Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2632
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2709
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2712 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
  -formView: Symfony\Component\Form\FormView {#2748 …}
  -form: Symfony\Component\Form\Form {#2898 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2610
    -nom: "How Long Has This Been Going On ?"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan "How Long Has This Been Going On ?" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Step into the timeless embrace of jazz legend Sarah Vaughan's "How Long Has This Been Going On ?" An auditory voyage through the depths of love, longing, and introspection, this album is a highlight of late-period Sarah Vaughan. Sassy sounds wonderful stretching out on such songs as "Midnight Sun", "More Than You Know", "Teach Me Tonight" and "Body and Soul" among others. Vaughan effortlessly navigates the complexities of emotion, her voice soaring and dipping with each nuanced phrase.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is an exceptional audiophile disc. Housed in a gatefold Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Sarah Vaughan (vocal), Oscar Peterson (piano), Joe Pass (guitar), Ray Brown (double bass), Louie Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=WGQOFurl2o0"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 163"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I've Got The World On String"
      ]
      [
        "ordre" => 2
        "nom" => "2. Midnight Sun"
      ]
      [
        "ordre" => 3
        "nom" => "3. How Long Has This Been Going On ?"
      ]
      [
        "ordre" => 4
        "nom" => "4. You're Blase"
      ]
      [
        "ordre" => 5
        "nom" => "5. Easy Living"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. More Than You Know"
      ]
      [
        "ordre" => 8
        "nom" => "2. My Old Flame"
      ]
      [
        "ordre" => 9
        "nom" => "3. Teach Me Tonight"
      ]
      [
        "ordre" => 10
        "nom" => "4. Body And Soul"
      ]
      [
        "ordre" => 11
        "nom" => "5. When Your Lover Has Gone"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1734163263 {#1929
      date: 2024-12-14 08:01:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765113871 {#1922
      date: 2025-12-07 13:24:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-how-long-has-this-been-going-on-analogue-productions-pablo-aapj-163"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3169
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2610
    -nom: "How Long Has This Been Going On ?"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan "How Long Has This Been Going On ?" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Step into the timeless embrace of jazz legend Sarah Vaughan's "How Long Has This Been Going On ?" An auditory voyage through the depths of love, longing, and introspection, this album is a highlight of late-period Sarah Vaughan. Sassy sounds wonderful stretching out on such songs as "Midnight Sun", "More Than You Know", "Teach Me Tonight" and "Body and Soul" among others. Vaughan effortlessly navigates the complexities of emotion, her voice soaring and dipping with each nuanced phrase.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is an exceptional audiophile disc. Housed in a gatefold Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Sarah Vaughan (vocal), Oscar Peterson (piano), Joe Pass (guitar), Ray Brown (double bass), Louie Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=WGQOFurl2o0"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 163"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I've Got The World On String"
      ]
      [
        "ordre" => 2
        "nom" => "2. Midnight Sun"
      ]
      [
        "ordre" => 3
        "nom" => "3. How Long Has This Been Going On ?"
      ]
      [
        "ordre" => 4
        "nom" => "4. You're Blase"
      ]
      [
        "ordre" => 5
        "nom" => "5. Easy Living"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. More Than You Know"
      ]
      [
        "ordre" => 8
        "nom" => "2. My Old Flame"
      ]
      [
        "ordre" => 9
        "nom" => "3. Teach Me Tonight"
      ]
      [
        "ordre" => 10
        "nom" => "4. Body And Soul"
      ]
      [
        "ordre" => 11
        "nom" => "5. When Your Lover Has Gone"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1734163263 {#1929
      date: 2024-12-14 08:01:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765113871 {#1922
      date: 2025-12-07 13:24:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-how-long-has-this-been-going-on-analogue-productions-pablo-aapj-163"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2327
    -nom: "Oh !"
    -informationComplementaire: null
    -description: """
      - 1 Scolohofo "Oh !" 180 gram Double Vinyl LP !\r\n
      - Tone Poet Audiophile Vinyl Reissue Series !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Analog Tapes !\r\n
      - Produced by Music Matters' Joe Harley !\r\n
      - Pressed at RTI !\r\n
      \r\n
      ScoLoHoFo the supergroup made up of guitarist John Scofield, saxophonist Joe Lovano, bassist Dave Holland, and drummer Al Foster first played together as a band in 1999, but the musicians' associations stretched back decades. Scofield, Holland, and Foster were all alumni of Miles Davis' groups and they appeared together on Joe Henderson's 1993 Miles tribute So Near, So Far. Scofield's acclaimed early-'90s quartet featured Lovano as heard on a series of excellent Blue Note albums including Time on My Hands and Meant to Be. Recorded in 2002, ScoLoHoFo's masterful album Oh! is a dynamic 11 song set that brims with comradery and covers a wide range of stylistic ground. Each of the band members contributed several original compositions including Lovano's declarative opener "Oh !", Holland's expansive "The Winding Way", Foster's delicate "Bittersweet", and Scofield's propulsive "Shorter Form".\r\n
      \r\n
      The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      This 2 LP stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Joe Lovano (soprano & tenor saxophone), David Holland (bass), John Scofield (guitar), Al Foster (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=HtFDZyviv9o"
    -referenceProduit: "Blue Note Tone Poet Series 4401"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Oh ! "
      ]
      [
        "ordre" => 2
        "nom" => "2. Right About Now"
      ]
      [
        "ordre" => 3
        "nom" => "1. The Winding Way "
      ]
      [
        "ordre" => 4
        "nom" => "2. Bittersweet "
      ]
      [
        "ordre" => 5
        "nom" => "3. Shorter Form"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. New Amsterdam "
      ]
      [
        "ordre" => 8
        "nom" => "2. In Your Arms"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. The Dawn Of Time "
      ]
      [
        "ordre" => 11
        "nom" => "2. Brandyn "
      ]
      [
        "ordre" => 12
        "nom" => "3. Faces "
      ]
      [
        "ordre" => 13
        "nom" => "4. Oh I See"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1669364421 {#2095
      date: 2022-11-25 08:20:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765113562 {#2096
      date: 2025-12-07 13:19:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-oh-blue-note-tone-poet-series-4401"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3283
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 2327
    -nom: "Oh !"
