Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2574
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2651
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2654 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
  -formView: Symfony\Component\Form\FormView {#2690 …}
  -form: Symfony\Component\Form\Form {#2840 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 1183
    -nom: "All Smiles"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Kenny Clarke (drums, co-leader), Francy Boland (piano, co-leader), Benny Bailey, Idrees Sulieman, Jimmy Deuchar, Sonny Grey (trumpet), Ake Persson, Nat Peck, Erik van Lier (trombone), Derek Humble (alto saxophone), Johnny Griffin, Ronnie Scott, Tony Coe (tenor saxophone), Sahib Shihab (baritone saxophone), Jimmy Woode (bass), Dave Pike (vibes), Kenny Clare (drums).\r\n
      \r\n
      Without ever making concessions to the trend of the moment, the Kenny Clarke–Francy Boland Big Band was the embodiment of the timeless art of the jazz orchestra. Its play was proof positive that a jazz big band compiled of top-flite musicians from both sides of the Atlantic could take off and soar. Regarded as the most important big band outside of the US, this bi-continental orchestra recorded over two dozen albums, close to a third of these under the SABA and MPS labels. Recorded in May, 1968, « All Smiles » was one of the Band’s highpoints. The album exhibits a style that became synonymous with this US-European enterprise : it not only swung – it was the perfect vehicle for Boland’s sophisticated modern arrangements. Trumpeters Benny Bailey and Idrees Sulieman, saxophonists Johnny Griffin and Ronnie Scott, as well as special guest vibraphonist Dave Pike are some of the jazz giants among the soloists in this 17 man combo who turn out some masterly short portraits. \r\n
      From the fleet-footed waltz « I’m All Smiles » to the bluesy party piece, « By Strauss » and the sensuous theme from « Gloria », the journey continues on through to the furious John Phillip Souza finale, « High School Cadets ». Preferring varicolored intricacy over massive walls of sound, The Kenny Clarke / Francy Boland Big Band stood up against the constant flow of momentary fads, remaining true to the inventive tradition of the great big bands.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Kenny Clarke (drums, co-leader), Francy Boland (piano, co-leader), Benny Bailey, Idrees Sulieman, Jimmy Deuchar, Sonny Grey (trumpet), Ake Persson, Nat Peck, Erik van Lier (trombone), Derek Humble (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=W3cLTbCoRpY"
    -referenceProduit: "MPS Records 9555"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Let's Face The Music And Dance"
        "ordre" => 1
      ]
      [
        "nom" => "2. I'm All Smiles"
        "ordre" => 2
      ]
      [
        "nom" => "3. You Stepped Out Of A Dream"
        "ordre" => 3
      ]
      [
        "nom" => "4. I'm Glad There Is You"
        "ordre" => 4
      ]
      [
        "nom" => "5. Get Out Of Town"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "1. By Strauss"
        "ordre" => 7
      ]
      [
        "nom" => "2. When Your Lover Has Gone"
        "ordre" => 8
      ]
      [
        "nom" => "3. Gloria"
        "ordre" => 9
      ]
      [
        "nom" => "4. Sweet And Lovely"
        "ordre" => 10
      ]
      [
        "nom" => "5. High School Cadets"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1498211499 {#1876
      date: 2017-06-23 09:51:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762556231 {#1869
      date: 2025-11-07 22:57:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-all-smiles-mps-records-9555"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3114
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 1183
    -nom: "All Smiles"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Kenny Clarke (drums, co-leader), Francy Boland (piano, co-leader), Benny Bailey, Idrees Sulieman, Jimmy Deuchar, Sonny Grey (trumpet), Ake Persson, Nat Peck, Erik van Lier (trombone), Derek Humble (alto saxophone), Johnny Griffin, Ronnie Scott, Tony Coe (tenor saxophone), Sahib Shihab (baritone saxophone), Jimmy Woode (bass), Dave Pike (vibes), Kenny Clare (drums).\r\n
      \r\n
      Without ever making concessions to the trend of the moment, the Kenny Clarke–Francy Boland Big Band was the embodiment of the timeless art of the jazz orchestra. Its play was proof positive that a jazz big band compiled of top-flite musicians from both sides of the Atlantic could take off and soar. Regarded as the most important big band outside of the US, this bi-continental orchestra recorded over two dozen albums, close to a third of these under the SABA and MPS labels. Recorded in May, 1968, « All Smiles » was one of the Band’s highpoints. The album exhibits a style that became synonymous with this US-European enterprise : it not only swung – it was the perfect vehicle for Boland’s sophisticated modern arrangements. Trumpeters Benny Bailey and Idrees Sulieman, saxophonists Johnny Griffin and Ronnie Scott, as well as special guest vibraphonist Dave Pike are some of the jazz giants among the soloists in this 17 man combo who turn out some masterly short portraits. \r\n
      From the fleet-footed waltz « I’m All Smiles » to the bluesy party piece, « By Strauss » and the sensuous theme from « Gloria », the journey continues on through to the furious John Phillip Souza finale, « High School Cadets ». Preferring varicolored intricacy over massive walls of sound, The Kenny Clarke / Francy Boland Big Band stood up against the constant flow of momentary fads, remaining true to the inventive tradition of the great big bands.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Kenny Clarke (drums, co-leader), Francy Boland (piano, co-leader), Benny Bailey, Idrees Sulieman, Jimmy Deuchar, Sonny Grey (trumpet), Ake Persson, Nat Peck, Erik van Lier (trombone), Derek Humble (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=W3cLTbCoRpY"
    -referenceProduit: "MPS Records 9555"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Let's Face The Music And Dance"
        "ordre" => 1
      ]
      [
        "nom" => "2. I'm All Smiles"
        "ordre" => 2
      ]
      [
        "nom" => "3. You Stepped Out Of A Dream"
        "ordre" => 3
      ]
      [
        "nom" => "4. I'm Glad There Is You"
        "ordre" => 4
      ]
      [
        "nom" => "5. Get Out Of Town"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "1. By Strauss"
        "ordre" => 7
      ]
      [
        "nom" => "2. When Your Lover Has Gone"
        "ordre" => 8
      ]
      [
        "nom" => "3. Gloria"
        "ordre" => 9
      ]
      [
        "nom" => "4. Sweet And Lovely"
        "ordre" => 10
      ]
      [
        "nom" => "5. High School Cadets"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1498211499 {#1876
      date: 2017-06-23 09:51:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762556231 {#1869
      date: 2025-11-07 22:57:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-all-smiles-mps-records-9555"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 1852
    -nom: "Live Beethoven Series - Piano Concerto N° 5 'Emperor'"
    -informationComplementaire: null
    -description: """
      On the 1st of February, Chasing The Dragon had the opportunity of recording a live Beethoven concert performed at St. Martin-in-the-Fields. From this event, they have been able to release 2 new recordings featuring the Locrian Ensemble of London, conducted by Rimma Sushanskaya and the wonderful pianist John Lenehan.\r\n
      \r\n
      From Chasing The Dragon's Mike Valentine :\r\n
      At Chasing The Dragon, we have started to release a series of Live Beethoven concert recordings. For our second, we present the wonderful pianist John Lenehan in an amazing performance of the Piano Concerto N° 5. John's playing, combined with the Locrian Ensemble of London, was an incredible event. I have recorded it using only 4 microphones, in an effort for you to connect directly with the jump factor we all felt on that very cold February evening !\r\n
      \r\n
