style tip-on heavyweight gatefold jacket by Stoughton Printing !\r\n
      - "Crying" N° 69 on Rolling Stone's list of 500 Greatest Songs of All Time !\r\n
      \r\n
      The second Roy Orbison album issued by the Monument label, Crying was originally released in 1962 and became Orbison's chart breakthrough, reaching No. 21 on the Billboard chart and No. 17 in the U.K. The album name comes from the 1961 hit song of the same name that in 2002 was honored with a Grammy Hall of Fame Award.\r\n
      \r\n
      By 1962, Roy Orbison had established himself as one the leading lights out of Nashville. Still, it wasn't until he met songwriting partner Joe Melson that things began to fall into place for Roy. He moved to Monument Records in 1960 the focus in the studio was centered around exploiting the quality and range of his voice. Soon Orbison and Melson penned the hits "Only The Lonely" and "Running Scared". Orbison had arrived.\r\n
      \r\n
      The focus on this Analogue Productions reissue of Crying was extracting the absolute highest-quality sound from the original analog tape. Mastered by Bernie Grundman at 45 RPM, the four sides of dead-silent 180 Gram vinyl pressed at Quality Record Pressings provide reduced distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The heavyweight gatefold tip-on jacket from Stoughton Printing cradles the LPs in style.\r\n
      \r\n
      The Orbison-Melson penned title track zoomed to N° 2 on the Billboard charts. "Crying" is a slow-burning lament, allowing Roy's voice to come shining through, accompanied by strings, soulful vocals and a dynamically great vocal hook. Hear the Analogue Productions difference how great this familiar tune and its album namesake can sound.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Roy Orbison (guitar, vocals), Boudleaux Bryant, Fred Carter Jr., Grady Martin, Hank Garland, Harold Bradley, Joe Tanner, Ray Edenton, Scotty Moore (guitar), Bob Moore (bass), Bill Pursell, Floyd Cramer (piano)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tNdBLBleO90"
    -referenceProduit: "Analogue Productions AAPP 14007-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Crying "
      ]
      [
        "ordre" => 2
        "nom" => "2. The Great Pretender "
      ]
      [
        "ordre" => 3
        "nom" => "3. Love Hurts"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. She Wears My Ring "
      ]
      [
        "ordre" => 6
        "nom" => "2. Wedding Day "
      ]
      [
        "ordre" => 7
        "nom" => "3. Summersong"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Dance "
      ]
      [
        "ordre" => 10
        "nom" => "2. Lana "
      ]
      [
        "ordre" => 11
        "nom" => "3. Loneliness"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Let’s Make A Memory "
      ]
      [
        "ordre" => 14
        "nom" => "2. Nite Life "
      ]
      [
        "ordre" => 15
        "nom" => "3. Running Scared"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2072 …}
    -label: Proxies\__CG__\App\Entity\Label {#2075 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2084 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2077 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2079 …}
    -enregistreLe: DateTime @1514015840 {#2067
      date: 2017-12-23 07:57:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768632964 {#2068
      date: 2026-01-17 06:56:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2081 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-crying-analogue-productions-aapp-14007-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2089
    -id: 1533
    -nom: "Lotus - (3 LP - Limited Numbered Edition / Photo Inserts + Posters)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion), Richard Kermode (Hammond organ, electric piano, keyboards, percussion), Doug Rauch (bass guitar), Michael Shrieve (drums, Latin percussion), Armando Peraza (congas, bongos, Latin percussion), José “Chepito” Areas (timbales, congas, Latin percussion), Leon Thomas (maracas, vocals, percussion).\r\n
      \r\n
      One of the Most Exhilarating Live Albums Ever Released: Santana’s Lotus Documents Indispensable 1973 Performances Distinguished by Passionate Soulfulness, Chemistry, and Inventiveness\r\n
      \r\n
      Mobile Fidelity’s 180 gram 33 RPM (3 LP) Set Features Reference Sound and Deluxe Trifold Packaging Faithful to That of the Original Japanese Import : Strictly Limited to 5000 Numbered Copies, Includes Four Photo Inserts and Two Fold-Out Posters\r\n
      \r\n
      1/2" / 15 IPS / four-track analog master to two-track DSD 256 to analog console to lathe\r\n
      \r\n
      The bizarre legacy of Lotus transcends its status as both the definitive onstage document of Santana’s career and one of the most spectacular live albums ever released. Originally issued in 1974, the triple LP contains exhilarating performances recorded at two shows in early July 1973 at the 2400-seat Osaka Kosei Nenkin Kaikan concert hall. It bears witness to the eight-piece collective playing with a chemistry, inventiveness, cohesiveness, and soulfulness no other Santana lineup would ever surpass. Lotus also remained the only completely live Santana album for almost two decades and took nearly as long to see domestic release.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 5,000 numbered copies, and housed in deluxe trifold packaging faithful to that of the original pressing, Lotus benefits from reference audiophile treatment on Mobile Fidelity’s 180 gram (3 LP) set. Featuring rich tones, smooth dynamics, excellent separation, deep soundstages, and involving presence, this reissue pays tribute to both the virtuosic lineup and the indispensable fusion of Latin- and Afro-Cuban-influenced jazz, rock, psychedelia, R&B, and blues. The complexity of the spiritual passages, demands of the crescendos, delicacy of the calm transitions, electricity of the solos: everything is rendered with superb balance free of harshness, compression, and fatiguing peaks that would otherwise distract from the presentations at hand.\r\n
      \r\n
      You also get a generous taste of the ambience of the venue, and a definite sense of the interplay and improvisation that transpired as much by feel as by architectural necessity. The weight of the bass, extension of the highs, punch of the mids, texture and reverberation of the percussion : Mobile Fidelity’s organic version of Lotus stakes an immediate claim to demonstration-disc status of how a live recording should sound. And look. Paying homage to the original, this reissue includes four double-sided flat photo inserts and two 24 x 36 inch double-sided fold-out posters. (Note : It does not have an obi strip or red Japanese insert.)\r\n
      \r\n
      Exclusively released in Japan before it slowly made it across the seas to the United States as a pricey import, Lotus became a hot topic among in-the-know connoisseurs. Hip record stores struggled to keep the record in the bins. Italy, New Zealand, and Europe got their own versions of the in-demand set before the end of 1975. American listeners weren’t so lucky. To satisfy their fix, they had to turn to the imports.\r\n
      \r\n
      The same year Stateside fans began paying a premium to hear the two hours of magic on Lotus, CBS released Santana’s Greatest Hits an introductory compilation that went on to sell more than seven million copies. Another 17 years passed before Lotus hit American shelves as a domestic set in the form of two-CD and two-cassette editions. It didn’t become available on domestic vinyl until 2013 on a version that has long been out of print.\r\n
      \r\n
      In addition to the magnificent instrumental prowess and daring of the arrangements, the historical importance of Lotus has only grown as time and Santana evolved. Five members of the Caravanserai Tour octet percussionists/drummers Michael Shrieve and Jose “Chepito” Areas, vocalist Leon Thomas, keyboardist Richard Kermode, bassist Doug Rauch departed by the end of 1974. As such, along with the late 1973 studio effort Welcome, Lotus stands as the high-water mark of Santana’s early and mid-70s fusion period before the lineup changed and the group transitioned into more experimental territory.\r\n
      \r\n
      Featuring seven previously unreleased tracks as well as remarkable renditions of material from Santana’s first four albums and the Carlos Santana-John McLaughlin collaboration Love Devotion Surrender, Lotus simultaneously suggests and inspires, dreams and delivers. Though the extended drum solo “Kyoto” may not conform to everyone’s idea of essential listening, every moment here sees Carlos Santana and company finding new gears and playing as if their lives depend on it.\r\n
      \r\n
      You can feel the passion it on takes of “Every Step of the Way,” “Mantra,” Se a Cabo”, “Toussaint L’Overture”, and the scorching “Incident at Neshabur”. Renditions of Santna’s more “mainstream” fare “Black Magic Woman”, “Oyo Como Va”, “Gypsy Queen” touch on similarly elevated planes. Taking the meaning of title of the ambitious album to heart, Santana revolves around themes of rebirth and launches into a mystical universe in which peacefulness, sensitivity, beauty, and boundless creativity orbit a fiery sun. Black magic, indeed.\r\n
      \r\n
      “Santana’s new two-keyboard approach made for a more layered and expansive sound, and the remastered vinyl captures the deep, wide soundstage that resulted, and the percussion comes through with great clarity”. - The Absolute Sound
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gVaCe1DN4TE&list=OLAK5uy_lC5OGVbwZbFHcPb4qTk8lZG6XYOqo4QEY&index=3"
    -referenceProduit: "Mobile Fidelity Sound Lab 3-540"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Meditation"
      ]
      [
        "ordre" => 1
        "nom" => "2. Going Home"
      ]
      [
        "ordre" => 2
        "nom" => "3. A-1 Funk"
      ]
      [
        "ordre" => 3
        "nom" => "4. Every Step of the Way"
      ]
      [
        "ordre" => 4
        "nom" => "5. Black Magic Woman"
      ]
      [
        "ordre" => 5
        "nom" => "6. Gypsy Queen"
      ]
      [
        "ordre" => 6
        "nom" => "7. Oye Como Va"
      ]
      [
        "ordre" => 7
        "nom" => "8. Yours Is the Light"
      ]
      [
        "ordre" => 8
        "nom" => "9. Batuka"
      ]
      [
        "ordre" => 9
        "nom" => "10. Xibaba (She-Ba-Ba)"
      ]
      [
        "ordre" => 10
        "nom" => "11. Stone Flower (Introduction)"
      ]
      [
        "ordre" => 11
        "nom" => "12. Waiting"
      ]
      [
        "ordre" => 12
        "nom" => "13. Castillos de Arena, Pt. 1 (Sand Castle)"
      ]
      [
        "ordre" => 13
        "nom" => "14. Free Angela"
      ]
      [
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        "nom" => "15. Samba de Sausalito"
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        "nom" => "16. Mantra"
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      [
        "ordre" => 16
        "nom" => "17. Kyoto"
      ]
      [
        "ordre" => 17
        "nom" => "18. Castillos de Arena, Pt. 2 (Sand Castle)"
      ]
      [
        "ordre" => 18
        "nom" => "19. Se a Cabó"
      ]
      [
        "ordre" => 19
        "nom" => "20. Samba Pa Ti"
      ]
      [
        "ordre" => 20
        "nom" => "21. Savor"
      ]
      [
        "ordre" => 21
        "nom" => "22. Toussaint l’Overture"
      ]
      [
        "ordre" => 22
        "nom" => "23. Incident at Neshabur"
      ]
      [
        "ordre" => 23
        "nom" => ""
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      [
        "ordre" => 24
        "nom" => ""
      ]
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        "nom" => ""
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2091 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2103 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2096 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2098 …}
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      date: 2019-02-01 07:39:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768550218 {#2087
