Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2262
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2109 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2339
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2342 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2341 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2109 …}
  -formView: Symfony\Component\Form\FormView {#2510 …}
  -form: Symfony\Component\Form\Form {#2594 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1593
    -id: 3012
    -nom: "Tarkus  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      - Emerson, Lake & Palmer Push Creative Boundaries on Tarkus, 1971 Prog Staple Features Theatrical Title Track, Diverse Arrangements, and Iconic Armadillo-Themed Cover Art !\r\n
      \r\n
      - Mastered at MoFi’s California Studio and Pressed at Fidelity Record Pressing: Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM LP Plays with Rich, Detailed Sound and Exceptional Definition !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Tarkus likely remains the only album in existence that links jazz luminary Dave Brubeck, Russian composer Sergei Prokofiev, recording engineer Eddy Offord, Argentine composer Alberto Ginastera, American genius Frank Zappa, and German multi-hyphenate Johann Sebastian Bach. At once diverse, ambitious, and complex, Emerson, Lake & Palmer’s sophomore statement proved fantastically successful and accessible. It reached No. 1 on the UK Albums Chart and, in the U.S., climbed into the Top 10. The 1971 effort also propelled the British group to the forefront of the concert scene and became instantly identifiable via its now-iconic cover art.\r\n
      \r\n
      Mastered at MoFi’s California studio, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity’s numbered-edition 180 gram 33 RPM LP of Tarkus presents the gold-certified effort in audiophile sound. Clear, dynamic, and balanced, the collectible edition honors the fastidious approaches that informed the playing and recording of the record. With black backgrounds, dead-quiet surfaces, and exceptional definition, this reissue brings to light the tonal depth and virtuosic musicianship on display. \r\n
      \r\n
      Traits textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio’s compositions and interplay are rendered amid broad soundstages and delivered with finite detail. You’ll relish the separation, imaging, and timing that help make every song come across with involving presence and realism. These sonic signposts extend to the snorkel-tube-inspired Moog synthesizer on “Aquatarkus”, the St. Mark’s Church pipe organ on “The Only Way (Hymn)”, and the improvisational jamming and hollering on the lighthearted rave-up “Are You Ready Eddy ?”.\r\n
      \r\n
      Anchored by the theatrical title track a nearly 21 minute-long epic that charts the life of the armadillo creature from birth to the aftermath of his defeat in a battle with a manticore Tarkus briefly created a rift in the supergroup’s then-thriving chemistry. The reason : The architecture and direction keyboardist Keith Emerson pursued with “Tarkus”. \r\n
      \r\n
      Based on 10/8 and 5/4 time signatures, the dexterous suite initially frustrated guitarist-singer Greg Lake, who soon came around to both playing on it and writing its anti-war narrative. A seven-part journey in which peacefulness and violence, calm and clamor, and flourishes and marches unfold within the sonically metaphorical framework, “Tarkus” looms as one of the finest prog compositions ever performed. \r\n
      \r\n
      The album’s second half prominently displays Emerson, Lake & Palmer’s expansive range with concise songs and, in two spots, its sense of humor. Made and sequenced on Tarkus to give listeners a breather after the demanding opener, “Jeremy Bender” unfolds with honky-tonk pianos and percussive hand claps. An homage to Brubeck’s “Count Down”, the tumbling “Bitches Crystal” doubles as a showcase for Emerson’s impeccable piano skills. The keyboardist also takes center stage on “The Only Way (Hymn)”, which folds bold religious contemplation with a segue into the jazz-fueled instrumental “Infinite Space”. \r\n
      \r\n
      Free of drum solos, acoustic ballads, and cerebral interludes, Tarkus differs from its equally esteemed predecessor but finds Emerson, Lake & Palmer again hitting on all cylinders as a band seemingly capable of playing any style at any pace. Reflecting on the album more than 40 years later, Emerson rightly stated : “It offers a lot for the advancement of musicians. If anyone wants to get into progressive rock music... provides the elements. You’ve got a lot going on with Tarkus”.\r\n
      \r\n
      That extends to William Neal’s vibrant cover art. Born out of a somewhat innocuous doodle, the final design which memorably omits the band’s name, contains the skeletal remains of an eaten lizard, and famously features a red-eyed armadillo transformed into a hybrid tank replete with guns and treads reflects the title track’s storyline and dovetails with Neal’s other narrative-associated drawings in the sleeve. From the first to the last note, from the cover to the final illustration, Tarkus is the complete package.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Keith Emerson (keyboards, Hammond organ, piano, Moog synthesizer),  Greg Lake (bass guitar, guitar, electric & acoustic guitar, vocals), Carl Palmer (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uiP239pFac0&list=RDuiP239pFac0&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-577"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tarkus"
      ]
      [
        "ordre" => 2
        "nom" => "I. Eruption -"
      ]
      [
        "ordre" => 3
        "nom" => "II. Stones of Years -"
      ]
      [
        "ordre" => 4
        "nom" => "III. Iconoclast -"
      ]
      [
        "ordre" => 5
        "nom" => "IV. Mass -"
      ]
      [
        "ordre" => 6
        "nom" => "V. Manticore -"
      ]
      [
        "ordre" => 7
        "nom" => "VI. Battlefield -"
      ]
      [
        "ordre" => 8
        "nom" => "VII. Aquatarkus "
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Jeremy Bender"
      ]
      [
        "ordre" => 11
        "nom" => "2. Bitches Crystal"
      ]
      [
        "ordre" => 12
        "nom" => "3. The Only Way (Hymn)"
      ]
      [
        "ordre" => 13
        "nom" => "4. Infinite Space (Conclusion)"
      ]
      [
        "ordre" => 14
        "nom" => "5. A Time and a Place"
      ]
      [
        "ordre" => 15
        "nom" => "6. Are You Ready Eddy ?"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1691 …}
    -label: Proxies\__CG__\App\Entity\Label {#1714 …}
    -style: Proxies\__CG__\App\Entity\Style {#1734 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1744 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1765 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1805 …}
    -enregistreLe: DateTime @1772959511 {#1454
      date: 2026-03-08 08:45:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772959605 {#1577
      date: 2026-03-08 08:46:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1811 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tarkus-limited-numbered-edition-mobile-fidelity-sound-lab-mfsl-1-577"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2799
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2341 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1593
    -id: 3012
    -nom: "Tarkus  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      - Emerson, Lake & Palmer Push Creative Boundaries on Tarkus, 1971 Prog Staple Features Theatrical Title Track, Diverse Arrangements, and Iconic Armadillo-Themed Cover Art !\r\n
      \r\n
      - Mastered at MoFi’s California Studio and Pressed at Fidelity Record Pressing: Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM LP Plays with Rich, Detailed Sound and Exceptional Definition !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Tarkus likely remains the only album in existence that links jazz luminary Dave Brubeck, Russian composer Sergei Prokofiev, recording engineer Eddy Offord, Argentine composer Alberto Ginastera, American genius Frank Zappa, and German multi-hyphenate Johann Sebastian Bach. At once diverse, ambitious, and complex, Emerson, Lake & Palmer’s sophomore statement proved fantastically successful and accessible. It reached No. 1 on the UK Albums Chart and, in the U.S., climbed into the Top 10. The 1971 effort also propelled the British group to the forefront of the concert scene and became instantly identifiable via its now-iconic cover art.\r\n
