Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2558
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2635
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2638 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
  -formView: Symfony\Component\Form\FormView {#2674 …}
  -form: Symfony\Component\Form\Form {#2824 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 377
    -nom: "Chet Baker Crew"
    -informationComplementaire: ""
    -description: "The numbers heard on Chet Baker & Crew were among a prolific flurry of recordings Baker was involved in during the last week of July 1956 - fresh from an extended European stay. The crew on these sides includes Phil Urso (tenor sax), Bobby Timmons (piano), Jimmy Bond (bass), Peter Littman (drums) and of course Baker (trumpet/vocals). Joining the combo on both the original as well as the alternate take of "To Mickey's Memory" and "Pawnee Junction" is Bill Loughbrough (chromatic tympani). His unmistakable percussive accents and tuned drum solos give these West Coast bop tracks uniquely Polynesian intonations. This LP reissue of Chet Baker & Crew increases the original eight-song Pacific Jazz collection to include all 14 tracks complete during three sessions in late July 1956 at the Forum Theater in Los Angeles."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Chet Baker (trumpet, vocals), Bobby Timmons (piano), Phil Urso (tenor saxophone), Jimmy Bond (bass), Bill Loughbrough (timpani chromatic), Peter Littman (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7s"
    -referenceProduit: "Pure Pleasure Records PPAN PJ 1224"
    -titreMorceau: [
      [
        "nom" => "1. Pawnee Junction"
        "ordre" => 15
      ]
      [
        "nom" => "1. Something For Liza"
        "ordre" => 6
      ]
      [
        "nom" => "1. To Mickey's Memory (Alternate Take)"
        "ordre" => 11
      ]
      [
        "nom" => "1. To Mickey's Memory"
        "ordre" => 1
      ]
      [
        "nom" => "2. Jumpin' Off A Clef"
        "ordre" => 12
      ]
      [
        "nom" => "2. Lucius Lu"
        "ordre" => 7
      ]
      [
        "nom" => "2. Music To Dance By"
        "ordre" => 16
      ]
      [
        "nom" => "2. Slightly Above Moderate"
        "ordre" => 2
      ]
      [
        "nom" => "3. Chippyin'"
        "ordre" => 13
      ]
      [
        "nom" => "3. Halema"
        "ordre" => 3
      ]
      [
        "nom" => "3. Line For Lyons"
        "ordre" => 17
      ]
      [
        "nom" => "3. Worrying The Life Out Of Me"
        "ordre" => 8
      ]
      [
        "nom" => "4. Medium Rock"
        "ordre" => 9
      ]
      [
        "nom" => "4. Revelation"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1278691300 {#1875
      date: 2010-07-09 16:01:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1574094801 {#1868
      date: 2019-11-18 16:33:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-chet-baker-crew-pure-pleasure-records-ppan-pj-1224"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3099
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 377
    -nom: "Chet Baker Crew"
    -informationComplementaire: ""
    -description: "The numbers heard on Chet Baker & Crew were among a prolific flurry of recordings Baker was involved in during the last week of July 1956 - fresh from an extended European stay. The crew on these sides includes Phil Urso (tenor sax), Bobby Timmons (piano), Jimmy Bond (bass), Peter Littman (drums) and of course Baker (trumpet/vocals). Joining the combo on both the original as well as the alternate take of "To Mickey's Memory" and "Pawnee Junction" is Bill Loughbrough (chromatic tympani). His unmistakable percussive accents and tuned drum solos give these West Coast bop tracks uniquely Polynesian intonations. This LP reissue of Chet Baker & Crew increases the original eight-song Pacific Jazz collection to include all 14 tracks complete during three sessions in late July 1956 at the Forum Theater in Los Angeles."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Chet Baker (trumpet, vocals), Bobby Timmons (piano), Phil Urso (tenor saxophone), Jimmy Bond (bass), Bill Loughbrough (timpani chromatic), Peter Littman (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7s"
    -referenceProduit: "Pure Pleasure Records PPAN PJ 1224"
    -titreMorceau: [
      [
        "nom" => "1. Pawnee Junction"
        "ordre" => 15
      ]
      [
        "nom" => "1. Something For Liza"
        "ordre" => 6
      ]
      [
        "nom" => "1. To Mickey's Memory (Alternate Take)"
        "ordre" => 11
      ]
      [
        "nom" => "1. To Mickey's Memory"
        "ordre" => 1
      ]
      [
        "nom" => "2. Jumpin' Off A Clef"
        "ordre" => 12
      ]
      [
        "nom" => "2. Lucius Lu"
        "ordre" => 7
      ]
      [
        "nom" => "2. Music To Dance By"
        "ordre" => 16
      ]
      [
        "nom" => "2. Slightly Above Moderate"
        "ordre" => 2
      ]
      [
        "nom" => "3. Chippyin'"
        "ordre" => 13
      ]
      [
        "nom" => "3. Halema"
        "ordre" => 3
      ]
      [
        "nom" => "3. Line For Lyons"
        "ordre" => 17
      ]
      [
        "nom" => "3. Worrying The Life Out Of Me"
        "ordre" => 8
      ]
      [
        "nom" => "4. Medium Rock"
        "ordre" => 9
      ]
      [
        "nom" => "4. Revelation"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1278691300 {#1875
      date: 2010-07-09 16:01:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1574094801 {#1868
      date: 2019-11-18 16:33:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-chet-baker-crew-pure-pleasure-records-ppan-pj-1224"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 279
    -nom: "Duke Ellington's 70th Birthday Concert"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Victor Gaskin (bass), Johnny Hodges (saxophones), Russell Procope, Norris Turney, Paul Gonsalves, Harold Ashby, Harry Carney (trumpet), Cat Anderson, Cootie Williams, Rolf Ericson, Mercer Ellington (trombone), Lawrence Brown, Chcuck Connors (organ), Wild Bill Davis (piano), Rufus “Speedy” Jones (drums).\r\n
      \r\n
      Outside there was the rain and the bone-freezing chill of November in Manchester, England. Inside the concert hall it was warm and it was beautiful. Duke was alive and well, and his orchestra was playing with all the flaring genius that has entranced us since first this musical miracle of our century found his vocation of band-leader extraordinary fifty years ago.\r\n
      It was one of the many nights to remember during the orchestra’s British and European tour of 1969. Duke played two concerts that evening, each approaching two and a half hours in duration, each without intervals. At the second show he regaled the audience with 32 separate compositions, stayed on stage to do an encore with quartet only, after Johnny Hodges had led the exhausted orchestra away, and then, past midnight, went into a small back room to listen to the whole rumbustious evening played back to him on tape. \r\n
      \r\n
      \r\n
      The men in the small back room, engaged with dials and consoles and tuners, were the United Artists production team who helped to create this album from the concerts at Manchester and at Bristol. Duke, sitting there easily, eyes closed, smiling like some great all-wise Buddha, seemed pleased with what he heard. From time to time he would say “beautiful !” to some flight of Johnny Hodges’ or Cootie’s. That is how this album is : Beautiful.\r\n
      \r\n