      date: 2026-01-16 07:56:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2100 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-lotus-3-lp-limited-numbered-edition-photo-inserts-posters-mobile-fidelity-sound-lab-3-540"
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App\Twig\Components\GestionPanierFavoriComponents {#3349
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2089
    -id: 1533
    -nom: "Lotus - (3 LP - Limited Numbered Edition / Photo Inserts + Posters)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion), Richard Kermode (Hammond organ, electric piano, keyboards, percussion), Doug Rauch (bass guitar), Michael Shrieve (drums, Latin percussion), Armando Peraza (congas, bongos, Latin percussion), José “Chepito” Areas (timbales, congas, Latin percussion), Leon Thomas (maracas, vocals, percussion).\r\n
      \r\n
      One of the Most Exhilarating Live Albums Ever Released: Santana’s Lotus Documents Indispensable 1973 Performances Distinguished by Passionate Soulfulness, Chemistry, and Inventiveness\r\n
      \r\n
      Mobile Fidelity’s 180 gram 33 RPM (3 LP) Set Features Reference Sound and Deluxe Trifold Packaging Faithful to That of the Original Japanese Import : Strictly Limited to 5000 Numbered Copies, Includes Four Photo Inserts and Two Fold-Out Posters\r\n
      \r\n
      1/2" / 15 IPS / four-track analog master to two-track DSD 256 to analog console to lathe\r\n
      \r\n
      The bizarre legacy of Lotus transcends its status as both the definitive onstage document of Santana’s career and one of the most spectacular live albums ever released. Originally issued in 1974, the triple LP contains exhilarating performances recorded at two shows in early July 1973 at the 2400-seat Osaka Kosei Nenkin Kaikan concert hall. It bears witness to the eight-piece collective playing with a chemistry, inventiveness, cohesiveness, and soulfulness no other Santana lineup would ever surpass. Lotus also remained the only completely live Santana album for almost two decades and took nearly as long to see domestic release.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 5,000 numbered copies, and housed in deluxe trifold packaging faithful to that of the original pressing, Lotus benefits from reference audiophile treatment on Mobile Fidelity’s 180 gram (3 LP) set. Featuring rich tones, smooth dynamics, excellent separation, deep soundstages, and involving presence, this reissue pays tribute to both the virtuosic lineup and the indispensable fusion of Latin- and Afro-Cuban-influenced jazz, rock, psychedelia, R&B, and blues. The complexity of the spiritual passages, demands of the crescendos, delicacy of the calm transitions, electricity of the solos: everything is rendered with superb balance free of harshness, compression, and fatiguing peaks that would otherwise distract from the presentations at hand.\r\n
      \r\n
      You also get a generous taste of the ambience of the venue, and a definite sense of the interplay and improvisation that transpired as much by feel as by architectural necessity. The weight of the bass, extension of the highs, punch of the mids, texture and reverberation of the percussion : Mobile Fidelity’s organic version of Lotus stakes an immediate claim to demonstration-disc status of how a live recording should sound. And look. Paying homage to the original, this reissue includes four double-sided flat photo inserts and two 24 x 36 inch double-sided fold-out posters. (Note : It does not have an obi strip or red Japanese insert.)\r\n
      \r\n
      Exclusively released in Japan before it slowly made it across the seas to the United States as a pricey import, Lotus became a hot topic among in-the-know connoisseurs. Hip record stores struggled to keep the record in the bins. Italy, New Zealand, and Europe got their own versions of the in-demand set before the end of 1975. American listeners weren’t so lucky. To satisfy their fix, they had to turn to the imports.\r\n
      \r\n
      The same year Stateside fans began paying a premium to hear the two hours of magic on Lotus, CBS released Santana’s Greatest Hits an introductory compilation that went on to sell more than seven million copies. Another 17 years passed before Lotus hit American shelves as a domestic set in the form of two-CD and two-cassette editions. It didn’t become available on domestic vinyl until 2013 on a version that has long been out of print.\r\n
      \r\n
      In addition to the magnificent instrumental prowess and daring of the arrangements, the historical importance of Lotus has only grown as time and Santana evolved. Five members of the Caravanserai Tour octet percussionists/drummers Michael Shrieve and Jose “Chepito” Areas, vocalist Leon Thomas, keyboardist Richard Kermode, bassist Doug Rauch departed by the end of 1974. As such, along with the late 1973 studio effort Welcome, Lotus stands as the high-water mark of Santana’s early and mid-70s fusion period before the lineup changed and the group transitioned into more experimental territory.\r\n
      \r\n
      Featuring seven previously unreleased tracks as well as remarkable renditions of material from Santana’s first four albums and the Carlos Santana-John McLaughlin collaboration Love Devotion Surrender, Lotus simultaneously suggests and inspires, dreams and delivers. Though the extended drum solo “Kyoto” may not conform to everyone’s idea of essential listening, every moment here sees Carlos Santana and company finding new gears and playing as if their lives depend on it.\r\n
      \r\n
      You can feel the passion it on takes of “Every Step of the Way,” “Mantra,” Se a Cabo”, “Toussaint L’Overture”, and the scorching “Incident at Neshabur”. Renditions of Santna’s more “mainstream” fare “Black Magic Woman”, “Oyo Como Va”, “Gypsy Queen” touch on similarly elevated planes. Taking the meaning of title of the ambitious album to heart, Santana revolves around themes of rebirth and launches into a mystical universe in which peacefulness, sensitivity, beauty, and boundless creativity orbit a fiery sun. Black magic, indeed.\r\n
      \r\n
      “Santana’s new two-keyboard approach made for a more layered and expansive sound, and the remastered vinyl captures the deep, wide soundstage that resulted, and the percussion comes through with great clarity”. - The Absolute Sound
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gVaCe1DN4TE&list=OLAK5uy_lC5OGVbwZbFHcPb4qTk8lZG6XYOqo4QEY&index=3"
    -referenceProduit: "Mobile Fidelity Sound Lab 3-540"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Meditation"
      ]
      [
        "ordre" => 1
        "nom" => "2. Going Home"
      ]
      [
        "ordre" => 2
        "nom" => "3. A-1 Funk"
      ]
      [
        "ordre" => 3
        "nom" => "4. Every Step of the Way"
      ]
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        "nom" => "5. Black Magic Woman"
      ]
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        "nom" => "6. Gypsy Queen"
      ]
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        "nom" => "7. Oye Como Va"
      ]
      [
        "ordre" => 7
        "nom" => "8. Yours Is the Light"
      ]
      [
        "ordre" => 8
        "nom" => "9. Batuka"
      ]
      [
        "ordre" => 9
        "nom" => "10. Xibaba (She-Ba-Ba)"
      ]
      [
        "ordre" => 10
        "nom" => "11. Stone Flower (Introduction)"
      ]
      [
        "ordre" => 11
        "nom" => "12. Waiting"
      ]
      [
        "ordre" => 12
        "nom" => "13. Castillos de Arena, Pt. 1 (Sand Castle)"
      ]
      [
        "ordre" => 13
        "nom" => "14. Free Angela"
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        "nom" => "15. Samba de Sausalito"
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        "nom" => "17. Kyoto"
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        "nom" => "18. Castillos de Arena, Pt. 2 (Sand Castle)"
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        "nom" => "20. Samba Pa Ti"
      ]
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        "nom" => "22. Toussaint l’Overture"
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      [
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        "nom" => "23. Incident at Neshabur"
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2091 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2103 …}
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    }
    -modifierLe: DateTime @1768550218 {#2087
      date: 2026-01-16 07:56:58.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-lotus-3-lp-limited-numbered-edition-photo-inserts-posters-mobile-fidelity-sound-lab-3-540"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2108
    -id: 2586
    -nom: "Caravanserai"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar), Wendy Haas (piano), Tom Rutley (acoustic bass), Tom Coster (electric piano), Hadley Caliman (saxophone), flute), Lenny White (castanets), Rico Reyes (vocals), James Mingo Lewis (acoustic piano, percussion, congas, bongos, vocals), Armando Peraza (percussion, bongos), Michael Shrieve (drums, percussion, vocals), José "Chepito" Areas (percussion, congas, timbales, bongos).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES FOR DEFINITIVE SOUND: MOBILE FIDELITY 180 gram 33 RPM LP PLAYS WITH SUPERB DETAIL, CLARITY, AIRINESS, AND NATURALISM !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Filled with harmonious performances that reflect the definition of its title a place at which ideas, products, and culture are freely traded Caravanserai marks the start of Carlos Santana's foray into the jazz-fusion territory that would inform his career for the better part of the next two decades. Inspired by Miles Davis' pioneering period work, and aiming to discover and develop inner peace within a musical realm, the guitarist sets off on a quest to find his equivalent of the spiritual dimensions John Coltrane channels on A Love Supreme. The daring move paid dividends: The namesake band's 1972 album landed in the Top 10, sold more than a million copies, and established Santana as a visionary who refused to cater to commercialism.\r\n
      \r\n
      Sourced from the original master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180g 33RPM LP brims with atmospheric texture, three-dimensional spaciousness, and revealing microdynamics. This collectible audiophile reissue exposes the natural feel of Santana and drummer Mike Shrieve's production, allowing the music to emerge with refreshing airiness, intimate presence, and organic balance. Whether the sound pertains to the brassy reach of a saxophone, bloom of an acoustic bass, intricate wash of an organ, or trailing note of an echo, Caravanserai projects with superb detail and clarity. This is an album whose meanings and scope tremendously benefit from such enhanced closeness, warmth, and tonality.\r\n
      \r\n
      Just consider the quote from Indian monk-yogi Paramahansa Yolanda gracing the album's inner cover : "The body melts into the universe. The universe melts into the soundless voice. The sound melts into the all-shining light. And the light enters the bosom of infinite joy". Yolanda's words serve as a guide: Caravanserai feels at once cosmic, hopeful, bright, festive. Though grounded and centered, its songs seem to float in an otherworldly stratosphere; its liberating passages and pulsing rhythms don't touch the ground. Arrangements point forward and skyward, drawing attention to a higher consciousness and away from earthly pursuits. The effect is beautiful, uplifting, freeing.\r\n
      \r\n
      Soulfulness and spirituality course throughout Caravanserai. Its deep emotionalism and heartfelt expressiveness are on par with the most personalized playing of Santana's career. Distinct from instrumentally based albums centered around jams performed for the sake of virtuosity, Caravanserai retains a cohesive focus and purpose. It is foremost an album of songs connected by melody, groove, and relative concision. It makes demands on not just the ears but the heart and mind. Directly and indirectly invoking concepts like purifying, cleansing, and sharing, it invites you to listen and concentrate with undivided attention.\r\n
      \r\n
