Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2637
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2714
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2717 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2716 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …}
  -formView: Symfony\Component\Form\FormView {#2753 …}
  -form: Symfony\Component\Form\Form {#2903 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 1475
    -nom: "Porgy and Bess"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Miles Davis (trumpet, flugelhorn), Ernie Royal, Bernie Glow, Johnny Coles, Louis Mucci (trumpet), Dick Hixon, Frank Rehak, Jimmy Cleveland, Joe Bennett (trombone), Willie Ruff, Julius Watkins, Gunther Schuller (horn), Bill Barber (tuba), Phil Bodner, Jerome Richardson, Romeo Penque (flute, alto flute & clarinet), Cannonball Adderley (alto saxophone), Danny Bank  (alto flute, bass flute & bass clarinet), Paul Chambers (bass), \r\n
      Philly Joe Jones, Jimmy Cobb (drums), Gil Evans (arranger & conductor).\r\n
      \r\n
      Miles Davis and Gil Evans’ "Porgy and Bess" Is a Landmark of Arrangement, Performance, and Emotion : 1959 Adaptation of George Gershwin Opera Advances Jazz Idioms and Modal Playing. \r\n
      \r\n
      180 gram 45 RPM 2 LP Set Features Reference-Level Tonality, Depth, and Openness.\r\n
      \r\n
      If a more significant, influential, and lasting result of a creative musical partnership exists than that of Miles Davis and Gil Evans' Porgy and Bess, society hasn't seen it. It's impossible to overstate the importance of the pair's collaboration on the landmark 1959 update of George Gershwin's opera. Transcending genre, time, and place, the profound statement finds Evans and Davis implementing modal approaches in a mainstream context and advancing jazz idioms that would become the foundation of the form's still-classic era. And that's saying nothing of the soulful playing legendary performances by Davis' first great quintet that can now be heard in pristine detail courtesy of this definitive analog edition.\r\n
      \r\n
      Mastered from the original tapes, pressed at RTI, and strictly limited to 4000 numbered copies, "Porgy and Bess" attains previously unheard degrees of clarity, openness, immediacy, and depth on Mobile Fidelity's 180 gram 45 RPM 2 LP set. Here, the arrangements unfold amidst practically limitless soundstages and burst with multi-dimensional images. Separation between instruments allows you to locate individual band members and trace the decay of the notes. Davis' iconic solo passages take on borderline-surreal qualities of realism and shape. The magisterial scope of the Evans-conducted orchestra emerges with room-filling bloom, color, and dynamics.\r\n
      \r\n
      While difficult to pinpoint its single-best strength, Mobile Fidelity's reissue gives reference-level credence to what may remain the album's most crucial aspect": tone. Based not on chords but on scales and feeling, "Porgy and Bess" teems with emotions and possibilities characteristics conveyed by the nuances, timbre, and temper delivered by the array of horns, woodwinds, basses, and percussion involved. Whether the combination of Bill Barber's tuba in unison with Paul Chambers' bass during "Buzzard Song", Davis' improvisational flights on "It Ain't Necessarily So", or the doubling up on alto flutes on several compositions, never before have they been experienced with such richness, roundness, and palpability.\r\n
      \r\n
      Just as identifying singular sonic highlights proves virtually unfeasible, so does underlining which songs feature the most memorable exchanges, melodies, and scoring. Davis and Evans' adaptation of "Porgy and Bess" remains of a piece, an American touchstone, a recording that immediately separated itself from the multiple other versions released during the same period and continues to make waves decades after its creation, assuming a place in the historical canon alongside collaborative masterworks by Duke Ellington / Billy Strayhorn and Frank Sinatra / Nelson Riddle.\r\n
      \r\n
      Defined by Davis biographer Jack Chambers as "a new score, with its own integrity, order, and action", "Porgy and Bess" has been identified by nearly every major outlet and expert as a must-have album. Davis' phrasing alone cements the effort with a genius quality. As Brian Cook and Richard Morton explain in The Penguin Guide to Jazz : "‘Prayer' is an astounding tour de force, harmonically suspended, and with Miles' most extraordinarily recorded solo to date punctuated by agonized screams and shouts, whether of affirmation or suffering it isn't easy to judge. Miles was not in good physical condition during the making of the record, which perhaps explains the twisting intensity, the bent notes and slurs which seem to express some inner pain". Then there's the immortal rendition of "Summertime", the epitome of calm, understatement, and beauty.\r\n
      \r\n
      At once sweet and spiritual, sure and steady, graceful and exuberant, happy and poignant, Porgy and Bess is a phenomenal jazz dance that has never been equaled and likely, never will. Hear it as Davis, Evans, and company intended.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Miles Davis (trumpet, flugelhorn), Ernie Royal, Bernie Glow, Johnny Coles, Louis Mucci (trumpet), Dick Hixon, Frank Rehak, Jimmy Cleveland, Joe Bennett (trombone), Willie Ruff, Julius Watkins, Gunther Schuller (horn), Bill Barber (tuba)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EPj22GjTUzw"
    -referenceProduit: "MFSL 2-45485"
    -titreMorceau: [
      [
        "nom" => "1. Gone, Gone, Gone"
        "ordre" => 5
      ]
      [
        "nom" => "1. It Ain't Necessarily So"
        "ordre" => 13
      ]
      [
        "nom" => "1. Prayer (Oh Doctor Jesus)"
        "ordre" => 9
      ]
      [
        "nom" => "1. The Buzzard Song"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bess, You is My Woman Now"
        "ordre" => 2
      ]
      [
        "nom" => "2. Fisherman, Strawberry and Devil Crab"
        "ordre" => 10
      ]
      [
        "nom" => "2. Here Come de Honey man"
        "ordre" => 14
      ]
      [
        "nom" => "2. Summertime"
        "ordre" => 6
      ]
      [
        "nom" => "3. Gone"
        "ordre" => 3
      ]
      [
        "nom" => "3. I Wants To Stay Here (a.k.a. I Loves You, Porgy)"
        "ordre" => 15
      ]
      [
        "nom" => "3. My Man's Gone Now"
        "ordre" => 11
      ]
      [
        "nom" => "3. Oh Bess, Where's My Bess ?"
