Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2572
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2649
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2652 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
  -formView: Symfony\Component\Form\FormView {#2688 …}
  -form: Symfony\Component\Form\Form {#2838 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 2069
    -nom: "Live At Pio's"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy / Air Mastering !\r\n
      \r\n
      "A great small club date from Ben Webster different than some of his European concerts of his final years, in that this one was done at a lounge in Rhode Island, and maybe has a bit more bite and focus overall! The tracks are short, and Webster gets superb rhythm accompaniment from the trio of Junior Mance on piano, Bob Cranshaw on bass, and Mickey Roker on drums who really come out swinging, and push Ben to take some of his boldest solos of the period plenty of bite throughout, and a fire that you don't always hear on his other '60s recordings. Titles include 'Cookin For T', 'Sunday', 'Pennies From Heaven', 'How Long Has This Been Going On', and 'Gone With The Wind'". - Dusty Groove, Inc.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1859 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Bob Cranshaw (bass), Junior Mance (piano), Mickey Roker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hKyiyBqmMv4"
    -referenceProduit: "Pure Pleasure Records PPAN 2038"
    -titreMorceau: [
      [
        "nom" => "1. Cookin’ For T \t"
        "ordre" => 1
      ]
      [
        "nom" => "1. Pennies From Heaven "
        "ordre" => 5
      ]
      [
        "nom" => "2. Gone With The Wind \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. How Long Has This Been Going On "
        "ordre" => 6
      ]
      [
        "nom" => "3. Sometimes I’m Happy"
        "ordre" => 7
      ]
      [
        "nom" => "3. Sunday "
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1623828405 {#1876
      date: 2021-06-16 07:26:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1747128641 {#1869
      date: 2025-05-13 09:30:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-pio-s-pure-pleasure-records-ppan-2038"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3112
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 2069
    -nom: "Live At Pio's"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy / Air Mastering !\r\n
      \r\n
      "A great small club date from Ben Webster different than some of his European concerts of his final years, in that this one was done at a lounge in Rhode Island, and maybe has a bit more bite and focus overall! The tracks are short, and Webster gets superb rhythm accompaniment from the trio of Junior Mance on piano, Bob Cranshaw on bass, and Mickey Roker on drums who really come out swinging, and push Ben to take some of his boldest solos of the period plenty of bite throughout, and a fire that you don't always hear on his other '60s recordings. Titles include 'Cookin For T', 'Sunday', 'Pennies From Heaven', 'How Long Has This Been Going On', and 'Gone With The Wind'". - Dusty Groove, Inc.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1859 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Bob Cranshaw (bass), Junior Mance (piano), Mickey Roker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hKyiyBqmMv4"
    -referenceProduit: "Pure Pleasure Records PPAN 2038"
    -titreMorceau: [
      [
        "nom" => "1. Cookin’ For T \t"
        "ordre" => 1
      ]
      [
        "nom" => "1. Pennies From Heaven "
        "ordre" => 5
      ]
      [
        "nom" => "2. Gone With The Wind \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. How Long Has This Been Going On "
        "ordre" => 6
      ]
      [
        "nom" => "3. Sometimes I’m Happy"
        "ordre" => 7
      ]
      [
        "nom" => "3. Sunday "
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1623828405 {#1876
      date: 2021-06-16 07:26:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1747128641 {#1869
      date: 2025-05-13 09:30:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-pio-s-pure-pleasure-records-ppan-2038"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 2675
    -nom: "Ben Webster And Associates"
    -informationComplementaire: ""
    -description: """
      - Ben Webster "Ben Webster And Associates" 180 gram LP pressed at Quality Record Pressings !\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Originally released in 1959, Ben Webster & Associates marked the last of Norman Granz's ventures showcasing tenor saxophone icons Ben Webster and Coleman Hawkins together. On this set, veteran Budd Johnson joins them on the same instrument, along with Roy Eldridge (trumpet), Les Spann (guitar), Jimmy Jones (piano), Ray Brown (bass), and Jo Jones (drums).\r\n
      \r\n
      The material consists of two standards, "Time After Time" and Ellington's "In a Mellow Tone", plus three original compositions by Webster. Verve Acoustic Sounds Series features transfers from analog tapes remastered on 180 gram vinyl in deluxe gatefold jackets.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ben Webster, Coleman Hawkins, Budd Johnson (tenor saxophone), Roy Eldridge (trumpet), Jimmy Jones (piano), Les Spann (guitar), Ray Brown (bass), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VRxSgiksP6Q"
    -referenceProduit: "Acoustic Sounds Series Verve 6056"
    -titreMorceau: [
      [
        "nom" => "1. In A Mellow Tone"
        "ordre" => 1
      ]
      [
        "nom" => "2. Young Bean"
        "ordre" => 3
      ]
      [
        "nom" => "3. Budd Johnson"
        "ordre" => 4
      ]
      [
        "nom" => "4. Time After Time"
        "ordre" => 5
      ]
      [
        "nom" => "5. De-Dar"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#2047 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …}
    -enregistreLe: DateTime @1747128013 {#2042
      date: 2025-05-13 09:20:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1747128087 {#2043
      date: 2025-05-13 09:21:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ben-webster-and-associates-acoustic-sounds-series-verve-6056"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3228
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 2675
    -nom: "Ben Webster And Associates"
    -informationComplementaire: ""
    -description: """
      - Ben Webster "Ben Webster And Associates" 180 gram LP pressed at Quality Record Pressings !\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Originally released in 1959, Ben Webster & Associates marked the last of Norman Granz's ventures showcasing tenor saxophone icons Ben Webster and Coleman Hawkins together. On this set, veteran Budd Johnson joins them on the same instrument, along with Roy Eldridge (trumpet), Les Spann (guitar), Jimmy Jones (piano), Ray Brown (bass), and Jo Jones (drums).\r\n
      \r\n
      The material consists of two standards, "Time After Time" and Ellington's "In a Mellow Tone", plus three original compositions by Webster. Verve Acoustic Sounds Series features transfers from analog tapes remastered on 180 gram vinyl in deluxe gatefold jackets.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ben Webster, Coleman Hawkins, Budd Johnson (tenor saxophone), Roy Eldridge (trumpet), Jimmy Jones (piano), Les Spann (guitar), Ray Brown (bass), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VRxSgiksP6Q"
    -referenceProduit: "Acoustic Sounds Series Verve 6056"
    -titreMorceau: [
      [
        "nom" => "1. In A Mellow Tone"
        "ordre" => 1
      ]
      [
        "nom" => "2. Young Bean"
        "ordre" => 3
      ]
      [
        "nom" => "3. Budd Johnson"
        "ordre" => 4
      ]
      [
        "nom" => "4. Time After Time"
        "ordre" => 5
      ]
      [
        "nom" => "5. De-Dar"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#2047 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …}
    -enregistreLe: DateTime @1747128013 {#2042
      date: 2025-05-13 09:20:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1747128087 {#2043
      date: 2025-05-13 09:21:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ben-webster-and-associates-acoustic-sounds-series-verve-6056"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
}

[
  "produit" => App\Entity\Produit {#2061
    -id: 2659
    -nom: "Modern Art"
    -informationComplementaire: ""
    -description: """
      - Art Pepper "Modern Art" 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in Hollywood, California between two sessions in December 1956 and January 1957, Art Pepper's Modern Art for the Intro label was an exemplar of West Coast Jazz that featured his melodic alto saxophone flights atop cool jazz, bebop, and blues in the company of a quartet with Russ Freeman on piano, Ben Tucker on bass, and Chuck Flores on drums. This unfailingly swinging set of originals and standards opens with Pepper's "Blues In", closes with his "Blues Out," and includes sublime versions of "Bewitched", "Stompin' At The Savoy", "What Is This Thing Called Love", and other delights in between.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: " Art Pepper (alto saxophone), Russ Freeman (piano), Ben Tucker (bass), Chuck Flores (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7SIgZAKjeTA"
    -referenceProduit: "Blue Note Tone Poet Series "
    -titreMorceau: [
      [
        "nom" => "1. Blues In"
        "ordre" => 1
      ]
      [
        "nom" => "1. Diane's Dilemma"
        "ordre" => 6
      ]
      [
        "nom" => "2. Bewitched"
        "ordre" => 2
      ]
      [
        "nom" => "2. Stompin' At The Savoy"
        "ordre" => 7
      ]
      [
        "nom" => "3. What Is This Thing Called Love ?"