      The final Santana record to feature guitarist Neil Schon and organist Greg Rollie for more than four decades, Caravanserai displays no hint of the discord that would soon cause the lineup to splinter. Functioning as a unified collective with an all-for-one mentality, the band arrives at intersections at which rock, Latin, jazz, and funk speak a common language. Santana, Schon, Rollie, bassist Douglas Rauch, and company delve into the boundless and then-novel  possibilities of fusion without exploiting technique, taxing patience, or running adrift.\r\n
      \r\n
      Opening with the sound of chirping crickets which immediately announces the album's preoccupation with nature and harmonious existence in the universe Caravanserai brings listeners into a world unlike that on any other record. Designed to be heard in sequence, the 10 track LP doubles as an immersive adventure into the known and unknown. In addition to the exceptional musicality, the band embraces a metaphysical vibe that suits the wordless messages conveyed in aptly titled songs such as the explorative "Waves Within" and funk-laden "Look Up (To See What's Coming Down)". On the radiant "Song of the Wind", Santana and Schon trade sun-bound solos atop a subtle foundation laid by Rollie's organ. So it goes on Caravanserai : As Santana shines, so does his band.\r\n
      \r\n
      The record's second half ventures deeper into the mystic. "All the Love in the Universe" incorporates sitar-like elements and harmonious chants; the mediative "Future Primitive" uses quiet as an instrument; the Brazilian-spiced "Stone Flower" sees the group setting lyrics to an Antonio Carlos Jobim tune; Cuban accents, timbales, and bongos pop on the danceable "La Fuente del Ritmo", featuring contributions by jazz legend and then-new recruit Armando Peraza. On the epic closer "Every Step of the Way," the group nods to Miles Davis' space-jazz oeuvre before transitioning to a woodwinds-meet-conga-meets-guitar blowout topped off by an orchestral arrangement.\r\n
      \r\n
      It's a lot to absorb. This reissue invites you to listen again and again and experience everything that makes the album inimitable.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WIRBshlXUDk"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-524"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Eternal Caravan Of Reincarnation"
      ]
      [
        "ordre" => 2
        "nom" => "2. Waves Within"
      ]
      [
        "ordre" => 3
        "nom" => "3. Look Up (To See What's Coming Down)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Just In Time To See The Sun"
      ]
      [
        "ordre" => 5
        "nom" => "5. Song Of The Wind"
      ]
      [
        "ordre" => 6
        "nom" => "6. All The Love Of The Universe"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Future Primitive"
      ]
      [
        "ordre" => 9
        "nom" => "2. Stone Flower"
      ]
      [
        "ordre" => 10
        "nom" => "3. La Fuente Del Ritmo"
      ]
      [
        "ordre" => 11
        "nom" => "4. Every Step Of The Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2091 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2116 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2109 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2111 …}
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    }
    -modifierLe: DateTime @1768548523 {#2106
      date: 2026-01-16 07:28:43.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2113 …}
    -disponible: null
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    -slug: "vinyles-caravanserai-mobile-fidelity-sound-lab-mfsl-1-524"
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App\Twig\Components\GestionPanierFavoriComponents {#3402
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2108
    -id: 2586
    -nom: "Caravanserai"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar), Wendy Haas (piano), Tom Rutley (acoustic bass), Tom Coster (electric piano), Hadley Caliman (saxophone), flute), Lenny White (castanets), Rico Reyes (vocals), James Mingo Lewis (acoustic piano, percussion, congas, bongos, vocals), Armando Peraza (percussion, bongos), Michael Shrieve (drums, percussion, vocals), José "Chepito" Areas (percussion, congas, timbales, bongos).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES FOR DEFINITIVE SOUND: MOBILE FIDELITY 180 gram 33 RPM LP PLAYS WITH SUPERB DETAIL, CLARITY, AIRINESS, AND NATURALISM !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Filled with harmonious performances that reflect the definition of its title a place at which ideas, products, and culture are freely traded Caravanserai marks the start of Carlos Santana's foray into the jazz-fusion territory that would inform his career for the better part of the next two decades. Inspired by Miles Davis' pioneering period work, and aiming to discover and develop inner peace within a musical realm, the guitarist sets off on a quest to find his equivalent of the spiritual dimensions John Coltrane channels on A Love Supreme. The daring move paid dividends: The namesake band's 1972 album landed in the Top 10, sold more than a million copies, and established Santana as a visionary who refused to cater to commercialism.\r\n
      \r\n
      Sourced from the original master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180g 33RPM LP brims with atmospheric texture, three-dimensional spaciousness, and revealing microdynamics. This collectible audiophile reissue exposes the natural feel of Santana and drummer Mike Shrieve's production, allowing the music to emerge with refreshing airiness, intimate presence, and organic balance. Whether the sound pertains to the brassy reach of a saxophone, bloom of an acoustic bass, intricate wash of an organ, or trailing note of an echo, Caravanserai projects with superb detail and clarity. This is an album whose meanings and scope tremendously benefit from such enhanced closeness, warmth, and tonality.\r\n
      \r\n
      Just consider the quote from Indian monk-yogi Paramahansa Yolanda gracing the album's inner cover : "The body melts into the universe. The universe melts into the soundless voice. The sound melts into the all-shining light. And the light enters the bosom of infinite joy". Yolanda's words serve as a guide: Caravanserai feels at once cosmic, hopeful, bright, festive. Though grounded and centered, its songs seem to float in an otherworldly stratosphere; its liberating passages and pulsing rhythms don't touch the ground. Arrangements point forward and skyward, drawing attention to a higher consciousness and away from earthly pursuits. The effect is beautiful, uplifting, freeing.\r\n
      \r\n
      Soulfulness and spirituality course throughout Caravanserai. Its deep emotionalism and heartfelt expressiveness are on par with the most personalized playing of Santana's career. Distinct from instrumentally based albums centered around jams performed for the sake of virtuosity, Caravanserai retains a cohesive focus and purpose. It is foremost an album of songs connected by melody, groove, and relative concision. It makes demands on not just the ears but the heart and mind. Directly and indirectly invoking concepts like purifying, cleansing, and sharing, it invites you to listen and concentrate with undivided attention.\r\n
      \r\n
      The final Santana record to feature guitarist Neil Schon and organist Greg Rollie for more than four decades, Caravanserai displays no hint of the discord that would soon cause the lineup to splinter. Functioning as a unified collective with an all-for-one mentality, the band arrives at intersections at which rock, Latin, jazz, and funk speak a common language. Santana, Schon, Rollie, bassist Douglas Rauch, and company delve into the boundless and then-novel  possibilities of fusion without exploiting technique, taxing patience, or running adrift.\r\n
      \r\n
      Opening with the sound of chirping crickets which immediately announces the album's preoccupation with nature and harmonious existence in the universe Caravanserai brings listeners into a world unlike that on any other record. Designed to be heard in sequence, the 10 track LP doubles as an immersive adventure into the known and unknown. In addition to the exceptional musicality, the band embraces a metaphysical vibe that suits the wordless messages conveyed in aptly titled songs such as the explorative "Waves Within" and funk-laden "Look Up (To See What's Coming Down)". On the radiant "Song of the Wind", Santana and Schon trade sun-bound solos atop a subtle foundation laid by Rollie's organ. So it goes on Caravanserai : As Santana shines, so does his band.\r\n
      \r\n
      The record's second half ventures deeper into the mystic. "All the Love in the Universe" incorporates sitar-like elements and harmonious chants; the mediative "Future Primitive" uses quiet as an instrument; the Brazilian-spiced "Stone Flower" sees the group setting lyrics to an Antonio Carlos Jobim tune; Cuban accents, timbales, and bongos pop on the danceable "La Fuente del Ritmo", featuring contributions by jazz legend and then-new recruit Armando Peraza. On the epic closer "Every Step of the Way," the group nods to Miles Davis' space-jazz oeuvre before transitioning to a woodwinds-meet-conga-meets-guitar blowout topped off by an orchestral arrangement.\r\n
      \r\n
      It's a lot to absorb. This reissue invites you to listen again and again and experience everything that makes the album inimitable.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WIRBshlXUDk"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-524"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Eternal Caravan Of Reincarnation"
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        "nom" => "3. Look Up (To See What's Coming Down)"
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        "nom" => "4. Just In Time To See The Sun"
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        "nom" => "5. Song Of The Wind"
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        "ordre" => 6
        "nom" => "6. All The Love Of The Universe"
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        "nom" => "3. La Fuente Del Ritmo"
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        "nom" => "4. Every Step Of The Way"
      ]
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[
  "produit" => App\Entity\Produit {#2121
    -id: 2565
    -nom: "Abraxas - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Abraxas Remains the Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman”, Ranks #334 on Rolling Stone’s List of the Greatest Albums of All Time !\r\n
      - Sourced from the Original Analog Master Tapes for Exceptional Sound : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Abraxas remains the consummate Latin rock album. The confident sound of Santana stretching out and carving out new musical territory, the band's 1970 effort pulses with psychedelic accents and Afro-Latin grooves. Ranked on Rolling Stone’s list of the 500 Greatest Albums of All Time and selected by the Library of Congress for inclusion in its National Recording Registry, Abraxas immediately captured the public’s ear, spending six weeks at the N° 1 spot and sending the band's cosmic cover of Fleetwood Mac's “Black Magic Woman” into the Top 5. More than five million copies and countless global accolades later, Abraxas is legend.\r\n
      \r\n
      Sourced from the original analog tapes, housed in a Stoughton gatefold jacket, and improving upon the label's critically acclaimed out-of-print 180 gram LP pressing, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP teems with information, clarity, textures, and colors. The result: Spacious, airy, and you-are-there sonics that further benefit from the characteristics of MoFi SuperVinyl: an ultra-low noise floor, superior groove definition, and dead-quiet surfaces. \r\n
      \r\n
      Experience Abraxas the way it is meant to be heard, with the instruments and musicians placed in the proper channels. This collectible version captures the full tonal range of Santana’s guitar and nuances of his distinctive touch. Passages and notes are brought to the forefront and properly scaled, enhancing your emotional connection to this iconic record.\r\n
