Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2665
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2512 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2742
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2745 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2744 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2512 …}
  -formView: Symfony\Component\Form\FormView {#2781 …}
  -form: Symfony\Component\Form\Form {#2931 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 1500
    -nom: "Live In Scheveningen 1958 - Sapphire Edition Clear Vinyl"
    -informationComplementaire: null
    -description: """
      - Art Blakey "Live In Scheveningen" !\r\n
      - 200 gram numbered (2 LP) Sapphire Edition clear vinyl limited to 4000 copies ! !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed and assembled in France !\r\n
      - Box and tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      "This particularly ephemeral formation of the Jazz Messengers, led by Benny Golson, is for some, simply the best. Never before has the group achieved this balance between passion, elegance and swing, this ideal between freedom and sophistication. And it will never find again totally this osmosis afterwards. A superbly restored album. Not to be missed. For any reasons." — 5 Stars, Jazz Magazine\r\n
      \r\n
      On the evening of November 29, 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say "I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself," everyone knows that he is living a historic moment.\r\n
      \r\n
      Pianist Bobby Timmons has just created the iconic "Moanin'" and saxophonist Benny Golson the famous "Along Came Betty," which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today.\r\n
      \r\n
      Recorded at the Kurhaus in Scheveningen, Netherlands, Oct. 29, 1958.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Benny Golson (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=npillCWp7kw"
    -referenceProduit: "The Lost Recordings 4034"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "LP 1 :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Introduction by Art Blakey"
      ]
      [
        "ordre" => 2
        "nom" => "2. Moanin'"
      ]
      [
        "ordre" => 3
        "nom" => "3. Announcement by Art Blakey"
      ]
      [
        "ordre" => 4
        "nom" => "4. Along Came Betty"
      ]
      [
        "ordre" => 5
        "nom" => "5. Announcement by Art Blakey"
      ]
      [
        "ordre" => 6
        "nom" => "6. Evidence / Justice"
      ]
      [
        "ordre" => 7
        "nom" => "LP 2 :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Just by Myself"
      ]
      [
        "ordre" => 9
        "nom" => "2. Announcement by Art Blakey"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Remember Clifford"
      ]
      [
        "ordre" => 11
        "nom" => "4. Announcement by Art Blakey"
      ]
      [
        "ordre" => 12
        "nom" => "5. Now Is the Time"
      ]
      [
        "ordre" => 13
        "nom" => "6. Announcement by Art Blakey"
      ]
      [
        "ordre" => 14
        "nom" => "7. Whisper Not"
      ]
      [
        "ordre" => 15
        "nom" => "8. Night in Tunisia"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1546768555 {#1928
      date: 2019-01-06 09:55:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1766128698 {#1921
      date: 2025-12-19 07:18:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-scheveningen-1958-sapphire-edition-clear-vinyl-the-lost-recordings-4034"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3203
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2744 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 1500
    -nom: "Live In Scheveningen 1958 - Sapphire Edition Clear Vinyl"
    -informationComplementaire: null
    -description: """
      - Art Blakey "Live In Scheveningen" !\r\n
      - 200 gram numbered (2 LP) Sapphire Edition clear vinyl limited to 4000 copies ! !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed and assembled in France !\r\n
      - Box and tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      "This particularly ephemeral formation of the Jazz Messengers, led by Benny Golson, is for some, simply the best. Never before has the group achieved this balance between passion, elegance and swing, this ideal between freedom and sophistication. And it will never find again totally this osmosis afterwards. A superbly restored album. Not to be missed. For any reasons." — 5 Stars, Jazz Magazine\r\n
      \r\n
      On the evening of November 29, 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say "I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself," everyone knows that he is living a historic moment.\r\n
      \r\n
      Pianist Bobby Timmons has just created the iconic "Moanin'" and saxophonist Benny Golson the famous "Along Came Betty," which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today.\r\n
      \r\n
      Recorded at the Kurhaus in Scheveningen, Netherlands, Oct. 29, 1958.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Benny Golson (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=npillCWp7kw"
    -referenceProduit: "The Lost Recordings 4034"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "LP 1 :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Introduction by Art Blakey"
      ]
      [
        "ordre" => 2
        "nom" => "2. Moanin'"
      ]
      [
        "ordre" => 3
        "nom" => "3. Announcement by Art Blakey"
      ]
      [
        "ordre" => 4
        "nom" => "4. Along Came Betty"
      ]
      [
        "ordre" => 5
        "nom" => "5. Announcement by Art Blakey"
      ]
      [
        "ordre" => 6
        "nom" => "6. Evidence / Justice"
      ]
      [
        "ordre" => 7
        "nom" => "LP 2 :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Just by Myself"
      ]
      [
        "ordre" => 9
        "nom" => "2. Announcement by Art Blakey"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Remember Clifford"
      ]
      [
        "ordre" => 11
        "nom" => "4. Announcement by Art Blakey"
      ]
      [
        "ordre" => 12
        "nom" => "5. Now Is the Time"
      ]
      [
        "ordre" => 13
        "nom" => "6. Announcement by Art Blakey"
      ]
      [
        "ordre" => 14
        "nom" => "7. Whisper Not"
      ]
      [
        "ordre" => 15
        "nom" => "8. Night in Tunisia"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1546768555 {#1928
      date: 2019-01-06 09:55:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1766128698 {#1921
      date: 2025-12-19 07:18:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-scheveningen-1958-sapphire-edition-clear-vinyl-the-lost-recordings-4034"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2512 …}
}

[
  "produit" => App\Entity\Produit {#2105
    -id: 1026
    -nom: "Live In Rotterdam 1967 - Sapphire Limited Edition Clear Vinyl"
    -informationComplementaire: null
    -description: """
      - Thelonious Monk "Live In Rotterddam 1967" !\r\n
      - 200 gram numbered (2 LP) Sapphire Edition clear vinyl limited to 4000 numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed and manufactured in France !\r\n
      - Box and tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      When he took the stage at the Club Doelen in Rotterdam on October 28, 1967, Thelonious Monk had just turned 50. Fifteen years later he would disappear from the music scene, taking refuge for the last six years of his life in New York at Pannonica de Koenigswater, never to touch the piano again. Flanked by the two "classics" "Ruby, My Dear" and "Blue Monk", he leads the quartet of his three accomplices, Charlie Rouse, Larry Gales, Ben Riley and their guests, for more than an hour and 20 minutes.\r\n
      \r\n
      Larry Gales' bass pops out of a box at the end of "Hackensack", the brass gets carried away in the middle of "We See"; they answer each other by swirling in the dizzying "Oska". And in the middle of the concert, a solo moment on 'Don't Blame Me," everything appears contrasting, twisted, oblique, each note seeming to be surprised by the previous one. Monk first goes around the melody from behind before bringing it back, pure, to the front. Finally they close: "Blue Monk," all classical restraint.\r\n
      \r\n
      Lost Recordings' Sapphire Edition pushes the boundaries of audio media. It is the pinnacle of our latest innovations in restoration and manufacturing processes, without any constraints or compromises, thus delivering an unprecedented musical experience.\r\n
