Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2580
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2657
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2660 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
  -formView: Symfony\Component\Form\FormView {#2696 …}
  -form: Symfony\Component\Form\Form {#2846 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 442
    -nom: "Live at Woodstock - Box Set 3 LP + Bonus 7'' Colored Vinyl"
    -informationComplementaire: "Last copy in stock ! Magnificent Box Set 35th Anniversary Jimi Hendrix "Live At Woodstock""
    -description: """
      This 35th Anniversary Collector’s Edition includes : \r\n
      \r\n
      • Hendrix’s legendary Woodstock performance on 3 LP’S.\r\n
      • 36 page deluxe 12" x 12"’ booklet packed with extra photos and interviews with Mitch Mitchell, Billy Cox, Eddie Kramer and others.\r\n
      • 7" colored vinyl single with ‘’Izabella’’ and Message To The Universe’’ recorded by Eddie Kramer the week after Woodstock with Hendrix’s Gypsy Sun & Rainbows band at New York’s Hit Factory.\r\n
      • Mastered by Bernie Grundman from original Master Tapes.\r\n
      • Reprication of Woodstock ticket\r\n
      \r\n
      It was 35 years ago when Jimi Hendrix took the stage to end what would become the most famous Rock event in history. Who knew it would be around 9 a.m. on Monday morning when Woodstock finally ended ? It was supposed to conclude Sunday night. What we do know is that Jimi came to headline the show and sure enough did so, even if it was at least 12 hours later than anticipated. For those who stayed to see the world’s greatest rock guitarist, it must have been a fitting end to three days of memorable performances by Crosby, Stills and Nash, Janis Joplin, Santana, The Grateful Dead, Creedence Clearwater Revival, The Who, Jefferson Airplane, The Band and a host of others. \r\n
      \r\n
      To commemorate that day and the spirit of what it has come to represent, Classic Records and Experience Hendrix have released the 35th anniversary Jimi Hendrix at Woodstock deluxe LP Boxed Set, which includes the entire Hendrix performance on three LPs, transferred from the original analog master tapes. Accompanying features include a 36 page booklet with rare photos, expanded essays and interviews with Eddie Kramer, Mitch Mitchell, Billy Cox and others present that day in the Summer of Love. Also included is a bonus colored vinyl 7" single with never-before-released versions of "Isabelle" and "Message to the Universe" recorded by Eddie Kramer at the Hit Factory the week after Woodstock with the same band. This definitive package will undoubtedly become a collectors item in years to come and is a must have for all serious Hendrix fans.\r\n
      \r\n
      To further add to the celebration of the 35th anniversary of Hendrix at Woodstock, Michael Hobson, President of Classic Records and TheMusic.com, recently conducted an interview with Eddie Kramer - the man behind the recording desk in a tractor-trailer at Woodstock. Here is how it was recorded all those years ago...
      """
    -prixVente: "599.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Jimi Hendrix (guitar, vocals), Billy Cox (bass, backing vocals), Larry Lee (rhythm guitar), Jerry Velez, Juma Sultan (percussion), Mitch Mitchell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jmVcRxFUhEQ"
    -referenceProduit: "Classic Records RTH 2014 Q"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Introduction"
      ]
      [
        "ordre" => 2
        "nom" => "2. Message to Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. Hear My Train A Comin'"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Spanish Castle Magic"
      ]
      [
        "ordre" => 6
        "nom" => "2. Red House"
      ]
      [
        "ordre" => 7
        "nom" => "3. Lover Man"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Foxey Lady"
      ]
      [
        "ordre" => 10
        "nom" => "2. Jam Back at the House"
      ]
      [
        "ordre" => 11
        "nom" => "3. Izabella"
      ]
      [
        "ordre" => 12
        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Fire"
      ]
      [
        "ordre" => 14
        "nom" => "2. Voodoo Child (Slight Return)"
      ]
      [
        "ordre" => 15
        "nom" => "Side E : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Star Spangled Banner"
      ]
      [
        "ordre" => 17
        "nom" => "2. Purple Haze"
      ]
      [
        "ordre" => 18
        "nom" => "3. Woodstock Improvisation"
      ]
      [
        "ordre" => 19
        "nom" => "Side F : "
      ]
      [
        "ordre" => 20
        "nom" => "1. Villanova Junction"
      ]
      [
        "ordre" => 21
        "nom" => "2. Hey Joe"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1306875624 {#1875
      date: 2011-05-31 21:00:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769627769 {#1868
      date: 2026-01-28 19:16:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-woodstock-box-set-3-lp-bonus-7-colored-vinyl-classic-records-rth-2014-q"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3121
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 442
    -nom: "Live at Woodstock - Box Set 3 LP + Bonus 7'' Colored Vinyl"
    -informationComplementaire: "Last copy in stock ! Magnificent Box Set 35th Anniversary Jimi Hendrix "Live At Woodstock""
    -description: """
      This 35th Anniversary Collector’s Edition includes : \r\n
      \r\n
      • Hendrix’s legendary Woodstock performance on 3 LP’S.\r\n
      • 36 page deluxe 12" x 12"’ booklet packed with extra photos and interviews with Mitch Mitchell, Billy Cox, Eddie Kramer and others.\r\n
      • 7" colored vinyl single with ‘’Izabella’’ and Message To The Universe’’ recorded by Eddie Kramer the week after Woodstock with Hendrix’s Gypsy Sun & Rainbows band at New York’s Hit Factory.\r\n
      • Mastered by Bernie Grundman from original Master Tapes.\r\n
      • Reprication of Woodstock ticket\r\n
      \r\n
      It was 35 years ago when Jimi Hendrix took the stage to end what would become the most famous Rock event in history. Who knew it would be around 9 a.m. on Monday morning when Woodstock finally ended ? It was supposed to conclude Sunday night. What we do know is that Jimi came to headline the show and sure enough did so, even if it was at least 12 hours later than anticipated. For those who stayed to see the world’s greatest rock guitarist, it must have been a fitting end to three days of memorable performances by Crosby, Stills and Nash, Janis Joplin, Santana, The Grateful Dead, Creedence Clearwater Revival, The Who, Jefferson Airplane, The Band and a host of others. \r\n
      \r\n
      To commemorate that day and the spirit of what it has come to represent, Classic Records and Experience Hendrix have released the 35th anniversary Jimi Hendrix at Woodstock deluxe LP Boxed Set, which includes the entire Hendrix performance on three LPs, transferred from the original analog master tapes. Accompanying features include a 36 page booklet with rare photos, expanded essays and interviews with Eddie Kramer, Mitch Mitchell, Billy Cox and others present that day in the Summer of Love. Also included is a bonus colored vinyl 7" single with never-before-released versions of "Isabelle" and "Message to the Universe" recorded by Eddie Kramer at the Hit Factory the week after Woodstock with the same band. This definitive package will undoubtedly become a collectors item in years to come and is a must have for all serious Hendrix fans.\r\n
      \r\n
      To further add to the celebration of the 35th anniversary of Hendrix at Woodstock, Michael Hobson, President of Classic Records and TheMusic.com, recently conducted an interview with Eddie Kramer - the man behind the recording desk in a tractor-trailer at Woodstock. Here is how it was recorded all those years ago...