      \r\n
      Filled with celebratory vibes, bluesy jams, mellow vocals, and hip-shaking grooves, Abraxas picks up on the momentum of Santana's self-titled 1969 debut. Drifting into more versatile territory, Santana reimagines what’s possible in melding various disciplines and styles. Mysticism and spirituality abound amid performances featuring a thrilling assembly of purring organs, conga beats, and fluid bass lines. And that says nothing of the bandleader’s extraordinary guitar playing.\r\n
      \r\n
      Wild, free, and loose, the group conjures the feeling of mountains and rivers on the opening instrumental “Singing Winds, Crying Beasts,” leads a salsa parade on a definitive version of Tito Puente’s “Oye Como Va”, and explores its sensual side on “Samba Pa Ti”, a track indicative of the album’s Latin vibes and percussion. Sonically, Abraxas takes advantage of then-advanced studio techniques such as cross-fading and state-of-the-art mixing. As The Mojo Collection explains: “Dissatisfied with the sound of their debut, the group brought in as a co-producer veteran jazz engineer Fred Catero, whose skills proved invaluable in balancing the new range of musical flavors Santana [was] bringing into its sound: the result was a giant step on from [the band’s] debut”.\r\n
      \r\n
      Like the group’s debut, Abraxas long laid claim to one of the biggest production gaffes in music history. Until Mobile Fidelity corrected the error with its 2008 LP and gold CD reissues, Abraxas had never been heard correctly. For nearly four decades, copies were produced with the left and right channels reversed. So, in addition to showcasing reach-out-and-touch it sound, this SuperVinyl edition gets all the specifications right.\r\n
      \r\n
      Please note: The provenance information printed on the back cover of Mobile Fidelity's Abraxas SuperVinyl reissue mistakenly lists “DSD 256” instead of the correct “DSD 64” rate. The sticker affixed to the outer plastic sleeve/bag of this LP reflects this correction. The complete correct provenance is : 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, vocals), Dave Brown (bass guitar), Jose Areas (timbales, congas), Mike Carabello (congas), Mike Shrieve (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9m9wwP4LNOQ"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-539"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => " 1. Singing Winds"
      ]
      [
        "ordre" => 2
        "nom" => "2. Crying Beasts"
      ]
      [
        "ordre" => 3
        "nom" => "3. Black Magic Woman / Gypsy Queen"
      ]
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        "ordre" => 4
        "nom" => "4. Oye Como Va"
      ]
      [
        "ordre" => 5
        "nom" => "5. Incident at Neshabur"
      ]
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        "ordre" => 6
        "nom" => "Side B : "
      ]
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        "ordre" => 7
        "nom" => "1. Se a Cabo"
      ]
      [
        "ordre" => 8
        "nom" => "2. Mother's Daughter"
      ]
      [
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        "nom" => "3. Samba Pa Ti"
      ]
      [
        "ordre" => 10
        "nom" => "4. Hope You're Feeling Better"
      ]
      [
        "ordre" => 11
        "nom" => "5. El Nicoya"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2091 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3450
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
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    -id: 2565
    -nom: "Abraxas - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Abraxas Remains the Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman”, Ranks #334 on Rolling Stone’s List of the Greatest Albums of All Time !\r\n
      - Sourced from the Original Analog Master Tapes for Exceptional Sound : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Abraxas remains the consummate Latin rock album. The confident sound of Santana stretching out and carving out new musical territory, the band's 1970 effort pulses with psychedelic accents and Afro-Latin grooves. Ranked on Rolling Stone’s list of the 500 Greatest Albums of All Time and selected by the Library of Congress for inclusion in its National Recording Registry, Abraxas immediately captured the public’s ear, spending six weeks at the N° 1 spot and sending the band's cosmic cover of Fleetwood Mac's “Black Magic Woman” into the Top 5. More than five million copies and countless global accolades later, Abraxas is legend.\r\n
      \r\n
      Sourced from the original analog tapes, housed in a Stoughton gatefold jacket, and improving upon the label's critically acclaimed out-of-print 180 gram LP pressing, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP teems with information, clarity, textures, and colors. The result: Spacious, airy, and you-are-there sonics that further benefit from the characteristics of MoFi SuperVinyl: an ultra-low noise floor, superior groove definition, and dead-quiet surfaces. \r\n
      \r\n
      Experience Abraxas the way it is meant to be heard, with the instruments and musicians placed in the proper channels. This collectible version captures the full tonal range of Santana’s guitar and nuances of his distinctive touch. Passages and notes are brought to the forefront and properly scaled, enhancing your emotional connection to this iconic record.\r\n
      \r\n
      Filled with celebratory vibes, bluesy jams, mellow vocals, and hip-shaking grooves, Abraxas picks up on the momentum of Santana's self-titled 1969 debut. Drifting into more versatile territory, Santana reimagines what’s possible in melding various disciplines and styles. Mysticism and spirituality abound amid performances featuring a thrilling assembly of purring organs, conga beats, and fluid bass lines. And that says nothing of the bandleader’s extraordinary guitar playing.\r\n
      \r\n
      Wild, free, and loose, the group conjures the feeling of mountains and rivers on the opening instrumental “Singing Winds, Crying Beasts,” leads a salsa parade on a definitive version of Tito Puente’s “Oye Como Va”, and explores its sensual side on “Samba Pa Ti”, a track indicative of the album’s Latin vibes and percussion. Sonically, Abraxas takes advantage of then-advanced studio techniques such as cross-fading and state-of-the-art mixing. As The Mojo Collection explains: “Dissatisfied with the sound of their debut, the group brought in as a co-producer veteran jazz engineer Fred Catero, whose skills proved invaluable in balancing the new range of musical flavors Santana [was] bringing into its sound: the result was a giant step on from [the band’s] debut”.\r\n
      \r\n
      Like the group’s debut, Abraxas long laid claim to one of the biggest production gaffes in music history. Until Mobile Fidelity corrected the error with its 2008 LP and gold CD reissues, Abraxas had never been heard correctly. For nearly four decades, copies were produced with the left and right channels reversed. So, in addition to showcasing reach-out-and-touch it sound, this SuperVinyl edition gets all the specifications right.\r\n
      \r\n
      Please note: The provenance information printed on the back cover of Mobile Fidelity's Abraxas SuperVinyl reissue mistakenly lists “DSD 256” instead of the correct “DSD 64” rate. The sticker affixed to the outer plastic sleeve/bag of this LP reflects this correction. The complete correct provenance is : 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, vocals), Dave Brown (bass guitar), Jose Areas (timbales, congas), Mike Carabello (congas), Mike Shrieve (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9m9wwP4LNOQ"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-539"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => " 1. Singing Winds"
      ]
      [
        "ordre" => 2
        "nom" => "2. Crying Beasts"
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      [
        "ordre" => 3
        "nom" => "3. Black Magic Woman / Gypsy Queen"
      ]
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        "ordre" => 4
        "nom" => "4. Oye Como Va"
      ]
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        "ordre" => 5
        "nom" => "5. Incident at Neshabur"
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        "nom" => "Side B : "
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        "nom" => "2. Mother's Daughter"
      ]
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        "nom" => "3. Samba Pa Ti"
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      [
        "ordre" => 10
        "nom" => "4. Hope You're Feeling Better"
      ]
      [
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        "nom" => "5. El Nicoya"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2091 …}
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      date: 2026-01-16 07:19:44.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2134
    -id: 1989
    -nom: "Santana (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Santana's self-titled debut album announces the arrival of a new Guitar God. Made during the legendary bandleader's most fruitful and creative period, the classic 1969 set functions as an accessible entry point into the tangy worlds of Latin music by way of an intoxicating blend of Afro-Cuban percussion, jazzy tempos, exotic leads, bluesy riffs, and psychedelic accents.\r\n
      \r\n
      Deluxe 45 RPM Version Features Extra-Wide Grooves : Richest, Most Dynamic and Realistic Sound of Any Version\r\n
      \r\n
      Lyrical, Splendorous, Rapturous, Psychedelic, and Bluesy Debut Set a New Musical Standard : Experience This Paradigm the Way the Artist Intended\r\n
      \r\n
      Santana?s self-titled debut album announces the arrival of a new Guitar god. Made during the legendary bandleader?s most fruitful and creative period, the classic 1969 set functions as an accessible entry point into the tangy worlds of Latin music by way of an intoxicating blend of Afro-Cuban percussion, jazzy tempos, exotic leads, bluesy riffs, and psychedelic accents. Befitting such a classic, Mobile Fidelity?s 45 RPM 2 LP version of this epic work presents the music in the richest, most dynamic and realistic sound it?s ever enjoyed.\r\n
      \r\n
      Improving upon the label's critically acclaimed 180 gram LP pressing, this deluxe 45RPM set is mastered from the original master tapes and overflows with the information, textures, and colors afforded by wider grooves. The result : Spacious, airy, and you-are-there sonics that trump all prior versions. In addition to correcting the imaging, Mobile Fidelity?s collectable version captures the full tonal range of Santana's guitar and nuances of his distinctive touch. It all brings you closer to the music and enhances your emotional connection to this stellar album.\r\n
      \r\n
      Indeed, separation between Carlos Santana?s fluid fills, spicy solos, and broiling grooves and pianist Gregg Rolie?s soulful Hammond organ runs allows the music to come alive with a newfound freshness and radiance. Songs simmer, with each passage bursting forth with vibrant color. Just like the equally essential follow-up Abraxas, Santana also lays claim to one of the biggest (and unfortunate) production gaffes in music history. Until Mobile Fidelity fixed the error with its 180 gram LP and 24K Gold releases, Santana had never been heard correctly.\r\n
      \r\n
      For nearly four decades, copies were produced with the left and right channels reversed, meaning that everything was placed in a backwards manner. This even extended to compilations on which individual songs from Santana were included. Rest assured that, in addition to boasting reference audiophile sonics, this 180g 45 RPM 2 LP set gets all the specifications exactly right. And with a record of this magnitude, you want everything to be perfect.\r\n
      \r\n