    -informationComplementaire: null
    -description: """
      - 1 Scolohofo "Oh !" 180 gram Double Vinyl LP !\r\n
      - Tone Poet Audiophile Vinyl Reissue Series !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Analog Tapes !\r\n
      - Produced by Music Matters' Joe Harley !\r\n
      - Pressed at RTI !\r\n
      \r\n
      ScoLoHoFo the supergroup made up of guitarist John Scofield, saxophonist Joe Lovano, bassist Dave Holland, and drummer Al Foster first played together as a band in 1999, but the musicians' associations stretched back decades. Scofield, Holland, and Foster were all alumni of Miles Davis' groups and they appeared together on Joe Henderson's 1993 Miles tribute So Near, So Far. Scofield's acclaimed early-'90s quartet featured Lovano as heard on a series of excellent Blue Note albums including Time on My Hands and Meant to Be. Recorded in 2002, ScoLoHoFo's masterful album Oh! is a dynamic 11 song set that brims with comradery and covers a wide range of stylistic ground. Each of the band members contributed several original compositions including Lovano's declarative opener "Oh !", Holland's expansive "The Winding Way", Foster's delicate "Bittersweet", and Scofield's propulsive "Shorter Form".\r\n
      \r\n
      The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      This 2 LP stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Joe Lovano (soprano & tenor saxophone), David Holland (bass), John Scofield (guitar), Al Foster (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=HtFDZyviv9o"
    -referenceProduit: "Blue Note Tone Poet Series 4401"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Oh ! "
      ]
      [
        "ordre" => 2
        "nom" => "2. Right About Now"
      ]
      [
        "ordre" => 3
        "nom" => "1. The Winding Way "
      ]
      [
        "ordre" => 4
        "nom" => "2. Bittersweet "
      ]
      [
        "ordre" => 5
        "nom" => "3. Shorter Form"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. New Amsterdam "
      ]
      [
        "ordre" => 8
        "nom" => "2. In Your Arms"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. The Dawn Of Time "
      ]
      [
        "ordre" => 11
        "nom" => "2. Brandyn "
      ]
      [
        "ordre" => 12
        "nom" => "3. Faces "
      ]
      [
        "ordre" => 13
        "nom" => "4. Oh I See"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1669364421 {#2095
      date: 2022-11-25 08:20:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765113562 {#2096
      date: 2025-12-07 13:19:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-oh-blue-note-tone-poet-series-4401"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

[
  "produit" => App\Entity\Produit {#2121
    -id: 2685
    -nom: "Mr. Scrapper's Blues"
    -informationComplementaire: "Francis "Scrapper" Blackwell (guitar, vocals)"
    -description: """
      - Scrapper Blackwell "Mr. Scrapper's Blues" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      "These LPs are a relative bargain, and both of them (This Is Buddy Guy! and Mr. Scrapper's Blues) are worthy of snapping up before they disappear, especially when compared to the cost of clean, rare originals — if you can even find any OG copies of them, that is". - Music = 10/11, Sound = 8/11 - Mark Smotroff, AnalogPlanet.com, May 16, 2025.\r\n
      \r\n
      "Blackwell's music features his tight, single-note fingerpicked acoustic guitar style, which reminds me that I have to try to figure out some of these riffs on my own guitar soon! Ratings-wise, this Music gets a 10, and its Sound gets an 8. Sadly, Mr. Scrapper's Blues was to be Blackwell's last release during his lifetime, as it was issued in May 1962, just a few months before he was sadly killed in an unsolved mugging incident that October. I have to hope that Blackwell would be pleased to know that, 60 plus years on, people are still discovering and grooving on his music. Me, I discovered Scrapper Blackwell's Mr. Scrapper's Blues in a willy-nilly random manner, but after you read this review, I hope you can take a more informed plunge into this nice Bluesville series reissue of the original album that both looks and sounds fabulous". -  Mark Smotroff, AnalogPlanet.com, May 16, 2025. Read the entire review, here.\r\n
      \r\n
      Mr. Scrapper's Blues, released in 1962 by Prestige's Bluesville label, is Scrapper Blackwell's second album, and his comeback LP, recorded in Indianapolis in 1961. Although Blackwell had retired from the music industry in 1935 following the death of close collaborator Leroy Carr, the session recordings from Mr. Scrapper's Blues were set to be his return to music. Unfortunately, Blackwell was killed in 1962, shortly before this album was released. Blackwell is the only performer on the album, playing guitar, piano, and vocals.\r\n
      \r\n
      Francis Hillman "Scrapper" Blackwell was born in 1903 in South Carolina. He and his family moved to Indiana when Blackwell was 3 years old. Blackwell was given the nickname "Scrapper" at a young age because of his fiery personality. He taught himself how to play guitar and established himself as a part-time musician as a teenager. He began working with pianist Leroy Carr in the mid to late 1920s, and they eventually became a duo that frequently collaborated through the 1930s. Together, Blackwell and Carr created a reputation for being two of the best blues musicians of that era. Although Blackwell was tragically shot and killed in 1962, his legacy lives on in the Blues Hall of Fame, to which he was inducted in 2024.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=SWy7eJeJUJ4&list=PLmzPVa9sVN60iy9Tcmv4K_27H5eyddb3x"
    -referenceProduit: "Acoustic Sounds Series Bluesville 0839"
    -titreMorceau: [
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        "ordre" => 10
        "nom" => "4. Shady Lane"
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        "ordre" => 11
        "nom" => "5. Penal Farm Blues"
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      [
        "ordre" => 12
        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2123 …}
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    -modifierLe: DateTime @1765113193 {#2115
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    -disponible: null
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    -slug: "vinyles-mr-scrapper-s-blues-acoustic-sounds-series-bluesville-0839"
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App\Twig\Components\GestionPanierFavoriComponents {#3334
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2121
    -id: 2685
    -nom: "Mr. Scrapper's Blues"
    -informationComplementaire: "Francis "Scrapper" Blackwell (guitar, vocals)"
    -description: """
      - Scrapper Blackwell "Mr. Scrapper's Blues" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      "These LPs are a relative bargain, and both of them (This Is Buddy Guy! and Mr. Scrapper's Blues) are worthy of snapping up before they disappear, especially when compared to the cost of clean, rare originals — if you can even find any OG copies of them, that is". - Music = 10/11, Sound = 8/11 - Mark Smotroff, AnalogPlanet.com, May 16, 2025.\r\n
      \r\n
      "Blackwell's music features his tight, single-note fingerpicked acoustic guitar style, which reminds me that I have to try to figure out some of these riffs on my own guitar soon! Ratings-wise, this Music gets a 10, and its Sound gets an 8. Sadly, Mr. Scrapper's Blues was to be Blackwell's last release during his lifetime, as it was issued in May 1962, just a few months before he was sadly killed in an unsolved mugging incident that October. I have to hope that Blackwell would be pleased to know that, 60 plus years on, people are still discovering and grooving on his music. Me, I discovered Scrapper Blackwell's Mr. Scrapper's Blues in a willy-nilly random manner, but after you read this review, I hope you can take a more informed plunge into this nice Bluesville series reissue of the original album that both looks and sounds fabulous". -  Mark Smotroff, AnalogPlanet.com, May 16, 2025. Read the entire review, here.\r\n
      \r\n
      Mr. Scrapper's Blues, released in 1962 by Prestige's Bluesville label, is Scrapper Blackwell's second album, and his comeback LP, recorded in Indianapolis in 1961. Although Blackwell had retired from the music industry in 1935 following the death of close collaborator Leroy Carr, the session recordings from Mr. Scrapper's Blues were set to be his return to music. Unfortunately, Blackwell was killed in 1962, shortly before this album was released. Blackwell is the only performer on the album, playing guitar, piano, and vocals.\r\n
      \r\n
      Francis Hillman "Scrapper" Blackwell was born in 1903 in South Carolina. He and his family moved to Indiana when Blackwell was 3 years old. Blackwell was given the nickname "Scrapper" at a young age because of his fiery personality. He taught himself how to play guitar and established himself as a part-time musician as a teenager. He began working with pianist Leroy Carr in the mid to late 1920s, and they eventually became a duo that frequently collaborated through the 1930s. Together, Blackwell and Carr created a reputation for being two of the best blues musicians of that era. Although Blackwell was tragically shot and killed in 1962, his legacy lives on in the Blues Hall of Fame, to which he was inducted in 2024.