      \r\n
      Mastered at MoFi’s California studio, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity’s numbered-edition 180 gram 33 RPM LP of Tarkus presents the gold-certified effort in audiophile sound. Clear, dynamic, and balanced, the collectible edition honors the fastidious approaches that informed the playing and recording of the record. With black backgrounds, dead-quiet surfaces, and exceptional definition, this reissue brings to light the tonal depth and virtuosic musicianship on display. \r\n
      \r\n
      Traits textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio’s compositions and interplay are rendered amid broad soundstages and delivered with finite detail. You’ll relish the separation, imaging, and timing that help make every song come across with involving presence and realism. These sonic signposts extend to the snorkel-tube-inspired Moog synthesizer on “Aquatarkus”, the St. Mark’s Church pipe organ on “The Only Way (Hymn)”, and the improvisational jamming and hollering on the lighthearted rave-up “Are You Ready Eddy ?”.\r\n
      \r\n
      Anchored by the theatrical title track a nearly 21 minute-long epic that charts the life of the armadillo creature from birth to the aftermath of his defeat in a battle with a manticore Tarkus briefly created a rift in the supergroup’s then-thriving chemistry. The reason : The architecture and direction keyboardist Keith Emerson pursued with “Tarkus”. \r\n
      \r\n
      Based on 10/8 and 5/4 time signatures, the dexterous suite initially frustrated guitarist-singer Greg Lake, who soon came around to both playing on it and writing its anti-war narrative. A seven-part journey in which peacefulness and violence, calm and clamor, and flourishes and marches unfold within the sonically metaphorical framework, “Tarkus” looms as one of the finest prog compositions ever performed. \r\n
      \r\n
      The album’s second half prominently displays Emerson, Lake & Palmer’s expansive range with concise songs and, in two spots, its sense of humor. Made and sequenced on Tarkus to give listeners a breather after the demanding opener, “Jeremy Bender” unfolds with honky-tonk pianos and percussive hand claps. An homage to Brubeck’s “Count Down”, the tumbling “Bitches Crystal” doubles as a showcase for Emerson’s impeccable piano skills. The keyboardist also takes center stage on “The Only Way (Hymn)”, which folds bold religious contemplation with a segue into the jazz-fueled instrumental “Infinite Space”. \r\n
      \r\n
      Free of drum solos, acoustic ballads, and cerebral interludes, Tarkus differs from its equally esteemed predecessor but finds Emerson, Lake & Palmer again hitting on all cylinders as a band seemingly capable of playing any style at any pace. Reflecting on the album more than 40 years later, Emerson rightly stated : “It offers a lot for the advancement of musicians. If anyone wants to get into progressive rock music... provides the elements. You’ve got a lot going on with Tarkus”.\r\n
      \r\n
      That extends to William Neal’s vibrant cover art. Born out of a somewhat innocuous doodle, the final design which memorably omits the band’s name, contains the skeletal remains of an eaten lizard, and famously features a red-eyed armadillo transformed into a hybrid tank replete with guns and treads reflects the title track’s storyline and dovetails with Neal’s other narrative-associated drawings in the sleeve. From the first to the last note, from the cover to the final illustration, Tarkus is the complete package.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Keith Emerson (keyboards, Hammond organ, piano, Moog synthesizer),  Greg Lake (bass guitar, guitar, electric & acoustic guitar, vocals), Carl Palmer (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uiP239pFac0&list=RDuiP239pFac0&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-577"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tarkus"
      ]
      [
        "ordre" => 2
        "nom" => "I. Eruption -"
      ]
      [
        "ordre" => 3
        "nom" => "II. Stones of Years -"
      ]
      [
        "ordre" => 4
        "nom" => "III. Iconoclast -"
      ]
      [
        "ordre" => 5
        "nom" => "IV. Mass -"
      ]
      [
        "ordre" => 6
        "nom" => "V. Manticore -"
      ]
      [
        "ordre" => 7
        "nom" => "VI. Battlefield -"
      ]
      [
        "ordre" => 8
        "nom" => "VII. Aquatarkus "
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Jeremy Bender"
      ]
      [
        "ordre" => 11
        "nom" => "2. Bitches Crystal"
      ]
      [
        "ordre" => 12
        "nom" => "3. The Only Way (Hymn)"
      ]
      [
        "ordre" => 13
        "nom" => "4. Infinite Space (Conclusion)"
      ]
      [
        "ordre" => 14
        "nom" => "5. A Time and a Place"
      ]
      [
        "ordre" => 15
        "nom" => "6. Are You Ready Eddy ?"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1691 …}
    -label: Proxies\__CG__\App\Entity\Label {#1714 …}
    -style: Proxies\__CG__\App\Entity\Style {#1734 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1744 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1765 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1805 …}
    -enregistreLe: DateTime @1772959511 {#1454
      date: 2026-03-08 08:45:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772959605 {#1577
      date: 2026-03-08 08:46:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1811 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tarkus-limited-numbered-edition-mobile-fidelity-sound-lab-mfsl-1-577"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2109 …}
}

[
  "produit" => App\Entity\Produit {#1826
    -id: 3004
    -nom: "Tenorman (Mono Version)"
    -informationComplementaire: null
    -description: """
      - The Lawrence Marable Quartet "Tenorman" (Mono) 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original mono master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      A West Coast jazz date that blows with hard bop gusto, Tenorman by The Lawrence Marable Quartet featuring James Clay was a hard-swinging session led by the esteemed drummer (Marable) that served as an introduction of the young Texan tenor (Clay) with sturdy support from pianist Sonny Clark and bassist Jimmy Bond. Recorded in August 1956 at Capitol Studios in Hollywood for the Jazz: West label, a boutique imprint allied with Pacific Jazz, the album presents assured versions of well-worn standards "The Devil And The Deep Blue Sea", "Easy Living", "Willow Weep For Me", "Lover Man" with a trio of original compositions by Clark interspersed "Minor Meeting", "Three Fingers North", "Marbles".\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Lawrence Marable (drums), Jimmy Bond (bass), Sonny Clarke\t(piano), James Clay (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1460 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CHXpUY5I3Mc&list=RDCHXpUY5I3Mc&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 6641"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Devil And The Deep Blue Sea"
      ]
      [
        "ordre" => 2
        "nom" => "2. Easy Living"
      ]
      [
        "ordre" => 3
        "nom" => "3. Minor Meeting"
      ]
      [
        "ordre" => 4
        "nom" => "4. Air Tight "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Willow Weep For Me"
      ]
      [
        "ordre" => 7
        "nom" => "2. Three Fingers North"
      ]
      [
        "ordre" => 8
        "nom" => "3. Lover Man"
      ]
      [
        "ordre" => 9
        "nom" => "4. Marbles"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1831 …}
    -label: Proxies\__CG__\App\Entity\Label {#1834 …}
    -style: Proxies\__CG__\App\Entity\Style {#1837 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1839 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1841 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1843 …}
    -enregistreLe: DateTime @1771748783 {#1814
      date: 2026-02-22 08:26:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958309 {#1817
      date: 2026-03-08 08:25:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1845 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tenorman-mono-version-blue-note-tone-poet-series-6641"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2922
