Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2579
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2426 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2656
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2659 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2658 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2426 …}
  -formView: Symfony\Component\Form\FormView {#2695 …}
  -form: Symfony\Component\Form\Form {#2845 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 1793
    -nom: "#1 Record"
    -informationComplementaire: ""
    -description: """
      * 180 Gram vinyl LP reissue from Craft Recordings !\r\n
      \r\n
      * All-analog mastering from the original stereo tapes by Jeff Powell at Memphis' Take Out Vinyl !\r\n
      \r\n
      * Manufactured at Memphis Record Pressing !\r\n
      \r\n
      180g Viny l LP Reissue Mastered All-Analog from the Original Stereo Tapes by Jeff Powell at Memphis' Take Out Vinyl and Manufactured at Memphis Record Pressing.\r\n
      \r\n
      Craft Recordings are pleased to reissue Big Star's acclaimed, first two albums on 180 gram vinyl. #1 Record and Radio City feature all-analog mastering by Jeff Powell at Memphis' Take Out Vinyl, and were also manufactured locally in Big Star's hometown at Memphis Record Pressing.\r\n
      \r\n
      Though they both failed to strike commercial success at the time of their releases, 1972's #1 Record and 1974's Radio City are now considered to be milestones in the history of rock by critics and musicians alike. Heavily influenced by the British Invasion, yet markedly original with their jangly pop, driving guitars, sweet harmonies, and wistful melancholia Big Star offered a distinctly new sound when they first emerged in the early ‘70s, and are counted among the founders of power pop a genre which wouldn't truly take off until later in the decade. Nevertheless, Big Star would become an underground favorite, influencing some the biggest alt-rock artists of the '80s, '90s and beyond, including R.E.M., Teenage Fanclub, Wilco, and The Replacements (who famously penned the song "Alex Chilton" as an ode to the band's frontman).\r\n
      \r\n
      The Memphis band was formed in 1971 by singer / songwriters Alex Chilton and Chris Bell, drummer Jody Stephens and bassist Andy Hummel. Chilton and Bell drew on the Lennon / McCartney style of collaborative songwriting for their aptly titled debut, #1 Record. Working with Ardent Records' founder and engineer John Fry, Chilton laid down guitar and vocal tracks often in one take, while Bell added polish with overdubs and harmonies to songs like "The Ballad of El Goodo", "Thirteen", and "In The Street". #1 Record was released to wide critical acclaim, yet distribution issues severely limited the album's availability in stores. It would sell fewer than 10000 copies.\r\n
      \r\n
      Although Bell departed the band shortly after the release of #1 Record, Big Star's remaining members began work on a second album in the fall of 1973. Losing the creative input of Bell could have wreaked havoc on the band's progress, but Chilton confidently took the helm, and his undeniable talents shone through especially on tracks like "I'm in Love with a Girl", "Back of a Car", and cult favorite, "September Gurls". Released in February of 1974, Radio City garnered praise from the press, but, unfortunately, critical acclaim did not translate to sales. \r\n
      \r\n
      Disbanding in late 1974, Big Star could have easily fallen into the abyss of could-have-beens and one-hit-wonders, yet they have instead achieved near-mythic status in pop music history. The legacies of #1 Record and Radio City as well as the band's third LP, Third have far exceeded their original commercial performances. All three of Big Star's albums are included on Rolling Stone's 2012 "500 Greatest Albums of All Time" lists, and tracks from the first two "Thirteen" and "September Gurls" are also among the magazine's "500 Greatest Songs of All Time".\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Christopher Bell, Alex Chilton (guitar, vocals), Andy Hummel (bass guitar, piano, vocals), Jody Stephens (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9c43fv9RUhw"
    -referenceProduit: "Craft Records 0211"
    -titreMorceau: [
      [
        "nom" => "1. Feel"
        "ordre" => 1
      ]
      [
        "nom" => "1. When My Baby's Beside Me"
        "ordre" => 8
      ]
      [
        "nom" => "2. My Life Is Right"
        "ordre" => 9
      ]
      [
        "nom" => "2. The Ballad Of El Goodo"
        "ordre" => 2
      ]
      [
        "nom" => "3. Give Me Another Chance"
        "ordre" => 10
      ]
      [
        "nom" => "3. In The Street"
        "ordre" => 3
      ]
      [
        "nom" => "4. Thirteen"
        "ordre" => 4
      ]
      [
        "nom" => "4. Try Again"
        "ordre" => 11
      ]
      [
        "nom" => "5. Don't Lie To Me"
        "ordre" => 5
      ]
      [
        "nom" => "5. Watch The Sunrise"
        "ordre" => 12
      ]
      [
        "nom" => "6. ST100/6"
        "ordre" => 13
      ]
      [
        "nom" => "6. The India Song"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1579848541 {#1876
      date: 2020-01-24 06:49:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1579850684 {#1869
      date: 2020-01-24 07:24:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-1-record-craft-records-0211"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3119
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2658 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 1793
    -nom: "#1 Record"
    -informationComplementaire: ""
    -description: """
      * 180 Gram vinyl LP reissue from Craft Recordings !\r\n
      \r\n
      * All-analog mastering from the original stereo tapes by Jeff Powell at Memphis' Take Out Vinyl !\r\n
      \r\n
      * Manufactured at Memphis Record Pressing !\r\n
      \r\n
      180g Viny l LP Reissue Mastered All-Analog from the Original Stereo Tapes by Jeff Powell at Memphis' Take Out Vinyl and Manufactured at Memphis Record Pressing.\r\n
      \r\n
      Craft Recordings are pleased to reissue Big Star's acclaimed, first two albums on 180 gram vinyl. #1 Record and Radio City feature all-analog mastering by Jeff Powell at Memphis' Take Out Vinyl, and were also manufactured locally in Big Star's hometown at Memphis Record Pressing.\r\n
      \r\n