      """
    -prixVente: "599.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Jimi Hendrix (guitar, vocals), Billy Cox (bass, backing vocals), Larry Lee (rhythm guitar), Jerry Velez, Juma Sultan (percussion), Mitch Mitchell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jmVcRxFUhEQ"
    -referenceProduit: "Classic Records RTH 2014 Q"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Introduction"
      ]
      [
        "ordre" => 2
        "nom" => "2. Message to Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. Hear My Train A Comin'"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Spanish Castle Magic"
      ]
      [
        "ordre" => 6
        "nom" => "2. Red House"
      ]
      [
        "ordre" => 7
        "nom" => "3. Lover Man"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Foxey Lady"
      ]
      [
        "ordre" => 10
        "nom" => "2. Jam Back at the House"
      ]
      [
        "ordre" => 11
        "nom" => "3. Izabella"
      ]
      [
        "ordre" => 12
        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Fire"
      ]
      [
        "ordre" => 14
        "nom" => "2. Voodoo Child (Slight Return)"
      ]
      [
        "ordre" => 15
        "nom" => "Side E : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Star Spangled Banner"
      ]
      [
        "ordre" => 17
        "nom" => "2. Purple Haze"
      ]
      [
        "ordre" => 18
        "nom" => "3. Woodstock Improvisation"
      ]
      [
        "ordre" => 19
        "nom" => "Side F : "
      ]
      [
        "ordre" => 20
        "nom" => "1. Villanova Junction"
      ]
      [
        "ordre" => 21
        "nom" => "2. Hey Joe"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1306875624 {#1875
      date: 2011-05-31 21:00:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769627769 {#1868
      date: 2026-01-28 19:16:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-woodstock-box-set-3-lp-bonus-7-colored-vinyl-classic-records-rth-2014-q"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2050
    -id: 953
    -nom: "Jerry Lee Lewis"
    -informationComplementaire: null
    -description: "The self-titled debut album by American musician and rock & roll pioneer Jerry Lee Lewis was released in 1958 by Sun Record Company. Produced by legends Jack Clement and Sam Phillips, the album features songs written by Lewis and his contemporaries at Sun Records (including Elvis Presley), the traditional “When The Saints Go Marching In”, and Hank Williams’ “Jambalaya”."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jerry Lee Lewis (piano, lead vocals), Roland Janes (electric guitar), Ray Harris (bass), J.M. Van Eaton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1135 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nxVC_ME5I-g"
    -referenceProduit: "ORG Music 2052"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Don’t Be Cruel"
      ]
      [
        "ordre" => 2
        "nom" => "2. Goodnight Irene"
      ]
      [
        "ordre" => 3
        "nom" => "3. Put Me Down"
      ]
      [
        "ordre" => 4
        "nom" => "4. It All Depends"
      ]
      [
        "ordre" => 5
        "nom" => "5. Ubangi Stomp"
      ]
      [
        "ordre" => 6
        "nom" => "6. Crazy Arms"
      ]
      [
        "ordre" => 7
        "nom" => "Side B :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Jambalaya"
      ]
      [
        "ordre" => 9
        "nom" => "2. Fools Like Me"
      ]
      [
        "ordre" => 10
        "nom" => "3. High School Confidential"
      ]
      [
        "ordre" => 11
        "nom" => "4. When The Saints Go Marching In"
      ]
      [
        "ordre" => 12
        "nom" => "5. Matchbox"
      ]
      [
        "ordre" => 13
        "nom" => "6. I’ll Be Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2052 …}
    -label: Proxies\__CG__\App\Entity\Label {#2055 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2064 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2057 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1466495214 {#2042
      date: 2016-06-21 07:46:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769590766 {#2041
      date: 2026-01-28 08:59:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2061 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jerry-lee-lewis-org-music-2052"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3235
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2050
    -id: 953
    -nom: "Jerry Lee Lewis"
    -informationComplementaire: null
    -description: "The self-titled debut album by American musician and rock & roll pioneer Jerry Lee Lewis was released in 1958 by Sun Record Company. Produced by legends Jack Clement and Sam Phillips, the album features songs written by Lewis and his contemporaries at Sun Records (including Elvis Presley), the traditional “When The Saints Go Marching In”, and Hank Williams’ “Jambalaya”."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jerry Lee Lewis (piano, lead vocals), Roland Janes (electric guitar), Ray Harris (bass), J.M. Van Eaton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1135 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nxVC_ME5I-g"
    -referenceProduit: "ORG Music 2052"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Don’t Be Cruel"
      ]
      [
        "ordre" => 2
        "nom" => "2. Goodnight Irene"
      ]
      [
        "ordre" => 3
        "nom" => "3. Put Me Down"
      ]
      [
        "ordre" => 4
        "nom" => "4. It All Depends"
      ]
      [
        "ordre" => 5
        "nom" => "5. Ubangi Stomp"
      ]
      [
        "ordre" => 6
        "nom" => "6. Crazy Arms"
      ]
      [
        "ordre" => 7
        "nom" => "Side B :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Jambalaya"
      ]
      [
        "ordre" => 9
        "nom" => "2. Fools Like Me"
      ]
      [
        "ordre" => 10
        "nom" => "3. High School Confidential"
      ]
      [
        "ordre" => 11
        "nom" => "4. When The Saints Go Marching In"
      ]
      [
        "ordre" => 12
        "nom" => "5. Matchbox"
      ]
      [
        "ordre" => 13
        "nom" => "6. I’ll Be Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2052 …}
    -label: Proxies\__CG__\App\Entity\Label {#2055 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2064 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2057 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1466495214 {#2042
      date: 2016-06-21 07:46:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769590766 {#2041
      date: 2026-01-28 08:59:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2061 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jerry-lee-lewis-org-music-2052"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2069
    -id: 1540
    -nom: "Live At The Warfield - February 28th, 1991 (Box Set 4 LP)"
    -informationComplementaire: null
    -description: """
      - Jerry Garcia Band "Live At The Warfield: February 28, 1991" !\r\n
      - Recorded live at the Warfield Theatre in San Francisco and pressed on (4 LP) !\r\n
      \r\n
      Live at The Warfield: February 28th, 1991 presents the opening night of a three-show run at the JGB's beloved "home" in the Bay Area, the Warfield Theatre in San Francisco. The setlist is dotted with fan favorites, including the bubbly show opening "The Way You Do The Things You Do", a rollicking "You Never Can Tell", the gospel infused "My Sisters and Brothers" and the always vibrant "Deal". The complete two-set performance is pressed to 4LPs and presented in gatefold packaging.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3286
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2069
    -id: 1540
    -nom: "Live At The Warfield - February 28th, 1991 (Box Set 4 LP)"
    -informationComplementaire: null
    -description: """
      - Jerry Garcia Band "Live At The Warfield: February 28, 1991" !\r\n
      - Recorded live at the Warfield Theatre in San Francisco and pressed on (4 LP) !\r\n
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      Live at The Warfield: February 28th, 1991 presents the opening night of a three-show run at the JGB's beloved "home" in the Bay Area, the Warfield Theatre in San Francisco. The setlist is dotted with fan favorites, including the bubbly show opening "The Way You Do The Things You Do", a rollicking "You Never Can Tell", the gospel infused "My Sisters and Brothers" and the always vibrant "Deal". The complete two-set performance is pressed to 4LPs and presented in gatefold packaging.
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
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    -id: 2816
    -nom: "Live At The Warfield: March 2nd, 1991 (Box Set 5 LP)"
    -informationComplementaire: null
    -description: """
      - Jerry Garcia Band "Live At The Warfield: March 2, 1991" !\r\n
      - Recorded live at the Warfield Theatre in San Francisco and pressed on (5 LP) !\r\n
      \r\n
      The final installment in the Live at The Warfield vinyl series showcases March 2nd, 1991 the closing night of a 3 show run at the Jerry Garcia Band’s beloved venue. The complete two-set performance is pressed across 5 LPs. Solid from front to back, this performance is beautifully balanced by hard-hitting ballads like Bob Dylan’s "I Shall Be Released" and roof-raising rave-ups, including the Rolling Stones’ "Let’s Spend The Night Together".
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3339
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2088
    -id: 2816
    -nom: "Live At The Warfield: March 2nd, 1991 (Box Set 5 LP)"
    -informationComplementaire: null
    -description: """
      - Jerry Garcia Band "Live At The Warfield: March 2, 1991" !\r\n
      - Recorded live at the Warfield Theatre in San Francisco and pressed on (5 LP) !\r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2101
    -id: 2815
    -nom: "Live At The Warfield : March 1st, 1991 (Box Set 4 LP)"
    -informationComplementaire: null
    -description: """
      - Jerry Garcia Band "Live At The Warfield : March 1, 1991" !\r\n
      - Recorded live at the Warfield Theatre in San Francisco and pressed on (4 LP) !\r\n
      \r\n
      The second installment in the Live at The Warfield vinyl series presents the Jerry Garcia Band's complete performance from March 1, 1991, recorded live at the Warfield Theatre in San Francisco and considered by one critic as "one of the (band's) best and most interesting shows of the ‘90s." The 4LP set features highlights including a boundless "Don't Let Go," Van Morrison's "And It Stoned Me," and a double dose of Bob Dylan with "Forever Young" and "Positively 4th Street." Gatefold jacket.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=m8OA-RJKOpI&list=RDm8OA-RJKOpI&start_radio=1"
    -referenceProduit: "ATO Records 9863"
    -titreMorceau: [
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        "nom" => "1. He Ain't Give You None"
      ]
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        "nom" => "2. Struggling Man"
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        "nom" => "Side C :"
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        "nom" => "1. Forever Young"
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        "nom" => "2. Run For The Roses"
