Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2533
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2380 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2610
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2613 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2612 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2380 …}
  -formView: Symfony\Component\Form\FormView {#2649 …}
  -form: Symfony\Component\Form\Form {#2799 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 1050
    -nom: "Eldorado  (Numbered Limited Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Numbered, limited edition 180 gram gatefold LP !\r\n
      - 1974 prog-rock landmark !\r\n
      - 1/4" / 15 ips / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed on Mofi Supervinyl compound !\r\n
      \r\n
      Electric Light Orchestra leader Jeff Lynne did more than figuratively reach for the sky on Eldorado. Daring to be bold, and creating imaginative worlds that invite the listener to escape the mundane, the visionary composer-musician achieved a multidisciplinary fantasia and, in the process, a prog-rock landmark. Nearly 50 years later, the concept album's brilliance can be experienced like never before in cinematic fashion.\r\n
      \r\n
      MoFi SuperVinyl is a proprietary compound developed by Neotech and RTI to address two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Jeff Lynne (guitar, synthesizer, vocals), Richard Tandy (piano, synthesizer, guitar, backing vocals), Michael de Albuquerque (bass), Hugh McDowell, Michael Edwards (cello), Mik Kaminski (violin), Bev Bevan (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TevET3rUTRE&list=RDTevET3rUTRE&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL  1-001 SV"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Eldorado Overture"
      ]
      [
        "ordre" => 2
        "nom" => "2. Can't Get It Out of My Head"
      ]
      [
        "ordre" => 3
        "nom" => "3. Boy Blue"
      ]
      [
        "ordre" => 4
        "nom" => "4. Laredo Tornado"
      ]
      [
        "ordre" => 5
        "nom" => "5. Poor Boy (The Greenwood)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Mister Kingdom"
      ]
      [
        "ordre" => 8
        "nom" => "2. Nobody's Child"
      ]
      [
        "ordre" => 9
        "nom" => "3. Illusions in G Major"
      ]
      [
        "ordre" => 10
        "nom" => "4. Eldorado"
      ]
      [
        "ordre" => 11
        "nom" => "5. Eldorado Finale"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1474565394 {#1896
      date: 2016-09-22 17:29:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765713286 {#1889
      date: 2025-12-14 11:54:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eldorado-numbered-limited-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-001-sv"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3074
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2612 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 1050
    -nom: "Eldorado  (Numbered Limited Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Numbered, limited edition 180 gram gatefold LP !\r\n
      - 1974 prog-rock landmark !\r\n
      - 1/4" / 15 ips / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed on Mofi Supervinyl compound !\r\n
      \r\n
      Electric Light Orchestra leader Jeff Lynne did more than figuratively reach for the sky on Eldorado. Daring to be bold, and creating imaginative worlds that invite the listener to escape the mundane, the visionary composer-musician achieved a multidisciplinary fantasia and, in the process, a prog-rock landmark. Nearly 50 years later, the concept album's brilliance can be experienced like never before in cinematic fashion.\r\n
      \r\n
      MoFi SuperVinyl is a proprietary compound developed by Neotech and RTI to address two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Jeff Lynne (guitar, synthesizer, vocals), Richard Tandy (piano, synthesizer, guitar, backing vocals), Michael de Albuquerque (bass), Hugh McDowell, Michael Edwards (cello), Mik Kaminski (violin), Bev Bevan (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TevET3rUTRE&list=RDTevET3rUTRE&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL  1-001 SV"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Eldorado Overture"
      ]
      [
        "ordre" => 2
        "nom" => "2. Can't Get It Out of My Head"
      ]
      [
        "ordre" => 3
        "nom" => "3. Boy Blue"
      ]
      [
        "ordre" => 4
        "nom" => "4. Laredo Tornado"
      ]
      [
        "ordre" => 5
        "nom" => "5. Poor Boy (The Greenwood)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Mister Kingdom"
      ]
      [
        "ordre" => 8
        "nom" => "2. Nobody's Child"
      ]
      [
        "ordre" => 9
        "nom" => "3. Illusions in G Major"
      ]
      [
        "ordre" => 10
        "nom" => "4. Eldorado"
      ]
      [
        "ordre" => 11
        "nom" => "5. Eldorado Finale"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1474565394 {#1896
      date: 2016-09-22 17:29:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765713286 {#1889
      date: 2025-12-14 11:54:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eldorado-numbered-limited-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-001-sv"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2380 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 2104
    -nom: "Eagles - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES FOR DEFINITIVE SOUND : PRESSED AT RTI ON MOFI SUPERVINYL, LIMITED TO 7500 COPIES !\r\n
      \r\n
      Originally released in June 1972, the Eagles' self-titled debut played a significant role in changing the face of mainstream music while setting up a dominant run that's continued for nearly five decades. Produced by Glyn Johns, and home to three massive hits, Eagles established a cleverly restrained, Los Angeles-bred style that would sweep the country and position the group as superstars.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Glenn Frey (guitar & slide guitar, vocals), Bernie Leadon (guitar, banjo, vocals), Randy Meisner (bass guitar), Don Henley (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=32Oc2d_3yEk"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-024"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Take It Easy"
      ]
      [
        "ordre" => 1
        "nom" => "2. Witchy Woman"
      ]
      [
        "ordre" => 2
        "nom" => "3. Chug All Night"
      ]
      [
        "ordre" => 3
        "nom" => "4. Most of Us Are Sad"
      ]
      [
        "ordre" => 4
        "nom" => "5. Nightingale"
      ]
      [
        "ordre" => 5
        "nom" => "6. Train Leaves Here This Morning"
      ]
      [
        "ordre" => 6
        "nom" => "7. Take the Devil"
      ]
      [
        "ordre" => 7
        "nom" => "8. Earlybird"
      ]
      [
        "ordre" => 8
        "nom" => "9. Peaceful Easy Feeling"
      ]
      [
        "ordre" => 9
        "nom" => "10. Tryin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1628923181 {#2032
      date: 2021-08-14 06:39:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765568014 {#2033
      date: 2025-12-12 19:33:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eagles-ultradisc-one-step-2-lp-45-rpm-box-set-mobile-fidelity-sound-lab-ud1s-024"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3188
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2612 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 2104
    -nom: "Eagles - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES FOR DEFINITIVE SOUND : PRESSED AT RTI ON MOFI SUPERVINYL, LIMITED TO 7500 COPIES !\r\n
      \r\n