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2341 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1826
    -id: 3004
    -nom: "Tenorman (Mono Version)"
    -informationComplementaire: null
    -description: """
      - The Lawrence Marable Quartet "Tenorman" (Mono) 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original mono master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      A West Coast jazz date that blows with hard bop gusto, Tenorman by The Lawrence Marable Quartet featuring James Clay was a hard-swinging session led by the esteemed drummer (Marable) that served as an introduction of the young Texan tenor (Clay) with sturdy support from pianist Sonny Clark and bassist Jimmy Bond. Recorded in August 1956 at Capitol Studios in Hollywood for the Jazz: West label, a boutique imprint allied with Pacific Jazz, the album presents assured versions of well-worn standards "The Devil And The Deep Blue Sea", "Easy Living", "Willow Weep For Me", "Lover Man" with a trio of original compositions by Clark interspersed "Minor Meeting", "Three Fingers North", "Marbles".\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Lawrence Marable (drums), Jimmy Bond (bass), Sonny Clarke\t(piano), James Clay (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1460 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CHXpUY5I3Mc&list=RDCHXpUY5I3Mc&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 6641"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Devil And The Deep Blue Sea"
      ]
      [
        "ordre" => 2
        "nom" => "2. Easy Living"
      ]
      [
        "ordre" => 3
        "nom" => "3. Minor Meeting"
      ]
      [
        "ordre" => 4
        "nom" => "4. Air Tight "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Willow Weep For Me"
      ]
      [
        "ordre" => 7
        "nom" => "2. Three Fingers North"
      ]
      [
        "ordre" => 8
        "nom" => "3. Lover Man"
      ]
      [
        "ordre" => 9
        "nom" => "4. Marbles"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1831 …}
    -label: Proxies\__CG__\App\Entity\Label {#1834 …}
    -style: Proxies\__CG__\App\Entity\Style {#1837 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1839 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1841 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1843 …}
    -enregistreLe: DateTime @1771748783 {#1814
      date: 2026-02-22 08:26:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958309 {#1817
      date: 2026-03-08 08:25:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1845 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tenorman-mono-version-blue-note-tone-poet-series-6641"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2109 …}
}

[
  "produit" => App\Entity\Produit {#1850
    -id: 3003
    -nom: "Compulsion !!!!!"
    -informationComplementaire: null
    -description: """
      - Andrew Hill "Compulsion !!!!! 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      One of the boldest statements in the Andrew Hill discography, 1965's Compulsion was the pianist's expression of the avant-garde through the prism of jazz music's roots in African rhythms. Hill's percussive piano drives an intrepid ensemble through four evocative originals "Compulsion", "Legacy", "Premonition", and "Limbo" given deeply engaged performances by trumpeter Freddie Hubbard, saxophonist John Gilmore, bassists Cecil McBee and Richard Davis, drummer Joe Chambers, and percussionists Nedi Qamar and Renaud Simmons.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Andrew Hill (piano), Cecil McBee, Richard Davis (bass), Renaud Simmons (congas), John Gilmore (tenor saxophone, bass clarinet), Freddie Hubbard\t(trumpet, flugelhorn), Nadi Qamar (African drums, African thumb piano), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4xCobq5eNUQ&list=RD4xCobq5eNUQ&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 6642"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Compulsion"
      ]
      [
        "ordre" => 2
        "nom" => "2. Legacy "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Premonition"
      ]
      [
        "ordre" => 5
        "nom" => "2. Limbo"
      ]
      [
        "ordre" => 6
        "nom" => ""
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1852 …}
    -label: Proxies\__CG__\App\Entity\Label {#1834 …}
    -style: Proxies\__CG__\App\Entity\Style {#1837 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1854 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1856 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1858 …}
    -enregistreLe: DateTime @1771746362 {#1847
      date: 2026-02-22 07:46:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958331 {#1848
      date: 2026-03-08 08:25:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1860 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-compulsion-blue-note-tone-poet-series-6642"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2984
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2341 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1850
    -id: 3003
    -nom: "Compulsion !!!!!"
    -informationComplementaire: null
    -description: """
      - Andrew Hill "Compulsion !!!!! 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      One of the boldest statements in the Andrew Hill discography, 1965's Compulsion was the pianist's expression of the avant-garde through the prism of jazz music's roots in African rhythms. Hill's percussive piano drives an intrepid ensemble through four evocative originals "Compulsion", "Legacy", "Premonition", and "Limbo" given deeply engaged performances by trumpeter Freddie Hubbard, saxophonist John Gilmore, bassists Cecil McBee and Richard Davis, drummer Joe Chambers, and percussionists Nedi Qamar and Renaud Simmons.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Andrew Hill (piano), Cecil McBee, Richard Davis (bass), Renaud Simmons (congas), John Gilmore (tenor saxophone, bass clarinet), Freddie Hubbard\t(trumpet, flugelhorn), Nadi Qamar (African drums, African thumb piano), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4xCobq5eNUQ&list=RD4xCobq5eNUQ&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 6642"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "1. Compulsion"
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      [
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        "nom" => "2. Legacy "
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      [
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        "nom" => "1. Premonition"
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      [
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        "nom" => "2. Limbo"
      ]
      [
        "ordre" => 6
        "nom" => ""
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1852 …}
    -label: Proxies\__CG__\App\Entity\Label {#1834 …}
    -style: Proxies\__CG__\App\Entity\Style {#1837 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1854 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1856 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1858 …}
    -enregistreLe: DateTime @1771746362 {#1847
      date: 2026-02-22 07:46:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958331 {#1848
      date: 2026-03-08 08:25:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1860 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-compulsion-blue-note-tone-poet-series-6642"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2109 …}
}

[
  "produit" => App\Entity\Produit {#1865
    -id: 2968
    -nom: "Dixie Chicken (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Little Feat "Dixie Chicken" !\r\n
      - The album where Little Feat came into full bloom !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      With Dixie Chicken (1973), Little Feat came into full bloom. Here, the band locked into their signature sound : sly, soulful, and irresistibly funky. The title track oozes Southern charm, "Two Trains" rolls with hypnotic rhythm, and "Fat Man In The Bathtub" blends humor and groove in a way only Lowell George could.\r\n
      \r\n
      This 45 RPM pressing, with lacquers cut by Matthew Lutthans at The Mastering Lab from the original master tape, delivers deeper bass, crisper detail, and wider groove spacing for stunning playback realism. Every snare hit, every slide riff, every vocal inflection pops from the speakers with life and dimension.\r\n
      \r\n