      \r\n
      Recorded at De Doelen, Rotterdam, Oct. 28, 1967.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Thelonius Monk (piano), Charlie Rouse (tenor saxophone), Larry Gales (bass), Ben Riley (drums), Clark Terry, Ray Copeland (trumpet), Jimmy Cleveland (trombone), Phil Woods (alto saxophone), Johnny Griffin (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Juk8HmTOAOw"
    -referenceProduit: "The Lost Recordings 4029"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Ruby, My Dear"
      ]
      [
        "ordre" => 2
        "nom" => "2. Hackensack"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "3. We See"
      ]
      [
        "ordre" => 5
        "nom" => "4. Epistrophy"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Evidence / Epistrophy"
      ]
      [
        "ordre" => 8
        "nom" => "2. Don't Blame Me"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "3. Oska T. / Epistrophy"
      ]
      [
        "ordre" => 11
        "nom" => "4. Blue Monk"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2107 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2116 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2109 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2111 …}
    -enregistreLe: DateTime @1472055354 {#2094
      date: 2016-08-24 16:15:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765996192 {#2095
      date: 2025-12-17 18:29:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2113 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-rotterdam-1967-sapphire-limited-edition-clear-vinyl-the-lost-recordings-4029"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3317
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2744 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2105
    -id: 1026
    -nom: "Live In Rotterdam 1967 - Sapphire Limited Edition Clear Vinyl"
    -informationComplementaire: null
    -description: """
      - Thelonious Monk "Live In Rotterddam 1967" !\r\n
      - 200 gram numbered (2 LP) Sapphire Edition clear vinyl limited to 4000 numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed and manufactured in France !\r\n
      - Box and tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      When he took the stage at the Club Doelen in Rotterdam on October 28, 1967, Thelonious Monk had just turned 50. Fifteen years later he would disappear from the music scene, taking refuge for the last six years of his life in New York at Pannonica de Koenigswater, never to touch the piano again. Flanked by the two "classics" "Ruby, My Dear" and "Blue Monk", he leads the quartet of his three accomplices, Charlie Rouse, Larry Gales, Ben Riley and their guests, for more than an hour and 20 minutes.\r\n
      \r\n
      Larry Gales' bass pops out of a box at the end of "Hackensack", the brass gets carried away in the middle of "We See"; they answer each other by swirling in the dizzying "Oska". And in the middle of the concert, a solo moment on 'Don't Blame Me," everything appears contrasting, twisted, oblique, each note seeming to be surprised by the previous one. Monk first goes around the melody from behind before bringing it back, pure, to the front. Finally they close: "Blue Monk," all classical restraint.\r\n
      \r\n
      Lost Recordings' Sapphire Edition pushes the boundaries of audio media. It is the pinnacle of our latest innovations in restoration and manufacturing processes, without any constraints or compromises, thus delivering an unprecedented musical experience.\r\n
      \r\n
      Recorded at De Doelen, Rotterdam, Oct. 28, 1967.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Thelonius Monk (piano), Charlie Rouse (tenor saxophone), Larry Gales (bass), Ben Riley (drums), Clark Terry, Ray Copeland (trumpet), Jimmy Cleveland (trombone), Phil Woods (alto saxophone), Johnny Griffin (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Juk8HmTOAOw"
    -referenceProduit: "The Lost Recordings 4029"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Ruby, My Dear"
      ]
      [
        "ordre" => 2
        "nom" => "2. Hackensack"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "3. We See"
      ]
      [
        "ordre" => 5
        "nom" => "4. Epistrophy"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Evidence / Epistrophy"
      ]
      [
        "ordre" => 8
        "nom" => "2. Don't Blame Me"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "3. Oska T. / Epistrophy"
      ]
      [
        "ordre" => 11
        "nom" => "4. Blue Monk"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2107 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2116 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2109 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2111 …}
    -enregistreLe: DateTime @1472055354 {#2094
      date: 2016-08-24 16:15:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765996192 {#2095
      date: 2025-12-17 18:29:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2113 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
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[
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    -id: 678
    -nom: "Live at the Berlin Jazz Festival 1969-1973"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Joe Benjamin (bass), Harold "Money" Johnson (trumpet), Paul Gonsalves (saxophone), Harry Carney (baritone saxophone, clarinet), Quinten "Rocky" White Jr. (drums), Duke Ellington orchestra (Duke Ellington (piano), Cat Anderson, Cootie Williams, Mercer Ellington (trumpet), Harold Ashby, Johnny Hodges, Paul Gonsalves, Russell Procope (saxophone), Harry Carney (baritone saxophone, clarinet), Rufus Jones (drums) \r\n
      \r\n
      - Duke Ellington "Live at the Berlin Jazz Festival 1969-1973" !\r\n
      - 180 gram hand-numbered edition !\r\n
      - Limited to 2000 copies worldwide !\r\n
      - Gold foil and debossing on soft-touch cover !\r\n
      - Printed inner sleeve; pressed at Optimal in Germany !\r\n
      \r\n
      On Nov. 8, 1969,on the stage of the Berlin Philharmonic's main hall, the Duke, whose portrait is the poster of the Jazztage Festival celebrating his 70th birthday, slowly joined his piano. His orchestra was at the helm, adorned with a gleaming section, some of whom have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. Legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope were also present.\r\n
      \r\n
      In a sort of rattle, the Duke launched "La plus Belle Africaine". A baroque but perfectly mastered mixture of sunny colors captured during a tour in Dakar, launched by the solo saxophone and then taken up with flashes of inventiveness by all or part of the band. The tone is set. Cat Anderson launched into a furious "El Gato" which shook the audience with its creaking, deliberate deconstruction, evoking the revolutionary, fragmentary and unfinished gestures of Thelonious Monk or Cecil Taylor. A studied contrast with the gentle continuation of "I Can't Get Started", just before the 43 second parenthesis of "Caravan", which is a mischievous link to the flamboyant "Satin Doll" that masterfully punctuates this concert.\r\n
      \r\n
      In 1973, a few months before his death, Duke returned to Berlin in a formation based on his trio (Joe Benjamin on double bass and Quinten "Rocky" White Jr. on drums), joined by Harold Johnson on trumpet, the clarinettist and baritone saxophonist Harry Carney and by his long-time sidekick, the tenor saxophonist Paul Gonsalves. Duke Ellington gives his piano a central place here, making it both the driving force of the ensemble and its harmonic and rhythmic backbone.\r\n
      \r\n
      In the blues that opens the concert, we hear Debussy. Take the A train' follows. The Duke likes changes of mood. Only, here and there, touches of discontinuous speech remind us how sagaciously the Duke was able to draw on the audacious harmonies of his contemporaries. And then he dares to do everything. Like offering his band the rhythmic virtuosity of Baby Laurence on tap dance in "Tap Dance". The magic works. The success is total.\r\n
      \r\n
      Two concerts in Berlin, two facets of a poetic universe, two visions of an alchemist who knew how to draw with lightness but also with a mixture of jubilation and authority, from the harmonic sources of all music and which make so relevant the formula he loved: "there are only two kinds of music: good and bad". We have had the extreme privilege of resurrecting the better one.