        "ordre" => 8
      ]
      [
        "nom" => "3. When You're Smiling (The Whole World Smiles With You)"
        "ordre" => 3
      ]
      [
        "nom" => "4. Blues Out"
        "ordre" => 9
      ]
      [
        "nom" => "4. Cool Bunny"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2075 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2068 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2070 …}
    -enregistreLe: DateTime @1741246824 {#2058
      date: 2025-03-06 07:40:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1747124803 {#2059
      date: 2025-05-13 08:26:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2072 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-modern-art-blue-note-tone-poet-series"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3274
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2061
    -id: 2659
    -nom: "Modern Art"
    -informationComplementaire: ""
    -description: """
      - Art Pepper "Modern Art" 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in Hollywood, California between two sessions in December 1956 and January 1957, Art Pepper's Modern Art for the Intro label was an exemplar of West Coast Jazz that featured his melodic alto saxophone flights atop cool jazz, bebop, and blues in the company of a quartet with Russ Freeman on piano, Ben Tucker on bass, and Chuck Flores on drums. This unfailingly swinging set of originals and standards opens with Pepper's "Blues In", closes with his "Blues Out," and includes sublime versions of "Bewitched", "Stompin' At The Savoy", "What Is This Thing Called Love", and other delights in between.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: " Art Pepper (alto saxophone), Russ Freeman (piano), Ben Tucker (bass), Chuck Flores (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7SIgZAKjeTA"
    -referenceProduit: "Blue Note Tone Poet Series "
    -titreMorceau: [
      [
        "nom" => "1. Blues In"
        "ordre" => 1
      ]
      [
        "nom" => "1. Diane's Dilemma"
        "ordre" => 6
      ]
      [
        "nom" => "2. Bewitched"
        "ordre" => 2
      ]
      [
        "nom" => "2. Stompin' At The Savoy"
        "ordre" => 7
      ]
      [
        "nom" => "3. What Is This Thing Called Love ?"
        "ordre" => 8
      ]
      [
        "nom" => "3. When You're Smiling (The Whole World Smiles With You)"
        "ordre" => 3
      ]
      [
        "nom" => "4. Blues Out"
        "ordre" => 9
      ]
      [
        "nom" => "4. Cool Bunny"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2075 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2068 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2070 …}
    -enregistreLe: DateTime @1741246824 {#2058
      date: 2025-03-06 07:40:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1747124803 {#2059
      date: 2025-05-13 08:26:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2072 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-modern-art-blue-note-tone-poet-series"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
}

[
  "produit" => App\Entity\Produit {#2080
    -id: 2540
    -nom: "Run With The Pack"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - Third studio album, featuring "Young Blood" and "Honey Child" !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Released in early 1976, the title track of Bad Company's third album Run With The Pack is, what one critic described as, "a male-bonding type of song" that frontman Paul Rodgers was inspired to write about the group's non-stop touring adventures.\r\n
      \r\n
      "Run With The Pack" is notable for its string arrangement, which Rodgers said he had in mind from the outset. "I wrote that song on the piano, and when I played it to the guys they fell right in. In my head, strings were always part of the song".\r\n
      \r\n
      The album was recorded in France using the Rolling Stones Mobile Truck in September 1975 with engineer Ron Nevison, and mixed in Los Angeles by Eddie Kramer.\r\n
      \r\n
      The Run With The Pack album reached N° 5 on the Billboard 200 and N° 4 on the U.K. chart. It was also Bad Company's third consecutive platinum-selling album.\r\n
      \r\n
      Rolling Stone, in its review, calls Run With The Pack Bad Company's third and best album, reiterating the raw, rowdy style of their debut, Bad Company.\r\n
      \r\n
      Cut at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
    -musicienOrchestre: "Paul Rodgers (guitar, piano, vocals), Mick Ralphs (guitar, keyboards, backing vocals), Boz Burrell (bass, backing vocals), Simon Kirke (drums, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ym9owdPcA0M"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 038-45"
    -titreMorceau: [
      [
        "nom" => "1. Do Right By Your Woman"
        "ordre" => 11
      ]
      [
        "nom" => "1. Live For The Music"
        "ordre" => 1
      ]
      [
        "nom" => "1. Love Me Somebody"
        "ordre" => 5
      ]
      [
        "nom" => "1. Silver, Blue & Gold"
        "ordre" => 8
      ]
      [
        "nom" => "2. Run With The Pack"
        "ordre" => 6
      ]
      [
        "nom" => "2. Simple Man"
        "ordre" => 2
      ]
      [
        "nom" => "2. Sweet Lil' Sister"
        "ordre" => 12
      ]
      [
        "nom" => "2. Young Blood"
        "ordre" => 9
      ]
      [
        "nom" => "3. Fade Away"
        "ordre" => 13
      ]
      [
        "nom" => "3. Honey Child"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2082 …}
    -label: Proxies\__CG__\App\Entity\Label {#2085 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2094 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2087 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2089 …}
    -enregistreLe: DateTime @1721161960 {#2077
      date: 2024-07-16 20:32:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1744006928 {#2078
      date: 2025-04-07 06:22:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2091 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-run-with-the-pack-analogue-productions-atlantic-75-series-aapa-038-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3325
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2080
    -id: 2540
    -nom: "Run With The Pack"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - Third studio album, featuring "Young Blood" and "Honey Child" !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Released in early 1976, the title track of Bad Company's third album Run With The Pack is, what one critic described as, "a male-bonding type of song" that frontman Paul Rodgers was inspired to write about the group's non-stop touring adventures.\r\n
      \r\n
      "Run With The Pack" is notable for its string arrangement, which Rodgers said he had in mind from the outset. "I wrote that song on the piano, and when I played it to the guys they fell right in. In my head, strings were always part of the song".\r\n
      \r\n
      The album was recorded in France using the Rolling Stones Mobile Truck in September 1975 with engineer Ron Nevison, and mixed in Los Angeles by Eddie Kramer.\r\n
      \r\n
      The Run With The Pack album reached N° 5 on the Billboard 200 and N° 4 on the U.K. chart. It was also Bad Company's third consecutive platinum-selling album.\r\n
      \r\n
      Rolling Stone, in its review, calls Run With The Pack Bad Company's third and best album, reiterating the raw, rowdy style of their debut, Bad Company.\r\n
      \r\n
      Cut at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
    -musicienOrchestre: "Paul Rodgers (guitar, piano, vocals), Mick Ralphs (guitar, keyboards, backing vocals), Boz Burrell (bass, backing vocals), Simon Kirke (drums, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ym9owdPcA0M"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 038-45"
    -titreMorceau: [
      [
        "nom" => "1. Do Right By Your Woman"
        "ordre" => 11
      ]
      [
        "nom" => "1. Live For The Music"
        "ordre" => 1
      ]
      [
        "nom" => "1. Love Me Somebody"
        "ordre" => 5
      ]
      [
        "nom" => "1. Silver, Blue & Gold"
        "ordre" => 8
      ]
      [
        "nom" => "2. Run With The Pack"
        "ordre" => 6
      ]
      [
        "nom" => "2. Simple Man"
        "ordre" => 2
      ]
      [
        "nom" => "2. Sweet Lil' Sister"
        "ordre" => 12
      ]
      [
        "nom" => "2. Young Blood"
        "ordre" => 9
      ]
      [
        "nom" => "3. Fade Away"
        "ordre" => 13
      ]
      [
        "nom" => "3. Honey Child"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2082 …}
    -label: Proxies\__CG__\App\Entity\Label {#2085 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2094 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2087 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2089 …}
    -enregistreLe: DateTime @1721161960 {#2077
      date: 2024-07-16 20:32:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1744006928 {#2078