      Bound by natural chemistry and earthy spirituality, the record?s innovative synthesis of myriad styles goes beyond anything that came before?as well as nearly everything that?s followed. Playing with the finest band that the iconic guitarist ever had, Santana doesn?t water down any exotic roots or simply incorporate mainstream Western styles into a Latin framework. This is a true hybrid, responsible for opening up borders, transcending cultural divides, and, most importantly, exhilarating the senses.\r\n
      \r\n
      Released weeks before the band blew minds at Woodstock, the groundbreaking record stands alongside Miles Davis? Bitches Brew and Jeff Beck?s Beck-Ola as a pillar of rock fusion. Featuring the Top Ten radio smash ?Evil Ways? and jam favorite ?Soul Sacrifice,? it hasn?t aged a day. Hear like never before why Rolling Stone says Santana is #149 on its list of the Greatest Albums of All Time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Gregg Rolie (piano, organ, vocals), Dave Brown (bass), José Chepito Areas, Mike Carrabello (congas, timbales, percussion), Mike Shrieve (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4Fef0YlyRVg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-45-012"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Waiting"
      ]
      [
        "ordre" => 2
        "nom" => "2. Evil Ways"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Shades of Time"
      ]
      [
        "ordre" => 5
        "nom" => "2. Savor"
      ]
      [
        "ordre" => 6
        "nom" => "3. Jingo"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Persuasion"
      ]
      [
        "ordre" => 9
        "nom" => "2. Treat"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. You Just Don't Care"
      ]
      [
        "ordre" => 12
        "nom" => "2. Soul Sacrifice"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2091 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2142 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2135 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2137 …}
    -enregistreLe: DateTime @1614807544 {#2131
      date: 2021-03-03 21:39:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768547799 {#2132
      date: 2026-01-16 07:16:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2139 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-santana-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-45-012"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3498
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2134
    -id: 1989
    -nom: "Santana (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Santana's self-titled debut album announces the arrival of a new Guitar God. Made during the legendary bandleader's most fruitful and creative period, the classic 1969 set functions as an accessible entry point into the tangy worlds of Latin music by way of an intoxicating blend of Afro-Cuban percussion, jazzy tempos, exotic leads, bluesy riffs, and psychedelic accents.\r\n
      \r\n
      Deluxe 45 RPM Version Features Extra-Wide Grooves : Richest, Most Dynamic and Realistic Sound of Any Version\r\n
      \r\n
      Lyrical, Splendorous, Rapturous, Psychedelic, and Bluesy Debut Set a New Musical Standard : Experience This Paradigm the Way the Artist Intended\r\n
      \r\n
      Santana?s self-titled debut album announces the arrival of a new Guitar god. Made during the legendary bandleader?s most fruitful and creative period, the classic 1969 set functions as an accessible entry point into the tangy worlds of Latin music by way of an intoxicating blend of Afro-Cuban percussion, jazzy tempos, exotic leads, bluesy riffs, and psychedelic accents. Befitting such a classic, Mobile Fidelity?s 45 RPM 2 LP version of this epic work presents the music in the richest, most dynamic and realistic sound it?s ever enjoyed.\r\n
      \r\n
      Improving upon the label's critically acclaimed 180 gram LP pressing, this deluxe 45RPM set is mastered from the original master tapes and overflows with the information, textures, and colors afforded by wider grooves. The result : Spacious, airy, and you-are-there sonics that trump all prior versions. In addition to correcting the imaging, Mobile Fidelity?s collectable version captures the full tonal range of Santana's guitar and nuances of his distinctive touch. It all brings you closer to the music and enhances your emotional connection to this stellar album.\r\n
      \r\n
      Indeed, separation between Carlos Santana?s fluid fills, spicy solos, and broiling grooves and pianist Gregg Rolie?s soulful Hammond organ runs allows the music to come alive with a newfound freshness and radiance. Songs simmer, with each passage bursting forth with vibrant color. Just like the equally essential follow-up Abraxas, Santana also lays claim to one of the biggest (and unfortunate) production gaffes in music history. Until Mobile Fidelity fixed the error with its 180 gram LP and 24K Gold releases, Santana had never been heard correctly.\r\n
      \r\n
      For nearly four decades, copies were produced with the left and right channels reversed, meaning that everything was placed in a backwards manner. This even extended to compilations on which individual songs from Santana were included. Rest assured that, in addition to boasting reference audiophile sonics, this 180g 45 RPM 2 LP set gets all the specifications exactly right. And with a record of this magnitude, you want everything to be perfect.\r\n
      \r\n
      Bound by natural chemistry and earthy spirituality, the record?s innovative synthesis of myriad styles goes beyond anything that came before?as well as nearly everything that?s followed. Playing with the finest band that the iconic guitarist ever had, Santana doesn?t water down any exotic roots or simply incorporate mainstream Western styles into a Latin framework. This is a true hybrid, responsible for opening up borders, transcending cultural divides, and, most importantly, exhilarating the senses.\r\n
      \r\n
      Released weeks before the band blew minds at Woodstock, the groundbreaking record stands alongside Miles Davis? Bitches Brew and Jeff Beck?s Beck-Ola as a pillar of rock fusion. Featuring the Top Ten radio smash ?Evil Ways? and jam favorite ?Soul Sacrifice,? it hasn?t aged a day. Hear like never before why Rolling Stone says Santana is #149 on its list of the Greatest Albums of All Time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Gregg Rolie (piano, organ, vocals), Dave Brown (bass), José Chepito Areas, Mike Carrabello (congas, timbales, percussion), Mike Shrieve (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4Fef0YlyRVg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-45-012"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Waiting"
      ]
      [
        "ordre" => 2
        "nom" => "2. Evil Ways"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Shades of Time"
      ]
      [
        "ordre" => 5
        "nom" => "2. Savor"
      ]
      [
        "ordre" => 6
        "nom" => "3. Jingo"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Persuasion"
      ]
      [
        "ordre" => 9
        "nom" => "2. Treat"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. You Just Don't Care"
      ]
      [
        "ordre" => 12
        "nom" => "2. Soul Sacrifice"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2091 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2142 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2135 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2137 …}
    -enregistreLe: DateTime @1614807544 {#2131
      date: 2021-03-03 21:39:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768547799 {#2132
      date: 2026-01-16 07:16:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2139 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-santana-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-45-012"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2147
    -id: 1361
    -nom: "Selling England By The Pound - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Selling England By The Pound — Genesis' gold-selling fifth studio album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Acoustic Sounds 75th Atlantic Series Round 2 : Genesis, Dr. John, Foreigner - Bellisario Sonic / YouTube video\r\n
      \r\n
      Atlantic 75 Series / Analogue Productions - SublimMedia/YouTube. Video\r\n
      \r\n
      "Nothng but manna from analog heaven can be found within the balance of Analogue Productions' year-long-plus Atlantic 75 anniversary reissue series... but to my ears, the crème de la crème of the lot are all the reissuances culled from the prime, more progressive-leaning '70s era of the Genesis catalog... A few highlights to whet your aural whistle : 1) Mike Rutherford's high-pitched, 12-string acoustic guitarwork and the overall rise/fall drama of "The Musical Box" (LP 1, Side 1, Track 1, November 1971's Nursery Cryme). 2) The full majesty of Tony Banks' lengthy piano intro (and outro !) and Steve Hackett's career-defining guitar solo on "Firth of Fifth" (LP 1, Side 2, Track 1, September 1973's Selling England by the Pound). 3) Peter Gabriel's pleading lead vocals and Phil Collins' ever-clever drumming on "Back in N.Y.C." (LP 2, Side 3, Track 1, November 1974's The Lamb Lies Down on Broadway). 4) The all-in, all-band composition of the mostly instrumental "Los Endos", replete with thematically squonky, volcanic callbacks to prior tracks and other suppers past (LP 2, Side 4, Track 2, A Trick of the Tail). I could go on - and I will, when I can!" - Mike Mettler, AnalogPlanet's Top LPs of 2024, Dec. 20, 2024. Read the entire review here.\r\n
      \r\n
      "The sound quality on the Analogue Productions reissue is by far the best I've ever heard for this album. There's far more presence, depth, and 'air.' You can hear Peter Gabriel's enunciation more clearly and the fact that he was using a really good microphone, whatever it was. There's more character to the fuzz box in Steve Hackett's guitar it has a more distinct 'vowelly' tone and grainy decay... the new Analogue Productions 45 RPM LP reissue is not only the clear sonic winner, it's an absolute gift to everyone who has loved this album over the decades". - Frank Doris, Copper Magazine, Jan. 8, 2024. Read the entire review here.\r\n
      \r\n
      "Between Chris Bellman's mastering, QRP's expertise in manufacturing high-quality records, and Stoughton's tip-on glossy gatefold jacket printing, perfection is a word to describe this overall pressing. Chad Kassem knows what his clientele is seeking and proudly offers it, along with others in the Atlantic 75 Audiophile Series". - Music = 11/11; Sound = 11/11 - Dylan Peggin, TrackingAngle.com. To read the full review, click here.\r\n
      \r\n
      Recorded in August 1973 the tour for Foxtrot (1972) having ended in May of that year Genesis' members joined for a short time to write new material which covered a number of themes, including the loss of English folk culture and an increased American influence. Hence the inspiration for the title Selling England by the Pound.\r\n
      \r\n
      Several tracks from the album became fan favorites and were featured as a regular part of the band's live setlist well into the 1980s. "I Know What I Like (In Your Wardrobe)", was released in February 1974 and became the band's first top 30 hit in the U.K. In 2012, the album ranked seventh in Rolling Stone's "Readers' Poll: Your Favorite Prog Rock Albums of All Time". Selling England by the Pound reached N° 3 on the U.K. charts and N° 70 on the U.S. Billboard Pop Albums chart.\r\n
      \r\n
      AllMusic reviewer Stephen Thomas Erlewine wrote that Genesis hadn't sacrificed its newfound immediacy of Foxtrot with that album's follow-up. They found ways to infuse with the delicate whimsy that was their calling card since the group began.\r\n
      \r\n