      Except from the sleeve notes by Derek Jewell, Jazz / Pop Critic, The Sunday Times, This double LP ranks as one of Duke Ellington’s finest recordings of his final decade. The live performance gives listeners a good idea as to just how Duke’s ensemble sounded in concert, and it serves as both a retrospective and a display of the strengths of Ellington’s mighty band. Among the many highlights are definitive renditions of "Rockin' in Rhythm" and "Take the 'A' Train" (the latter has some wonderful Cootie Williams trumpet), a few features for altoist Johnny Hodges, a tenor battle on "In Triplicate," a few guest spots for organist Wild Bill Davis, and a 16-and-a-half-minute, nine-song medley that really works well. The most memorable chorus of all is an incredible high-note display by Cat Anderson on "Satin Doll" that is arguably his most miraculous solo ever; each note he hits is virtually impossible to play on the trumpet, and is in tune, too. This gem is essential for all serious jazz collections. - AMG / Scott Yanow\r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington (piano), Victor Gaskin (bass), Johnny Hodges (saxophones), Russell Procope, Norris Turney, Paul Gonsalves, Harold Ashby, Harry Carney (trumpet)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SuEe4yuboGU"
    -referenceProduit: "Pure Pleasure Records PPAN UAD 60001"
    -titreMorceau: [
      [
        "nom" => "-  Caravan"
        "ordre" => 27
      ]
      [
        "nom" => "-  Do Nothin' 'Til You Hear From Me"
        "ordre" => 22
      ]
      [
        "nom" => "-  Don’t Get Around Much Anymore"
        "ordre" => 24
      ]
      [
        "nom" => "-  I Let A Song Go Out Of My Heart"
        "ordre" => 21
      ]
      [
        "nom" => "-  I’m Just A Lucky So And So"
        "ordre" => 20
      ]
      [
        "nom" => "-  Just Squeeze Me"
        "ordre" => 23
      ]
      [
        "nom" => "-  Mood Indigo"
        "ordre" => 25
      ]
      [
        "nom" => "-  Prelude To A Kiss"
        "ordre" => 19
      ]
      [
        "nom" => "-  Sophisticated Lady"
        "ordre" => 26
      ]
      [
        "nom" => "1. 4:30 Blues"
        "ordre" => 6
      ]
      [
        "nom" => "1. Medley :"
        "ordre" => 18
      ]
      [
        "nom" => "1. Rockin' In Rhythm"
        "ordre" => 1
      ]
      [
        "nom" => "1. Satin Doll"
        "ordre" => 12
      ]
      [
        "nom" => "2. Azure"
        "ordre" => 13
      ]
      [
        "nom" => "2. B.P."
        "ordre" => 2
      ]
      [
        "nom" => "2. Black Swan"
        "ordre" => 28
      ]
      [
        "nom" => "2. El Gato"
        "ordre" => 7
      ]
      [
        "nom" => "3. Black Butterfly"
        "ordre" => 8
      ]
      [
        "nom" => "3. Closing Speech – End Of Concert"
        "ordre" => 29
      ]
      [
        "nom" => "3. In Triplicate"
        "ordre" => 14
      ]
      [
        "nom" => "3. Take The “A” Train"
        "ordre" => 3
      ]
      [
        "nom" => "4. Perdido"
        "ordre" => 15
      ]
      [
        "nom" => "4. Things Ain't What They Used To Be"
        "ordre" => 9
      ]
      [
        "nom" => "4. Tootie For Cootie"
        "ordre" => 4
      ]
      [
        "nom" => "5. Fifi"
        "ordre" => 16
      ]
      [
        "nom" => "5. Laying On Mellow"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 17
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1278690628 {#2041
      date: 2010-07-09 15:50:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1574068303 {#2042
      date: 2019-11-18 09:11:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-duke-ellington-s-70th-birthday-concert-pure-pleasure-records-ppan-uad-60001"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3213
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 279
    -nom: "Duke Ellington's 70th Birthday Concert"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Victor Gaskin (bass), Johnny Hodges (saxophones), Russell Procope, Norris Turney, Paul Gonsalves, Harold Ashby, Harry Carney (trumpet), Cat Anderson, Cootie Williams, Rolf Ericson, Mercer Ellington (trombone), Lawrence Brown, Chcuck Connors (organ), Wild Bill Davis (piano), Rufus “Speedy” Jones (drums).\r\n
      \r\n
      Outside there was the rain and the bone-freezing chill of November in Manchester, England. Inside the concert hall it was warm and it was beautiful. Duke was alive and well, and his orchestra was playing with all the flaring genius that has entranced us since first this musical miracle of our century found his vocation of band-leader extraordinary fifty years ago.\r\n
      It was one of the many nights to remember during the orchestra’s British and European tour of 1969. Duke played two concerts that evening, each approaching two and a half hours in duration, each without intervals. At the second show he regaled the audience with 32 separate compositions, stayed on stage to do an encore with quartet only, after Johnny Hodges had led the exhausted orchestra away, and then, past midnight, went into a small back room to listen to the whole rumbustious evening played back to him on tape. \r\n
      \r\n
      \r\n
      The men in the small back room, engaged with dials and consoles and tuners, were the United Artists production team who helped to create this album from the concerts at Manchester and at Bristol. Duke, sitting there easily, eyes closed, smiling like some great all-wise Buddha, seemed pleased with what he heard. From time to time he would say “beautiful !” to some flight of Johnny Hodges’ or Cootie’s. That is how this album is : Beautiful.\r\n
      \r\n
      Except from the sleeve notes by Derek Jewell, Jazz / Pop Critic, The Sunday Times, This double LP ranks as one of Duke Ellington’s finest recordings of his final decade. The live performance gives listeners a good idea as to just how Duke’s ensemble sounded in concert, and it serves as both a retrospective and a display of the strengths of Ellington’s mighty band. Among the many highlights are definitive renditions of "Rockin' in Rhythm" and "Take the 'A' Train" (the latter has some wonderful Cootie Williams trumpet), a few features for altoist Johnny Hodges, a tenor battle on "In Triplicate," a few guest spots for organist Wild Bill Davis, and a 16-and-a-half-minute, nine-song medley that really works well. The most memorable chorus of all is an incredible high-note display by Cat Anderson on "Satin Doll" that is arguably his most miraculous solo ever; each note he hits is virtually impossible to play on the trumpet, and is in tune, too. This gem is essential for all serious jazz collections. - AMG / Scott Yanow\r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington (piano), Victor Gaskin (bass), Johnny Hodges (saxophones), Russell Procope, Norris Turney, Paul Gonsalves, Harold Ashby, Harry Carney (trumpet)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SuEe4yuboGU"
    -referenceProduit: "Pure Pleasure Records PPAN UAD 60001"
    -titreMorceau: [
      [
        "nom" => "-  Caravan"
        "ordre" => 27
      ]
      [
        "nom" => "-  Do Nothin' 'Til You Hear From Me"
        "ordre" => 22
      ]
      [
        "nom" => "-  Don’t Get Around Much Anymore"
        "ordre" => 24
      ]
      [
        "nom" => "-  I Let A Song Go Out Of My Heart"
        "ordre" => 21
      ]
      [
        "nom" => "-  I’m Just A Lucky So And So"
        "ordre" => 20
      ]
      [
        "nom" => "-  Just Squeeze Me"
        "ordre" => 23
      ]
      [
        "nom" => "-  Mood Indigo"
        "ordre" => 25
      ]
      [
        "nom" => "-  Prelude To A Kiss"
        "ordre" => 19
      ]
      [
        "nom" => "-  Sophisticated Lady"
        "ordre" => 26
      ]
      [
        "nom" => "1. 4:30 Blues"
        "ordre" => 6
      ]
      [
        "nom" => "1. Medley :"
        "ordre" => 18
      ]
      [
        "nom" => "1. Rockin' In Rhythm"
        "ordre" => 1
      ]
      [
        "nom" => "1. Satin Doll"
        "ordre" => 12
      ]
      [
        "nom" => "2. Azure"
        "ordre" => 13
      ]
      [
        "nom" => "2. B.P."