      date: 2025-04-07 06:22:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2091 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-run-with-the-pack-analogue-productions-atlantic-75-series-aapa-038-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
}

[
  "produit" => App\Entity\Produit {#2099
    -id: 2666
    -nom: "Requiem"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Orchestra Wiener Philharmoniker conducting for Karl Böhm, Edith Mathis (soprano vocals), Wieslaw Ochman (tenor vocals), Julia Hamari (contralto vocals), Hans Haselböck (organ), Karl Ridderbusch (bass vocals), Wiener Staatsopernchor, conductor Norbert Balatsch (choeur).\r\n
      \r\n
      - 180 gram gatefold 2 LP !\r\n
      \r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      \r\n
      - 100 % pure analog AAA mastering !\r\n
      \r\n
      - Remastered from the original 8 track recordings at Emil Berliner Studios !\r\n
      \r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      \r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      - Karl Böhm conducts the Vienna Philharmonic !\r\n
      \r\n
      Mozart's monumental work with the aura of dramatic eschatology, conducted by Karl Böhm, one of the best Mozart exegetes of the 20th century. His clear, yet dedicated view of Mozart, coupled with the class of the Vienna Philharmonic and a unique quartet of soloists (Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch), leads to an extraordinary interpretation of the Requiem. To improve the audio quality, the work was redistributed onto two LPs.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a completely new sound quality. To achieve this, the renowned Emil Berliner Studios remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically for the production of the series. The sonic differences compared to the original releases are considerable: Greater clarity, more subtleties and improvements in frequency response, as well as less background noise, distortion and compression enable an audiophile listening experience like never before.\r\n
      \r\n
      The copies in this series are released limited and numbered on 180 gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, accompanied by additional photos and facsimiles of the recording protocols and tape boxes.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
    -musicienOrchestre: "Orchestra Wiener Philharmoniker conducting for Karl Böhm, Edith Mathis (soprano vocals), Wieslaw Ochman (tenor vocals), Julia Hamari (contralto vocals), Hans Haselböck (organ), Karl Ridderbusch (bass vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZlY3L4Cw8ms"
    -referenceProduit: "Deutsche Grammophon Records 2530143"
    -titreMorceau: [
      [
        "nom" => "1. Benedictus"
        "ordre" => 14
      ]
      [
        "nom" => "1. Domine Jesu"
        "ordre" => 10
      ]
      [
        "nom" => "1. Requiem"
        "ordre" => 1
      ]
      [
        "nom" => "1. Rex Tremendae"
        "ordre" => 5
      ]
      [
        "nom" => "2. Agnus Dei"
        "ordre" => 15
      ]
      [
        "nom" => "2. Dies irae"
        "ordre" => 2
      ]
      [
        "nom" => "2. Hostias"
        "ordre" => 11
      ]
      [
        "nom" => "2. Recordare"
        "ordre" => 6
      ]
      [
        "nom" => "3. Confutatis"
        "ordre" => 7
      ]
      [
        "nom" => "3. Sanctus"
        "ordre" => 12
      ]
      [
        "nom" => "3. Tuba Mirum"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lacrimosa"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …}
    -label: Proxies\__CG__\App\Entity\Label {#2104 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2113 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2106 …}
    -typeMasterTape: null
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    -typeMateriel: null
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    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2108 …}
    -enregistreLe: DateTime @1742548082 {#2096
      date: 2025-03-21 09:08:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1742570587 {#2097
      date: 2025-03-21 15:23:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2110 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-requiem-deutsche-grammophon-records-2530143"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3376
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2099
    -id: 2666
    -nom: "Requiem"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Orchestra Wiener Philharmoniker conducting for Karl Böhm, Edith Mathis (soprano vocals), Wieslaw Ochman (tenor vocals), Julia Hamari (contralto vocals), Hans Haselböck (organ), Karl Ridderbusch (bass vocals), Wiener Staatsopernchor, conductor Norbert Balatsch (choeur).\r\n
      \r\n
      - 180 gram gatefold 2 LP !\r\n
      \r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      \r\n
      - 100 % pure analog AAA mastering !\r\n
      \r\n
      - Remastered from the original 8 track recordings at Emil Berliner Studios !\r\n
      \r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      \r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      - Karl Böhm conducts the Vienna Philharmonic !\r\n
      \r\n
      Mozart's monumental work with the aura of dramatic eschatology, conducted by Karl Böhm, one of the best Mozart exegetes of the 20th century. His clear, yet dedicated view of Mozart, coupled with the class of the Vienna Philharmonic and a unique quartet of soloists (Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch), leads to an extraordinary interpretation of the Requiem. To improve the audio quality, the work was redistributed onto two LPs.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a completely new sound quality. To achieve this, the renowned Emil Berliner Studios remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically for the production of the series. The sonic differences compared to the original releases are considerable: Greater clarity, more subtleties and improvements in frequency response, as well as less background noise, distortion and compression enable an audiophile listening experience like never before.\r\n
      \r\n
      The copies in this series are released limited and numbered on 180 gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, accompanied by additional photos and facsimiles of the recording protocols and tape boxes.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
    -musicienOrchestre: "Orchestra Wiener Philharmoniker conducting for Karl Böhm, Edith Mathis (soprano vocals), Wieslaw Ochman (tenor vocals), Julia Hamari (contralto vocals), Hans Haselböck (organ), Karl Ridderbusch (bass vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZlY3L4Cw8ms"
    -referenceProduit: "Deutsche Grammophon Records 2530143"
    -titreMorceau: [
      [
        "nom" => "1. Benedictus"
        "ordre" => 14
      ]
      [
        "nom" => "1. Domine Jesu"
        "ordre" => 10
      ]
      [
        "nom" => "1. Requiem"
        "ordre" => 1
      ]
      [
        "nom" => "1. Rex Tremendae"
        "ordre" => 5
      ]
      [
        "nom" => "2. Agnus Dei"
        "ordre" => 15
      ]
      [
        "nom" => "2. Dies irae"
        "ordre" => 2
      ]
      [
        "nom" => "2. Hostias"
        "ordre" => 11
      ]
      [
        "nom" => "2. Recordare"
        "ordre" => 6
      ]
      [
        "nom" => "3. Confutatis"
        "ordre" => 7
      ]
      [
        "nom" => "3. Sanctus"
        "ordre" => 12
      ]
      [
        "nom" => "3. Tuba Mirum"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lacrimosa"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
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[
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    -description: """
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
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      - All-analog mastering from the original master tapes !\r\n
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      Lou Donaldson had been a Blue Note stalwart since his earliest recordings in 1952 and throughout the following 15 years produced numerous classic dates spanning bebop, hard bop, and soul jazz. But when the alto saxophonist hooked up with the funky drummer Leo Morris (aka Idris Muhammad) for 1967's Alligator Bogaloo it began a run of great groove-oriented albums including Mr. Shing-A-Ling, Midnight Creeper, and 1968's Say It Loud. Filling out the band were Donaldson's fellow Blue Note labelmate trumpeter Blue Mitchell, organist Charles Earland, and guitarist Jimmy Ponder on this emphatic session which opens with a firmly in-the-pocket version of James Brown's "Say It Loud ! (I'm Black and I'm Proud)". Side 1 also includes deeply soulful versions of Gershwin's "Summertime" and Ellington's "Caravan" followed by the hard-grooving numbers "Snake Bone" and "Brother Soul" which fill out Side 2.\r\n
      \r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3427
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    -id: 2664
    -nom: "Say It Loud !"