      """
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      Musicians : \r\n
      Duke Ellington (piano), Joe Benjamin (bass), Harold "Money" Johnson (trumpet), Paul Gonsalves (saxophone), Harry Carney (baritone saxophone, clarinet), Quinten "Rocky" White Jr. (drums), Duke Ellington orchestra (Duke Ellington (piano), Cat Anderson, Cootie Williams, Mercer Ellington (trumpet), Harold Ashby, Johnny Hodges, Paul Gonsalves, Russell Procope (saxophone), Harry Carney (baritone saxophone, clarinet), Rufus Jones (drums) \r\n
      \r\n
      - Duke Ellington "Live at the Berlin Jazz Festival 1969-1973" !\r\n
      - 180 gram hand-numbered edition !\r\n
      - Limited to 2000 copies worldwide !\r\n
      - Gold foil and debossing on soft-touch cover !\r\n
      - Printed inner sleeve; pressed at Optimal in Germany !\r\n
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      On Nov. 8, 1969,on the stage of the Berlin Philharmonic's main hall, the Duke, whose portrait is the poster of the Jazztage Festival celebrating his 70th birthday, slowly joined his piano. His orchestra was at the helm, adorned with a gleaming section, some of whom have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. Legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope were also present.\r\n
      \r\n
      In a sort of rattle, the Duke launched "La plus Belle Africaine". A baroque but perfectly mastered mixture of sunny colors captured during a tour in Dakar, launched by the solo saxophone and then taken up with flashes of inventiveness by all or part of the band. The tone is set. Cat Anderson launched into a furious "El Gato" which shook the audience with its creaking, deliberate deconstruction, evoking the revolutionary, fragmentary and unfinished gestures of Thelonious Monk or Cecil Taylor. A studied contrast with the gentle continuation of "I Can't Get Started", just before the 43 second parenthesis of "Caravan", which is a mischievous link to the flamboyant "Satin Doll" that masterfully punctuates this concert.\r\n
      \r\n
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      \r\n
      In the blues that opens the concert, we hear Debussy. Take the A train' follows. The Duke likes changes of mood. Only, here and there, touches of discontinuous speech remind us how sagaciously the Duke was able to draw on the audacious harmonies of his contemporaries. And then he dares to do everything. Like offering his band the rhythmic virtuosity of Baby Laurence on tap dance in "Tap Dance". The magic works. The success is total.\r\n
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      Two concerts in Berlin, two facets of a poetic universe, two visions of an alchemist who knew how to draw with lightness but also with a mixture of jubilation and authority, from the harmonic sources of all music and which make so relevant the formula he loved: "there are only two kinds of music: good and bad". We have had the extreme privilege of resurrecting the better one.
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
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[
  "produit" => App\Entity\Produit {#2153
    -id: 1232
    -nom: "Stan Getz Quartet - At Zardi's 1956 Vol. 1"
    -informationComplementaire: null
    -description: """
      - Stan Getz "Getz At Zardi's 1956 Vol. 1" !\r\n
      - An elegant sax on Hollywood Boulevard !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      On June 22 and 27, 1959 Stan Getz and his quartet gave two legendary concerts in a club on Hollywood Boulevard. Black and white people, Saxophone players, pianists and singers all flocked to play the clubs and their sound resonated round the world from these sun-drenched settings. What drew all these jazz musicians of the time such as Oscar Peterson, Ella Fitzgerald, Art Tatum, Chet Baker, Sarah Vaughan and, of course, Stan Getz to these venues ? They were escaping the chilly East Coast for both a warmer climate and a more relaxed environment than the tense South. It sustained a musical melting pot encouraged by a governor free of racial prejudice, the Republican Goodwin J. Knight, not to mention a booming labor market and the glamour of the movie industry in a nutshell, the mythical appeal of the West Coast.\r\n
      \r\n
      Their favorite clubs: the Tiffany, the Haig, and most of all, the celebrated Zardi's Jazzland, where Getz and his musicians performed these two evenings. The recordings remained unpublished on vinyl until this present edition.\r\n
      \r\n
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      \r\n
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    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3419
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      - An elegant sax on Hollywood Boulevard !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
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      On June 22 and 27, 1959 Stan Getz and his quartet gave two legendary concerts in a club on Hollywood Boulevard. Black and white people, Saxophone players, pianists and singers all flocked to play the clubs and their sound resonated round the world from these sun-drenched settings. What drew all these jazz musicians of the time such as Oscar Peterson, Ella Fitzgerald, Art Tatum, Chet Baker, Sarah Vaughan and, of course, Stan Getz to these venues ? They were escaping the chilly East Coast for both a warmer climate and a more relaxed environment than the tense South. It sustained a musical melting pot encouraged by a governor free of racial prejudice, the Republican Goodwin J. Knight, not to mention a booming labor market and the glamour of the movie industry in a nutshell, the mythical appeal of the West Coast.\r\n
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      Their favorite clubs: the Tiffany, the Haig, and most of all, the celebrated Zardi's Jazzland, where Getz and his musicians performed these two evenings. The recordings remained unpublished on vinyl until this present edition.\r\n
      \r\n
      In spring 2025 we came across the original tapes in the suburbs of Chicago. The set list of the two concerts is diverse but the lineup is identical, with pianist Lou Levy, brilliantly representing the sound of the West Coast and whose style dovetailed perfectly with Getz's budding forms of inspiration of that year, Max Bennett was on base and Gary Frommer on drums.\r\n
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    -nom: "Stan Getz Quartet - Live At Zardi's 1956 Vol. 2"
    -informationComplementaire: null
    -description: """
      - Stan Getz "Getz At Zardi's 1956 Vol. 2" !\r\n
      - An elegant sax on Hollywood Boulevard !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      On June 22 and 27, 1959 Stan Getz and his quartet gave two legendary concerts in a club on Hollywood Boulevard.\r\n
      \r\n
      Saxophone players, pianists and singers all flocked to play the clubs and their sound resonated round the world from these sun-drenched settings. What drew all these jazz musicians of the time such as Oscar Peterson, Ella Fitzgerald, Art Tatum, Chet Baker, Sarah Vaughan and, of course, Stan Getz to these venues ? They were escaping the chilly East Coast for both a warmer climate and a more relaxed environment than the tense South.\r\n
      \r\n