        "ordre" => 2
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        "ordre" => 28
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        "nom" => "3. Closing Speech – End Of Concert"
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        "nom" => "3. Take The “A” Train"
        "ordre" => 3
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      ]
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        "nom" => "4. Tootie For Cootie"
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      ]
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        "nom" => "5. Fifi"
        "ordre" => 16
      ]
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        "nom" => "5. Laying On Mellow"
        "ordre" => 10
      ]
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 5
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      [
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        "ordre" => 11
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      [
        "nom" => "Side D : "
        "ordre" => 17
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
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[
  "produit" => App\Entity\Produit {#2060
    -id: 496
    -nom: "Dreamsville"
    -informationComplementaire: ""
    -description: """
      Vocalist Stacey Kent may or may not be "the greatest ballad singer in half a century," as her PR claims, but her straightforward renditions of these by-request ballads are not at all generic. What makes them consistently delightful is her unique sound and delivery. There's a certain brassiness, a trumpet-like pointedness, in her voice, as well as a host of endearing idiosyncrasies. Kent knows how to make every tune fit her own musical persona.. Dreamsville includes a number of seldom-heard gems, particularly "You Are There" by Johnny Mandel and Dave Frishberg, "You're Looking at Me" by Bobby Troup, and the ever-stunning title track by Henry Mancini. She also presents perennial favorites like "Polka Dots and Moonbeams" and "Thanks for the Memory" (the latter not exactly a ballad). And although this is Kent's hour all the way, her band provides expert backing and more than a few surprises.\r\n
      \r\n
      The singer's husband, Jim Tomlinson, takes a break from tenor sax to play a sumptuous clarinet solo on "Polka Dots". And in the midst of Rodgers & Hart's "Little Girl Blue", pianist David Newton, bassist Simon Thorpe, and drummer Jasper Kviberg fall away, entering again only after Tomlinson and Colin Oxley perform a hushed tenor/guitar duet chorus.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CEfxUm5rd-0"
    -referenceProduit: "Pure Pleasure Records PPAN CJS 9775"
    -titreMorceau: [
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        "ordre" => 1
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        "ordre" => 8
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
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    }
    -modifierLe: DateTime @1574064962 {#2058
      date: 2019-11-18 08:16:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …}
    -disponible: null
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    -slug: "vinyles-dreamsville-pure-pleasure-records-ppan-cjs-9775"
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App\Twig\Components\GestionPanierFavoriComponents {#3264
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2060
    -id: 496
    -nom: "Dreamsville"
    -informationComplementaire: ""
    -description: """
      Vocalist Stacey Kent may or may not be "the greatest ballad singer in half a century," as her PR claims, but her straightforward renditions of these by-request ballads are not at all generic. What makes them consistently delightful is her unique sound and delivery. There's a certain brassiness, a trumpet-like pointedness, in her voice, as well as a host of endearing idiosyncrasies. Kent knows how to make every tune fit her own musical persona.. Dreamsville includes a number of seldom-heard gems, particularly "You Are There" by Johnny Mandel and Dave Frishberg, "You're Looking at Me" by Bobby Troup, and the ever-stunning title track by Henry Mancini. She also presents perennial favorites like "Polka Dots and Moonbeams" and "Thanks for the Memory" (the latter not exactly a ballad). And although this is Kent's hour all the way, her band provides expert backing and more than a few surprises.\r\n
      \r\n
      The singer's husband, Jim Tomlinson, takes a break from tenor sax to play a sumptuous clarinet solo on "Polka Dots". And in the midst of Rodgers & Hart's "Little Girl Blue", pianist David Newton, bassist Simon Thorpe, and drummer Jasper Kviberg fall away, entering again only after Tomlinson and Colin Oxley perform a hushed tenor/guitar duet chorus.
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    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Stacey Kent (vocals), Jim Tomlinson (tenor saxophone, clarinet, flute), Colin Oxley (guitar), David Newton (piano), Simon Thorpe (bass), Jasper Kviberg (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2066 …}
    -enregistreLe: DateTime @1328250734 {#2057
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    }
    -modifierLe: DateTime @1574064962 {#2058
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …}
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    -slug: "vinyles-dreamsville-pure-pleasure-records-ppan-cjs-9775"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2076
    -id: 1692
    -nom: "Close Your Eyes"
    -informationComplementaire: ""
    -description: """
      Remastered by Ray Staff at Air Mastering, Lyndhurst Hall, London\r\n
      \r\n
      "It was one day in 1996 when a demo set turned up in my BBC post-bag, one of many that I receive in my capacity of jazz radio presenter. The singer's name, Stacey Kent, was new to me, and the cassette sat on my desk for weeks taunting my conscience until, faced with a long car trip, I gathered it up with a variety of other tapes and transferred it to my car. On the road, it happened to be the first tape I picked up from the heap on the passenger seat and the last. The singing held me riveted for the rest of the outgoing journey and throughout the return trip the next day. Now the invitation to write a note for this debut album calls upon me to analyse the cause of this rush of enthusiasm to the head.\r\n
      \r\n
      Let's start with the 'feel'. Stacey Kent grew up in New York, exposed to the music of Frank Sinatra, Nat 'King' Cole, and the jazz masters of the Swing Era. Before she thought of adopting a singing career, she had come to love the repertoire of American popular song, much of which had been established decades before she was born. And it shows in every note she sings.\r\n
      \r\n
      The next stage in my analysis leads me to 'style', that elusive quality which identifies an artist's handling of the subject matter. Many popular songs through the ages have survived as 'standards' largely through the attention of jazz or jazz influenced performers. To appreciate Stacey's command of style, listen to 'Day in, Day Out' and hear the natural ease with which she varies the recurring pattern of the song's title.\r\n
      \r\n
      Swing, elegant variation, impeccable pitch and diction these are all the stock in-trade of an accomplished jazz singer, and to combine them all is an achievement in itself. What makes Stacey Kent so remarkable is her 'sound'. The voice itself is an impressive instrument, in pitch and timbre coming closer to Mildred Bailey than to her acknowledged idols, Billie Holiday and Ella Fitzgerald. Strong and clear, it has the invigorating tang of Vermouth.\r\n
      \r\n
      Of course, all the magic hitherto described could be subverted by inappropriate or insensitive accompaniment.\r\n
      \r\n
      Stacey is richly served by her quintet here. The partnership between her voice and Jim Tomlinson's tenor saxophone is sublime. The latter captures the spirit rather than the substance of Lester Young, whose way it was, not to expand a tune with complex harmonic exploration, but to probe for the essence of it. Listening to Jim's solos such as in 'Sleep Warm', the irrelevant padding, no pressing need to launch into paraphrase until the moment is ripe.\r\n
      \r\n
      So perfect is the integration of the group as a whole that, as a rhythm section David Newton, Colin Oxley, Andy Cleyndert and Steve Brown respond with faultless sensitivity, born of experience, to the mood of each song. Solos everywhere are of the highest class, with 'Dream Dancing' especially evoking intoxicating stuff from piano and guitar. For me, nothing sums up the rapport and cohesion of the team more concisely than the warmly relaxed bossa nova treatment of 'Close Your Eyes' a shameless exercise in group seduction.\r\n
