Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2586
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2663
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2666 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
  -formView: Symfony\Component\Form\FormView {#2702 …}
  -form: Symfony\Component\Form\Form {#2852 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 1564
    -nom: "Encores"
    -informationComplementaire: null
    -description: """
      Violinist Alfredo Campoli is accompanied by Eric Gritton for this recording of Encores by Schubert, Albeniz, Mendelssohn, Elgar, Debussy and more.\r\n
      \r\n
      Combines 2 10" records on single 12" record. (Decca LW5180 + LW5242)\r\n
      \r\n
      "A succession of encore pieces, all played with the utmost enchantment; and with the three more sentimental show-stoppers isolated on side one - so that we have no need to break the mood unless we wish. In search of more athletic achievement, we can turn over; here I think perhaps the Albeniz Tango might have been a little less athletic, a little more sentimental (and how on earth does it take two people to arrange the Fiocco piece ? the credit reads almost like one of those committees that write the not-so-good pop songs). But the search for athleticism is rewarded so fully in The Bee, and for sentiment so fully in the Fibich, Ponce, and Drdla : this is indubitably how to play encores. And, bar a surely unnecessary tape-join in the Fibich, how to record them a winning sound; and a sensible disposition of the whole on a medium-play. (for Vol.1)\r\n
      \r\n
      "He combines a knowledge of such pieces with a matured classical technique as does no other violinist I can think of, and he plays the music with sympathy and affection and immense skill. The Drdla sounds quite ravishingly beautiful... and the recording is very good indeed (for Vol..2)". - Gramophone
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Alfredo Campoli (violin), Eric Gritton (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_YU62cS_Rtw"
    -referenceProduit: "Analogphonic 43128"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "FIBICH"
        "ordre" => 1
      ]
      [
        "nom" => "1. Poeme"
        "ordre" => 2
      ]
      [
        "nom" => "PONCE"
        "ordre" => 3
      ]
      [
        "nom" => "2. Estrellita"
        "ordre" => 4
      ]
      [
        "nom" => "DRDLA"
        "ordre" => 5
      ]
      [
        "nom" => "3. Souvenir"
        "ordre" => 6
      ]
      [
        "nom" => "FIOCCO"
        "ordre" => 7
      ]
      [
        "nom" => "4. Allegro"
        "ordre" => 8
      ]
      [
        "nom" => "SCHUBERT"
        "ordre" => 9
      ]
      [
        "nom" => "5. The Bee"
        "ordre" => 10
      ]
      [
        "nom" => "ALBERNIZ"
        "ordre" => 11
      ]
      [
        "nom" => "6. Tango"
        "ordre" => 12
      ]
      [
        "nom" => "HEUBERGER"
        "ordre" => 13
      ]
      [
        "nom" => "7. Midnight Bells"
        "ordre" => 14
      ]
      [
        "nom" => "Side B : "
        "ordre" => 15
      ]
      [
        "nom" => "MENDELSSOHN"
        "ordre" => 16
      ]
      [
        "nom" => "1. On Wings of Song"
        "ordre" => 17
      ]
      [
        "nom" => "DRIGO"
        "ordre" => 18
      ]
      [
        "nom" => "2. Valse Bluette"
        "ordre" => 19
      ]
      [
        "nom" => "ELGAR"
        "ordre" => 20
      ]
      [
        "nom" => "3. La Capricieuse"
        "ordre" => 21
      ]
      [
        "nom" => "GARDNER"
        "ordre" => 22
      ]
      [
        "nom" => "4. From The Canebrake"
        "ordre" => 23
      ]
      [
        "nom" => "TRADITIONAL"
        "ordre" => 24
      ]
      [
        "nom" => "5. Deep River"
        "ordre" => 25
      ]
      [
        "nom" => "DEBUSSY"
        "ordre" => 26
      ]
      [
        "nom" => "6. Minstrels"
        "ordre" => 27
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1550130884 {#1876
      date: 2019-02-14 07:54:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759336640 {#1869
      date: 2025-10-01 16:37:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-encores-analogphonic-43128"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3126
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 1564
    -nom: "Encores"
    -informationComplementaire: null
    -description: """
      Violinist Alfredo Campoli is accompanied by Eric Gritton for this recording of Encores by Schubert, Albeniz, Mendelssohn, Elgar, Debussy and more.\r\n
      \r\n
      Combines 2 10" records on single 12" record. (Decca LW5180 + LW5242)\r\n
      \r\n
      "A succession of encore pieces, all played with the utmost enchantment; and with the three more sentimental show-stoppers isolated on side one - so that we have no need to break the mood unless we wish. In search of more athletic achievement, we can turn over; here I think perhaps the Albeniz Tango might have been a little less athletic, a little more sentimental (and how on earth does it take two people to arrange the Fiocco piece ? the credit reads almost like one of those committees that write the not-so-good pop songs). But the search for athleticism is rewarded so fully in The Bee, and for sentiment so fully in the Fibich, Ponce, and Drdla : this is indubitably how to play encores. And, bar a surely unnecessary tape-join in the Fibich, how to record them a winning sound; and a sensible disposition of the whole on a medium-play. (for Vol.1)\r\n
      \r\n
      "He combines a knowledge of such pieces with a matured classical technique as does no other violinist I can think of, and he plays the music with sympathy and affection and immense skill. The Drdla sounds quite ravishingly beautiful... and the recording is very good indeed (for Vol..2)". - Gramophone
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Alfredo Campoli (violin), Eric Gritton (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_YU62cS_Rtw"
    -referenceProduit: "Analogphonic 43128"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "FIBICH"
        "ordre" => 1
      ]
      [
        "nom" => "1. Poeme"
        "ordre" => 2
      ]
      [
        "nom" => "PONCE"
        "ordre" => 3
      ]
      [
        "nom" => "2. Estrellita"
        "ordre" => 4
      ]
      [
        "nom" => "DRDLA"
        "ordre" => 5
      ]
      [
        "nom" => "3. Souvenir"
        "ordre" => 6
      ]
      [
        "nom" => "FIOCCO"
        "ordre" => 7
      ]
      [
        "nom" => "4. Allegro"
        "ordre" => 8
      ]
      [
        "nom" => "SCHUBERT"
        "ordre" => 9
      ]
      [
        "nom" => "5. The Bee"
        "ordre" => 10
      ]
      [
        "nom" => "ALBERNIZ"
        "ordre" => 11
      ]
      [
        "nom" => "6. Tango"
        "ordre" => 12
      ]
      [
        "nom" => "HEUBERGER"
        "ordre" => 13
      ]
      [
        "nom" => "7. Midnight Bells"
        "ordre" => 14
      ]
      [
        "nom" => "Side B : "
        "ordre" => 15
      ]
      [
        "nom" => "MENDELSSOHN"
        "ordre" => 16
      ]
      [
        "nom" => "1. On Wings of Song"
        "ordre" => 17
      ]
      [
        "nom" => "DRIGO"
        "ordre" => 18
      ]
      [
        "nom" => "2. Valse Bluette"
        "ordre" => 19
      ]
      [
        "nom" => "ELGAR"
        "ordre" => 20
      ]
      [
        "nom" => "3. La Capricieuse"
        "ordre" => 21
      ]
      [
        "nom" => "GARDNER"
        "ordre" => 22
      ]
      [
        "nom" => "4. From The Canebrake"
        "ordre" => 23
      ]
      [
        "nom" => "TRADITIONAL"
        "ordre" => 24
      ]
      [
        "nom" => "5. Deep River"
        "ordre" => 25
      ]
      [
        "nom" => "DEBUSSY"
        "ordre" => 26
      ]
      [
        "nom" => "6. Minstrels"
        "ordre" => 27
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1550130884 {#1876
      date: 2019-02-14 07:54:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759336640 {#1869
      date: 2025-10-01 16:37:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-encores-analogphonic-43128"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 578
    -nom: "Gets Next To You"
    -informationComplementaire: null
    -description: """
      After the shaky start of Green Is Blues, Al Green and producer Willie Mitchell established their classic sound with Green's second album, Gets Next to You. The main difference is in the rhythm section. \r\n
      \r\n
      Abandoning the gritty syncopations of deep Southern soul, the Hi Rhythm Section plays it slow and seductive, working a sultry, steady pulse that Green exploits with his remarkable voice. Alternating between Sam Cooke's croon and Otis Redding's shout, Green develops his own distinctive style, and Gets Next to You only touches the surface of its depth. Although the album is filled with wonderful moments, few are as astonishing as Green and Mitchell's reinterpretation of the Temptations' "I Can't Get Next to You", which turns the original inside out. - Stephen Thomas Erlewine  / AMG
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Al Green (vocals), Wayne Jackson (trumpet), Ed Logan (tenor saxophone), James Mitchell (baritone saxophone), Jack Hale (trombone), Leroy Hodges (bass), Charles Hodges (keyboards), Mabon "Teenie" Hodges (guitar), Al Jackson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=brOjzy5dT24"
    -referenceProduit: "Pure Pleasure Records PPAN SHL 32062"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I Can't Get Next To You "
        "ordre" => 1
      ]
      [
        "nom" => "2. Are You Lonely For Me Baby"
        "ordre" => 2
      ]
      [
        "nom" => "3. God Is Standing By "
        "ordre" => 3
      ]
      [
        "nom" => "4. Tired Of Being Alone "
        "ordre" => 4
      ]
      [
        "nom" => "5. I'm A Ram"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Drivin' Wheel "
        "ordre" => 7
      ]
      [
        "nom" => "2. Light My Fire "
        "ordre" => 8
      ]
      [
        "nom" => "3. You Say It "
        "ordre" => 9
      ]
      [
        "nom" => "4. Right Now Right Now "
        "ordre" => 10
      ]
      [
        "nom" => "5. All Because"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#2050 …}