      "Beethoven concerts are not as frequently encountered these days as they once were, so it was an attractive 'traditional' programme of overture concerto symphony that drew a large audience to London's St. Martin-in-the-Fields, on February the 1st. They were rewarded with a programme of outstanding quality from the finely played Egmont Overture, to the 5th Symphony, by way of the Emperor Piano Concerto, notably well conducted throughout by Rimma Sushanskaya, most able partnering the very fine John Lenehan who gave an outstanding account of the solo part, supported to the hilt by this very gifted conductor and orchestra. Dr. Sushanskaya's performance of the 5th Symphony was in the memorable class, a reading of deep musicianship and interpretive character. No wonder soloist and conductor were called back time and again after the concerto to be rewarded with a genuine standing ovation at the end, which lasted for many minutes". - Grame Judge, Musical Opinion Quarterly
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "The Locrian Ensemble of London conducted by Rimma Sushanskaya, John Lenehan (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Chasing The Dragon 011"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Allegro"
        "ordre" => 1
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "1. Adagio Un Poco Mosso"
        "ordre" => 3
      ]
      [
        "nom" => "2. Rondo : Allegro"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#2050 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1589524310 {#2042
      date: 2020-05-15 06:31:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762555581 {#2043
      date: 2025-11-07 22:46:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-beethoven-series-piano-concerto-n-5-emperor-chasing-the-dragon-011"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3228
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 1852
    -nom: "Live Beethoven Series - Piano Concerto N° 5 'Emperor'"
    -informationComplementaire: null
    -description: """
      On the 1st of February, Chasing The Dragon had the opportunity of recording a live Beethoven concert performed at St. Martin-in-the-Fields. From this event, they have been able to release 2 new recordings featuring the Locrian Ensemble of London, conducted by Rimma Sushanskaya and the wonderful pianist John Lenehan.\r\n
      \r\n
      From Chasing The Dragon's Mike Valentine :\r\n
      At Chasing The Dragon, we have started to release a series of Live Beethoven concert recordings. For our second, we present the wonderful pianist John Lenehan in an amazing performance of the Piano Concerto N° 5. John's playing, combined with the Locrian Ensemble of London, was an incredible event. I have recorded it using only 4 microphones, in an effort for you to connect directly with the jump factor we all felt on that very cold February evening !\r\n
      \r\n
      "Beethoven concerts are not as frequently encountered these days as they once were, so it was an attractive 'traditional' programme of overture concerto symphony that drew a large audience to London's St. Martin-in-the-Fields, on February the 1st. They were rewarded with a programme of outstanding quality from the finely played Egmont Overture, to the 5th Symphony, by way of the Emperor Piano Concerto, notably well conducted throughout by Rimma Sushanskaya, most able partnering the very fine John Lenehan who gave an outstanding account of the solo part, supported to the hilt by this very gifted conductor and orchestra. Dr. Sushanskaya's performance of the 5th Symphony was in the memorable class, a reading of deep musicianship and interpretive character. No wonder soloist and conductor were called back time and again after the concerto to be rewarded with a genuine standing ovation at the end, which lasted for many minutes". - Grame Judge, Musical Opinion Quarterly
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "The Locrian Ensemble of London conducted by Rimma Sushanskaya, John Lenehan (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Chasing The Dragon 011"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Allegro"
        "ordre" => 1
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "1. Adagio Un Poco Mosso"
        "ordre" => 3
      ]
      [
        "nom" => "2. Rondo : Allegro"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#2050 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1589524310 {#2042
      date: 2020-05-15 06:31:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762555581 {#2043
      date: 2025-11-07 22:46:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-beethoven-series-piano-concerto-n-5-emperor-chasing-the-dragon-011"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2066
    -id: 1653
    -nom: "Cookin'"
    -informationComplementaire: null
    -description: """
      - For sale individually and as part of Analogue Productions’ Prestige Mono Series !\r\n
      - Cut from the analogue masters by renowned mastering engineer Kevin Gray !\r\n
      - 180-gram pressing by Quality Record Pressings!\r\n
      - Deluxe high-gloss tip-on album jacket !\r\n
      \r\n
      "Analogue Productions has continued to push its own already high bar higher still. Its Quality Record Pressings plant is delivering the best vinyl discs to be found, its jackets and cover reproduction quality have hit new levels, and it continues to have the best in the biz - such as Kevin Gray for this series (25 mono LPs from the Prestige label's exceptional late-50s run) cut lacquers from original analog master tapes... (Cookin') does have a warm, quite intimate perspective, with a fine sense of instrumental textures". - Wayne Garcia, The Absolute Sound, December 2015\r\n
      \r\n
      Cookin’ With the Miles Davis Quintet is the first classic album of four total that emerged from two marathon and fruitful sessions recorded in 1956 (the other three discs released in Cookin’s wake were Workin’, Relaxin’ and Steamin’). All the albums were recorded live in the studio, as Davis sought to capture, with Rudy Van Gelder’s expert engineering, the sense of a club show á la the Café Bohemia in New York, with his new quintet, featuring tenor saxophonist John Coltrane. In Miles’s own words, he says he called this album Cookin’ because “that’s what we did came in and cooked”. What’s particularly significant about this Davis album is his first recording of what became a classic tune for him : “My Funny Valentine”. Hot playing is also reserved for the uptempo number “Tune Up”, which revs with the zoom of both the leader and ’Trane.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ejxQY29mpZQ"
    -referenceProduit: "Analogue Productions (Prestige) APRJ 7094"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. My Funny Valentine"
        "ordre" => 1
      ]
      [
        "nom" => "2. Blues By Five"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Airegin"
        "ordre" => 4
      ]
      [
        "nom" => "2. Tune Up / When Lights Are Low"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2068 …}
    -label: Proxies\__CG__\App\Entity\Label {#2071 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2073 …}
    -typeMasterTape: null
    -marque: null
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    -modifierLe: DateTime @1762554528 {#2061
      date: 2025-11-07 22:28:48.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2077 …}
    -disponible: null
    -terminer: null
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3279
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2066
    -id: 1653
    -nom: "Cookin'"
    -informationComplementaire: null
    -description: """
      - For sale individually and as part of Analogue Productions’ Prestige Mono Series !\r\n
      - Cut from the analogue masters by renowned mastering engineer Kevin Gray !\r\n
      - 180-gram pressing by Quality Record Pressings!\r\n
      - Deluxe high-gloss tip-on album jacket !\r\n
      \r\n