      """
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        "nom" => "4. Shady Lane"
      ]
      [
        "ordre" => 11
        "nom" => "5. Penal Farm Blues"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2123 …}
    -label: Proxies\__CG__\App\Entity\Label {#2126 …}
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    -slug: "vinyles-mr-scrapper-s-blues-acoustic-sounds-series-bluesville-0839"
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[
  "produit" => App\Entity\Produit {#2140
    -id: 978
    -nom: "Mouth Harp Blues"
    -informationComplementaire: null
    -description: """
      Shakey Jake - Mouth Harp Blues The late James Harris earned the moniker "Shakey Jake" due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder's New Jersey studio in November 1960 to record this, his second album for the Bluesville label. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter's band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping "Easy Baby," a tune also associated with Jake's nephew Magic Sam. \r\n
      \r\n
      Guitarist Jimmie Lee Robinson, who died in 2002, was the soul of Acoustic Sounds' own APO Records. He was the first to record at Blue Heaven Studios, having made three records (one still unreleased) in the converted church, and he was there several more times to perform. A Chicago native and lifelong resident, Robinson began playing guitar in the open-air market on Maxwell Street in 1942 with the likes of Big Bill Broonzy and Robert Nighthawk. He later teamed with Freddie King for a four-year partnership and went on to play guitar and bass with Little Walter, Howlin' Wolf, Eddie Taylor, Elmore James, Jimmy Rogers, Jimmy Reed, Magic Sam and of course Shakey Jake.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "James "Shakey Jake" Harris (harmonica, vocals), Jimmie Lee (guitar), Robert Banks (piano), Leonard Gaskin (bass), Junior Blackmon (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_-xsmL6GK6Y"
    -referenceProduit: "Analogue Productions AAPP 1027-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Mouth Harp Blues"
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      ]
      [
        "ordre" => 4
        "nom" => "1. Jake's Cha Cha"
      ]
      [
        "ordre" => 5
        "nom" => "2. Gimme A Smile"
      ]
      [
        "ordre" => 6
        "nom" => "3. My Broken Heart"
      ]
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        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Angry Lover"
      ]
      [
        "ordre" => 9
        "nom" => "2. Things Is Alright"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Easy Baby"
      ]
      [
        "ordre" => 12
        "nom" => "2. Things Are Different Baby"
      ]
      [
        "ordre" => 13
        "nom" => "3. It Won't Happen Again"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2142 …}
    -label: Proxies\__CG__\App\Entity\Label {#2145 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2154 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2149 …}
    -enregistreLe: DateTime @1468738827 {#2137
      date: 2016-07-17 07:00:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765112665 {#2138
      date: 2025-12-07 13:04:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2151 …}
    -disponible: null
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    -slug: "vinyles-mouth-harp-blues-analogue-productions-aapp-1027-45"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3385
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2140
    -id: 978
    -nom: "Mouth Harp Blues"
    -informationComplementaire: null
    -description: """
      Shakey Jake - Mouth Harp Blues The late James Harris earned the moniker "Shakey Jake" due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder's New Jersey studio in November 1960 to record this, his second album for the Bluesville label. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter's band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping "Easy Baby," a tune also associated with Jake's nephew Magic Sam. \r\n
      \r\n
      Guitarist Jimmie Lee Robinson, who died in 2002, was the soul of Acoustic Sounds' own APO Records. He was the first to record at Blue Heaven Studios, having made three records (one still unreleased) in the converted church, and he was there several more times to perform. A Chicago native and lifelong resident, Robinson began playing guitar in the open-air market on Maxwell Street in 1942 with the likes of Big Bill Broonzy and Robert Nighthawk. He later teamed with Freddie King for a four-year partnership and went on to play guitar and bass with Little Walter, Howlin' Wolf, Eddie Taylor, Elmore James, Jimmy Rogers, Jimmy Reed, Magic Sam and of course Shakey Jake.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "James "Shakey Jake" Harris (harmonica, vocals), Jimmie Lee (guitar), Robert Banks (piano), Leonard Gaskin (bass), Junior Blackmon (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=_-xsmL6GK6Y"
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        "nom" => "3. It Won't Happen Again"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2142 …}
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    }
    -modifierLe: DateTime @1765112665 {#2138
      date: 2025-12-07 13:04:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2151 …}
    -disponible: null
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    -slug: "vinyles-mouth-harp-blues-analogue-productions-aapp-1027-45"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
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[
  "produit" => App\Entity\Produit {#2159
    -id: 2862
    -nom: "Portrait Of Sheila"
    -informationComplementaire: null
    -description: """
      All-Analog 180 gram Vinyl LP of Sheila Jordan's Portrait of Sheila : Blue Note Tone Poet Reissue Mastered From the Original Master Tapes by Kevin Gray and Pressed at RTI\r\n
      \r\n
      Detroit-born singer Sheila Jordan moved to New York City in 1951 and became a fixture on the jazz scene, befriending Charlie Parker and studying with the likes of Charles Mingus and Lennie Tristano. Jordan presented her inimitable vocal stylings on her 1962 debut Portrait of Sheila, one of only two vocal albums recorded for Blue Note during that era. Accompanied by a trio with Barry Galbraith on guitar, Steve Swallow on bass, and Denzil Best on drums, Jordan delivered delightful versions of songbook and jazz standards including swinging takes on Rodgers & Hart’s “Falling In Love With Love” and Irving Berlin’s “Let’s Face The Music And Dance”; expressive ballad singing on Frank Sinatra’s “I’m A Fool To Want You” and Tadd Dameron’s “If You Could See Me Now”; and a tour-de-force voice-bass duo version of Bobby Timmons’ soulful hard bop classic “Dat Dere.”\r\n
      \r\n
      The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the “Tone Poet”, on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Sheila Jordan (vocals), Barry Galbraith (guitar), Steve Swallow (bass), Denzil Best (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FVIXvguOEVM&list=RDFVIXvguOEVM&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 4500"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Falling In Love With Love"
      ]
      [
        "ordre" => 2
        "nom" => "2. If You Could See Me Now"
      ]
      [
        "ordre" => 3
        "nom" => "3. Am I Blue"
      ]
      [
        "ordre" => 4
        "nom" => "4. Dat Dere"
      ]
      [
        "ordre" => 5
        "nom" => "5. When The World Was Young"
      ]
      [
        "ordre" => 6
        "nom" => "6. Let's Face The Music And Dance"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
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        "nom" => "4. I'm A Fool To Want You"
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        "nom" => "5. Hum Drum Blues"
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        "nom" => "6. Willow Weep For Me"
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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      [
        "ordre" => 21
        "nom" => ""
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2161 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2165 …}
    -enregistreLe: DateTime @1759259633 {#2156
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    -modifierLe: DateTime @1765112417 {#2157
      date: 2025-12-07 13:00:17.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2167 …}
    -disponible: null
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    -slug: "vinyles-portrait-of-sheila-blue-note-tone-poet-series-4500"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3436
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2159
    -id: 2862
    -nom: "Portrait Of Sheila"
    -informationComplementaire: null
    -description: """
      All-Analog 180 gram Vinyl LP of Sheila Jordan's Portrait of Sheila : Blue Note Tone Poet Reissue Mastered From the Original Master Tapes by Kevin Gray and Pressed at RTI\r\n
      \r\n
      Detroit-born singer Sheila Jordan moved to New York City in 1951 and became a fixture on the jazz scene, befriending Charlie Parker and studying with the likes of Charles Mingus and Lennie Tristano. Jordan presented her inimitable vocal stylings on her 1962 debut Portrait of Sheila, one of only two vocal albums recorded for Blue Note during that era. Accompanied by a trio with Barry Galbraith on guitar, Steve Swallow on bass, and Denzil Best on drums, Jordan delivered delightful versions of songbook and jazz standards including swinging takes on Rodgers & Hart’s “Falling In Love With Love” and Irving Berlin’s “Let’s Face The Music And Dance”; expressive ballad singing on Frank Sinatra’s “I’m A Fool To Want You” and Tadd Dameron’s “If You Could See Me Now”; and a tour-de-force voice-bass duo version of Bobby Timmons’ soulful hard bop classic “Dat Dere.”\r\n
      \r\n
      The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the “Tone Poet”, on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Sheila Jordan (vocals), Barry Galbraith (guitar), Steve Swallow (bass), Denzil Best (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=FVIXvguOEVM&list=RDFVIXvguOEVM&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 4500"
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        "nom" => "1. Falling In Love With Love"
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        "nom" => "5. When The World Was Young"
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        "nom" => "Side B : "
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        "nom" => "1. Laugh! Clown! Laugh !"