      It sustained a musical melting pot encouraged by a governor free of racial prejudice, the Republican Goodwin J. Knight, not to mention a booming labor market and the glamour of the movie industry in a nutshell, the mythical appeal of the West Coast. Their favourite clubs: the Tiffany, the Haig, and most of all, the celebrated Zardi's Jazzland, where Getz and his musicians performed these two evenings. The recordings remained unpublished on vinyl until this present edition.\r\n
      \r\n
      In spring 2025 we came across the original tapes in the suburbs of Chicago. The set list of the two concerts is diverse but the lineup is identical, with pianist Lou Levy, brilliantly representing the sound of the West Coast and whose style dovetailed perfectly with Getz's budding forms of inspiration of that year, Max Bennett was on base and Gary Frommer on drums.\r\n
      \r\n
      On June 27, Stan performed 14 titles. From the irresistible ballad "Little Girl Blue", the Afro-Cuban theme composed by Dizzy Gillespie "A Night in Tunisia", to Gershwin's "Summertime", every single note was inspired. Stan possessed this unique gift of thinking, creating, imagining in advance, and then, when the time came, bringing fantasy, charm, rhythm, and spontaneity to life on stage.\r\n
      \r\n
      That June 27, where the elegance and beauty of these melodies mingled with the scents and colors of the California sunset, was a resounding success for this magnificent quartet.
      """
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      - Stan Getz "Getz At Zardi's 1956 Vol. 2" !\r\n
      - An elegant sax on Hollywood Boulevard !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
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      Saxophone players, pianists and singers all flocked to play the clubs and their sound resonated round the world from these sun-drenched settings. What drew all these jazz musicians of the time such as Oscar Peterson, Ella Fitzgerald, Art Tatum, Chet Baker, Sarah Vaughan and, of course, Stan Getz to these venues ? They were escaping the chilly East Coast for both a warmer climate and a more relaxed environment than the tense South.\r\n
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      In spring 2025 we came across the original tapes in the suburbs of Chicago. The set list of the two concerts is diverse but the lineup is identical, with pianist Lou Levy, brilliantly representing the sound of the West Coast and whose style dovetailed perfectly with Getz's budding forms of inspiration of that year, Max Bennett was on base and Gary Frommer on drums.\r\n
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      On June 27, Stan performed 14 titles. From the irresistible ballad "Little Girl Blue", the Afro-Cuban theme composed by Dizzy Gillespie "A Night in Tunisia", to Gershwin's "Summertime", every single note was inspired. Stan possessed this unique gift of thinking, creating, imagining in advance, and then, when the time came, bringing fantasy, charm, rhythm, and spontaneity to life on stage.\r\n
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[
  "produit" => App\Entity\Produit {#2194
    -id: 1474
    -nom: "Live at the Concertgebouw 1961"
    -informationComplementaire: null
    -description: """
      - Oscar Peterson Trio "Live In Bremen 1961" !\r\n
      - First-ever release! Live concert featuring jazz greats Oscar Peterson, Ray Brown and Ed Thigpen !\r\n
      - Numbered edition on 180 gram vinyl 45 RPM (2 LP) limited to 3000 copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Simon Garcia, Marciac, France !\r\n
      - Gatefold tip-on jackets printed in Italy !\r\n
      \r\n
      The Glocke was one of Herbert von Karajan's favorite concert halls in Europe. Located in the Hanseatic city of Bremen, a capital of commerce that gained its riches from the coffee business, it is an unusual place. The hall itself has been at the confluence of all the arts for decades. It was designed on an octagonal plan in 1737 and despite several fires, it has retained some of the finest acoustics on the continent.\r\n
      \r\n
      On that evening in April 1961, before an audience of 1400, the imposing figure of Oscar Peterson sat down at his piano with his two acolytes. There was Ray Brown, known to his admirers as "the handsome bassist", and Ed Thigpen, one of the most sought-after drummers on the New York scene.\r\n
      \r\n
      Some 15 years earlier, in the mid-1940s, the Canadian pianist was on the path to becoming a classical performer. Then, influenced by popular pianists such as Nat King Cole and the prodigious Art Tatum, whom he would idolize, he suddenly changed direction. In September 1949, Norman Granz discovered Peterson at Carnegie Hall and launched his career as a jazz legend. By 1958, with some ten years of success behind him, the man his fans nicknamed "the man with four hands" and the "Bomber of Boogie Woogie" began to feel that the structure of his repertoire and interpretations needed to evolve.\r\n
      \r\n
      Peterson had been performing chiefly with guitarist Herb Ellis (with whom he never stopped playing), but now he decided to try out working with a trio. This marked an important turning point in his artistic development. The counterpoint of the guitar gave way to the functional and rhythmic backing of the drums and bass, enabling the musical magician to give freer rein to his creativity. In the words of Quebecois novelist Claude Vaillancourt in April 2008, his concerts were imbued with the magic of "hidden pleasure". At a time when jazz, influenced by the new sounds of rock, was in the throes of deconstruction, Peterson responded by grounding his music in the deep roots of the blues, in his classical training and in popular trends. To quote Vaillancourt again, he gave a "grounded earthiness" to the flights of virtuosity that made him so famous. And with spectacular results, as this Bremen concert proves : Peterson, instead of sacrificing swing, imbues it with constant refinement and elegance, and at times even seriousness.\r\n
      \r\n
      The concert kicks off with "Les Filles de Cadix", using the theme of Léo Delibes' famous 1874 composition, revisited by Miles Davis in 1957 on his Miles Ahead album. Initially barely perceptible, the trio ornaments and develops the theme with restraint and elegance up until the central section, where an enchanting swing takes over, before vanishing as discreetly as it had appeared. There are few tunes more popular than "I Could Have Danced all Night" from My Fair Lady, the Broadway musical that premiered in 1956. The rhythm builds up gradually, punctuated by Peterson's occasional humming, growing and amplifying before ending in a soft murmur of the piano.\r\n
      \r\n
      "The Golden Striker" opens with a choral-like melody reminiscent of Bach. Peterson's solo part is solemn; his delicacy nevertheless has forcefulness. His inspiration is drawn from a musical phrase and here, his classical training is evident. A variation follows on from a sudden stop: a wild swing with responses first from Brown and then Thigpen, and Peterson's flourishes on the piano. In only four minutes, the trio propels us into a vortex with the intensity of their performance. A few calm words introduce "Where Do We Go From Here ?", a springtime ballad, which, in contrast with the preceding piece, is light and carefree; we could imagine ourselves on the the banks of a cool, undulating stream. The virtuosity of the piano is so subtle as to be almost imperceptible, and time stands still until the very last chord, delicately played in arpeggio.\r\n