      "I can't conceive of a more auspicious debut than this". - Humprey Lyttelton, liner notes\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VUxRB4CageQ"
    -referenceProduit: "Pure Pleasure Records PPAN CJS 9737"
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        "nom" => "1 I'm Old Fashioned"
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        "ordre" => 1
      ]
      [
        "nom" => "1. Sleep Warm"
        "ordre" => 13
      ]
      [
        "nom" => "1. There's A Lull In My Life"
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      [
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        "ordre" => 14
      ]
      [
        "nom" => "2. Dream Dancing"
        "ordre" => 2
      ]
      [
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        "ordre" => 6
      ]
      [
        "nom" => "2. You Go To My Head"
        "ordre" => 10
      ]
      [
        "nom" => "3. Close Your Eyes"
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      ]
      [
        "nom" => "3. There's No You"
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      [
        "nom" => "Side A :"
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      ]
      [
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        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3317
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2076
    -id: 1692
    -nom: "Close Your Eyes"
    -informationComplementaire: ""
    -description: """
      Remastered by Ray Staff at Air Mastering, Lyndhurst Hall, London\r\n
      \r\n
      "It was one day in 1996 when a demo set turned up in my BBC post-bag, one of many that I receive in my capacity of jazz radio presenter. The singer's name, Stacey Kent, was new to me, and the cassette sat on my desk for weeks taunting my conscience until, faced with a long car trip, I gathered it up with a variety of other tapes and transferred it to my car. On the road, it happened to be the first tape I picked up from the heap on the passenger seat and the last. The singing held me riveted for the rest of the outgoing journey and throughout the return trip the next day. Now the invitation to write a note for this debut album calls upon me to analyse the cause of this rush of enthusiasm to the head.\r\n
      \r\n
      Let's start with the 'feel'. Stacey Kent grew up in New York, exposed to the music of Frank Sinatra, Nat 'King' Cole, and the jazz masters of the Swing Era. Before she thought of adopting a singing career, she had come to love the repertoire of American popular song, much of which had been established decades before she was born. And it shows in every note she sings.\r\n
      \r\n
      The next stage in my analysis leads me to 'style', that elusive quality which identifies an artist's handling of the subject matter. Many popular songs through the ages have survived as 'standards' largely through the attention of jazz or jazz influenced performers. To appreciate Stacey's command of style, listen to 'Day in, Day Out' and hear the natural ease with which she varies the recurring pattern of the song's title.\r\n
      \r\n
      Swing, elegant variation, impeccable pitch and diction these are all the stock in-trade of an accomplished jazz singer, and to combine them all is an achievement in itself. What makes Stacey Kent so remarkable is her 'sound'. The voice itself is an impressive instrument, in pitch and timbre coming closer to Mildred Bailey than to her acknowledged idols, Billie Holiday and Ella Fitzgerald. Strong and clear, it has the invigorating tang of Vermouth.\r\n
      \r\n
      Of course, all the magic hitherto described could be subverted by inappropriate or insensitive accompaniment.\r\n
      \r\n
      Stacey is richly served by her quintet here. The partnership between her voice and Jim Tomlinson's tenor saxophone is sublime. The latter captures the spirit rather than the substance of Lester Young, whose way it was, not to expand a tune with complex harmonic exploration, but to probe for the essence of it. Listening to Jim's solos such as in 'Sleep Warm', the irrelevant padding, no pressing need to launch into paraphrase until the moment is ripe.\r\n
      \r\n
      So perfect is the integration of the group as a whole that, as a rhythm section David Newton, Colin Oxley, Andy Cleyndert and Steve Brown respond with faultless sensitivity, born of experience, to the mood of each song. Solos everywhere are of the highest class, with 'Dream Dancing' especially evoking intoxicating stuff from piano and guitar. For me, nothing sums up the rapport and cohesion of the team more concisely than the warmly relaxed bossa nova treatment of 'Close Your Eyes' a shameless exercise in group seduction.\r\n
      "I can't conceive of a more auspicious debut than this". - Humprey Lyttelton, liner notes\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Stacey Kent (vocals), Jim Tomlinson (tenor saxophone), David Newton (piano), Andrew Cleyndert (bass), Colin Oxley (guitar),  Steve Brown (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VUxRB4CageQ"
    -referenceProduit: "Pure Pleasure Records PPAN CJS 9737"
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      [
        "nom" => "1. There's A Lull In My Life"
        "ordre" => 5
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      [
        "nom" => "2. Day In - Day Out"
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      [
        "nom" => "Side A :"
        "ordre" => 0
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      [
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        "ordre" => 12
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
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[
  "produit" => App\Entity\Produit {#2091
    -id: 1378
    -nom: "Konitz Meets Mulligan"
    -informationComplementaire: ""
    -description: """
      O.K., so it's mono. And, for much of the recording, Mulligan's quartet seems simply to be backing Konitz. But hang on, this is a marvelous little gem. Mulligan on the bariton, Konitz on alto, and yes Chet Baker on trumpet. How can you pass this up ? \r\n
      But this is more than an artefact.\r\n
      \r\n
      This is jazz at its spontaneous and inventive best. Konitz, freed from Stan Kenton, has all sorts of new ideas about these old standards. And, for many of the cuts, as Lee explores the possibilities, you can hear Mulligan purring far in the background (mono, remember), and, every once in a while, moving to the foreground to make a few statements of his own. These two jazz minds talk to each other, tease each other,support and - in a gentle way challenge each other. \r\n
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      \r\n
      Mulligan, Konitz, and Baker, of course, went their separate ways, Konitz and Mulligan to long and brilliant careers, Baker to a briefer, tragic, but still shining career. This, then, was a moment in time, and is now your chance to catch these giants sharing a stage, playing for and with one another, showing admiration and affection for each other's talents and ideas. \r\n
      Mono - so what ? This is a treasure from the vaults of Pacific Jazz.\r\n
      \r\n
      \r\n
      \r\n
      Recording : January 1953 at The Haig, Los Angeles, by Richard Bock in mono\r\n
      Production : Richard Bock
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    -extraitYoutube: "www.youtube.com/watch?v=nDpj8FjXrsw"
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      [
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        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2093 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3363
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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    -id: 1378
    -nom: "Konitz Meets Mulligan"
    -informationComplementaire: ""
    -description: """
      O.K., so it's mono. And, for much of the recording, Mulligan's quartet seems simply to be backing Konitz. But hang on, this is a marvelous little gem. Mulligan on the bariton, Konitz on alto, and yes Chet Baker on trumpet. How can you pass this up ? \r\n
      But this is more than an artefact.\r\n
      \r\n
      This is jazz at its spontaneous and inventive best. Konitz, freed from Stan Kenton, has all sorts of new ideas about these old standards. And, for many of the cuts, as Lee explores the possibilities, you can hear Mulligan purring far in the background (mono, remember), and, every once in a while, moving to the foreground to make a few statements of his own. These two jazz minds talk to each other, tease each other,support and - in a gentle way challenge each other. \r\n
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      \r\n