      Though they both failed to strike commercial success at the time of their releases, 1972's #1 Record and 1974's Radio City are now considered to be milestones in the history of rock by critics and musicians alike. Heavily influenced by the British Invasion, yet markedly original with their jangly pop, driving guitars, sweet harmonies, and wistful melancholia Big Star offered a distinctly new sound when they first emerged in the early ‘70s, and are counted among the founders of power pop a genre which wouldn't truly take off until later in the decade. Nevertheless, Big Star would become an underground favorite, influencing some the biggest alt-rock artists of the '80s, '90s and beyond, including R.E.M., Teenage Fanclub, Wilco, and The Replacements (who famously penned the song "Alex Chilton" as an ode to the band's frontman).\r\n
      \r\n
      The Memphis band was formed in 1971 by singer / songwriters Alex Chilton and Chris Bell, drummer Jody Stephens and bassist Andy Hummel. Chilton and Bell drew on the Lennon / McCartney style of collaborative songwriting for their aptly titled debut, #1 Record. Working with Ardent Records' founder and engineer John Fry, Chilton laid down guitar and vocal tracks often in one take, while Bell added polish with overdubs and harmonies to songs like "The Ballad of El Goodo", "Thirteen", and "In The Street". #1 Record was released to wide critical acclaim, yet distribution issues severely limited the album's availability in stores. It would sell fewer than 10000 copies.\r\n
      \r\n
      Although Bell departed the band shortly after the release of #1 Record, Big Star's remaining members began work on a second album in the fall of 1973. Losing the creative input of Bell could have wreaked havoc on the band's progress, but Chilton confidently took the helm, and his undeniable talents shone through especially on tracks like "I'm in Love with a Girl", "Back of a Car", and cult favorite, "September Gurls". Released in February of 1974, Radio City garnered praise from the press, but, unfortunately, critical acclaim did not translate to sales. \r\n
      \r\n
      Disbanding in late 1974, Big Star could have easily fallen into the abyss of could-have-beens and one-hit-wonders, yet they have instead achieved near-mythic status in pop music history. The legacies of #1 Record and Radio City as well as the band's third LP, Third have far exceeded their original commercial performances. All three of Big Star's albums are included on Rolling Stone's 2012 "500 Greatest Albums of All Time" lists, and tracks from the first two "Thirteen" and "September Gurls" are also among the magazine's "500 Greatest Songs of All Time".\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Christopher Bell, Alex Chilton (guitar, vocals), Andy Hummel (bass guitar, piano, vocals), Jody Stephens (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9c43fv9RUhw"
    -referenceProduit: "Craft Records 0211"
    -titreMorceau: [
      [
        "nom" => "1. Feel"
        "ordre" => 1
      ]
      [
        "nom" => "1. When My Baby's Beside Me"
        "ordre" => 8
      ]
      [
        "nom" => "2. My Life Is Right"
        "ordre" => 9
      ]
      [
        "nom" => "2. The Ballad Of El Goodo"
        "ordre" => 2
      ]
      [
        "nom" => "3. Give Me Another Chance"
        "ordre" => 10
      ]
      [
        "nom" => "3. In The Street"
        "ordre" => 3
      ]
      [
        "nom" => "4. Thirteen"
        "ordre" => 4
      ]
      [
        "nom" => "4. Try Again"
        "ordre" => 11
      ]
      [
        "nom" => "5. Don't Lie To Me"
        "ordre" => 5
      ]
      [
        "nom" => "5. Watch The Sunrise"
        "ordre" => 12
      ]
      [
        "nom" => "6. ST100/6"
        "ordre" => 13
      ]
      [
        "nom" => "6. The India Song"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1579848541 {#1876
      date: 2020-01-24 06:49:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1579850684 {#1869
      date: 2020-01-24 07:24:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-1-record-craft-records-0211"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2426 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 1794
    -nom: "Radio City"
    -informationComplementaire: ""
    -description: """
      * 180 Gram vinyl LP reissue from Craft Recordings !\r\n
      \r\n
      * All-analog mastering from the original stereo tapes by Jeff Powell at Memphis' Take Out Vinyl !\r\n
      \r\n
      * Manufactured at Memphis Record Pressing !\r\n
      \r\n
      180 gram Vinyl LP Reissue Mastered All-Analog from the Original Stereo Tapes by Jeff Powell at Memphis' Take Out Vinyl and Manufactured at Memphis Record Pressing.\r\n
      \r\n
      Craft Recordings are pleased to reissue Big Star's acclaimed, first two albums on 180 gram vinyl. #1 Recordand Radio City feature all-analog mastering by Jeff Powell at Memphis' Take Out Vinyl, and were also manufactured locally in Big Star's hometown at Memphis Record Pressing.\r\n
      \r\n
      Though they both failed to strike commercial success at the time of their releases, 1972's #1 Record and 1974's Radio City are now considered to be milestones in the history of rock by critics and musicians alike. Heavily influenced by the British Invasion, yet markedly original with their jangly pop, driving guitars, sweet harmonies, and wistful melancholia Big Star offered a distinctly new sound when they first emerged in the early ‘70s, and are counted among the founders of power pop a genre which wouldn't truly take off until later in the decade. Nevertheless, Big Star would become an underground favorite, influencing some the biggest alt-rock artists of the '80s, '90s and beyond, including R.E.M., Teenage Fanclub, Wilco, and The Replacements (who famously penned the song "Alex Chilton" as an ode to the band's frontman).\r\n
      \r\n
      The Memphis band was formed in 1971 by singer / songwriters Alex Chilton and Chris Bell, drummer Jody Stephens and bassist Andy Hummel. Chilton and Bell drew on the Lennon / McCartney style of collaborative songwriting for their aptly titled debut, #1 Record. Working with Ardent Records' founder and engineer John Fry, Chilton laid down guitar and vocal tracks – often in one take, while Bell added polish with overdubs and harmonies to songs like "The Ballad of El Goodo", "Thirteen", and "In The Street". #1 Record was released to wide critical acclaim, yet distribution issues severely limited the album's availability in stores. It would sell fewer than 10000 copies.\r\n
      \r\n