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        "nom" => "Side D : "
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        "ordre" => 10
        "nom" => "1. The Night They Drove Old Dixie Down"
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      [
        "ordre" => 11
        "nom" => "2. Lay Down Sally"
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        "nom" => "Side E :"
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        "nom" => "1. The Harder They Love"
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        "nom" => "2. Money Honey"
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        "nom" => "Side F : "
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        "nom" => "1. And It Stoned Me"
      ]
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        "nom" => "2. Russian Lullaby"
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        "nom" => "1. Don't Let Go"
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        "nom" => "1. Positively 4Th Street"
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        "nom" => "2. Everybody Needs Somebody To Love"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2071 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3387
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  +produit: App\Entity\Produit {#2101
    -id: 2815
    -nom: "Live At The Warfield : March 1st, 1991 (Box Set 4 LP)"
    -informationComplementaire: null
    -description: """
      - Jerry Garcia Band "Live At The Warfield : March 1, 1991" !\r\n
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      The second installment in the Live at The Warfield vinyl series presents the Jerry Garcia Band's complete performance from March 1, 1991, recorded live at the Warfield Theatre in San Francisco and considered by one critic as "one of the (band's) best and most interesting shows of the ‘90s." The 4LP set features highlights including a boundless "Don't Let Go," Van Morrison's "And It Stoned Me," and a double dose of Bob Dylan with "Forever Young" and "Positively 4th Street." Gatefold jacket.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jerry Garcia (guitar, lead vocals), Melvin Seals (keyboards), John Kahn (bass), David Kemper  (drums), Jacklyn LaBranch, Gloria Jones (backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=m8OA-RJKOpI&list=RDm8OA-RJKOpI&start_radio=1"
    -referenceProduit: "ATO Records 9863"
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[
  "produit" => App\Entity\Produit {#2114
    -id: 2488
    -nom: "Famous Blue Raincoat (Box Set 3 LP) 45 RPM - 1Step Edition"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Jennifer Warnes (vocals), Leonard Cohen (vocals), Roscoe Beck (bass, fretless bass, synthesizer, guitar), Larry Brown (tambourine, shakers), William D. ‘’Smitty’’ Smith (synthesizer, Hammond organ), Jorge Calderon (bass), Lenny Castro (percussion), Gary Chang (synthesizer, programming, synthesizer arrangements), Larry Corbett (cello), Russell Ferrante (piano, synthesizer), Richard Feves (bass), Robben Ford, Michael Landau, Fred Tackett, Stevie Ray Vaughan (guitar), Van Dyke Parks (synthesizer, accordion, arranger), David Lindley (lap steel guitar), Bill Ginn (synthesizer, piano, percussion, arranger, conductor), Suzie Katayama (cello), Side Page, Barbara Porter (violin), Novi Novog (viola), Reverend Dave Boruff (saxophone), Paul Ostermayer (tenor saxophone), Vinnie Colaiuta (drums), Kal David, George Ball, Terry Evans, Willie Green, Jr., William "Bill" Greene, Bobby King, Arnold McCuller, Joseph Powell, David Lasley, Tim Stone, Greg Prestopino, Sharon Robinson (background vocals).\r\n
      \r\n
      Features :\r\n
      \r\n
      - Lacquers cut by Bernie Grundman from Jennifer Warnes' original 1986 analog mix-down master tapes. Each set of lacquers is used for short runs of 500 to optimize detail, dynamics, and soundstage. Doing this required Bernie to cut more than 100 lacquers throughout the 1STEP production cycle !\r\n
      - Cut using original analog masters from the 1986 digital recordings by Bernie Grundman !\r\n
      - Impex 1STEP process 180 gram 45 RPM triple LP !\r\n
      - Pressed at RTI using the highest-quality vinyl formula VR-900 !\r\n
      - Includes all bonus material from the celebrated Cisco / Impex 45 RPM Edition !\r\n
      - Brand-new design created specifically for this release, featuring new photos !\r\n
      - Beautifully textured paper-bound slipcase, color-coordinated covering with foil stamping !\r\n
      - Individually numbered and limited to only 7500 pressings !\r\n
      - Elegant 24 page booklet included, housed in a deluxe four-sleeve Monster Pack tip-on jacket !\r\n
      \r\n
      Impex Records is celebrating the 35th anniversary of Jennifer Warnes' seminal audiophile classic with our ultimate collaboration. This authorized production of Famous Blue Raincoat is getting the complete Impex 1STEP treatment! After Bernie Grundman cuts the last lacquers, Jennifer's analog mixdown master tapes will return to the vault for good.\r\n
      \r\n
      We have always treasured our work with Ms. Warnes, from the original Famous Blue Raincoat 45 Box, The Well, The Hunter, and her latest LP, Another Time, Another Place. This ultimate release celebrates Jennifer's singular legacy of musical excellence with exceptional craft in coordination with the original production team of Jennifer, C. Roscoe Beck, and Bernie Grundman.\r\n
      \r\n
      For FBR's ultimate Impex release, we return to Jennifer's first-generation analog mixdown master tapes (from the original digital recordings) and let Bernie work his magic within the laborious 1STEP mastering process on BG Mastering's tube-cutting lathe. We will cut as many refs and test pressings as needed to get the quietest surfaces and intimate detailing. Final discs will be pressed at RTI on VR-900 super vinyl, illuminating every note and nuance of this cherished masterwork.\r\n
      \r\n
      The three 1STEP LPs and the elegant new 24 page booklet are housed in a deluxe four-sleeve Monster Pack tip-on jacket and booklet with metallic accents and spot gloss applications. Even if you have every version of this pop classic, you will find considerable value and benefits on this unbeatable production !\r\n
      \r\n
      The 1STEP Process\r\n
      \r\n
      The Impex 1STEP process relies on short, tightly controlled runs that require a new lacquer after each run of 500 pressings. This unforgiving format has the lacquer skipping the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details, and deeper bass.\r\n
      \r\n
      Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies, and increases signal integrity from the master tape to your system.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jennifer Warnes (vocals), Leonard Cohen (vocals), Roscoe Beck (bass, fretless bass, synthesizer, guitar), Larry Brown (tambourine, shakers), William D. ‘’Smitty’’ Smith (synthesizer, Hammond organ), Jorge Calderon (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tNYiMxHbcE4"
    -referenceProduit: "Impex Records IMP 6033-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. First We Take Manhattan"
      ]
      [
        "ordre" => 2
        "nom" => "2. Bird on a Wire"
      ]
      [
        "ordre" => 3
        "nom" => "3. Famous Blue Raincoat"
      ]
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        "nom" => "Side B : "
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      ]
      [
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        "nom" => "2. Ain't No Cure for Love"
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      [
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        "nom" => "Side C : "
      ]
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      ]
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        "nom" => "2. Song of Bernadette"
      ]
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        "nom" => "3. A Singer Must Die"
      ]
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        "nom" => "Side D : "
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      [
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        "nom" => "1. Joan of Arc (Live)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
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    -slug: "vinyles-famous-blue-raincoat-box-set-3-lp-45-rpm-1step-edition-impex-records-imp-6033-45"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3433
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2114
    -id: 2488
    -nom: "Famous Blue Raincoat (Box Set 3 LP) 45 RPM - 1Step Edition"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Jennifer Warnes (vocals), Leonard Cohen (vocals), Roscoe Beck (bass, fretless bass, synthesizer, guitar), Larry Brown (tambourine, shakers), William D. ‘’Smitty’’ Smith (synthesizer, Hammond organ), Jorge Calderon (bass), Lenny Castro (percussion), Gary Chang (synthesizer, programming, synthesizer arrangements), Larry Corbett (cello), Russell Ferrante (piano, synthesizer), Richard Feves (bass), Robben Ford, Michael Landau, Fred Tackett, Stevie Ray Vaughan (guitar), Van Dyke Parks (synthesizer, accordion, arranger), David Lindley (lap steel guitar), Bill Ginn (synthesizer, piano, percussion, arranger, conductor), Suzie Katayama (cello), Side Page, Barbara Porter (violin), Novi Novog (viola), Reverend Dave Boruff (saxophone), Paul Ostermayer (tenor saxophone), Vinnie Colaiuta (drums), Kal David, George Ball, Terry Evans, Willie Green, Jr., William "Bill" Greene, Bobby King, Arnold McCuller, Joseph Powell, David Lasley, Tim Stone, Greg Prestopino, Sharon Robinson (background vocals).\r\n
      \r\n
      Features :\r\n
      \r\n
      - Lacquers cut by Bernie Grundman from Jennifer Warnes' original 1986 analog mix-down master tapes. Each set of lacquers is used for short runs of 500 to optimize detail, dynamics, and soundstage. Doing this required Bernie to cut more than 100 lacquers throughout the 1STEP production cycle !\r\n
      - Cut using original analog masters from the 1986 digital recordings by Bernie Grundman !\r\n
      - Impex 1STEP process 180 gram 45 RPM triple LP !\r\n
      - Pressed at RTI using the highest-quality vinyl formula VR-900 !\r\n
      - Includes all bonus material from the celebrated Cisco / Impex 45 RPM Edition !\r\n
      - Brand-new design created specifically for this release, featuring new photos !\r\n
      - Beautifully textured paper-bound slipcase, color-coordinated covering with foil stamping !\r\n
      - Individually numbered and limited to only 7500 pressings !\r\n
      - Elegant 24 page booklet included, housed in a deluxe four-sleeve Monster Pack tip-on jacket !\r\n
      \r\n
      Impex Records is celebrating the 35th anniversary of Jennifer Warnes' seminal audiophile classic with our ultimate collaboration. This authorized production of Famous Blue Raincoat is getting the complete Impex 1STEP treatment! After Bernie Grundman cuts the last lacquers, Jennifer's analog mixdown master tapes will return to the vault for good.\r\n
      \r\n