      ]
      [
        "ordre" => 9
        "nom" => "2. Who Can I Turn To Now"
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        "nom" => "3. Baltimore Oriole"
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        "nom" => "5. Hum Drum Blues"
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2161 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
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[
  "produit" => App\Entity\Produit {#2177
    -id: 2304
    -nom: "Chicken Fat"
    -informationComplementaire: null
    -description: """
      - Mel Brown "Chicken Fat" 180 gram vinyl !\r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
      - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n
      \r\n
      Verve Records / UMe and Third Man Records have partnered to resurrect the popular reissue series, Verve By Request, with a vinyl twist. Focusing on rare gems and fan-requested jazz albums from the Verve Label Group's stable of iconic labels, the series will offer two titles per month each hand-picked by Verve and Third Man Records. The records will include both long-out-of-print titles from the vault as well as the first-ever vinyl pressings for albums released in the '90s and aughts that were only originally released on CD.\r\n
      \r\n
      Albums will be newly remastered from original analog sources, when available, and pressed on 180 gram at Third Man Record Pressings in Detroit.\r\n
      \r\n
      Chicken Fat is the 1967 Impulse! debut by blues guitarist Mel Brown. Brown's clean picking style honed while playing alongside John Lee Hooker, Bobby Bland, and T-Bone Walker marinates deliciously with the swinging soul-jazz organ of Gerald Wiggins. Featuring the simmering lament "I'm Goin' to Jackson", the electrifying "Greasy Spoon", and the standout title track, Chicken Fat is quite possibly the funkiest and most unique album ever released on the label.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Mel Brown, Arthur Wright, Herb Ellis (guitar), Ronald Brown (electric bass), Gerald Wiggins (organ), Paul Humphrey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nHaKJjBNhvo"
    -referenceProduit: "Verve Records 9152"
    -titreMorceau: [
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        "nom" => "1. Chicken Fat "
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        "nom" => "1. Hobo Flats "
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        "nom" => "2. Shanty "
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        "nom" => "3. Sad But True "
      ]
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        "nom" => "4. I'm Goin' To Jackson "
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        "nom" => "5. Slalom"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …}
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    -modifierLe: DateTime @1765037913 {#2172
      date: 2025-12-06 16:18:33.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -slug: "vinyles-chicken-fat-verve-records-9152"
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App\Twig\Components\GestionPanierFavoriComponents {#3487
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2177
    -id: 2304
    -nom: "Chicken Fat"
    -informationComplementaire: null
    -description: """
      - Mel Brown "Chicken Fat" 180 gram vinyl !\r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
      - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n
      \r\n
      Verve Records / UMe and Third Man Records have partnered to resurrect the popular reissue series, Verve By Request, with a vinyl twist. Focusing on rare gems and fan-requested jazz albums from the Verve Label Group's stable of iconic labels, the series will offer two titles per month each hand-picked by Verve and Third Man Records. The records will include both long-out-of-print titles from the vault as well as the first-ever vinyl pressings for albums released in the '90s and aughts that were only originally released on CD.\r\n
      \r\n
      Albums will be newly remastered from original analog sources, when available, and pressed on 180 gram at Third Man Record Pressings in Detroit.\r\n
      \r\n
      Chicken Fat is the 1967 Impulse! debut by blues guitarist Mel Brown. Brown's clean picking style honed while playing alongside John Lee Hooker, Bobby Bland, and T-Bone Walker marinates deliciously with the swinging soul-jazz organ of Gerald Wiggins. Featuring the simmering lament "I'm Goin' to Jackson", the electrifying "Greasy Spoon", and the standout title track, Chicken Fat is quite possibly the funkiest and most unique album ever released on the label.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Mel Brown, Arthur Wright, Herb Ellis (guitar), Ronald Brown (electric bass), Gerald Wiggins (organ), Paul Humphrey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nHaKJjBNhvo"
    -referenceProduit: "Verve Records 9152"
    -titreMorceau: [
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        "nom" => "4. I'm Goin' To Jackson "
      ]
      [
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        "nom" => "5. Slalom"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
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    -modifierLe: DateTime @1765037913 {#2172
      date: 2025-12-06 16:18:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-chicken-fat-verve-records-9152"
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[
  "produit" => App\Entity\Produit {#2196
    -id: 1278
    -nom: "If I Could Only Remember My Name"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      David Crosby, Graham Nash (guitar, vocals), Jerry Garcia (electric guitar), Neil Young (guitar, vocals, bass, vibraphone, congas), Phil Lesh (bass), Bill Kreutzmann, Mickey Hart, Michael Shrieve (drums), Jorma Kaukonen (electric guitar), Jack Casady (bass), Gregg Rolie (piano), Laura Allan (autoharp, vocals), Joni Mitchell (vocals), David Freiberg, Paul Kantner, Grace Slick (backing vocals).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - If I Could Only Remember My Name —David Crosby's debut solo album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Bernie Grundman  !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      "We have a more natural-sounding record overall. The bass... is tightened up a bit. It actually sounds better than it does on the MoFi... Here it's given a little more tighteness and definition and it sounds wonderful. It involves you in a way that doesn't draw attention to itself... I'm pretty sure that anyone that has the Mofi that heard this closely in comparison on a good system would prefer the new cut... if you want to hear the best of what this record can offer the Atlantic 75 is a no-brainer". - Scott Wilson, The Pressing Matters, YouTube video\r\n
      \r\n
      "Compared to the original, which I love, this is clearer, it is more open, it is more dynamic I would say it's at least as good as the original but different. This does sound better, but to say that in any way the original sounded bad, would be really misrepresenting it. It is very, very lush very, very full". - Dave Denyer, YouTube video\r\n
      \r\n
      If I Could Only Remember My Name was the debut solo record from David Crosby. Recorded in 1970 after the passing of his girlfriend Christine and released in February of 1971, the album explores themes including loss and disorientation. The album features a who's who of contributors from the San Francisco Bay area including Paul Kantner and Grace Slick of Jefferson Airplane, Jerry Garcia of the Grateful Dead, and Santana, and his cohort from Los Angeles including Graham Nash, Neil Young, and Joni Mitchell.\r\n
      \r\n
      The album has attained a cult status throughout the last 50 years, hailed for its spooky, psychedelic, and truly unique sounds.\r\n
      \r\n
      AllMusic gave the album 4.5 stars, with reviewer Stanton Swihart writing: "With his ringing, velvety voice the epitome of hippie crooning and inspired songwriting, he turns If I Could Only Remember My Name into a one-shot wonder of dreamy but ominous California ambience."\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "David Crosby, Graham Nash (guitar, vocals), Jerry Garcia (electric guitar), Neil Young (guitar, vocals, bass, vibraphone, congas), Phil Lesh (bass), Bill Kreutzmann, Mickey Hart, Michael Shrieve (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T1WAfbjyOoI&list=RDT1WAfbjyOoI&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 019-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Music Is Love"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cowboy Movie"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Tamalpais High (At About 3)"
      ]
      [
        "ordre" => 5
        "nom" => "2. Laughing"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. What Are Their Names"
      ]
      [
        "ordre" => 8
        "nom" => "2. Traction In The Rain"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Song With No Words (Tree With No Leaves)"
      ]
      [
        "ordre" => 11
        "nom" => "2. Orleans"
      ]
      [
        "ordre" => 12
        "nom" => "3. I'd Swear There Was Somebody Here"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2198 …}
    -label: Proxies\__CG__\App\Entity\Label {#2201 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2210 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2203 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2205 …}