      \r\n
      "My Funny Valentine" is a standard that needs no introduction, but only after a few minutes does the solo piano, still leaving a role for the bass and drums, finally unveil the theme. Peterson drives his fellow musicians to increase the rhythm, the substance, the power. Brown responds with a solo that is just as enchanting. The last piano notes restore the lightness that Frank Sinatra had imparted to the song. Peterson gently introduces "I've Grown Accustomed to her Face", another song from My Fair Lady. Although the melody is less well known, the swirls of the piano in this interpretation transport the listeners into a thrilling whirlwind of delight. With "Blues for Big Scotia", the concert comes to an end in a different register: the trio gives us a version that is truly original. Dazzling arpeggios lead into a series of chords, , reminiscent of Peterson's experiences touring in the Deep South.\r\n
      \r\n
      The Lost Recordings retrieved the tapes of this landmark concert from the archives of the Bremen Radio, and many long weeks were spent on their restoration. As the trio leaves the stage to the thunderous applause of the German audience that we can hear here, it is clear that Oscar Peterson is an alchemist of genius, and in a certain sense, his very own Pygmalion who sees his transformations through to end. Already a master of swing, Peterson surpassed himself in every way. He broadened his repertoire and constantly reinvented himself, all the while remaining faithful to his innermost self. His legacy, the magical lustre he brought to jazz, is priceless.
      """
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3518
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2744 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2194
    -id: 1474
    -nom: "Live at the Concertgebouw 1961"
    -informationComplementaire: null
    -description: """
      - Oscar Peterson Trio "Live In Bremen 1961" !\r\n
      - First-ever release! Live concert featuring jazz greats Oscar Peterson, Ray Brown and Ed Thigpen !\r\n
      - Numbered edition on 180 gram vinyl 45 RPM (2 LP) limited to 3000 copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Simon Garcia, Marciac, France !\r\n
      - Gatefold tip-on jackets printed in Italy !\r\n
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      \r\n
      On that evening in April 1961, before an audience of 1400, the imposing figure of Oscar Peterson sat down at his piano with his two acolytes. There was Ray Brown, known to his admirers as "the handsome bassist", and Ed Thigpen, one of the most sought-after drummers on the New York scene.\r\n
      \r\n
      Some 15 years earlier, in the mid-1940s, the Canadian pianist was on the path to becoming a classical performer. Then, influenced by popular pianists such as Nat King Cole and the prodigious Art Tatum, whom he would idolize, he suddenly changed direction. In September 1949, Norman Granz discovered Peterson at Carnegie Hall and launched his career as a jazz legend. By 1958, with some ten years of success behind him, the man his fans nicknamed "the man with four hands" and the "Bomber of Boogie Woogie" began to feel that the structure of his repertoire and interpretations needed to evolve.\r\n
      \r\n
      Peterson had been performing chiefly with guitarist Herb Ellis (with whom he never stopped playing), but now he decided to try out working with a trio. This marked an important turning point in his artistic development. The counterpoint of the guitar gave way to the functional and rhythmic backing of the drums and bass, enabling the musical magician to give freer rein to his creativity. In the words of Quebecois novelist Claude Vaillancourt in April 2008, his concerts were imbued with the magic of "hidden pleasure". At a time when jazz, influenced by the new sounds of rock, was in the throes of deconstruction, Peterson responded by grounding his music in the deep roots of the blues, in his classical training and in popular trends. To quote Vaillancourt again, he gave a "grounded earthiness" to the flights of virtuosity that made him so famous. And with spectacular results, as this Bremen concert proves : Peterson, instead of sacrificing swing, imbues it with constant refinement and elegance, and at times even seriousness.\r\n
      \r\n
      The concert kicks off with "Les Filles de Cadix", using the theme of Léo Delibes' famous 1874 composition, revisited by Miles Davis in 1957 on his Miles Ahead album. Initially barely perceptible, the trio ornaments and develops the theme with restraint and elegance up until the central section, where an enchanting swing takes over, before vanishing as discreetly as it had appeared. There are few tunes more popular than "I Could Have Danced all Night" from My Fair Lady, the Broadway musical that premiered in 1956. The rhythm builds up gradually, punctuated by Peterson's occasional humming, growing and amplifying before ending in a soft murmur of the piano.\r\n
      \r\n
      "The Golden Striker" opens with a choral-like melody reminiscent of Bach. Peterson's solo part is solemn; his delicacy nevertheless has forcefulness. His inspiration is drawn from a musical phrase and here, his classical training is evident. A variation follows on from a sudden stop: a wild swing with responses first from Brown and then Thigpen, and Peterson's flourishes on the piano. In only four minutes, the trio propels us into a vortex with the intensity of their performance. A few calm words introduce "Where Do We Go From Here ?", a springtime ballad, which, in contrast with the preceding piece, is light and carefree; we could imagine ourselves on the the banks of a cool, undulating stream. The virtuosity of the piano is so subtle as to be almost imperceptible, and time stands still until the very last chord, delicately played in arpeggio.\r\n
      \r\n
      "My Funny Valentine" is a standard that needs no introduction, but only after a few minutes does the solo piano, still leaving a role for the bass and drums, finally unveil the theme. Peterson drives his fellow musicians to increase the rhythm, the substance, the power. Brown responds with a solo that is just as enchanting. The last piano notes restore the lightness that Frank Sinatra had imparted to the song. Peterson gently introduces "I've Grown Accustomed to her Face", another song from My Fair Lady. Although the melody is less well known, the swirls of the piano in this interpretation transport the listeners into a thrilling whirlwind of delight. With "Blues for Big Scotia", the concert comes to an end in a different register: the trio gives us a version that is truly original. Dazzling arpeggios lead into a series of chords, , reminiscent of Peterson's experiences touring in the Deep South.\r\n
      \r\n
      The Lost Recordings retrieved the tapes of this landmark concert from the archives of the Bremen Radio, and many long weeks were spent on their restoration. As the trio leaves the stage to the thunderous applause of the German audience that we can hear here, it is clear that Oscar Peterson is an alchemist of genius, and in a certain sense, his very own Pygmalion who sees his transformations through to end. Already a master of swing, Peterson surpassed himself in every way. He broadened his repertoire and constantly reinvented himself, all the while remaining faithful to his innermost self. His legacy, the magical lustre he brought to jazz, is priceless.