    -style: App\Entity\Style {#1454 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1363936381 {#2042
      date: 2013-03-22 07:13:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759335092 {#2043
      date: 2025-10-01 16:11:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-gets-next-to-you-pure-pleasure-records-ppan-shl-32062"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3240
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 578
    -nom: "Gets Next To You"
    -informationComplementaire: null
    -description: """
      After the shaky start of Green Is Blues, Al Green and producer Willie Mitchell established their classic sound with Green's second album, Gets Next to You. The main difference is in the rhythm section. \r\n
      \r\n
      Abandoning the gritty syncopations of deep Southern soul, the Hi Rhythm Section plays it slow and seductive, working a sultry, steady pulse that Green exploits with his remarkable voice. Alternating between Sam Cooke's croon and Otis Redding's shout, Green develops his own distinctive style, and Gets Next to You only touches the surface of its depth. Although the album is filled with wonderful moments, few are as astonishing as Green and Mitchell's reinterpretation of the Temptations' "I Can't Get Next to You", which turns the original inside out. - Stephen Thomas Erlewine  / AMG
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Al Green (vocals), Wayne Jackson (trumpet), Ed Logan (tenor saxophone), James Mitchell (baritone saxophone), Jack Hale (trombone), Leroy Hodges (bass), Charles Hodges (keyboards), Mabon "Teenie" Hodges (guitar), Al Jackson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=brOjzy5dT24"
    -referenceProduit: "Pure Pleasure Records PPAN SHL 32062"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I Can't Get Next To You "
        "ordre" => 1
      ]
      [
        "nom" => "2. Are You Lonely For Me Baby"
        "ordre" => 2
      ]
      [
        "nom" => "3. God Is Standing By "
        "ordre" => 3
      ]
      [
        "nom" => "4. Tired Of Being Alone "
        "ordre" => 4
      ]
      [
        "nom" => "5. I'm A Ram"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Drivin' Wheel "
        "ordre" => 7
      ]
      [
        "nom" => "2. Light My Fire "
        "ordre" => 8
      ]
      [
        "nom" => "3. You Say It "
        "ordre" => 9
      ]
      [
        "nom" => "4. Right Now Right Now "
        "ordre" => 10
      ]
      [
        "nom" => "5. All Because"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#2050 …}
    -style: App\Entity\Style {#1454 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1363936381 {#2042
      date: 2013-03-22 07:13:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759335092 {#2043
      date: 2025-10-01 16:11:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-gets-next-to-you-pure-pleasure-records-ppan-shl-32062"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2064
    -id: 2142
    -nom: "Pearls"
    -informationComplementaire: null
    -description: """
      180 gram Vinyl 45 RPM Double LP !\r\n
      \r\n
      Mastering & Lacquers Cut by Bernie Grundman at Bernie Grundman Mastering !\r\n
      \r\n
      Groove Note's latest recording artist, Aisyah, is a tremendously talented Singapore based vocalist who was recommended to them by current GRV recording star Vanessa Fernandez. The top 10 finalist in a couple of regional vocal talent shows in her late teens, Aisyah was recently based in and recording in Malaysia for several years before returning to Singapore to pursue her own independent singing and songwriting career.\r\n
      \r\n
      Groove Note is honored to have been chosen by Aisyah for her very first fully independent recording session which will also represent her first ever releases on 45 RPM Audiophile Vinyl LP and Hybrid Stereo SACD. The album was tracked and mixed on Protools HD at 24/96 by Roger Montejano, a top studio engineer from Madrid, in late November and December 2020. Pearls will be mastered by Bernie Grundman of BGM in Hollywood, CA, who will also cut the lacquers for the double 45 RPM LP.\r\n
      \r\n
      Working with a top guitarist-arranger (Sebastian Ho), Aisyah presents a mellow groove, audiophile friendly selection of contemporary and old school R&B hits and other favorites. The song selection runs the musical gamut, featuring covers of recent hits by Billie Eilish and Lianne La Havas all the way to a couple of Lou Reed and Bob Dylan classics from the '70s along with further tasty selections by the likes of Chris Isaak, Sade and Roberta Flack. Note : the music program on the album also includes a couple of superb audiophile mixes, bonus alternate takes and a stunning and dramatic rendition of the well known standard "Smile".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=57tcoDSl5Qc"
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        "nom" => "3. Pearls"
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        "nom" => "1. Walk On The Wild Side"
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        "nom" => "2. Killing Me Softly"
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      [
        "nom" => "3. Purple Rain"
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        "nom" => "3. Like A Star"
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      [
        "nom" => "Side D : "
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      [
        "nom" => "1. Knocking On Heaven's Door"
        "ordre" => 13
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      [
        "nom" => "2. Smile "
        "ordre" => 14
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      [
        "nom" => "3. Wicked Game (Audiophile Mix)"
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
    -label: Proxies\__CG__\App\Entity\Label {#2069 …}
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    -modifierLe: DateTime @1759333635 {#2062
      date: 2025-10-01 15:47:15.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3291
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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    -id: 2142
    -nom: "Pearls"
    -informationComplementaire: null
    -description: """
      180 gram Vinyl 45 RPM Double LP !\r\n
      \r\n
      Mastering & Lacquers Cut by Bernie Grundman at Bernie Grundman Mastering !\r\n
      \r\n
      Groove Note's latest recording artist, Aisyah, is a tremendously talented Singapore based vocalist who was recommended to them by current GRV recording star Vanessa Fernandez. The top 10 finalist in a couple of regional vocal talent shows in her late teens, Aisyah was recently based in and recording in Malaysia for several years before returning to Singapore to pursue her own independent singing and songwriting career.\r\n
      \r\n
      Groove Note is honored to have been chosen by Aisyah for her very first fully independent recording session which will also represent her first ever releases on 45 RPM Audiophile Vinyl LP and Hybrid Stereo SACD. The album was tracked and mixed on Protools HD at 24/96 by Roger Montejano, a top studio engineer from Madrid, in late November and December 2020. Pearls will be mastered by Bernie Grundman of BGM in Hollywood, CA, who will also cut the lacquers for the double 45 RPM LP.\r\n
      \r\n
      Working with a top guitarist-arranger (Sebastian Ho), Aisyah presents a mellow groove, audiophile friendly selection of contemporary and old school R&B hits and other favorites. The song selection runs the musical gamut, featuring covers of recent hits by Billie Eilish and Lianne La Havas all the way to a couple of Lou Reed and Bob Dylan classics from the '70s along with further tasty selections by the likes of Chris Isaak, Sade and Roberta Flack. Note : the music program on the album also includes a couple of superb audiophile mixes, bonus alternate takes and a stunning and dramatic rendition of the well known standard "Smile".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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[
  "produit" => App\Entity\Produit {#2083
    -id: 1526
    -nom: "Desert Fairy Princess"
    -informationComplementaire: null
    -description: """
      Adele Sebastian’s Desert Fairy Princess is an absolutely sublime mystical jazz masterpiece that will transcend you to places you never thought existed. Emphatically an essential must have. The mastering by Ray Staff and the pressing on 180 gram Pure Pallas Vinyl have made this title SOUND BETTER THAN THE ORIGINAL PRESSING! Not my words, but those of the masterer and label owner. Do not miss this incredible title !\r\n
      \r\n
      Adele Sebastian was an Afro American jazz flutist and singer, active from the early '70s (when she was still a teenager) until her untimely death at the age of 27 in 1983 from a kidney failure. In fact she had been depending on monthly dialysis to stay alive for years. She lived through and for the music and you can hear it on her only solo album “Desert Fairy Princess” which was first issued in 1981. The mostly acoustic instrumentation brings a very natural and therefore rather retrospective sound considering the year the album was recorded. \r\n
      \r\n
      Adele and her band pull it off right from the start as if it had been 1966 and it was time for a revolution to shake the dust from the old time jazz. In a perfect way she mixes classic American vocal jazz elements with playful and more free passages, Latin music and tribal African sounds in the lengthy and quite rhythm oriented “Man From Tanganyika” and makes the title track start with a mystical “Allahu akbar“ chant while it turns more and more into a dark and gloomy song with something like a psychedelic edge reminiscent of Pharoah Sanders on his early works. Wild rhythms from drums, percussions with tons of bells and chimes weave a thick groove carpet and conjure a magical atmosphere. Those jazz aficionados who love the mid 60's John Coltrane, his sidekick Pharoah Sanders and Alice Coltrane will go crazy for this album.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Adele Sebastian (flute, vocals), Roberto Miranda (bass),  Bobby West (piano), Rickey Kelley (marimba), "Daoude" Woods (percussion), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=s99aVWFVsNo"