        "ordre" => 7
      ]
      [
        "nom" => "4. There's A Boat That's Leaving Soon For New York"
        "ordre" => 16
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1545115834 {#1929
      date: 2018-12-18 06:50:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1661148149 {#1922
      date: 2022-08-22 06:02:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-porgy-and-bess-mfsl-2-45485"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3174
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 1475
    -nom: "Porgy and Bess"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Miles Davis (trumpet, flugelhorn), Ernie Royal, Bernie Glow, Johnny Coles, Louis Mucci (trumpet), Dick Hixon, Frank Rehak, Jimmy Cleveland, Joe Bennett (trombone), Willie Ruff, Julius Watkins, Gunther Schuller (horn), Bill Barber (tuba), Phil Bodner, Jerome Richardson, Romeo Penque (flute, alto flute & clarinet), Cannonball Adderley (alto saxophone), Danny Bank  (alto flute, bass flute & bass clarinet), Paul Chambers (bass), \r\n
      Philly Joe Jones, Jimmy Cobb (drums), Gil Evans (arranger & conductor).\r\n
      \r\n
      Miles Davis and Gil Evans’ "Porgy and Bess" Is a Landmark of Arrangement, Performance, and Emotion : 1959 Adaptation of George Gershwin Opera Advances Jazz Idioms and Modal Playing. \r\n
      \r\n
      180 gram 45 RPM 2 LP Set Features Reference-Level Tonality, Depth, and Openness.\r\n
      \r\n
      If a more significant, influential, and lasting result of a creative musical partnership exists than that of Miles Davis and Gil Evans' Porgy and Bess, society hasn't seen it. It's impossible to overstate the importance of the pair's collaboration on the landmark 1959 update of George Gershwin's opera. Transcending genre, time, and place, the profound statement finds Evans and Davis implementing modal approaches in a mainstream context and advancing jazz idioms that would become the foundation of the form's still-classic era. And that's saying nothing of the soulful playing legendary performances by Davis' first great quintet that can now be heard in pristine detail courtesy of this definitive analog edition.\r\n
      \r\n
      Mastered from the original tapes, pressed at RTI, and strictly limited to 4000 numbered copies, "Porgy and Bess" attains previously unheard degrees of clarity, openness, immediacy, and depth on Mobile Fidelity's 180 gram 45 RPM 2 LP set. Here, the arrangements unfold amidst practically limitless soundstages and burst with multi-dimensional images. Separation between instruments allows you to locate individual band members and trace the decay of the notes. Davis' iconic solo passages take on borderline-surreal qualities of realism and shape. The magisterial scope of the Evans-conducted orchestra emerges with room-filling bloom, color, and dynamics.\r\n
      \r\n
      While difficult to pinpoint its single-best strength, Mobile Fidelity's reissue gives reference-level credence to what may remain the album's most crucial aspect": tone. Based not on chords but on scales and feeling, "Porgy and Bess" teems with emotions and possibilities characteristics conveyed by the nuances, timbre, and temper delivered by the array of horns, woodwinds, basses, and percussion involved. Whether the combination of Bill Barber's tuba in unison with Paul Chambers' bass during "Buzzard Song", Davis' improvisational flights on "It Ain't Necessarily So", or the doubling up on alto flutes on several compositions, never before have they been experienced with such richness, roundness, and palpability.\r\n
      \r\n
      Just as identifying singular sonic highlights proves virtually unfeasible, so does underlining which songs feature the most memorable exchanges, melodies, and scoring. Davis and Evans' adaptation of "Porgy and Bess" remains of a piece, an American touchstone, a recording that immediately separated itself from the multiple other versions released during the same period and continues to make waves decades after its creation, assuming a place in the historical canon alongside collaborative masterworks by Duke Ellington / Billy Strayhorn and Frank Sinatra / Nelson Riddle.\r\n
      \r\n
      Defined by Davis biographer Jack Chambers as "a new score, with its own integrity, order, and action", "Porgy and Bess" has been identified by nearly every major outlet and expert as a must-have album. Davis' phrasing alone cements the effort with a genius quality. As Brian Cook and Richard Morton explain in The Penguin Guide to Jazz : "‘Prayer' is an astounding tour de force, harmonically suspended, and with Miles' most extraordinarily recorded solo to date punctuated by agonized screams and shouts, whether of affirmation or suffering it isn't easy to judge. Miles was not in good physical condition during the making of the record, which perhaps explains the twisting intensity, the bent notes and slurs which seem to express some inner pain". Then there's the immortal rendition of "Summertime", the epitome of calm, understatement, and beauty.\r\n
      \r\n
      At once sweet and spiritual, sure and steady, graceful and exuberant, happy and poignant, Porgy and Bess is a phenomenal jazz dance that has never been equaled and likely, never will. Hear it as Davis, Evans, and company intended.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Miles Davis (trumpet, flugelhorn), Ernie Royal, Bernie Glow, Johnny Coles, Louis Mucci (trumpet), Dick Hixon, Frank Rehak, Jimmy Cleveland, Joe Bennett (trombone), Willie Ruff, Julius Watkins, Gunther Schuller (horn), Bill Barber (tuba)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EPj22GjTUzw"
    -referenceProduit: "MFSL 2-45485"
    -titreMorceau: [
      [
        "nom" => "1. Gone, Gone, Gone"
        "ordre" => 5
      ]
      [
        "nom" => "1. It Ain't Necessarily So"
        "ordre" => 13
      ]
      [
        "nom" => "1. Prayer (Oh Doctor Jesus)"
        "ordre" => 9
      ]
      [
        "nom" => "1. The Buzzard Song"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bess, You is My Woman Now"
        "ordre" => 2
      ]
      [
        "nom" => "2. Fisherman, Strawberry and Devil Crab"
        "ordre" => 10
      ]
      [
        "nom" => "2. Here Come de Honey man"
        "ordre" => 14
      ]
      [
        "nom" => "2. Summertime"
        "ordre" => 6
      ]
      [
        "nom" => "3. Gone"
        "ordre" => 3
      ]
      [
        "nom" => "3. I Wants To Stay Here (a.k.a. I Loves You, Porgy)"
        "ordre" => 15
      ]
      [
        "nom" => "3. My Man's Gone Now"
        "ordre" => 11
      ]
      [
        "nom" => "3. Oh Bess, Where's My Bess ?"
        "ordre" => 7
      ]
      [
        "nom" => "4. There's A Boat That's Leaving Soon For New York"
        "ordre" => 16
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1545115834 {#1929
      date: 2018-12-18 06:50:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1661148149 {#1922
      date: 2022-08-22 06:02:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-porgy-and-bess-mfsl-2-45485"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2033
    -nom: "Ella & Louis"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "The classic jazz album that brought Ella Fitzgerald and Louis Armstrong together for the first time as they recorded their version of extraordinary standards". - Wax Time\r\n
      \r\n
      The evening before Louis Armstrong recorded this album, both he and Miss Fitzgerald were appearing in an all-star concert also featuring Art Tatum and Oscar Peterson that was recorded for an album titled Live At The Hollywood Bowl (1956). The following day the two singers, along with the Oscar Peterson Trio, were in a Los Angeles studio to record this gem of an album.\r\n
      \r\n
      With no time for rehearsals the songs were all set in Louis' key to make it easier, but this in no way inhibits Ella's performance. Another challenge for Pops was the fact that the material was not his normal repertoire, meaning he had to learn things on the fly in the studio. Again there's no hint of any issues, which all goes to highlight Armstrong's innate musical ability.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Louis Armstrong (trumpet, vocals), Ray Brown (bass), Oscar Peterson (piano), Herb Ellis (guitar), Buddy Rich (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Vh7oIP-QSHs"
    -referenceProduit: "Acoustic Sounds Series 74801"
    -titreMorceau: [
      [
        "nom" => "1. A Foggy Day "
        "ordre" => 8
      ]
      [
        "nom" => "1. Can't We Be Friends "
        "ordre" => 1
      ]
      [
        "nom" => "2. Isn't This A Lovely Day ? "
        "ordre" => 2
      ]
      [
        "nom" => "2. Stars Fell On Alabama "
        "ordre" => 9
      ]
      [
        "nom" => "3. Cheek To Cheek "
        "ordre" => 10
      ]
      [
        "nom" => "3. Moonlight In Vermont "
        "ordre" => 3
      ]
      [
        "nom" => "4. The Nearness Of You"
        "ordre" => 11
      ]
      [
        "nom" => "4. They Can't Take That Away From Me "
        "ordre" => 4
      ]
      [
        "nom" => "5. April In Paris"
        "ordre" => 12
      ]
      [
        "nom" => "5. Under A Blanket Of Blue "
        "ordre" => 5
      ]
      [
        "nom" => "6. Tenderly"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1620979171 {#2095
      date: 2021-05-14 07:59:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1661063819 {#2096
      date: 2022-08-21 06:36:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ella-louis-acoustic-sounds-series-74801"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3288
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 2033
    -nom: "Ella & Louis"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "The classic jazz album that brought Ella Fitzgerald and Louis Armstrong together for the first time as they recorded their version of extraordinary standards". - Wax Time\r\n
      \r\n
      The evening before Louis Armstrong recorded this album, both he and Miss Fitzgerald were appearing in an all-star concert also featuring Art Tatum and Oscar Peterson that was recorded for an album titled Live At The Hollywood Bowl (1956). The following day the two singers, along with the Oscar Peterson Trio, were in a Los Angeles studio to record this gem of an album.\r\n
      \r\n
      With no time for rehearsals the songs were all set in Louis' key to make it easier, but this in no way inhibits Ella's performance. Another challenge for Pops was the fact that the material was not his normal repertoire, meaning he had to learn things on the fly in the studio. Again there's no hint of any issues, which all goes to highlight Armstrong's innate musical ability.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Louis Armstrong (trumpet, vocals), Ray Brown (bass), Oscar Peterson (piano), Herb Ellis (guitar), Buddy Rich (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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[