      """
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[
  "produit" => App\Entity\Produit {#2216
    -id: 2068
    -nom: "Live In Paris 1969 / Berlin"
    -informationComplementaire: null
    -description: """
      - Cannonball Adderley "Live In Paris 1969 / Berlin 1972" !\r\n
      - 180 gram double vinyl limited to 3000 hand-numbered copies !\r\n
      - Remastered 2024 by The Lost Recordings from the original analog tape !\r\n
      - 33 1/3 RPM lacquer cuts by Kevin Gray !\r\n
      - Pressed by MEK Vinyl, Switzerland !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      Julian "Cannonball" Adderley earned his nickname from childhood antics, but it would soon become synonymous with brilliance in jazz. One of the most versatile musicians of the 20th century, he embraced all jazz styles from cool and hard bop to funk drawing equally from African, South American, and blues traditions. Adderley was a relentless creator, forming and reshaping ensembles, always seeking deeper musical expression. His motto: jazz must move forward, but never forget its roots.\r\n
      \r\n
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      \r\n
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      """
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    -referenceProduit: "The Lost Recordings 4059"
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App\Twig\Components\GestionPanierFavoriComponents {#3569
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    -nom: "Live In Paris 1969 / Berlin"
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    -description: """
      - Cannonball Adderley "Live In Paris 1969 / Berlin 1972" !\r\n
      - 180 gram double vinyl limited to 3000 hand-numbered copies !\r\n
      - Remastered 2024 by The Lost Recordings from the original analog tape !\r\n
      - 33 1/3 RPM lacquer cuts by Kevin Gray !\r\n
      - Pressed by MEK Vinyl, Switzerland !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
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      \r\n
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[
  "produit" => App\Entity\Produit {#2240
    -id: 486
    -nom: "Like Someone In Love"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Arranged by Frank DeVol and enlivened by what the liner notes described as the "sensitive, poignant saxophone solos of Stan Getz" on four tracks, Like Someone In Love was targeted at "people in love". But its real audience, then as now, was anyone who loves timeless songs impeccably sung. What was timeless in 1957 still is.\r\n
      \r\n
      Originally released in 1957.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=KlLr-vuShP8"
    -referenceProduit: "Analogue Productions AVRJ 6000-45"
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        "nom" => "1. There's A Lull In My Life"
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        "nom" => "2. More Than You Know"
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        "nom" => "3. What Will I Tell My Heart"
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        "nom" => "2. We'll Be Together Again"
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        "nom" => "1. What's New"
      ]
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        "nom" => "2. Hurry Home"
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App\Twig\Components\GestionPanierFavoriComponents {#3620
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  +produit: App\Entity\Produit {#2240
    -id: 486
    -nom: "Like Someone In Love"
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    -description: """
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KlLr-vuShP8"
    -referenceProduit: "Analogue Productions AVRJ 6000-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. There's A Lull In My Life"
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      [
        "ordre" => 2
        "nom" => "2. More Than You Know"
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        "ordre" => 3
        "nom" => "3. What Will I Tell My Heart"
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      [
        "ordre" => 4
        "nom" => "4. I Never Had A Chance"
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        "nom" => "Side B : "
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        "ordre" => 6
        "nom" => "1. Close Your Eyes"
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        "ordre" => 7
        "nom" => "2. We'll Be Together Again"
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        "nom" => "3. Then I'll Be Tired Of You"
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        "nom" => "2. I Thought About You"
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        "nom" => "4. Night Wind"
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        "nom" => "Side D : "
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        "nom" => "1. What's New"
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        "ordre" => 17
        "nom" => "2. Hurry Home"
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      [
        "ordre" => 18
        "nom" => "3. How Long Has This Been Going On"
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[
  "produit" => App\Entity\Produit {#2259
    -id: 1529
    -nom: "Ella at the Shrine"
    -informationComplementaire: null
    -description: "Verve Records, celebrating Ella Fitzgerald's 100th birthday in 2017, released at the end of that year Ella at Zardi's a vibrant, previously unreleased album recorded during a two-week stint at the Hollywood nightclub. Captured February 2, 1956, all signs pointed to the album as the label's, and Ella's, first live recording. Incredibly, it was discovered that Verve founder Norman Granz had also recorded Ella at Los Angeles, California's Shrine Auditorium the week before. It's a thrilling but brief set because, as Granz announces, Ella "has to get back to Zardi's." The newly discovered 20 minute live JATP recording is presented for the first time here on 45 RPM 12" vinyl !"
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Joe Mondragon, Vernon Alley (bass), Don Abney (piano), Frank Capp (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=MibUdv_uOYU"
    -referenceProduit: "Verve Records 2201"
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        "nom" => "1. 'S Wonderful"
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        "nom" => "4. Glad To Be Unhappy "
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        "nom" => "1. And The Angels Sing"
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        "nom" => "2. Joe William's Blues"
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        "nom" => "3. Air Mail Special"
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        "nom" => "4. Norman Granz Announcement"
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    ]
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    -nom: "Ella at the Shrine"
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    -description: "Verve Records, celebrating Ella Fitzgerald's 100th birthday in 2017, released at the end of that year Ella at Zardi's a vibrant, previously unreleased album recorded during a two-week stint at the Hollywood nightclub. Captured February 2, 1956, all signs pointed to the album as the label's, and Ella's, first live recording. Incredibly, it was discovered that Verve founder Norman Granz had also recorded Ella at Los Angeles, California's Shrine Auditorium the week before. It's a thrilling but brief set because, as Granz announces, Ella "has to get back to Zardi's." The newly discovered 20 minute live JATP recording is presented for the first time here on 45 RPM 12" vinyl !"