      Mulligan, Konitz, and Baker, of course, went their separate ways, Konitz and Mulligan to long and brilliant careers, Baker to a briefer, tragic, but still shining career. This, then, was a moment in time, and is now your chance to catch these giants sharing a stage, playing for and with one another, showing admiration and affection for each other's talents and ideas. \r\n
      Mono - so what ? This is a treasure from the vaults of Pacific Jazz.\r\n
      \r\n
      \r\n
      \r\n
      Recording : January 1953 at The Haig, Los Angeles, by Richard Bock in mono\r\n
      Production : Richard Bock
      """
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2093 …}
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[
  "produit" => App\Entity\Produit {#2107
    -id: 1477
    -nom: "Cab Calloway"
    -informationComplementaire: ""
    -description: "From 1932 to the late 1940’s, the period covered by this set, Cab had an orchestra that was about as swinging a band of solid senders as you’d find on the big-band circuit. Cab projects, in his singing on records, something of the vital magic of his stage presence, a boundless exuberance and enthusiasm. His orchestral backing during the Thirties and Forties included many well-known names in jazz. At various times, Milt Hinton, Danny Barker and Cozy Cole were in his rhythm section. The reeds included the late, great Chu Berry as well as Ben Webster. Dizzy Gillespie was in the band, some members of which, at odd moments, served as a laboratory for the style to be called Bop. “This whole new chord structure idea was interesting to me”, Milt Hinton recalled, “and I would walk the new chords behind his playing”... The main attraction, however, was always Cab showman, singer, entertainer. Most audiences didn’t even know that some of his sidemen were candidates for the jazz hall of fame. And that was as it should be. The musicians’ first function was to provide musical backing and a musical setting for the man who was being called “King of the Hipsters”, and this they did, wonderfully well. It was as Barry Ulanov noted in Metronome (January, 1943) a band extraordinary in every respect, hailed for its “clean musicianship, its jazz kicks, its brilliant showmanship”. - Excerpt from the sleeve notes by Charles Edward Smith\r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8mq4UT4VnbE"
    -referenceProduit: "Pure Pleasure Records PPAN 3265"
    -titreMorceau: [
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        "nom" => "1. Minnie the Moocher (Theme song)"
        "ordre" => 8
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        "nom" => "1. St. James Infirmary"
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        "nom" => "2. The Ghost of Smokey Joe"
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      [
        "nom" => "6. Eadie Was A Lady"
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        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "Side B : "
        "ordre" => 7
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2109 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3414
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2107
    -id: 1477
    -nom: "Cab Calloway"
    -informationComplementaire: ""
    -description: "From 1932 to the late 1940’s, the period covered by this set, Cab had an orchestra that was about as swinging a band of solid senders as you’d find on the big-band circuit. Cab projects, in his singing on records, something of the vital magic of his stage presence, a boundless exuberance and enthusiasm. His orchestral backing during the Thirties and Forties included many well-known names in jazz. At various times, Milt Hinton, Danny Barker and Cozy Cole were in his rhythm section. The reeds included the late, great Chu Berry as well as Ben Webster. Dizzy Gillespie was in the band, some members of which, at odd moments, served as a laboratory for the style to be called Bop. “This whole new chord structure idea was interesting to me”, Milt Hinton recalled, “and I would walk the new chords behind his playing”... The main attraction, however, was always Cab showman, singer, entertainer. Most audiences didn’t even know that some of his sidemen were candidates for the jazz hall of fame. And that was as it should be. The musicians’ first function was to provide musical backing and a musical setting for the man who was being called “King of the Hipsters”, and this they did, wonderfully well. It was as Barry Ulanov noted in Metronome (January, 1943) a band extraordinary in every respect, hailed for its “clean musicianship, its jazz kicks, its brilliant showmanship”. - Excerpt from the sleeve notes by Charles Edward Smith\r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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      [
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      ]
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2109 …}
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      date: 2019-11-17 16:55:01.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2123
    -id: 434
    -nom: "With Strings "
    -informationComplementaire: ""
    -description: """
      This release offers a unique glimpse of a young Chet Baker in a quintet setting, complemented by a nine-piece string section. Utilizing the uniquely modern arrangements of Johnny Mandel, Marty Paich, Jack Montrose, and Shorty Rogers, this interaction of "West Coast cool" with primordial elevator music escapes many if not indeed all of the potential sonic pitfalls such a marriage might suggest. In the truest sense of the word augmentation, the string arrangements provide the desired opulence sans the heavy-handed or syrupy residual effects. \r\n
      \r\n
      Perhaps most inspiring about this outing is the success with which Baker and crew are able to thrive in this environment, providing subtle insight into the quintet's ability to simultaneously adapt and explore. "Love Walked In" incorporates a trademark volley of interaction between Baker and Sims. "Love" contains what is arguably the most successful implementation of the string section, as well as some stellar soloing by Freeman. In fact, his contributions to this particular recording rank among his finest with Baker and company. The same enthusiasm can likewise be applied to "A Little Duet for Zoot and Chet". Not only are Sims and Baker in top flight, but the string arrangement swings irresistibly as well. The easygoing and otherwise winding strings support the cool bop like a kite in a March breeze light, airy, and conspicuous only in altitude. - Lindsay Planer / AMG\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Chet Baker (trumpet), Zoot Sims (tenor saxophone), Bud Shank (alto sax, flute), S. Cytron, J. Gasselin, V. Gottlieb, G. Kast, L. Kievman, P. Robyn, E. Shapiro, P. Shure, F. Slatkin (strings), Russ Freeman (piano), Joe Mondragon (bass), Shelly Manne (drums"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=JrForBBzudA"
    -referenceProduit: "Pure Pleasure Records PPAN 549"
    -titreMorceau: [
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        "nom" => "1. I Love You"
        "ordre" => 10
      ]
      [
        "nom" => "1. You Don't Know What Love Is"
        "ordre" => 1
      ]
      [
        "nom" => "2. I'm Through With Love"
        "ordre" => 2
      ]
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        "nom" => "2. What A Diff'rence A Day Made"
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      date: 2019-11-10 08:40:53.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3467
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  +produit: App\Entity\Produit {#2123
    -id: 434
    -nom: "With Strings "
    -informationComplementaire: ""
    -description: """
      This release offers a unique glimpse of a young Chet Baker in a quintet setting, complemented by a nine-piece string section. Utilizing the uniquely modern arrangements of Johnny Mandel, Marty Paich, Jack Montrose, and Shorty Rogers, this interaction of "West Coast cool" with primordial elevator music escapes many if not indeed all of the potential sonic pitfalls such a marriage might suggest. In the truest sense of the word augmentation, the string arrangements provide the desired opulence sans the heavy-handed or syrupy residual effects. \r\n
      \r\n
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      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Chet Baker (trumpet), Zoot Sims (tenor saxophone), Bud Shank (alto sax, flute), S. Cytron, J. Gasselin, V. Gottlieb, G. Kast, L. Kievman, P. Robyn, E. Shapiro, P. Shure, F. Slatkin (strings), Russ Freeman (piano), Joe Mondragon (bass), Shelly Manne (drums"
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[
  "produit" => App\Entity\Produit {#2136
    -id: 500
    -nom: "The Sound of Jazz"
    -informationComplementaire: ""
    -description: """
      "The Sound of Jazz" is a 1957 edition of the CBS television series Seven Lively Arts, and was one of the first major programmes featuring jazz to air on American network television. \r\n