      Originally released in June 1972, the Eagles' self-titled debut played a significant role in changing the face of mainstream music while setting up a dominant run that's continued for nearly five decades. Produced by Glyn Johns, and home to three massive hits, Eagles established a cleverly restrained, Los Angeles-bred style that would sweep the country and position the group as superstars.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Glenn Frey (guitar & slide guitar, vocals), Bernie Leadon (guitar, banjo, vocals), Randy Meisner (bass guitar), Don Henley (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=32Oc2d_3yEk"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-024"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Take It Easy"
      ]
      [
        "ordre" => 1
        "nom" => "2. Witchy Woman"
      ]
      [
        "ordre" => 2
        "nom" => "3. Chug All Night"
      ]
      [
        "ordre" => 3
        "nom" => "4. Most of Us Are Sad"
      ]
      [
        "ordre" => 4
        "nom" => "5. Nightingale"
      ]
      [
        "ordre" => 5
        "nom" => "6. Train Leaves Here This Morning"
      ]
      [
        "ordre" => 6
        "nom" => "7. Take the Devil"
      ]
      [
        "ordre" => 7
        "nom" => "8. Earlybird"
      ]
      [
        "ordre" => 8
        "nom" => "9. Peaceful Easy Feeling"
      ]
      [
        "ordre" => 9
        "nom" => "10. Tryin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1628923181 {#2032
      date: 2021-08-14 06:39:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765568014 {#2033
      date: 2025-12-12 19:33:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eagles-ultradisc-one-step-2-lp-45-rpm-box-set-mobile-fidelity-sound-lab-ud1s-024"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2380 …}
}

[
  "produit" => App\Entity\Produit {#2053
    -id: 2103
    -nom: "Desperado - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES FOR DEFINITIVE SOUND : PRESSED AT RTI ON MOFI SUPERVINYL, LIMITED TO 7500 COPIES !\r\n
      \r\n
      Desperado seams to speak to a universally human theme the notion that at heart we are all drifters, always searching in life for ever-elusive goals such as stability, companionship, belonging, and satisfaction. Marrying cohesive western-themed arrangements to conceptual narrative devices, the Eagles' 1973 album also hits on a tried-and-true American principle: The West, and the freedom, promise, and danger it has represented throughout U.S. history. Ambitious yet accessible, deep but direct, Desperado remains a towering influence on country rock and a crucial piece of the Eagles' development and evolution.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Glenn Frey (acoustic & electric guitars, keyboards, harmonica, vocals),  Bernie Leadon (electric & acoustic guitars, banjo, mandolin, dobro, vocals), Randy Meisner (bass guitar, vocals), Don Henley (drums, acoustic guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CQhzrpZztl4"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-025"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Doolin-Dalton"
      ]
      [
        "ordre" => 1
        "nom" => "2. Twenty-One"
      ]
      [
        "ordre" => 2
        "nom" => "3. Out of Control"
      ]
      [
        "ordre" => 3
        "nom" => "4. Tequila Sunrise"
      ]
      [
        "ordre" => 4
        "nom" => "5. Desperado"
      ]
      [
        "ordre" => 5
        "nom" => "6. Certain Kind of Fool"
      ]
      [
        "ordre" => 6
        "nom" => "7. Doolin-Dalton"
      ]
      [
        "ordre" => 7
        "nom" => "8. Outlaw Man"
      ]
      [
        "ordre" => 8
        "nom" => "9. Saturday Night"
      ]
      [
        "ordre" => 9
        "nom" => "10. Bitter Creek"
      ]
      [
        "ordre" => 10
        "nom" => "11. Doolin-Dalton / Desperado"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2061 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2054 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2056 …}
    -enregistreLe: DateTime @1628921500 {#2049
      date: 2021-08-14 06:11:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765567712 {#2048
      date: 2025-12-12 19:28:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-desperado-ultradisc-one-step-2-lp-45-rpm-box-set-mobile-fidelity-sound-lab-ud1s-025"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3241
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2612 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2053
    -id: 2103
    -nom: "Desperado - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES FOR DEFINITIVE SOUND : PRESSED AT RTI ON MOFI SUPERVINYL, LIMITED TO 7500 COPIES !\r\n
      \r\n
      Desperado seams to speak to a universally human theme the notion that at heart we are all drifters, always searching in life for ever-elusive goals such as stability, companionship, belonging, and satisfaction. Marrying cohesive western-themed arrangements to conceptual narrative devices, the Eagles' 1973 album also hits on a tried-and-true American principle: The West, and the freedom, promise, and danger it has represented throughout U.S. history. Ambitious yet accessible, deep but direct, Desperado remains a towering influence on country rock and a crucial piece of the Eagles' development and evolution.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Glenn Frey (acoustic & electric guitars, keyboards, harmonica, vocals),  Bernie Leadon (electric & acoustic guitars, banjo, mandolin, dobro, vocals), Randy Meisner (bass guitar, vocals), Don Henley (drums, acoustic guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CQhzrpZztl4"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-025"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 2
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        "nom" => "4. Tequila Sunrise"
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        "ordre" => 5
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        "ordre" => 7
        "nom" => "8. Outlaw Man"
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        "nom" => "9. Saturday Night"
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        "nom" => "10. Bitter Creek"
      ]
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        "ordre" => 10
        "nom" => "11. Doolin-Dalton / Desperado"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2054 …}
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    }
    -modifierLe: DateTime @1765567712 {#2048
      date: 2025-12-12 19:28:32.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
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    -slug: "vinyles-desperado-ultradisc-one-step-2-lp-45-rpm-box-set-mobile-fidelity-sound-lab-ud1s-025"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2380 …}
}

[
  "produit" => App\Entity\Produit {#2068
    -id: 2190
    -nom: "One Of These Nights - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MOBILE FIDELITY ULTRADISC ONE-STEPBOX SET TAKES THE EAGLES' COMMERCIAL BREAKTHROUGH TO THE LIMIT !\r\n
      \r\n
      One of These Nights stands as the final album the Eagles made before releasing the bajillion-selling Their Greatest Hits (1971-1975). The timing is telling. A coming-out party for Glenn Frey and Don Henley's songwriting skills, the studio record – the band's fourth and first to hit #1 on the charts signifies the group's ascent to superstar status. Home to three massive singles (the title track, "Lyin' Eyes," and "Take It to the Limit") and nominated for four Grammy Awards, the quadruple-platinum 1975 set solidified the Eagles' Southern California-reared sound and made the band a household name. Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set truly takes One of These Nights to the limit.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Don Felder (guitar, slide guitar, vocals), Randy Meisner (bass, vocals), Glenn Frey, Joe Walsh (guitar, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i8VYNvYdP5Q"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-027"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. One Of These Nights "
      ]
      [
        "ordre" => 1
        "nom" => "2. Too Hot Hands "
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      [
        "ordre" => 2
        "nom" => "3. Hollywood Waltz \t"
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        "ordre" => 3