      We have always treasured our work with Ms. Warnes, from the original Famous Blue Raincoat 45 Box, The Well, The Hunter, and her latest LP, Another Time, Another Place. This ultimate release celebrates Jennifer's singular legacy of musical excellence with exceptional craft in coordination with the original production team of Jennifer, C. Roscoe Beck, and Bernie Grundman.\r\n
      \r\n
      For FBR's ultimate Impex release, we return to Jennifer's first-generation analog mixdown master tapes (from the original digital recordings) and let Bernie work his magic within the laborious 1STEP mastering process on BG Mastering's tube-cutting lathe. We will cut as many refs and test pressings as needed to get the quietest surfaces and intimate detailing. Final discs will be pressed at RTI on VR-900 super vinyl, illuminating every note and nuance of this cherished masterwork.\r\n
      \r\n
      The three 1STEP LPs and the elegant new 24 page booklet are housed in a deluxe four-sleeve Monster Pack tip-on jacket and booklet with metallic accents and spot gloss applications. Even if you have every version of this pop classic, you will find considerable value and benefits on this unbeatable production !\r\n
      \r\n
      The 1STEP Process\r\n
      \r\n
      The Impex 1STEP process relies on short, tightly controlled runs that require a new lacquer after each run of 500 pressings. This unforgiving format has the lacquer skipping the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details, and deeper bass.\r\n
      \r\n
      Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies, and increases signal integrity from the master tape to your system.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jennifer Warnes (vocals), Leonard Cohen (vocals), Roscoe Beck (bass, fretless bass, synthesizer, guitar), Larry Brown (tambourine, shakers), William D. ‘’Smitty’’ Smith (synthesizer, Hammond organ), Jorge Calderon (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tNYiMxHbcE4"
    -referenceProduit: "Impex Records IMP 6033-45"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "2. Ain't No Cure for Love"
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        "nom" => "Side C : "
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        "nom" => "2. Song of Bernadette"
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        "nom" => "1. Joan of Arc (Live)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
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  "produit" => App\Entity\Produit {#2137
    -id: 1328
    -nom: "Famous Blue Raincoat"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Jennifer Warnes (vocals), Leonard Cohen (vocals), Roscoe Beck (bass, fretless bass, synthesizer, guitar), Larry Brown (tambourine, shakers), William D. ‘’Smitty’’ Smith (synthesizer, Hammond organ), Jorge Calderon (bass), Lenny Castro (percussion), Gary Chang (synthesizer, programming, synthesizer arrangements), Larry Corbett (cello), Russell Ferrante (piano, synthesizer), Richard Feves (bass), Robben Ford, Michael Landau, Fred Tackett, Stevie Ray Vaughan (guitar), Van Dyke Parks (synthesizer, accordion, arranger), David Lindley (lap steel guitar), Bill Ginn (synthesizer, piano, percussion, arranger, conductor), Suzie Katayama (cello), Side Page, Barbara Porter (violin), Novi Novog (viola), Reverend Dave Boruff (saxophone), Paul Ostermayer (tenor saxophone), Vinnie Colaiuta (drums), Kal David, George Ball, Terry Evans,  Willie Green, Jr.,  William "Bill" Greene, Bobby King, Arnold McCuller, Joseph Powell, David Lasley, Tim Stone, Greg Prestopino, Sharon Robinson (background vocals).\r\n
      \r\n
      In 1987 Jennifer Warnes and Roscoe Beck created an enduring interpretation of some of Leonard Cohen's greatest songs. The resulting album Famous Blue Raincoat has remained a touchstone of American pop. It's a recording as beautiful as the songs incisive, painstakingly created by some of the finest musicians and engineers ever assembled. It has rightfully remained immensely popular for aficionados of sound and song-craft. \r\n
      \r\n
      Impex Records has enjoyed a long and rich collaboration wiht Jennifer Warnes. Now, they are proud to release, for the first time in over 30 years, a fully authorized and approved 33 RPM 180 gram vinyl LP of this groundbreaking classic.\r\n
      \r\n
      On Famous Blue Raincoat : The Songs of Leonard Cohen, Jennifer Warnes rearranged and reinterpreted some of Leonard Cohen's greatest songs for a unique album that remains the ultimate tribute to Cohen's music. \r\n
      \r\n
      Best known for such pop hits as the Oscar- and Grammy-winning duets "(I've Had) The Time of My Life" with Bill Medley, from the film Dirty Dancing, and "Up Where We Belong" with Joe Cocker, from the film An Officer and a Gentleman, Jennifer Warnes has earned her greatest acclaim for Famous Blue Raincoat, considered by many to be one of the best albums of the '80s. \r\n
      \r\n
      Newly remastered by Bernie Grundman on his all-tube cutting system, using Jennifer Warnes' personal analog mix master and personally supervised by the artist herself, Famous Blue Raincoat is ready to be discovered by a new generation of vinyl enthusiasts seeking the purest musical alchemy, and vocal interpretation. \r\n
      \r\n
      "Originally released on LP in 1986 by Cypress Records, Famous Blue Raincoat was a sensitive tribute album of Leonard Cohen songs. Rather than hew to Cohen's darker, weighty sensibilities, Jennifer Warnes reimagined the songs for her luminous voice and lifted the atmosphere with production gloss and light". - Neil Gader, The Absolute Sound, March 2016, 4.5/5 Music, 4.5/5 Sonics.\r\n
      \r\n
      "... the greatness of Cohen's songs endure and given the state of today's singing which is often just a lot of hysterical shouting (and now I sound like my parents !) Warnes' tastefully restrained yet intense performances here, become more rare, more precious, more beautiful and more valuable". - analogplanet, Music 8/11, Sound, 9/11
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jennifer Warnes (vocals), Leonard Cohen (vocals), Roscoe Beck (bass, fretless bass, synthesizer, guitar), Larry Brown (tambourine, shakers), William D. ‘’Smitty’’ Smith (synthesizer, Hammond organ), Jorge Calderon (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=mO2f1x9MxLg"
    -referenceProduit: "Impex Records IMP 6021"
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    -id: 1328
    -nom: "Famous Blue Raincoat"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Jennifer Warnes (vocals), Leonard Cohen (vocals), Roscoe Beck (bass, fretless bass, synthesizer, guitar), Larry Brown (tambourine, shakers), William D. ‘’Smitty’’ Smith (synthesizer, Hammond organ), Jorge Calderon (bass), Lenny Castro (percussion), Gary Chang (synthesizer, programming, synthesizer arrangements), Larry Corbett (cello), Russell Ferrante (piano, synthesizer), Richard Feves (bass), Robben Ford, Michael Landau, Fred Tackett, Stevie Ray Vaughan (guitar), Van Dyke Parks (synthesizer, accordion, arranger), David Lindley (lap steel guitar), Bill Ginn (synthesizer, piano, percussion, arranger, conductor), Suzie Katayama (cello), Side Page, Barbara Porter (violin), Novi Novog (viola), Reverend Dave Boruff (saxophone), Paul Ostermayer (tenor saxophone), Vinnie Colaiuta (drums), Kal David, George Ball, Terry Evans,  Willie Green, Jr.,  William "Bill" Greene, Bobby King, Arnold McCuller, Joseph Powell, David Lasley, Tim Stone, Greg Prestopino, Sharon Robinson (background vocals).\r\n
      \r\n
      In 1987 Jennifer Warnes and Roscoe Beck created an enduring interpretation of some of Leonard Cohen's greatest songs. The resulting album Famous Blue Raincoat has remained a touchstone of American pop. It's a recording as beautiful as the songs incisive, painstakingly created by some of the finest musicians and engineers ever assembled. It has rightfully remained immensely popular for aficionados of sound and song-craft. \r\n
      \r\n
      Impex Records has enjoyed a long and rich collaboration wiht Jennifer Warnes. Now, they are proud to release, for the first time in over 30 years, a fully authorized and approved 33 RPM 180 gram vinyl LP of this groundbreaking classic.\r\n
      \r\n
      On Famous Blue Raincoat : The Songs of Leonard Cohen, Jennifer Warnes rearranged and reinterpreted some of Leonard Cohen's greatest songs for a unique album that remains the ultimate tribute to Cohen's music. \r\n
      \r\n
      Best known for such pop hits as the Oscar- and Grammy-winning duets "(I've Had) The Time of My Life" with Bill Medley, from the film Dirty Dancing, and "Up Where We Belong" with Joe Cocker, from the film An Officer and a Gentleman, Jennifer Warnes has earned her greatest acclaim for Famous Blue Raincoat, considered by many to be one of the best albums of the '80s. \r\n
      \r\n
      Newly remastered by Bernie Grundman on his all-tube cutting system, using Jennifer Warnes' personal analog mix master and personally supervised by the artist herself, Famous Blue Raincoat is ready to be discovered by a new generation of vinyl enthusiasts seeking the purest musical alchemy, and vocal interpretation. \r\n
      \r\n
      "Originally released on LP in 1986 by Cypress Records, Famous Blue Raincoat was a sensitive tribute album of Leonard Cohen songs. Rather than hew to Cohen's darker, weighty sensibilities, Jennifer Warnes reimagined the songs for her luminous voice and lifted the atmosphere with production gloss and light". - Neil Gader, The Absolute Sound, March 2016, 4.5/5 Music, 4.5/5 Sonics.\r\n
      \r\n
      "... the greatness of Cohen's songs endure and given the state of today's singing which is often just a lot of hysterical shouting (and now I sound like my parents !) Warnes' tastefully restrained yet intense performances here, become more rare, more precious, more beautiful and more valuable". - analogplanet, Music 8/11, Sound, 9/11
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jennifer Warnes (vocals), Leonard Cohen (vocals), Roscoe Beck (bass, fretless bass, synthesizer, guitar), Larry Brown (tambourine, shakers), William D. ‘’Smitty’’ Smith (synthesizer, Hammond organ), Jorge Calderon (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
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    -modifierLe: DateTime @1769585510 {#2131
      date: 2026-01-28 07:31:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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}

[
  "produit" => App\Entity\Produit {#2150
    -id: 867
    -nom: "Volunteers"
    -informationComplementaire: null
    -description: """