  "produit" => App\Entity\Produit {#2117
    -id: 2260
    -nom: "Forever Changes"
    -informationComplementaire: ""
    -description: """
      #40 ON ROLLING STONE'S 500 GREATEST ALBUMS OF ALL TIME : ANTICIPATES LATE 1960S TURBULENCE VIA PROPHETIC SONGS AND DARK THEMES\r\n
      1/4" / 15 IPS analog master to DSD 256 to analog console to lathe.\r\n
      \r\n
      Any discussion about the finest psychedelic rock record ever recorded is incomplete if it doesn't grant consideration to Love's Forever Changes. Ranked by Rolling Stone as the 40th greatest album ever made, and named by Mojo the second-greatest psychedelic set in history, the effort is an internationally recognized seminal work of art. Transcending language and convention, its magnitude and magnificence need to be heard again and again. For here is an effort whose mind-boggling acoustic complexities and kaleidoscopic nuances are tailored for high-fidelity playback.\r\n
      \r\n
      Nearly unlimited headroom, vast instrumental separation, transparent clarity, artifact-free atmospherics, and faithful balances appear out of jet-black backgrounds. Turn it up as loud as you want; the sole limitation will be your system's potential.\r\n
      \r\n
      Commercially ignored upon release in November 1967, Forever Changes confronts the alienation, paranoia, violence, and strife that would soon plague the countercultural movement and send the Summer of Love into a tailspin. Apart from its lyrical themes and prescient malaise, the record's enduring nature equally owes to intertwined arrangements sewn together with Latin guitar-picked lines, finessed folk harmonies, mariachi-inspired horn charts, and subdued strings.\r\n
      \r\n
      The seemingly opposing combination ominous, dark reflections situated amidst lush, light melodic beds affords Forever Changes a distinguished tension of claustrophobia and openness, dourness and ecstasy, ugliness and elegance enjoyed by no other record in the rock canon. Much of the contrast owes to leader Arthur Lee's mental state and pertinent observations. Lee, whose suppressed romanticism often surfaces even amidst the blackest shadows and most cynical moments, believed he would soon die, and hence channeled everything from lasting hopes to acid-addled decay to the chilling testimony of a Vietnam veteran in his narratives.\r\n
      \r\n
      Alternatively sad and beautiful, the album-opening and flamenco-inspired "Alone Again Or" establishes the mood for what follows. Vocals overlap and soar; tempos rise and fall; surrealism trades places with reality.Forever Changes thrives both because of and in spite of a surfeit of labyrinthine chords and difficult notes that never repeat. Its ambitious construction almost forced the already fractured band to cede responsibilities to session musicians, which appear on two tracks. The quintet's resolve to not only complete the album, but to do so with such poignancy and curiosity, further enhances Forever Changes' standing.\r\n
      \r\n
      No wonder that, in the twilight of his troubled career, Lee performed the record in its entirely during concerts met with overwhelming critical acclaim. It was, and will always be, a personal manifesto of timeless relevance and appeal.\r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Arthur Lee, Bryan Maclean (guitar, vocals), Ken Forssi (bass),  John Echols (guitar), Michael Stuart (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cPbNpIG8x_s"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-402"
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        "ordre" => 1
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      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
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      [
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    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3339
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  +produit: App\Entity\Produit {#2117
    -id: 2260
    -nom: "Forever Changes"
    -informationComplementaire: ""
    -description: """
      #40 ON ROLLING STONE'S 500 GREATEST ALBUMS OF ALL TIME : ANTICIPATES LATE 1960S TURBULENCE VIA PROPHETIC SONGS AND DARK THEMES\r\n
      1/4" / 15 IPS analog master to DSD 256 to analog console to lathe.\r\n
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      Any discussion about the finest psychedelic rock record ever recorded is incomplete if it doesn't grant consideration to Love's Forever Changes. Ranked by Rolling Stone as the 40th greatest album ever made, and named by Mojo the second-greatest psychedelic set in history, the effort is an internationally recognized seminal work of art. Transcending language and convention, its magnitude and magnificence need to be heard again and again. For here is an effort whose mind-boggling acoustic complexities and kaleidoscopic nuances are tailored for high-fidelity playback.\r\n
      \r\n
      Nearly unlimited headroom, vast instrumental separation, transparent clarity, artifact-free atmospherics, and faithful balances appear out of jet-black backgrounds. Turn it up as loud as you want; the sole limitation will be your system's potential.\r\n
      \r\n
      Commercially ignored upon release in November 1967, Forever Changes confronts the alienation, paranoia, violence, and strife that would soon plague the countercultural movement and send the Summer of Love into a tailspin. Apart from its lyrical themes and prescient malaise, the record's enduring nature equally owes to intertwined arrangements sewn together with Latin guitar-picked lines, finessed folk harmonies, mariachi-inspired horn charts, and subdued strings.\r\n
      \r\n
      The seemingly opposing combination ominous, dark reflections situated amidst lush, light melodic beds affords Forever Changes a distinguished tension of claustrophobia and openness, dourness and ecstasy, ugliness and elegance enjoyed by no other record in the rock canon. Much of the contrast owes to leader Arthur Lee's mental state and pertinent observations. Lee, whose suppressed romanticism often surfaces even amidst the blackest shadows and most cynical moments, believed he would soon die, and hence channeled everything from lasting hopes to acid-addled decay to the chilling testimony of a Vietnam veteran in his narratives.\r\n
      \r\n
      Alternatively sad and beautiful, the album-opening and flamenco-inspired "Alone Again Or" establishes the mood for what follows. Vocals overlap and soar; tempos rise and fall; surrealism trades places with reality.Forever Changes thrives both because of and in spite of a surfeit of labyrinthine chords and difficult notes that never repeat. Its ambitious construction almost forced the already fractured band to cede responsibilities to session musicians, which appear on two tracks. The quintet's resolve to not only complete the album, but to do so with such poignancy and curiosity, further enhances Forever Changes' standing.\r\n
      \r\n
      No wonder that, in the twilight of his troubled career, Lee performed the record in its entirely during concerts met with overwhelming critical acclaim. It was, and will always be, a personal manifesto of timeless relevance and appeal.\r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Arthur Lee, Bryan Maclean (guitar, vocals), Ken Forssi (bass),  John Echols (guitar), Michael Stuart (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=cPbNpIG8x_s"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
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      date: 2022-08-20 07:27:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
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[
  "produit" => App\Entity\Produit {#2133
    -id: 1715
    -nom: "Kiko"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Steve Berlin (baritone, soprano & tenor saxophone, flute, melodica, harmonica, organ, piano, synthesizer, percussion), David Hidalgo (guitar, accordion, violin, banjo, piano, percussion, vocals), Conrad R. Lozano (bass "Fender 5-string jazz bass, 4-string precision, godin Fretless", guitar "Ron", backing vocals),  Cesar Rosas (acoustic & electric guitar, vocals), Louie Pérez (drums, guitar, percussion, other "couch & phone", vocals), Pete Thomas (drums).\r\n
      \r\n
      Distinguished Band's Ambitious 1992 Album Stands as Peak Moment in a Career Filled With High-Water Marks !\r\n
      \r\n
      Only a few years removed from breaking through with their cover of Ritchie Valens' "La Bamba", Los Lobos turned even more heads with Kiko, a beautifully textured and flawlessly executed musical statement that reveals the group taking on ambitious musical challenges and surmounting every one. In pairing with producer Mitchell Froom, the band yielded this critically acclaimed 1992 set that remains the apex of its distinguished career.\r\n
      \r\n
      The material, too, ravishes the senses. In Rolling Stone's original review of Kiko, David Okamoto remarks "the music sounds more created than contrived, thanks to the compassionate touch of the group's main songwriters, singer-guitarist David Hidalgo and drummer Louis Pérez". Indeed, the Los Angeles ensemble tackles tough-minded social issues such as alcoholism, suicide, abuse, homelessness, death, and rape without coming across as preachy or melodramatic. The record's power relates to that possessed by the most timeless albums the emotional and metaphysical capacities to transcend problems, overcome adversity, and deliver catharsis.\r\n
      \r\n
      Spanning rollicking blues and dreamy pop balladry to snarling rock and traditional Mexican-inspired waltzes, Kiko seemingly knows no bounds. Lullabies such as "Saint Behind the Glass" claim mellifluous elegance while the cabaret-laced jazz of work like "Kiko and the Lavender Moon" glows with a dark majesty, thanks to both the skilled performance and Froom's illuminating production. Los Lobos seldom, if ever, drifted so far outside of the roots-rock box as they do on Kiko. And yet, the collective's binding connection to folklore remains in tact. Native American, Hispanic, and Catholic elements surface in the lyrics and arrangements, the characteristics expressing a multicultural reach that parallels the songs' multidimensional construction.\r\n
      \r\n
      And still, it remains impossible to ignore the use of the studio as the record's secret-weapon instrument. Imaginative tricks such as noise gates, filters, and psychedelic devices help establish a surrealism that never lets up. Neither does Kiko.\r\n
       \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Steve Berlin (baritone, soprano & tenor saxophone, flute, melodica, harmonica, organ, piano, synthesizer, percussion), David Hidalgo (guitar, accordion, violin, banjo, piano, percussion, vocals)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GOPRDIGD_A0"
    -referenceProduit: "MFSL 1-371"
    -titreMorceau: [
      [
        "nom" => "1. Arizona Skies"
        "ordre" => 9