        "nom" => "4. Journey Of The Sorcerer"
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      [
        "ordre" => 4
        "nom" => "5. Lyin’ Eyes "
      ]
      [
        "ordre" => 5
        "nom" => "6. Take It To The Limit "
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      [
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        "nom" => "8. After The Thrill Is Gone "
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      [
        "ordre" => 8
        "nom" => "9. I Wish You Peave"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
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    -modifierLe: DateTime @1765567127 {#2063
      date: 2025-12-12 19:18:47.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2073 …}
    -disponible: null
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    -slug: "vinyles-one-of-these-nights-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-027"
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App\Twig\Components\GestionPanierFavoriComponents {#3289
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2612 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2068
    -id: 2190
    -nom: "One Of These Nights - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MOBILE FIDELITY ULTRADISC ONE-STEPBOX SET TAKES THE EAGLES' COMMERCIAL BREAKTHROUGH TO THE LIMIT !\r\n
      \r\n
      One of These Nights stands as the final album the Eagles made before releasing the bajillion-selling Their Greatest Hits (1971-1975). The timing is telling. A coming-out party for Glenn Frey and Don Henley's songwriting skills, the studio record – the band's fourth and first to hit #1 on the charts signifies the group's ascent to superstar status. Home to three massive singles (the title track, "Lyin' Eyes," and "Take It to the Limit") and nominated for four Grammy Awards, the quadruple-platinum 1975 set solidified the Eagles' Southern California-reared sound and made the band a household name. Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set truly takes One of These Nights to the limit.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Don Felder (guitar, slide guitar, vocals), Randy Meisner (bass, vocals), Glenn Frey, Joe Walsh (guitar, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i8VYNvYdP5Q"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-027"
    -titreMorceau: [
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      [
        "ordre" => 8
        "nom" => "9. I Wish You Peave"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2076 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2069 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2071 …}
    -enregistreLe: DateTime @1641128880 {#2064
      date: 2022-01-02 13:08:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765567127 {#2063
      date: 2025-12-12 19:18:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2073 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-one-of-these-nights-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-027"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2380 …}
}

[
  "produit" => App\Entity\Produit {#2081
    -id: 2192
    -nom: "On The Border - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      With its name indicative of the music's boundary-testing diversity and Southwestern inspiration, On the Border finds the Eagles leaving everything on the table and embracing a harder edge that takes the band out of more relaxed territory and establishes it as a group that knows how and wants to rock. Glenn Frey, Don Henley, new member Don Felder, and company immediately announce their intent on the defiant album-opening hit "Already Gone" and never look back, crafting a gem of a record that from start to finish is arguably their most consistent and balanced effort.\r\n
      \r\n
      Limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition pays tribute to the record's significance and enhances the experience for generations to come. Playing with reference sonics that elevate an effort revered by audiophiles, it provides a lively, dynamic, transparent, and intimate view of a release whose contemporary importance continues to grow. The opportunity to zero in on the particulars of the Eagles' golden harmonies, distinct vocal timbres, and cohesive interplay has never been better.\r\n
      \r\n
      Visually, the premium packaging and gorgeous presentation of the UD1S On the Border pressing befit its select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. From every angle, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic Navajo cover painting to the meticulous finishes.\r\n
      \r\n
      And with On the Border, there's plenty to take in and soak up. Declared by famed critic Robert Christgau as "the Eagles' best album", the 1974 set claims a rich backstory. Initially recorded amid tumultuous sessions with producer Glyn Johns in London shortly after the release of the group's sophomore Desperado set, On the Border took a new turn after the band elected to scrap most of the prior work, return to its native California, and team with producer Bill Szymczyk to give the material less of a smooth, polished sheen and more toughness. Szymczyk also afforded the Eagles more input and freedom in the arrangements, and suggested adding another guitarist to play on "Good Day in Hell". Felder got the call, and so won over the Eagles with his skills, he quickly became the fifth member of the band.\r\n
      \r\n
      While the late-arriving Felder only plays on one other album cut, "Already Gone", his mates more than prove their muster on the remainder of a double-platinum affair that established the Eagles as a force whose range transcended the calmer country-leaning style it perfected on their first two LPs. Primarily written by Jackson Browne and shelved during the Desperado sessions due to its higher-energy nature, the throttle-twisting "James Dean" ricochets with barbed riffs and rebellious swagger. Listen without limits to how Szymczyk's raw production stamps the song with a leather-and-jeans cool befitting its protagonist. Similarly rugged, the slide-guitar-fueled "Good Day in Hell" boasts its own mean streak. And the funk-laced, boot-stomping title track cautions "don't you tell me 'bout your law and order". Throughout On the Border, the Eagles are in no mood to mess around.\r\n
      \r\n
      Not that the band skirts sentimental territory. On one of the era's finest covers, the Eagles nail the bittersweet feelings and bring high-definition detail to the vivid scenery of Tom Waits' "Ol' '55", a song the group makes its own. The rustic ballad "My Man" serves as a tribute to the recently deceased Gram Parsons, with singer-guitarist Bernie Leadon taking the lead on the microphone as he pours his heart out to his former Flying Burrito Brothers mate. And when it comes to romance, is it possible to top "Best of My Love"? Graced with Henley's honey-dipped vocals, refined wordless group harmonies, brushed drums, and the gentle strum of acoustic guitars, the Johns-produced cut soared to Number One and set the stage for what would soon be the Eagles' reality: global dominance.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Don Felder (electric guitar), Randy Meisner (bass, vocals), Bernie Leadon (guitar, banjo, steel guitar, vocals), Glenn Frey (guitar, piano, vocals), Don Henley (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DYVITwlx2dM"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-026"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Already Gone"
      ]
      [
        "ordre" => 1
        "nom" => "2. You Never Cry Like a Lover"
      ]
      [
        "ordre" => 2
        "nom" => "3. Midnight Flyer"
      ]
      [
        "ordre" => 3
        "nom" => "4. My Man"
      ]
      [
        "ordre" => 4
        "nom" => "5. On the Border"
      ]
      [
        "ordre" => 5
        "nom" => "6. James Dean"
      ]
      [
        "ordre" => 6
        "nom" => "7. Ol' ‘55"
      ]
      [
        "ordre" => 7
        "nom" => "8. Is It True ?"