      Awash in controversy and loaded with revolutionary protest, Jefferson Airplane's Volunteers stands as the last album made by the group's classic lineup and brings insurgent closure to the peace-and-love era. The potent 1969 record confronts war, politics, greed, and environmental ruin in head-on fashion matched by few peers. Steeped in the belief people and music could transform the world, it steers the band in community-minded and county-rock directions, and features charged playing by guest luminaries such as Jerry Garcia, Stephen Stills, David Crosby, and Nicky Hopkins. Volunteers also benefits from being one of the first 16 track recordings. And now, the historic set can be heard in the fidelity the artists and producers intended.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2LP set of Volunteers teems with soul-affirming energy, dynamics, immediacy, and standout textures. The wider and deeper grooves translate into finer pacing, enhanced information retrieval, and superior transparency. Soundstages stretch far and extend back, with instrumental separation giving all of the musicians their own place in the mix. As a result, subtle albeit important details – Hopkins' rollicking piano, guitarist Norma Kaukonen's biting tones, Garcia's deft pedal-steel work – emerge in three-dimensional fashion amidst a musical canvas that manages to be both edgy and produced, raw and revealing. Jefferson Airplane has never sounded more vital.\r\n
      \r\n
      Much had changed in America – and within Jefferson Airplane – in just the two short years since the release of the San Francisco collective's breakthrough smash Surrealistic Pillow. The countercultural movement had darkened, government involvement in Vietnam escalated, and regard for human rights fallen. Retreating from the excessive experimentalism that graced its prior two LPs, the Airplane responded to the social circumstances with defiant, assured, and cohesive songs shot through with driving psychedelia, crunchy acid-rock, and rustic country. From start to finish, it's the aural equivalent of a demonstration march.\r\n
      \r\n
      Having drawn attention for the inclusion of profanities in multiple tunes, the Top 20 LP also ran up against the nonprofit Volunteers of America after the sextet wanted to title the record Volunteers of Amerika in order to express further dissatisfaction with the country. While Grace Slick and Co. gave into the charity's desires to switch the name, there's nothing compromising about Volunteers. Kaukonen's leads cut searing swaths through urgent fare like "Eskimo Blue Day" and anthemic "We Can Be Together", which boldly speaks out against convention and in favor of chaos and anarchy.\r\n
      \r\n
      Indeed, in organizing a pseudo summit of many of the counterculture's leading musical figures to participate on Volunteers, the Airplane treats the album as an orchestrated stance against the establishment. Stills and Crosby assist in rocking the boat on a turbulent cover of "Wooden Ships" lined with Slick and Marty Balin's overlapping lead vocals. Hopkins gooses the call-to-arms title track with frisky boogie-woogie lines. Garcia lends "The Farm" a suitable rustic vibe, and on his final appearance with the Airplane, drummer Spencer Dryden helms the pastoral sing-a-long "A Song for All Seasons".\r\n
      \r\n
      Ranked #373 on Rolling Stone's 500 Greatest Albums of All Time, Volunteers remains a cultural and musical touchstone.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jorma Kaukonen (guitar), Jerry Garcia (steel guitar), Steven Stills (organ), Jack Casady (bass), Nicky Hopkins (piano), Grace Slick, Marty Balin, Paul Kantner (vocals), Joey Covington (percussion), Spencer Dryden (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zZKaCVNJ0hg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-457"
    -titreMorceau: [
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        "nom" => "1. Eskimo Blue Day"
      ]
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2152 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3532
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2150
    -id: 867
    -nom: "Volunteers"
    -informationComplementaire: null
    -description: """
      Awash in controversy and loaded with revolutionary protest, Jefferson Airplane's Volunteers stands as the last album made by the group's classic lineup and brings insurgent closure to the peace-and-love era. The potent 1969 record confronts war, politics, greed, and environmental ruin in head-on fashion matched by few peers. Steeped in the belief people and music could transform the world, it steers the band in community-minded and county-rock directions, and features charged playing by guest luminaries such as Jerry Garcia, Stephen Stills, David Crosby, and Nicky Hopkins. Volunteers also benefits from being one of the first 16 track recordings. And now, the historic set can be heard in the fidelity the artists and producers intended.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2LP set of Volunteers teems with soul-affirming energy, dynamics, immediacy, and standout textures. The wider and deeper grooves translate into finer pacing, enhanced information retrieval, and superior transparency. Soundstages stretch far and extend back, with instrumental separation giving all of the musicians their own place in the mix. As a result, subtle albeit important details – Hopkins' rollicking piano, guitarist Norma Kaukonen's biting tones, Garcia's deft pedal-steel work – emerge in three-dimensional fashion amidst a musical canvas that manages to be both edgy and produced, raw and revealing. Jefferson Airplane has never sounded more vital.\r\n
      \r\n
      Much had changed in America – and within Jefferson Airplane – in just the two short years since the release of the San Francisco collective's breakthrough smash Surrealistic Pillow. The countercultural movement had darkened, government involvement in Vietnam escalated, and regard for human rights fallen. Retreating from the excessive experimentalism that graced its prior two LPs, the Airplane responded to the social circumstances with defiant, assured, and cohesive songs shot through with driving psychedelia, crunchy acid-rock, and rustic country. From start to finish, it's the aural equivalent of a demonstration march.\r\n
      \r\n
      Having drawn attention for the inclusion of profanities in multiple tunes, the Top 20 LP also ran up against the nonprofit Volunteers of America after the sextet wanted to title the record Volunteers of Amerika in order to express further dissatisfaction with the country. While Grace Slick and Co. gave into the charity's desires to switch the name, there's nothing compromising about Volunteers. Kaukonen's leads cut searing swaths through urgent fare like "Eskimo Blue Day" and anthemic "We Can Be Together", which boldly speaks out against convention and in favor of chaos and anarchy.\r\n
      \r\n
      Indeed, in organizing a pseudo summit of many of the counterculture's leading musical figures to participate on Volunteers, the Airplane treats the album as an orchestrated stance against the establishment. Stills and Crosby assist in rocking the boat on a turbulent cover of "Wooden Ships" lined with Slick and Marty Balin's overlapping lead vocals. Hopkins gooses the call-to-arms title track with frisky boogie-woogie lines. Garcia lends "The Farm" a suitable rustic vibe, and on his final appearance with the Airplane, drummer Spencer Dryden helms the pastoral sing-a-long "A Song for All Seasons".\r\n
      \r\n
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      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zZKaCVNJ0hg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-457"
    -titreMorceau: [
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        "ordre" => 13
        "nom" => "4. Volunteers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2152 …}
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[
  "produit" => App\Entity\Produit {#2169
    -id: 2188
    -nom: "Greatest Hits - (Box Set 2 LP) 45 RPM - UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      James Taylor (acoustic & electric guitars, vocals), Danny Kortchmar (electric guitar), Leland Sklar (bass guitar), Craig Doerge (keyboards, piano, electric piano), David Crosby, Graham Nash, Carly Simon (background vocals), Red Rhodes (pedal steel guitar), Michael Brecker (saxophone), Clarence McDonald (keyboards), Victor Feldman (percussion), Russ Kunkel, (drums, percussion).\r\n
      \r\n
      THE DISTILLATION OF EVERYTHING THAT MAKES JAMES TAYLOR SPECIAL IS MADE EVEN BETTER !\r\n
      \r\n
      One of the most commercially successful compilations ever released, James Taylor's Diamond-certified Greatest Hits encapsulates the quintessential characteristics refined acoustic guitar playing, mannered melodies, insightful lyrics, comforting singing – and includes the familiar, honest, emotion-rich songs that made the singer-songwriter an icon. Experience it all with unparalleled detail and intimacy on Mobile Fidelity's limited and numbered UltraDisc One-Step 180 gram 45 RPM (2 LP) box set, mastered from the original master tapes and pressed on MoFi SuperVinyl.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
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      \r\n
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      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "James Taylor (acoustic & electric guitars, vocals), Danny Kortchmar (electric guitar), Leland Sklar (bass guitar), Craig Doerge (keyboards, piano, electric piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=fa8KzA8BYjI"
    -referenceProduit: "Mobile Fidelity Sound Lab UDS1S-031"
    -titreMorceau: [
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        "nom" => "3. Fire and Rain \t"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sweet Baby James \t"
      ]
      [
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        "nom" => "2. Country Road \t"
      ]
      [
        "ordre" => 7
        "nom" => "3. You've Got a Friend "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Don't Let Me Be Lonely Tonight \t"
      ]
      [
        "ordre" => 10
        "nom" => "2. Walking Man \t"
      ]
      [
        "ordre" => 11
        "nom" => "3. How Sweet It Is (To Be Loved By You) \t"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Mexico \t"
      ]
      [
        "ordre" => 14
        "nom" => "2. Shower the People \t"
      ]
      [
        "ordre" => 15
        "nom" => "3. Steamroller "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2155 …}
    -style: App\Entity\Style {#1063 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
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    -slug: "vinyles-greatest-hits-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-uds1s-031"
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App\Twig\Components\GestionPanierFavoriComponents {#3583
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2169
    -id: 2188
    -nom: "Greatest Hits - (Box Set 2 LP) 45 RPM - UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      James Taylor (acoustic & electric guitars, vocals), Danny Kortchmar (electric guitar), Leland Sklar (bass guitar), Craig Doerge (keyboards, piano, electric piano), David Crosby, Graham Nash, Carly Simon (background vocals), Red Rhodes (pedal steel guitar), Michael Brecker (saxophone), Clarence McDonald (keyboards), Victor Feldman (percussion), Russ Kunkel, (drums, percussion).\r\n
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      THE DISTILLATION OF EVERYTHING THAT MAKES JAMES TAYLOR SPECIAL IS MADE EVEN BETTER !\r\n
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      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "James Taylor (acoustic & electric guitars, vocals), Danny Kortchmar (electric guitar), Leland Sklar (bass guitar), Craig Doerge (keyboards, piano, electric piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fa8KzA8BYjI"