      Although Bell departed the band shortly after the release of #1 Record, Big Star's remaining members began work on a second album in the fall of 1973. Losing the creative input of Bell could have wreaked havoc on the band's progress, but Chilton confidently took the helm, and his undeniable talents shone through especially on tracks like "I'm in Love with a Girl", "Back of a Car", and cult favorite, "September Gurls". Released in February of 1974, Radio City garnered praise from the press, but, unfortunately, critical acclaim did not translate to sales. \r\n
      \r\n
      Disbanding in late 1974, Big Star could have easily fallen into the abyss of could-have-beens and one-hit-wonders, yet they have instead achieved near-mythic status in pop music history. The legacies of #1 Record and Radio City as well as the band's third LP, Third have far exceeded their original commercial performances. All three of Big Star's albums are included on Rolling Stone's 2012 "500 Greatest Albums of All Time" lists, and tracks from the first two "Thirteen" and "September Gurls" are also among the magazine's "500 Greatest Songs of All Time".\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Alex Chilton (guitar, vocals), Andy Hummel (bass guitar, piano, vocals), Jody Stephens (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=D8gCbjEdm8E"
    -referenceProduit: "Craft Records 0212"
    -titreMorceau: [
      [
        "nom" => " 2. Life Is White"
        "ordre" => 2
      ]
      [
        "nom" => "1. Mod Lang"
        "ordre" => 7
      ]
      [
        "nom" => "1. O My Soul"
        "ordre" => 1
      ]
      [
        "nom" => "2. Back Of A Car"
        "ordre" => 8
      ]
      [
        "nom" => "3. Daisy Glaze"
        "ordre" => 9
      ]
      [
        "nom" => "3. Way Out West"
        "ordre" => 3
      ]
      [
        "nom" => "4. She's A Mover"
        "ordre" => 10
      ]
      [
        "nom" => "4. What's Goin Ahn"
        "ordre" => 4
      ]
      [
        "nom" => "5. September Gurls"
        "ordre" => 11
      ]
      [
        "nom" => "5. You Get What You Deserve"
        "ordre" => 5
      ]
      [
        "nom" => "6. Morpha Too"
        "ordre" => 12
      ]
      [
        "nom" => "7. I'm In Love With A Girl"
        "ordre" => 13
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2053 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2046 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2048 …}
    -enregistreLe: DateTime @1579850431 {#2042
      date: 2020-01-24 07:20:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1579850591 {#2043
      date: 2020-01-24 07:23:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2050 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-radio-city-craft-records-0212"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3235
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2658 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 1794
    -nom: "Radio City"
    -informationComplementaire: ""
    -description: """
      * 180 Gram vinyl LP reissue from Craft Recordings !\r\n
      \r\n
      * All-analog mastering from the original stereo tapes by Jeff Powell at Memphis' Take Out Vinyl !\r\n
      \r\n
      * Manufactured at Memphis Record Pressing !\r\n
      \r\n
      180 gram Vinyl LP Reissue Mastered All-Analog from the Original Stereo Tapes by Jeff Powell at Memphis' Take Out Vinyl and Manufactured at Memphis Record Pressing.\r\n
      \r\n
      Craft Recordings are pleased to reissue Big Star's acclaimed, first two albums on 180 gram vinyl. #1 Recordand Radio City feature all-analog mastering by Jeff Powell at Memphis' Take Out Vinyl, and were also manufactured locally in Big Star's hometown at Memphis Record Pressing.\r\n
      \r\n
      Though they both failed to strike commercial success at the time of their releases, 1972's #1 Record and 1974's Radio City are now considered to be milestones in the history of rock by critics and musicians alike. Heavily influenced by the British Invasion, yet markedly original with their jangly pop, driving guitars, sweet harmonies, and wistful melancholia Big Star offered a distinctly new sound when they first emerged in the early ‘70s, and are counted among the founders of power pop a genre which wouldn't truly take off until later in the decade. Nevertheless, Big Star would become an underground favorite, influencing some the biggest alt-rock artists of the '80s, '90s and beyond, including R.E.M., Teenage Fanclub, Wilco, and The Replacements (who famously penned the song "Alex Chilton" as an ode to the band's frontman).\r\n
      \r\n
      The Memphis band was formed in 1971 by singer / songwriters Alex Chilton and Chris Bell, drummer Jody Stephens and bassist Andy Hummel. Chilton and Bell drew on the Lennon / McCartney style of collaborative songwriting for their aptly titled debut, #1 Record. Working with Ardent Records' founder and engineer John Fry, Chilton laid down guitar and vocal tracks – often in one take, while Bell added polish with overdubs and harmonies to songs like "The Ballad of El Goodo", "Thirteen", and "In The Street". #1 Record was released to wide critical acclaim, yet distribution issues severely limited the album's availability in stores. It would sell fewer than 10000 copies.\r\n
      \r\n
      Although Bell departed the band shortly after the release of #1 Record, Big Star's remaining members began work on a second album in the fall of 1973. Losing the creative input of Bell could have wreaked havoc on the band's progress, but Chilton confidently took the helm, and his undeniable talents shone through especially on tracks like "I'm in Love with a Girl", "Back of a Car", and cult favorite, "September Gurls". Released in February of 1974, Radio City garnered praise from the press, but, unfortunately, critical acclaim did not translate to sales. \r\n
      \r\n
      Disbanding in late 1974, Big Star could have easily fallen into the abyss of could-have-beens and one-hit-wonders, yet they have instead achieved near-mythic status in pop music history. The legacies of #1 Record and Radio City as well as the band's third LP, Third have far exceeded their original commercial performances. All three of Big Star's albums are included on Rolling Stone's 2012 "500 Greatest Albums of All Time" lists, and tracks from the first two "Thirteen" and "September Gurls" are also among the magazine's "500 Greatest Songs of All Time".\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Alex Chilton (guitar, vocals), Andy Hummel (bass guitar, piano, vocals), Jody Stephens (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
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    }
    -modifierLe: DateTime @1579850591 {#2043
      date: 2020-01-24 07:23:11.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2050 …}
    -disponible: null