    -enregistreLe: DateTime @1518158344 {#2193
      date: 2018-02-09 06:39:04.0 UTC (+00:00)
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    -modifierLe: DateTime @1764931318 {#2194
      date: 2025-12-05 10:41:58.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2207 …}
    -disponible: null
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    -slug: "vinyles-if-i-could-only-remember-my-name-analogue-productions-atlantic-75-series-aapa-019-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3538
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2196
    -id: 1278
    -nom: "If I Could Only Remember My Name"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      David Crosby, Graham Nash (guitar, vocals), Jerry Garcia (electric guitar), Neil Young (guitar, vocals, bass, vibraphone, congas), Phil Lesh (bass), Bill Kreutzmann, Mickey Hart, Michael Shrieve (drums), Jorma Kaukonen (electric guitar), Jack Casady (bass), Gregg Rolie (piano), Laura Allan (autoharp, vocals), Joni Mitchell (vocals), David Freiberg, Paul Kantner, Grace Slick (backing vocals).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - If I Could Only Remember My Name —David Crosby's debut solo album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Bernie Grundman  !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      "We have a more natural-sounding record overall. The bass... is tightened up a bit. It actually sounds better than it does on the MoFi... Here it's given a little more tighteness and definition and it sounds wonderful. It involves you in a way that doesn't draw attention to itself... I'm pretty sure that anyone that has the Mofi that heard this closely in comparison on a good system would prefer the new cut... if you want to hear the best of what this record can offer the Atlantic 75 is a no-brainer". - Scott Wilson, The Pressing Matters, YouTube video\r\n
      \r\n
      "Compared to the original, which I love, this is clearer, it is more open, it is more dynamic I would say it's at least as good as the original but different. This does sound better, but to say that in any way the original sounded bad, would be really misrepresenting it. It is very, very lush very, very full". - Dave Denyer, YouTube video\r\n
      \r\n
      If I Could Only Remember My Name was the debut solo record from David Crosby. Recorded in 1970 after the passing of his girlfriend Christine and released in February of 1971, the album explores themes including loss and disorientation. The album features a who's who of contributors from the San Francisco Bay area including Paul Kantner and Grace Slick of Jefferson Airplane, Jerry Garcia of the Grateful Dead, and Santana, and his cohort from Los Angeles including Graham Nash, Neil Young, and Joni Mitchell.\r\n
      \r\n
      The album has attained a cult status throughout the last 50 years, hailed for its spooky, psychedelic, and truly unique sounds.\r\n
      \r\n
      AllMusic gave the album 4.5 stars, with reviewer Stanton Swihart writing: "With his ringing, velvety voice the epitome of hippie crooning and inspired songwriting, he turns If I Could Only Remember My Name into a one-shot wonder of dreamy but ominous California ambience."\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "David Crosby, Graham Nash (guitar, vocals), Jerry Garcia (electric guitar), Neil Young (guitar, vocals, bass, vibraphone, congas), Phil Lesh (bass), Bill Kreutzmann, Mickey Hart, Michael Shrieve (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=T1WAfbjyOoI&list=RDT1WAfbjyOoI&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 019-45"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 1
        "nom" => "1. Music Is Love"
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        "ordre" => 2
        "nom" => "2. Cowboy Movie"
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        "ordre" => 4
        "nom" => "1. Tamalpais High (At About 3)"
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        "ordre" => 5
        "nom" => "2. Laughing"
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        "nom" => "1. What Are Their Names"
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        "nom" => "2. Traction In The Rain"
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        "nom" => "Side D : "
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        "ordre" => 10
        "nom" => "1. Song With No Words (Tree With No Leaves)"
      ]
      [
        "ordre" => 11
        "nom" => "2. Orleans"
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      [
        "ordre" => 12
        "nom" => "3. I'd Swear There Was Somebody Here"
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      [
        "ordre" => 13
        "nom" => ""
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      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2198 …}
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[
  "produit" => App\Entity\Produit {#2215
    -id: 480
    -nom: "Body And Soul"
    -informationComplementaire: null
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Small jazz groups brought out the best in Billie Holiday especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Harry "Sweets" Edison and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards, including three gems by the Gershwin brothers -and she rarely sounded more luminous.\r\n
      \r\n
       Originally released in 1957.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Billie Holiday (vocals),? Ben Webster (tenor sax),? Harry "Sweets" Edision (trumpet),? Jimmy Rowles (piano), ?Barney Kessel (guitar), ?Red Mitchell (bass), Alvin Stoller &?Larry Bunker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=c4cbyvMr8ZE"
    -referenceProduit: "Analogue Productions AVRJ 8197-45"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 1
        "nom" => "1. Body And Soul"
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        "nom" => "2. They Can't Take That Away From Me"
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        "nom" => "Side B : "
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        "ordre" => 4
        "nom" => "1. Darn That Dream"
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      [
        "ordre" => 5
        "nom" => "2. Let's Call The Whole Thing Off"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Comes Love"
      ]
      [
        "ordre" => 8
        "nom" => "2. Gee, Baby, Ain't I Good To You"
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      [
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        "nom" => "Side D :"
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        "ordre" => 10
        "nom" => "1. Embraceable You"
      ]
      [
        "ordre" => 11
        "nom" => "2. Moonlight In Vermont"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2217 …}
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      date: 2025-12-05 10:21:04.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3589
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2215
    -id: 480
    -nom: "Body And Soul"
    -informationComplementaire: null
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Small jazz groups brought out the best in Billie Holiday especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Harry "Sweets" Edison and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards, including three gems by the Gershwin brothers -and she rarely sounded more luminous.\r\n
      \r\n
       Originally released in 1957.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Billie Holiday (vocals),? Ben Webster (tenor sax),? Harry "Sweets" Edision (trumpet),? Jimmy Rowles (piano), ?Barney Kessel (guitar), ?Red Mitchell (bass), Alvin Stoller &?Larry Bunker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=c4cbyvMr8ZE"
    -referenceProduit: "Analogue Productions AVRJ 8197-45"
    -titreMorceau: [
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        "nom" => "2. Moonlight In Vermont"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2217 …}
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      date: 2025-12-05 10:21:04.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-body-and-soul-analogue-productions-avrj-8197-45"
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[
  "produit" => App\Entity\Produit {#2231
    -id: 2399
    -nom: "On Every Street (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals), Phil Palmer (guitars), Vince Gill (guitar, backing vocals), Paul Franklin (pedal steel guitar, acoustic lap steel guitar), Chris White (flute, saxophones), Danny Cummings (percussion), Jeff Porcaro, Manu Katché (drums, percussion).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES: 2LP SET PRESENTS 1991 ALBUM IN 45RPM SPEED FOR FIRST TIME !\r\n
      - PCM Digital Master to Analog Console to Lathe !\r\n
      \r\n
      Dire Straits never made a big to-do about its final run. In classic understated British fashion, the band simply let its music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for its 15-year career.\r\n
      \r\n