      \r\n
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      \r\n
      Within two years, both Young and Holiday had died.\r\n
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    -prixVente: "34.50"
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      [
        "nom" => "Danny Barker (guitar), Jim Atlas (bass), Jo Jones (drums) "
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      [
        "nom" => "Jo Jones (drums)"
        "ordre" => 7
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      [
        "nom" => "Side A : "
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        "ordre" => 8
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    ]
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    -id: 500
    -nom: "The Sound of Jazz"
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    -description: """
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
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[
  "produit" => App\Entity\Produit {#2152
    -id: 861
    -nom: "Splendido Hotel"
    -informationComplementaire: ""
    -description: """
      Just how much creative gunpowder had Al Di Meola ignited in his early career ? First of all there was the flamenco firework in the best-seller Elegant Gypsy, and secondly his mega-successful live album resulting from a summit meeting in San Francisco with Paco de Lucia and John McLaughlin. After this great start it was no wonder that such prominent colleagues as Jan Hammer, Chick Corea, Steve Gadd, Anthony Jackson and Les Paul were eager to participate in the present album Splendido Hotel. This great line-up of musicians produce a rich, saturated sound and create numerous "flavors" in this cocktail of sounds, which - as a double LP - can be likened to a fantastic long drink, as it were.\r\n
      \r\n
      Di Meola's idea of fusion starts off in the opening number as a slow, sluggish oriental-like melody, which develops to take on a rock rhythm. High-speed and lovingly detailed flamenco such as is found in "Splendido Sundance" alternates with subtle rhythms ("Two To Tango") and good-humoured lighter numbers with an electronic undertone such as "Roller Jubilee" and a funky version of Bert Kaempfert's "Spanish Eyes". With this great mix, the musicians create a wonderful atmosphere in which every Latin aficionado will feel at home.\r\n
      \r\n
      Recording : 1979 at CBS Recording and Electric Lady Studios, New York, by Dave Palmer and Love Castle Studios, Los Angeles, by Bernie Kisch.\r\n
      Production : Al Di Meola and Philip Roberge.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=CcIs-DILN7E"
    -referenceProduit: "Columbia C2X 36270"
    -titreMorceau: [
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        "nom" => "1. Alien Chase on Arabian Desert"
        "ordre" => 1
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        "nom" => "1. Dinner Music of The Gods"
        "ordre" => 8
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        "ordre" => 10
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        "ordre" => 11
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3564
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2152
    -id: 861
    -nom: "Splendido Hotel"
    -informationComplementaire: ""
    -description: """
      Just how much creative gunpowder had Al Di Meola ignited in his early career ? First of all there was the flamenco firework in the best-seller Elegant Gypsy, and secondly his mega-successful live album resulting from a summit meeting in San Francisco with Paco de Lucia and John McLaughlin. After this great start it was no wonder that such prominent colleagues as Jan Hammer, Chick Corea, Steve Gadd, Anthony Jackson and Les Paul were eager to participate in the present album Splendido Hotel. This great line-up of musicians produce a rich, saturated sound and create numerous "flavors" in this cocktail of sounds, which - as a double LP - can be likened to a fantastic long drink, as it were.\r\n
      \r\n
      Di Meola's idea of fusion starts off in the opening number as a slow, sluggish oriental-like melody, which develops to take on a rock rhythm. High-speed and lovingly detailed flamenco such as is found in "Splendido Sundance" alternates with subtle rhythms ("Two To Tango") and good-humoured lighter numbers with an electronic undertone such as "Roller Jubilee" and a funky version of Bert Kaempfert's "Spanish Eyes". With this great mix, the musicians create a wonderful atmosphere in which every Latin aficionado will feel at home.\r\n
      \r\n
      Recording : 1979 at CBS Recording and Electric Lady Studios, New York, by Dave Palmer and Love Castle Studios, Los Angeles, by Bernie Kisch.\r\n
      Production : Al Di Meola and Philip Roberge.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Al Di Meola (guitar, drums, percussion, vocals), Chick Corea (piano), Les Paul (guitar), Anthony Jackson (bass), Jan Hammer (synthesizer), Philippe Saisse (keyboard, marimba),  Mingo Lewis (conga, bongo), Eddie Colon (percussion), Steve Gadd (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CcIs-DILN7E"
    -referenceProduit: "Columbia C2X 36270"
    -titreMorceau: [
      [
        "nom" => "1. Alien Chase on Arabian Desert"
        "ordre" => 1
      ]
      [
        "nom" => "1. Dinner Music of The Gods"
        "ordre" => 8
      ]
      [
        "nom" => "1. Roller Jubilee"
        "ordre" => 4
      ]
      [
        "nom" => "1. Spanish Eyes"
        "ordre" => 12
      ]
      [
        "nom" => "2. Isfahan"
        "ordre" => 13
      ]
      [
        "nom" => "2. Silent Story in Her Eyes"
        "ordre" => 2
      ]
      [
        "nom" => "2. Splendido Sundance"
        "ordre" => 9
      ]
      [
        "nom" => "2. Two To Tango"
        "ordre" => 5
      ]
      [
        "nom" => "3. Al Di's Dream Theme"
        "ordre" => 6
      ]
      [
        "nom" => "3. Bianca's Midnight Lullaby"
        "ordre" => 14
      ]
      [
        "nom" => "3. I Can Tell"
        "ordre" => 10
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "Side D :"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2166 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2159 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2161 …}
    -enregistreLe: DateTime @1453657231 {#2149
      date: 2016-01-24 17:40:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573195505 {#2150
      date: 2019-11-08 06:45:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2163 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-splendido-hotel-columbia-c2x-36270"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2171
    -id: 764
    -nom: "Lonely And Alive"
    -informationComplementaire: ""
    -description: """
      Singing actors and actresses do not always cut a good figure on the silver screen; play-acting singers, however, are all the better when they draw attention to themselves with great vocals. As did Lena Horne in the days of the black-and-white film, who, with her sultry, versatile voice, was constantly employed by Hollywood.\r\n
      \r\n
      Although she occasionally ventured into the world of jazz, and made music with Teddy Wilson and Benny Carter, she never forayed into the wide world of improvisation. Her musical home was in the American Songbook, which she approached with a natural and entertaining manner. A good example of this is the first number here the Cole Porter classic "I Concentrate On You", which swings along to the perfectly recorded big-band sound of the Marty Paich Orchestra.\r\n
      \r\n
      A surprise element is the extensive palette of vocal sound-coloring with which the diva enhances her voice to achieve the drama of a Shirley Bassey or the dusky depths of a Dinah Washington. Each and every number on this Grammy-worthy album has been thought out in great detail and guarantees sophisticated entertainment, and a hint of West Coast jazz is perceptible when Jack Sheldon treats us to the sound of his warm and dark trumpet solos.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lena Horne (vocals), Joe Mondragon (bass), Bill Pitman (guitar), Gene DeNovi (piano), Bill Perkins, Joe Maini (saxophone), Bob Enevoldsen, Frank Rosolino (trombone), Jack Sheldon, Pete Candoli (trumpet), Frank Capp, Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=L_1SEOoZ-rU"
    -referenceProduit: "RCA LSP 2587"
    -titreMorceau: [
      [
        "nom" => "1. I Concentrate On You"
        "ordre" => 1
      ]
      [
        "nom" => "1. I Surrender, Dear"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Found A New Baby"
        "ordre" => 9
      ]
      [
        "nom" => "2. I Get The Blues When It Rains"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Understand"
        "ordre" => 10
      ]
      [