      ]
      [
        "nom" => "1. Dream In Blue"
        "ordre" => 1
      ]
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        "nom" => "2. Short Side of Nothing"
        "ordre" => 10
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      [
        "nom" => "2. Wake Up Dolores"
        "ordre" => 2
      ]
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        "nom" => "3. Angels with Dirty Faces"
        "ordre" => 3
      ]
      [
        "nom" => "3. Two Janes"
        "ordre" => 11
      ]
      [
        "nom" => "4. That Train Don't Stop Here"
        "ordre" => 4
      ]
      [
        "nom" => "4. Wicked Rain"
        "ordre" => 12
      ]
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        "nom" => "5. Kiko and the Lavender Moon"
        "ordre" => 5
      ]
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        "nom" => "7. Reva's House 8. When the Circus Comes"
        "ordre" => 7
      ]
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        "nom" => "8. Rio De Tenampa"
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        "ordre" => 0
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        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
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    -slug: "vinyles-kiko-mfsl-1-371"
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App\Twig\Components\GestionPanierFavoriComponents {#3390
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2133
    -id: 1715
    -nom: "Kiko"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Steve Berlin (baritone, soprano & tenor saxophone, flute, melodica, harmonica, organ, piano, synthesizer, percussion), David Hidalgo (guitar, accordion, violin, banjo, piano, percussion, vocals), Conrad R. Lozano (bass "Fender 5-string jazz bass, 4-string precision, godin Fretless", guitar "Ron", backing vocals),  Cesar Rosas (acoustic & electric guitar, vocals), Louie Pérez (drums, guitar, percussion, other "couch & phone", vocals), Pete Thomas (drums).\r\n
      \r\n
      Distinguished Band's Ambitious 1992 Album Stands as Peak Moment in a Career Filled With High-Water Marks !\r\n
      \r\n
      Only a few years removed from breaking through with their cover of Ritchie Valens' "La Bamba", Los Lobos turned even more heads with Kiko, a beautifully textured and flawlessly executed musical statement that reveals the group taking on ambitious musical challenges and surmounting every one. In pairing with producer Mitchell Froom, the band yielded this critically acclaimed 1992 set that remains the apex of its distinguished career.\r\n
      \r\n
      The material, too, ravishes the senses. In Rolling Stone's original review of Kiko, David Okamoto remarks "the music sounds more created than contrived, thanks to the compassionate touch of the group's main songwriters, singer-guitarist David Hidalgo and drummer Louis Pérez". Indeed, the Los Angeles ensemble tackles tough-minded social issues such as alcoholism, suicide, abuse, homelessness, death, and rape without coming across as preachy or melodramatic. The record's power relates to that possessed by the most timeless albums the emotional and metaphysical capacities to transcend problems, overcome adversity, and deliver catharsis.\r\n
      \r\n
      Spanning rollicking blues and dreamy pop balladry to snarling rock and traditional Mexican-inspired waltzes, Kiko seemingly knows no bounds. Lullabies such as "Saint Behind the Glass" claim mellifluous elegance while the cabaret-laced jazz of work like "Kiko and the Lavender Moon" glows with a dark majesty, thanks to both the skilled performance and Froom's illuminating production. Los Lobos seldom, if ever, drifted so far outside of the roots-rock box as they do on Kiko. And yet, the collective's binding connection to folklore remains in tact. Native American, Hispanic, and Catholic elements surface in the lyrics and arrangements, the characteristics expressing a multicultural reach that parallels the songs' multidimensional construction.\r\n
      \r\n
      And still, it remains impossible to ignore the use of the studio as the record's secret-weapon instrument. Imaginative tricks such as noise gates, filters, and psychedelic devices help establish a surrealism that never lets up. Neither does Kiko.\r\n
       \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Steve Berlin (baritone, soprano & tenor saxophone, flute, melodica, harmonica, organ, piano, synthesizer, percussion), David Hidalgo (guitar, accordion, violin, banjo, piano, percussion, vocals)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GOPRDIGD_A0"
    -referenceProduit: "MFSL 1-371"
    -titreMorceau: [
      [
        "nom" => "1. Arizona Skies"
        "ordre" => 9
      ]
      [
        "nom" => "1. Dream In Blue"
        "ordre" => 1
      ]
      [
        "nom" => "2. Short Side of Nothing"
        "ordre" => 10
      ]
      [
        "nom" => "2. Wake Up Dolores"
        "ordre" => 2
      ]
      [
        "nom" => "3. Angels with Dirty Faces"
        "ordre" => 3
      ]
      [
        "nom" => "3. Two Janes"
        "ordre" => 11
      ]
      [
        "nom" => "4. That Train Don't Stop Here"
        "ordre" => 4
      ]
      [
        "nom" => "4. Wicked Rain"
        "ordre" => 12
      ]
      [
        "nom" => "5. Kiko and the Lavender Moon"
        "ordre" => 5
      ]
      [
        "nom" => "5. Whiskey Trail"
        "ordre" => 13
      ]
      [
        "nom" => "6. Just a Man"
        "ordre" => 14
      ]
      [
        "nom" => "6. Saint Behind The Glass"
        "ordre" => 6
      ]
      [
        "nom" => "7. Peace"
        "ordre" => 15
      ]
      [
        "nom" => "7. Reva's House 8. When the Circus Comes"
        "ordre" => 7
      ]
      [
        "nom" => "8. Rio De Tenampa"
        "ordre" => 16
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2144 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2137 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1563952115 {#2130
      date: 2019-07-24 07:08:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1660979321 {#2131
      date: 2022-08-20 07:08:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kiko-mfsl-1-371"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …}
}

[
  "produit" => App\Entity\Produit {#2149
    -id: 1523
    -nom: "Girlfriend"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Matthew Sweet (guitar, bass, piano,vocals), Lloyd Cole, Robert Quine, Richard Lloyd, Ivan Julian, Andy McCulla (guitar), Greg Leisz (pedal steel guitar), Amy Ray (guitar, vocals), Emily Saliers (acoustic guitar), Jane Scarpantoni (cello), Paul Chastain (bass, vocals), Fred Maher (drums, guitar), Ric Menck, Ron Pangborn (drums).\r\n
      \r\n
      Intervention Records and Matthew Sweet are proud to introduce an amazing Artist-Approved reissue series, Matthew Sweet 1991-1995 !\r\n
      \r\n
      In 2018 Intervention releases Double LP Artist Approved Expanded Editions of Sweet’s Trilogy of 90's Power-Pop classics, Girlfriend, Altered Beast and 100% Fun, plus the Son of Altered Beast 7 song EP, which appears on vinyl for the very first time ! \r\n
      \r\n
      Each Expanded Edition Double-LP set of the three classic studio albums is loaded with extra tracks not included on the original LPs 6 extra tracks each on Girlfriend and Altered Beast, and 7 on 100% Fun. So many of these songs are either appearing on vinyl for the very first time or seeing official release for the very first time. And for Sweet completists, these LPs are the most extensive collection of extra tracks compiled and packaged with the studio albums the songs were recorded for !\r\n
      \r\n
      All four LPs are 100% analog mastered from the ORIGINAL ANALOG MASTER TAPES by Ryan K. Smith at Sterling Sound. The original 15 song repertoires for Girlfriend and Altered Beast are for the first time spread across three LPs sides for maximum sound quality and the ability to PLAY LOUD ! \r\n
      \r\n
      The ultra-quiet 180 gram LPs are pressed at boutique press, R.T.I. in Camarillo, CA.\r\n
      \r\n
      The jacket art for Matthew Sweet 1991-1995 has been faithfully restored by IR’s art director Tom Vadakan. The three Expanded Editions feature beautiful "Old Style" gatefolds printed onto heavy blanks and film laminated by the wizards at Stoughton Printing. Son of Altered Beast features a single-pocket "Old Style" gatefold by Stoughton as well.\r\n
      \r\n
      This is the vinyl release Matthew Sweet's 1991 classic has always deserved and the best Girlfriend you'll ever have... Matthew Sweet's essential 1991 power-pop tour-de-force gets its analog due on Intervention's Expanded Edition 180 Gram Double LP release !\r\n
      \r\n
      Girlfriend's original 1991 LP release was a single LP that simply excised the last three songs that were included on the original 15 track CD release. Those three tracks were a tremendous loss as the song's final, elegiac track "Nothing Lasts" was considered as the title track.\r\n
      \r\n
      Intervention's amazing Double LP Expanded Edition restores the original 15 song repertoire to three vinyl sides for maximum bass and dynamics. Side D includes three demo tracks  "Good Friend", "Superdeformed" and "Teenage Female".\r\n
      \r\n
      Girlfriend's album art was lovingly restored by Intervention's Art Director Tom Vadakan, and printed as a gorgeous "Old Style" gatefold by Stoughton printing in LA. It's printed on heavy stock and film laminated for superior color depth, beauty and durability. The center labels were printed by Dorado.\r\n
      \r\n
      "Matthew Sweet's third album is a remarkable artistic breakthrough ... thanks to his exceptional songwriting, the album is a fresh, original interpretation of a classic sound". - Stephen Thomas Erlewine, AllMusic.com\r\n
      \r\n
      "... the holy grail of power pop". -Tiny Mix Tapes\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Matthew Sweet (guitar, bass, piano,vocals), Lloyd Cole, Robert Quine, Richard Lloyd, Ivan Julian, Andy McCulla (guitar), Greg Leisz (pedal steel guitar), Amy Ray (guitar, vocals), Emily Saliers (acoustic guitar), Jane Scarpantoni (cello)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Qz7qj3MteS0"
    -referenceProduit: "Intervention Records 021"
    -titreMorceau: [
      [
        "nom" => "1. Day For Night"
        "ordre" => 8
      ]
      [
        "nom" => "1. Divine Intervention"
        "ordre" => 1
      ]
      [
        "nom" => "1. Don't Go"
        "ordre" => 15
      ]
      [
        "nom" => "1. Good Friend (demo)"
        "ordre" => 21
      ]
      [
        "nom" => "2. I've Been Waiting"
        "ordre" => 2
      ]
      [
        "nom" => "2. Superdeformed (demo)"
        "ordre" => 22
      ]
      [
        "nom" => "2. Thought I Knew You"
        "ordre" => 9
      ]
      [
        "nom" => "2. Your Sweet Voice"
        "ordre" => 16
      ]
      [
        "nom" => "3. Does She Talk ?"