      Sourced from the original master tapes, housed in gatefold packaging, and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP set of On Every Street presents the album like it has always been meant to be experienced: in reference-grade audiophile sound. Recorded at AIR Studios in London and produced by Dire Straits leader Mark Knopfler, it features all of the band's sonic hallmarks – wide instrumental separation, visceral textures, seemingly limitless air, broad soundstages, atmospherics that you can almost reach out and feel. Each element is made more vibrant, physical, and lifelike on this collectible reissue, which marks the first time this 60-minute work has been available at 45 RPM speed.\r\n
      \r\n
      Afforded generous groove space and black backgrounds, the songs from On Every Street burst with nuanced details and vibrant colors. Dire Straits' playing appears to float, their intricate performances organized amid hypnotic, fluid, three-dimensional arrangements. Mobile Fidelity's definitive-sounding set also brings into transparent view Knopfler's finely sculpted guitar lines, expressive tones, and laid-back vocals – as well as the balanced accompaniment from his band mates. Here's a record on which you can hear the full blossom and decay of individual notes, and imagine the size and shape of the studio. It is in every regard a demonstration disc. And it happens to be filled with timeless fare.\r\n
      \r\n
      Remarkably, On Every Street almost never came to light. Dire Straits initially dissolved in September 1988 after touring behind its blockbuster Brothers in Arms and suffering the departure of two members. At the time, Knopfler professed his desire to work on solo material; bassist John Illsley also explored side projects. But Knopfler's decision in 1989 to form the country-leaning Notting Hillbillies reignited a spark to reconvene his primary band and craft a fresh batch of songs. Six years removed from Brothers in Arms, Knopfler, Illsley, keyboardist Alan Clark, and keyboardist Guy Fletcher teamed with A-list session pros – steel guitarist Paul Franklin, percussionist Danny Cummings, saxophonist Chris White, guitarist Phil Palmer included – to create what still stands as an unforgettable farewell.\r\n
      \r\n
      The platinum record brings the band full circle in that it returns Dire Straits to a quartet formation; finds the group refreshingly out of step with the era's prevailing trends; and sees Knopfler and Co. knocking out song after song with the deceptive ease of a punter tossing back a pint at a pub. That subtle cool, clever poise, and innate control signature traits that no other band ever matched dominate On Every Street. Knopfler's clean, virtuosic six-string escapades unfurl with dizzying melodicism and economical efficiency. Led by his winding fills and focused solos, Dire Straits traverse a hybrid landscape of rock, jazz, country, boogie, blues, and pop strains with near-faultless prowess.\r\n
      \r\n
      More than any other entry in the group's oeuvre, On Every Street welcomes quick detours down back alleys and into the depths of human souls. What makes it more brilliant is its staunch refusal to cater to commercial expectations or take advantage of prior successes; every passage feels true, every measure echoed in the service of song. It's evident in the humorous satire of "Heavy Fuel", closeted desperation of the witty "Calling Elvis", and shake-and-bake bounce of "The Bug". It pours from the album's darker corners, as on the high-and-lonesome melancholy of the title track and bruised emotionalism of "When It Comes to You".\r\n
      \r\n
      Hinting at the open-minded approaches and boundless curiosity he'd embrace as a solo artist, Knopfler doesn't limit himself when it comes to style or subject matter. Look no further than "You and Your Friend", a shuffle whose all-inclusive lyrics encourage an array of interpretative meanings. Another of the album's deep cuts, "Iron Hand", comes on as one of the band's most memorable moments the narrative addressing the abuses of power at the 1984 Battle of Orgreave during the U.K. miners' strike. Given cinematic heft by the expert production, the true-fiction account puts into perspective the richness, poetry, and depth of On Every Street.\r\n
      \r\n
      "Every victory has a taste that's bittersweet", sings Knopfler on the title track. At least that bittersweetness seldom sounded so damn good on record.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_BuGhfzw5as"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-510"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Calling Elvis"
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        "nom" => "4. Fade to Black"
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        "nom" => "10. My Parties"
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App\Twig\Components\GestionPanierFavoriComponents {#3640
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  +produit: App\Entity\Produit {#2231
    -id: 2399
    -nom: "On Every Street (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals), Phil Palmer (guitars), Vince Gill (guitar, backing vocals), Paul Franklin (pedal steel guitar, acoustic lap steel guitar), Chris White (flute, saxophones), Danny Cummings (percussion), Jeff Porcaro, Manu Katché (drums, percussion).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES: 2LP SET PRESENTS 1991 ALBUM IN 45RPM SPEED FOR FIRST TIME !\r\n
      - PCM Digital Master to Analog Console to Lathe !\r\n
      \r\n
      Dire Straits never made a big to-do about its final run. In classic understated British fashion, the band simply let its music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for its 15-year career.\r\n
      \r\n
      Sourced from the original master tapes, housed in gatefold packaging, and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP set of On Every Street presents the album like it has always been meant to be experienced: in reference-grade audiophile sound. Recorded at AIR Studios in London and produced by Dire Straits leader Mark Knopfler, it features all of the band's sonic hallmarks – wide instrumental separation, visceral textures, seemingly limitless air, broad soundstages, atmospherics that you can almost reach out and feel. Each element is made more vibrant, physical, and lifelike on this collectible reissue, which marks the first time this 60-minute work has been available at 45 RPM speed.\r\n
      \r\n
      Afforded generous groove space and black backgrounds, the songs from On Every Street burst with nuanced details and vibrant colors. Dire Straits' playing appears to float, their intricate performances organized amid hypnotic, fluid, three-dimensional arrangements. Mobile Fidelity's definitive-sounding set also brings into transparent view Knopfler's finely sculpted guitar lines, expressive tones, and laid-back vocals – as well as the balanced accompaniment from his band mates. Here's a record on which you can hear the full blossom and decay of individual notes, and imagine the size and shape of the studio. It is in every regard a demonstration disc. And it happens to be filled with timeless fare.\r\n
      \r\n
      Remarkably, On Every Street almost never came to light. Dire Straits initially dissolved in September 1988 after touring behind its blockbuster Brothers in Arms and suffering the departure of two members. At the time, Knopfler professed his desire to work on solo material; bassist John Illsley also explored side projects. But Knopfler's decision in 1989 to form the country-leaning Notting Hillbillies reignited a spark to reconvene his primary band and craft a fresh batch of songs. Six years removed from Brothers in Arms, Knopfler, Illsley, keyboardist Alan Clark, and keyboardist Guy Fletcher teamed with A-list session pros – steel guitarist Paul Franklin, percussionist Danny Cummings, saxophonist Chris White, guitarist Phil Palmer included – to create what still stands as an unforgettable farewell.\r\n
      \r\n
      The platinum record brings the band full circle in that it returns Dire Straits to a quartet formation; finds the group refreshingly out of step with the era's prevailing trends; and sees Knopfler and Co. knocking out song after song with the deceptive ease of a punter tossing back a pint at a pub. That subtle cool, clever poise, and innate control signature traits that no other band ever matched dominate On Every Street. Knopfler's clean, virtuosic six-string escapades unfurl with dizzying melodicism and economical efficiency. Led by his winding fills and focused solos, Dire Straits traverse a hybrid landscape of rock, jazz, country, boogie, blues, and pop strains with near-faultless prowess.\r\n
      \r\n
      More than any other entry in the group's oeuvre, On Every Street welcomes quick detours down back alleys and into the depths of human souls. What makes it more brilliant is its staunch refusal to cater to commercial expectations or take advantage of prior successes; every passage feels true, every measure echoed in the service of song. It's evident in the humorous satire of "Heavy Fuel", closeted desperation of the witty "Calling Elvis", and shake-and-bake bounce of "The Bug". It pours from the album's darker corners, as on the high-and-lonesome melancholy of the title track and bruised emotionalism of "When It Comes to You".\r\n
      \r\n
      Hinting at the open-minded approaches and boundless curiosity he'd embrace as a solo artist, Knopfler doesn't limit himself when it comes to style or subject matter. Look no further than "You and Your Friend", a shuffle whose all-inclusive lyrics encourage an array of interpretative meanings. Another of the album's deep cuts, "Iron Hand", comes on as one of the band's most memorable moments the narrative addressing the abuses of power at the 1984 Battle of Orgreave during the U.K. miners' strike. Given cinematic heft by the expert production, the true-fiction account puts into perspective the richness, poetry, and depth of On Every Street.\r\n