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        "nom" => "1. Desert Fairy Princess"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2089 …}
    -enregistreLe: DateTime @1547975612 {#2080
      date: 2019-01-20 09:13:32.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759333381 {#2081
      date: 2025-10-01 15:43:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2091 …}
    -disponible: null
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    -slug: "vinyles-desert-fairy-princess-pure-pleasure-records-ppan-ns-680"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3342
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2083
    -id: 1526
    -nom: "Desert Fairy Princess"
    -informationComplementaire: null
    -description: """
      Adele Sebastian’s Desert Fairy Princess is an absolutely sublime mystical jazz masterpiece that will transcend you to places you never thought existed. Emphatically an essential must have. The mastering by Ray Staff and the pressing on 180 gram Pure Pallas Vinyl have made this title SOUND BETTER THAN THE ORIGINAL PRESSING! Not my words, but those of the masterer and label owner. Do not miss this incredible title !\r\n
      \r\n
      Adele Sebastian was an Afro American jazz flutist and singer, active from the early '70s (when she was still a teenager) until her untimely death at the age of 27 in 1983 from a kidney failure. In fact she had been depending on monthly dialysis to stay alive for years. She lived through and for the music and you can hear it on her only solo album “Desert Fairy Princess” which was first issued in 1981. The mostly acoustic instrumentation brings a very natural and therefore rather retrospective sound considering the year the album was recorded. \r\n
      \r\n
      Adele and her band pull it off right from the start as if it had been 1966 and it was time for a revolution to shake the dust from the old time jazz. In a perfect way she mixes classic American vocal jazz elements with playful and more free passages, Latin music and tribal African sounds in the lengthy and quite rhythm oriented “Man From Tanganyika” and makes the title track start with a mystical “Allahu akbar“ chant while it turns more and more into a dark and gloomy song with something like a psychedelic edge reminiscent of Pharoah Sanders on his early works. Wild rhythms from drums, percussions with tons of bells and chimes weave a thick groove carpet and conjure a magical atmosphere. Those jazz aficionados who love the mid 60's John Coltrane, his sidekick Pharoah Sanders and Alice Coltrane will go crazy for this album.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Adele Sebastian (flute, vocals), Roberto Miranda (bass),  Bobby West (piano), Rickey Kelley (marimba), "Daoude" Woods (percussion), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=s99aVWFVsNo"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
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    -modifierLe: DateTime @1759333381 {#2081
      date: 2025-10-01 15:43:01.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2091 …}
    -disponible: null
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    -slug: "vinyles-desert-fairy-princess-pure-pleasure-records-ppan-ns-680"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2099
    -id: 2112
    -nom: "You Gotta Pay the Band"
    -informationComplementaire: null
    -description: "You Gotta Pay The Band is the second of ten albums Abbey Lincoln recorded for Verve in the 1990s. Produced by Jean-Philippe Allard at French Polygram Jazz, this session is also arguably one of the best of her career. For one thing, the choice of colleagues was exactly right for her sense of what music should be. She asked for Stan Getz, Allard produced him, and the result is some of Getz's most deeply and gently attentive playing on record. Joined by the nonpareil pianist Hank Jones, bassist Charlie Haden, drummer Mark Johnson, and (on two songs) Maxine Roach's viola, Abbey made this a typically inspired session."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Abbey Lincoln (vocals), Stan Getz (tenor saxophone), Charlie Haden (bass), Hank Jones (piano), Maxine Roach (viola), Mark Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Apfw6jKYoxI"
    -referenceProduit: "Decca Records 1642"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. Bird Alone "
        "ordre" => 1
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      [
        "nom" => "2. I'm In Love "
        "ordre" => 2
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      [
        "nom" => "3. You Gotta Pay The Band "
        "ordre" => 3
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      [
        "nom" => "Side B : "
        "ordre" => 4
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      [
        "nom" => "1. Brother, Can You Spare A Dime ? "
        "ordre" => 5
      ]
      [
        "nom" => "2. You Made Me Funny "
        "ordre" => 6
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      [
        "nom" => "3. And How I Hoped For Your Love "
        "ordre" => 7
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      [
        "nom" => "Side C : "
        "ordre" => 8
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      [
        "nom" => "1. When I'm Called Home "
        "ordre" => 9
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      [
        "nom" => "2. Summer Wishes, Winter Dreams "
        "ordre" => 10
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      [
        "nom" => "3. Up Jumped Spring "
        "ordre" => 11
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      [
        "nom" => "Side D : "
        "ordre" => 12
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      [
        "nom" => "1. A Time For Love"
        "ordre" => 13
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …}
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      date: 2025-10-01 15:24:22.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2110 …}
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    -slug: "vinyles-you-gotta-pay-the-band-decca-records-1642"
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App\Twig\Components\GestionPanierFavoriComponents {#3393
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2099
    -id: 2112
    -nom: "You Gotta Pay the Band"
    -informationComplementaire: null
    -description: "You Gotta Pay The Band is the second of ten albums Abbey Lincoln recorded for Verve in the 1990s. Produced by Jean-Philippe Allard at French Polygram Jazz, this session is also arguably one of the best of her career. For one thing, the choice of colleagues was exactly right for her sense of what music should be. She asked for Stan Getz, Allard produced him, and the result is some of Getz's most deeply and gently attentive playing on record. Joined by the nonpareil pianist Hank Jones, bassist Charlie Haden, drummer Mark Johnson, and (on two songs) Maxine Roach's viola, Abbey made this a typically inspired session."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Abbey Lincoln (vocals), Stan Getz (tenor saxophone), Charlie Haden (bass), Hank Jones (piano), Maxine Roach (viola), Mark Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Apfw6jKYoxI"
    -referenceProduit: "Decca Records 1642"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. Bird Alone "
        "ordre" => 1
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      [
        "nom" => "2. I'm In Love "
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        "nom" => "3. You Gotta Pay The Band "
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        "nom" => "1. Brother, Can You Spare A Dime ? "
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        "nom" => "1. When I'm Called Home "
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        "nom" => "2. Summer Wishes, Winter Dreams "
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        "nom" => "3. Up Jumped Spring "
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      [
        "nom" => "Side D : "
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      ]
      [
        "nom" => "1. A Time For Love"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …}
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    }
    -modifierLe: DateTime @1759332262 {#2097
      date: 2025-10-01 15:24:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-you-gotta-pay-the-band-decca-records-1642"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
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[
  "produit" => App\Entity\Produit {#2118
    -id: 1935
    -nom: "Warm Your Heart"
    -informationComplementaire: null
    -description: """
      Aaron Neville's Warm Your Heart - double LP set, 45 RPM from Analogue Productions !\r\n
      \r\n
      Mastered from the original analog tapes by Bernie Grundman !\r\n
      \r\n
      Plating and 200 gram pressing by Quality Record Pressings !\r\n
      \r\n
      Tip-on gatefold jacket by Stoughton Printing !\r\n
      \r\n
      1991 release includes guests Linda Ronstadt, Rita Coolidge, and Ry Cooder !\r\n
      \r\n
      Plenty of warmth and charisma one of Aaron Neville's best !\r\n
      \r\n
      In his lengthy career, veteran New Orleans singer Aaron Neville recorded some five-star soul gems on classic albums from the 1960s. His first A&M date, Warm Your Heart, features a more pop-minded approach, intent on making him a major hit in the pop market (which had been exposed to him in 1989 thanks to his duets with Linda Ronstadt). Tracks like the haunting "That's the Way She Loves", the gritty "Angola Bound", and a remake of the Main Ingredient's "Everybody Plays the Fool" showed that Neville still had plenty of vocal thrills and charm.\r\n
      \r\n
      For our Analogue Productions 200 gram reissue of this classic record, the hallmarks you've come to expect, nay demand, for perfect vinyl are all here: Bernie Grundman provided the mastering from the original analog tape, the 200 gram flat, silent vinyl was pressed by Gary Salstrom and his crew at Quality Record Pressings, and no less than an old-style tip-on gatefold jacket from Stoughton Printing would merit use in a project this special.\r\n