      A cornerstone of ‘70s rock and funk, Dixie Chicken finally gets the deluxe, audiophile treatment it deserves.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Lowell George (slide guitar, lead vocals), Bill Payne (keyboards, piano, backing vocals), Paul Barrere (guitar, backing vocals), Kenny Gradney (bass), Richie Hayward (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1602 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yaHEfJApEVM&list=RDyaHEfJApEVM&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 016-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Dixie Chicken"
      ]
      [
        "ordre" => 2
        "nom" => "2. Two Trains"
      ]
      [
        "ordre" => 3
        "nom" => "3. Roll Um Easy "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. On Your Way Down"
      ]
      [
        "ordre" => 6
        "nom" => "2. Kiss It Off "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Fool Yourself"
      ]
      [
        "ordre" => 9
        "nom" => "2. Walkin' All Night"
      ]
      [
        "ordre" => 10
        "nom" => "3. Fat Man In The Bathtub "
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Juliette"
      ]
      [
        "ordre" => 13
        "nom" => "2. Lafayette Railroad"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1867 …}
    -label: Proxies\__CG__\App\Entity\Label {#1870 …}
    -style: Proxies\__CG__\App\Entity\Style {#1734 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1872 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1874 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1876 …}
    -enregistreLe: DateTime @1770185936 {#1862
      date: 2026-02-04 06:18:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772960166 {#1863
      date: 2026-03-08 08:56:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1878 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dixie-chicken-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-016-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3044
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2341 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1865
    -id: 2968
    -nom: "Dixie Chicken (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Little Feat "Dixie Chicken" !\r\n
      - The album where Little Feat came into full bloom !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      With Dixie Chicken (1973), Little Feat came into full bloom. Here, the band locked into their signature sound : sly, soulful, and irresistibly funky. The title track oozes Southern charm, "Two Trains" rolls with hypnotic rhythm, and "Fat Man In The Bathtub" blends humor and groove in a way only Lowell George could.\r\n
      \r\n
      This 45 RPM pressing, with lacquers cut by Matthew Lutthans at The Mastering Lab from the original master tape, delivers deeper bass, crisper detail, and wider groove spacing for stunning playback realism. Every snare hit, every slide riff, every vocal inflection pops from the speakers with life and dimension.\r\n
      \r\n
      A cornerstone of ‘70s rock and funk, Dixie Chicken finally gets the deluxe, audiophile treatment it deserves.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Lowell George (slide guitar, lead vocals), Bill Payne (keyboards, piano, backing vocals), Paul Barrere (guitar, backing vocals), Kenny Gradney (bass), Richie Hayward (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1602 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yaHEfJApEVM&list=RDyaHEfJApEVM&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 016-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. Dixie Chicken"
      ]
      [
        "ordre" => 2
        "nom" => "2. Two Trains"
      ]
      [
        "ordre" => 3
        "nom" => "3. Roll Um Easy "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. On Your Way Down"
      ]
      [
        "ordre" => 6
        "nom" => "2. Kiss It Off "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Fool Yourself"
      ]
      [
        "ordre" => 9
        "nom" => "2. Walkin' All Night"
      ]
      [
        "ordre" => 10
        "nom" => "3. Fat Man In The Bathtub "
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Juliette"
      ]
      [
        "ordre" => 13
        "nom" => "2. Lafayette Railroad"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1867 …}
    -label: Proxies\__CG__\App\Entity\Label {#1870 …}
    -style: Proxies\__CG__\App\Entity\Style {#1734 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1872 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1874 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1876 …}
    -enregistreLe: DateTime @1770185936 {#1862
      date: 2026-02-04 06:18:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772960166 {#1863
      date: 2026-03-08 08:56:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1878 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dixie-chicken-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-016-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2109 …}
}

[
  "produit" => App\Entity\Produit {#1883
    -id: 2967
    -nom: "Sailin' Shoes (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Little Feat "Sailin' Shoes" !\r\n
      - Lowell George's vision takes flight !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Formed by the late, great Lowell George, Little Feat made music that was loose, funky, literate, and impossible to pin down. Sailin' Shoes (1972) caught the band just as their legend was taking shape a mix of sharp-witted storytelling and swampy grooves that defined early-'70s cool. From "Willin'" and "Easy to Slip" to the swaggering title track, it's a master class in Southern California songwriting with a Louisiana twist. These songs defined Little Feat's legend as one of rock's most distinctive voices.\r\n
      \r\n
      This 45 RPM pressing, cut by Matthew Lutthans at The Mastering Lab from the original master tape, opens up the soundstage with wider grooves for superior tracking, lower distortion, and richer dynamics. Guitars shimmer, vocals breathe, and the rhythm section punches with warmth and clarity that only vinyl at 45 RPM can deliver. Pressed on ultra-quiet, perfectly flat (2 LP) by Quality Record Pressings, this timeless blend of storytelling from one of the most influential bands from the 70’s Warner catalog, sounds magnificent.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Lowell George (guitar, slide guitar, lead vocals), Bill Payne (keyboards, vocals), Paul Barrere (guitar, vocals), Roy Estrada (bass, backing vocals), Richie Hayward (drums, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1602 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jHKFkLhr4_I&list=PLP7u94NwnE9zWh8yudt0Dc3a25LIRmY7E"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) 015-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Easy To Slip"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cold, Cold, Cold"
      ]
      [
        "ordre" => 3
        "nom" => "3. Trouble "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Tripe Face Boogie"
      ]
      [
        "ordre" => 6
        "nom" => "2. Willin'"
      ]
      [
        "ordre" => 7
        "nom" => "3. A Apolitical Blues "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Sailin' Shoes"
      ]
      [
        "ordre" => 10
        "nom" => "2. Teenage Nervous Breakdown"
      ]
      [
        "ordre" => 11
        "nom" => "3. Got No Shadow "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Cat Fever"
      ]
      [
        "ordre" => 14
        "nom" => "2. Texas Rose Cafe"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1867 …}
    -label: Proxies\__CG__\App\Entity\Label {#1870 …}
    -style: Proxies\__CG__\App\Entity\Style {#1734 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1884 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1886 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1888 …}
    -enregistreLe: DateTime @1770185247 {#1880
      date: 2026-02-04 06:07:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772960244 {#1881
      date: 2026-03-08 08:57:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1890 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sailin-shoes-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-015-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3106
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2341 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1883
    -id: 2967