      \r\n
      "Every victory has a taste that's bittersweet", sings Knopfler on the title track. At least that bittersweetness seldom sounded so damn good on record.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=_BuGhfzw5as"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-510"
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[
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    -id: 1084
    -nom: "Communique - (2 LP)  45 RPM"
    -informationComplementaire: "Reissue 2023"
    -description: """
      - Dire Straits Communique on Numbered Limited Edition 180 gram 45 RPM (2 LP) from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Smooth, Effortless, Relaxed, Tuneful, and Deceivingly Simple : Dire Straits' Communique Teems With Technical Perfectionism, Southern-Styled Grooves, and Low-Key Blues. \r\n
      \r\n
      Reference-Level Detail, Depth, Soundstaging, Balance, and Presence : Communique Has Never Sounded Better.\r\n
      \r\n
      Mark Knopfler's Mesmerizing Textures, Intricate Lines, and Crisp Tones Pair With Engaging Storytelling and Tight Rhythms: Every Song an Example of Understated Virtuosity.\r\n
      \r\n
      The performances on Dire Straits' Communique are so smooth and effortless, they were originally criticized for replicating the blueprints of the band's breakout debut. Time, however, has a way of changing perspectives and exposing the truth. More than 35 years after its original release in June 1979, Communique rightfully takes its place as the group's most underrated record a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Communique elevates Dire Straits' sophomore album to an even higher plane. Recorded in the Bahamas by Muscle Shoals veterans Barry Beckett and Jerry Wexler, the songs benefit from a laidback approach that makes guitarist/vocalist Mark Knopfler and company's stellar playing seem even more fluent – particularly when experienced on this collector's 45 RPM version, on which the wider grooves allow for more detail retrieval and deeper musical insight.\r\n
      \r\n
      Knopfler's mesmerizing guitar textures and composed vocals appear as if they're right in front of you, holding court amidst expansive soundstages and deep-black backgrounds. Details, imaging, and presence are on a level associated with the finest audiophile recordings. You'll be hard-pressed to find another LP with cleaner, pinpoint-accurate tones. Mobile Fidelity's LP also brings into transparent view Knopfler's seemingly perfect intricate lines as well as the simpatico accompaniment from his band mates. Whole, lively, and balanced, the bass and drums arrive with a solidity rarely heard on albums of this era. Communique has truly never sounded better.\r\n
      \r\n
      Of course, the audiophile sonics mean little if the artistic content is lacking. Needless to say, Dire Straits' technical perfectionism and creative elan prevail throughout. Knopfler's penchant for sketching cynical characters is further developed on moody tracks like "Where Do You Think You're Going" and "News", while Wexler's presence at the boards ensures the band keeps the rhythms extra tight. The quartet's low-key blues and swampy, Southern-styled grooves turn every song into an exercise in understated virtuosity.\r\n
      \r\n
      Refusing to give into excess, magnetic tunes such as "Lady Writer" and "Angel of Mercy" split a fine line between insinuating and insisting. The group shows off a combination of control, virtuosity, and tunefulness that harkens back to a rock n' roll's classic period while also pointing the way ahead. Need indisputable evidence of Dire Straits' compositional strengths ? Cue up the closing "Follow Me Home" on this pressing and get lost amidst the peacefulness of the gentle surf and chirping crickets that frame the song. Heavenly.\r\n
      \r\n
      The sequence serves as additional proof that Communique remains one of the best-sounding rock records ever made.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Mark Knopfler (lead & rhythm guitar, vocals), David Knopfler (rhythm guitar, vocals), John Illsley (bass, vocals), B. Bear (keyboards), Pick Withers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=o8UfT2OWuis"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-467"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "1. Once Upon A Time In the West"
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        "nom" => "1. Single-Handed Sailor"
      ]
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        "ordre" => 12
        "nom" => "2. Follow Me Home"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2233 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -slug: "vinyles-communique-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-467"
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2250
    -id: 1084
    -nom: "Communique - (2 LP)  45 RPM"
    -informationComplementaire: "Reissue 2023"
    -description: """
      - Dire Straits Communique on Numbered Limited Edition 180 gram 45 RPM (2 LP) from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Smooth, Effortless, Relaxed, Tuneful, and Deceivingly Simple : Dire Straits' Communique Teems With Technical Perfectionism, Southern-Styled Grooves, and Low-Key Blues. \r\n
      \r\n
      Reference-Level Detail, Depth, Soundstaging, Balance, and Presence : Communique Has Never Sounded Better.\r\n
      \r\n
      Mark Knopfler's Mesmerizing Textures, Intricate Lines, and Crisp Tones Pair With Engaging Storytelling and Tight Rhythms: Every Song an Example of Understated Virtuosity.\r\n
      \r\n
      The performances on Dire Straits' Communique are so smooth and effortless, they were originally criticized for replicating the blueprints of the band's breakout debut. Time, however, has a way of changing perspectives and exposing the truth. More than 35 years after its original release in June 1979, Communique rightfully takes its place as the group's most underrated record a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Communique elevates Dire Straits' sophomore album to an even higher plane. Recorded in the Bahamas by Muscle Shoals veterans Barry Beckett and Jerry Wexler, the songs benefit from a laidback approach that makes guitarist/vocalist Mark Knopfler and company's stellar playing seem even more fluent – particularly when experienced on this collector's 45 RPM version, on which the wider grooves allow for more detail retrieval and deeper musical insight.\r\n
      \r\n
      Knopfler's mesmerizing guitar textures and composed vocals appear as if they're right in front of you, holding court amidst expansive soundstages and deep-black backgrounds. Details, imaging, and presence are on a level associated with the finest audiophile recordings. You'll be hard-pressed to find another LP with cleaner, pinpoint-accurate tones. Mobile Fidelity's LP also brings into transparent view Knopfler's seemingly perfect intricate lines as well as the simpatico accompaniment from his band mates. Whole, lively, and balanced, the bass and drums arrive with a solidity rarely heard on albums of this era. Communique has truly never sounded better.\r\n
      \r\n
      Of course, the audiophile sonics mean little if the artistic content is lacking. Needless to say, Dire Straits' technical perfectionism and creative elan prevail throughout. Knopfler's penchant for sketching cynical characters is further developed on moody tracks like "Where Do You Think You're Going" and "News", while Wexler's presence at the boards ensures the band keeps the rhythms extra tight. The quartet's low-key blues and swampy, Southern-styled grooves turn every song into an exercise in understated virtuosity.\r\n
      \r\n
      Refusing to give into excess, magnetic tunes such as "Lady Writer" and "Angel of Mercy" split a fine line between insinuating and insisting. The group shows off a combination of control, virtuosity, and tunefulness that harkens back to a rock n' roll's classic period while also pointing the way ahead. Need indisputable evidence of Dire Straits' compositional strengths ? Cue up the closing "Follow Me Home" on this pressing and get lost amidst the peacefulness of the gentle surf and chirping crickets that frame the song. Heavenly.\r\n
      \r\n
      The sequence serves as additional proof that Communique remains one of the best-sounding rock records ever made.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=o8UfT2OWuis"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-467"
    -titreMorceau: [
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[
  "produit" => App\Entity\Produit {#2263
    -id: 776
    -nom: "Brothers In Arms (2 LP) - Ultra Analog 180 gram  45 RPM"
    -informationComplementaire: null
    -description: """
      There are hit records. And then there are blockbusters. One of the world's best-selling records, a winner of two Grammy Awards, an era-defining reference statement, an MTV favorite, and a set that catapulted an already-acclaimed band to arena status, Dire Straits' Brothers in Arms is the kind of epic spectacular that comes around only once or twice a decade.\r\n
      \r\n