      \r\n
      Producer Linda Ronstadt sings on four songs on the album and Grammy Award winner Rita Coolidge sings on three. Other guests include slide guitarist Ry Cooder, saxophonist Plas Johnson, Bob Seger, Dr. John, Bob Glaub and Dean Parks.\r\n
      \r\n
      In their four-star review Rolling Stone said that Neville "must have taken the meaning of the gospel deep into his heart". The New York Times review stated that the "solo album debut of the great New Orleans soul singer has the year's most sublime pop vocals". The album reached N° 44 on the American Billboard 200 album chart, and achieved platinum status. In Canada, the album reached N° 25 on the Album Charts and achieved gold status.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Aaron Neville (vocals), Linda Ronstadt, Rita Coolidge, Bob Seger (backing vocals), Ry Cooder (guitar), Dr. John (piano), Plas Johnson (tenor saxophone), Dean Parks (guitar), Jim Keltner (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DDlo0-yaMhY"
    -referenceProduit: "Analogue Productions AAPP 132-45"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Louisiana 1927 "
        "ordre" => 1
      ]
      [
        "nom" => "2. Everybody Plays The Fool "
        "ordre" => 2
      ]
      [
        "nom" => "3. It Feels Like Rain"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Somewhere, Somebody "
        "ordre" => 5
      ]
      [
        "nom" => "2. Don't Go Please Stay "
        "ordre" => 6
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        "nom" => "3. With You In Mind "
        "ordre" => 7
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      [
        "nom" => "4. That's The Way She Loves"
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      ]
      [
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      ]
      [
        "nom" => "1. Angola Bound "
        "ordre" => 10
      ]
      [
        "nom" => "2. Close Your Eyes "
        "ordre" => 11
      ]
      [
        "nom" => "3. La Vie Dansante"
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
      [
        "nom" => "1. Warm Your Heart "
        "ordre" => 14
      ]
      [
        "nom" => "2. I Bid You Goodnight "
        "ordre" => 15
      ]
      [
        "nom" => "3. Ave Maria"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2120 …}
    -label: Proxies\__CG__\App\Entity\Label {#2123 …}
    -style: App\Entity\Style {#1452 …}
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    }
    -modifierLe: DateTime @1759331299 {#2116
      date: 2025-10-01 15:08:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2129 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-warm-your-heart-analogue-productions-aapp-132-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3444
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2118
    -id: 1935
    -nom: "Warm Your Heart"
    -informationComplementaire: null
    -description: """
      Aaron Neville's Warm Your Heart - double LP set, 45 RPM from Analogue Productions !\r\n
      \r\n
      Mastered from the original analog tapes by Bernie Grundman !\r\n
      \r\n
      Plating and 200 gram pressing by Quality Record Pressings !\r\n
      \r\n
      Tip-on gatefold jacket by Stoughton Printing !\r\n
      \r\n
      1991 release includes guests Linda Ronstadt, Rita Coolidge, and Ry Cooder !\r\n
      \r\n
      Plenty of warmth and charisma one of Aaron Neville's best !\r\n
      \r\n
      In his lengthy career, veteran New Orleans singer Aaron Neville recorded some five-star soul gems on classic albums from the 1960s. His first A&M date, Warm Your Heart, features a more pop-minded approach, intent on making him a major hit in the pop market (which had been exposed to him in 1989 thanks to his duets with Linda Ronstadt). Tracks like the haunting "That's the Way She Loves", the gritty "Angola Bound", and a remake of the Main Ingredient's "Everybody Plays the Fool" showed that Neville still had plenty of vocal thrills and charm.\r\n
      \r\n
      For our Analogue Productions 200 gram reissue of this classic record, the hallmarks you've come to expect, nay demand, for perfect vinyl are all here: Bernie Grundman provided the mastering from the original analog tape, the 200 gram flat, silent vinyl was pressed by Gary Salstrom and his crew at Quality Record Pressings, and no less than an old-style tip-on gatefold jacket from Stoughton Printing would merit use in a project this special.\r\n
      \r\n
      Producer Linda Ronstadt sings on four songs on the album and Grammy Award winner Rita Coolidge sings on three. Other guests include slide guitarist Ry Cooder, saxophonist Plas Johnson, Bob Seger, Dr. John, Bob Glaub and Dean Parks.\r\n
      \r\n
      In their four-star review Rolling Stone said that Neville "must have taken the meaning of the gospel deep into his heart". The New York Times review stated that the "solo album debut of the great New Orleans soul singer has the year's most sublime pop vocals". The album reached N° 44 on the American Billboard 200 album chart, and achieved platinum status. In Canada, the album reached N° 25 on the Album Charts and achieved gold status.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Aaron Neville (vocals), Linda Ronstadt, Rita Coolidge, Bob Seger (backing vocals), Ry Cooder (guitar), Dr. John (piano), Plas Johnson (tenor saxophone), Dean Parks (guitar), Jim Keltner (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DDlo0-yaMhY"
    -referenceProduit: "Analogue Productions AAPP 132-45"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Louisiana 1927 "
        "ordre" => 1
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        "nom" => "2. Everybody Plays The Fool "
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      [
        "nom" => "3. It Feels Like Rain"
        "ordre" => 3
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      [
        "nom" => "Side B : "
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      ]
      [
        "nom" => "1. Somewhere, Somebody "
        "ordre" => 5
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        "nom" => "2. Don't Go Please Stay "
        "ordre" => 6
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      [
        "nom" => "3. With You In Mind "
        "ordre" => 7
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      [
        "nom" => "4. That's The Way She Loves"
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      [
        "nom" => "Side C : "
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      [
        "nom" => "1. Angola Bound "
        "ordre" => 10
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      [
        "nom" => "2. Close Your Eyes "
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      [
        "nom" => "3. La Vie Dansante"
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      [
        "nom" => "Side D : "
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      [
        "nom" => "1. Warm Your Heart "
        "ordre" => 14
      ]
      [
        "nom" => "2. I Bid You Goodnight "
        "ordre" => 15
      ]
      [
        "nom" => "3. Ave Maria"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2120 …}
    -label: Proxies\__CG__\App\Entity\Label {#2123 …}
    -style: App\Entity\Style {#1452 …}
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    -modifierLe: DateTime @1759331299 {#2116
      date: 2025-10-01 15:08:19.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2129 …}
    -disponible: null
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    -slug: "vinyles-warm-your-heart-analogue-productions-aapp-132-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2137
    -id: 606
    -nom: "All Night Long (Mono)"
    -informationComplementaire: null
    -description: """
      - For sale individually and as part of Analogue Productions’ Prestige Mono Series !\r\n
      - Cut from the analogue masters by renowned mastering engineer Kevin Gray !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      - Deluxe high-gloss tip-on album jacket !\r\n
      \r\n
      "...they attempt to be as faithful to the original LPs as possible. They are remastered from the original mono or stereo tapes, come in authentic glossy 'tip-on' jackets, retain the flat edge of original pressings, and even have the 'deep groove' from the stamper in the label area. What they don't have is the cost of original pressings. So many of the titles in the series fall into the several-hundred-dollar range in near-mint condition, a few topping out in the thousands, making the $30 price of each Analogue Productions LP seem like a bargain if they deliver sonically, which they do in abundance. ... both (this title and Coltrane were pressed at Quality Record Pressings (QRP) and continue the excellence for which this newest pressing plant has become known: nonexistent surface and groove noise and the sharp delineation of musical detail. ... with these latest Prestige LPs, Analogue Productions has attained a rare trifecta : authentic look, authentic sound, and authentic manufacturing". - Music = 3.5/5; Sound = 3.5/5 - Marc Mickelson, The Audio Beat, Feb. 12, 2013. To read the entire review click here: http://www.theaudiobeat.com/music/all_night_long_coltrane_lp.htm\r\n
      \r\n
      "The mono sound is pure of tone and wonderfully balanced, which adds to the sense of camaraderie that permeates this session". Sonics = 4/5; Music = 4/5 - Wayne Garcia, The Absolute Sound, January 2013\r\n
      \r\n
      "Recorded by Rudy Van Gelder in glorious mono in his parents' Hackensack New Jersey living room, the sound is excellent ... Analogue Productions and Kevin Gray have done a fine job in remastering the tapes, and the packaging is gorgeous". Recording = 8/10; Music = 9/10 - Dennis D. Davis, Hi-Fi +, Issue 92\r\n
      \r\n