      "Analogue Productions has continued to push its own already high bar higher still. Its Quality Record Pressings plant is delivering the best vinyl discs to be found, its jackets and cover reproduction quality have hit new levels, and it continues to have the best in the biz - such as Kevin Gray for this series (25 mono LPs from the Prestige label's exceptional late-50s run) cut lacquers from original analog master tapes... (Cookin') does have a warm, quite intimate perspective, with a fine sense of instrumental textures". - Wayne Garcia, The Absolute Sound, December 2015\r\n
      \r\n
      Cookin’ With the Miles Davis Quintet is the first classic album of four total that emerged from two marathon and fruitful sessions recorded in 1956 (the other three discs released in Cookin’s wake were Workin’, Relaxin’ and Steamin’). All the albums were recorded live in the studio, as Davis sought to capture, with Rudy Van Gelder’s expert engineering, the sense of a club show á la the Café Bohemia in New York, with his new quintet, featuring tenor saxophonist John Coltrane. In Miles’s own words, he says he called this album Cookin’ because “that’s what we did came in and cooked”. What’s particularly significant about this Davis album is his first recording of what became a classic tune for him : “My Funny Valentine”. Hot playing is also reserved for the uptempo number “Tune Up”, which revs with the zoom of both the leader and ’Trane.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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        "nom" => "2. Blues By Five"
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        "nom" => "2. Tune Up / When Lights Are Low"
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-cookin-analogue-productions-prestige-aprj-7094"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2085
    -id: 1248
    -nom: "Here comes The Sun"
    -informationComplementaire: null
    -description: "This 1971 recording signals the beginning of Jamaican pianist Monty Alexander’s fruitful relationship with MPS, lasting over a decade and encompassing some dozen albums. Originally touted as heir to Oscar Peterson’s crown, Alexander is famous for his virtuoso melding of jazz, the sounds of the Caribbean and blues. The classic Dave Brubeck Quartet’s bassist Eugene Wright, calypso percussionist Montego Joe, and ace drummer Duffy Jackson round out the quartet. Montevideo jumps off with percussive Latin two-beat verve and a witty piano filled with quotes. The ballad Where is Love is a searching romantic serenade, and Monty transforms the Beatle’s Here Comes The Sun into blues-laced Latinesque with a taste of boogie. Monty takes the standard Love Walked In at a brisk pace as he demonstrates his considerable straight-ahead jazz chops, bop quotes and all. Check out the tasty walking bass and drum solos. The luscious calypso Brown Skin Girl is followed by Monty’s tender, wistful solo rendition of his The Dream Is Mine. The group stretches out on Miles Davis’ iconic So What, grounding the tune with a driving Latin-rock beat. They say variety is the spice of life and Monty Alexander and co. have seasoned this album to perfection."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Monty Alexander (piano), Eugene Wright (bass), Montego Joe (congas), Duffy Jackson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Wsgmk1rVOKM"
    -referenceProduit: "MPS Records 4078"
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Montevideo"
        "ordre" => 1
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      [
        "nom" => "3. Here Comes the Sun"
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        "nom" => "4. Love Walked In"
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        "nom" => "Side B : "
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        "nom" => "1. Brown Skin Girl"
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      [
        "nom" => "2. This Dream of Mine"
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      [
        "nom" => "3. So What"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2087 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3330
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2085
    -id: 1248
    -nom: "Here comes The Sun"
    -informationComplementaire: null
    -description: "This 1971 recording signals the beginning of Jamaican pianist Monty Alexander’s fruitful relationship with MPS, lasting over a decade and encompassing some dozen albums. Originally touted as heir to Oscar Peterson’s crown, Alexander is famous for his virtuoso melding of jazz, the sounds of the Caribbean and blues. The classic Dave Brubeck Quartet’s bassist Eugene Wright, calypso percussionist Montego Joe, and ace drummer Duffy Jackson round out the quartet. Montevideo jumps off with percussive Latin two-beat verve and a witty piano filled with quotes. The ballad Where is Love is a searching romantic serenade, and Monty transforms the Beatle’s Here Comes The Sun into blues-laced Latinesque with a taste of boogie. Monty takes the standard Love Walked In at a brisk pace as he demonstrates his considerable straight-ahead jazz chops, bop quotes and all. Check out the tasty walking bass and drum solos. The luscious calypso Brown Skin Girl is followed by Monty’s tender, wistful solo rendition of his The Dream Is Mine. The group stretches out on Miles Davis’ iconic So What, grounding the tune with a driving Latin-rock beat. They say variety is the spice of life and Monty Alexander and co. have seasoned this album to perfection."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Monty Alexander (piano), Eugene Wright (bass), Montego Joe (congas), Duffy Jackson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Wsgmk1rVOKM"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2087 …}
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    -modifierLe: DateTime @1762504970 {#2083
      date: 2025-11-07 08:42:50.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-here-comes-the-sun-mps-records-4078"
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[
  "produit" => App\Entity\Produit {#2101
    -id: 2308
    -nom: "Genius of Modern Music, Volume One"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Thelonious Monk (piano), Sahib Shihab, Danny Quebec West (alto saxophone), Robert Paige, Gene Ramey, John Simmons (bass), Milt Jackson (vibraphone), Billy Smith (tenor saxophone),  George Taitt, Idrees Sulieman (trumpet), Art Blakey, Shadow Wilson (drums).\r\n
      \r\n
      Thelonious Monk was a little-known figure on the New York City bebop scene when Blue Note founder Alfred Lion discovered and fell in love with the pianist's utterly unique music and offered Monk his first opportunity to record as a leader. Over four sessions recorded in 1947 and 1948, Blue Note documented Monk in trio, quartet, quintet, and sextet settings performing his singular compositions including "'Round Midnight", "Ruby My Dear", "Epistrophy", "Well You Needn't", and "Thelonious", and released the 10" LP Genius of Modern Music. In 1956, Blue Note transitioned to the 12" LP and began the fabled 1500 Series which included the expanded Genius of Modern Music, Volume One (BLP 1510) featuring one of Reid Miles' earliest cover designs for the label.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Thelonious Monk (piano), Sahib Shihab, Danny Quebec West (alto saxophone), Robert Paige, Gene Ramey, John Simmons (bass), Milt Jackson (vibraphone), Billy Smith (tenor saxophone),  George Taitt, Idrees Sulieman (trumpet), Art Blakey, Shadow Wilson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=V_h5P2meI5I"
    -referenceProduit: "Blue Note Records 1510"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. 'Round Midnight "
        "ordre" => 1
      ]
      [
        "nom" => "2. Off Minor "
        "ordre" => 2
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      [
        "nom" => "3. Ruby My Dear "
        "ordre" => 3
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      [
        "nom" => "4. I Mean You "
        "ordre" => 4
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      [
        "nom" => "5. April in Paris "
        "ordre" => 5
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      [
        "nom" => "6. In Walked Bud"
        "ordre" => 6
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      [
        "nom" => "Side B :"
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      [