    -informationComplementaire: ""
    -description: """
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      - All-analog mastering from the original master tapes !\r\n
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      Lou Donaldson had been a Blue Note stalwart since his earliest recordings in 1952 and throughout the following 15 years produced numerous classic dates spanning bebop, hard bop, and soul jazz. But when the alto saxophonist hooked up with the funky drummer Leo Morris (aka Idris Muhammad) for 1967's Alligator Bogaloo it began a run of great groove-oriented albums including Mr. Shing-A-Ling, Midnight Creeper, and 1968's Say It Loud. Filling out the band were Donaldson's fellow Blue Note labelmate trumpeter Blue Mitchell, organist Charles Earland, and guitarist Jimmy Ponder on this emphatic session which opens with a firmly in-the-pocket version of James Brown's "Say It Loud ! (I'm Black and I'm Proud)". Side 1 also includes deeply soulful versions of Gershwin's "Summertime" and Ellington's "Caravan" followed by the hard-grooving numbers "Snake Bone" and "Brother Soul" which fill out Side 2.\r\n
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      """
    -prixVente: "38.00"
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    -musicienOrchestre: "Lou Donaldson (varitone alto saxophone, vocals), Blue Mitchell (trumpet), Charles Earland (organ), Jimmy Ponder (guitar), Leo Morris (drums)"
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[
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    -id: 2583
    -nom: "Dark Magus - Live At Carnegie Hall"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Miles Davis (electric trumpet, Yamaha organ), Dave Liebman (flute, soprano & tenor saxophone), Azar Lawrence (tenor saxophone), Reggie Lucas, Pete Cosey, Dominique Gaumont (electric guitar), Michael Henderson (electric bass), James Mtume (percussion), Al Foster (drums).\r\n
      \r\n
      - DARK MAGUS ANTICIPATES DEVELOPMENTS IN JUNGLE, NOISE, AND DRUM ‘N’ BASS MUSIC : FUNKY, FREE-FORM MILES DAVIS ALBUM IS AN EXHILARATING JAZZ-ROCK TRIP\r\n
      \r\n
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      and Color !\r\n
      \r\n
      - 1/4” / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      It’s safe to assume no one in the audience at Carnegie Hall on March 30, 1974 anticipated what Miles Davis would play at the concert documented on Dark Magus: Live at Carnegie Hall. Recorded near the tail end of his electric period, the double album remains the darkest, most ferocious statement of Davis’ career a visionary effort that foresaw developments in jungle, noise-rock, funk, and drum ‘n’ bass.\r\n
      \r\n
      Initially issued in Japan in 1977, Dark Magus waited two decades for U.S. release. Now, more than 50 years after Davis and his ensemble blew minds at the famous New York venue, it gets its first-ever domestic issue on vinyl and on a definitive-sounding pressing at that.\r\n
      \r\n
      Mastered at Mobile Fidelity's California studio, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing, this numbered-edition 180g 33RPM 2LP set of Dark Magus invites you to pull up a seat and wrap your head around an exhilarating performance that simultaneously functions as an audition, experiment, release, and magnificent explosion of jazz-rock fusion. We hope your turntable and speakers are up to the challenge.\r\n
      \r\n
      This collectible reissue presents the improvisational magic that unfolded onstage the skronking tonalities, wah-wah-pedal bluster, acid-washed effects, furious drumming, run-the-voodoo-down grooves, menacing riffs, crashing cymbals with incredible detail, color, and pace. It also captures the band’s unbelievable energy, rendering both instruments and on-the-fly changes with revealing depth, definition, and dynamics. At its core, MoFi’s audiophile set takes you deep into the boundless mystery, promise, and uncertainty of Davis and company’s efforts like never before.\r\n
      \r\n
      The story behind Dark Magus is nearly as unbelievable as the spur-of-the-moment compositions that resulted when Davis brought drummer Al Foster, bassist Michael Henderson, percussionist James Mtume, horn virtuoso Dave Liebman, and guitarists Pete Cosey and Reggie Lucas together, and, in a new twist for the concert’s second half, added guitarist Dominique Gaumont and tenor saxophonist Azar Lawrence to mix. That the latter two instrumentalists had never seen each other until that night adds to Davis’ legend and penchant for bold, unorthodox moves.\r\n
      \r\n
      Ditto Davis’ own actions that spring evening, which reportedly included showing up to the show an hour late and taking the stage with his back facing the crowd. The strategy worked. Davis inspired the group to play in a bold manner that few, if any, had heard before. Dark Magus is a rhythmic bonanza. Rooted in Afro-centrist techniques, avante-garde sensibilities, and exploratory moods, the songs eschew set arrangements and solos, and, for the most part, melodic devices.\r\n
      \r\n
      For Davis, Dark Magus represented a personal triumph amid a period marked by health issues, addictions, and critical decline. The latter slight would be corrected, but not until decades later when Dark Magus saw Stateside release in 1997 via a CD reissue. Of course, the free-form patterns, unpredictable passages, dense structures, and distorted blues that course through the songs titled after Swahili numerals are not for everyone. And certainly not for the fainthearted. Though Dark Magus contains majestic moments marked by quiet restraint and something on the level of balladry, its rich and radical concoction of tormented thwacks, thumps, cracks, clatters, wails, bleeps, burbles, stomps, and enigmatic beats remains its adventurous heart and soul.\r\n
      \r\n
      Primal and enigmatic, fierce and jagged, forceful and revolutionary, jolting and terrifying, Dark Magus seemingly attacks from any and all directions. Turn it up loud and let the prophetic brilliance of this inimitable and relentlessly funky album wash over you.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
    -musicienOrchestre: "Miles Davis (electric trumpet, Yamaha organ), Dave Liebman (flute, soprano & tenor saxophone), Azar Lawrence (tenor saxophone), Reggie Lucas, Pete Cosey, Dominique Gaumont (electric guitar), Michael Henderson (electric bass), James Mtume (percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DK_fvDfSHtk"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-566"
    -titreMorceau: [
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        "nom" => "1. Dark Magus - Moja"
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        "nom" => "2. Dark Magus - Wili "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3478
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2137
    -id: 2583
    -nom: "Dark Magus - Live At Carnegie Hall"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Miles Davis (electric trumpet, Yamaha organ), Dave Liebman (flute, soprano & tenor saxophone), Azar Lawrence (tenor saxophone), Reggie Lucas, Pete Cosey, Dominique Gaumont (electric guitar), Michael Henderson (electric bass), James Mtume (percussion), Al Foster (drums).\r\n
      \r\n
      - DARK MAGUS ANTICIPATES DEVELOPMENTS IN JUNGLE, NOISE, AND DRUM ‘N’ BASS MUSIC : FUNKY, FREE-FORM MILES DAVIS ALBUM IS AN EXHILARATING JAZZ-ROCK TRIP\r\n
      \r\n
      - On Domestic Vinyl for the First Time: Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM (2 LP) Set Presents Performances with Absorbing Detail\r\n
      and Color !\r\n
      \r\n
      - 1/4” / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      It’s safe to assume no one in the audience at Carnegie Hall on March 30, 1974 anticipated what Miles Davis would play at the concert documented on Dark Magus: Live at Carnegie Hall. Recorded near the tail end of his electric period, the double album remains the darkest, most ferocious statement of Davis’ career a visionary effort that foresaw developments in jungle, noise-rock, funk, and drum ‘n’ bass.\r\n
      \r\n
      Initially issued in Japan in 1977, Dark Magus waited two decades for U.S. release. Now, more than 50 years after Davis and his ensemble blew minds at the famous New York venue, it gets its first-ever domestic issue on vinyl and on a definitive-sounding pressing at that.\r\n
      \r\n