      ]
      [
        "ordre" => 8
        "nom" => "9. Good Day in Hell"
      ]
      [
        "ordre" => 9
        "nom" => "10. Best of My Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2089 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2082 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2084 …}
    -enregistreLe: DateTime @1641459474 {#2078
      date: 2022-01-06 08:57:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765566947 {#2079
      date: 2025-12-12 19:15:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2086 …}
    -disponible: null
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    -slug: "vinyles-on-the-border-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-026"
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App\Twig\Components\GestionPanierFavoriComponents {#3337
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2612 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2081
    -id: 2192
    -nom: "On The Border - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      With its name indicative of the music's boundary-testing diversity and Southwestern inspiration, On the Border finds the Eagles leaving everything on the table and embracing a harder edge that takes the band out of more relaxed territory and establishes it as a group that knows how and wants to rock. Glenn Frey, Don Henley, new member Don Felder, and company immediately announce their intent on the defiant album-opening hit "Already Gone" and never look back, crafting a gem of a record that from start to finish is arguably their most consistent and balanced effort.\r\n
      \r\n
      Limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition pays tribute to the record's significance and enhances the experience for generations to come. Playing with reference sonics that elevate an effort revered by audiophiles, it provides a lively, dynamic, transparent, and intimate view of a release whose contemporary importance continues to grow. The opportunity to zero in on the particulars of the Eagles' golden harmonies, distinct vocal timbres, and cohesive interplay has never been better.\r\n
      \r\n
      Visually, the premium packaging and gorgeous presentation of the UD1S On the Border pressing befit its select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. From every angle, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic Navajo cover painting to the meticulous finishes.\r\n
      \r\n
      And with On the Border, there's plenty to take in and soak up. Declared by famed critic Robert Christgau as "the Eagles' best album", the 1974 set claims a rich backstory. Initially recorded amid tumultuous sessions with producer Glyn Johns in London shortly after the release of the group's sophomore Desperado set, On the Border took a new turn after the band elected to scrap most of the prior work, return to its native California, and team with producer Bill Szymczyk to give the material less of a smooth, polished sheen and more toughness. Szymczyk also afforded the Eagles more input and freedom in the arrangements, and suggested adding another guitarist to play on "Good Day in Hell". Felder got the call, and so won over the Eagles with his skills, he quickly became the fifth member of the band.\r\n
      \r\n
      While the late-arriving Felder only plays on one other album cut, "Already Gone", his mates more than prove their muster on the remainder of a double-platinum affair that established the Eagles as a force whose range transcended the calmer country-leaning style it perfected on their first two LPs. Primarily written by Jackson Browne and shelved during the Desperado sessions due to its higher-energy nature, the throttle-twisting "James Dean" ricochets with barbed riffs and rebellious swagger. Listen without limits to how Szymczyk's raw production stamps the song with a leather-and-jeans cool befitting its protagonist. Similarly rugged, the slide-guitar-fueled "Good Day in Hell" boasts its own mean streak. And the funk-laced, boot-stomping title track cautions "don't you tell me 'bout your law and order". Throughout On the Border, the Eagles are in no mood to mess around.\r\n
      \r\n
      Not that the band skirts sentimental territory. On one of the era's finest covers, the Eagles nail the bittersweet feelings and bring high-definition detail to the vivid scenery of Tom Waits' "Ol' '55", a song the group makes its own. The rustic ballad "My Man" serves as a tribute to the recently deceased Gram Parsons, with singer-guitarist Bernie Leadon taking the lead on the microphone as he pours his heart out to his former Flying Burrito Brothers mate. And when it comes to romance, is it possible to top "Best of My Love"? Graced with Henley's honey-dipped vocals, refined wordless group harmonies, brushed drums, and the gentle strum of acoustic guitars, the Johns-produced cut soared to Number One and set the stage for what would soon be the Eagles' reality: global dominance.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Don Felder (electric guitar), Randy Meisner (bass, vocals), Bernie Leadon (guitar, banjo, steel guitar, vocals), Glenn Frey (guitar, piano, vocals), Don Henley (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DYVITwlx2dM"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-026"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 1
        "nom" => "2. You Never Cry Like a Lover"
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        "nom" => "3. Midnight Flyer"
      ]
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        "ordre" => 3
        "nom" => "4. My Man"
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        "ordre" => 6
        "nom" => "7. Ol' ‘55"
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      [
        "ordre" => 7
        "nom" => "8. Is It True ?"
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      ]
      [
        "ordre" => 9
        "nom" => "10. Best of My Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2089 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2082 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2084 …}
    -enregistreLe: DateTime @1641459474 {#2078
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    }
    -modifierLe: DateTime @1765566947 {#2079
      date: 2025-12-12 19:15:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2086 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-on-the-border-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-026"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2380 …}
}

[
  "produit" => App\Entity\Produit {#2094
    -id: 2191
    -nom: "The Long Run - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of an exhaustive tour for Hotel California and the first album to feature Timothy B. Schmidt, the 1979 album ultimately became the final record the group would create for nearly three decades. Stacked with first-rate material and three mammoth singles, it ensured the Eagles never drifted far from the public consciousness and ended up moving more than seven million copies. Mastered from the original analog master tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP vinyl box set presents The Long Run in unparalleled sound.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Don Felder (guitars, organ, vocals), Glenn Frey (guitars, keyboards, vocals), Timothy B. Schmit (bass guitar, vocals), Joe Walsh guitars, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=skC2GToR1uY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-029"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. The Long Run "
      ]
      [
        "ordre" => 1
        "nom" => "2. I Can’t Tell You Why "
      ]
      [
        "ordre" => 2
        "nom" => "3. In The City "
      ]
      [
        "ordre" => 3
        "nom" => "4. The Disco Strangler "
      ]
      [
        "ordre" => 4
        "nom" => "5. King Of Hollywood"
      ]
      [
        "ordre" => 5
        "nom" => "6. Heartache Tonight "
      ]
      [
        "ordre" => 6
        "nom" => "7. Those Shoes "
      ]
      [
        "ordre" => 7
        "nom" => "8. Teenage Jail "
      ]
      [
        "ordre" => 8
        "nom" => "9. The Greeks Don’t Want No Freaks "
      ]
      [
        "ordre" => 9
        "nom" => "10. The Sad Cafe"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2102 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2095 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2097 …}
    -enregistreLe: DateTime @1641280330 {#2091
      date: 2022-01-04 07:12:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765566789 {#2092
      date: 2025-12-12 19:13:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2099 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-long-run-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-029"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3385
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2612 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2094
    -id: 2191
    -nom: "The Long Run - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of an exhaustive tour for Hotel California and the first album to feature Timothy B. Schmidt, the 1979 album ultimately became the final record the group would create for nearly three decades. Stacked with first-rate material and three mammoth singles, it ensured the Eagles never drifted far from the public consciousness and ended up moving more than seven million copies. Mastered from the original analog master tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP vinyl box set presents The Long Run in unparalleled sound.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Don Felder (guitars, organ, vocals), Glenn Frey (guitars, keyboards, vocals), Timothy B. Schmit (bass guitar, vocals), Joe Walsh guitars, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=skC2GToR1uY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-029"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. The Long Run "