        "nom" => "1. Thelonious "
        "ordre" => 8
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      [
        "nom" => "2. Epistrophy "
        "ordre" => 9
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        "ordre" => 12
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      [
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        "ordre" => 13
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2103 …}
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      date: 2025-11-07 08:35:26.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2112 …}
    -disponible: null
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    -slug: "vinyles-genius-of-modern-music-volume-one-blue-note-records-1510"
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App\Twig\Components\GestionPanierFavoriComponents {#3381
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2101
    -id: 2308
    -nom: "Genius of Modern Music, Volume One"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Thelonious Monk (piano), Sahib Shihab, Danny Quebec West (alto saxophone), Robert Paige, Gene Ramey, John Simmons (bass), Milt Jackson (vibraphone), Billy Smith (tenor saxophone),  George Taitt, Idrees Sulieman (trumpet), Art Blakey, Shadow Wilson (drums).\r\n
      \r\n
      Thelonious Monk was a little-known figure on the New York City bebop scene when Blue Note founder Alfred Lion discovered and fell in love with the pianist's utterly unique music and offered Monk his first opportunity to record as a leader. Over four sessions recorded in 1947 and 1948, Blue Note documented Monk in trio, quartet, quintet, and sextet settings performing his singular compositions including "'Round Midnight", "Ruby My Dear", "Epistrophy", "Well You Needn't", and "Thelonious", and released the 10" LP Genius of Modern Music. In 1956, Blue Note transitioned to the 12" LP and began the fabled 1500 Series which included the expanded Genius of Modern Music, Volume One (BLP 1510) featuring one of Reid Miles' earliest cover designs for the label.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Thelonious Monk (piano), Sahib Shihab, Danny Quebec West (alto saxophone), Robert Paige, Gene Ramey, John Simmons (bass), Milt Jackson (vibraphone), Billy Smith (tenor saxophone),  George Taitt, Idrees Sulieman (trumpet), Art Blakey, Shadow Wilson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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        "ordre" => 11
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        "ordre" => 12
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        "ordre" => 13
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2103 …}
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    -modifierLe: DateTime @1762504526 {#2099
      date: 2025-11-07 08:35:26.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2122
    -id: 1002
    -nom: "Live ! At The Montreux Festival"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl, 2016 reissue !\r\n
      - Audiophile analog remastering !\r\n
      \r\n
      This live recording from the famed festival by Lake Geneva qualifies as one of the piano trio classics of the 1970's as well as a milestone in the Jamaican pianist's catalogue. The 1976 album captures the moment in Alexander's young career when he began to be compared to such giants as Oscar Peterson.\r\n
      \r\n
      Monty's play combines the proficiency of his Canadian colleague with the feel of the Caribbean and a touch of gospel. Bassist John Clayton and drummer Jeff Hamilton form a sympathetic, cohesive rhythm section, and their clear-cut, penetrating solos are outstanding. The show captivated the audience from the first piece, an Ahmad Jamal composition that Alexander played with inspired blues variations, on through the soulful contemplations in "Feelings".\r\n
      \r\n
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      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Monty Alexander (piano), John Clayton (bass), Jeff Hamilton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -description: """
      - 180 gram vinyl, 2016 reissue !\r\n
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      \r\n
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      Monty's play combines the proficiency of his Canadian colleague with the feel of the Caribbean and a touch of gospel. Bassist John Clayton and drummer Jeff Hamilton form a sympathetic, cohesive rhythm section, and their clear-cut, penetrating solos are outstanding. The show captivated the audience from the first piece, an Ahmad Jamal composition that Alexander played with inspired blues variations, on through the soulful contemplations in "Feelings".\r\n
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      """
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    -musicienOrchestre: "Monty Alexander (piano), John Clayton (bass), Jeff Hamilton (drums)"
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[
  "produit" => App\Entity\Produit {#2135
    -id: 684
    -nom: "This Is Our Music"
    -informationComplementaire: null
    -description: """
      - 180 gram double LP pressed at Pallas in Germany !\r\n
      - Mastered from original analog tapes at 45 RPM by Bernie Grundman !\r\n
      - Housed in a Stoughton Printing case-wrapped gatefold jacket !\r\n
      \r\n
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      \r\n
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      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ornette Coleman (alto saxophone), Don Cherry (trumpet), Charlie Haden (bass), Ed Blackwell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3480
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    -id: 684
    -nom: "This Is Our Music"
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    -description: """
      - 180 gram double LP pressed at Pallas in Germany !\r\n
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      """
    -prixVente: "69.50"
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[
  "produit" => App\Entity\Produit {#2154
    -id: 2709
    -nom: "Minute by Minute"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Michael McDonald (keyboards, synthesizers,  lead & backing vocals), Patrick Simmons (guitars, lead & backing vocals), Jeff "Skunk" Baxter (guitars, pedal steel guitar), Tiran Porter (bass guitar, backing vocals), John Hartman (drums, percussion), Keith Knudsen (drums, backing vocals), Bobby LaKind (congas, backing vocals), Novi Novog (viola), Herb Pedersen (banjo), Ted Templeman (percussion, background vocals), Chet McCracken (drums).\r\n
      \r\n
      - The Doobie Brothers Create the Template for Yacht Rock : Grammy-Winning Smash Minute by Minute Features “What a Fool Believes”, Superb Harmonies, and Soulful Melodies !\r\n
      - Sourced from the Original Analog Master Tapes and Given Extra Groove Space: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set of 1978 Album Plays with Incredible Openness and Depth !\r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Minute by Minute saved the Doobie Brothers even as it nearly broke the band. Created when the group felt uncertain of its place in the music world, the album catapulted the sextet to new commercial heights and signaled a distinct change in direction that the mainstream wholeheartedly embraced. Having sold more than three million copies and stayed on the charts for more than a year, the four-time Grammy-winning Minute by Minute remains a pop landmark all the more impressive given few initially believed in its potential.\r\n
      \r\n
      Sourced from the original master tapes, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition reissue presents the 1978 effort on 180 gram 45 RPM (2 LP) for the first time on what is the definitive-sounding vinyl version of the Rock & Roll Hall of Famers’ biggest-selling record. Produced by Ted Templeman the same year he helmed Van Halen’s breakthrough debut, Minute by Minute features non-congested openness, snappy rhythms, wonderful tonal balance, exceptionally clear vocals, and the right equilibrium of fine polish and bluesy grit.\r\n
      \r\n