    -referenceProduit: "Mobile Fidelity Sound Lab UDS1S-031"
    -titreMorceau: [
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        "nom" => "1. Something in the Way She Moves \t"
      ]
      [
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        "nom" => "2. Carolina in My Mind \t"
      ]
      [
        "ordre" => 3
        "nom" => "3. Fire and Rain \t"
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      [
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        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. Sweet Baby James \t"
      ]
      [
        "ordre" => 6
        "nom" => "2. Country Road \t"
      ]
      [
        "ordre" => 7
        "nom" => "3. You've Got a Friend "
      ]
      [
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        "nom" => "Side C :"
      ]
      [
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        "nom" => "1. Don't Let Me Be Lonely Tonight \t"
      ]
      [
        "ordre" => 10
        "nom" => "2. Walking Man \t"
      ]
      [
        "ordre" => 11
        "nom" => "3. How Sweet It Is (To Be Loved By You) \t"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Mexico \t"
      ]
      [
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        "nom" => "2. Shower the People \t"
      ]
      [
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        "nom" => "3. Steamroller "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
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    -style: App\Entity\Style {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2175 …}
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    }
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      date: 2026-01-27 16:56:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
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    -slug: "vinyles-greatest-hits-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-uds1s-031"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2185
    -id: 2898
    -nom: "Fleetwood Mac - Box Set (2 LP) 180 gram 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac Comes into Its Own with Lindsey Buckingham and Stevie Nicks : Self-Titled Record Ranked 182nd Greatest Album of All Time by Rolling Stone, Includes “Landslide” and “Rhiannon” !\r\n
      - Hear the 1975 Blockbuster in Reference Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 7500 Numbered Copies and Features Extraordinary Definition !\r\n
      -  1/4” / 30 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      A veteran band with waning prospects, personnel churn, and management issues. A largely unknown duo whose eponymous debut flopped. An impromptu meeting in a supermarket that led to a fact-finding trip to Sound City Studios. The backstory behind Fleetwood Mac’s self-titled album is nearly as incredible as the music on the 1975 recording a blockbuster that altered pop-rock history, and found newcomers Lindsey Buckingham and Stevie Nicks permanently changing the profile and popularity of the British ensemble.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and strictly limited to 7500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of the nine-times-platinum effort plays with reference-level transparency, dynamics, and detail. Benefitting from stellar groove definition, an ultra-low noise floor, and dead-quiet surfaces, this vinyl edition captures what went down in the California studio with arresting presence, tube-like warmth, and sumptuous tonality.\r\n
      \r\n
      Honoring the striking elements that make Fleetwood Mac a generations-spanning favorite, the industry-leading presentation of this UD1S version confirms the reissue's definitive standing. Housed in a gorgeous slipcase, it features premium foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for listeners who want to immerse themselves in everything involved with the album, including the recognizable cover art positioning Mick Fleetwood and John McVie before a doorway as well as a crystal ball showing their reflection. The hand-drawn script depicting the band's name is now inextricably associated with the quintet’s “White Album” and identity.\r\n
      \r\n
      Shepherded by producer Keith Olsen, Fleetwood Mac used its studio time to cultivate and establish intra-band roles. The innate chemistry among the five musicians can be heard here in stunning clarity, the taut albeit flexible rhythms distinguished with palpable grip, the blended vocals and airy harmonies benefitting from seemingly unlimited frequency extension. The thrilling results speak to the band’s bond as well as healthy tension that led to recordings that more than five decades later remain revered for their exceptional realism, openness, textures, imaging, and soundstaging. And that says nothing about the freshness of the songs themselves.\r\n
      \r\n
      Six of those tunes were written or co-written by Buckingham or Nicks, who lent the band reeling from the departure of guitarist Bob Welch a diversity, soulfulness, and breadth it lacked in the past. Then again, the romantically involved partners weren’t exactly burning up the charts on their own. Their Buckingham Nicks LP was largely ignored upon release and found the twosome questioning their futures. But fate has a weird way of operating, and rather than recruiting another six-string blues virtuoso into the mix, Fleetwood Mac called an audible. \r\n
      \r\n
      Prompted to visit Sound City Studios after telling someone in a grocery store he needed a place to record Fleetwood Mac’s tenth album, Fleetwood heard Buckingham Nicks played back by Olsen as a demonstration of the studio’s capabilities. Unable to forget what he heard, the drummer soon invited Buckingham to join his band. Displaying his now-famous reluctance to cede any creative control, Buckingham initially hedged before accepting on one condition : He and Nicks came as a package. \r\n
      \r\n
      That agreement stands as one of the most significant career-altering moves any band ever made. Suffice it to say Nicks’ Plan B “we can always quit”, she reasoned to Buckingham stayed on the backburner. After rehearsing together for just ten days and sussing out potential roles, the new iteration of Fleetwood Mac entered Sound City in January 1975 and laid down the tracks for the showstopper Rolling Stone ranks as the 182nd Greatest Album of All Time.\r\n
      \r\n
      In many ways, Fleetwood Mac got far more than they bargained for in taking on the American duo. Buckingham and Nicks arrived loaded for bear. “Monday Morning”, “Rhiannon”, and “I’m So Afraid” had already been workshopped and penciled in for a second Buckingham-Nicks record. “Crystal” was re-purposed and re-imagined after its original inclusion of Buckingham Nicks. \r\n
      \r\n
      Nicks also brought another recently penned song to the sessions, a beautiful gem none other than “Landslide”. McVie later admitted that the quality of material triggered a competitive spirit within her and inspired her to take her own songwriting to another level. “Warm Ways”, “Say You Love Me”, and “Over My Head” underscore that determination. Ditto her collaboration with Buckingham on “World Turning”. \r\n
      \r\n
      Constituting the old Fleetwood Mac in name only, Fleetwood Mac is the sound and style of an entirely new entity, a rebirth, and a reward for perseverance and a little bit of chance fortune. Above all, however, the album which peaked at No. 1 on Billboard more than a year after its street date towers as a testament to then-novel combinations of hook-laden power pop, mystical folk, cool R&B, melodic rock ‘n’ roll and a wondrous balance of perfection and pragmatism, delicate and deliberate, mellow and maverick.\r\n
      \r\n
      Indeed, from the ocean-swept breeziness of the opening “Monday Morning” through the optimistic vibes of the building “Over My Head” to the stacked structure of the closing “I’m So Afraid”, Fleetwood Mac contains not a single dull moment or wasted note. In short order, the band would attain even greater commercial success with the subsequent Rumours. Yet the restless energy, innovative spirit, breath-of-fresh-air newness, and across-the-board fantastic performances of Fleetwood Mac would never be surpassed.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Mick Fleetwood (drums, percussion), John McVie (bass guitar), Christine McVie (keyboards, synthesizer, lead & backing vocals), Lindsey Buckingham (guitars, banjo, lead & backing vocals), Stevie Nicks (lead & backing vocals, tambourine)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0xGPi-Al3zQ&list=RDEMLs3blA1ExxaZ9gmnDGyznw&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S2-065"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Monday Morning"
      ]
      [
        "ordre" => 2
        "nom" => "2. Warm Ways"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blue Letter"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Rhiannon"
      ]
      [
        "ordre" => 6
        "nom" => "2. Over My Head"
      ]
      [
        "ordre" => 7
        "nom" => "3. Crystal"
      ]
      [
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        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Say You Love Me"
      ]
      [
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      ]
      [
        "ordre" => 11
        "nom" => "3. World Turning"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Sugar Daddy"
      ]
      [
        "ordre" => 14
        "nom" => "2. I’m So Afraid"
      ]
      [
        "ordre" => 15
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      ]
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2187 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2191 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3634
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2185
    -id: 2898
    -nom: "Fleetwood Mac - Box Set (2 LP) 180 gram 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac Comes into Its Own with Lindsey Buckingham and Stevie Nicks : Self-Titled Record Ranked 182nd Greatest Album of All Time by Rolling Stone, Includes “Landslide” and “Rhiannon” !\r\n
      - Hear the 1975 Blockbuster in Reference Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 7500 Numbered Copies and Features Extraordinary Definition !\r\n
      -  1/4” / 30 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      A veteran band with waning prospects, personnel churn, and management issues. A largely unknown duo whose eponymous debut flopped. An impromptu meeting in a supermarket that led to a fact-finding trip to Sound City Studios. The backstory behind Fleetwood Mac’s self-titled album is nearly as incredible as the music on the 1975 recording a blockbuster that altered pop-rock history, and found newcomers Lindsey Buckingham and Stevie Nicks permanently changing the profile and popularity of the British ensemble.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and strictly limited to 7500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of the nine-times-platinum effort plays with reference-level transparency, dynamics, and detail. Benefitting from stellar groove definition, an ultra-low noise floor, and dead-quiet surfaces, this vinyl edition captures what went down in the California studio with arresting presence, tube-like warmth, and sumptuous tonality.\r\n