      ]
      [
        "ordre" => 1
        "nom" => "2. I Can’t Tell You Why "
      ]
      [
        "ordre" => 2
        "nom" => "3. In The City "
      ]
      [
        "ordre" => 3
        "nom" => "4. The Disco Strangler "
      ]
      [
        "ordre" => 4
        "nom" => "5. King Of Hollywood"
      ]
      [
        "ordre" => 5
        "nom" => "6. Heartache Tonight "
      ]
      [
        "ordre" => 6
        "nom" => "7. Those Shoes "
      ]
      [
        "ordre" => 7
        "nom" => "8. Teenage Jail "
      ]
      [
        "ordre" => 8
        "nom" => "9. The Greeks Don’t Want No Freaks "
      ]
      [
        "ordre" => 9
        "nom" => "10. The Sad Cafe"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2102 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2095 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -unite: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2097 …}
    -enregistreLe: DateTime @1641280330 {#2091
      date: 2022-01-04 07:12:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765566789 {#2092
      date: 2025-12-12 19:13:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2099 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-long-run-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-029"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2380 …}
}

[
  "produit" => App\Entity\Produit {#2107
    -id: 2189
    -nom: "Hotel California - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      The moment the instantly recognizable intertwined guitar passage on the title track to the Eagles' Hotel California begins, the album's genius becomes obvious all over again. Ranked the 37th Greatest Album of All Time by Rolling Stone, certified by RIAA as the third best-selling record in history, and looked upon as foundation upon which the Golden State's mid-‘70s rustic music scene was built, the 1976 landmark remains a music staple immune to shifts in trends, generations, and styles. Mastered from the original analog master tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP vinyl box set ensures you will want to permanently check in and never leave this particular Hotel California.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Don Felder (guitar, slide guitar, vocals), Randy Meisner (bass, vocals), Glenn Frey, Joe Walsh (guitar, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Pa5nqYXEnY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-028"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Hotel California "
      ]
      [
        "ordre" => 1
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      ]
      [
        "ordre" => 2
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      [
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        "nom" => "4. Wasted Time"
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      [
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        "nom" => "5. Wasted Time (Reprise) "
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      [
        "ordre" => 5
        "nom" => "6. Victim Of Love "
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        "nom" => "7. Pretty Maids All In A Row "
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      [
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        "nom" => "9. The Last Resort"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2115 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2108 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2110 …}
    -enregistreLe: DateTime @1641115629 {#2104
      date: 2022-01-02 09:27:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765566602 {#2105
      date: 2025-12-12 19:10:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2112 …}
    -disponible: null
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    -slug: "vinyles-hotel-california-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-028"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3433
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2612 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2107
    -id: 2189
    -nom: "Hotel California - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      The moment the instantly recognizable intertwined guitar passage on the title track to the Eagles' Hotel California begins, the album's genius becomes obvious all over again. Ranked the 37th Greatest Album of All Time by Rolling Stone, certified by RIAA as the third best-selling record in history, and looked upon as foundation upon which the Golden State's mid-‘70s rustic music scene was built, the 1976 landmark remains a music staple immune to shifts in trends, generations, and styles. Mastered from the original analog master tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP vinyl box set ensures you will want to permanently check in and never leave this particular Hotel California.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Don Felder (guitar, slide guitar, vocals), Randy Meisner (bass, vocals), Glenn Frey, Joe Walsh (guitar, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Pa5nqYXEnY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-028"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Hotel California "
      ]
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        "ordre" => 1
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      ]
      [
        "ordre" => 2
        "nom" => "3. Life In The Fast Lane "
      ]
      [
        "ordre" => 3
        "nom" => "4. Wasted Time"
      ]
      [
        "ordre" => 4
        "nom" => "5. Wasted Time (Reprise) "
      ]
      [
        "ordre" => 5
        "nom" => "6. Victim Of Love "
      ]
      [
        "ordre" => 6
        "nom" => "7. Pretty Maids All In A Row "
      ]
      [
        "ordre" => 7
        "nom" => "8. Try And Love Again "
      ]
      [
        "ordre" => 8
        "nom" => "9. The Last Resort"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2108 …}
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[
  "produit" => App\Entity\Produit {#2120
    -id: 2186
    -nom: "From Elvis In Memphis - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone), Dick Steff, R.F. Taylor, Wayne Jackson (trumpet), Mike Leech, Tommy Cogbill (bass), Dan Penn, Reggie Young (electric guitar), Joe D'Gerolamo, Tony Cason (french Horn), Gene Chrisman (drums), Charlie Hodge, Dolores Edgin, Donna Thatcher, Ginger Holladay, Hurschel Wiginton*, Joe Babcock, June Page, Mary Greene, Mary Holladay, Millie Kirkham, Ronnie Milsap, Sandy Posey, Sonja Montgomery, Susan Pilkington (backing vocals).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      From Elvis in Memphis retains the distinction of being the most cohesive, passionate, mature, and emotionally invested record Elvis Presley ever made. Named one of the 500 Greatest Albums of All Time by Rolling Stone, the white-soul landmark features backing by "The "Memphis Boys" and teems with rhythm-heavy country, gospel, R&B, and blues. Lauded for its natural, open sonics, the 1969 set now comes across with remarkable clarity, presence, and warmth courtesy of a premium restoration befitting a king.\r\n
      \r\n
      Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set of From Elvis in Memphis unearths the ravishing inner detail, sticky rhythms, and brilliant arrangements of Chips Moman's inspired production. In short, this unparalleled reissue unlocks the spirit and gestalt of the recording and takes you inside American Sound Studio. It also brings you up close and personal with Presley's singing – widely considered by many to represent the finest of his career located dead-center amidst the instrumental hurricane. Equally impressive are the contributions of the aforementioned Boys, and how their Southern-brewed playing a balance of leisure with swiftness, grandiosity with concision, freedom with control dovetails with Presley's vernacular.\r\n
      \r\n
      The lavish packaging and gorgeous presentation of the UD1S From Elvis in Memphis pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      Sharing much in common with the full, rich, orchestrated Stax Records sound, From Elvis in Memphis oozes with choice nuances and distinctive flourishes that on this ultra-hi-fi edition not only arise with previously unheard transparency and sharpness, but complement and serve the whole. Take the specific tonalities and blending of violas, cellos, and horns that communicate mood and serve as counterpoints. Or lively performances of the backing quintet, and how the piano and Hammond organ trace the lines of the melodies and Presley's lead. Listen to the uplifting support provided by the cadre of backing vocalists (more than a dozen credited), unrivaled in Presley's canon and a precursor to the approach he'd soon adopt in Las Vegas.\r\n
      \r\n