      "This, combined with many overt literary allusions the Tolkeinisms of the title of 'The Battle of Epping Forest' only being the most apparent gives this album a storybook quality. It plays as a collection of short stories, fables, and fairy tales, and it is also a rock record, which naturally makes it quite extraordinary as a collection, but also as a set of individual songs. Genesis has never been as direct as they've been on the fanciful yet hook-driven 'I Know What I Like (In Your Wardrobe') apart from the fluttering flutes in the fade-out, it could easily be mistaken for a glam single or as achingly fragile as on 'More Fool Me') sung by Phil Collins. It's this delicate balance and how the album showcases the band's narrative force on a small scale as well as large that makes this their arguable high-water mark". \r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Peter Gabriel (flute, oboe, percussion, lead vocals), Tony Banks (keyboards, mellotron, piano, organ), Steve Hackett (electric & acoustic guitars), Mike Rutherford (bass guitar, 12 string guitar), Phil Collins (drums, percussion, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RqKtDn5ntms&list=RDRqKtDn5ntms&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)  AAPA 002-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dancing With The Moonlit Knight"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Know What I Like (In Your Wardrobe)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Firth Of Fifth"
      ]
      [
        "ordre" => 5
        "nom" => "2. More Fool Me"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. The Battle Of Epping Forest"
      ]
      [
        "ordre" => 8
        "nom" => "2. After The Ordeal"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. The Cinema Show"
      ]
      [
        "ordre" => 11
        "nom" => "2. Aisle Of Plenty"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2149 …}
    -label: Proxies\__CG__\App\Entity\Label {#2152 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2161 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2154 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2156 …}
    -enregistreLe: DateTime @1539324054 {#2144
      date: 2018-10-12 06:00:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768466201 {#2145
      date: 2026-01-15 08:36:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2158 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-selling-england-by-the-pound-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-002-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3544
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2147
    -id: 1361
    -nom: "Selling England By The Pound - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Selling England By The Pound — Genesis' gold-selling fifth studio album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Acoustic Sounds 75th Atlantic Series Round 2 : Genesis, Dr. John, Foreigner - Bellisario Sonic / YouTube video\r\n
      \r\n
      Atlantic 75 Series / Analogue Productions - SublimMedia/YouTube. Video\r\n
      \r\n
      "Nothng but manna from analog heaven can be found within the balance of Analogue Productions' year-long-plus Atlantic 75 anniversary reissue series... but to my ears, the crème de la crème of the lot are all the reissuances culled from the prime, more progressive-leaning '70s era of the Genesis catalog... A few highlights to whet your aural whistle : 1) Mike Rutherford's high-pitched, 12-string acoustic guitarwork and the overall rise/fall drama of "The Musical Box" (LP 1, Side 1, Track 1, November 1971's Nursery Cryme). 2) The full majesty of Tony Banks' lengthy piano intro (and outro !) and Steve Hackett's career-defining guitar solo on "Firth of Fifth" (LP 1, Side 2, Track 1, September 1973's Selling England by the Pound). 3) Peter Gabriel's pleading lead vocals and Phil Collins' ever-clever drumming on "Back in N.Y.C." (LP 2, Side 3, Track 1, November 1974's The Lamb Lies Down on Broadway). 4) The all-in, all-band composition of the mostly instrumental "Los Endos", replete with thematically squonky, volcanic callbacks to prior tracks and other suppers past (LP 2, Side 4, Track 2, A Trick of the Tail). I could go on - and I will, when I can!" - Mike Mettler, AnalogPlanet's Top LPs of 2024, Dec. 20, 2024. Read the entire review here.\r\n
      \r\n
      "The sound quality on the Analogue Productions reissue is by far the best I've ever heard for this album. There's far more presence, depth, and 'air.' You can hear Peter Gabriel's enunciation more clearly and the fact that he was using a really good microphone, whatever it was. There's more character to the fuzz box in Steve Hackett's guitar it has a more distinct 'vowelly' tone and grainy decay... the new Analogue Productions 45 RPM LP reissue is not only the clear sonic winner, it's an absolute gift to everyone who has loved this album over the decades". - Frank Doris, Copper Magazine, Jan. 8, 2024. Read the entire review here.\r\n
      \r\n
      "Between Chris Bellman's mastering, QRP's expertise in manufacturing high-quality records, and Stoughton's tip-on glossy gatefold jacket printing, perfection is a word to describe this overall pressing. Chad Kassem knows what his clientele is seeking and proudly offers it, along with others in the Atlantic 75 Audiophile Series". - Music = 11/11; Sound = 11/11 - Dylan Peggin, TrackingAngle.com. To read the full review, click here.\r\n
      \r\n
      Recorded in August 1973 the tour for Foxtrot (1972) having ended in May of that year Genesis' members joined for a short time to write new material which covered a number of themes, including the loss of English folk culture and an increased American influence. Hence the inspiration for the title Selling England by the Pound.\r\n
      \r\n
      Several tracks from the album became fan favorites and were featured as a regular part of the band's live setlist well into the 1980s. "I Know What I Like (In Your Wardrobe)", was released in February 1974 and became the band's first top 30 hit in the U.K. In 2012, the album ranked seventh in Rolling Stone's "Readers' Poll: Your Favorite Prog Rock Albums of All Time". Selling England by the Pound reached N° 3 on the U.K. charts and N° 70 on the U.S. Billboard Pop Albums chart.\r\n
      \r\n
      AllMusic reviewer Stephen Thomas Erlewine wrote that Genesis hadn't sacrificed its newfound immediacy of Foxtrot with that album's follow-up. They found ways to infuse with the delicate whimsy that was their calling card since the group began.\r\n
      \r\n
      "This, combined with many overt literary allusions the Tolkeinisms of the title of 'The Battle of Epping Forest' only being the most apparent gives this album a storybook quality. It plays as a collection of short stories, fables, and fairy tales, and it is also a rock record, which naturally makes it quite extraordinary as a collection, but also as a set of individual songs. Genesis has never been as direct as they've been on the fanciful yet hook-driven 'I Know What I Like (In Your Wardrobe') apart from the fluttering flutes in the fade-out, it could easily be mistaken for a glam single or as achingly fragile as on 'More Fool Me') sung by Phil Collins. It's this delicate balance and how the album showcases the band's narrative force on a small scale as well as large that makes this their arguable high-water mark". \r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Peter Gabriel (flute, oboe, percussion, lead vocals), Tony Banks (keyboards, mellotron, piano, organ), Steve Hackett (electric & acoustic guitars), Mike Rutherford (bass guitar, 12 string guitar), Phil Collins (drums, percussion, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RqKtDn5ntms&list=RDRqKtDn5ntms&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)  AAPA 002-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dancing With The Moonlit Knight"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Know What I Like (In Your Wardrobe)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Firth Of Fifth"
      ]
      [
        "ordre" => 5
        "nom" => "2. More Fool Me"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. The Battle Of Epping Forest"
      ]
      [
        "ordre" => 8
        "nom" => "2. After The Ordeal"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. The Cinema Show"
      ]
      [
        "ordre" => 11
        "nom" => "2. Aisle Of Plenty"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2149 …}
    -label: Proxies\__CG__\App\Entity\Label {#2152 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2161 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2154 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2158 …}
    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
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[
  "produit" => App\Entity\Produit {#2166
    -id: 1359
    -nom: "Abacab - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Genesis' multiplatinum-selling album Abacab !\r\n
      - Featuring "Abacab", "No Reply At All", and "Man on the Corner" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "An integral factor behind the production of 'Abacab' was Hugh Padgham, an engineer responsible for the ‘gated reverb' drum sound that defined the 1980s. As a result, Phil Collins' drums have incredible definition across this entire pressing. Tony Banks' keyboards often reside upfront in the mix, occasionally creeping in and out three-dimensionally during the title track or lush chords filling up the soundstage on 'Keep It Dark'. A massive highlight is 'Dodo/Lurker,' where Mike Rutherford's bass is at its deepest, and the varying tonality of Collins' vocals gives the different parts of the track a distinguishable characterization". -  Music = 9/11; Sound = 9/11 - Dylan Peggin, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      Certified multi-platinum-selling in several countries, including the United States and the United Kingdom, Genesis' album Abacab, released in 1981, marked the band's move from their progressive music roots to more accessible and pop-oriented songs.\r\n
      \r\n
      Genesis released four singles from the album, the most successful being "Abacab" and "No Reply at All", together with "Man on the Corner". Extensive radio play helped boost the album's commercial success.\r\n
      \r\n
      The album was engineered by Hugh Padgham, known for his work with other successful artists like Phil Collins and The Police. His production techniques, including the gated reverb drum sound, contributed to the album's modern and radio-friendly sound.\r\n
      \r\n
      In November 1980 the band bought Fisher Lane Farm, a farmhouse with an adjoining cowshed near Chiddingfold, Surrey, as their new private rehearsal and recording facility. In the process of remodelling the building into a studio, the trio reconvened in the farm house to write and rehearse new material, which initially took place in the living room, and they started recording Abacab in March 1981 once the studio was operational. It was the first Genesis album recorded in England since A Trick of the Tail (1976).\r\n
      \r\n
      This is the definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of the classic Abacab. A sonic gift for all true Genesis fans
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Phil Collins (drums, percussion, vocals), Tony Banks (keyboards, synthesizers, backing vocals), Mike Rutherford (guitars, bass, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6CT04i1ot78&list=RD6CT04i1ot78&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)  AAPA 042-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Abacab"
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      [
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        "nom" => "3. Another Record"
      ]
      [
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2149 …}
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    }
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
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    -slug: "vinyles-abacab-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-042-45"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3597
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2166
    -id: 1359
    -nom: "Abacab - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Genesis' multiplatinum-selling album Abacab !\r\n