      One of the great jam session recordings of the 1950s, All Night Long was under the relaxed direction of Kenny Burrell. The guitarist gathered together some of the finest young players on the New York scene, including Donald Byrd on trumpet and tenor saxophonists Hank Mobley and Jerome Richardson, one of the unsung heroes of the flute in jazz. Mal Waldron, Doug Watkins and Arthur Taylor were the rhythm section. The musical formats were uncomplicated; "All Night Long" a blues with a bridge, Waldron’s "Flickers" a 16-bar pattern, Mobley’s two originals based on familiar 32-bar chord sequences. From these simple, classic bases were launched performances with the hallmarks that have long identified any Burrell project: Relaxation, swing and high standards of musicianship.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Hank Mobley (tenor saxophone), Doug Watkins (bass), Donald Byrd (trumpet), Jerome Richardson (flute, tenor saxophone), Kenny Burrell (guitar), Mal Waldron (piano), Arthur Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=bHGcPnPS2pw"
    -referenceProduit: "Analogue Productions APRJ 7073"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. All Night Long"
        "ordre" => 1
      ]
      [
        "nom" => "Side B : "
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      [
        "nom" => "1. Boo-Lu"
        "ordre" => 3
      ]
      [
        "nom" => "2. Flickers"
        "ordre" => 4
      ]
      [
        "nom" => "3. Lil' Hankie"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2141 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2143 …}
    -enregistreLe: DateTime @1368377168 {#2134
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    -modifierLe: DateTime @1759158064 {#2135
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2145 …}
    -disponible: null
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    -slug: "vinyles-all-night-long-mono-analogue-productions-aprj-7073"
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App\Twig\Components\GestionPanierFavoriComponents {#3495
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2137
    -id: 606
    -nom: "All Night Long (Mono)"
    -informationComplementaire: null
    -description: """
      - For sale individually and as part of Analogue Productions’ Prestige Mono Series !\r\n
      - Cut from the analogue masters by renowned mastering engineer Kevin Gray !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      - Deluxe high-gloss tip-on album jacket !\r\n
      \r\n
      "...they attempt to be as faithful to the original LPs as possible. They are remastered from the original mono or stereo tapes, come in authentic glossy 'tip-on' jackets, retain the flat edge of original pressings, and even have the 'deep groove' from the stamper in the label area. What they don't have is the cost of original pressings. So many of the titles in the series fall into the several-hundred-dollar range in near-mint condition, a few topping out in the thousands, making the $30 price of each Analogue Productions LP seem like a bargain if they deliver sonically, which they do in abundance. ... both (this title and Coltrane were pressed at Quality Record Pressings (QRP) and continue the excellence for which this newest pressing plant has become known: nonexistent surface and groove noise and the sharp delineation of musical detail. ... with these latest Prestige LPs, Analogue Productions has attained a rare trifecta : authentic look, authentic sound, and authentic manufacturing". - Music = 3.5/5; Sound = 3.5/5 - Marc Mickelson, The Audio Beat, Feb. 12, 2013. To read the entire review click here: http://www.theaudiobeat.com/music/all_night_long_coltrane_lp.htm\r\n
      \r\n
      "The mono sound is pure of tone and wonderfully balanced, which adds to the sense of camaraderie that permeates this session". Sonics = 4/5; Music = 4/5 - Wayne Garcia, The Absolute Sound, January 2013\r\n
      \r\n
      "Recorded by Rudy Van Gelder in glorious mono in his parents' Hackensack New Jersey living room, the sound is excellent ... Analogue Productions and Kevin Gray have done a fine job in remastering the tapes, and the packaging is gorgeous". Recording = 8/10; Music = 9/10 - Dennis D. Davis, Hi-Fi +, Issue 92\r\n
      \r\n
      One of the great jam session recordings of the 1950s, All Night Long was under the relaxed direction of Kenny Burrell. The guitarist gathered together some of the finest young players on the New York scene, including Donald Byrd on trumpet and tenor saxophonists Hank Mobley and Jerome Richardson, one of the unsung heroes of the flute in jazz. Mal Waldron, Doug Watkins and Arthur Taylor were the rhythm section. The musical formats were uncomplicated; "All Night Long" a blues with a bridge, Waldron’s "Flickers" a 16-bar pattern, Mobley’s two originals based on familiar 32-bar chord sequences. From these simple, classic bases were launched performances with the hallmarks that have long identified any Burrell project: Relaxation, swing and high standards of musicianship.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Hank Mobley (tenor saxophone), Doug Watkins (bass), Donald Byrd (trumpet), Jerome Richardson (flute, tenor saxophone), Kenny Burrell (guitar), Mal Waldron (piano), Arthur Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
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[
  "produit" => App\Entity\Produit {#2153
    -id: 2485
    -nom: "Now's The Time"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
      - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n
      \r\n
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      \r\n
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      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Charlie Parker (alto saxophone), Percy Heath, Teddy Kotick (bass),  Al Haig, Hank Jones (piano), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=iTEkrQaYPPM"
    -referenceProduit: "Verve Records 4652"
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        "ordre" => 6
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      [
        "nom" => "Side B : "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2155 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2164 …}
    -disponible: null
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    -slug: "vinyles-now-s-the-time-verve-records-4652"
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App\Twig\Components\GestionPanierFavoriComponents {#3546
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2153
    -id: 2485
    -nom: "Now's The Time"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
      - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n
      \r\n
      This 1957 release, the third in a series of albums expanding on Bird's 10" Clef releases from the early 1950's, Now's The Time boasts some of Parker's purest recordings and strongest playing, featuring two different quartets.\r\n
      \r\n
      His lyrical and fluid improvisations on cuts such as "The Song Is You" and "Laird Baird" are on full display, prime examples of his unmatched genius. The Verve By Request Series features 180 gram vinyl, pressed at Third Man Pressing in Detroit.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Charlie Parker (alto saxophone), Percy Heath, Teddy Kotick (bass),  Al Haig, Hank Jones (piano), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2155 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-now-s-the-time-verve-records-4652"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2174
    -id: 935
    -nom: "The Getaway"
    -informationComplementaire: null
    -description: """
      - 140 gram (2 LP) black vinyl !\r\n
      - Eleventh studio album from the multi-platinum Grammy-winning rockers !\r\n
      - First new studio album since 2011's I'm With You !\r\n
      \r\n
      Produced by Danger Mouse, who replaces Rick Rubin after 25 years and six albums as the band's producer, The Getaway is the first non-Rubin produced album since 1989's Mother's Milk.\r\n
      \r\n
      Production on the album began in 2014, but a delay ensued for eight months due to bassist Flea suffering a broken arm from snowboarding.\r\n
      \r\n
      Lead vocalist Anthony Kiedis says : "We had an unusually difficult experience making this record where we wrote 20-30 songs and it was all ready to go and we thought it was happening, and then Flea went snowboarding and broke his arm real bad, which was a bit of a setback... So we re-thought everything and then we didn't have a producer and we were just sort of lost in space with all these songs. And lo and behold it was meant to be, as these things can be, and when all the dust settled Brian Burton, aka Danger Mouse, emerged and said, 'Let's go make a record'. We were like 'Great, we have all these songs' and he was like 'Leave those there, let's go write new songs in the studio'. Initially there was an affinity and a marriage to all these other songs, but the only way that we saw this working was to have trust in him and get rid of our old ideas and our old way of doing things and say 'If this is going to work, we just have to throw ourselves off the cliff and see what happens'".\r\n
      \r\n
      Kiedis in a May 9, 2016 interview on BBC Radio 2 said of the album that lyrically many of the songs were influenced by a two year relationship that fell apart like a nuclear bomb and that his favorite song is "The Getaway".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Anthony Kiedis (lead vocals), Josh Klinghoffer (guitars, backup vocals), Flea (bass, piano), Chad Smith (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1116 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5w4d_mmJOGM"
    -referenceProduit: "Warner Brothers Records 555239"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
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      [
        "nom" => "1. The Getaway"
        "ordre" => 1
      ]
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        "nom" => "2. Dark Necessities"
        "ordre" => 2
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        "nom" => "3. We Turn Red"
        "ordre" => 3
      ]
      [
        "nom" => "4. The Longest Wave"
        "ordre" => 4
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
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        "nom" => "1. Goodbye Angels"
        "ordre" => 6
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      [
        "nom" => "2. Sick Love"
        "ordre" => 7
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      [
        "nom" => "3. Go Robot"
        "ordre" => 8
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        "nom" => "Side C :"
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        "nom" => "1. Feasting on the Flowers"