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    -slug: "vinyles-radio-city-craft-records-0212"
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[
  "produit" => App\Entity\Produit {#2058
    -id: 885
    -nom: "All Your Life - A Tribute To The Beatles"
    -informationComplementaire: ""
    -description: """
      All Your Life may be the loveliest album Al Di Meola has ever done. His affection for the Beatles material that comprises the album was no doubt amplified by recording at Abbey Road Studios where the iconic foursome did the bulk of their work.\r\n
      \r\n
      In producing this tribute to the Beatles, Di Mieola remains true to his previous recorded efforts by working in the acoustic vein within which his flamenco skills allow him to find nuance in melodies like that of “In My Live” and “And I Love Her”. Yet however much he embroiders upon the melody and rhythm at the heart of such great songs, all selections are almost immediately recognizable and Di Meola never succumbs to technique for its own sake. In fact, it’s only in the wordy essay inside the digi-pak where he overstates his enthusiasm for his subjects.\r\n
      \r\n
      The choices of Lennon-McCartney tunes here (none are George Harrison’s) all make good sense in terms of the concept of All My Life and while some, such as “Blackbird” and “If I Fell”, are perhaps too obvious, it may be true those selections proved irresistible to the guitarist for that very reason. Still, Di Meola doesn’t play it safe here: alongside “Michelle” and “Eleanor Rigby” (where he takes the chance of including sparse strings similar to the orchestration on the original Revolver cut), he demonstrates both courage and ambition by recording “A Day in the Life” and “I Am the Walrus”, two of more complex pieces of music, not to mention studio arrangements, the Beatles ever attempted; yet Di Meola’s technical skill, as with the restraint he displays elsewhere All Your Life, stands him in especially good stead within the two contrasting sections of the former number, while this rendition of the latter is no less memorable: to imbue such a cerebral song with so much warmth is indicative of this musician’s approach to this project.\r\n
      \r\n
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      \r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=qdMaA5te4GQ"
    -referenceProduit: "INK 91281"
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        "nom" => "1. In My Life"
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        "nom" => "2. Blackbird"
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      [
        "nom" => "2. Eleanor Rigby"
        "ordre" => 6
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      [
        "nom" => "2. With A Little Help From My Friends"
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      [
        "nom" => "3. Because"
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      [
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        "ordre" => 16
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      [
        "nom" => "3. Penny Lane"
        "ordre" => 7
      ]
      [
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      [
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      [
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        "ordre" => 0
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      [
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      [
        "nom" => "Side C : "
        "ordre" => 8
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      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2060 …}
    -label: Proxies\__CG__\App\Entity\Label {#2063 …}
    -style: App\Entity\Style {#1449 …}
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    -modifierLe: DateTime @1578923003 {#2056
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-all-your-life-a-tribute-to-the-beatles-ink-91281"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3281
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2658 …}
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    -id: 885
    -nom: "All Your Life - A Tribute To The Beatles"
    -informationComplementaire: ""
    -description: """
      All Your Life may be the loveliest album Al Di Meola has ever done. His affection for the Beatles material that comprises the album was no doubt amplified by recording at Abbey Road Studios where the iconic foursome did the bulk of their work.\r\n
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      In producing this tribute to the Beatles, Di Mieola remains true to his previous recorded efforts by working in the acoustic vein within which his flamenco skills allow him to find nuance in melodies like that of “In My Live” and “And I Love Her”. Yet however much he embroiders upon the melody and rhythm at the heart of such great songs, all selections are almost immediately recognizable and Di Meola never succumbs to technique for its own sake. In fact, it’s only in the wordy essay inside the digi-pak where he overstates his enthusiasm for his subjects.\r\n
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      The choices of Lennon-McCartney tunes here (none are George Harrison’s) all make good sense in terms of the concept of All My Life and while some, such as “Blackbird” and “If I Fell”, are perhaps too obvious, it may be true those selections proved irresistible to the guitarist for that very reason. Still, Di Meola doesn’t play it safe here: alongside “Michelle” and “Eleanor Rigby” (where he takes the chance of including sparse strings similar to the orchestration on the original Revolver cut), he demonstrates both courage and ambition by recording “A Day in the Life” and “I Am the Walrus”, two of more complex pieces of music, not to mention studio arrangements, the Beatles ever attempted; yet Di Meola’s technical skill, as with the restraint he displays elsewhere All Your Life, stands him in especially good stead within the two contrasting sections of the former number, while this rendition of the latter is no less memorable: to imbue such a cerebral song with so much warmth is indicative of this musician’s approach to this project.\r\n
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      Recorded over the course of two days within a comparatively protracted nine-month period, All Your Life nevertheless boasts a readily discernible continuity. Simpler solo performances are interwoven within the track sequencing alongside those that contain additional percussion and / or more ornate playing. As a result, the complementary picking meshing across the stereo channels during “She’s Leaving Home” becomes an absolutely perfect denouement to the record as the closing number of fourteen tracks (coincidentally or deliberately, the same number as on the Beatles own albums), all of which are even more vividly picturesque than the glossy color photos that adorn this package inside and out. - Glide Magazine.\r\n