        "nom" => "3. I've Grown Accustomed To His Face"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Got Rhythm"
        "ordre" => 4
      ]
      [
        "nom" => "4. I Let A Song Go Out Of My Heart"
        "ordre" => 11
      ]
      [
        "nom" => "5. I An't Got Nobody (And Nobody Cares For Me)"
        "ordre" => 12
      ]
      [
        "nom" => "5. I'm Confessin' (That I Love You)"
        "ordre" => 5
      ]
      [
        "nom" => "6. I Only Have Eyes For You"
        "ordre" => 13
      ]
      [
        "nom" => "6. I Want To Be Happy"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2173 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2182 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2175 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2177 …}
    -enregistreLe: DateTime @1426578073 {#2168
      date: 2015-03-17 07:41:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573159069 {#2169
      date: 2019-11-07 20:37:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2179 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lonely-and-alive-rca-lsp-2587"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3615
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2171
    -id: 764
    -nom: "Lonely And Alive"
    -informationComplementaire: ""
    -description: """
      Singing actors and actresses do not always cut a good figure on the silver screen; play-acting singers, however, are all the better when they draw attention to themselves with great vocals. As did Lena Horne in the days of the black-and-white film, who, with her sultry, versatile voice, was constantly employed by Hollywood.\r\n
      \r\n
      Although she occasionally ventured into the world of jazz, and made music with Teddy Wilson and Benny Carter, she never forayed into the wide world of improvisation. Her musical home was in the American Songbook, which she approached with a natural and entertaining manner. A good example of this is the first number here the Cole Porter classic "I Concentrate On You", which swings along to the perfectly recorded big-band sound of the Marty Paich Orchestra.\r\n
      \r\n
      A surprise element is the extensive palette of vocal sound-coloring with which the diva enhances her voice to achieve the drama of a Shirley Bassey or the dusky depths of a Dinah Washington. Each and every number on this Grammy-worthy album has been thought out in great detail and guarantees sophisticated entertainment, and a hint of West Coast jazz is perceptible when Jack Sheldon treats us to the sound of his warm and dark trumpet solos.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lena Horne (vocals), Joe Mondragon (bass), Bill Pitman (guitar), Gene DeNovi (piano), Bill Perkins, Joe Maini (saxophone), Bob Enevoldsen, Frank Rosolino (trombone), Jack Sheldon, Pete Candoli (trumpet), Frank Capp, Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=L_1SEOoZ-rU"
    -referenceProduit: "RCA LSP 2587"
    -titreMorceau: [
      [
        "nom" => "1. I Concentrate On You"
        "ordre" => 1
      ]
      [
        "nom" => "1. I Surrender, Dear"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Found A New Baby"
        "ordre" => 9
      ]
      [
        "nom" => "2. I Get The Blues When It Rains"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Understand"
        "ordre" => 10
      ]
      [
        "nom" => "3. I've Grown Accustomed To His Face"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Got Rhythm"
        "ordre" => 4
      ]
      [
        "nom" => "4. I Let A Song Go Out Of My Heart"
        "ordre" => 11
      ]
      [
        "nom" => "5. I An't Got Nobody (And Nobody Cares For Me)"
        "ordre" => 12
      ]
      [
        "nom" => "5. I'm Confessin' (That I Love You)"
        "ordre" => 5
      ]
      [
        "nom" => "6. I Only Have Eyes For You"
        "ordre" => 13
      ]
      [
        "nom" => "6. I Want To Be Happy"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2173 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2182 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2175 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2177 …}
    -enregistreLe: DateTime @1426578073 {#2168
      date: 2015-03-17 07:41:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573159069 {#2169
      date: 2019-11-07 20:37:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2179 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lonely-and-alive-rca-lsp-2587"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2187
    -id: 734
    -nom: "Stone Flower"
    -informationComplementaire: ""
    -description: """
      Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.\r\n
      \r\n
      That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".\r\n
      \r\n
      With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said !\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : June 1970 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA\r\n
      Production : Creed Taylor\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Antonio Carlos Jobim (piano, guitar, vocals), Joe Farrell (soprano saxophone), Urbie Green (trombone), Ron Carter (double bass), Harry Loofosky (violin), Airto Moreira / Everaldo Ferreira (percussion), Elumir Deadato (guitar), João Palma (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QTCUKJv_dmc"
    -referenceProduit: "CTI 6002"
    -titreMorceau: [
      [
        "nom" => "1. Stone Flower"
        "ordre" => 6
      ]
      [
        "nom" => "1. Tereza My Love"
        "ordre" => 1
      ]
      [
        "nom" => "2. Amparo"
        "ordre" => 7
      ]
      [
        "nom" => "2. Children's Games"
        "ordre" => 2
      ]
      [
        "nom" => "3. Andorinha"
        "ordre" => 8
      ]
      [
        "nom" => "3. Choro"
        "ordre" => 3
      ]
      [
        "nom" => "4. Brazil (Ary Barroso)"
        "ordre" => 4
      ]
      [
        "nom" => "4. God and the Devil in the Land of the Sun"
        "ordre" => 9
      ]
      [
        "nom" => "5. Sabia"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2198 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2191 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …}
    -enregistreLe: DateTime @1420189989 {#2184
      date: 2015-01-02 09:13:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573111598 {#2185
      date: 2019-11-07 07:26:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2195 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stone-flower-cti-6002"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3666
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2187
    -id: 734
    -nom: "Stone Flower"
    -informationComplementaire: ""
    -description: """
      Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.\r\n
      \r\n
      That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".\r\n
      \r\n
      With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said !\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : June 1970 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA\r\n
      Production : Creed Taylor\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Antonio Carlos Jobim (piano, guitar, vocals), Joe Farrell (soprano saxophone), Urbie Green (trombone), Ron Carter (double bass), Harry Loofosky (violin), Airto Moreira / Everaldo Ferreira (percussion), Elumir Deadato (guitar), João Palma (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QTCUKJv_dmc"
    -referenceProduit: "CTI 6002"
    -titreMorceau: [
      [
        "nom" => "1. Stone Flower"
        "ordre" => 6
      ]
      [
        "nom" => "1. Tereza My Love"
        "ordre" => 1
      ]
      [
        "nom" => "2. Amparo"
        "ordre" => 7
      ]
      [
        "nom" => "2. Children's Games"
        "ordre" => 2
      ]
      [
        "nom" => "3. Andorinha"
        "ordre" => 8
      ]
      [
        "nom" => "3. Choro"
        "ordre" => 3
      ]
      [
        "nom" => "4. Brazil (Ary Barroso)"
        "ordre" => 4
      ]
      [
        "nom" => "4. God and the Devil in the Land of the Sun"
        "ordre" => 9
      ]
      [
        "nom" => "5. Sabia"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2198 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2191 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …}
    -enregistreLe: DateTime @1420189989 {#2184
      date: 2015-01-02 09:13:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573111598 {#2185
      date: 2019-11-07 07:26:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2195 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stone-flower-cti-6002"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2203
    -id: 767
    -nom: "Newport Uproar"
    -informationComplementaire: ""
    -description: """