        "ordre" => 10
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      [
        "nom" => "2. Detroit"
        "ordre" => 11
      ]
      [
        "nom" => "3. This Ticonderoga"
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
      [
        "nom" => "1. Encore"
        "ordre" => 14
      ]
      [
        "nom" => "2. The Hunter"
        "ordre" => 15
      ]
      [
        "nom" => "3. Dreams of a Samurai"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
    -label: Proxies\__CG__\App\Entity\Label {#2179 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …}
    -enregistreLe: DateTime @1463386223 {#2170
      date: 2016-05-16 08:10:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759149586 {#2169
      date: 2025-09-29 12:39:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
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    -slug: "vinyles-the-getaway-warner-brothers-records-555239"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3597
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2174
    -id: 935
    -nom: "The Getaway"
    -informationComplementaire: null
    -description: """
      - 140 gram (2 LP) black vinyl !\r\n
      - Eleventh studio album from the multi-platinum Grammy-winning rockers !\r\n
      - First new studio album since 2011's I'm With You !\r\n
      \r\n
      Produced by Danger Mouse, who replaces Rick Rubin after 25 years and six albums as the band's producer, The Getaway is the first non-Rubin produced album since 1989's Mother's Milk.\r\n
      \r\n
      Production on the album began in 2014, but a delay ensued for eight months due to bassist Flea suffering a broken arm from snowboarding.\r\n
      \r\n
      Lead vocalist Anthony Kiedis says : "We had an unusually difficult experience making this record where we wrote 20-30 songs and it was all ready to go and we thought it was happening, and then Flea went snowboarding and broke his arm real bad, which was a bit of a setback... So we re-thought everything and then we didn't have a producer and we were just sort of lost in space with all these songs. And lo and behold it was meant to be, as these things can be, and when all the dust settled Brian Burton, aka Danger Mouse, emerged and said, 'Let's go make a record'. We were like 'Great, we have all these songs' and he was like 'Leave those there, let's go write new songs in the studio'. Initially there was an affinity and a marriage to all these other songs, but the only way that we saw this working was to have trust in him and get rid of our old ideas and our old way of doing things and say 'If this is going to work, we just have to throw ourselves off the cliff and see what happens'".\r\n
      \r\n
      Kiedis in a May 9, 2016 interview on BBC Radio 2 said of the album that lyrically many of the songs were influenced by a two year relationship that fell apart like a nuclear bomb and that his favorite song is "The Getaway".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Anthony Kiedis (lead vocals), Josh Klinghoffer (guitars, backup vocals), Flea (bass, piano), Chad Smith (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1116 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=5w4d_mmJOGM"
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        "ordre" => 4
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        "ordre" => 6
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        "ordre" => 7
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      [
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        "nom" => "1. Feasting on the Flowers"
        "ordre" => 10
      ]
      [
        "nom" => "2. Detroit"
        "ordre" => 11
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      [
        "nom" => "3. This Ticonderoga"
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
      [
        "nom" => "1. Encore"
        "ordre" => 14
      ]
      [
        "nom" => "2. The Hunter"
        "ordre" => 15
      ]
      [
        "nom" => "3. Dreams of a Samurai"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
    -label: Proxies\__CG__\App\Entity\Label {#2179 …}
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    -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …}
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      date: 2025-09-29 12:39:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
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    -slug: "vinyles-the-getaway-warner-brothers-records-555239"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2193
    -id: 2477
    -nom: "Hard Groove"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Keith Anderson, Jacques Schwarz-Bart (saxophone), James Poyser, Bobby Sparks, Bernard Wright (keyboards), Spanky (Chalmers Alford), Cornell Dupree (guitar), Pino Palladino, Reggie Washington (bass), Willie Jones III, Jason Thomas (drums), Erykah Badu, Renee Neufville, Shelby Johnson, Stephanie McKay, Q-Tip, Anthony Hamilton, Common (vocals), Steve Coleman (alto saxophone), Karl Denson (flute), Meshell Ndegeocello (flute).\r\n
      \r\n
      - 180 gram vinyl !\r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
      - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n
      \r\n
      With this reissue, Verve By Request celebrates the 20th anniversary of this landmark, genre-busting album, conceived, led, and produced by trumpeter Roy Hargrove, who considered it a tribute to his childhood love of hip hop. Featuring a 10 piece band, special guests include D'Angelo, Q-Tip, Erykah Badu and Anthony Hamilton. The Verve By Request Series features 180 gram vinyl, pressed at Third Man Pressing in Detroit.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Keith Anderson, Jacques Schwarz-Bart (saxophone), James Poyser, Bobby Sparks, Bernard Wright (keyboards), Spanky (Chalmers Alford), Cornell Dupree (guitar), Pino Palladino, Reggie Washington (bass), Willie Jones III, Jason Thomas (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=NfILgLkfnMs"
    -referenceProduit: "Verve Records 4445"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Hardgroove"
        "ordre" => 1
      ]
      [
        "nom" => "2. Common Free Style"
        "ordre" => 2
      ]
      [
        "nom" => "3. I'll Stay"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
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        "nom" => "1. Forget Regret"
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      [
        "nom" => "2. Juicy"
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      [
        "nom" => "3. The Stroke"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
    -label: Proxies\__CG__\App\Entity\Label {#2158 …}
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    -modifierLe: DateTime @1759148843 {#2191
      date: 2025-09-29 12:27:23.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3648
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2193
    -id: 2477
    -nom: "Hard Groove"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Keith Anderson, Jacques Schwarz-Bart (saxophone), James Poyser, Bobby Sparks, Bernard Wright (keyboards), Spanky (Chalmers Alford), Cornell Dupree (guitar), Pino Palladino, Reggie Washington (bass), Willie Jones III, Jason Thomas (drums), Erykah Badu, Renee Neufville, Shelby Johnson, Stephanie McKay, Q-Tip, Anthony Hamilton, Common (vocals), Steve Coleman (alto saxophone), Karl Denson (flute), Meshell Ndegeocello (flute).\r\n
      \r\n
      - 180 gram vinyl !\r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
      - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n
      \r\n
      With this reissue, Verve By Request celebrates the 20th anniversary of this landmark, genre-busting album, conceived, led, and produced by trumpeter Roy Hargrove, who considered it a tribute to his childhood love of hip hop. Featuring a 10 piece band, special guests include D'Angelo, Q-Tip, Erykah Badu and Anthony Hamilton. The Verve By Request Series features 180 gram vinyl, pressed at Third Man Pressing in Detroit.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Keith Anderson, Jacques Schwarz-Bart (saxophone), James Poyser, Bobby Sparks, Bernard Wright (keyboards), Spanky (Chalmers Alford), Cornell Dupree (guitar), Pino Palladino, Reggie Washington (bass), Willie Jones III, Jason Thomas (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=NfILgLkfnMs"
    -referenceProduit: "Verve Records 4445"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Hardgroove"
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        "nom" => "2. Common Free Style"
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        "nom" => "3. I'll Stay"
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        "nom" => "4. Kwah / Home"
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        "nom" => "Side D : "
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      [
        "nom" => "2. Juicy"
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        "ordre" => 17
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
    -label: Proxies\__CG__\App\Entity\Label {#2158 …}
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      date: 2025-09-29 12:27:23.0 UTC (+00:00)
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2211
    -id: 1718
    -nom: "First and Last and Always - Re-release"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      - Paint It Black: 1985 Debut Is Penultimate Goth-Rock Album !\r\n
      - Andrew Eldritch's Ghostly Vocals, Static Beats, Melodic Guitar Jangle Create Hauntingly Atmospheric Soundscapes !\r\n
      - Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI : First Time Any Sisters of Mercy Record Given Audiophile Treatment on LP !\r\n
      - 1/2" / 30 IPS analog master to analog console to lathe !\r\n
      \r\n
      The template for all goth-rock records that followed, Sisters of Mercy's First And Last And Always stands as one of the if not the most influential albums of its kind ever released. Distinguished by Andrew Eldritch's ghostly singing, which gives the impression of hearing a forlorn ghoul croon from a foggy English graveyard, the 1985 set is drenched in gloom, claustrophobia, black humor, and dance-ready beats that provide exhilarating contrasts. Fans of the Cure, Depeche Mode, Love and Rockets, Peter Murphy, mid-period Nick Cave, and Joy Division will find it to be a new favorite record.\r\n