      \r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2060 …}
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    -modifierLe: DateTime @1578923003 {#2056
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -slug: "vinyles-all-your-life-a-tribute-to-the-beatles-ink-91281"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2426 …}
}

[
  "produit" => App\Entity\Produit {#2077
    -id: 1416
    -nom: "Jazz"
    -informationComplementaire: ""
    -description: "Jazz continued Queen's hot streak and features three of their biggest worldwide singles ever "Bicycle Race," "Fat-o,ttomed Girls", and "Don't Stop Me Now", plus the Queen classic "Let Me Entertain You". Co-produced by Roy Thomas Baker, his first work with the band in three years. Incorporating a greater degree of funk mixed in with their hard rock, cabaret and prog rock elements, Jazz is a wildly eclectic LP ranging from the hard rock of "Fat Bottomed Girls" to the technicolor stage of "Let Me Entertain You".\r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Freddie Mercury (piano, vocals), Brian May (acoustic guitar & electric guitar, backing vocals), John Deacon (electric guitar & acoustic guitar, bass), Roger Taylor (drums, percussion, bass, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=r1sz87d61PA"
    -referenceProduit: "Hollywood Records 40027"
    -titreMorceau: [
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        "nom" => "1. Dead On Time"
        "ordre" => 8
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        "nom" => "2. Fat Bottomed Girls"
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      ]
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        "ordre" => 13
      ]
      [
        "nom" => "6. Let Me Entertain You"
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      ]
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        "nom" => "7. More of That Jazz"
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      ]
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        "ordre" => 0
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        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
    -label: Proxies\__CG__\App\Entity\Label {#2082 …}
    -style: App\Entity\Style {#1452 …}
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    }
    -modifierLe: DateTime @1578921971 {#2075
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2088 …}
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    -slug: "vinyles-jazz-hollywood-records-40027"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3332
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2658 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2077
    -id: 1416
    -nom: "Jazz"
    -informationComplementaire: ""
    -description: "Jazz continued Queen's hot streak and features three of their biggest worldwide singles ever "Bicycle Race," "Fat-o,ttomed Girls", and "Don't Stop Me Now", plus the Queen classic "Let Me Entertain You". Co-produced by Roy Thomas Baker, his first work with the band in three years. Incorporating a greater degree of funk mixed in with their hard rock, cabaret and prog rock elements, Jazz is a wildly eclectic LP ranging from the hard rock of "Fat Bottomed Girls" to the technicolor stage of "Let Me Entertain You".\r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Freddie Mercury (piano, vocals), Brian May (acoustic guitar & electric guitar, backing vocals), John Deacon (electric guitar & acoustic guitar, bass), Roger Taylor (drums, percussion, bass, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=r1sz87d61PA"
    -referenceProduit: "Hollywood Records 40027"
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        "ordre" => 7
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
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    }
    -modifierLe: DateTime @1578921971 {#2075
      date: 2020-01-13 13:26:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2088 …}
    -disponible: null
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    -slug: "vinyles-jazz-hollywood-records-40027"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2426 …}
}

[
  "produit" => App\Entity\Produit {#2096
    -id: 1168
    -nom: "Larry & Lee  (33 1/3 RMP + Insert)"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Lee Ritenour (guitar, bass, synthesizer, organ), Larry Carlton (guitar, composer), Melvin Davis (bass), Rick Jackson, Greg Phillinganes, David Witham (keyboards), Gary Grant (trumpet, flugelhorn), William Frank ‘’Bill’’ Reichenbach Jr. (trombone), Larry Williams (tenor saxophone, synthesizer), Cassio Duarte (percussion), Harvey Mason Sr. (drums).\r\n
      \r\n
      Larry Carlton and Lee Ritenour have had parallel careers, but this record is their first joint meeting on record. The two guitarists complement each other well and there are hints of Wes Montgomery along with a tribute to Joe Pass ("Remembering J.P."), but the songs (all of them their originals) are little more than rhythmic grooves most of the time with the usual fadeouts. The consistently lightweight music is reasonably pleasing but never too stimulating.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lee Ritenour (guitar, bass, synthesizer, organ), Larry Carlton (guitar, composer), Melvin Davis (bass), Rick Jackson, Greg Phillinganes, David Witham (keyboards), Gary Grant (trumpet, flugelhorn), William Frank ‘’Bill’’ Reichenbach Jr. (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=MFLbeHAwA8k"
    -referenceProduit: "GRP (Play 33 1/3)"
    -titreMorceau: [
      [
        "nom" => "1. Closed Door Jam "
        "ordre" => 5
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      [
        "nom" => "1. Crosstown Kids "
        "ordre" => 1
      ]
      [
        "nom" => "1. Fun In The Dark "
        "ordre" => 9
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      [
        "nom" => "1. Up And Adam "
        "ordre" => 13
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      [
        "nom" => "2. After The Rain "
        "ordre" => 6
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      [
        "nom" => "2. Lots About Nothin' "
        "ordre" => 10
      ]
      [
        "nom" => "2. Low Steppin' "
        "ordre" => 2
      ]
      [