    -nom: "Sailin' Shoes (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Little Feat "Sailin' Shoes" !\r\n
      - Lowell George's vision takes flight !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Formed by the late, great Lowell George, Little Feat made music that was loose, funky, literate, and impossible to pin down. Sailin' Shoes (1972) caught the band just as their legend was taking shape a mix of sharp-witted storytelling and swampy grooves that defined early-'70s cool. From "Willin'" and "Easy to Slip" to the swaggering title track, it's a master class in Southern California songwriting with a Louisiana twist. These songs defined Little Feat's legend as one of rock's most distinctive voices.\r\n
      \r\n
      This 45 RPM pressing, cut by Matthew Lutthans at The Mastering Lab from the original master tape, opens up the soundstage with wider grooves for superior tracking, lower distortion, and richer dynamics. Guitars shimmer, vocals breathe, and the rhythm section punches with warmth and clarity that only vinyl at 45 RPM can deliver. Pressed on ultra-quiet, perfectly flat (2 LP) by Quality Record Pressings, this timeless blend of storytelling from one of the most influential bands from the 70’s Warner catalog, sounds magnificent.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Lowell George (guitar, slide guitar, lead vocals), Bill Payne (keyboards, vocals), Paul Barrere (guitar, vocals), Roy Estrada (bass, backing vocals), Richie Hayward (drums, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1602 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jHKFkLhr4_I&list=PLP7u94NwnE9zWh8yudt0Dc3a25LIRmY7E"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) 015-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Easy To Slip"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cold, Cold, Cold"
      ]
      [
        "ordre" => 3
        "nom" => "3. Trouble "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Tripe Face Boogie"
      ]
      [
        "ordre" => 6
        "nom" => "2. Willin'"
      ]
      [
        "ordre" => 7
        "nom" => "3. A Apolitical Blues "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Sailin' Shoes"
      ]
      [
        "ordre" => 10
        "nom" => "2. Teenage Nervous Breakdown"
      ]
      [
        "ordre" => 11
        "nom" => "3. Got No Shadow "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Cat Fever"
      ]
      [
        "ordre" => 14
        "nom" => "2. Texas Rose Cafe"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1867 …}
    -label: Proxies\__CG__\App\Entity\Label {#1870 …}
    -style: Proxies\__CG__\App\Entity\Style {#1734 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1884 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1886 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1888 …}
    -enregistreLe: DateTime @1770185247 {#1880
      date: 2026-02-04 06:07:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772960244 {#1881
      date: 2026-03-08 08:57:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1890 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sailin-shoes-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-015-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2109 …}
}

[
  "produit" => App\Entity\Produit {#1895
    -id: 2903
    -nom: "Rock a Little - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Stevie Nicks (lead vocals, synthesizers), Rick Nowels (synthesizers, guitars, backing vocals), Bill Payne (synthesizers), Charles Judge (keyboards, synthesizers), Benmont Tench (piano, organ), Greg Phillinganes (keyboards, synthesizers, timpani), Chas Sandford (guitars, bass, drums machine), Bill Cuomo (keyboards), Michael Landau, Waddy Wachtel, Les Dudek, Danny Kortchmar (guitars), George Black (guitars, bass, Linn Drums programming), Kenny Edwards, Bob Glaub, Mike Porcaro (bass), Barney Wilen (saxophone), Sharon Celani, Marilyn Martin, Lori Perry-Nicks, Maria Vidal, Carolyn Brooks (backing vocals), David Kemper (tambourine, percussion), Bobbye Hall (percussion), Steve Jordan, Russ Kunkel, Andy Newmark, Denny Carmassi (drums).\r\n
      \r\n
      - Stevie Nicks Sings for the Things Money Can’t Buy on Rock a Little : Platinum Album Features Extravagant Production, Includes the Hits “Talk to Me” and “I Can’t Wait” !\r\n
      - Mobile Fidelity’s 180 graù 45 RPM (2 LP) Set Presents the 1985 Record in Audiophile Sound for the First Time : Strictly Limited to 4000 Numbered Copies, 40th Anniversary Reissue Plays with Exceptional Balance and Clarity !\r\n
      - 1/4” / 15 IPS Dolby A analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Looking back on her career in the early 90s, Stevie Nicks described the first track of Rock a Little as “the most exciting song that I had ever heard”. This coming from a superstar who was already closely affiliated with several bajillion-selling Fleetwood Mac albums to say nothing of her own benchmark solo debut. Her remarks attest to the enthusiasm and effort she invested in her third record, a 1985 work that quickly furthered Nicks’ profile and cemented itself as a piece of 80s pop lore.\r\n
      \r\n
      Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, strictly limited to 4000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents Rock a Little in audiophile sound for its 40th anniversary. Helmed by a cadre of producers and engineers, and recorded for a reported one million dollars, the platinum-certified album teems with a head-spinning array of colors, tones, dreamscapes, and accents. This reference-grade reissue marks the first time they are all brought to light and conveyed with proper balance, dimensionality, and positioning. \r\n
      \r\n
      Though Rock a Little doubtlessly has period characteristics of a mid-80s LP, Nicks and company spare no expense when it comes to distinguishing the music with expansive sonics distinguished with lush melodies, high-tech percussion, echoing vocals, sampled keyboards, and layers of sophisticated accents. The degrees of spaciousness, headroom, and dynamics are nothing less than inspiring, while the newly enhanced detail, texture, and clarity make the songs sing like never before. As for Nicks’ voice? Wait ’til you experience the transparency and depth. \r\n
      \r\n
      Those advantages extend, of course, to the aforementioned “I Can’t Wait”, a statement-making opener shot through with modulating synthesizers, splashy drums, metallic guitars, and serious drama. Holed up in a massive studio, Nicks required just one take to nail her part, which she called “magic and simply not able to beat”. The singer-songwriter also distilled the reverberating emotional essence of the Top 20 tune, stating “when I hear it on the radio, this incredible feeling comes over me, like something really incredible is about to happen”.\r\n
      \r\n
      The same can be said for nearly all of Rock a Little. Crafted by the likes of Songwriters Hall of Fame multi-instrumentalist/producer Rick Nowels, Heartbreakers organist Benmont Tench, bassist Bob Glaub, jack-of-all-trades Greg Phillinganes, and session-pro guitarists Waddy Watchel, Les Dudek, and Danny Kortchmar along with another two dozen or so participants the record spills with diverse ideas, shapes, and moods. Everything is in the right place, as evidenced by the swirling glide and sensual undertow of the slightly funky title track to the snapping rhythmic pace and big hooks of “Imperial Hotel”, one of Nicks’ standout moments. \r\n
      \r\n
      “What was it she wanted ?” Nicks queries on “No Spoken Word”, continuing a theme of contemplation that runs through the narratives. Nicks never lands on a definite answer, but hearing her explore loneliness, love, and the secrets we keep to ourselves proves continuously rewarding. Take her passionate performance on a cover of Chas Sanford’s “Talk to Me”, a Top 5 smash furthered by tasteful saxophone lines and understated folk elements. Immersive yourself in the grand sonic corridors of “If I Were You”, laden with Nicks’ signature mysticism. \r\n
      \r\n
      Moreover, surrender to the gravitas of the closing “Has Anyone Ever Written Anything for You”, a piano ballad composed about the death of Joe Walsh’s three-year-old daughter. As Nicks asserts earlier on the album, she sings for things money can’t buy. \r\n
      \r\n