        "ordre" => 17
      ]
      [
        "nom" => "3. Girlfriend"
        "ordre" => 3
      ]
      [
        "nom" => "3. Teenage Female (demo)"
        "ordre" => 23
      ]
      [
        "nom" => "3. You Don't Love Me"
        "ordre" => 10
      ]
      [
        "nom" => "4. Holy War"
        "ordre" => 18
      ]
      [
        "nom" => "4. I Wanted To Tell You"
        "ordre" => 11
      ]
      [
        "nom" => "4. Looking At The Sun"
        "ordre" => 4
      ]
      [
        "nom" => "5. Don't Go"
        "ordre" => 12
      ]
      [
        "nom" => "5. Nothing Lasts"
        "ordre" => 19
      ]
      [
        "nom" => "5. Winona"
        "ordre" => 5
      ]
      [
        "nom" => "6. Evangeline"
        "ordre" => 6
      ]
      [
        "nom" => "6. Your Sweet Voice"
        "ordre" => 13
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 14
      ]
      [
        "nom" => "Side D"
        "ordre" => 20
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: Proxies\__CG__\App\Entity\Label {#2154 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2163 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2156 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2158 …}
    -enregistreLe: DateTime @1547719298 {#2146
      date: 2019-01-17 10:01:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1660816583 {#2147
      date: 2022-08-18 09:56:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2160 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-girlfriend-intervention-records-021"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3441
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2149
    -id: 1523
    -nom: "Girlfriend"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Matthew Sweet (guitar, bass, piano,vocals), Lloyd Cole, Robert Quine, Richard Lloyd, Ivan Julian, Andy McCulla (guitar), Greg Leisz (pedal steel guitar), Amy Ray (guitar, vocals), Emily Saliers (acoustic guitar), Jane Scarpantoni (cello), Paul Chastain (bass, vocals), Fred Maher (drums, guitar), Ric Menck, Ron Pangborn (drums).\r\n
      \r\n
      Intervention Records and Matthew Sweet are proud to introduce an amazing Artist-Approved reissue series, Matthew Sweet 1991-1995 !\r\n
      \r\n
      In 2018 Intervention releases Double LP Artist Approved Expanded Editions of Sweet’s Trilogy of 90's Power-Pop classics, Girlfriend, Altered Beast and 100% Fun, plus the Son of Altered Beast 7 song EP, which appears on vinyl for the very first time ! \r\n
      \r\n
      Each Expanded Edition Double-LP set of the three classic studio albums is loaded with extra tracks not included on the original LPs 6 extra tracks each on Girlfriend and Altered Beast, and 7 on 100% Fun. So many of these songs are either appearing on vinyl for the very first time or seeing official release for the very first time. And for Sweet completists, these LPs are the most extensive collection of extra tracks compiled and packaged with the studio albums the songs were recorded for !\r\n
      \r\n
      All four LPs are 100% analog mastered from the ORIGINAL ANALOG MASTER TAPES by Ryan K. Smith at Sterling Sound. The original 15 song repertoires for Girlfriend and Altered Beast are for the first time spread across three LPs sides for maximum sound quality and the ability to PLAY LOUD ! \r\n
      \r\n
      The ultra-quiet 180 gram LPs are pressed at boutique press, R.T.I. in Camarillo, CA.\r\n
      \r\n
      The jacket art for Matthew Sweet 1991-1995 has been faithfully restored by IR’s art director Tom Vadakan. The three Expanded Editions feature beautiful "Old Style" gatefolds printed onto heavy blanks and film laminated by the wizards at Stoughton Printing. Son of Altered Beast features a single-pocket "Old Style" gatefold by Stoughton as well.\r\n
      \r\n
      This is the vinyl release Matthew Sweet's 1991 classic has always deserved and the best Girlfriend you'll ever have... Matthew Sweet's essential 1991 power-pop tour-de-force gets its analog due on Intervention's Expanded Edition 180 Gram Double LP release !\r\n
      \r\n
      Girlfriend's original 1991 LP release was a single LP that simply excised the last three songs that were included on the original 15 track CD release. Those three tracks were a tremendous loss as the song's final, elegiac track "Nothing Lasts" was considered as the title track.\r\n
      \r\n
      Intervention's amazing Double LP Expanded Edition restores the original 15 song repertoire to three vinyl sides for maximum bass and dynamics. Side D includes three demo tracks  "Good Friend", "Superdeformed" and "Teenage Female".\r\n
      \r\n
      Girlfriend's album art was lovingly restored by Intervention's Art Director Tom Vadakan, and printed as a gorgeous "Old Style" gatefold by Stoughton printing in LA. It's printed on heavy stock and film laminated for superior color depth, beauty and durability. The center labels were printed by Dorado.\r\n
      \r\n
      "Matthew Sweet's third album is a remarkable artistic breakthrough ... thanks to his exceptional songwriting, the album is a fresh, original interpretation of a classic sound". - Stephen Thomas Erlewine, AllMusic.com\r\n
      \r\n
      "... the holy grail of power pop". -Tiny Mix Tapes\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Matthew Sweet (guitar, bass, piano,vocals), Lloyd Cole, Robert Quine, Richard Lloyd, Ivan Julian, Andy McCulla (guitar), Greg Leisz (pedal steel guitar), Amy Ray (guitar, vocals), Emily Saliers (acoustic guitar), Jane Scarpantoni (cello)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Qz7qj3MteS0"
    -referenceProduit: "Intervention Records 021"
    -titreMorceau: [
      [
        "nom" => "1. Day For Night"
        "ordre" => 8
      ]
      [
        "nom" => "1. Divine Intervention"
        "ordre" => 1
      ]
      [
        "nom" => "1. Don't Go"
        "ordre" => 15
      ]
      [
        "nom" => "1. Good Friend (demo)"
        "ordre" => 21
      ]
      [
        "nom" => "2. I've Been Waiting"
        "ordre" => 2
      ]
      [
        "nom" => "2. Superdeformed (demo)"
        "ordre" => 22
      ]
      [
        "nom" => "2. Thought I Knew You"
        "ordre" => 9
      ]
      [
        "nom" => "2. Your Sweet Voice"
        "ordre" => 16
      ]
      [
        "nom" => "3. Does She Talk ?"