      The 1967 Newport Jazz Festival, fourteenth in a world-famous series, was inexplicably the first at which Lionel Hampton had ever appeared. Better late than never, the great vibist and bandleader came, played and conquered. As the crowd roars ecstatically at the end of this record, the awed but happy voice of producer George Wein is heard: “This hasn’t happened since Duke...” he begins, casting back in his mind to 1956 and the nearest comparable triumph.\r\n
      \r\n
      There is nothing quite so effective as a big band at an outdoor jazz festival. So the 1967 Newport programme included those of Count Basie, Buddy Rich, Woody Herman, Don Ellis and Lionel Hampton. Lionel knew the competition he had to face, and knew that in the festival’s climatic spot—the last act on the last night--- his performance would be compared with those of all the others. He prepared accordingly.\r\n
      \r\n
      Members of his Inner Circle, the octet with which he normally works, would provide the nucleus for an orchestra largely composed of alumni from his earlier bands. When the call went out to the Old Guard, the response was magnificent, as a glance at the personnel will show. Top names in the profession came back to join him, to form one of the great all-star bands of all time. A two week engagement at The Metropole in New York, immediately before the festival, served as a prolonged dress rehearsal, where the ensembles were polished and new arrangements familiarized. Enthusiasm mounted night by night in the Seventh Avenue club, among musicians and public alike, until Newport and the evening of 3rd July were reached. Then, as you will hear, the spirit was willing and the flesh far, far from weak.\r\n
      \r\n
      All these preparations ensured a good performance, but the spark, the magic necessary to make it a great one, had to come from the leader. Everybody knows that he is a kind of rhythmic dynamo—driving, full of energy, unsparing of himself. His commitment and conviction communicate rapidly with any audience, so that it is soon won over to his side. Yet in the long, ninety minute program, errors in pacing would have been easy, forgivable, but extremely damaging. A climax reached too soon would have led to anti-climax, and a flat feeling as the crowd left the ground. As it was, Lionel’s long professional experience served him superbly, so that his program rose steadily and inexorably to the all-out, emotional frenzy of Flying Home. Like a good general, he never lost his grasp on the situation. He inspired his men by personal example on the vibes, reinforced the beat on a second set of drums, and finally brought up the reserves---Alan Dawson, Milt Buckner and Illinois Jacquet—at just the right time, and in the right spot, to secure an unforgettable triumph and a tumultuous ovation.\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lionel Hampton (vibes, piano, drums), Snooky Young, Jimmy Nottingham, Joe Newman, Wallace Davenport (trumpet) Al Grey, Garnett Brown, Britt Woodman, Benny Powell (trombone), John Spruill,  Milt Buckner (piano), Billy Mackel (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Nqf5BfmhhJU"
    -referenceProduit: "LSP 3891"
    -titreMorceau: [
      [
        "nom" => "1. Meet Benny Bailey"
        "ordre" => 7
      ]
      [
        "nom" => "1. Turn Me Loose"
        "ordre" => 1
      ]
      [
        "nom" => "2. Medley : Hey ! Ba-Ba-Re-Bop / Hamp's Boogie Woogie"
        "ordre" => 8
      ]
      [
        "nom" => "2. Thai Silk"
        "ordre" => 2
      ]
      [
        "nom" => "3. Misunderstood Blues"
        "ordre" => 9
      ]
      [
        "nom" => "3. Tempo's Birthday"
        "ordre" => 3
      ]
      [
        "nom" => "4. Flying Home"
        "ordre" => 10
      ]
      [
        "nom" => "4. Greasy Greens"
        "ordre" => 4
      ]
      [
        "nom" => "5. Greasy Greens (encore)"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2205 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …}
    -enregistreLe: DateTime @1428046738 {#2200
      date: 2015-04-03 07:38:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1571555092 {#2201
      date: 2019-10-20 07:04:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-newport-uproar-lsp-3891"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3717
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2203
    -id: 767
    -nom: "Newport Uproar"
    -informationComplementaire: ""
    -description: """
      The 1967 Newport Jazz Festival, fourteenth in a world-famous series, was inexplicably the first at which Lionel Hampton had ever appeared. Better late than never, the great vibist and bandleader came, played and conquered. As the crowd roars ecstatically at the end of this record, the awed but happy voice of producer George Wein is heard: “This hasn’t happened since Duke...” he begins, casting back in his mind to 1956 and the nearest comparable triumph.\r\n
      \r\n
      There is nothing quite so effective as a big band at an outdoor jazz festival. So the 1967 Newport programme included those of Count Basie, Buddy Rich, Woody Herman, Don Ellis and Lionel Hampton. Lionel knew the competition he had to face, and knew that in the festival’s climatic spot—the last act on the last night--- his performance would be compared with those of all the others. He prepared accordingly.\r\n
      \r\n
      Members of his Inner Circle, the octet with which he normally works, would provide the nucleus for an orchestra largely composed of alumni from his earlier bands. When the call went out to the Old Guard, the response was magnificent, as a glance at the personnel will show. Top names in the profession came back to join him, to form one of the great all-star bands of all time. A two week engagement at The Metropole in New York, immediately before the festival, served as a prolonged dress rehearsal, where the ensembles were polished and new arrangements familiarized. Enthusiasm mounted night by night in the Seventh Avenue club, among musicians and public alike, until Newport and the evening of 3rd July were reached. Then, as you will hear, the spirit was willing and the flesh far, far from weak.\r\n
      \r\n
      All these preparations ensured a good performance, but the spark, the magic necessary to make it a great one, had to come from the leader. Everybody knows that he is a kind of rhythmic dynamo—driving, full of energy, unsparing of himself. His commitment and conviction communicate rapidly with any audience, so that it is soon won over to his side. Yet in the long, ninety minute program, errors in pacing would have been easy, forgivable, but extremely damaging. A climax reached too soon would have led to anti-climax, and a flat feeling as the crowd left the ground. As it was, Lionel’s long professional experience served him superbly, so that his program rose steadily and inexorably to the all-out, emotional frenzy of Flying Home. Like a good general, he never lost his grasp on the situation. He inspired his men by personal example on the vibes, reinforced the beat on a second set of drums, and finally brought up the reserves---Alan Dawson, Milt Buckner and Illinois Jacquet—at just the right time, and in the right spot, to secure an unforgettable triumph and a tumultuous ovation.\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lionel Hampton (vibes, piano, drums), Snooky Young, Jimmy Nottingham, Joe Newman, Wallace Davenport (trumpet) Al Grey, Garnett Brown, Britt Woodman, Benny Powell (trombone), John Spruill,  Milt Buckner (piano), Billy Mackel (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Nqf5BfmhhJU"
    -referenceProduit: "LSP 3891"
    -titreMorceau: [
      [
        "nom" => "1. Meet Benny Bailey"
        "ordre" => 7
      ]
      [
        "nom" => "1. Turn Me Loose"
        "ordre" => 1
      ]
      [
        "nom" => "2. Medley : Hey ! Ba-Ba-Re-Bop / Hamp's Boogie Woogie"
        "ordre" => 8
      ]
      [
        "nom" => "2. Thai Silk"
        "ordre" => 2
      ]
      [
        "nom" => "3. Misunderstood Blues"
        "ordre" => 9
      ]
      [
        "nom" => "3. Tempo's Birthday"
        "ordre" => 3
      ]
      [
        "nom" => "4. Flying Home"
        "ordre" => 10
      ]
      [
        "nom" => "4. Greasy Greens"
        "ordre" => 4
      ]
      [
        "nom" => "5. Greasy Greens (encore)"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2205 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …}
    -enregistreLe: DateTime @1428046738 {#2200
      date: 2015-04-03 07:38:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1571555092 {#2201
      date: 2019-10-20 07:04:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-newport-uproar-lsp-3891"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3917
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3918 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3966 …}
  +isValidated: false
  +validatedFields: []
}