      So, rock a little, yes, but dare to feel even more.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Stevie Nicks (lead vocals, synthesizers), Rick Nowels (synthesizers, guitars, backing vocals), Bill Payne (synthesizers), Charles Judge (keyboards, synthesizers), Benmont Tench (piano, organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1602 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fwi-DDHalU0&list=PLVMgMdYqIEka6hAOqw1KeDHcUlZ0-yiUr&index=7"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-603"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Can’t Wait"
      ]
      [
        "ordre" => 2
        "nom" => "2. Rock a Little (Go Ahead Lily)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Sister Honey"
      ]
      [
        "ordre" => 5
        "nom" => "2. I Sing for the Things"
      ]
      [
        "ordre" => 6
        "nom" => "3. Imperial Hotel"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Some Become Strangers"
      ]
      [
        "ordre" => 9
        "nom" => "2. Talk to Me"
      ]
      [
        "ordre" => 10
        "nom" => "3. The Nightmare"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. If I Were You"
      ]
      [
        "ordre" => 13
        "nom" => "2. No Spoken Word"
      ]
      [
        "ordre" => 14
        "nom" => "3. Has Anyone Ever Written Anything for You"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1714 …}
    -style: Proxies\__CG__\App\Entity\Style {#1734 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1899 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1903 …}
    -enregistreLe: DateTime @1762848951 {#1892
      date: 2025-11-11 08:15:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958485 {#1893
      date: 2026-03-08 08:28:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1905 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rock-a-little-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-603"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3159
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2341 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1895
    -id: 2903
    -nom: "Rock a Little - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Stevie Nicks (lead vocals, synthesizers), Rick Nowels (synthesizers, guitars, backing vocals), Bill Payne (synthesizers), Charles Judge (keyboards, synthesizers), Benmont Tench (piano, organ), Greg Phillinganes (keyboards, synthesizers, timpani), Chas Sandford (guitars, bass, drums machine), Bill Cuomo (keyboards), Michael Landau, Waddy Wachtel, Les Dudek, Danny Kortchmar (guitars), George Black (guitars, bass, Linn Drums programming), Kenny Edwards, Bob Glaub, Mike Porcaro (bass), Barney Wilen (saxophone), Sharon Celani, Marilyn Martin, Lori Perry-Nicks, Maria Vidal, Carolyn Brooks (backing vocals), David Kemper (tambourine, percussion), Bobbye Hall (percussion), Steve Jordan, Russ Kunkel, Andy Newmark, Denny Carmassi (drums).\r\n
      \r\n
      - Stevie Nicks Sings for the Things Money Can’t Buy on Rock a Little : Platinum Album Features Extravagant Production, Includes the Hits “Talk to Me” and “I Can’t Wait” !\r\n
      - Mobile Fidelity’s 180 graù 45 RPM (2 LP) Set Presents the 1985 Record in Audiophile Sound for the First Time : Strictly Limited to 4000 Numbered Copies, 40th Anniversary Reissue Plays with Exceptional Balance and Clarity !\r\n
      - 1/4” / 15 IPS Dolby A analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Looking back on her career in the early 90s, Stevie Nicks described the first track of Rock a Little as “the most exciting song that I had ever heard”. This coming from a superstar who was already closely affiliated with several bajillion-selling Fleetwood Mac albums to say nothing of her own benchmark solo debut. Her remarks attest to the enthusiasm and effort she invested in her third record, a 1985 work that quickly furthered Nicks’ profile and cemented itself as a piece of 80s pop lore.\r\n
      \r\n
      Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, strictly limited to 4000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents Rock a Little in audiophile sound for its 40th anniversary. Helmed by a cadre of producers and engineers, and recorded for a reported one million dollars, the platinum-certified album teems with a head-spinning array of colors, tones, dreamscapes, and accents. This reference-grade reissue marks the first time they are all brought to light and conveyed with proper balance, dimensionality, and positioning. \r\n
      \r\n
      Though Rock a Little doubtlessly has period characteristics of a mid-80s LP, Nicks and company spare no expense when it comes to distinguishing the music with expansive sonics distinguished with lush melodies, high-tech percussion, echoing vocals, sampled keyboards, and layers of sophisticated accents. The degrees of spaciousness, headroom, and dynamics are nothing less than inspiring, while the newly enhanced detail, texture, and clarity make the songs sing like never before. As for Nicks’ voice? Wait ’til you experience the transparency and depth. \r\n
      \r\n
      Those advantages extend, of course, to the aforementioned “I Can’t Wait”, a statement-making opener shot through with modulating synthesizers, splashy drums, metallic guitars, and serious drama. Holed up in a massive studio, Nicks required just one take to nail her part, which she called “magic and simply not able to beat”. The singer-songwriter also distilled the reverberating emotional essence of the Top 20 tune, stating “when I hear it on the radio, this incredible feeling comes over me, like something really incredible is about to happen”.\r\n
      \r\n
      The same can be said for nearly all of Rock a Little. Crafted by the likes of Songwriters Hall of Fame multi-instrumentalist/producer Rick Nowels, Heartbreakers organist Benmont Tench, bassist Bob Glaub, jack-of-all-trades Greg Phillinganes, and session-pro guitarists Waddy Watchel, Les Dudek, and Danny Kortchmar along with another two dozen or so participants the record spills with diverse ideas, shapes, and moods. Everything is in the right place, as evidenced by the swirling glide and sensual undertow of the slightly funky title track to the snapping rhythmic pace and big hooks of “Imperial Hotel”, one of Nicks’ standout moments. \r\n
      \r\n
      “What was it she wanted ?” Nicks queries on “No Spoken Word”, continuing a theme of contemplation that runs through the narratives. Nicks never lands on a definite answer, but hearing her explore loneliness, love, and the secrets we keep to ourselves proves continuously rewarding. Take her passionate performance on a cover of Chas Sanford’s “Talk to Me”, a Top 5 smash furthered by tasteful saxophone lines and understated folk elements. Immersive yourself in the grand sonic corridors of “If I Were You”, laden with Nicks’ signature mysticism. \r\n
      \r\n
      Moreover, surrender to the gravitas of the closing “Has Anyone Ever Written Anything for You”, a piano ballad composed about the death of Joe Walsh’s three-year-old daughter. As Nicks asserts earlier on the album, she sings for things money can’t buy. \r\n
      \r\n
      So, rock a little, yes, but dare to feel even more.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Stevie Nicks (lead vocals, synthesizers), Rick Nowels (synthesizers, guitars, backing vocals), Bill Payne (synthesizers), Charles Judge (keyboards, synthesizers), Benmont Tench (piano, organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1602 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fwi-DDHalU0&list=PLVMgMdYqIEka6hAOqw1KeDHcUlZ0-yiUr&index=7"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-603"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Can’t Wait"
      ]
      [
        "ordre" => 2
        "nom" => "2. Rock a Little (Go Ahead Lily)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Sister Honey"
      ]
      [
        "ordre" => 5
        "nom" => "2. I Sing for the Things"
      ]
      [
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        "nom" => "3. Imperial Hotel"
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      [
        "ordre" => 7
        "nom" => "Side C :"
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      [
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        "nom" => "1. Some Become Strangers"
      ]
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        "nom" => "2. Talk to Me"
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        "nom" => "3. The Nightmare"
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        "nom" => "Side D : "
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        "nom" => "1. If I Were You"