      \r\n
      Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, Silver Label numbered-edition LP presents First And Last And Always with a fuller, richer sound that positively obliterates the thin, feeble sonic perspectives that have limited the music until now. Every aspect from Eldritch's haunting singing to the group's jangling guitars and prancing bass lines finally gain genuine definition. Yet what's most improved is the sense of atmosphere: Sisters of Mercy revel in painting tone poems, where the feel and effect are as essential as the notes that are played. This is now an atmospheric tour de force.\r\n
      \r\n
      Ever since it's release, First And Last And Always has been aptly shrouded in mythology. Eldritch pushed the envelope during the recording sessions, literally walking into walls and repeatedly unable to maintain his focus. Strung out on amphetamines, dazed by days of no sleep, upset by a recent breakup, and eating little, the vocalist channeled his discord into somber lyrics and brooding singing. He's framed by pulsing albeit lean, spare rhythms, patient tempos, and the clatter of a programmed drum machine that, in spite of its mechanical operation, sounds strangely organic. The songs evoke wet dungeons, walls-closing-in paranoia, and late-night strolls amidst the U.K.'s mysterious underground.\r\n
      \r\n
      Despite its overall dark character, the record's arrangements value spaciousness, putting a premium on room and minimalism that makes each note count. As a result, twinkling pianos and keyboards parallel steel-cutting guitars and low-tuned bass lines that, in combination with Eldrtich's baritone, suggest glimmers of hope among the decay. Songs such as the shaking "Possession", dramatic "Some Kind of Stranger", and desperate "Marian" remain models of the gothic and post-punk disciplines more than 25 years after their debut. It's no surprise that, given all of the tension and personality that infuse the album, Sisters of Mercy disbanded just months after its release.\r\n
      \r\n
      It's unlikely that any goth-rock album has ever sounded this good. This MoFi Silver Label LP will turn your room into rainy, dreary England, circa 1985, and expose you to one of the most harrowing vocal performances on record.\r\n
      \r\n
      "The lead track, "Black Planet", showcases the new remastering to full effect. The song features an all-encompassing bass rhythm that, with every strike, infects the tune like mustard gas unleashed in a trench. On a poor master, the bass would threaten to suffocate the rest of the arrangement. But Mobile Fidelity keeps it in check with a distinct, sparkling, upper-mid sensitive guitar; the bass merrily sits on the edge of the soundstage". – Paul Rigby, TONE Audio, Issue 38, June 2011
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Andrew Eldritch (vocals), Wayne Hussey (guitar, vocals), Craig Adams (bass guitar), Gary Marx (guitar), Doktor Avalanche (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Lq-i6d86leg"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-006"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. Black Planet"
        "ordre" => 1
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      [
        "nom" => "2. Walk Away"
        "ordre" => 2
      ]
      [
        "nom" => "3. No Time to Cry"
        "ordre" => 3
      ]
      [
        "nom" => "4. A Rock And A Hard Place"
        "ordre" => 4
      ]
      [
        "nom" => "5. Marian (Version)"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. First And Last And Always"
        "ordre" => 7
      ]
      [
        "nom" => "2. Possession"
        "ordre" => 8
      ]
      [
        "nom" => "3. Nine While Nine"
        "ordre" => 9
      ]
      [
        "nom" => "4. Amphetamine Logic"
        "ordre" => 10
      ]
      [
        "nom" => "5. Some Kind Of Stranger"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2213 …}
    -label: Proxies\__CG__\App\Entity\Label {#2216 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2225 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2218 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2220 …}
    -enregistreLe: DateTime @1564932555 {#2207
      date: 2019-08-04 15:29:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759148185 {#2206
      date: 2025-09-29 12:16:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2222 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-first-and-last-and-always-re-release-mobile-fidelity-sound-lab-mofi-1-006"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3699
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2211
    -id: 1718
    -nom: "First and Last and Always - Re-release"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      - Paint It Black: 1985 Debut Is Penultimate Goth-Rock Album !\r\n
      - Andrew Eldritch's Ghostly Vocals, Static Beats, Melodic Guitar Jangle Create Hauntingly Atmospheric Soundscapes !\r\n
      - Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI : First Time Any Sisters of Mercy Record Given Audiophile Treatment on LP !\r\n
      - 1/2" / 30 IPS analog master to analog console to lathe !\r\n
      \r\n
      The template for all goth-rock records that followed, Sisters of Mercy's First And Last And Always stands as one of the if not the most influential albums of its kind ever released. Distinguished by Andrew Eldritch's ghostly singing, which gives the impression of hearing a forlorn ghoul croon from a foggy English graveyard, the 1985 set is drenched in gloom, claustrophobia, black humor, and dance-ready beats that provide exhilarating contrasts. Fans of the Cure, Depeche Mode, Love and Rockets, Peter Murphy, mid-period Nick Cave, and Joy Division will find it to be a new favorite record.\r\n
      \r\n
      Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, Silver Label numbered-edition LP presents First And Last And Always with a fuller, richer sound that positively obliterates the thin, feeble sonic perspectives that have limited the music until now. Every aspect from Eldritch's haunting singing to the group's jangling guitars and prancing bass lines finally gain genuine definition. Yet what's most improved is the sense of atmosphere: Sisters of Mercy revel in painting tone poems, where the feel and effect are as essential as the notes that are played. This is now an atmospheric tour de force.\r\n
      \r\n
      Ever since it's release, First And Last And Always has been aptly shrouded in mythology. Eldritch pushed the envelope during the recording sessions, literally walking into walls and repeatedly unable to maintain his focus. Strung out on amphetamines, dazed by days of no sleep, upset by a recent breakup, and eating little, the vocalist channeled his discord into somber lyrics and brooding singing. He's framed by pulsing albeit lean, spare rhythms, patient tempos, and the clatter of a programmed drum machine that, in spite of its mechanical operation, sounds strangely organic. The songs evoke wet dungeons, walls-closing-in paranoia, and late-night strolls amidst the U.K.'s mysterious underground.\r\n
      \r\n
      Despite its overall dark character, the record's arrangements value spaciousness, putting a premium on room and minimalism that makes each note count. As a result, twinkling pianos and keyboards parallel steel-cutting guitars and low-tuned bass lines that, in combination with Eldrtich's baritone, suggest glimmers of hope among the decay. Songs such as the shaking "Possession", dramatic "Some Kind of Stranger", and desperate "Marian" remain models of the gothic and post-punk disciplines more than 25 years after their debut. It's no surprise that, given all of the tension and personality that infuse the album, Sisters of Mercy disbanded just months after its release.\r\n
      \r\n
      It's unlikely that any goth-rock album has ever sounded this good. This MoFi Silver Label LP will turn your room into rainy, dreary England, circa 1985, and expose you to one of the most harrowing vocal performances on record.\r\n
      \r\n
      "The lead track, "Black Planet", showcases the new remastering to full effect. The song features an all-encompassing bass rhythm that, with every strike, infects the tune like mustard gas unleashed in a trench. On a poor master, the bass would threaten to suffocate the rest of the arrangement. But Mobile Fidelity keeps it in check with a distinct, sparkling, upper-mid sensitive guitar; the bass merrily sits on the edge of the soundstage". – Paul Rigby, TONE Audio, Issue 38, June 2011
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Andrew Eldritch (vocals), Wayne Hussey (guitar, vocals), Craig Adams (bass guitar), Gary Marx (guitar), Doktor Avalanche (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Lq-i6d86leg"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-006"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Black Planet"
        "ordre" => 1
      ]
      [
        "nom" => "2. Walk Away"
        "ordre" => 2
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      [
        "nom" => "3. No Time to Cry"
        "ordre" => 3
      ]
      [
        "nom" => "4. A Rock And A Hard Place"
        "ordre" => 4
      ]
      [
        "nom" => "5. Marian (Version)"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. First And Last And Always"
        "ordre" => 7
      ]
      [
        "nom" => "2. Possession"
        "ordre" => 8
      ]
      [
        "nom" => "3. Nine While Nine"
        "ordre" => 9
      ]
      [
        "nom" => "4. Amphetamine Logic"
        "ordre" => 10
      ]
      [
        "nom" => "5. Some Kind Of Stranger"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2213 …}
    -label: Proxies\__CG__\App\Entity\Label {#2216 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2225 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2218 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2220 …}
    -enregistreLe: DateTime @1564932555 {#2207
      date: 2019-08-04 15:29:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759148185 {#2206