        "ordre" => 17
      ]
      [
        "nom" => "3. Girlfriend"
        "ordre" => 3
      ]
      [
        "nom" => "3. Teenage Female (demo)"
        "ordre" => 23
      ]
      [
        "nom" => "3. You Don't Love Me"
        "ordre" => 10
      ]
      [
        "nom" => "4. Holy War"
        "ordre" => 18
      ]
      [
        "nom" => "4. I Wanted To Tell You"
        "ordre" => 11
      ]
      [
        "nom" => "4. Looking At The Sun"
        "ordre" => 4
      ]
      [
        "nom" => "5. Don't Go"
        "ordre" => 12
      ]
      [
        "nom" => "5. Nothing Lasts"
        "ordre" => 19
      ]
      [
        "nom" => "5. Winona"
        "ordre" => 5
      ]
      [
        "nom" => "6. Evangeline"
        "ordre" => 6
      ]
      [
        "nom" => "6. Your Sweet Voice"
        "ordre" => 13
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 14
      ]
      [
        "nom" => "Side D"
        "ordre" => 20
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: Proxies\__CG__\App\Entity\Label {#2154 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2163 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2156 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2158 …}
    -enregistreLe: DateTime @1547719298 {#2146
      date: 2019-01-17 10:01:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1660816583 {#2147
      date: 2022-08-18 09:56:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2160 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-girlfriend-intervention-records-021"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …}
}

[
  "produit" => App\Entity\Produit {#2168
    -id: 2013
    -nom: "The Witch Doctor "
    -informationComplementaire: ""
    -description: """
      Recorded in 1961, but not released until 1967, The Witch Doctor features one of Art Blakey & The Jazz Messengers' all-time great line-ups: Wayne Shorter on tenor saxophone, Lee Morgan on trumpet, Bobby Timmons on piano, and Jymie Merritt on bass. Shorter and Morgan each contribute two tunes, with Timmons penning one. Highlights include Morgan's spectacular 6/8 modal piece "Afrique" and Shorter's minor masterpiece "Those Who Sit And Wait". Bobby Timmons brings the deep soul goods on his composition "A Little Busy", and the album closes with a fleet-footed romp through Clifford Jordan's tune "Lost And Found".\n
      \n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\n
      \n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 Gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\n
      \n
      Blue Note Records' Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Art Blakey (drums, snare drums), Jymie Merritt (bass), Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xKLFf7HO2t8"
    -referenceProduit: "Blue Note Tone Poet Series 4860"
    -titreMorceau: [
      [
        "nom" => "1. A Little Busy "
        "ordre" => 5
      ]
      [
        "nom" => "1. The Witch Doctor "
        "ordre" => 1
      ]
      [
        "nom" => "2. Afrique "
        "ordre" => 2
      ]
      [
        "nom" => "2. Joelle "
        "ordre" => 6
      ]
      [
        "nom" => "3. Lost And Found"
        "ordre" => 7
      ]
      [
        "nom" => "3. Those Who Sit And Wait"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: Proxies\__CG__\App\Entity\Label {#2173 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2182 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2175 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2177 …}
    -enregistreLe: DateTime @1618739538 {#2165
      date: 2021-04-18 09:52:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1659944995 {#2166
      date: 2022-08-08 07:49:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2179 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-witch-doctor-blue-note-tone-poet-series-4860"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3492
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2168
    -id: 2013
    -nom: "The Witch Doctor "
    -informationComplementaire: ""
    -description: """
      Recorded in 1961, but not released until 1967, The Witch Doctor features one of Art Blakey & The Jazz Messengers' all-time great line-ups: Wayne Shorter on tenor saxophone, Lee Morgan on trumpet, Bobby Timmons on piano, and Jymie Merritt on bass. Shorter and Morgan each contribute two tunes, with Timmons penning one. Highlights include Morgan's spectacular 6/8 modal piece "Afrique" and Shorter's minor masterpiece "Those Who Sit And Wait". Bobby Timmons brings the deep soul goods on his composition "A Little Busy", and the album closes with a fleet-footed romp through Clifford Jordan's tune "Lost And Found".\n
      \n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\n
      \n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 Gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\n
      \n
      Blue Note Records' Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Art Blakey (drums, snare drums), Jymie Merritt (bass), Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xKLFf7HO2t8"
    -referenceProduit: "Blue Note Tone Poet Series 4860"
    -titreMorceau: [
      [
        "nom" => "1. A Little Busy "
        "ordre" => 5
      ]
      [
        "nom" => "1. The Witch Doctor "
        "ordre" => 1
      ]
      [
        "nom" => "2. Afrique "
        "ordre" => 2
      ]
      [
        "nom" => "2. Joelle "
        "ordre" => 6
      ]
      [
        "nom" => "3. Lost And Found"
        "ordre" => 7
      ]
      [
        "nom" => "3. Those Who Sit And Wait"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: Proxies\__CG__\App\Entity\Label {#2173 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2182 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2175 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2177 …}
    -enregistreLe: DateTime @1618739538 {#2165
      date: 2021-04-18 09:52:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1659944995 {#2166
      date: 2022-08-08 07:49:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2179 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-witch-doctor-blue-note-tone-poet-series-4860"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …}
}

[
  "produit" => App\Entity\Produit {#2187
    -id: 1926
    -nom: "Tender Moments"
    -informationComplementaire: ""
    -description: """
      All-Analog 180 gram Vinyl LP of McCoy Tyner's Tender Moments Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI: Reference Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley.\n
      \n
      1968's colorful Tender Moments served as pianist McCoy Tyner's initial LP as leader of an orchestral group. "The main task at the outset was to pick out the right horns, an instrumentation that would combine to produce the particular sounds I had in mind", Tyner explained. "I believe the personnel I selected gave me plenty to work with, and a good range all the way from the flute down to tuba. Each note becomes very important in a group of this kind, but I think I showed you can get a big, full sound with six horns". In piloting this compatible group of musicians, McCoy clearly knew where he was headed. Evidently his passengers, eager to help him reach his destination with the least possible turbulence, were as responsive to his leadership as he was to their cooperation. \n
      \n
      \n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\n
      \n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "McCoy Tyner (piano), Lee Morgan (trumpet), Bennie Maupin (tenor saxophone), James Spaulding (alto saxophone & flute), Herbie Lewis (bass), Bob Northern (French Horn), Julian Priester (trombone), Howard Johnson (tuba), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CpBAbCh6Iks"
    -referenceProduit: "Blue Note Tone Poet Series 34292"
    -titreMorceau: [
      [
        "nom" => "1. Mode To John"
        "ordre" => 1
      ]
      [
        "nom" => "1. Utopia"
        "ordre" => 5
      ]
      [
        "nom" => "2. All My Yesterdays"
        "ordre" => 6
      ]
      [
        "nom" => "2. Man from Tanganyika"
        "ordre" => 2
      ]
      [
        "nom" => "3. Lee Plus Three"
        "ordre" => 7
      ]
      [
        "nom" => "3. The High Priest"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#2173 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2198 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2191 …}
    -typeMasterTape: null
    -marque: null
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    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …}
    -enregistreLe: DateTime @1601222387 {#2184
      date: 2020-09-27 15:59:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1659944907 {#2185
      date: 2022-08-08 07:48:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2195 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tender-moments-blue-note-tone-poet-series-34292"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3543
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2187
    -id: 1926
    -nom: "Tender Moments"
    -informationComplementaire: ""
    -description: """
      All-Analog 180 gram Vinyl LP of McCoy Tyner's Tender Moments Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI: Reference Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley.\n
      \n
      1968's colorful Tender Moments served as pianist McCoy Tyner's initial LP as leader of an orchestral group. "The main task at the outset was to pick out the right horns, an instrumentation that would combine to produce the particular sounds I had in mind", Tyner explained. "I believe the personnel I selected gave me plenty to work with, and a good range all the way from the flute down to tuba. Each note becomes very important in a group of this kind, but I think I showed you can get a big, full sound with six horns". In piloting this compatible group of musicians, McCoy clearly knew where he was headed. Evidently his passengers, eager to help him reach his destination with the least possible turbulence, were as responsive to his leadership as he was to their cooperation. \n
      \n
      \n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\n
      \n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "McCoy Tyner (piano), Lee Morgan (trumpet), Bennie Maupin (tenor saxophone), James Spaulding (alto saxophone & flute), Herbie Lewis (bass), Bob Northern (French Horn), Julian Priester (trombone), Howard Johnson (tuba), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CpBAbCh6Iks"