      All those facets emerge with previously unrealized definition, transparency, smoothness, and solidity on this audiophile reissue. The levels of separation, dynamics, and imaging help bring the Doobie Brothers onto a wide, depth, multi-dimensional soundstage located feet away from your listening position. Templeton’s knack for capturing the full frequency spectrum in a vibrant, realistic manner pays dividends throughout this collectible version, which also benefits from the extra groove space and dead-quiet vinyl surfaces. As for chief architect Michael McDonald’s elastic, sky-high falsetto ? Experience its range like never before.\r\n
      \r\n
      When the Doobie Brothers laid down the tracks at Warner Bros. Record Studios in Hollywood, CA, it was apparent they would continue to shift from the boogie-infused, country-referencing rock that helped define their successful run of albums from the early to the mid ‘70s. As he does on the ensemble’s prior studio outing, McDonald still the newest recruit again takes center stage. The Steely Dan collaborator uses his versatile baritone, perfectionist-oriented arrangement skills, and penchant for unusual chord stylings to give many songs rich, soulful, jazz-tinted foundations.\r\n
      \r\n
      Nowhere is that strategy more apparent than on “What a Fool Believes,” the easygoing No. 1 smash that won the Grammy Awards for Song of the Year and Record of the Year and which Rolling Stone named the 343rd Greatest Song of All Time. Perhaps the Doobie Brothers didn’t invent “yacht rock” with the warm, hook-laden favorite and the other similarly minded cuts on the radio-friendly Minute by Minute look to the Top 20 title track, relaxed “Open Your Eyes”, and horn-accompanied “Dependin’ on You” for further evidence but the band essentially created the template many others would follow.\r\n
      \r\n
      Save for the pickin’ instrumental “Steamer Lane Breakdown”, they’re practically everywhere. Rising and falling above the twilight organ melody on “You Never Change”. Interwoven amid the catchy piano riffs and bass-guided rhythms of the opening “Here to Love You”, which establishes a romantic, mellow albeit adult-oriented mood that never lets up. Breezing through the feel-good emotions of “Sweet Feelin’", a comforting collaboration with Nicolette Larson.\r\n
      \r\n
      Everything happens naturally, and as a result of the Doobie Brothers wanting to rebound from the slightly disappointing reception of their preceding LP. Credit the band for trusting its instincts. Early feedback on the laidback, R&B-laced fare from friends and record executives wasn’t positive, and even a few band members liked the pop sound but wondered about the album and how it would be received.\r\n
      \r\n
      The rest, as they say, is history.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Michael McDonald (keyboards, synthesizers,  lead & backing vocals), Patrick Simmons (guitars, lead & backing vocals), Jeff "Skunk" Baxter (guitars, pedal steel guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Rq-7NgH-hcs&list=RDRq-7NgH-hcs&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-601"
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        "ordre" => 0
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        "ordre" => 1
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        "ordre" => 5
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        "nom" => "2. Don’t Stop to Watch the Wheels"
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      [
        "nom" => "2. How Do the Fools Survive ?"
        "ordre" => 13
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    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3531
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  +produit: App\Entity\Produit {#2154
    -id: 2709
    -nom: "Minute by Minute"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Michael McDonald (keyboards, synthesizers,  lead & backing vocals), Patrick Simmons (guitars, lead & backing vocals), Jeff "Skunk" Baxter (guitars, pedal steel guitar), Tiran Porter (bass guitar, backing vocals), John Hartman (drums, percussion), Keith Knudsen (drums, backing vocals), Bobby LaKind (congas, backing vocals), Novi Novog (viola), Herb Pedersen (banjo), Ted Templeman (percussion, background vocals), Chet McCracken (drums).\r\n
      \r\n
      - The Doobie Brothers Create the Template for Yacht Rock : Grammy-Winning Smash Minute by Minute Features “What a Fool Believes”, Superb Harmonies, and Soulful Melodies !\r\n
      - Sourced from the Original Analog Master Tapes and Given Extra Groove Space: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set of 1978 Album Plays with Incredible Openness and Depth !\r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Minute by Minute saved the Doobie Brothers even as it nearly broke the band. Created when the group felt uncertain of its place in the music world, the album catapulted the sextet to new commercial heights and signaled a distinct change in direction that the mainstream wholeheartedly embraced. Having sold more than three million copies and stayed on the charts for more than a year, the four-time Grammy-winning Minute by Minute remains a pop landmark all the more impressive given few initially believed in its potential.\r\n
      \r\n
      Sourced from the original master tapes, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition reissue presents the 1978 effort on 180 gram 45 RPM (2 LP) for the first time on what is the definitive-sounding vinyl version of the Rock & Roll Hall of Famers’ biggest-selling record. Produced by Ted Templeman the same year he helmed Van Halen’s breakthrough debut, Minute by Minute features non-congested openness, snappy rhythms, wonderful tonal balance, exceptionally clear vocals, and the right equilibrium of fine polish and bluesy grit.\r\n
      \r\n
      All those facets emerge with previously unrealized definition, transparency, smoothness, and solidity on this audiophile reissue. The levels of separation, dynamics, and imaging help bring the Doobie Brothers onto a wide, depth, multi-dimensional soundstage located feet away from your listening position. Templeton’s knack for capturing the full frequency spectrum in a vibrant, realistic manner pays dividends throughout this collectible version, which also benefits from the extra groove space and dead-quiet vinyl surfaces. As for chief architect Michael McDonald’s elastic, sky-high falsetto ? Experience its range like never before.\r\n
      \r\n
      When the Doobie Brothers laid down the tracks at Warner Bros. Record Studios in Hollywood, CA, it was apparent they would continue to shift from the boogie-infused, country-referencing rock that helped define their successful run of albums from the early to the mid ‘70s. As he does on the ensemble’s prior studio outing, McDonald still the newest recruit again takes center stage. The Steely Dan collaborator uses his versatile baritone, perfectionist-oriented arrangement skills, and penchant for unusual chord stylings to give many songs rich, soulful, jazz-tinted foundations.\r\n
      \r\n
      Nowhere is that strategy more apparent than on “What a Fool Believes,” the easygoing No. 1 smash that won the Grammy Awards for Song of the Year and Record of the Year and which Rolling Stone named the 343rd Greatest Song of All Time. Perhaps the Doobie Brothers didn’t invent “yacht rock” with the warm, hook-laden favorite and the other similarly minded cuts on the radio-friendly Minute by Minute look to the Top 20 title track, relaxed “Open Your Eyes”, and horn-accompanied “Dependin’ on You” for further evidence but the band essentially created the template many others would follow.\r\n
      \r\n
      Save for the pickin’ instrumental “Steamer Lane Breakdown”, they’re practically everywhere. Rising and falling above the twilight organ melody on “You Never Change”. Interwoven amid the catchy piano riffs and bass-guided rhythms of the opening “Here to Love You”, which establishes a romantic, mellow albeit adult-oriented mood that never lets up. Breezing through the feel-good emotions of “Sweet Feelin’", a comforting collaboration with Nicolette Larson.\r\n
      \r\n