      Mastered at Mobile Fidelity's California studio, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing, this numbered-edition 180g 33RPM 2LP set of Dark Magus invites you to pull up a seat and wrap your head around an exhilarating performance that simultaneously functions as an audition, experiment, release, and magnificent explosion of jazz-rock fusion. We hope your turntable and speakers are up to the challenge.\r\n
      \r\n
      This collectible reissue presents the improvisational magic that unfolded onstage the skronking tonalities, wah-wah-pedal bluster, acid-washed effects, furious drumming, run-the-voodoo-down grooves, menacing riffs, crashing cymbals with incredible detail, color, and pace. It also captures the band’s unbelievable energy, rendering both instruments and on-the-fly changes with revealing depth, definition, and dynamics. At its core, MoFi’s audiophile set takes you deep into the boundless mystery, promise, and uncertainty of Davis and company’s efforts like never before.\r\n
      \r\n
      The story behind Dark Magus is nearly as unbelievable as the spur-of-the-moment compositions that resulted when Davis brought drummer Al Foster, bassist Michael Henderson, percussionist James Mtume, horn virtuoso Dave Liebman, and guitarists Pete Cosey and Reggie Lucas together, and, in a new twist for the concert’s second half, added guitarist Dominique Gaumont and tenor saxophonist Azar Lawrence to mix. That the latter two instrumentalists had never seen each other until that night adds to Davis’ legend and penchant for bold, unorthodox moves.\r\n
      \r\n
      Ditto Davis’ own actions that spring evening, which reportedly included showing up to the show an hour late and taking the stage with his back facing the crowd. The strategy worked. Davis inspired the group to play in a bold manner that few, if any, had heard before. Dark Magus is a rhythmic bonanza. Rooted in Afro-centrist techniques, avante-garde sensibilities, and exploratory moods, the songs eschew set arrangements and solos, and, for the most part, melodic devices.\r\n
      \r\n
      For Davis, Dark Magus represented a personal triumph amid a period marked by health issues, addictions, and critical decline. The latter slight would be corrected, but not until decades later when Dark Magus saw Stateside release in 1997 via a CD reissue. Of course, the free-form patterns, unpredictable passages, dense structures, and distorted blues that course through the songs titled after Swahili numerals are not for everyone. And certainly not for the fainthearted. Though Dark Magus contains majestic moments marked by quiet restraint and something on the level of balladry, its rich and radical concoction of tormented thwacks, thumps, cracks, clatters, wails, bleeps, burbles, stomps, and enigmatic beats remains its adventurous heart and soul.\r\n
      \r\n
      Primal and enigmatic, fierce and jagged, forceful and revolutionary, jolting and terrifying, Dark Magus seemingly attacks from any and all directions. Turn it up loud and let the prophetic brilliance of this inimitable and relentlessly funky album wash over you.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=DK_fvDfSHtk"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-566"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
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      date: 2025-03-20 21:31:48.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -slug: "vinyles-dark-magus-live-at-carnegie-hall-mobile-fidelity-sound-lab-mfsl-2-566"
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[
  "produit" => App\Entity\Produit {#2156
    -id: 2091
    -nom: "Lee Konitz Plays With The Gerry Mulligan Quartet "
    -informationComplementaire: ""
    -description: """
      180 gram LP !\r\n
      \r\n
      Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Three giants of West Coast Jazz came together in this deeply swinging session recorded for the Pacific Jazz / World Pacific label in 1953. Alto saxophone master Lee Konitz joins with the great Gerry Mulligan on baritone saxophone and legendary trumpeter Chet Baker on a half-live, half-studio program of standards along with one Mulligan original. The group is supported by bassists Carson Smith and Joe Mondragon with Larry Bunker on drums for this spontaneous and inventive jazz treasure.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Z2VDXTHJyKk"
    -referenceProduit: "Blue Note Records 1501"
    -titreMorceau: [
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        "nom" => "1. I Can't Believe That You're in Love with Me "
        "ordre" => 1
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        "nom" => "10. All the Things You Are"
        "ordre" => 11
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        "nom" => "3. Almost Like Being in Love "
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        "nom" => "4. Sextet II "
        "ordre" => 4
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      [
        "nom" => "5. Lady Be Good "
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        "nom" => "6. Too Marvelous for Words "
        "ordre" => 7
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      [
        "nom" => "7. Lover Man "
        "ordre" => 8
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      [
        "nom" => "8. I'll Remember April "
        "ordre" => 9
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        "nom" => "9. These Foolish Things "
        "ordre" => 10
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        "nom" => "Side A : "
        "ordre" => 0
      ]
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        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2158 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2167 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2160 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2162 …}
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    }
    -modifierLe: DateTime @1741680415 {#2154
      date: 2025-03-11 08:06:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2164 …}
    -disponible: null
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    -slug: "vinyles-lee-konitz-plays-with-the-gerry-mulligan-quartet-blue-note-records-1501"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3529
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2156
    -id: 2091
    -nom: "Lee Konitz Plays With The Gerry Mulligan Quartet "
    -informationComplementaire: ""
    -description: """
      180 gram LP !\r\n
      \r\n
      Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
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      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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      ]
    ]
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-lee-konitz-plays-with-the-gerry-mulligan-quartet-blue-note-records-1501"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
}

[
  "produit" => App\Entity\Produit {#2174
    -id: 679
    -nom: "Milestones"
    -informationComplementaire: "Re-edition"
    -description: """
      - Miles Davis' Only Studio Album with His Original Sextet : Milestones Features John Coltrane and Cannonball Adderley !\r\n
      \r\n
      - Mobile Fidelity's Numbered-Edition 180 gram 33 RPM (1 LP) Presents 1958 Benchmark in Riveting Mono Sound !\r\n
      \r\n
      - 1/4" / 15 IPS analog mono master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Miles Davis created just one studio album with his original sextet. He made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Due to its sandwiched position between the more famous 'Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic.\r\n
      \r\n
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      \r\n
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      \r\n
      If anything, Milestones is as famous for its title track as the players that produced it. The launching pad for many of Davis' (and later, his contemporaries') improvisational flights, the singular piece invites the tessellated explorations Coltrane would forever chase as well as the headliner's argyle solo work, who broaches territories that far exceed what he had done with his bop-rooted past. Every song is a highlight, whether it's the bravado "No Jackle", featuring a hot-foot pace and bebop strains, or "Sid's Ahead", which continues the album's blues theme while tossing around edgy harmonics and inside-out structures.\r\n
      \r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=k94zDsJ-JMU"