    -referenceProduit: "Blue Note Tone Poet Series 34292"
    -titreMorceau: [
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        "nom" => "1. Mode To John"
        "ordre" => 1
      ]
      [
        "nom" => "1. Utopia"
        "ordre" => 5
      ]
      [
        "nom" => "2. All My Yesterdays"
        "ordre" => 6
      ]
      [
        "nom" => "2. Man from Tanganyika"
        "ordre" => 2
      ]
      [
        "nom" => "3. Lee Plus Three"
        "ordre" => 7
      ]
      [
        "nom" => "3. The High Priest"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#2173 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2198 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2191 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …}
    -enregistreLe: DateTime @1601222387 {#2184
      date: 2020-09-27 15:59:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1659944907 {#2185
      date: 2022-08-08 07:48:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2195 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tender-moments-blue-note-tone-poet-series-34292"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …}
}

[
  "produit" => App\Entity\Produit {#2205
    -id: 1918
    -nom: "Roots & Herbs"
    -informationComplementaire: ""
    -description: """
      Mastered by Kevin Gray at Cohearent Audio from the original master tape !\n
      \n
      Plated and pressed at RTI !\n
      \n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\n
      \n
      One Art Blakey's greatest albums with the Jazz Messengers, Roots & Herbs, is little known. In 1961, the group featured Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons (piano) and Jymie Merrit (bass). Recorded in Rudy Van Gelder's New Jersey studio, it's a brilliant set of six Shorter compositions, such as the playful "Ping Pong" and the clever "United". It's among Blakey's finest. Blue Note Tone Poet Series features all-analog, remastered 180 gram vinyl in deluxe gatefold packaging.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons, Walter Davis Jr. (piano), Jymie Merritt (bass) "
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qSPUOZArqOM"
    -referenceProduit: "Blue Note Tone Poet Series 96401"
    -titreMorceau: [
      [
        "nom" => "1. Ping Pong "
        "ordre" => 1
      ]
      [
        "nom" => "1. United "
        "ordre" => 5
      ]
      [
        "nom" => "2. Look at the Birdie \t"
        "ordre" => 6
      ]
      [
        "nom" => "2. Roots and Herbs "
        "ordre" => 2
      ]
      [
        "nom" => "3. Master Mind\t"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Back Sliders"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: Proxies\__CG__\App\Entity\Label {#2173 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …}
    -enregistreLe: DateTime @1600152643 {#2201
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    }
    -modifierLe: DateTime @1659944868 {#2200
      date: 2022-08-08 07:47:48.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-roots-herbs-blue-note-tone-poet-series-96401"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3596
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2205
    -id: 1918
    -nom: "Roots & Herbs"
    -informationComplementaire: ""
    -description: """
      Mastered by Kevin Gray at Cohearent Audio from the original master tape !\n
      \n
      Plated and pressed at RTI !\n
      \n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\n
      \n
      One Art Blakey's greatest albums with the Jazz Messengers, Roots & Herbs, is little known. In 1961, the group featured Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons (piano) and Jymie Merrit (bass). Recorded in Rudy Van Gelder's New Jersey studio, it's a brilliant set of six Shorter compositions, such as the playful "Ping Pong" and the clever "United". It's among Blakey's finest. Blue Note Tone Poet Series features all-analog, remastered 180 gram vinyl in deluxe gatefold packaging.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons, Walter Davis Jr. (piano), Jymie Merritt (bass) "
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qSPUOZArqOM"
    -referenceProduit: "Blue Note Tone Poet Series 96401"
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        "nom" => "1. United "
        "ordre" => 5
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        "nom" => "2. Look at the Birdie \t"
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      [
        "nom" => "2. Roots and Herbs "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: Proxies\__CG__\App\Entity\Label {#2173 …}
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    -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …}
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    }
    -modifierLe: DateTime @1659944868 {#2200
      date: 2022-08-08 07:47:48.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-roots-herbs-blue-note-tone-poet-series-96401"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …}
}

[
  "produit" => App\Entity\Produit {#2222
    -id: 1632
    -nom: "Mr. Shing-A-Ling"
    -informationComplementaire: ""
    -description: """
      All-Analog 180 graù Vinyl LP of Lou Donaldson's Mr. Shing-A-Ling Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley\n
      \n
      Funky funky Lou Donaldson and one of the first albums to feature the tight drum work of Idris Muhammadbehind Lou's horn so early, in fact, that Muhammad's listed here on the label as Leo Morris, which was his original name! The group also features Blue Mitchell on trumpet, Jimmy Ponder on guitar, and Lonnie Smith on organ - and they all wail together in a sound that bridges the gap between Lou's earlier Blue Note soul jazz, and the later funky mode of his jazz funk years ! Tracks include "The Humpback", "Peepin'", "The Kid" and the fantastic cover of "Ode to Billie Joe" that's as much a sample cut as "Pot Belly" !\n
      \n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. The label brought Joe Harley (from Music Matters), aka the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels. Extreme attention to detail has been paid to getting these right in every conceivable way, from the deluxe gatefold jacket graphics and printing quality to superior mastering (all analog direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version. \n
      \n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Blue Mitchell (trumpet), Lonnie Smith (organ), Jimmy "Fats" Ponder (guitar), Leo Morris aka Idris Muhammad (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wap9qpGC2no"
    -referenceProduit: "Blue Note Tone Poet 67701"
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        "nom" => "3. The Shadow of Your Smile (Love Theme From "The Sandpiper")"
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        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
    -label: Proxies\__CG__\App\Entity\Label {#2173 …}
    -style: App\Entity\Style {#1502 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2226 …}
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    -modifierLe: DateTime @1659944764 {#2216
      date: 2022-08-08 07:46:04.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2230 …}
    -disponible: null
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    -slug: "vinyles-mr-shing-a-ling-blue-note-tone-poet-67701"
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3642
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2222
    -id: 1632
    -nom: "Mr. Shing-A-Ling"
    -informationComplementaire: ""
    -description: """
      All-Analog 180 graù Vinyl LP of Lou Donaldson's Mr. Shing-A-Ling Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley\n
      \n
      Funky funky Lou Donaldson and one of the first albums to feature the tight drum work of Idris Muhammadbehind Lou's horn so early, in fact, that Muhammad's listed here on the label as Leo Morris, which was his original name! The group also features Blue Mitchell on trumpet, Jimmy Ponder on guitar, and Lonnie Smith on organ - and they all wail together in a sound that bridges the gap between Lou's earlier Blue Note soul jazz, and the later funky mode of his jazz funk years ! Tracks include "The Humpback", "Peepin'", "The Kid" and the fantastic cover of "Ode to Billie Joe" that's as much a sample cut as "Pot Belly" !\n
      \n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. The label brought Joe Harley (from Music Matters), aka the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels. Extreme attention to detail has been paid to getting these right in every conceivable way, from the deluxe gatefold jacket graphics and printing quality to superior mastering (all analog direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version. \n
      \n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Blue Mitchell (trumpet), Lonnie Smith (organ), Jimmy "Fats" Ponder (guitar), Leo Morris aka Idris Muhammad (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=wap9qpGC2no"
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        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
    -label: Proxies\__CG__\App\Entity\Label {#2173 …}
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    -slug: "vinyles-mr-shing-a-ling-blue-note-tone-poet-67701"
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[
  "produit" => App\Entity\Produit {#2238
    -id: 2252
    -nom: "+ ELEVEN"
    -informationComplementaire: ""
    -description: """
      Musician :\r\n
      Art Pepper, Bud Shank, Charlie Kennedy, Herb Geller (alto saxophone), Med Flory (baritone saxophone), Bill Perkins, Richie Kamuca (tenor saxophone), Joe Mondragon (bass), Russ Freeman (piano), Dick Nash (trombone), Al Porcino, Jack Sheldon, Pete Candoli (trumpet), Bob Enevoldsen (valve trombone, tenor saxophone), Vince De Rosa (French Horn), Mel Lewis (drums).\r\n
      \r\n
      - Contemporary Records Acoustic Sounds Series !\r\n
      \r\n