      Everything happens naturally, and as a result of the Doobie Brothers wanting to rebound from the slightly disappointing reception of their preceding LP. Credit the band for trusting its instincts. Early feedback on the laidback, R&B-laced fare from friends and record executives wasn’t positive, and even a few band members liked the pop sound but wondered about the album and how it would be received.\r\n
      \r\n
      The rest, as they say, is history.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Michael McDonald (keyboards, synthesizers,  lead & backing vocals), Patrick Simmons (guitars, lead & backing vocals), Jeff "Skunk" Baxter (guitars, pedal steel guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Rq-7NgH-hcs&list=RDRq-7NgH-hcs&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-601"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Here to Love You"
        "ordre" => 1
      ]
      [
        "nom" => "2. What a Fool Believes"
        "ordre" => 2
      ]
      [
        "nom" => "3. Minute by Minute"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Dependin’ on You"
        "ordre" => 5
      ]
      [
        "nom" => "2. Don’t Stop to Watch the Wheels"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Open Your Eyes"
        "ordre" => 8
      ]
      [
        "nom" => "2. Sweet Feelin’"
        "ordre" => 9
      ]
      [
        "nom" => "3. Steamer Lane Breakdown"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. You Never Change"
        "ordre" => 12
      ]
      [
        "nom" => "2. How Do the Fools Survive ?"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1453 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2161 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2163 …}
    -enregistreLe: DateTime @1754418909 {#2151
      date: 2025-08-05 18:35:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762499426 {#2152
      date: 2025-11-07 07:10:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2165 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-minute-by-minute-mobile-fidelity-sound-lab-mfsl-2-601"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2173
    -id: 2824
    -nom: "Toulouse Street  (Numbered Limited Edition)"
    -informationComplementaire: null
    -description: """
      - The Doobie Brothers "Toulouse Street" !\r\n
      - 180 gram 45 RPM (2 LP) !\r\n
      - Experience the 1972 album in definitive sound !\r\n
      - 1/4" 15 ips Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressing !\r\n
      \r\n
      Mobile Fidelity's numbered edition set features extraordinary soundstages, vivid dynamics, and natural, airy openness\r\n
      \r\n
      For all intents and purposes, Toulouse Street functions as the Doobie Brothers' debut. Though it released a self-titled effort in 1971, the band admitted the latter album was rushed and reflected the results of a group that had barely spent any time together. Toulouse Street unfolded amid far more favorable circumstances. Overflowing with feel-good vibes, it also touted key lineup changes that proved crucial to the band's success. And it's how most listeners discovered Tom Johnston and Co., setting the stage for a dominant run during the 1970s that ultimately led to the Doobie Brothers' induction into the Rock and Roll Hall of Fame.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton Printing gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) of Toulouse Street offers the 1972 set in definitive sound. Given the luxurious room of a 45 RPM version for the first time and benefiting from the wider grooves, the music benefits from extraordinary soundstages, ultra-quiet backgrounds, vivid dynamics, and incredible imaging. Ted Templeman's excellent production shines like never before.\r\n
      \r\n
      Open, airy, and organic: Toulouse Street epitomizes why countless music lovers swear allegiance to '70s recordings. Facets that help make the album so welcoming voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace from beginning to end, well-placed percussive accents, warm tones, well-defined separation between the players come across on this collectible reissue with involving presence, balance, and realism. Everything sounds crisp and clear. Nothing is overdone or out of place. No wonder Templeman's work earned him a promotion to staff producer at Warner Bros.\r\n
      \r\n
      With all due respect to Templeton's contributions, the Doobie Brothers are really who make Toulouse Street cook. They deserve the highest praise for performing a batch of songs that more than five decades since their debut have lost none of their charm. The arrival of bassist Tiran Porter and second drummer Michael Hossack gave the band a formidable rhythm section (and two-drummer configuration) whose innate chemistry, groove, and flow are evident throughout Toulouse Street and which would form the backbone of the Doobie Brothers for subsequent years.\r\n
      \r\n
      Fresh from ironing out the kinks on the group's debut, vocalist-guitarists Patrick Simmons and Tom Johnston showcase a songwriting depth that elevated the Doobie Brothers into the upper echelon of their era's crowded Southern rock / country-rock field. Two massive singles and platinum certification served as proof, as did rave reviews by the likes of tastemakers such as Rolling Stone. Unimaginative comparisons to Eagles, Little Feat, and Three Dogs Night aside, the Doobie Brothers firmly establish their own distinctive style on Toulouse Street.\r\n
      \r\n
      Drawing on folk, R&B, and gospel disciplines, and marrying them as needed with a foundation of catchy Southern-reared blues, rock, and country, the collective turns in 10 tunes that grab you and refuse to let go. The energetic, wind-in-your-hair, top-down highway ride of the two tracks that open Toulouse Street "Listen to the Music" and "Rockin' Down the Highway" set both the musical and narrative tone that carries throughout the album. Acoustically strummed guitars; back-porch vocals; jangling chords; purring bass lines; a bit of bar-band riffing; high harmonies: They invite you to sink into the grooves as if they were a comfortable sofa.\r\n
      \r\n
      The Doobie Brothers further showcase their knack for hybrid combinations on the soft island reggae of "Mamaloi", mystical balladry of the title track, dual-lead jam "Disciple", and earthy bite of "Snake Man". And they absolutely nail the three smart covers. "Jesus Is Just Alright" hit the Top 40, but a swampy take of Seals & Croft's "Cotton Mouth" and peppy rendition of Sonny Boy Williamson II's classic blues "Don't Start Me to Talkin'" warrant equal attention despite being deep cuts. They also demonstrate the judicious use of auxiliary instruments such as piano, organ, and horns, all arranged with uncanny symmetry.\r\n
      \r\n
      It's like the man says: Listen to the music. All the time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Tom Johnston, Patrick Simmons (guitars, vocals), Tiran Porter (bass, vocals), Bill Payne (keyboards), Sneaky Pete Kleinow (pedal steel guitar), Marc Benno (guitar), Milt Holland (percussion), John Hartman, Michael Hossack (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=U9V8H372_dQ&list=RDU9V8H372_dQ&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-596"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Listen to the Music"
        "ordre" => 1
      ]
      [
        "nom" => "2. Rockin’ Down the Highway"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Mamaloi"
        "ordre" => 4
      ]
      [
        "nom" => "2. Toulouse Street"
        "ordre" => 5
      ]
      [
        "nom" => "3. Cotton Mouth"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Don’t Start Me to Talkin’"
        "ordre" => 8
      ]
      [
        "nom" => "2. Jesus Is Just Alright"
        "ordre" => 9
      ]
      [
        "nom" => "3. White Sun"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Disciple"
        "ordre" => 12
      ]
      [
        "nom" => "2. Snake Man"
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2174 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …}
    -enregistreLe: DateTime @1757702347 {#2170
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    }