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        "ordre" => 5
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      [
        "nom" => "2. Sid’s Ahead"
        "ordre" => 2
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      [
        "nom" => "3. Straight, No Chaser"
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      [
        "nom" => "3. Two Bass Hit"
        "ordre" => 3
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        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
    -label: Proxies\__CG__\App\Entity\Label {#2142 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2182 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2175 …}
    -typeMasterTape: null
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    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2177 …}
    -enregistreLe: DateTime @1398892032 {#2170
      date: 2014-04-30 21:07:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1741641214 {#2169
      date: 2025-03-10 21:13:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2179 …}
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    -slug: "vinyles-milestones-mfsl-1-374"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3582
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2174
    -id: 679
    -nom: "Milestones"
    -informationComplementaire: "Re-edition"
    -description: """
      - Miles Davis' Only Studio Album with His Original Sextet : Milestones Features John Coltrane and Cannonball Adderley !\r\n
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      - Mobile Fidelity's Numbered-Edition 180 gram 33 RPM (1 LP) Presents 1958 Benchmark in Riveting Mono Sound !\r\n
      \r\n
      - 1/4" / 15 IPS analog mono master to DSD 64 to analog console to lathe !\r\n
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      \r\n
      Part of Mobile Fidelity's Miles Davis catalog restoration series, Milestones has been restored to mono for the first time as to expose the record's standing as one of the all-time great jazz efforts.Mastered from the original master tapes and pressed at RTI, this unsurpassed 180 gram mono LP edition grants each musician their own space in a well-defined, broadened soundstage. Colors, shapes, and dimensions appear in the manner they do when beheld from behind a studio-control room's window.\r\n
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      Davis' burnished trumpet? Rendered in three-dimensional perspective, coaxing his mates out to play with unburdened zest and commotion. Coltrane's trademark saxophone ? Witness it in life-size proportion, his solos working in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the 88 keys as he hits full stride, the chords and fills slithering around skeletal frameworks.\r\n
      \r\n
      If anything, Milestones is as famous for its title track as the players that produced it. The launching pad for many of Davis' (and later, his contemporaries') improvisational flights, the singular piece invites the tessellated explorations Coltrane would forever chase as well as the headliner's argyle solo work, who broaches territories that far exceed what he had done with his bop-rooted past. Every song is a highlight, whether it's the bravado "No Jackle", featuring a hot-foot pace and bebop strains, or "Sid's Ahead", which continues the album's blues theme while tossing around edgy harmonics and inside-out structures.\r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=k94zDsJ-JMU"
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        "ordre" => 2
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        "nom" => "3. Straight, No Chaser"
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        "nom" => "3. Two Bass Hit"
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        "ordre" => 0
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
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[
  "produit" => App\Entity\Produit {#2187
    -id: 2251
    -nom: "Art Pepper Meets The Rhythm Section"
    -informationComplementaire: ""
    -description: """
      - Contemporary Records Acoustic Sounds Series !\r\n
      \r\n
      - Six key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Art Pepper, Barney Kessel, Benny Carter, Hampton Hawes and Shelly Manne !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      Art Pepper Meets the Rhythm Section is the alto saxophone master's auspicious 1957 Contemporary debut paring him with pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones the East Coast rhythm section for Miles Davis' nonpareil quintet. Recorded by legendary engineer Roy DuNann.\r\n
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Art Pepper (alto saxophone), Paul Chambers (bass), Red Garland (piano), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=16OoypHXcps"
    -referenceProduit: "Acoustic Sounds Series 0382"
    -titreMorceau: [
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        "nom" => "1. Jazz Me Blues"
        "ordre" => 7
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        "nom" => "1. You'd Be So Nice To Come Home To"
        "ordre" => 1
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        "nom" => "2. Red Pepper Blues"
        "ordre" => 2
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        "nom" => "2. Tin Tin Deo"
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        "nom" => "3. Imagination"
        "ordre" => 3
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        "nom" => "3. Star Eyes"
        "ordre" => 9
      ]
      [
        "nom" => "4. Birks Works"
        "ordre" => 10
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      [
        "nom" => "4. Waltz Me Blues"
        "ordre" => 4
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        "nom" => "5. Straight Life"
        "ordre" => 5
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2189 …}
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    -photoProduit: Doctrine\ORM\PersistentCollection {#2198 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2191 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …}
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    -modifierLe: DateTime @1741247608 {#2185
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3630
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  +produit: App\Entity\Produit {#2187
    -id: 2251
    -nom: "Art Pepper Meets The Rhythm Section"
    -informationComplementaire: ""
    -description: """
      - Contemporary Records Acoustic Sounds Series !\r\n
      \r\n
      - Six key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Art Pepper, Barney Kessel, Benny Carter, Hampton Hawes and Shelly Manne !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      Art Pepper Meets the Rhythm Section is the alto saxophone master's auspicious 1957 Contemporary debut paring him with pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones the East Coast rhythm section for Miles Davis' nonpareil quintet. Recorded by legendary engineer Roy DuNann.\r\n
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Art Pepper (alto saxophone), Paul Chambers (bass), Red Garland (piano), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=16OoypHXcps"
    -referenceProduit: "Acoustic Sounds Series 0382"
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        "ordre" => 10
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        "nom" => "4. Waltz Me Blues"
        "ordre" => 4
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        "nom" => "5. Straight Life"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2189 …}
    -style: App\Entity\Style {#1449 …}
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      date: 2025-03-06 07:53:28.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2203
    -id: 2656
    -nom: "Birth Of The Blue"
    -informationComplementaire: ""
    -description: """
      Miles Davis — Birth of the Blue\r\n
      \r\n
      Smash prequel to what many consider the greatest jazz record ever!\r\n
      \r\n
      - Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue !\r\n
      \r\n
      - Modal jazz precursor laid groundwork for future jazz innovation !\r\n
      \r\n
      - 180 gram vinyl !\r\n
      \r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from a new 30 ips quarter-inch stereo master tape transferred from the original 3 track session tapes !\r\n
      \r\n