      \r\n
      Honoring the striking elements that make Fleetwood Mac a generations-spanning favorite, the industry-leading presentation of this UD1S version confirms the reissue's definitive standing. Housed in a gorgeous slipcase, it features premium foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for listeners who want to immerse themselves in everything involved with the album, including the recognizable cover art positioning Mick Fleetwood and John McVie before a doorway as well as a crystal ball showing their reflection. The hand-drawn script depicting the band's name is now inextricably associated with the quintet’s “White Album” and identity.\r\n
      \r\n
      Shepherded by producer Keith Olsen, Fleetwood Mac used its studio time to cultivate and establish intra-band roles. The innate chemistry among the five musicians can be heard here in stunning clarity, the taut albeit flexible rhythms distinguished with palpable grip, the blended vocals and airy harmonies benefitting from seemingly unlimited frequency extension. The thrilling results speak to the band’s bond as well as healthy tension that led to recordings that more than five decades later remain revered for their exceptional realism, openness, textures, imaging, and soundstaging. And that says nothing about the freshness of the songs themselves.\r\n
      \r\n
      Six of those tunes were written or co-written by Buckingham or Nicks, who lent the band reeling from the departure of guitarist Bob Welch a diversity, soulfulness, and breadth it lacked in the past. Then again, the romantically involved partners weren’t exactly burning up the charts on their own. Their Buckingham Nicks LP was largely ignored upon release and found the twosome questioning their futures. But fate has a weird way of operating, and rather than recruiting another six-string blues virtuoso into the mix, Fleetwood Mac called an audible. \r\n
      \r\n
      Prompted to visit Sound City Studios after telling someone in a grocery store he needed a place to record Fleetwood Mac’s tenth album, Fleetwood heard Buckingham Nicks played back by Olsen as a demonstration of the studio’s capabilities. Unable to forget what he heard, the drummer soon invited Buckingham to join his band. Displaying his now-famous reluctance to cede any creative control, Buckingham initially hedged before accepting on one condition : He and Nicks came as a package. \r\n
      \r\n
      That agreement stands as one of the most significant career-altering moves any band ever made. Suffice it to say Nicks’ Plan B “we can always quit”, she reasoned to Buckingham stayed on the backburner. After rehearsing together for just ten days and sussing out potential roles, the new iteration of Fleetwood Mac entered Sound City in January 1975 and laid down the tracks for the showstopper Rolling Stone ranks as the 182nd Greatest Album of All Time.\r\n
      \r\n
      In many ways, Fleetwood Mac got far more than they bargained for in taking on the American duo. Buckingham and Nicks arrived loaded for bear. “Monday Morning”, “Rhiannon”, and “I’m So Afraid” had already been workshopped and penciled in for a second Buckingham-Nicks record. “Crystal” was re-purposed and re-imagined after its original inclusion of Buckingham Nicks. \r\n
      \r\n
      Nicks also brought another recently penned song to the sessions, a beautiful gem none other than “Landslide”. McVie later admitted that the quality of material triggered a competitive spirit within her and inspired her to take her own songwriting to another level. “Warm Ways”, “Say You Love Me”, and “Over My Head” underscore that determination. Ditto her collaboration with Buckingham on “World Turning”. \r\n
      \r\n
      Constituting the old Fleetwood Mac in name only, Fleetwood Mac is the sound and style of an entirely new entity, a rebirth, and a reward for perseverance and a little bit of chance fortune. Above all, however, the album which peaked at No. 1 on Billboard more than a year after its street date towers as a testament to then-novel combinations of hook-laden power pop, mystical folk, cool R&B, melodic rock ‘n’ roll and a wondrous balance of perfection and pragmatism, delicate and deliberate, mellow and maverick.\r\n
      \r\n
      Indeed, from the ocean-swept breeziness of the opening “Monday Morning” through the optimistic vibes of the building “Over My Head” to the stacked structure of the closing “I’m So Afraid”, Fleetwood Mac contains not a single dull moment or wasted note. In short order, the band would attain even greater commercial success with the subsequent Rumours. Yet the restless energy, innovative spirit, breath-of-fresh-air newness, and across-the-board fantastic performances of Fleetwood Mac would never be surpassed.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Mick Fleetwood (drums, percussion), John McVie (bass guitar), Christine McVie (keyboards, synthesizer, lead & backing vocals), Lindsey Buckingham (guitars, banjo, lead & backing vocals), Stevie Nicks (lead & backing vocals, tambourine)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0xGPi-Al3zQ&list=RDEMLs3blA1ExxaZ9gmnDGyznw&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S2-065"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Monday Morning"
      ]
      [
        "ordre" => 2
        "nom" => "2. Warm Ways"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blue Letter"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Rhiannon"
      ]
      [
        "ordre" => 6
        "nom" => "2. Over My Head"
      ]
      [
        "ordre" => 7
        "nom" => "3. Crystal"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Say You Love Me"
      ]
      [
        "ordre" => 10
        "nom" => "2. Landslide"
      ]
      [
        "ordre" => 11
        "nom" => "3. World Turning"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Sugar Daddy"
      ]
      [
        "ordre" => 14
        "nom" => "2. I’m So Afraid"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2187 …}
    -label: Proxies\__CG__\App\Entity\Label {#2155 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2196 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2189 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2191 …}
    -enregistreLe: DateTime @1762196150 {#2182
      date: 2025-11-03 18:55:50.0 UTC (+00:00)
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    -modifierLe: DateTime @1769190182 {#2183
      date: 2026-01-23 17:43:02.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2193 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fleetwood-mac-box-set-2-lp-180-gram-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s2-065"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2201
    -id: 2871
    -nom: "Live Era '87-'93 (Box Set 4 LP + Poster) - Deluxe Edition"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Axl Rose (piano, lead vocals), Slash (lead guitar, backing vocals), Duff McKagan (bass, backing & lead vocals), Izzy Stradlin, Gilby Clarke  (rhythm guitar, backing vocals), Dizzy Reed (keyboards, backing vocals), Steven Adler, Matt Sorum (drums, backing vocals).\r\n
      \r\n
      - Guns N' Roses "Live Era '87-'93" (Box Set 4 LP) 180 gram Vinyl Deluxe Edition !\r\n
      - Remastered from Original Stereo Analog Master Tapes for the First Time Since 1999 !\r\n
      - Revamped Artwork with Full-Color Graphics !\r\n
      - 2 Gatefold Jackets !\r\n
      - Slipcase !\r\n
      - Poster !\r\n
      \r\n
      The first official live album from Guns N' Roses, recorded live across the universe between 1987 and 1993, is newly remastered from original stereo analog master tapes for the first time since 1999.\r\n
      \r\n
      Artwork has been revamped with full-color graphics, expanded into two gatefold jackets housed in a slipcase with a poster. Deluxe 4 LP set pressed on 180 gram black vinyl.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Axl Rose (piano, lead vocals), Slash (lead guitar, backing vocals), Duff McKagan (bass, backing & lead vocals), Izzy Stradlin, Gilby Clarke  (rhythm guitar, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3Vg-I-LJYxY&list=PLxwi0JEaXhyu8YDasADNpRU4tH6DKEfB-"
    -referenceProduit: "Geffen Records 8862"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Nightrain"
      ]
      [
        "ordre" => 2
        "nom" => "2. Mr. Brownstone"
      ]
      [
        "ordre" => 3
        "nom" => "3. It's So Easy"
      ]
      [
        "ordre" => 4
        "nom" => "4. Welcome to the Jungle"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Dust N' Bones"
      ]
      [
        "ordre" => 7
        "nom" => "2. My Michelle"
      ]
      [
        "ordre" => 8
        "nom" => "3. You're Crazy"
      ]
      [
        "ordre" => 9
        "nom" => "4. Used to Love Her"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Patience"
      ]
      [
        "ordre" => 12
        "nom" => "2. It's Alright"
      ]
      [
        "ordre" => 13
        "nom" => "3. November Rain"
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. Out ta Get Me"
      ]
      [
        "ordre" => 16
        "nom" => "2. Pretty Tied Up"
      ]
      [
        "ordre" => 17
        "nom" => "3. Yesterdays"
      ]
      [
        "ordre" => 18
        "nom" => "Side E :"
      ]
      [
        "ordre" => 19
        "nom" => "1. Move to the City"
      ]
      [
        "ordre" => 20
        "nom" => "2. You Could Be Mine"
      ]
      [
        "ordre" => 21
        "nom" => "Side F : "
      ]
      [
        "ordre" => 22
        "nom" => "1. Rocket Queen"
      ]
      [
        "ordre" => 23
        "nom" => "2. Sweet Child O' Mine"
      ]
      [
        "ordre" => 24
        "nom" => "Side G :"
      ]
      [
        "ordre" => 25
        "nom" => "1. Knockin' on Heaven's Door"
      ]
      [
        "ordre" => 26
        "nom" => "2. Don't Cry"
      ]
      [
        "ordre" => 27
        "nom" => "3. Estranged"
      ]
      [
        "ordre" => 28
        "nom" => "Side H : "
      ]
      [
        "ordre" => 29
        "nom" => "1. Paradise City"
      ]
      [
        "ordre" => 30
        "nom" => "2. Coma (Special Bonus Track)"
      ]
      [
        "ordre" => 31
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2203 …}
    -label: Proxies\__CG__\App\Entity\Label {#2206 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2215 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2208 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2210 …}
    -enregistreLe: DateTime @1760517830 {#2198
      date: 2025-10-15 08:43:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769165577 {#2199
      date: 2026-01-23 10:52:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2212 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-era-87-93-box-set-4-lp-poster-deluxe-edition-geffen-records-8862"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3685
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2201
    -id: 2871