    -modifierLe: DateTime @1762499383 {#2171
      date: 2025-11-07 07:09:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-toulouse-street-numbered-limited-edition-mobile-fidelity-sound-lab-2-596"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3584
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2173
    -id: 2824
    -nom: "Toulouse Street  (Numbered Limited Edition)"
    -informationComplementaire: null
    -description: """
      - The Doobie Brothers "Toulouse Street" !\r\n
      - 180 gram 45 RPM (2 LP) !\r\n
      - Experience the 1972 album in definitive sound !\r\n
      - 1/4" 15 ips Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressing !\r\n
      \r\n
      Mobile Fidelity's numbered edition set features extraordinary soundstages, vivid dynamics, and natural, airy openness\r\n
      \r\n
      For all intents and purposes, Toulouse Street functions as the Doobie Brothers' debut. Though it released a self-titled effort in 1971, the band admitted the latter album was rushed and reflected the results of a group that had barely spent any time together. Toulouse Street unfolded amid far more favorable circumstances. Overflowing with feel-good vibes, it also touted key lineup changes that proved crucial to the band's success. And it's how most listeners discovered Tom Johnston and Co., setting the stage for a dominant run during the 1970s that ultimately led to the Doobie Brothers' induction into the Rock and Roll Hall of Fame.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton Printing gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) of Toulouse Street offers the 1972 set in definitive sound. Given the luxurious room of a 45 RPM version for the first time and benefiting from the wider grooves, the music benefits from extraordinary soundstages, ultra-quiet backgrounds, vivid dynamics, and incredible imaging. Ted Templeman's excellent production shines like never before.\r\n
      \r\n
      Open, airy, and organic: Toulouse Street epitomizes why countless music lovers swear allegiance to '70s recordings. Facets that help make the album so welcoming voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace from beginning to end, well-placed percussive accents, warm tones, well-defined separation between the players come across on this collectible reissue with involving presence, balance, and realism. Everything sounds crisp and clear. Nothing is overdone or out of place. No wonder Templeman's work earned him a promotion to staff producer at Warner Bros.\r\n
      \r\n
      With all due respect to Templeton's contributions, the Doobie Brothers are really who make Toulouse Street cook. They deserve the highest praise for performing a batch of songs that more than five decades since their debut have lost none of their charm. The arrival of bassist Tiran Porter and second drummer Michael Hossack gave the band a formidable rhythm section (and two-drummer configuration) whose innate chemistry, groove, and flow are evident throughout Toulouse Street and which would form the backbone of the Doobie Brothers for subsequent years.\r\n
      \r\n
      Fresh from ironing out the kinks on the group's debut, vocalist-guitarists Patrick Simmons and Tom Johnston showcase a songwriting depth that elevated the Doobie Brothers into the upper echelon of their era's crowded Southern rock / country-rock field. Two massive singles and platinum certification served as proof, as did rave reviews by the likes of tastemakers such as Rolling Stone. Unimaginative comparisons to Eagles, Little Feat, and Three Dogs Night aside, the Doobie Brothers firmly establish their own distinctive style on Toulouse Street.\r\n
      \r\n
      Drawing on folk, R&B, and gospel disciplines, and marrying them as needed with a foundation of catchy Southern-reared blues, rock, and country, the collective turns in 10 tunes that grab you and refuse to let go. The energetic, wind-in-your-hair, top-down highway ride of the two tracks that open Toulouse Street "Listen to the Music" and "Rockin' Down the Highway" set both the musical and narrative tone that carries throughout the album. Acoustically strummed guitars; back-porch vocals; jangling chords; purring bass lines; a bit of bar-band riffing; high harmonies: They invite you to sink into the grooves as if they were a comfortable sofa.\r\n
      \r\n
      The Doobie Brothers further showcase their knack for hybrid combinations on the soft island reggae of "Mamaloi", mystical balladry of the title track, dual-lead jam "Disciple", and earthy bite of "Snake Man". And they absolutely nail the three smart covers. "Jesus Is Just Alright" hit the Top 40, but a swampy take of Seals & Croft's "Cotton Mouth" and peppy rendition of Sonny Boy Williamson II's classic blues "Don't Start Me to Talkin'" warrant equal attention despite being deep cuts. They also demonstrate the judicious use of auxiliary instruments such as piano, organ, and horns, all arranged with uncanny symmetry.\r\n
      \r\n
      It's like the man says: Listen to the music. All the time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Tom Johnston, Patrick Simmons (guitars, vocals), Tiran Porter (bass, vocals), Bill Payne (keyboards), Sneaky Pete Kleinow (pedal steel guitar), Marc Benno (guitar), Milt Holland (percussion), John Hartman, Michael Hossack (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=U9V8H372_dQ&list=RDU9V8H372_dQ&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-596"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Listen to the Music"
        "ordre" => 1
      ]
      [
        "nom" => "2. Rockin’ Down the Highway"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Mamaloi"
        "ordre" => 4
      ]
      [
        "nom" => "2. Toulouse Street"
        "ordre" => 5
      ]
      [
        "nom" => "3. Cotton Mouth"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Don’t Start Me to Talkin’"
        "ordre" => 8
      ]
      [
        "nom" => "2. Jesus Is Just Alright"
        "ordre" => 9
      ]
      [
        "nom" => "3. White Sun"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Disciple"
        "ordre" => 12
      ]
      [
        "nom" => "2. Snake Man"
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
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        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
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    }
    -modifierLe: DateTime @1762499383 {#2171
      date: 2025-11-07 07:09:43.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
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    -slug: "vinyles-toulouse-street-numbered-limited-edition-mobile-fidelity-sound-lab-2-596"
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[
  "produit" => App\Entity\Produit {#2186
    -id: 491
    -nom: "West Side Story"
    -informationComplementaire: null
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      One of the first Broadway musical scores to be overtly jazz-influenced was Leonard Bernstein's West Side Story, a tale of rival street gangs in the inner city. In 1962, pianist Oscar Peterson put his light-swing signature on the already popular score, making it, in the words of one critic, "a delight to hear again" and earning him a Grammy nomination.\r\n
      \r\n
      Originally released in 1962
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Toots Thielemans (harmonica), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K9V3V_rKMWg"
    -referenceProduit: "Analogue Productions AAPP 8454-45"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
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        "nom" => "1. Jet Song"
        "ordre" => 4
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      [
        "nom" => "2. Tonight"
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        "nom" => "Side C :"
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      [
        "nom" => "1. Maria"
        "ordre" => 7
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      [
        "nom" => "2. I Feel Pretty"
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        "nom" => "Side D :"
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      ]