      - Plated and pressed at Quality Record Pressings for flawless production and superior fidelity !\r\n
      \r\n
      - Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish !\r\n
      \r\n
      "This session recorded within the confines of Columbia’s 30th Street Studio in New York City on May 26, 1958 captures the sextet in a free-flowing, exploratory mode, akin to a spontaneous blowing session... Our ratings for 'Birth of the Blue' are 10 for the Music (as comparison, 'Kind of Blue' is a stone-cold 11), and 10 for the Sound. We suggest you indulge in the 'Birth of the Blue' LP for its loose-knit renditions of American songbook classics. Savor the breathtaking solos that showcase one of the greatest jazz ensembles ever assembled, their artistry in full bloom". - Music = 10/11; Sound = 10/11 - Ken Micallef, AnalogPlanet.com, Jan. 17, 2025. Read the entire review here.\r\n
      \r\n
      "This session deserves to stand alone and not be mixed up with a bunch of other stuff... The goal here was to give you the spread as seen in the 30th street studio when the recording was produced as the musicians stood before the microphones. The sound is 'you are there' superb as the 30th street studio most always delivered and of course hearing this group play for the first time 'as one' is exhilarating, especially having the tracks correctly assembled on a single LP". \r\n
      - Music = 10/11; Sound = 10/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      "It's stunning. It's absolutely beautiful music... honestly, if you think of it as a companion piece, a prequel that's exactly what it is... the fact that it sounds most like the 45 RPM UHQR, and bear in mind this costs $40, ...it's got to be one of the bargains of the century". - Dave Denyer, YouTube video\r\n
      \r\n
      "Just to hear this group, like probably what you would hear at a concert that's a revelation in itself in high fidelity, with really, really great sonics... Much better than any of the (other compilations).... this gets the thumbs up from me". - Ken Micallef, Jazz Vinyl Audiophile, YouTube video\r\n
      \r\n
      Miles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever!\r\n
      \r\n
      Through the years, these four remarkable performances all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor!\r\n
      \r\n
      The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley.\r\n
      \r\n
      Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously.\r\n
      \r\n
      Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-its-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard.\r\n
      \r\n
      For this release, we started with the original 3 track recording session tapes that were mixed down to a brand-new 30 ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab cut the lacquers at 33 1/3 RPM utilizing the legendary Doug Sax's custom all-tube system and cutting lathe. The lacquers were plated and pressed on 180-gram vinyl at Quality Record Pressings. Lastly, the Stoughton Printing tip-on gatefold jacket with a deluxe scuff-resistant matte finish is the highest quality available. The artwork has an incredible spot-on look to a 1959 Columbia records release !\r\n
      \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
    -musicienOrchestre: "Miles Davis (trumpet), John Coltrane (tenor saxophone), Cannonball Adderley (alto saxophone), Paul Chambers (bass), Bill Evans (piano), James Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=f4MyDJMH3TM"
    -referenceProduit: "Analogue Productions AAPJ 0172"
    -titreMorceau: [
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        "nom" => "1. On Green Dolphin Street"
        "ordre" => 1
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        "ordre" => 4
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        "ordre" => 5
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      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
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        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
    -label: Proxies\__CG__\App\Entity\Label {#2205 …}
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    -modifierLe: DateTime @1740991720 {#2201
      date: 2025-03-03 08:48:40.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3678
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  +produit: App\Entity\Produit {#2203
    -id: 2656
    -nom: "Birth Of The Blue"
    -informationComplementaire: ""
    -description: """
      Miles Davis — Birth of the Blue\r\n
      \r\n
      Smash prequel to what many consider the greatest jazz record ever!\r\n
      \r\n
      - Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue !\r\n
      \r\n
      - Modal jazz precursor laid groundwork for future jazz innovation !\r\n
      \r\n
      - 180 gram vinyl !\r\n
      \r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from a new 30 ips quarter-inch stereo master tape transferred from the original 3 track session tapes !\r\n
      \r\n
      - Plated and pressed at Quality Record Pressings for flawless production and superior fidelity !\r\n
      \r\n
      - Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish !\r\n
      \r\n
      "This session recorded within the confines of Columbia’s 30th Street Studio in New York City on May 26, 1958 captures the sextet in a free-flowing, exploratory mode, akin to a spontaneous blowing session... Our ratings for 'Birth of the Blue' are 10 for the Music (as comparison, 'Kind of Blue' is a stone-cold 11), and 10 for the Sound. We suggest you indulge in the 'Birth of the Blue' LP for its loose-knit renditions of American songbook classics. Savor the breathtaking solos that showcase one of the greatest jazz ensembles ever assembled, their artistry in full bloom". - Music = 10/11; Sound = 10/11 - Ken Micallef, AnalogPlanet.com, Jan. 17, 2025. Read the entire review here.\r\n
      \r\n
      "This session deserves to stand alone and not be mixed up with a bunch of other stuff... The goal here was to give you the spread as seen in the 30th street studio when the recording was produced as the musicians stood before the microphones. The sound is 'you are there' superb as the 30th street studio most always delivered and of course hearing this group play for the first time 'as one' is exhilarating, especially having the tracks correctly assembled on a single LP". \r\n
      - Music = 10/11; Sound = 10/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      "It's stunning. It's absolutely beautiful music... honestly, if you think of it as a companion piece, a prequel that's exactly what it is... the fact that it sounds most like the 45 RPM UHQR, and bear in mind this costs $40, ...it's got to be one of the bargains of the century". - Dave Denyer, YouTube video\r\n
      \r\n
      "Just to hear this group, like probably what you would hear at a concert that's a revelation in itself in high fidelity, with really, really great sonics... Much better than any of the (other compilations).... this gets the thumbs up from me". - Ken Micallef, Jazz Vinyl Audiophile, YouTube video\r\n
      \r\n
      Miles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever!\r\n
      \r\n
      Through the years, these four remarkable performances all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor!\r\n
      \r\n
      The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley.\r\n
      \r\n
      Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously.\r\n
      \r\n
      Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-its-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard.\r\n
      \r\n
      For this release, we started with the original 3 track recording session tapes that were mixed down to a brand-new 30 ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab cut the lacquers at 33 1/3 RPM utilizing the legendary Doug Sax's custom all-tube system and cutting lathe. The lacquers were plated and pressed on 180-gram vinyl at Quality Record Pressings. Lastly, the Stoughton Printing tip-on gatefold jacket with a deluxe scuff-resistant matte finish is the highest quality available. The artwork has an incredible spot-on look to a 1959 Columbia records release !\r\n
      \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
    -musicienOrchestre: "Miles Davis (trumpet), John Coltrane (tenor saxophone), Cannonball Adderley (alto saxophone), Paul Chambers (bass), Bill Evans (piano), James Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=f4MyDJMH3TM"