      - Featuring "Abacab", "No Reply At All", and "Man on the Corner" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "An integral factor behind the production of 'Abacab' was Hugh Padgham, an engineer responsible for the ‘gated reverb' drum sound that defined the 1980s. As a result, Phil Collins' drums have incredible definition across this entire pressing. Tony Banks' keyboards often reside upfront in the mix, occasionally creeping in and out three-dimensionally during the title track or lush chords filling up the soundstage on 'Keep It Dark'. A massive highlight is 'Dodo/Lurker,' where Mike Rutherford's bass is at its deepest, and the varying tonality of Collins' vocals gives the different parts of the track a distinguishable characterization". -  Music = 9/11; Sound = 9/11 - Dylan Peggin, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      Certified multi-platinum-selling in several countries, including the United States and the United Kingdom, Genesis' album Abacab, released in 1981, marked the band's move from their progressive music roots to more accessible and pop-oriented songs.\r\n
      \r\n
      Genesis released four singles from the album, the most successful being "Abacab" and "No Reply at All", together with "Man on the Corner". Extensive radio play helped boost the album's commercial success.\r\n
      \r\n
      The album was engineered by Hugh Padgham, known for his work with other successful artists like Phil Collins and The Police. His production techniques, including the gated reverb drum sound, contributed to the album's modern and radio-friendly sound.\r\n
      \r\n
      In November 1980 the band bought Fisher Lane Farm, a farmhouse with an adjoining cowshed near Chiddingfold, Surrey, as their new private rehearsal and recording facility. In the process of remodelling the building into a studio, the trio reconvened in the farm house to write and rehearse new material, which initially took place in the living room, and they started recording Abacab in March 1981 once the studio was operational. It was the first Genesis album recorded in England since A Trick of the Tail (1976).\r\n
      \r\n
      This is the definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of the classic Abacab. A sonic gift for all true Genesis fans
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Phil Collins (drums, percussion, vocals), Tony Banks (keyboards, synthesizers, backing vocals), Mike Rutherford (guitars, bass, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6CT04i1ot78&list=RD6CT04i1ot78&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)  AAPA 042-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Abacab"
      ]
      [
        "ordre" => 2
        "nom" => "2. No Reply At All"
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      [
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        "nom" => "Side B : "
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        "ordre" => 4
        "nom" => "1. Me And Sarah Jane"
      ]
      [
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        "nom" => "2. Keep It Dark"
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      [
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        "nom" => "Side C :"
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        "nom" => "1. Dodo"
      ]
      [
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        "nom" => "2. Lurker"
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      [
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        "nom" => "3. Who Dunnit ?"
      ]
      [
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Man On The Corner"
      ]
      [
        "ordre" => 12
        "nom" => "2. LIke It Or Not"
      ]
      [
        "ordre" => 13
        "nom" => "3. Another Record"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2149 …}
    -label: Proxies\__CG__\App\Entity\Label {#2152 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
    -enregistreLe: DateTime @1539239200 {#2163
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    }
    -modifierLe: DateTime @1768466175 {#2164
      date: 2026-01-15 08:36:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
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    -slug: "vinyles-abacab-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-042-45"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
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[
  "produit" => App\Entity\Produit {#2179
    -id: 2953
    -nom: "Double Vision"
    -informationComplementaire: null
    -description: """
      - Foreigner's Double Vision Is the Epitome of Catchy, Punchy, Album-Oriented 70s Rock: Multi-Platinum 1978 Record Includes "Hot Blooded" !\r\n
      - Mobile Fidelity's Numbered-Edition 180 gram 33 RPM LP Explodes with Tremendous Dynamics and Soaring Vocals !\r\n
      - 1/4" / 15 IPS analog master to analog console to lathe !\r\n
      \r\n
      So much for sophomore jinxes that almost always go hand-in-hand with groups that explode onto the scene. Overflowing with first-rate songwriting, lascivious hooks, and sing-a-long choruses, Foreigner's Double Vision lays waste to conventional sophomore-release wisdom and went on to actually exceed the popularity of the band's blockbuster debut. More than seven million copies and two Top Five singles later, the 1978 set still rocks with definite purpose.\r\n
      \r\n
      Sourced from the original master tapes, Mobile Fidelity's numbered-edition 180 gram LP of this longtime favorite classic-rock staple bursts with tremendous dynamics, soaring vocal timbres, bottom-end punch, and newfound instrumental separation. Sure, you may have heard songs such as "Double Vision" and "Hot Blooded" countless times, but trust us, you've never really heard them (outside of an arena setting, stadium amplifiers blaring) like this. You may just find yourself investing in a new power amp to get every last degree of detail that's been uncovered!\r\n
      \r\n
      Synonymous with AOR (album-oriented rock), Foreigner essentially perfects the style throughout this concise, focused, down-and-dirty ten-song set. The key to any memorable 70s rock record is a catchy single, and the quintet has several lying in the waiting. The title track, inspired by New York Rangers goalie John Davidson getting whacked in the head by a hockey puck, spills over with double-entendre meaning, tough-cut riffs, and a rotating groove, not to mention a mystical keyboard refrain. Equally memorable, and a permanent part of any radio station's rotation, "Hot Blooded" is the ideal come-on, the group's open-ended rhythm and dance-inspiring beats pouring with promise, salaciousness, and ass-kicking sexuality. A terrific power ballad infused with woe and longing, "Blue Morning, Blue Day" features insistent harmonies and piano notes that grab you by the collar and doesn't let go.\r\n
      \r\n
      Of course, great songs alone don't make for great records. The band's chemistry and performance needs to be on par with that of the material. And what else can be said of leather-lunged vocalist Lou Gramm and guitar-hero Mick Jones save for the fact the pair combine for a legendary one-two punch, leading their mates through sensational melodies and swaggering leads. Seldom has the balance between tough and polished, light and heavy, fun and reserved been better established and maintained.\r\n
      \r\n
      Ready to rock out? Wait until you hear this remaster. It'll bring back (double) visions of hot stage lights, dry-ice fog, feel-good times, and amplifiers cranked to 10 only this time, the experience will take place inside the confines of your own home. Check it and see!
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Mick Jones (lead guitar, , acoustic piano, backing vocals), Ian McDonald (guitars, keyboards, reeds, vocals), Al Greenwood (keyboards), Ed Gagliardi (bass, vocals), Lou Gramm (lead vocals, percussion), Dennis Elliott (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dD-SpHH7qDA&list=RDdD-SpHH7qDA&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-341"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Back Where You Belong"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blue Morning, Blue Day"
      ]
      [
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        "nom" => "3. Double Vision"
      ]
      [
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      ]
      [
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        "nom" => "5. I Have Waited So Long"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Lonely"
      ]
      [
        "ordre" => 8
        "nom" => "2. Love Has Taken It's Toll"
      ]
      [
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        "nom" => "3. Spellbinder"
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      [
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2185 …}
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      date: 2026-01-13 11:00:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2187 …}
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    -slug: "vinyles-double-vision-mobile-fidelity-sound-lab-mfsl-1-341"
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App\Twig\Components\GestionPanierFavoriComponents {#3643
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2179
    -id: 2953
    -nom: "Double Vision"
    -informationComplementaire: null
    -description: """
      - Foreigner's Double Vision Is the Epitome of Catchy, Punchy, Album-Oriented 70s Rock: Multi-Platinum 1978 Record Includes "Hot Blooded" !\r\n
      - Mobile Fidelity's Numbered-Edition 180 gram 33 RPM LP Explodes with Tremendous Dynamics and Soaring Vocals !\r\n
      - 1/4" / 15 IPS analog master to analog console to lathe !\r\n
      \r\n
      So much for sophomore jinxes that almost always go hand-in-hand with groups that explode onto the scene. Overflowing with first-rate songwriting, lascivious hooks, and sing-a-long choruses, Foreigner's Double Vision lays waste to conventional sophomore-release wisdom and went on to actually exceed the popularity of the band's blockbuster debut. More than seven million copies and two Top Five singles later, the 1978 set still rocks with definite purpose.\r\n
      \r\n
      Sourced from the original master tapes, Mobile Fidelity's numbered-edition 180 gram LP of this longtime favorite classic-rock staple bursts with tremendous dynamics, soaring vocal timbres, bottom-end punch, and newfound instrumental separation. Sure, you may have heard songs such as "Double Vision" and "Hot Blooded" countless times, but trust us, you've never really heard them (outside of an arena setting, stadium amplifiers blaring) like this. You may just find yourself investing in a new power amp to get every last degree of detail that's been uncovered!\r\n
      \r\n
      Synonymous with AOR (album-oriented rock), Foreigner essentially perfects the style throughout this concise, focused, down-and-dirty ten-song set. The key to any memorable 70s rock record is a catchy single, and the quintet has several lying in the waiting. The title track, inspired by New York Rangers goalie John Davidson getting whacked in the head by a hockey puck, spills over with double-entendre meaning, tough-cut riffs, and a rotating groove, not to mention a mystical keyboard refrain. Equally memorable, and a permanent part of any radio station's rotation, "Hot Blooded" is the ideal come-on, the group's open-ended rhythm and dance-inspiring beats pouring with promise, salaciousness, and ass-kicking sexuality. A terrific power ballad infused with woe and longing, "Blue Morning, Blue Day" features insistent harmonies and piano notes that grab you by the collar and doesn't let go.\r\n
      \r\n
      Of course, great songs alone don't make for great records. The band's chemistry and performance needs to be on par with that of the material. And what else can be said of leather-lunged vocalist Lou Gramm and guitar-hero Mick Jones save for the fact the pair combine for a legendary one-two punch, leading their mates through sensational melodies and swaggering leads. Seldom has the balance between tough and polished, light and heavy, fun and reserved been better established and maintained.\r\n
      \r\n
      Ready to rock out? Wait until you hear this remaster. It'll bring back (double) visions of hot stage lights, dry-ice fog, feel-good times, and amplifiers cranked to 10 only this time, the experience will take place inside the confines of your own home. Check it and see!