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Joe Mondragon, Vernon Alley (bass), Don Abney (piano), Frank Capp (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2242 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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[
  "produit" => App\Entity\Produit {#2277
    -id: 2032
    -nom: "Ella Wishes You A Swinging Christmas"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      A holiday album from the jazz legend! Have a swinging Christmas and a jazzy new year with this joyous 1960 Ella LP in your collection. She sings (and swings) "Jingle Bells", "Sleigh Ride", "Winter Wonderland", and more! She puts her singular stamp on everything from a sultry vamp like "What Are You Doing New Year's Eve ?" to the sweet and cozy "The Christmas Song". Even potentially shopworn standards like "Santa Claus Is Comin' to Town" sound fresher when they're coming from Ella Fitzgerald.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), with the Frank DeVol Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Z4VCjTecHyA&list=PLph8hEsdeSe2kPuEbetS7dAJZ0Rra_j-J"
    -referenceProduit: "Acoustic Sounds Series 74601"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 1
        "nom" => "1. Jingle Bells "
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        "ordre" => 2
        "nom" => "2. Santa Claus Is Coming To Town "
      ]
      [
        "ordre" => 3
        "nom" => "3. Have Yourself A Merry Little Christmas "
      ]
      [
        "ordre" => 4
        "nom" => "4. What Are You Doing New Year's Eve ? "
      ]
      [
        "ordre" => 5
        "nom" => "5. Sleigh Ride "
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        "nom" => "6. The Christmas Song"
      ]
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        "nom" => "1. Good Morning Blues "
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        "ordre" => 9
        "nom" => "2. Let It Snow, Let It Snow, Let It Snow "
      ]
      [
        "ordre" => 10
        "nom" => "3. Winter Wonderland "
      ]
      [
        "ordre" => 11
        "nom" => "4. Rudolph, The Red-Nosed Reindeer "
      ]
      [
        "ordre" => 12
        "nom" => "5. Frosty The Snow Man "
      ]
      [
        "ordre" => 13
        "nom" => "6. White Christmas"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2242 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3721
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2744 …}
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  +produit: App\Entity\Produit {#2277
    -id: 2032
    -nom: "Ella Wishes You A Swinging Christmas"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      A holiday album from the jazz legend! Have a swinging Christmas and a jazzy new year with this joyous 1960 Ella LP in your collection. She sings (and swings) "Jingle Bells", "Sleigh Ride", "Winter Wonderland", and more! She puts her singular stamp on everything from a sultry vamp like "What Are You Doing New Year's Eve ?" to the sweet and cozy "The Christmas Song". Even potentially shopworn standards like "Santa Claus Is Comin' to Town" sound fresher when they're coming from Ella Fitzgerald.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), with the Frank DeVol Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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      ]
      [
        "ordre" => 12
        "nom" => "5. Frosty The Snow Man "
      ]
      [
        "ordre" => 13
        "nom" => "6. White Christmas"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2242 …}
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      date: 2025-12-14 16:43:22.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -slug: "vinyles-ella-wishes-you-a-swinging-christmas-acoustic-sounds-series-74601"
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[
  "produit" => App\Entity\Produit {#2295
    -id: 1187
    -nom: "Sunshine of Your Love"
    -informationComplementaire: null
    -description: """
      In her extraordinary career, Ella Fitzgerald, the « first lady of song », collaborated with the key figures of big band jazz – among others with Chick Webb and Dizzy Gillespie – won a total of 13 Grammys and was awarded the National Medal of Arts in 1987. Her distinctive interpretations of jazz standards can be found in countless American songbook albums. Ella’s expanded repertoire, enthusiastic about the then burgeoning Bossa nova and pop, appeared principally on her albums from the late 1960s. As the founder of Verve, Norman Granz put together many of her live recordings in 1969 for an MPS album, so the album title was chosen as the Clapton - classic « Sunshine of Your Love ». The album offers an impressive musical range of colors with compositions by John Lennon, Eric Clapton and Antônio Carlos Jobim on the one hand, and big band classics, such as « Give Me the Simple Life » and « Old Devil Moon » on the other. Rousingly interpreted by the Ernie Heckscher Big Band and the Tommy Flanagan Trio. \r\n
      \r\n
      Captured on AAA tape, the euphoric evenings of the series of concerts from the San Francisco Fairmont Hotel become an analogous journey through time full of jazz nostalgia.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Tommy Flanagan (piano), Frank de la Rosa (bass), Ed Thigpen (drums), Ernie Heckscher Big Band"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tC5hXBt5RIs"
    -referenceProduit: "MPS 8744"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Hey Jude"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sunshine Of Your Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. This Girl's In Love With You"
      ]
      [
        "ordre" => 4
        "nom" => "4. Watch What Happens"
      ]
      [
        "ordre" => 5
        "nom" => "5. Alright Okay, You Win"
      ]
      [
        "ordre" => 6
        "nom" => "6. Give Me the Simple Life"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Useless Landscape"
      ]
      [
        "ordre" => 9
        "nom" => "2. Old Devil Moon"
      ]
      [
        "ordre" => 10
        "nom" => "3. Don'cha Go 'way Mad"
      ]
      [
        "ordre" => 11
        "nom" => "4. A House Is Not A Home"
      ]
      [
        "ordre" => 12
        "nom" => "5. Trouble Is a Man"
      ]
      [
        "ordre" => 13
        "nom" => "6. Love You Madly"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2242 …}
    -label: Proxies\__CG__\App\Entity\Label {#2297 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2306 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2299 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2301 …}
    -enregistreLe: DateTime @1498288411 {#2291
      date: 2017-06-24 07:13:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765725453 {#2290
      date: 2025-12-14 15:17:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2303 …}
    -disponible: null
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    -slug: "vinyles-sunshine-of-your-love-mps-8744"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3769
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2744 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2295
    -id: 1187
    -nom: "Sunshine of Your Love"
    -informationComplementaire: null
    -description: """
      In her extraordinary career, Ella Fitzgerald, the « first lady of song », collaborated with the key figures of big band jazz – among others with Chick Webb and Dizzy Gillespie – won a total of 13 Grammys and was awarded the National Medal of Arts in 1987. Her distinctive interpretations of jazz standards can be found in countless American songbook albums. Ella’s expanded repertoire, enthusiastic about the then burgeoning Bossa nova and pop, appeared principally on her albums from the late 1960s. As the founder of Verve, Norman Granz put together many of her live recordings in 1969 for an MPS album, so the album title was chosen as the Clapton - classic « Sunshine of Your Love ». The album offers an impressive musical range of colors with compositions by John Lennon, Eric Clapton and Antônio Carlos Jobim on the one hand, and big band classics, such as « Give Me the Simple Life » and « Old Devil Moon » on the other. Rousingly interpreted by the Ernie Heckscher Big Band and the Tommy Flanagan Trio. \r\n