      date: 2025-09-29 12:16:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2222 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-first-and-last-and-always-re-release-mobile-fidelity-sound-lab-mofi-1-006"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2230
    -id: 786
    -nom: "Spinners"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      Sweeping Strings, Funk Rhythms, Brassy Rejoinders, Immaculate Harmonies, and Satiny Lead Singing Fill Thom Bell's Melodic Arrangements : Few Albums Sound Creamier Than This Watershed Effort !\r\n
      \r\n
      The timeless music and expert arrangements are about the only things smoother than the powder-blue suits sported by the Spinners on the cover of their resplendent self-titled 1972 record. The band's first album for Atlantic after departing Motown, Spinners ranks as an all-time soul classic a filler-free set boasting immaculate harmonies, sweet melodies, and impeccably matched vocals. Thom Bell's flawless production puts it all over the top. Yielding an ideal balance of lushness and grit, the collaboration between the Detroit-based group and studio veteran yielded a record that birthed the celebrated Philadelphia Sound. Now, you can finally experience it in audiophile-grade sonics.\r\n
      \r\n
      While the career-defining performances within the grooves cannot be overlooked, Spinners remains equally notable for its historical importance. At the dawn of the 70s, Motown still held sway as the dominant soul style. Yet the Spinners' decision to move to Atlantic prompted by a suggestion by Aretha Franklin and refashion their approach with Bell signaled a sea change that ushered in a smoother, sweeter variety of R&B punctuated with sweeping strings, jazzy flourishes, brassy replies, and funk rhythms. Few, if any, vocal groups mesh these traits more convincingly, pleasingly, and naturally than the Spinners on this watershed effort.\r\n
      \r\n
      Anchored by Top 5 smashes like "Could It Be I'm Falling In Love", Spinners signaled the beginning of a partnership with Bell that lasted seven years and elevated the band to stardom. Indeed, even in spite of the four hit singles, the record remains defined by an artistic consistency, watertight focus, and collective unity that make everything here deserving of close attention. Flush with catchy hooks and pop accents, each song is treated as a potential anthem. Laden with depth and richness, Bell's savvy, wide-open arrangements frame the Spinners' satiny singing with sensual class and refined delicacy.\r\n
      \r\n
      Heaven-sent voices do the rest. Making his first appearance on record as a member, Philippe Wynne treats the carefully honed material as a breakout session for his dulcet tenor on tracks such as "One of a Kind (Love Affair)". Not to be outdone, the equally measured Bobbie Smith mesmerizes with his deft phrasing, reedy timbre, and sparkling clarity, never finer than on the million-selling "I'll Be Around". Solo or paired together, Wynne and Smith's glorious leads run the gamut from upbeat and optimistic to sad and forlorn, forming the backbone of a masterwork that addresses romance "Just You and Me Baby", regret "How Could I Let You Get Away", and social ills "Ghetto Child" with consummate passion.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Billy Henderson, Bobby Smith, Phillipe Winne (vocals), Bobby Hartzell, Rocco Bene (trumpet), Ronnie Baker (bass), Thom Bell (piano), Bobby Eli, Norman Harris, Roland Chambers (guitar), Jack Faith (alto saxophone, flute), Earl Young (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EU4UTDrSwQc"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-450"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Just Can’t Get You Out of My Mind"
        "ordre" => 1
      ]
      [
        "nom" => "2. Just You and Me Baby"
        "ordre" => 2
      ]
      [
        "nom" => "3. Don’t Let the Green Grass Fool You"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Could Never (Repay Your Love)"
        "ordre" => 4
      ]
      [
        "nom" => "5. I’ll Be Around"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. One of a Kind (Love Affair)"
        "ordre" => 7
      ]
      [
        "nom" => "2. We Belong Together"
        "ordre" => 8
      ]
      [
        "nom" => "3. Ghetto Child"
        "ordre" => 9
      ]
      [
        "nom" => "4. How Could I Let You Get Away"
        "ordre" => 10
      ]
      [
        "nom" => "5. Could It Be I’m Falling In Love"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2232 …}
    -label: Proxies\__CG__\App\Entity\Label {#2216 …}
    -style: App\Entity\Style {#1443 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2241 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2234 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2236 …}
    -enregistreLe: DateTime @1434692186 {#2227
      date: 2015-06-19 05:36:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759147411 {#2228
      date: 2025-09-29 12:03:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2238 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-spinners-mobile-fidelity-sound-lab-mfsl-1-450"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3750
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2230
    -id: 786
    -nom: "Spinners"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      Sweeping Strings, Funk Rhythms, Brassy Rejoinders, Immaculate Harmonies, and Satiny Lead Singing Fill Thom Bell's Melodic Arrangements : Few Albums Sound Creamier Than This Watershed Effort !\r\n
      \r\n
      The timeless music and expert arrangements are about the only things smoother than the powder-blue suits sported by the Spinners on the cover of their resplendent self-titled 1972 record. The band's first album for Atlantic after departing Motown, Spinners ranks as an all-time soul classic a filler-free set boasting immaculate harmonies, sweet melodies, and impeccably matched vocals. Thom Bell's flawless production puts it all over the top. Yielding an ideal balance of lushness and grit, the collaboration between the Detroit-based group and studio veteran yielded a record that birthed the celebrated Philadelphia Sound. Now, you can finally experience it in audiophile-grade sonics.\r\n
      \r\n
      While the career-defining performances within the grooves cannot be overlooked, Spinners remains equally notable for its historical importance. At the dawn of the 70s, Motown still held sway as the dominant soul style. Yet the Spinners' decision to move to Atlantic prompted by a suggestion by Aretha Franklin and refashion their approach with Bell signaled a sea change that ushered in a smoother, sweeter variety of R&B punctuated with sweeping strings, jazzy flourishes, brassy replies, and funk rhythms. Few, if any, vocal groups mesh these traits more convincingly, pleasingly, and naturally than the Spinners on this watershed effort.\r\n
      \r\n
      Anchored by Top 5 smashes like "Could It Be I'm Falling In Love", Spinners signaled the beginning of a partnership with Bell that lasted seven years and elevated the band to stardom. Indeed, even in spite of the four hit singles, the record remains defined by an artistic consistency, watertight focus, and collective unity that make everything here deserving of close attention. Flush with catchy hooks and pop accents, each song is treated as a potential anthem. Laden with depth and richness, Bell's savvy, wide-open arrangements frame the Spinners' satiny singing with sensual class and refined delicacy.\r\n
      \r\n
      Heaven-sent voices do the rest. Making his first appearance on record as a member, Philippe Wynne treats the carefully honed material as a breakout session for his dulcet tenor on tracks such as "One of a Kind (Love Affair)". Not to be outdone, the equally measured Bobbie Smith mesmerizes with his deft phrasing, reedy timbre, and sparkling clarity, never finer than on the million-selling "I'll Be Around". Solo or paired together, Wynne and Smith's glorious leads run the gamut from upbeat and optimistic to sad and forlorn, forming the backbone of a masterwork that addresses romance "Just You and Me Baby", regret "How Could I Let You Get Away", and social ills "Ghetto Child" with consummate passion.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Billy Henderson, Bobby Smith, Phillipe Winne (vocals), Bobby Hartzell, Rocco Bene (trumpet), Ronnie Baker (bass), Thom Bell (piano), Bobby Eli, Norman Harris, Roland Chambers (guitar), Jack Faith (alto saxophone, flute), Earl Young (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EU4UTDrSwQc"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-450"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Just Can’t Get You Out of My Mind"
        "ordre" => 1
      ]
      [
        "nom" => "2. Just You and Me Baby"
        "ordre" => 2
      ]
      [
        "nom" => "3. Don’t Let the Green Grass Fool You"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Could Never (Repay Your Love)"
        "ordre" => 4
      ]
      [
        "nom" => "5. I’ll Be Around"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. One of a Kind (Love Affair)"
        "ordre" => 7
      ]
      [
        "nom" => "2. We Belong Together"
        "ordre" => 8
      ]
      [
        "nom" => "3. Ghetto Child"
        "ordre" => 9
      ]
      [
        "nom" => "4. How Could I Let You Get Away"
        "ordre" => 10
      ]
      [
        "nom" => "5. Could It Be I’m Falling In Love"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2232 …}
    -label: Proxies\__CG__\App\Entity\Label {#2216 …}
    -style: App\Entity\Style {#1443 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2241 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2234 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2236 …}
    -enregistreLe: DateTime @1434692186 {#2227
      date: 2015-06-19 05:36:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759147411 {#2228
      date: 2025-09-29 12:03:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2238 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-spinners-mobile-fidelity-sound-lab-mfsl-1-450"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3951
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3952 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4000 …}
  +isValidated: false
  +validatedFields: []
}