    -nom: "Live Era '87-'93 (Box Set 4 LP + Poster) - Deluxe Edition"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Axl Rose (piano, lead vocals), Slash (lead guitar, backing vocals), Duff McKagan (bass, backing & lead vocals), Izzy Stradlin, Gilby Clarke  (rhythm guitar, backing vocals), Dizzy Reed (keyboards, backing vocals), Steven Adler, Matt Sorum (drums, backing vocals).\r\n
      \r\n
      - Guns N' Roses "Live Era '87-'93" (Box Set 4 LP) 180 gram Vinyl Deluxe Edition !\r\n
      - Remastered from Original Stereo Analog Master Tapes for the First Time Since 1999 !\r\n
      - Revamped Artwork with Full-Color Graphics !\r\n
      - 2 Gatefold Jackets !\r\n
      - Slipcase !\r\n
      - Poster !\r\n
      \r\n
      The first official live album from Guns N' Roses, recorded live across the universe between 1987 and 1993, is newly remastered from original stereo analog master tapes for the first time since 1999.\r\n
      \r\n
      Artwork has been revamped with full-color graphics, expanded into two gatefold jackets housed in a slipcase with a poster. Deluxe 4 LP set pressed on 180 gram black vinyl.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Axl Rose (piano, lead vocals), Slash (lead guitar, backing vocals), Duff McKagan (bass, backing & lead vocals), Izzy Stradlin, Gilby Clarke  (rhythm guitar, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3Vg-I-LJYxY&list=PLxwi0JEaXhyu8YDasADNpRU4tH6DKEfB-"
    -referenceProduit: "Geffen Records 8862"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Nightrain"
      ]
      [
        "ordre" => 2
        "nom" => "2. Mr. Brownstone"
      ]
      [
        "ordre" => 3
        "nom" => "3. It's So Easy"
      ]
      [
        "ordre" => 4
        "nom" => "4. Welcome to the Jungle"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Dust N' Bones"
      ]
      [
        "ordre" => 7
        "nom" => "2. My Michelle"
      ]
      [
        "ordre" => 8
        "nom" => "3. You're Crazy"
      ]
      [
        "ordre" => 9
        "nom" => "4. Used to Love Her"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Patience"
      ]
      [
        "ordre" => 12
        "nom" => "2. It's Alright"
      ]
      [
        "ordre" => 13
        "nom" => "3. November Rain"
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. Out ta Get Me"
      ]
      [
        "ordre" => 16
        "nom" => "2. Pretty Tied Up"
      ]
      [
        "ordre" => 17
        "nom" => "3. Yesterdays"
      ]
      [
        "ordre" => 18
        "nom" => "Side E :"
      ]
      [
        "ordre" => 19
        "nom" => "1. Move to the City"
      ]
      [
        "ordre" => 20
        "nom" => "2. You Could Be Mine"
      ]
      [
        "ordre" => 21
        "nom" => "Side F : "
      ]
      [
        "ordre" => 22
        "nom" => "1. Rocket Queen"
      ]
      [
        "ordre" => 23
        "nom" => "2. Sweet Child O' Mine"
      ]
      [
        "ordre" => 24
        "nom" => "Side G :"
      ]
      [
        "ordre" => 25
        "nom" => "1. Knockin' on Heaven's Door"
      ]
      [
        "ordre" => 26
        "nom" => "2. Don't Cry"
      ]
      [
        "ordre" => 27
        "nom" => "3. Estranged"
      ]
      [
        "ordre" => 28
        "nom" => "Side H : "
      ]
      [
        "ordre" => 29
        "nom" => "1. Paradise City"
      ]
      [
        "ordre" => 30
        "nom" => "2. Coma (Special Bonus Track)"
      ]
      [
        "ordre" => 31
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2203 …}
    -label: Proxies\__CG__\App\Entity\Label {#2206 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2215 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2208 …}
    -typeMasterTape: null
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    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2210 …}
    -enregistreLe: DateTime @1760517830 {#2198
      date: 2025-10-15 08:43:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769165577 {#2199
      date: 2026-01-23 10:52:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2212 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-era-87-93-box-set-4-lp-poster-deluxe-edition-geffen-records-8862"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2222
    -id: 819
    -nom: "Laid Back"
    -informationComplementaire: null
    -description: """
      - The "Midnight Rider" returns in this 180-gram reissue !\r\n
      - Mastered by Ryan Smith at Sterling Sound from the original tapes !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Faithfully reproduced jacket artwork; tip-on gatefold from Stoughton Printing !\r\n
      \r\n
      Gregg Allman's 1973 solo debut also became his biggest hit, a N° 13 LP featuring his Top 20 classic "Midnight Rider." Analogue Productions now brings forth a sparkling reissue of this classic disc, mastered from the original analog tapes by Ryan Smith at Sterling Sound. And presented as a 200 gram sonic superstar plated and pressed at our own Quality Record Pressings !\r\n
      \r\n
      By the end of 1973, the Allman Brothers Band seemed to have it all nailed down, writes reviewer Rickey Wright. They'd proven their mettle with a fine synthesis of blues, jazz, folk, and country influences; expanded upon it with the definitive Fillmore East set; and moved forward after the separate losses of guitarist Duane Allman and bassist Berry Oakley. The group's myriad strengths, in fact, might've been the reason that one of their most obvious gifts - Gregg Allman's pained, growling voice - was sometimes overlooked.\r\n
      \r\n
      Laid Back, Greg Allman's first solo disc, seems in part an effort to gain a little more recognition. It worked, particularly given the strong radio response to its opening track, a loping remake of "Midnight Rider". Likewise, much of the album's remainder finds Allman tweaking the band's blues "Queen of Hearts" and country sides a cover of Jackson Browne's "These Days"; horns and gospelish backing vocals add to the personal, often mournful feel. Laid Back is an often convincing version of the man's music.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Gregg Allman (organ, guitar, vocals), Scott Boyer (acoustic & electric guitar, piano), Buzzy Feiten, Jimmy Nalls, Tommy Talton (electric & acoustic guitar, tambourine), Chuck Leavell (piano), David Newman (saxophone), Bill Stewart (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=MFQ6DqnnAMs"
    -referenceProduit: "Analogue Productions AAPP 091"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Midnight Rider"
      ]
      [
        "ordre" => 2
        "nom" => "2. Queen Of Hearts"
      ]
      [
        "ordre" => 3
        "nom" => "3. Please Call Home"
      ]
      [
        "ordre" => 4
        "nom" => "4. Don't Mess Up A Good Thing"
      ]
      [
        "ordre" => 5
        "nom" => "Side B :"
      ]
      [
        "ordre" => 6
        "nom" => "1. These Days"
      ]
      [
        "ordre" => 7
        "nom" => "2. Multi-Colored Lady"
      ]
      [
        "ordre" => 8
        "nom" => "3. All My Friends"
      ]
      [
        "ordre" => 9
        "nom" => "4. Will The Circle Be Unbroken"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
    -label: Proxies\__CG__\App\Entity\Label {#2227 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2236 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2229 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2231 …}
    -enregistreLe: DateTime @1443681050 {#2218
      date: 2015-10-01 06:30:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769165447 {#2217
      date: 2026-01-23 10:50:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2233 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-laid-back-analogue-productions-aapp-091"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3736
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2222
    -id: 819
    -nom: "Laid Back"
    -informationComplementaire: null
    -description: """
      - The "Midnight Rider" returns in this 180-gram reissue !\r\n
      - Mastered by Ryan Smith at Sterling Sound from the original tapes !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Faithfully reproduced jacket artwork; tip-on gatefold from Stoughton Printing !\r\n
      \r\n
      Gregg Allman's 1973 solo debut also became his biggest hit, a N° 13 LP featuring his Top 20 classic "Midnight Rider." Analogue Productions now brings forth a sparkling reissue of this classic disc, mastered from the original analog tapes by Ryan Smith at Sterling Sound. And presented as a 200 gram sonic superstar plated and pressed at our own Quality Record Pressings !\r\n
      \r\n
      By the end of 1973, the Allman Brothers Band seemed to have it all nailed down, writes reviewer Rickey Wright. They'd proven their mettle with a fine synthesis of blues, jazz, folk, and country influences; expanded upon it with the definitive Fillmore East set; and moved forward after the separate losses of guitarist Duane Allman and bassist Berry Oakley. The group's myriad strengths, in fact, might've been the reason that one of their most obvious gifts - Gregg Allman's pained, growling voice - was sometimes overlooked.\r\n
      \r\n
      Laid Back, Greg Allman's first solo disc, seems in part an effort to gain a little more recognition. It worked, particularly given the strong radio response to its opening track, a loping remake of "Midnight Rider". Likewise, much of the album's remainder finds Allman tweaking the band's blues "Queen of Hearts" and country sides a cover of Jackson Browne's "These Days"; horns and gospelish backing vocals add to the personal, often mournful feel. Laid Back is an often convincing version of the man's music.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Gregg Allman (organ, guitar, vocals), Scott Boyer (acoustic & electric guitar, piano), Buzzy Feiten, Jimmy Nalls, Tommy Talton (electric & acoustic guitar, tambourine), Chuck Leavell (piano), David Newman (saxophone), Bill Stewart (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=MFQ6DqnnAMs"
    -referenceProduit: "Analogue Productions AAPP 091"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Midnight Rider"
      ]
      [
        "ordre" => 2
        "nom" => "2. Queen Of Hearts"
      ]
      [
        "ordre" => 3
        "nom" => "3. Please Call Home"
      ]
      [
        "ordre" => 4
        "nom" => "4. Don't Mess Up A Good Thing"
      ]
      [
        "ordre" => 5
        "nom" => "Side B :"
      ]
      [
        "ordre" => 6
        "nom" => "1. These Days"
      ]
      [
        "ordre" => 7
        "nom" => "2. Multi-Colored Lady"
      ]
      [
        "ordre" => 8
        "nom" => "3. All My Friends"
      ]
      [
        "ordre" => 9
        "nom" => "4. Will The Circle Be Unbroken"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
    -label: Proxies\__CG__\App\Entity\Label {#2227 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2236 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2229 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2231 …}
    -enregistreLe: DateTime @1443681050 {#2218
      date: 2015-10-01 06:30:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769165447 {#2217
      date: 2026-01-23 10:50:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2233 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-laid-back-analogue-productions-aapp-091"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}