      Of course, From Elvis in Memphis precedes the icon's transition into his glitzy jumpsuit phase and follows his merciful move away from the hoary soundtrack work that consumed nearly a decade of his creative life and prompted a rebirth that began in 1968. As the bridge between eras, the record seizes on Presley's rejuvenated attitude and commitment to quality, facets that drip from the fervency with which he delivers every word. For the same reasons, and for the fact it traces back to Presley's original roots and hip-shaking guise, the album further remains a cornerstone of American music history.\r\n
      \r\n
      Writing about the work's 40th anniversary for Rolling Stone, James Hunter correctly observed : "From Elvis in Memphis represented the full-on immersion in the Memphis idea of Elvis Presley, the American singer second only to Frank Sinatra for the ability to conjure a particular sonic universe with his merest vocal utterance. And from the album's first song, in which a bluesy Elvis espies a woman 'Wearin' That Loved On Look,' to its last, in which a more straight-up-pop Elvis regrets the injustices of life 'In the Ghetto,' his fully engaged, newly energized voice finds its most logical album setting in years".\r\n
      \r\n
      Incredibly, Presley and company completed more than two dozen cuts for From Elvis in Memphis. One, "Suspicious Minds", turned into the vocalist's final chart-topping single and lingers as one of his most beloved rock n' roll numbers. Even though it never formally appeared on the record, the non-album song is included here as a bonus track and attains newfound depth, energy, and swagger. Coupled with the other dozen tracks including the sultry "Power of My Love", balladic take of Dallas Frazier's "True Love Travels on a Gravel Road", and driving cover of Hank Snow's "I'm Moving On" it makes for the finest Elvis listening experience available.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mtv3chIAjug"
    -referenceProduit: "Mobile Fidelity Sound Lab US1S-017"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "1. Wearin' That Loved On Look"
      ]
      [
        "ordre" => 1
        "nom" => "2. Only the Strong Survive"
      ]
      [
        "ordre" => 2
        "nom" => "3. I'll Hold You in My Heart (Till I Can Hold You in My Arms)"
      ]
      [
        "ordre" => 3
        "nom" => "4. Long Black Limousine"
      ]
      [
        "ordre" => 4
        "nom" => "5. It Keeps Right On A-Hurtin'"
      ]
      [
        "ordre" => 5
        "nom" => "6. I'm Movin' On"
      ]
      [
        "ordre" => 6
        "nom" => "7. Power of My Love"
      ]
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        "nom" => "8. Gentle on My Mind"
      ]
      [
        "ordre" => 8
        "nom" => "9. After Loving You"
      ]
      [
        "ordre" => 9
        "nom" => "10. True Love Travels on a Gravel Road"
      ]
      [
        "ordre" => 10
        "nom" => "11. Any Day Now"
      ]
      [
        "ordre" => 11
        "nom" => "12. In the Ghetto"
      ]
      [
        "ordre" => 12
        "nom" => "13. Suspicious Minds"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2122 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
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    -modifierLe: DateTime @1765370242 {#2118
      date: 2025-12-10 12:37:22.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2128 …}
    -disponible: null
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  +produit: App\Entity\Produit {#2120
    -id: 2186
    -nom: "From Elvis In Memphis - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone), Dick Steff, R.F. Taylor, Wayne Jackson (trumpet), Mike Leech, Tommy Cogbill (bass), Dan Penn, Reggie Young (electric guitar), Joe D'Gerolamo, Tony Cason (french Horn), Gene Chrisman (drums), Charlie Hodge, Dolores Edgin, Donna Thatcher, Ginger Holladay, Hurschel Wiginton*, Joe Babcock, June Page, Mary Greene, Mary Holladay, Millie Kirkham, Ronnie Milsap, Sandy Posey, Sonja Montgomery, Susan Pilkington (backing vocals).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      From Elvis in Memphis retains the distinction of being the most cohesive, passionate, mature, and emotionally invested record Elvis Presley ever made. Named one of the 500 Greatest Albums of All Time by Rolling Stone, the white-soul landmark features backing by "The "Memphis Boys" and teems with rhythm-heavy country, gospel, R&B, and blues. Lauded for its natural, open sonics, the 1969 set now comes across with remarkable clarity, presence, and warmth courtesy of a premium restoration befitting a king.\r\n
      \r\n
      Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set of From Elvis in Memphis unearths the ravishing inner detail, sticky rhythms, and brilliant arrangements of Chips Moman's inspired production. In short, this unparalleled reissue unlocks the spirit and gestalt of the recording and takes you inside American Sound Studio. It also brings you up close and personal with Presley's singing – widely considered by many to represent the finest of his career located dead-center amidst the instrumental hurricane. Equally impressive are the contributions of the aforementioned Boys, and how their Southern-brewed playing a balance of leisure with swiftness, grandiosity with concision, freedom with control dovetails with Presley's vernacular.\r\n
      \r\n
      The lavish packaging and gorgeous presentation of the UD1S From Elvis in Memphis pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      Sharing much in common with the full, rich, orchestrated Stax Records sound, From Elvis in Memphis oozes with choice nuances and distinctive flourishes that on this ultra-hi-fi edition not only arise with previously unheard transparency and sharpness, but complement and serve the whole. Take the specific tonalities and blending of violas, cellos, and horns that communicate mood and serve as counterpoints. Or lively performances of the backing quintet, and how the piano and Hammond organ trace the lines of the melodies and Presley's lead. Listen to the uplifting support provided by the cadre of backing vocalists (more than a dozen credited), unrivaled in Presley's canon and a precursor to the approach he'd soon adopt in Las Vegas.\r\n
      \r\n
      Of course, From Elvis in Memphis precedes the icon's transition into his glitzy jumpsuit phase and follows his merciful move away from the hoary soundtrack work that consumed nearly a decade of his creative life and prompted a rebirth that began in 1968. As the bridge between eras, the record seizes on Presley's rejuvenated attitude and commitment to quality, facets that drip from the fervency with which he delivers every word. For the same reasons, and for the fact it traces back to Presley's original roots and hip-shaking guise, the album further remains a cornerstone of American music history.\r\n
      \r\n
      Writing about the work's 40th anniversary for Rolling Stone, James Hunter correctly observed : "From Elvis in Memphis represented the full-on immersion in the Memphis idea of Elvis Presley, the American singer second only to Frank Sinatra for the ability to conjure a particular sonic universe with his merest vocal utterance. And from the album's first song, in which a bluesy Elvis espies a woman 'Wearin' That Loved On Look,' to its last, in which a more straight-up-pop Elvis regrets the injustices of life 'In the Ghetto,' his fully engaged, newly energized voice finds its most logical album setting in years".\r\n
      \r\n
      Incredibly, Presley and company completed more than two dozen cuts for From Elvis in Memphis. One, "Suspicious Minds", turned into the vocalist's final chart-topping single and lingers as one of his most beloved rock n' roll numbers. Even though it never formally appeared on the record, the non-album song is included here as a bonus track and attains newfound depth, energy, and swagger. Coupled with the other dozen tracks including the sultry "Power of My Love", balladic take of Dallas Frazier's "True Love Travels on a Gravel Road", and driving cover of Hank Snow's "I'm Moving On" it makes for the finest Elvis listening experience available.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mtv3chIAjug"
    -referenceProduit: "Mobile Fidelity Sound Lab US1S-017"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Wearin' That Loved On Look"
      ]
      [
        "ordre" => 1
        "nom" => "2. Only the Strong Survive"
      ]
      [
        "ordre" => 2
        "nom" => "3. I'll Hold You in My Heart (Till I Can Hold You in My Arms)"
      ]
      [
        "ordre" => 3
        "nom" => "4. Long Black Limousine"
      ]
      [
        "ordre" => 4
        "nom" => "5. It Keeps Right On A-Hurtin'"
      ]
      [
        "ordre" => 5
        "nom" => "6. I'm Movin' On"
      ]
      [
        "ordre" => 6
        "nom" => "7. Power of My Love"
      ]
      [
        "ordre" => 7
        "nom" => "8. Gentle on My Mind"
      ]
      [
        "ordre" => 8
        "nom" => "9. After Loving You"
      ]
      [
        "ordre" => 9
        "nom" => "10. True Love Travels on a Gravel Road"
      ]
      [
        "ordre" => 10
        "nom" => "11. Any Day Now"
      ]
      [
        "ordre" => 11
        "nom" => "12. In the Ghetto"
      ]
      [
        "ordre" => 12
        "nom" => "13. Suspicious Minds"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2122 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2131 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2124 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2126 …}
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    -modifierLe: DateTime @1765370242 {#2118