        "nom" => "2. Reflection Of A Guitar Player"
        "ordre" => 14
      ]
      [
        "nom" => "3. L.A. Underground "
        "ordre" => 3
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      [
        "nom" => "3. Remembering J.P. "
        "ordre" => 7
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      [
        "nom" => "3. Take That "
        "ordre" => 11
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      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
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        "nom" => "Side B : "
        "ordre" => 4
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        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …}
    -label: Proxies\__CG__\App\Entity\Label {#2101 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2110 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2103 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2105 …}
    -enregistreLe: DateTime @1492721605 {#2093
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    }
    -modifierLe: DateTime @1578921502 {#2094
      date: 2020-01-13 13:18:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2107 …}
    -disponible: null
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    -slug: "vinyles-larry-lee-33-1-3-rmp-insert-grp-play-33-1-3"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3383
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2658 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2096
    -id: 1168
    -nom: "Larry & Lee  (33 1/3 RMP + Insert)"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Lee Ritenour (guitar, bass, synthesizer, organ), Larry Carlton (guitar, composer), Melvin Davis (bass), Rick Jackson, Greg Phillinganes, David Witham (keyboards), Gary Grant (trumpet, flugelhorn), William Frank ‘’Bill’’ Reichenbach Jr. (trombone), Larry Williams (tenor saxophone, synthesizer), Cassio Duarte (percussion), Harvey Mason Sr. (drums).\r\n
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      Larry Carlton and Lee Ritenour have had parallel careers, but this record is their first joint meeting on record. The two guitarists complement each other well and there are hints of Wes Montgomery along with a tribute to Joe Pass ("Remembering J.P."), but the songs (all of them their originals) are little more than rhythmic grooves most of the time with the usual fadeouts. The consistently lightweight music is reasonably pleasing but never too stimulating.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lee Ritenour (guitar, bass, synthesizer, organ), Larry Carlton (guitar, composer), Melvin Davis (bass), Rick Jackson, Greg Phillinganes, David Witham (keyboards), Gary Grant (trumpet, flugelhorn), William Frank ‘’Bill’’ Reichenbach Jr. (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=MFLbeHAwA8k"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …}
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    -style: App\Entity\Style {#1449 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2105 …}
    -enregistreLe: DateTime @1492721605 {#2093
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    }
    -modifierLe: DateTime @1578921502 {#2094
      date: 2020-01-13 13:18:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2107 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-larry-lee-33-1-3-rmp-insert-grp-play-33-1-3"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2426 …}
}

[
  "produit" => App\Entity\Produit {#2115
    -id: 547
    -nom: "Neighbourhood"
    -informationComplementaire: ""
    -description: "Manu Katché’s first leader date for ECM finds him fronting a remarkable band, assembled by producer Manfred Eicher, which brings the French-African drummer together with Norwegian saxophonist Jan Garbarek and Polish trumpeter Tomasz Stanko. Two of Stanko’s gifted young associates, pianist Marcin Wasilewski and bassist Slawomir Kurkiewicz, complete an ensemble which plays Manu’s music with enormous assurance, as if they’ve been playing together for years. Which, indeed, some of them have. As so often with this record label, a “first encounter” trails a network of associations and interwoven histories..."
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Manu Katché (drums), Tomasz Stanko (trumpet), Jan Garbarek (tenor saxophone), Marcin Wasilewski (piano), Slawomir Kurkiewicz (double-bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TXxu85FvtiA"
    -referenceProduit: "ECM 30300"
    -titreMorceau: [
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        "nom" => "1. No Rush "
        "ordre" => 7
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        "ordre" => 1
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        "ordre" => 8
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        "ordre" => 2
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        "ordre" => 3
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        "ordre" => 9
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        "ordre" => 10
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        "ordre" => 5
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        "ordre" => 0
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        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
    -label: Proxies\__CG__\App\Entity\Label {#2120 …}
    -style: App\Entity\Style {#1449 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2124 …}
    -enregistreLe: DateTime @1348819338 {#2112
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    }
    -modifierLe: DateTime @1578563960 {#2113
      date: 2020-01-09 09:59:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2126 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-neighbourhood-ecm-30300"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3434
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2658 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2115
    -id: 547
    -nom: "Neighbourhood"
    -informationComplementaire: ""
    -description: "Manu Katché’s first leader date for ECM finds him fronting a remarkable band, assembled by producer Manfred Eicher, which brings the French-African drummer together with Norwegian saxophonist Jan Garbarek and Polish trumpeter Tomasz Stanko. Two of Stanko’s gifted young associates, pianist Marcin Wasilewski and bassist Slawomir Kurkiewicz, complete an ensemble which plays Manu’s music with enormous assurance, as if they’ve been playing together for years. Which, indeed, some of them have. As so often with this record label, a “first encounter” trails a network of associations and interwoven histories..."