      ]
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        "nom" => "2. No Spoken Word"
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        "nom" => "3. Has Anyone Ever Written Anything for You"
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1714 …}
    -style: Proxies\__CG__\App\Entity\Style {#1734 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1899 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1903 …}
    -enregistreLe: DateTime @1762848951 {#1892
      date: 2025-11-11 08:15:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958485 {#1893
      date: 2026-03-08 08:28:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1905 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rock-a-little-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-603"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2109 …}
}

[
  "produit" => App\Entity\Produit {#1910
    -id: 2706
    -nom: "Lady Soul - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar), King Curtis (tenor saxophone), Willie Bridges, Haywood Henry (baritone saxophone), Charlie Chalmers, Floyd Newman (saxophone), Gene "Bowlegs" Miller, Melvin Lastie (trumpet), Tony Studd (trombone), The Sweet Inspirations (backing vocals),  Roger Hawkins (drums).\r\n
      \r\n
      - Aretha Franklin "Lady Soul" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Includes the smash hit "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Lady Soul, released in January 1968, was one of Aretha Franklin's finest and most popular albums a N° 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools". Just a landmark statement of female empowerment and inspired vocal performance. Other massive hits include "(Sweet, Sweet Baby) Since You've Been Gone" and "Ain't No Way".\r\n
      \r\n
      Lady Soul topped the R&B charts and reached N° 2 on the Billboard 200. Aretha also provides her own unique and soulful interpretations of James Brown's "Money Won't Change You", Ray Charles' "Come Back Baby" and Curtis Mayfield's civil rights anthem, "People Get Ready". Rolling Stone named Aretha Franklin as the N° 1 Greatest Singer of All Time and it's all in evidence on Lady Soul.\r\n
      \r\n
      Lacquers cut by Kevin Gray at Cohearant Audio at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1602 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K7s4h88BeOo&list=PLNPGM2D7aODc0fzxnf2icnkvRrT6KBWd5"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 033-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Chain Of Fools"
      ]
      [
        "ordre" => 2
        "nom" => "2. Money Won't Change You"
      ]
      [
        "ordre" => 3
        "nom" => "3. People Get Ready"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Niki Hoeky"
      ]
      [
        "ordre" => 6
        "nom" => "2. (You Make Me Feel Like) A Natural Woman"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Since You've Been Gone (Sweet Sweet Baby)"
      ]
      [
        "ordre" => 9
        "nom" => "2. Good To Me As I Am To You2. Good To Me As I Am To You"
      ]
      [
        "ordre" => 10
        "nom" => "3. Come Back Baby"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Groovin'"
      ]
      [
        "ordre" => 13
        "nom" => "2. Ain't No Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1912 …}
    -label: Proxies\__CG__\App\Entity\Label {#1915 …}
    -style: Proxies\__CG__\App\Entity\Style {#1918 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1920 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1922 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1924 …}
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      date: 2025-08-05 18:06:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772959853 {#1908
      date: 2026-03-08 08:50:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1926 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lady-soul-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-033-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3219
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2341 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1910
    -id: 2706
    -nom: "Lady Soul - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar), King Curtis (tenor saxophone), Willie Bridges, Haywood Henry (baritone saxophone), Charlie Chalmers, Floyd Newman (saxophone), Gene "Bowlegs" Miller, Melvin Lastie (trumpet), Tony Studd (trombone), The Sweet Inspirations (backing vocals),  Roger Hawkins (drums).\r\n
      \r\n
      - Aretha Franklin "Lady Soul" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Includes the smash hit "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Lady Soul, released in January 1968, was one of Aretha Franklin's finest and most popular albums a N° 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools". Just a landmark statement of female empowerment and inspired vocal performance. Other massive hits include "(Sweet, Sweet Baby) Since You've Been Gone" and "Ain't No Way".\r\n
      \r\n
      Lady Soul topped the R&B charts and reached N° 2 on the Billboard 200. Aretha also provides her own unique and soulful interpretations of James Brown's "Money Won't Change You", Ray Charles' "Come Back Baby" and Curtis Mayfield's civil rights anthem, "People Get Ready". Rolling Stone named Aretha Franklin as the N° 1 Greatest Singer of All Time and it's all in evidence on Lady Soul.\r\n
      \r\n
      Lacquers cut by Kevin Gray at Cohearant Audio at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1602 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K7s4h88BeOo&list=PLNPGM2D7aODc0fzxnf2icnkvRrT6KBWd5"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 033-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Chain Of Fools"
      ]
      [
        "ordre" => 2
        "nom" => "2. Money Won't Change You"
      ]
      [
        "ordre" => 3
        "nom" => "3. People Get Ready"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Niki Hoeky"
      ]
      [
        "ordre" => 6
        "nom" => "2. (You Make Me Feel Like) A Natural Woman"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Since You've Been Gone (Sweet Sweet Baby)"
      ]
      [
        "ordre" => 9
        "nom" => "2. Good To Me As I Am To You2. Good To Me As I Am To You"
      ]
      [
        "ordre" => 10
        "nom" => "3. Come Back Baby"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Groovin'"
      ]
      [
        "ordre" => 13
        "nom" => "2. Ain't No Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1912 …}
    -label: Proxies\__CG__\App\Entity\Label {#1915 …}
    -style: Proxies\__CG__\App\Entity\Style {#1918 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1920 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1922 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1924 …}
    -enregistreLe: DateTime @1754417185 {#1907
      date: 2025-08-05 18:06:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772959853 {#1908
      date: 2026-03-08 08:50:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1926 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lady-soul-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-033-45"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2109 …}
}

[
  "produit" => App\Entity\Produit {#1931
    -id: 2703
    -nom: ""Stephen Stills" - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Stephen Stills (guitar, bass, piano, organ, steel‑drum, percussion, vocals), Eric Clapton (electric guitar), Booker T. Jones (organ), Calvin “Fuzzy” Samuels (bass), Jeff Whittaker (congas), Sidney George (flute, alto saxophone), Rita Coolidge, David Crosby, Graham Nash, Priscilla Jones, John Sebastian, Cass Elliot, Claudia Lennear, Judith Powell, Larry Steele, Liza Strike, Tony Wilson, Sherlie Matthews (backing vocals), Conrad Isidore,  Johnny Barbata, Ringo Starr, Dallas Taylor (drums).\r\n
      \r\n
      - Stephen Stills - Stephen Stills !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Stephen Stills' 1970 debut solo album !\r\n
      - Includes hit singles "Love The One You're With" and "Sit Yourself Down" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      This self-titled solo debut from CSNY's most musically adventurous member is a tour de force of bluesy rock, Latin grooves, and pure, unfiltered Stephen Stills energy. His songs are certainly in a league with those of the other members, and it's chiefly on his solo albums that Stills's own personality comes through.\r\n