      - Six key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Art Pepper, Barney Kessel, Benny Carter, Hampton Hawes and Shelly Manne !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      Kicking off the series is Art Pepper's + Eleven : Modern Jazz Classics. Throughout the 1950s, '60s and '70s, Lester Koenig's artist-friendly Los Angeles-based audiophile jazz label documented career-defining performances by some of modern jazz's most influential and accomplished improvisers, including Ornette Coleman, Sonny Rollins, Harold Land and Benny Golson. No musician is more closely identified with Contemporary than Pepper, whose cool tone and simmering lyricism made him one of the very few mid-century alto saxophonists to forge a path independent of bebop patriarch Charlie Parker's pervasive influence.\r\n
      \r\n
      Produced by Koenig and recorded in 1959, Art Pepper +Eleven: Modern Jazz Classics is one of the saxophonist's masterpieces. Featuring brilliant arrangements by Marty Paich, the album elaborates on the lush but lithe sound introduced by the epochal Birth of the Cool sessions, which Miles Davis started to record almost exactly a decade earlier (like Birth, + Eleven kick offs with Denzil Best's "Move"). Surrounded by the cream of the LA scene, including fellow saxophone masters Herb Geller, Bill Perkins and Med Flory, Pepper brings all his scorching lyricism to a program of modern jazz standards by Horace Silver, Thelonious Monk, Gerry Mulligan and Sonny Rollins.\r\n
      \r\n
       
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Art Pepper, Bud Shank, Charlie Kennedy, Herb Geller (alto saxophone), Med Flory (baritone saxophone), Bill Perkins, Richie Kamuca (tenor saxophone), Joe Mondragon (bass), Russ Freeman (piano), Dick Nash (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=avJDbmqfH3Y"
    -referenceProduit: "Acoustic Sounds Series 0383"
    -titreMorceau: [
      [
        "nom" => "1. Bernie's Tune"
        "ordre" => 8
      ]
      [
        "nom" => "1. Move"
        "ordre" => 1
      ]
      [
        "nom" => "2. Groovin' High"
        "ordre" => 2
      ]
      [
        "nom" => "2. Walkin' Shoes"
        "ordre" => 9
      ]
      [
        "nom" => "3. Anthropology"
        "ordre" => 10
      ]
      [
        "nom" => "3. Opus De Funk"
        "ordre" => 3
      ]
      [
        "nom" => "4. 'Round Midnight"
        "ordre" => 4
      ]
      [
        "nom" => "4. Airegin"
        "ordre" => 11
      ]
      [
        "nom" => "5. Four Brothers"
        "ordre" => 5
      ]
      [
        "nom" => "5. Walkin'"
        "ordre" => 12
      ]
      [
        "nom" => "6. Donna Lee"
        "ordre" => 13
      ]
      [
        "nom" => "6. Shawnuff"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2240 …}
    -label: Proxies\__CG__\App\Entity\Label {#2243 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2252 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2245 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2247 …}
    -enregistreLe: DateTime @1657865528 {#2235
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    }
    -modifierLe: DateTime @1657866208 {#2236
      date: 2022-07-15 06:23:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2249 …}
    -disponible: null
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    -slug: "vinyles-eleven-acoustic-sounds-series-0383"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3693
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2238
    -id: 2252
    -nom: "+ ELEVEN"
    -informationComplementaire: ""
    -description: """
      Musician :\r\n
      Art Pepper, Bud Shank, Charlie Kennedy, Herb Geller (alto saxophone), Med Flory (baritone saxophone), Bill Perkins, Richie Kamuca (tenor saxophone), Joe Mondragon (bass), Russ Freeman (piano), Dick Nash (trombone), Al Porcino, Jack Sheldon, Pete Candoli (trumpet), Bob Enevoldsen (valve trombone, tenor saxophone), Vince De Rosa (French Horn), Mel Lewis (drums).\r\n
      \r\n
      - Contemporary Records Acoustic Sounds Series !\r\n
      \r\n
      - Six key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Art Pepper, Barney Kessel, Benny Carter, Hampton Hawes and Shelly Manne !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      Kicking off the series is Art Pepper's + Eleven : Modern Jazz Classics. Throughout the 1950s, '60s and '70s, Lester Koenig's artist-friendly Los Angeles-based audiophile jazz label documented career-defining performances by some of modern jazz's most influential and accomplished improvisers, including Ornette Coleman, Sonny Rollins, Harold Land and Benny Golson. No musician is more closely identified with Contemporary than Pepper, whose cool tone and simmering lyricism made him one of the very few mid-century alto saxophonists to forge a path independent of bebop patriarch Charlie Parker's pervasive influence.\r\n
      \r\n
      Produced by Koenig and recorded in 1959, Art Pepper +Eleven: Modern Jazz Classics is one of the saxophonist's masterpieces. Featuring brilliant arrangements by Marty Paich, the album elaborates on the lush but lithe sound introduced by the epochal Birth of the Cool sessions, which Miles Davis started to record almost exactly a decade earlier (like Birth, + Eleven kick offs with Denzil Best's "Move"). Surrounded by the cream of the LA scene, including fellow saxophone masters Herb Geller, Bill Perkins and Med Flory, Pepper brings all his scorching lyricism to a program of modern jazz standards by Horace Silver, Thelonious Monk, Gerry Mulligan and Sonny Rollins.\r\n
      \r\n
       
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Art Pepper, Bud Shank, Charlie Kennedy, Herb Geller (alto saxophone), Med Flory (baritone saxophone), Bill Perkins, Richie Kamuca (tenor saxophone), Joe Mondragon (bass), Russ Freeman (piano), Dick Nash (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=avJDbmqfH3Y"
    -referenceProduit: "Acoustic Sounds Series 0383"
    -titreMorceau: [
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        "nom" => "1. Bernie's Tune"
        "ordre" => 8
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        "nom" => "1. Move"
        "ordre" => 1
      ]
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        "nom" => "2. Groovin' High"
        "ordre" => 2
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        "nom" => "2. Walkin' Shoes"
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      [
        "nom" => "3. Anthropology"
        "ordre" => 10
      ]
      [
        "nom" => "3. Opus De Funk"
        "ordre" => 3
      ]
      [
        "nom" => "4. 'Round Midnight"
        "ordre" => 4
      ]
      [
        "nom" => "4. Airegin"
        "ordre" => 11
      ]
      [
        "nom" => "5. Four Brothers"
        "ordre" => 5
      ]
      [
        "nom" => "5. Walkin'"
        "ordre" => 12
      ]
      [
        "nom" => "6. Donna Lee"
        "ordre" => 13
      ]
      [
        "nom" => "6. Shawnuff"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2240 …}
    -label: Proxies\__CG__\App\Entity\Label {#2243 …}
    -style: App\Entity\Style {#1502 …}
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      date: 2022-07-15 06:12:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1657866208 {#2236
      date: 2022-07-15 06:23:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2249 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-eleven-acoustic-sounds-series-0383"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …}
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[
  "produit" => App\Entity\Produit {#2257
    -id: 2239
    -nom: "Live In Tokyo"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Remastering by Ray Staff at Air Mastering !\r\n
      \r\n
      "This Superb 1974 releaseslive album, recorded on Music Inc's first Japanese tour, begins in the most Tollveresque way possible- with a powerful, declamatory trumpet blast on the opening `Drought', and from then on, the tempo never lets up. Live In Tokyo is exceptionally powerful acoustic hard bop, easily the equal of the electric and fusion experiments of the time -and proof positive that Tolliver, who astutely (and acutely) combined the best of both traditional swing and jazz throughout the 1970, remains one of the music's great-and most underrated". - Kevin Whitlock\r\n
      \r\n
      There's certainly a keen eye that goes into the joyous task of plunging through the Strata-East vaults and although Charles Tolliver and Music Inc's Live in Tokyo 1973 isn't as forgotten a treasure as previous Pure Pleasure reissues of projects like Stanley Cowell's ‘Such Great Friends' may be, it's no less of an incredible project to revisit in this way.\r\n
      \r\n
      Recorded Dec. 7, 1973, the fifth album by trumpeter Charles Tolliver and his quartet of musicians comprising Music Inc performed a 50 minute set in Tokyo's Yubinchokin Hall. The performance was initially released through Strata-East the following year and would even be revisited a further time by Mosaic Records in 2005 as part of a three-disc box set all of this a true testament to the masters of the craft gracing the stage on this night.Despite the slew of releases with Music Inc, Tolliver boasts an incredible resume that has seen him perform alongside luminaries including Horace Silver, Andrew Hill, Roy Ayers, Gary Bartz among others. Born in Jacksonville, Florida, and raised in New York from the age of 10 years old, Tolliver's inspired contributions to jazz couldn't be celebrated enough from his innumerable successes as a musician in his own right to his achievements as co-founder of Strata along with Stanley Cowell. Despite neither having any formal or business training, Tolliver and Cowell's pioneering efforts positioned them as beacons for being an independent, black-owned success story.\r\n
      \r\n
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      \r\n
      Live in Tokyo 1973 is certainly a project that has been afforded its due reverence over the years but once again, an exceptional performance from Charles Tolliver and Music Inc benefits from an unrivalled presentation at the hands of Pure Pleasure.
      """
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      - 180 gram gatefold LP !\r\n
      \r\n
      - Remastering by Ray Staff at Air Mastering !\r\n
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[
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    -informationComplementaire: ""
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    -nom: "8 - Kindred Spirits (Live From The Lobero)  (2 LPs + DVD + Book)"
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App\Twig\Components\AjoutMailNewsletterComponent {#3996
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