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Manu Katché (drums), Tomasz Stanko (trumpet), Jan Garbarek (tenor saxophone), Marcin Wasilewski (piano), Slawomir Kurkiewicz (double-bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TXxu85FvtiA"
    -referenceProduit: "ECM 30300"
    -titreMorceau: [
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        "nom" => "1. No Rush "
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        "nom" => "2. Lovely Walk "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
    -label: Proxies\__CG__\App\Entity\Label {#2120 …}
    -style: App\Entity\Style {#1449 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2122 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2124 …}
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    }
    -modifierLe: DateTime @1578563960 {#2113
      date: 2020-01-09 09:59:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2126 …}
    -disponible: null
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    -slug: "vinyles-neighbourhood-ecm-30300"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2426 …}
}

[
  "produit" => App\Entity\Produit {#2134
    -id: 1177
    -nom: "Afro-Disiac"
    -informationComplementaire: ""
    -description: """
      First-ever vinyl reissue !\r\n
      \r\n
      180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Mastered by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      Includes Jazz Dispensary "Authorized Dealer" window cling !\r\n
      \r\n
      Charles Kynard was an American soul jazz/acid jazz organist born in St. Louis, Missouri. This album features Kynard (organ) flanked by a who's who of boss groovers, including Jimmy Lewis (bass), Bernard Purdie (drums), Grant Green (guitar) and Houston Person (tenor sax). Features the smoldering, deep-pocket Purdie showcase,\r\n
      "Sweetheart".\r\n
      \r\n
      Long out of print and never reissued in the U.S. on vinyl since its original release in 1970, Afro-Disiac just might be the musical panacea you've been looking for.\r\n
      \r\n
      For top-notch sound and super silent heavyweight vinyl, this LP was plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Charles Kynard (organ), Grant Green (guitar), Jimmy Lewis (bass), Houston Person (saxophone), Bernard Purdie (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -limitedEdition: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=LqEi2QuMIVg"
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    -titreMorceau: [
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        "nom" => "1. Afro-Disiac "
        "ordre" => 1
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        "nom" => "2. Bella Donna "
        "ordre" => 2
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      [
        "nom" => "2. Sweetheart "
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        "ordre" => 0
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2136 …}
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    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2145 …}
    -disponible: null
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    -slug: "vinyles-afro-disiac-fantasy-0089"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3485
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2658 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2134
    -id: 1177
    -nom: "Afro-Disiac"
    -informationComplementaire: ""
    -description: """
      First-ever vinyl reissue !\r\n
      \r\n
      180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Mastered by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      Includes Jazz Dispensary "Authorized Dealer" window cling !\r\n
      \r\n
      Charles Kynard was an American soul jazz/acid jazz organist born in St. Louis, Missouri. This album features Kynard (organ) flanked by a who's who of boss groovers, including Jimmy Lewis (bass), Bernard Purdie (drums), Grant Green (guitar) and Houston Person (tenor sax). Features the smoldering, deep-pocket Purdie showcase,\r\n
      "Sweetheart".\r\n
      \r\n
      Long out of print and never reissued in the U.S. on vinyl since its original release in 1970, Afro-Disiac just might be the musical panacea you've been looking for.\r\n
      \r\n
      For top-notch sound and super silent heavyweight vinyl, this LP was plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Charles Kynard (organ), Grant Green (guitar), Jimmy Lewis (bass), Houston Person (saxophone), Bernard Purdie (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=LqEi2QuMIVg"
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[
  "produit" => App\Entity\Produit {#2153
    -id: 1754
    -nom: "Alone Together"
    -informationComplementaire: ""
    -description: """
      Blue Note 80 Vinyl Reissue Series Curated by Don Was and Cem Kurosman; Blue Note Live, Part 2 Themed Installment Presented on 180 gram Vinyl 2 LP.\r\n
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      \r\n
      This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram double vinyl at Optimal.\r\n
      """
    -prixVente: "69.50"
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    -musicienOrchestre: "Lee Konitz (alto saxophone), Brad Mehldau (piano), Charlie Haden (bass)"
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    -extraitYoutube: "https://www.youtube.com/watch?v=P5PJKT9J8GE"
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[
  "produit" => App\Entity\Produit {#2172
    -id: 549
    -nom: "Cross My Palm With Silver"
    -informationComplementaire: ""
    -description: """
      A year after his impressionistic, critically-lauded ECM debut Into The Silence, trumpeter Avishai Cohen's Cross My Palm With Silver introduces a program of new pieces which put the focus on the ensemble, on teamwork, with a quartet of the highest calibre. The adroit, almost telepathic interplay among the musicians allows Avishai Cohen to soar, making it clear why he is one of the most talked-about jazz musicians on the contemporary scene.\r\n
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      \r\n
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      \r\n
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    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Avishai Cohen (trumpet), Yonathan Avishai (piano), Barak Mori (double bass), Nasheet Waits (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3587
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    -id: 549
    -nom: "Cross My Palm With Silver"
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    -description: """
      A year after his impressionistic, critically-lauded ECM debut Into The Silence, trumpeter Avishai Cohen's Cross My Palm With Silver introduces a program of new pieces which put the focus on the ensemble, on teamwork, with a quartet of the highest calibre. The adroit, almost telepathic interplay among the musicians allows Avishai Cohen to soar, making it clear why he is one of the most talked-about jazz musicians on the contemporary scene.\r\n
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[
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    -id: 550
    -nom: "Midwest"
    -informationComplementaire: ""
    -description: """
      Mathias Eick reflects on distances travelled in this intensely melodic set of original compositions, which makes an imaginative journey from Hem, the tiny Norwegian village where the trumpeter grew up, to the vast plains of Dakota in the American Midwest. \r\n
      \r\n
      It was to the Midwest that hundreds of thousands of Norwegians traveled by sea in the 19th and early 20th centuries and naturally they took their music with them. \r\n
      \r\n