      date: 2025-12-10 12:37:22.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-from-elvis-in-memphis-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-us1s-017"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2380 …}
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[
  "produit" => App\Entity\Produit {#2136
    -id: 2799
    -nom: "Emerson, Lake & Palmer  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      - Emerson, Lake & Palmer "Emerson, Lake & Palmer" !\r\n
      - Supergroup takes hold with an extraordinary blend of vision and verve, lays foundation of progressive rock !\r\n
      - 180 gram 331/3 RPM (2 LP) brings to light the 1970 album's epic scope, tonal depth\r\n
      - 1/4" 15 ips analog copy to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressings for superior sound !\r\n
      \r\n
      Supergroups existed before Emerson, Lake & Palmer formed in 1970. And, as we all know well, many came after. But few, if any, matched the English trio's chemistry and its elevated combination of virtuosity, vision, and verve. Having influenced a multitude of followers, ELP's prowess was obvious from the start. The band's self-titled debut stands as a towering statement of creative imagination, execution, and discipline more than five decades after its original release.\r\n
      \r\n
      Mastered at MoFi's California studio, housed in a Stoughton jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM LP of Emerson, Lake & Palmer presents the benchmark album in audiophile sound. Clear, dynamic, and balanced, this collectible edition honors the perfectionist approaches that both informed the playing and recording of the record.\r\n
      \r\n
      Distinguished with black backgrounds, this reissue brings to light the epic scope, tonal depth, and mind-bending degrees of musicianship on display. Aspects textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio's compositions and interplay are rendered amid broad soundstages and delivered with pinpoint detail. Whether you've owned multiple copies of this touchstone or seeking out your first version, you'll relish the presence, separation, imaging, and crispness that help make every song come across as if the group has set up shop in your listening space.\r\n
      \r\n
      Opening the door to the seemingly infinite possibilities of progressive rock while steering clear of excess, Emerson, Lake & Palmer achieved a rare feat in that its complex, cerebral music didn't prevent it from attaining mainstream success. The gold-certified effort launched the career of a band that would sell tens of millions of records. It also landed a Top 50 single in the form of the ballad "Lucky Man", whose vocal harmonies, folksy strumming, multi-tracked instrumentation, and breakthrough Moog solo almost feel quaint in the face of the other fare on the album.\r\n
      \r\n
      Comprised of genre-defying originals and hybrid arrangements of two classical pieces, the album Rolling Stone originally and rightly said is "best heard as a whole" matches outrageous ambition with the otherworldly skills of three musicians who remain among the finest to ever pick up their respective instruments. While Emerson soon drew the lion's share of headlines for his ability on keys clavinet, Moog, piano, Hammond organ, and pipe organ included Greg Lake's aptitude on guitar and bass, along with well as Carl Palmer's monster talents behind the kit, created a three-headed hydra that devoured everything in front of it.\r\n
      \r\n
      That extends to the radical reinterpretation of Bela Bartok's "The Barbarian" that begins the LP, a performance that in less than four-and-a-half minutes runs the gamut from distorted to churchy to angular and blustery. More classical flourishes, keyboard wizardry, hard-rock heaviness, and gothic signatures emerge throughout "Knife-Edge", which reimagines music by Leos Janacek and J.S. Bach - and ultimately invites you to explore a cathedral of sound teeming with separate bursts of keys and percussion.\r\n
      \r\n
      And did someone say "drumming" ? Check out Palmer's monster salvo on "Tank", a rhythmic showcase that marches out with knee-bent notes and mirror-reflected passages. Or dive into the mythological suite "The Three Fates". Replete with three parts and Emerson playing the pipe organ at Royal Festival Hall, it shoots off sonic fireworks via sophisticated arpeggios, jazz improvisations, dancing counter-meters, sizzling chords, and a few explosions. Please don't hold anyone at MoFi responsible if your system cannot handle it; this is heady stuff.\r\n
      \r\n
      Indeed, everything on Emerson, Lake & Palmer is there for a purpose. Whether you aim to attempt to dissect all of the notes, shifts, and polyrhythmic bluster or just want to absorb this album as one living, breathing organism, this version invites you to do both as many times as you desire.
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3530
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    -id: 2799
    -nom: "Emerson, Lake & Palmer  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      - Emerson, Lake & Palmer "Emerson, Lake & Palmer" !\r\n
      - Supergroup takes hold with an extraordinary blend of vision and verve, lays foundation of progressive rock !\r\n
      - 180 gram 331/3 RPM (2 LP) brings to light the 1970 album's epic scope, tonal depth\r\n
      - 1/4" 15 ips analog copy to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressings for superior sound !\r\n
      \r\n
      Supergroups existed before Emerson, Lake & Palmer formed in 1970. And, as we all know well, many came after. But few, if any, matched the English trio's chemistry and its elevated combination of virtuosity, vision, and verve. Having influenced a multitude of followers, ELP's prowess was obvious from the start. The band's self-titled debut stands as a towering statement of creative imagination, execution, and discipline more than five decades after its original release.\r\n
      \r\n
      Mastered at MoFi's California studio, housed in a Stoughton jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM LP of Emerson, Lake & Palmer presents the benchmark album in audiophile sound. Clear, dynamic, and balanced, this collectible edition honors the perfectionist approaches that both informed the playing and recording of the record.\r\n
      \r\n
      Distinguished with black backgrounds, this reissue brings to light the epic scope, tonal depth, and mind-bending degrees of musicianship on display. Aspects textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio's compositions and interplay are rendered amid broad soundstages and delivered with pinpoint detail. Whether you've owned multiple copies of this touchstone or seeking out your first version, you'll relish the presence, separation, imaging, and crispness that help make every song come across as if the group has set up shop in your listening space.\r\n
      \r\n
      Opening the door to the seemingly infinite possibilities of progressive rock while steering clear of excess, Emerson, Lake & Palmer achieved a rare feat in that its complex, cerebral music didn't prevent it from attaining mainstream success. The gold-certified effort launched the career of a band that would sell tens of millions of records. It also landed a Top 50 single in the form of the ballad "Lucky Man", whose vocal harmonies, folksy strumming, multi-tracked instrumentation, and breakthrough Moog solo almost feel quaint in the face of the other fare on the album.\r\n
      \r\n
      Comprised of genre-defying originals and hybrid arrangements of two classical pieces, the album Rolling Stone originally and rightly said is "best heard as a whole" matches outrageous ambition with the otherworldly skills of three musicians who remain among the finest to ever pick up their respective instruments. While Emerson soon drew the lion's share of headlines for his ability on keys clavinet, Moog, piano, Hammond organ, and pipe organ included Greg Lake's aptitude on guitar and bass, along with well as Carl Palmer's monster talents behind the kit, created a three-headed hydra that devoured everything in front of it.\r\n
      \r\n
      That extends to the radical reinterpretation of Bela Bartok's "The Barbarian" that begins the LP, a performance that in less than four-and-a-half minutes runs the gamut from distorted to churchy to angular and blustery. More classical flourishes, keyboard wizardry, hard-rock heaviness, and gothic signatures emerge throughout "Knife-Edge", which reimagines music by Leos Janacek and J.S. Bach - and ultimately invites you to explore a cathedral of sound teeming with separate bursts of keys and percussion.\r\n
      \r\n
      And did someone say "drumming" ? Check out Palmer's monster salvo on "Tank", a rhythmic showcase that marches out with knee-bent notes and mirror-reflected passages. Or dive into the mythological suite "The Three Fates". Replete with three parts and Emerson playing the pipe organ at Royal Festival Hall, it shoots off sonic fireworks via sophisticated arpeggios, jazz improvisations, dancing counter-meters, sizzling chords, and a few explosions. Please don't hold anyone at MoFi responsible if your system cannot handle it; this is heady stuff.\r\n
      \r\n
      Indeed, everything on Emerson, Lake & Palmer is there for a purpose. Whether you aim to attempt to dissect all of the notes, shifts, and polyrhythmic bluster or just want to absorb this album as one living, breathing organism, this version invites you to do both as many times as you desire.