      [
        "nom" => "1. Reprise"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2188 …}
    -label: Proxies\__CG__\App\Entity\Label {#2191 …}
    -style: App\Entity\Style {#1449 …}
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    -enregistreLe: DateTime @1326352657 {#2183
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    }
    -modifierLe: DateTime @1762467352 {#2184
      date: 2025-11-06 22:15:52.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2197 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3630
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2186
    -id: 491
    -nom: "West Side Story"
    -informationComplementaire: null
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      One of the first Broadway musical scores to be overtly jazz-influenced was Leonard Bernstein's West Side Story, a tale of rival street gangs in the inner city. In 1962, pianist Oscar Peterson put his light-swing signature on the already popular score, making it, in the words of one critic, "a delight to hear again" and earning him a Grammy nomination.\r\n
      \r\n
      Originally released in 1962
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Toots Thielemans (harmonica), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K9V3V_rKMWg"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2188 …}
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    -disponible: null
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  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2205
    -id: 2040
    -nom: "We Get Requests"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      -  180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      When Jim Davis started producing records at Verve, he changed the company's recording philosophy toward its most prolific instrumentalist. Where Norman Granz had produced countless Oscar Peterson albums dedicated to the popular song, Davis was more interested in making albums closer to how the Peterson trio sounded live.\r\n
      \r\n
      By then the Peterson trio with bassist Ray Brown and drummer Ed Thigpen had been together for five years and performed like a well-oiled machine. Listeners here are treated to mostly pop songs of the day, including bossa nova tunes and film themes, and the treatments are fairly brief, with emphasis placed squarely on the melodies.\r\n
      \r\n
      Originally released in 1964.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WDUpyTVAKCg&list=RDWDUpyTVAKCg&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 79701"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Quiet Nights Of Quiet Stars (Corcovado) "
        "ordre" => 1
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        "ordre" => 2
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        "nom" => "5. Have you Met Miss Jones ?"
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        "ordre" => 11
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    ]
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-we-get-requests-acoustic-sounds-series-79701"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3683
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2205
    -id: 2040
    -nom: "We Get Requests"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      -  180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      When Jim Davis started producing records at Verve, he changed the company's recording philosophy toward its most prolific instrumentalist. Where Norman Granz had produced countless Oscar Peterson albums dedicated to the popular song, Davis was more interested in making albums closer to how the Peterson trio sounded live.\r\n
      \r\n
      By then the Peterson trio with bassist Ray Brown and drummer Ed Thigpen had been together for five years and performed like a well-oiled machine. Listeners here are treated to mostly pop songs of the day, including bossa nova tunes and film themes, and the treatments are fairly brief, with emphasis placed squarely on the melodies.\r\n
      \r\n
      Originally released in 1964.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=WDUpyTVAKCg&list=RDWDUpyTVAKCg&start_radio=1"
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        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2188 …}
    -label: Proxies\__CG__\App\Entity\Label {#2207 …}
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    -modifierLe: DateTime @1762467114 {#2203
      date: 2025-11-06 22:11:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2213 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-we-get-requests-acoustic-sounds-series-79701"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2221
    -id: 1005
    -nom: "Walking The Line"
    -informationComplementaire: null
    -description: """
      The newest package from the MPS Reforest the Legend series embraces the decade of 1970-1980, and covers a wide diversity of styles. Piano lovers can look forward to Oscar Peterson's trio classic Walking the Line, which finds the Canadian keyboard giant and partners bassist Georg Mraz and drummer Ray Price in top form.\r\n
      \r\n
      This, another trio album and one with Peterson solo, were recorded at the Hans Georg Brunner-Schwer Studio in Villingen, Germany on November 10 through 13, 1970.\r\n
      \r\n
      Once again sound engineers Christoph Stickel and Dirk Sommer have scrupulously remastered the original recordings. The resulting releases are high quality 180 gram vinyl pressings enclosed in record jackets containing the original artwork.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Oscar Peterson (piano), Jiri Mraz (bass), Ray Price (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j3h5F-xnlYY"
    -referenceProduit: "MPS Records 210989"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. I Love You "
        "ordre" => 1
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      [
        "nom" => "2. Rock Of Ages "
        "ordre" => 2
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      [
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        "nom" => "4. Just Friends"
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        "nom" => "1. Teach Me Tonight  "
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        "nom" => "3. I Didn't Know What Time It Was "
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      [
        "nom" => "4. All Of You"
        "ordre" => 9
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2188 …}
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      date: 2025-11-06 22:10:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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]

App\Twig\Components\GestionPanierFavoriComponents {#3731
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2221
    -id: 1005
    -nom: "Walking The Line"
    -informationComplementaire: null
    -description: """
      The newest package from the MPS Reforest the Legend series embraces the decade of 1970-1980, and covers a wide diversity of styles. Piano lovers can look forward to Oscar Peterson's trio classic Walking the Line, which finds the Canadian keyboard giant and partners bassist Georg Mraz and drummer Ray Price in top form.\r\n
      \r\n
      This, another trio album and one with Peterson solo, were recorded at the Hans Georg Brunner-Schwer Studio in Villingen, Germany on November 10 through 13, 1970.\r\n
      \r\n
      Once again sound engineers Christoph Stickel and Dirk Sommer have scrupulously remastered the original recordings. The resulting releases are high quality 180 gram vinyl pressings enclosed in record jackets containing the original artwork.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Oscar Peterson (piano), Jiri Mraz (bass), Ray Price (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=j3h5F-xnlYY"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2188 …}
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      date: 2025-11-06 22:10:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3927
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3928 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3976 …}
  +isValidated: false
  +validatedFields: []
}