      In similar spirit Eick, a Norwegian improviser-composer strongly influenced by North American jazz, here reintegrates some of the colors and textures of his native folk music in these newly-created pieces. \r\n
      \r\n
      In the front line of the line-up featured here he is partnered by the brilliant violinist Gjermund Larsen, whose roots are in the Norwegian folk tradition. Trumpet and violin exchange lines and soar together above a brilliant rhythm section with Jon Balke at his most lyrical, Helge Norbakken periodically finding pulses that can suggest tribal drumming or buffalo hooves, and the resourceful Mats Eilertsen helping to drive the music forward. \r\n
      \r\n
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      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3638
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    -id: 550
    -nom: "Midwest"
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      Mathias Eick reflects on distances travelled in this intensely melodic set of original compositions, which makes an imaginative journey from Hem, the tiny Norwegian village where the trumpeter grew up, to the vast plains of Dakota in the American Midwest. \r\n
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      In similar spirit Eick, a Norwegian improviser-composer strongly influenced by North American jazz, here reintegrates some of the colors and textures of his native folk music in these newly-created pieces. \r\n
      \r\n
      In the front line of the line-up featured here he is partnered by the brilliant violinist Gjermund Larsen, whose roots are in the Norwegian folk tradition. Trumpet and violin exchange lines and soar together above a brilliant rhythm section with Jon Balke at his most lyrical, Helge Norbakken periodically finding pulses that can suggest tribal drumming or buffalo hooves, and the resourceful Mats Eilertsen helping to drive the music forward. \r\n
      \r\n
      The original inspiration for the album was sparked by a grueling North American tour : "I'd been out on the road for a long time and was feeling homesick. Then we reached the area called the Midwest and I suddenly felt as if I was home. I had a sense of why the early settlers would want to build their farms there. It reminded me very much of parts of Norway".\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Mathias Eick (trumpet), Gjermund Larsen (violin),  Jon Balke (piano), Mats Eilertsen (double bass), Helge Norbakken (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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[
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    -id: 1780
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    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Kit Downes (piano, organ), Tom Challenger (tenor saxophone), Stian Westerhus (guitar), Lucy Railton (cello), Sebastian Rochford (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3689
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    -nom: "Dreamlife Of Debris"
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    -description: "Dreamlife of Debris carries forward the story begun on Kit Downes's Obsidian, extending and developing its processes and core ideas. But where Obsidian was (almost exclusively) a solo church organ album, part of Kit's plan for Dreamlife was to put the organ in a broader context, and also to bring the piano into the larger compositional picture. Musicians in the project are primarily players with whom Downes has had long associations.\r\n"
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      date: 2019-12-29 08:10:43.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2220
    -id: 706
    -nom: "Kenya"
    -informationComplementaire: ""
    -description: """
      Machito was born Frank Raul Grillo 16th February 1912, Tampa, Florida. Machito played a huge role in the history of Latin jazz, for his bands of the 1940’s were probably the first to achieve a fusion of powerful Afro-Cuban rhythms and jazz improvisation. At it’s roaring best , the band had a hard charging sound, loaded with jostling, hyperactive bongos and congas and razor-edged riffing brass. Machito was the front man, singing, conducting, shaking maracas, while his brother-in-law Mario Bauza was the innovator behind the scenes, getting Machito to hire jazz-orientated arrangers. After an earlier aborted attempt to launch a band with Bauza, Machito founded the Afro-Cubans in 1940, taking on Bauza the following year as music director where he remained for 35 years. Playing regularly at New York’s Palladium, Machito’s band reached it’s peak of popularity during the mambo craze of the 1950’s, when this album was recorded. \r\n
      \r\n
      This outstanding album, recorded in 1957, in honor of the then recently formed republic of Kenya, highlights the wonderful Afro-American and Afro-Cuban musical language Machito spoke so well.\r\n
      \r\n
      In this album, Machito has combined all the elements needed in bringing the true meaning of Afro-Cuban jazz music to the listener. Machito, his musical director Mario Bauza, Rene Hernandez and A. K. Salim who along with Mr Bauza composed and arranged this music, define it this way : Afro-Cuban rhythm differs from other rhythms in that instead of the usual drums carrying the rhythmic beat, it is carried by Cuban percussion instruments such as the bongos, congas, timbales, guiros and maracas. Also, and even more elemental, is that although there are four beats to the bar as in all jazz, in Afro-Cuban jazz the beat is not played by any instrunments as such. It is felt, rather than actually heard. Afro-Cuban jazz is, in it’s performance, the marriage of Afro-Cuban rhythm and soloists.\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=5SYYfcAz3No"
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        "nom" => "1. Frenzy "
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        "nom" => "1. Wild Jungle "
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        "nom" => "2. Blues A La Machito "
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        "nom" => "3. Kenya "
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App\Twig\Components\GestionPanierFavoriComponents {#3740
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2658 …}
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    -id: 706
    -nom: "Kenya"
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    -description: """
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      \r\n
      This outstanding album, recorded in 1957, in honor of the then recently formed republic of Kenya, highlights the wonderful Afro-American and Afro-Cuban musical language Machito spoke so well.\r\n
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        "ordre" => 4
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        "nom" => "4. Tin Tin Deo "
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        "ordre" => 5
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        "nom" => "5. Minor Rama "
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        "nom" => "6. Tururato "
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        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2222 …}
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      date: 2019-12-25 08:47:11.0 UTC (+00:00)
    }
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    -disponible: null
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    -slug: "vinyles-kenya-pure-pleasure-records-ppan-52006"
  }
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3941
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2426 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3942 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3990 …}
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  +validatedFields: []
}