      \r\n
      Still's Top 20 hit "Love the One You're With" was the lead single from the album, released in November 1970. The album's other smash, "Sit Yourself Down", the seccond single, reached the Top 40, peaking at No. 37. Stills doesn't just play guitar here he wrestles it into submission, layering his virtuosity over an album that sounds both meticulously crafted and effortlessly cool.\r\n
      \r\n
      Oh, and did we mention it features both Jimi Hendrix and Eric Clapton ? Because it does. That's like having both the Beatles and the Stones as your backup band.\r\n
      \r\n
      Recorded in the wake of CSNY's success, Stephen Stills proves that while Crosby and Nash leaned into their harmonies and Young wandered off into his own world, Stills was busy crafting something bolder, grittier, and sonically rich.\r\n
      \r\n
      Stills jumps from folk to blues to Latin to orchestral balladry, but it never feels disjointed. The production is warm and immersive, with Stills playing most of the instruments himself (because of course he does). If Déjà Vu was a collaborative masterpiece, Stephen Stills is proof that he could do just fine on his own.\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of Stephen Stills, is mastered by Bernie Grundman from the original master tape, and is pressed on 180 gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Stephen Stills (guitar, bass, piano, organ, steel‑drum, percussion, vocals), Eric Clapton (electric guitar), Booker T. Jones (organ), Calvin “Fuzzy” Samuels (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1602 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cZyj6GECjZ0&list=PLX66jEixZe1w8go6X07IU_IGiVfi-vu64"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 074-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Love The One You're With"
      ]
      [
        "ordre" => 2
        "nom" => "2. Do For The Others"
      ]
      [
        "ordre" => 3
        "nom" => "3. Church (Part Of Someone)"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Old Times Good Times"
      ]
      [
        "ordre" => 6
        "nom" => "2. Go Back Home"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Sit Yourself Down"
      ]
      [
        "ordre" => 9
        "nom" => "2. To A Flame"
      ]
      [
        "ordre" => 10
        "nom" => "3. Black Queen"
      ]
      [
        "ordre" => 11
        "nom" => " Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Cherokee"
      ]
      [
        "ordre" => 13
        "nom" => "2. We Are Not Helpless"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1933 …}
    -label: Proxies\__CG__\App\Entity\Label {#1915 …}
    -style: Proxies\__CG__\App\Entity\Style {#1734 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1935 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1937 …}
    -typeMasterTape: null
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    -typeMateriel: null
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    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1939 …}
    -enregistreLe: DateTime @1754415261 {#1928
      date: 2025-08-05 17:34:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772960005 {#1929
      date: 2026-03-08 08:53:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1941 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stephen-stills-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-074-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3279
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2341 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1931
    -id: 2703
    -nom: ""Stephen Stills" - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Stephen Stills (guitar, bass, piano, organ, steel‑drum, percussion, vocals), Eric Clapton (electric guitar), Booker T. Jones (organ), Calvin “Fuzzy” Samuels (bass), Jeff Whittaker (congas), Sidney George (flute, alto saxophone), Rita Coolidge, David Crosby, Graham Nash, Priscilla Jones, John Sebastian, Cass Elliot, Claudia Lennear, Judith Powell, Larry Steele, Liza Strike, Tony Wilson, Sherlie Matthews (backing vocals), Conrad Isidore,  Johnny Barbata, Ringo Starr, Dallas Taylor (drums).\r\n
      \r\n
      - Stephen Stills - Stephen Stills !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Stephen Stills' 1970 debut solo album !\r\n
      - Includes hit singles "Love The One You're With" and "Sit Yourself Down" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      This self-titled solo debut from CSNY's most musically adventurous member is a tour de force of bluesy rock, Latin grooves, and pure, unfiltered Stephen Stills energy. His songs are certainly in a league with those of the other members, and it's chiefly on his solo albums that Stills's own personality comes through.\r\n
      \r\n
      Still's Top 20 hit "Love the One You're With" was the lead single from the album, released in November 1970. The album's other smash, "Sit Yourself Down", the seccond single, reached the Top 40, peaking at No. 37. Stills doesn't just play guitar here he wrestles it into submission, layering his virtuosity over an album that sounds both meticulously crafted and effortlessly cool.\r\n
      \r\n
      Oh, and did we mention it features both Jimi Hendrix and Eric Clapton ? Because it does. That's like having both the Beatles and the Stones as your backup band.\r\n
      \r\n
      Recorded in the wake of CSNY's success, Stephen Stills proves that while Crosby and Nash leaned into their harmonies and Young wandered off into his own world, Stills was busy crafting something bolder, grittier, and sonically rich.\r\n
      \r\n
      Stills jumps from folk to blues to Latin to orchestral balladry, but it never feels disjointed. The production is warm and immersive, with Stills playing most of the instruments himself (because of course he does). If Déjà Vu was a collaborative masterpiece, Stephen Stills is proof that he could do just fine on his own.\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of Stephen Stills, is mastered by Bernie Grundman from the original master tape, and is pressed on 180 gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1474 …}
    -musicienOrchestre: "Stephen Stills (guitar, bass, piano, organ, steel‑drum, percussion, vocals), Eric Clapton (electric guitar), Booker T. Jones (organ), Calvin “Fuzzy” Samuels (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1602 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cZyj6GECjZ0&list=PLX66jEixZe1w8go6X07IU_IGiVfi-vu64"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 074-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Love The One You're With"
      ]
      [
        "ordre" => 2
        "nom" => "2. Do For The Others"
      ]
      [
        "ordre" => 3
        "nom" => "3. Church (Part Of Someone)"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Old Times Good Times"
      ]
      [
        "ordre" => 6
        "nom" => "2. Go Back Home"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Sit Yourself Down"
      ]
      [
        "ordre" => 9
        "nom" => "2. To A Flame"
      ]
      [
        "ordre" => 10
        "nom" => "3. Black Queen"
      ]
      [
        "ordre" => 11
        "nom" => " Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Cherokee"
      ]
      [
        "ordre" => 13
        "nom" => "2. We Are Not Helpless"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1933 …}
    -label: Proxies\__CG__\App\Entity\Label {#1915 …}
    -style: Proxies\__CG__\App\Entity\Style {#1734 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1935 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1937 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1939 …}
    -enregistreLe: DateTime @1754415261 {#1928
      date: 2025-08-05 17:34:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772960005 {#1929
      date: 2026-03-08 08:53:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1594 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1941 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stephen-stills-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-074-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2109 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3425
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2109 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3426 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3474 …}
  +isValidated: false
  +validatedFields: []
}