    -referenceProduit: "Analogue Productions AAPJ 0172"
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        "ordre" => 4
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        "ordre" => 2
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        "ordre" => 5
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      [
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        "ordre" => 0
      ]
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        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
    -label: Proxies\__CG__\App\Entity\Label {#2205 …}
    -style: App\Entity\Style {#1449 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …}
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      date: 2025-03-03 08:41:54.0 UTC (+00:00)
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    -modifierLe: DateTime @1740991720 {#2201
      date: 2025-03-03 08:48:40.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -slug: "vinyles-birth-of-the-blue-analogue-productions-aapj-0172"
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[
  "produit" => App\Entity\Produit {#2219
    -id: 2654
    -nom: "CSN"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - Fifth album from Crosby, Stills & Nash featuring "Just a Song Before I Go" and "Fair Game" !\r\n
      \r\n
      - N° 2 on Billboard's Top Pop Albums chart !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      "CSN was the trio's last fully realized album, and also the last recording on which the three principals handled all the vocal parts without the sweetening of additional voices. It has held up remarkably well, both as a memento of its time and as a thoroughly enjoyable musical work." — AllMusic\r\n
      \r\n
      Crosby, Stills & Nash was a folk rock supergroup made up of American singer-songwriters David Crosby, Stephen Stills, and English singer-songwriter Graham Nash. CSN's 1977 self-titled album is a return to the harmony-soaked idealism with which the trio had been catapulted to popularity; it reached No. 2 on the charts, behind Fleetwood Mac's megasuccessful Rumours.\r\n
      \r\n
      AllMusic says the songs on CSN show a "great deal of lyrical maturity and compositional complexity compared to those earlier albums (from a far more innocent time). "Just a Song Before I Go" was the latest of Graham Nash's radio-friendly acoustic numbers, and a Top Ten single. "See the Changes" and "Dark Star" ranked with the best of Stephen Stills' work, while David Crosby contributed three classics from his distinctive oeuvre: "Shadow Captain," "Anything at All," and the beautiful "In My Dreams."And Nash's multi-part "Cathedral," a recollection of an acid trip taken in Winchester Cathedral on his 32nd birthday, became a staple of the group's live repertoire.\r\n
      \r\n
      Ground-breaking music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
    -musicienOrchestre: "David Crosby (rhythm guitar & acoustic guitar, vocals), Stephen Stills (guitars, piano & electric piano, timbales, vocals), Graham Nash (piano, harmonica, vocals) "
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QXoWmM1oEp8"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 021-45"
    -titreMorceau: [
      [
        "nom" => "1. Cold Rain"
        "ordre" => 13
      ]
      [
        "nom" => "1. Dark Star"
        "ordre" => 9
      ]
      [
        "nom" => "1. Fair Game"
        "ordre" => 5
      ]
      [
        "nom" => "1. Shadow Captain"
        "ordre" => 1
      ]
      [
        "nom" => "2. Anything At All"
        "ordre" => 6
      ]
      [
        "nom" => "2. In My Dreams"
        "ordre" => 14
      ]
      [
        "nom" => "2. Just A Song Before I Go"
        "ordre" => 10
      ]
      [
        "nom" => "2. See The Changes"
        "ordre" => 2
      ]
      [
        "nom" => "3. Carried Away"
        "ordre" => 3
      ]
      [
        "nom" => "3. Cathedral"
        "ordre" => 7
      ]
      [
        "nom" => "3. I Give You Give Blind"
        "ordre" => 15
      ]
      [
        "nom" => "3. Run From Tears"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2085 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2227 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2220 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2222 …}
    -enregistreLe: DateTime @1740929619 {#2216
      date: 2025-03-02 15:33:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1740930503 {#2217
      date: 2025-03-02 15:48:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2224 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-csn-analogue-productions-atlantic-75-series-aapa-021-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3726
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2219
    -id: 2654
    -nom: "CSN"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - Fifth album from Crosby, Stills & Nash featuring "Just a Song Before I Go" and "Fair Game" !\r\n
      \r\n
      - N° 2 on Billboard's Top Pop Albums chart !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      "CSN was the trio's last fully realized album, and also the last recording on which the three principals handled all the vocal parts without the sweetening of additional voices. It has held up remarkably well, both as a memento of its time and as a thoroughly enjoyable musical work." — AllMusic\r\n
      \r\n
      Crosby, Stills & Nash was a folk rock supergroup made up of American singer-songwriters David Crosby, Stephen Stills, and English singer-songwriter Graham Nash. CSN's 1977 self-titled album is a return to the harmony-soaked idealism with which the trio had been catapulted to popularity; it reached No. 2 on the charts, behind Fleetwood Mac's megasuccessful Rumours.\r\n
      \r\n
      AllMusic says the songs on CSN show a "great deal of lyrical maturity and compositional complexity compared to those earlier albums (from a far more innocent time). "Just a Song Before I Go" was the latest of Graham Nash's radio-friendly acoustic numbers, and a Top Ten single. "See the Changes" and "Dark Star" ranked with the best of Stephen Stills' work, while David Crosby contributed three classics from his distinctive oeuvre: "Shadow Captain," "Anything at All," and the beautiful "In My Dreams."And Nash's multi-part "Cathedral," a recollection of an acid trip taken in Winchester Cathedral on his 32nd birthday, became a staple of the group's live repertoire.\r\n
      \r\n
      Ground-breaking music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1863 …}
    -musicienOrchestre: "David Crosby (rhythm guitar & acoustic guitar, vocals), Stephen Stills (guitars, piano & electric piano, timbales, vocals), Graham Nash (piano, harmonica, vocals) "
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QXoWmM1oEp8"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 021-45"
    -titreMorceau: [
      [
        "nom" => "1. Cold Rain"
        "ordre" => 13
      ]
      [
        "nom" => "1. Dark Star"
        "ordre" => 9
      ]
      [
        "nom" => "1. Fair Game"
        "ordre" => 5
      ]
      [
        "nom" => "1. Shadow Captain"
        "ordre" => 1
      ]
      [
        "nom" => "2. Anything At All"
        "ordre" => 6
      ]
      [
        "nom" => "2. In My Dreams"
        "ordre" => 14
      ]
      [
        "nom" => "2. Just A Song Before I Go"
        "ordre" => 10
      ]
      [
        "nom" => "2. See The Changes"
        "ordre" => 2
      ]
      [
        "nom" => "3. Carried Away"
        "ordre" => 3
      ]
      [
        "nom" => "3. Cathedral"
        "ordre" => 7
      ]
      [
        "nom" => "3. I Give You Give Blind"
        "ordre" => 15
      ]
      [
        "nom" => "3. Run From Tears"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2085 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2227 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2220 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2222 …}
    -enregistreLe: DateTime @1740929619 {#2216
      date: 2025-03-02 15:33:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1740930503 {#2217
      date: 2025-03-02 15:48:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2224 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-csn-analogue-productions-atlantic-75-series-aapa-021-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3922
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3923 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3971 …}
  +isValidated: false
  +validatedFields: []
}