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Mick Jones (lead guitar, , acoustic piano, backing vocals), Ian McDonald (guitars, keyboards, reeds, vocals), Al Greenwood (keyboards), Ed Gagliardi (bass, vocals), Lou Gramm (lead vocals, percussion), Dennis Elliott (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dD-SpHH7qDA&list=RDdD-SpHH7qDA&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-341"
    -titreMorceau: [
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      [
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        "nom" => "3. Double Vision"
      ]
      [
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        "nom" => "4. Hot Blooded"
      ]
      [
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        "nom" => "5. I Have Waited So Long"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Lonely"
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      [
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      ]
      [
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      ]
      [
        "ordre" => 10
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      ]
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        "nom" => "5. You're All I Am"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2190 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2183 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2185 …}
    -enregistreLe: DateTime @1768301828 {#2176
      date: 2026-01-13 10:57:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768302058 {#2177
      date: 2026-01-13 11:00:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2187 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-double-vision-mobile-fidelity-sound-lab-mfsl-1-341"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2195
    -id: 2952
    -nom: "Foreigner - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Foreigner's debut spawned massive FM hits "Feels Like the First Time", and "Cold as Ice" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Acoustic Sounds 75th Atlantic Series Round 2 : Genesis, Dr. John, Foreigner - Bellisario Sonic / YouTube video\r\n
      \r\n
      Arena rock heroes Foreigner crushed with their 1977 self-titled album debut, spawning some of the biggest FM hits of that year, including the anthemic "Feels Like the First Time" and "Cold as Ice," both of which were anchored like most of Foreigner's songs by the muscular but traditional riffing of guitarist Mick Jones, the soaring vocals of Lou Gramm, and the state-of-the-art rock production values of the day, which AllMusic reviewer Andy Hinds says allowed the band to sound hard but polished.\r\n
      \r\n
      The architect behind Foreigner's extraordinary catalog, Mick Jones has crafted some of rock music's most enduring songs. Grammy and Golden Globe-nominated songwriter, performer and producer and winner of the prestigious Ivor Novello songwriter award in 1998, Jones first began playing guitar in his early teens.\r\n
      \r\n
      After starting his own rock band and opening for the Rolling Stones in pubs across South London, Mick's first big break came in 1964 when he moved to Paris and was hired to play with French singer Sylvie Vartan.\r\n
      \r\n
      After a brief stint in England to reform the band Spooky Tooth, Jones moved to New York City and formed Foreigner with Ian McDonald and Dennis Elliott and Americans Lou Gramm, Alan Greenwood and Ed Gagliardi.\r\n
      \r\n
      Foreigner defined a generation of rock music to people across the globe. From its iconic debut album, the band moved on to record-breaking hits including "I Want To Know What Love Is", "Waiting for a Girl Like You", "Double Vision", "Hot Blooded", "Juke Box Hero" and many more.\r\n
      \r\n
      Now on 180 gram 45 RPM double LP you'll hear Foreigner in all its phenomenal glory. Mastered from the original tape by Ryan K. Smith at Sterling Sound, this reissue rocks. Double LP cut at 45 RPM, pressed at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lou Gramm (lead vocals), Mick Jones (lead guitar, vocals), Ian McDonald (guitars, keyboards, horns, vocals), Al Greenwood (keyboards, synthesizer), Ed Gagliardi (bass, vocals), Dennis Elliott (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SWqHuSaaBfk&list=PL1gLT2gwYzAFli7si2bq4zMbaAjtrMu1Y"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 008-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Feels Like The First Time"
      ]
      [
        "ordre" => 1
        "nom" => "2. Cold As Ice"
      ]
      [
        "ordre" => 2
        "nom" => "3. Starrider"
      ]
      [
        "ordre" => 3
        "nom" => "4. Headknocker"
      ]
      [
        "ordre" => 4
        "nom" => "5. The Damage Is Done"
      ]
      [
        "ordre" => 5
        "nom" => "6. Long, Long Way From Home"
      ]
      [
        "ordre" => 6
        "nom" => "7. Woman Oh Woman"
      ]
      [
        "ordre" => 7
        "nom" => "8. At War With The World"
      ]
      [
        "ordre" => 8
        "nom" => "9. Fool For You Anyway"
      ]
      [
        "ordre" => 9
        "nom" => "10. I Need You"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …}
    -label: Proxies\__CG__\App\Entity\Label {#2152 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1768300768 {#2192
      date: 2026-01-13 10:39:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768301025 {#2193
      date: 2026-01-13 10:43:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-foreigner-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-008-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3696
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2195
    -id: 2952
    -nom: "Foreigner - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Foreigner's debut spawned massive FM hits "Feels Like the First Time", and "Cold as Ice" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Acoustic Sounds 75th Atlantic Series Round 2 : Genesis, Dr. John, Foreigner - Bellisario Sonic / YouTube video\r\n
      \r\n
      Arena rock heroes Foreigner crushed with their 1977 self-titled album debut, spawning some of the biggest FM hits of that year, including the anthemic "Feels Like the First Time" and "Cold as Ice," both of which were anchored like most of Foreigner's songs by the muscular but traditional riffing of guitarist Mick Jones, the soaring vocals of Lou Gramm, and the state-of-the-art rock production values of the day, which AllMusic reviewer Andy Hinds says allowed the band to sound hard but polished.\r\n
      \r\n
      The architect behind Foreigner's extraordinary catalog, Mick Jones has crafted some of rock music's most enduring songs. Grammy and Golden Globe-nominated songwriter, performer and producer and winner of the prestigious Ivor Novello songwriter award in 1998, Jones first began playing guitar in his early teens.\r\n
      \r\n
      After starting his own rock band and opening for the Rolling Stones in pubs across South London, Mick's first big break came in 1964 when he moved to Paris and was hired to play with French singer Sylvie Vartan.\r\n
      \r\n
      After a brief stint in England to reform the band Spooky Tooth, Jones moved to New York City and formed Foreigner with Ian McDonald and Dennis Elliott and Americans Lou Gramm, Alan Greenwood and Ed Gagliardi.\r\n
      \r\n
      Foreigner defined a generation of rock music to people across the globe. From its iconic debut album, the band moved on to record-breaking hits including "I Want To Know What Love Is", "Waiting for a Girl Like You", "Double Vision", "Hot Blooded", "Juke Box Hero" and many more.\r\n
      \r\n
      Now on 180 gram 45 RPM double LP you'll hear Foreigner in all its phenomenal glory. Mastered from the original tape by Ryan K. Smith at Sterling Sound, this reissue rocks. Double LP cut at 45 RPM, pressed at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lou Gramm (lead vocals), Mick Jones (lead guitar, vocals), Ian McDonald (guitars, keyboards, horns, vocals), Al Greenwood (keyboards, synthesizer), Ed Gagliardi (bass, vocals), Dennis Elliott (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SWqHuSaaBfk&list=PL1gLT2gwYzAFli7si2bq4zMbaAjtrMu1Y"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 008-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Feels Like The First Time"
      ]
      [
        "ordre" => 1
        "nom" => "2. Cold As Ice"
      ]
      [
        "ordre" => 2
        "nom" => "3. Starrider"
      ]
      [
        "ordre" => 3
        "nom" => "4. Headknocker"
      ]
      [
        "ordre" => 4
        "nom" => "5. The Damage Is Done"
      ]
      [
        "ordre" => 5
        "nom" => "6. Long, Long Way From Home"
      ]
      [
        "ordre" => 6
        "nom" => "7. Woman Oh Woman"
      ]
      [
        "ordre" => 7
        "nom" => "8. At War With The World"
      ]
      [
        "ordre" => 8
        "nom" => "9. Fool For You Anyway"
      ]
      [
        "ordre" => 9
        "nom" => "10. I Need You"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …}
    -label: Proxies\__CG__\App\Entity\Label {#2152 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1768300768 {#2192
      date: 2026-01-13 10:39:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768301025 {#2193
      date: 2026-01-13 10:43:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-foreigner-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-008-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3892
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3893 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3941 …}
  +isValidated: false
  +validatedFields: []
}