      \r\n
      Captured on AAA tape, the euphoric evenings of the series of concerts from the San Francisco Fairmont Hotel become an analogous journey through time full of jazz nostalgia.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Tommy Flanagan (piano), Frank de la Rosa (bass), Ed Thigpen (drums), Ernie Heckscher Big Band"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=tC5hXBt5RIs"
    -referenceProduit: "MPS 8744"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. Hey Jude"
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      [
        "ordre" => 2
        "nom" => "2. Sunshine Of Your Love"
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      [
        "ordre" => 3
        "nom" => "3. This Girl's In Love With You"
      ]
      [
        "ordre" => 4
        "nom" => "4. Watch What Happens"
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      [
        "ordre" => 5
        "nom" => "5. Alright Okay, You Win"
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      [
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        "nom" => "6. Give Me the Simple Life"
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      [
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        "nom" => "Side B : "
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        "nom" => "1. Useless Landscape"
      ]
      [
        "ordre" => 9
        "nom" => "2. Old Devil Moon"
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      [
        "ordre" => 10
        "nom" => "3. Don'cha Go 'way Mad"
      ]
      [
        "ordre" => 11
        "nom" => "4. A House Is Not A Home"
      ]
      [
        "ordre" => 12
        "nom" => "5. Trouble Is a Man"
      ]
      [
        "ordre" => 13
        "nom" => "6. Love You Madly"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2242 …}
    -label: Proxies\__CG__\App\Entity\Label {#2297 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2306 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2299 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2301 …}
    -enregistreLe: DateTime @1498288411 {#2291
      date: 2017-06-24 07:13:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765725453 {#2290
      date: 2025-12-14 15:17:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2303 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sunshine-of-your-love-mps-8744"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2512 …}
}

[
  "produit" => App\Entity\Produit {#2311
    -id: 2245
    -nom: "Ella Fitzgerald Ella at the Hollywood Bowl : The Irving Berlin Songbook"
    -informationComplementaire: null
    -description: "Ella Fitzgerald's "Songbook" records with her peerless renditions of the best songs of iconic composers from Irving Berlin to Rogers & Hart to Cole Porter to George & Ira Gershwin are the cornerstone of the Verve catalog and the standard for jazz vocal recordings. Ella never released a live version of these Songbooks. This record, discovered in the private collection of Norman Granz, will make the first time a live Songbook has been released from the First Lady of Song."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Paul Smith (piano, musical director), Jim Hall ( guitar), Wilfred Middlebrooks ( bass), Gus Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Kebn7ORjm3w&list=PLM_dCCG1l6tIIvZOIB8wdVgcaKVlJqZ7U"
    -referenceProduit: "Verve Records 7101"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Song Is Ended "
      ]
      [
        "ordre" => 2
        "nom" => "2. You're Laughing at Me "
      ]
      [
        "ordre" => 3
        "nom" => "3. How Deep Is the Ocean "
      ]
      [
        "ordre" => 4
        "nom" => "4. Heat Wave "
      ]
      [
        "ordre" => 5
        "nom" => "5. Suppertime \t"
      ]
      [
        "ordre" => 6
        "nom" => "6. Cheek to Cheek "
      ]
      [
        "ordre" => 7
        "nom" => "7. Russian Lullaby "
      ]
      [
        "ordre" => 8
        "nom" => "8. Top Hat, White Tie and Tails"
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. I've Got My Love to Keep Me Warm "
      ]
      [
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        "nom" => "2. Get Thee Behind Me Satan "
      ]
      [
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        "nom" => "3. Let's Face the Music and Dance "
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        "nom" => "6. Let Yourself Go \t"
      ]
      [
        "ordre" => 16
        "nom" => "7. Alexander's Ragtime Band"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2242 …}
    -label: Proxies\__CG__\App\Entity\Label {#2261 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2319 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2312 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2314 …}
    -enregistreLe: DateTime @1656139027 {#2308
      date: 2022-06-25 06:37:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765724923 {#2309
      date: 2025-12-14 15:08:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2316 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ella-fitzgerald-ella-at-the-hollywood-bowl-the-irving-berlin-songbook-verve-records-7101"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3817
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2744 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2311
    -id: 2245
    -nom: "Ella Fitzgerald Ella at the Hollywood Bowl : The Irving Berlin Songbook"
    -informationComplementaire: null
    -description: "Ella Fitzgerald's "Songbook" records with her peerless renditions of the best songs of iconic composers from Irving Berlin to Rogers & Hart to Cole Porter to George & Ira Gershwin are the cornerstone of the Verve catalog and the standard for jazz vocal recordings. Ella never released a live version of these Songbooks. This record, discovered in the private collection of Norman Granz, will make the first time a live Songbook has been released from the First Lady of Song."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Paul Smith (piano, musical director), Jim Hall ( guitar), Wilfred Middlebrooks ( bass), Gus Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Kebn7ORjm3w&list=PLM_dCCG1l6tIIvZOIB8wdVgcaKVlJqZ7U"
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        "nom" => "1. The Song Is Ended "
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        "nom" => "2. You're Laughing at Me "
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        "nom" => "3. How Deep Is the Ocean "
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        "nom" => "5. Suppertime \t"
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        "nom" => "6. Cheek to Cheek "
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        "nom" => "8. Top Hat, White Tie and Tails"
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        "nom" => "Side B : "
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      [
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        "nom" => "1. I've Got My Love to Keep Me Warm "
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        "nom" => "5. Puttin' on the Ritz "
      ]
      [
        "ordre" => 15
        "nom" => "6. Let Yourself Go \t"
      ]
      [
        "ordre" => 16
        "nom" => "7. Alexander's Ragtime Band"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2242 …}
    -label: Proxies\__CG__\App\Entity\Label {#2261 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2319 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2312 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2314 …}
    -enregistreLe: DateTime @1656139027 {#2308
      date: 2022-06-25 06:37:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765724923 {#2309
      date: 2025-12-14 15:08:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2316 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ella-fitzgerald-ella-at-the-hollywood-bowl-the-irving-berlin-songbook-verve-records-7101"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2512 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#4013
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2512 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#4014 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4062 …}
  +isValidated: false
  +validatedFields: []
}