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2152
    -id: 2337
    -nom: "Raising Hell - SuperVinyl LP 180 gram Numbered Limited Edition"
    -informationComplementaire: null
    -description: """
      - 1985 ALBUM ESTABLISHED HIP-HOP'S MODERN BLUEPRINT AND MAINSTREAM CURRENCY !\r\n
      - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n
      \r\n
      Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage. "It's not Michael Jackson / And this is not Thriller", the group broadcasts early on in the record. Truer words and music recorded with such honesty, pride, rawness, and integrity have seldom been committed to tape.\r\n
      \r\n
      Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180 gram SuperVinyl 33 RPM LP is the definitive-sounding version of this monumental recording.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qXzWlPL_TKw"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSV 1-535"
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App\Twig\Components\GestionPanierFavoriComponents {#3581
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2152
    -id: 2337
    -nom: "Raising Hell - SuperVinyl LP 180 gram Numbered Limited Edition"
    -informationComplementaire: null
    -description: """
      - 1985 ALBUM ESTABLISHED HIP-HOP'S MODERN BLUEPRINT AND MAINSTREAM CURRENCY !\r\n
      - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n
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      \r\n
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[
  "produit" => App\Entity\Produit {#2168
    -id: 1891
    -nom: "Raising Hell"
    -informationComplementaire: null
    -description: """
      - SOURCED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash "Walk This Way", the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything – hard-rock riffs, turntable scratching, itchy rhythms, hit singles not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity's simply illin' edition.\r\n
      \r\n
      Sourced from the original master tapes and pressed on MoFi SuperVinyl, the reissue label's numbered-edition 180 gram 33 RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with its musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME and included on "Best of" lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet the triple-platinum effort rocks the house.\r\n
      \r\n
      Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent and displayed just how big it could get Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell.\r\n
      \r\n
      As for the music, it ranks among the most influential, inventive, and invigorating ever released rap or otherwise. Vanguard artists such as Ice-T, Eminem, Jay-Z, and Public Enemy's Chuck D who declared it his all-time favorite and "the first record that made me realize this was an album-oriented genre" have testified on behalf of its brilliance. And never mind the presence of the Top 5 single "Walk This Way", whose power helped make Aerosmith's Steven Tyler and Joe Perry relevant for the first time in nearly a decade and literally put Run-D.M.C. in bedrooms ranging from the Bronx to Bartlett to Bad Axe.\r\n
      \r\n
      Look instead to the rest of the entirely filler-free set, be it the corkscrew turns, slippery wordplay, and "My Sharona" -meets-"Mickey" mixology of the boisterous "It's Tricky", the fat-but-minimized bass grooves and warped turntable wobble of the hysterical "You Be Illin'", chimes-accented inertia and boombox-on- shoulder thunder of the now-iconic "Peter Piper," or voice-as-percussion attack of the funky "Is It Live". With Raising Hell, the answer to the question is always affirmative a sensation bolstered by the fact the group always had something to say.\r\n
      \r\n
      The definition of Golden Age Hip-Hop in every way, Run-D.M.C. avoids the negativity and misogyny that later plagued the style, spinning assertive tales about identity (the biographical and culture-changing "My Adidas"), work ethics ("Perfection"), and, most notably, pride (the Harriet Tubman- and Malcom X.-referencing "Proud to Be Black"). Pavement-packed inner cities, tree-lined suburbs, and cornfield-rimmed rural areas would never again be the same. And rocking a rhyme that's right on time would become trickier than ever.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Darryl McDaniels (vocals), Jason Mizell, Joseph Simmons (keyboards, percussion, vocals), Joe Perry, Rick Rubin (guitar), Daniel Shulman (bass), Steven Tyler (vocals), Sam Sever (drums programming)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=l-O5IHVhWj0"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-494"
    -titreMorceau: [
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App\Twig\Components\GestionPanierFavoriComponents {#3634
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  +produit: App\Entity\Produit {#2168
    -id: 1891
    -nom: "Raising Hell"
    -informationComplementaire: null
    -description: """
      - SOURCED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
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      Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash "Walk This Way", the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything – hard-rock riffs, turntable scratching, itchy rhythms, hit singles not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity's simply illin' edition.\r\n
      \r\n
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      \r\n
      Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent and displayed just how big it could get Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell.\r\n
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[
  "produit" => App\Entity\Produit {#2181
    -id: 2338
    -nom: "Run DMC - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - RUN-D.M.C.'S PATHBREAKING SELF-TITLED DEBUT BENEFITS FROM DEFINITIVE RESTORATIVE TREATMENT !\r\n
      - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n
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      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tpKw-eYbNG8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSV 1-533"
    -titreMorceau: [
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App\Twig\Components\GestionPanierFavoriComponents {#3682
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2612 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
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    -id: 2338
    -nom: "Run DMC - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - RUN-D.M.C.'S PATHBREAKING SELF-TITLED DEBUT BENEFITS FROM DEFINITIVE RESTORATIVE TREATMENT !\r\n
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    -prixVente: "99.50"
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App\Twig\Components\AjoutMailNewsletterComponent {#3878
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2380 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3879 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3927 …}
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}