      The sense of realism this edition delivers will leave slack-jawed even the most hard-to-please audiophiles. As the recipient of the Grammy for Best-Engineered Recording, the album has always been a go-to sonic standard, but never has it sounded so reach-out-and-touch-it realistic as it does on this analog pressing. All of the hallmark characteristics - ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production - are here in spades. As is music-making of enviable proportions.\r\n
      \r\n
      Reasons for the album's chart-busting success primarily owe to the expertly crafted songs and memorable playing turned in by a group hitting its creative peak. Not to mention the spatial dimensions that cause instruments and vocals to naturally float in a fixed area.\r\n
      \r\n
      Anchored by "Money for Nothing," a caustically themed smash immediately identifiable via Mark Knopfler's resonant finger picked guitar riff and Sting's "I want my MTV" vocal refrain, Dire Straits' fifth album is stuffed with bluesy signatures, jazz-rock motifs, clever lyrics, and organic accents.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IHXK9glwFBg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-441"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 1
        "nom" => "1. So Far Away"
      ]
      [
        "ordre" => 2
        "nom" => "2. Money for Nothing"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Walk of Life"
      ]
      [
        "ordre" => 5
        "nom" => "2. Your Latest Trick"
      ]
      [
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        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Why Worry"
      ]
      [
        "ordre" => 8
        "nom" => "2. Ride Across The River"
      ]
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      ]
      [
        "ordre" => 12
        "nom" => "3. Brothers in Arms"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2233 …}
    -label: Proxies\__CG__\App\Entity\Label {#2236 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2271 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2264 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2266 …}
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    }
    -modifierLe: DateTime @1764928632 {#2261
      date: 2025-12-05 09:57:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2268 …}
    -disponible: null
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    -slug: "vinyles-brothers-in-arms-2-lp-ultra-analog-180-gram-45-rpm-mobile-fidelity-sound-lab-mfsl-2-441"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3741
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2263
    -id: 776
    -nom: "Brothers In Arms (2 LP) - Ultra Analog 180 gram  45 RPM"
    -informationComplementaire: null
    -description: """
      There are hit records. And then there are blockbusters. One of the world's best-selling records, a winner of two Grammy Awards, an era-defining reference statement, an MTV favorite, and a set that catapulted an already-acclaimed band to arena status, Dire Straits' Brothers in Arms is the kind of epic spectacular that comes around only once or twice a decade.\r\n
      \r\n
      The sense of realism this edition delivers will leave slack-jawed even the most hard-to-please audiophiles. As the recipient of the Grammy for Best-Engineered Recording, the album has always been a go-to sonic standard, but never has it sounded so reach-out-and-touch-it realistic as it does on this analog pressing. All of the hallmark characteristics - ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production - are here in spades. As is music-making of enviable proportions.\r\n
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      Reasons for the album's chart-busting success primarily owe to the expertly crafted songs and memorable playing turned in by a group hitting its creative peak. Not to mention the spatial dimensions that cause instruments and vocals to naturally float in a fixed area.\r\n
      \r\n
      Anchored by "Money for Nothing," a caustically themed smash immediately identifiable via Mark Knopfler's resonant finger picked guitar riff and Sting's "I want my MTV" vocal refrain, Dire Straits' fifth album is stuffed with bluesy signatures, jazz-rock motifs, clever lyrics, and organic accents.
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    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Alan Clark, Guy Fletcher (keyboards), Omar Hakim, Terry Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
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[
  "produit" => App\Entity\Produit {#2276
    -id: 1037
    -nom: "Texas Flood"
    -informationComplementaire: null
    -description: """
      - Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound !\r\n
      - Cut at 45 RPM, 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      "The new remastering sounds amazing. Better than it ever did. I'm happy and pleasantly surprised". - Chris "Whipper" Layton\r\n
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      The 45 RPM Analogue Productions reissue of Stevie Ray Vaughan's Texas Flood is so good, as are its 45 RPM companions - Couldn't Stand The Weather and Soul To Soul - that they truly represent what Gregg Geller, producer and A&R representative described as "the best replication of the master tapes to date".\r\n
      \r\n
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      \r\n
      We've used the original 30 inches-per-second, half-inch analog master tapes for all of these albums. Ryan K. Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at our Quality Record Pressings, maker of the world's finest-sounding LPs. \r\n
      \r\n
      Stevie Ray Vaughan's 1983 debut album, Texas Flood, was a phenomenal success, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. The record plays like a dynamite club show, filled with crowd-pleasing originals and covers, all performed with unbridled enthusiasm. Texas Flood was certified gold on August 13, 1990, and certified platinum on January 22, 1992.\r\n
      \r\n
      There's not a link in this production chain that wasn't absolute first-rate. The absolute best that money can buy.\r\n
      \r\n
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      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass), Chris Layton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=m3159YIe2OU"
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        "nom" => "3. Texas Flood "
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        "nom" => "3. Dirty Pool "
      ]
      [
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        "nom" => "Side D : "
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        "ordre" => 12
        "nom" => "1. I'm Cryin' "
      ]
      [
        "ordre" => 13
        "nom" => "2. Lenny"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2278 …}
    -label: Proxies\__CG__\App\Entity\Label {#2145 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2287 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2280 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2282 …}
    -enregistreLe: DateTime @1473161529 {#2273
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    }
    -modifierLe: DateTime @1764928414 {#2274
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-texas-flood-analogue-productions-aapp-096-45"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3787
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2276
    -id: 1037
    -nom: "Texas Flood"
    -informationComplementaire: null
    -description: """
      - Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound !\r\n
      - Cut at 45 RPM, 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      "The new remastering sounds amazing. Better than it ever did. I'm happy and pleasantly surprised". - Chris "Whipper" Layton\r\n
      \r\n
      The 45 RPM Analogue Productions reissue of Stevie Ray Vaughan's Texas Flood is so good, as are its 45 RPM companions - Couldn't Stand The Weather and Soul To Soul - that they truly represent what Gregg Geller, producer and A&R representative described as "the best replication of the master tapes to date".\r\n
      \r\n
      We've already brought you the 33 1/3 RPM box set Texas Hurricane featuring the greatest Stevie Ray Vaughan tribute ever reissued - six of Vaughan's most classic album titles remastered for ultimate blues and guitar fanatics. We've now taken the extra step and done 45 RPM versions of these three standout LPs.\r\n
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      \r\n
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    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass), Chris Layton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=m3159YIe2OU"
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        "ordre" => 9
        "nom" => "2. Mary Had a Little Lamb "
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        "nom" => "3. Dirty Pool "
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        "nom" => "Side D : "
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        "nom" => "1. I'm Cryin' "
      ]
      [
        "ordre" => 13
        "nom" => "2. Lenny"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2278 …}
    -label: Proxies\__CG__\App\Entity\Label {#2145 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3988
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3989 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4037 …}
  +isValidated: false
  +validatedFields: []
}