Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2542
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2389 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2619
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2622 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2389 …}
  -formView: Symfony\Component\Form\FormView {#2658 …}
  -form: Symfony\Component\Form\Form {#2808 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
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}

[
  "produit" => App\Entity\Produit {#1841
    -id: 1871
    -nom: "Taking The World By Storm"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      Warren Storm, Marc Broussard, John Fogerty (vocals), Eric Adcock (piano), Richard Comeaux (pedal steel guitar), Derek Huston (tenor & bariton saxophone), Chris French (bass), Sonny Landreth (slide guitar), Roddie Romero (electric guitar), Beau Thomas (fiddle), Willie Tee Trahan (tenor saxophone), Gary Usie (drums).\r\n
      \r\n
      - Now a 45 RPM double LP for better tracking, higher-quality sound !\r\n
      - Swamp pop pioneer and Louisiana legend Warren Storm returns !\r\n
      - Louisiana and Texas' Music Hall of Fame inductee !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from analog tape recording !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Old-style heavyweight tip-on gatefold jacket from Stoughton Printing !\r\n
      - A Personal Favorite of Acoustic Sounds / APO Records CEO Chad Kassem !\r\n
      - Praise for the 33 1/3 version of 'Taking The World, By Storm' !\r\n
      \r\n
      Taking the world by Storm : Memoir, album showcase swamp pop star Warren Storm - Music - theadvocate.com\r\n
      \r\n
      "At 82 years old, Warren Storm has more history behind him than in front of him. Fortunately, this stop along the way gives the world another chance to take a taste of the swamp pop that he is generally considered to have created- a steamy mixture of country, cajun, zydeco and New Orleans R & B. Think early CCR and you'll be in the right book, if not on the right page. Louisiana musician Yvette Landry coaxed Storm into the studio to revisit some of his career highlights such as 'Mathilda' and 'Prisoner's Song' as well as some takes on classics by others including CCR's John Fogerty who guests on his classic 'Long As I Can See the Light'. With an all-star band including Eric Adcock on piano, Roddie Romero on guitar, Derek Huston on sax, Chris French on bass and Gary Usie on drums plus special guests including Fogerty, Marc Broussard, Sonny Landreth and Willie "Tee" Traham, the stage was set for a fine release and this disc delivers. Storm's voice shows little signs of his aging as revealed by both ballads such as the Bobby Charles penned 'Tennessee Blues' and more upbeat numbers such as the Dave Bartholomew/Fats Domino classic 'Let the Four Winds Blow' and his 1956 hits, 'Mama, Mama, Mama' (where Landry adds some saucy vocals to the mix) and 'Prisoner's Song'. Merle Haggard's 'My House of Memories' aptly captures the anguish of unshakable loss while the bouncy, saxdriven 'Troubles, Troubles' is musically at odds with the misery and turmoil claimed in the lyrics revealing the loss of his lady isn't likely as bad as he protests. For those seeking to revisit swamp pop history this is a nice souvenir. For those new to the genre, this is a great introduction". - Mark Smith, Jazz & Blues Report, March / April 2020 - Issue 389\r\n
      \r\n
      "Trust me when the opener 'Long as I Can See the Light' begins you won't care how it was recorded. Mr. Storm (or Mr. Schexnider, however you wish to call him) does not sound like an 82 year old. No way. He owns the mournful, inspirational Fogerty penned tune... Now's the time for music that lifts the spirits and here's some that does just that ! Mr. Schexnider is in fine voice here, soaring to hit all of the high notes and clearly enjoying the adulation coming from all of the participants.... Live to 2 track analog sound pleases the ears at low levels and no matter how loud you crank it. If I could rate these records separately for sound this one would be up at least a notch to "noine" bordering on 10. Go high, go low, have a party with this album of honest music making... thanks to Executive Producer Chad Kassem, the audiophile community's Alan Lomax. Perfectly pressed at QRP, Salina Kansas, USA".  - Michael Fremer, AnalogPlanet.com. \r\n
      \r\n
      "These are songs (from writers such as Earl King, Dave Bartholomew & Fats Domino, Bobby Charles, and others) that (Storm) has figuratively made his own already. ... There is also one song that is utterly new to Storm's repertoire : a sublime take on 'Long As I Can See the Light', written and originally recorded by John Fogerty during his Credence Clearwater Revival heyday. This track alone might justify acquisition of the album, for not only does the soul-stirring number seem perfectly made for Storm to interpret but it also features Fogerty himself as special guest vocalist on the final verse. Together, those two distinctive voices are a marvel to behold and a reminder of just how much the California-born rocker's essential sound (as well as verbal motifs on classic CCR songs such as 'Born on the Bayou') was influenced by the music and culture of South Louisiana". - Roger Wood, Living Blues Magazine, February 2020.\r\n
      \r\n
      "At age 82, Warren 'Storm' Schexnider is a wonderful force out of Louisiana ...and still doing what he does best. His new album, Taking The World, By Storm, finds him revisiting some material he recorded earlier in his career, and proving he still has the vocal power and flair to make these songs work. Seriously, there are some fantastic vocal performances on this album". - Michael Doherty's Music Log\r\n
      \r\n
      "He is a master of what is lovingly referred to as 'swamp pop', an amalgam of traditional Cajun sounds mixed with blues, R&B, zydeco, and country ...Warren Storm has done it all - he's been a drummer, a singer, and a front man... All 11 tracks (on Taking The World By Storm) were laid down on half-inch tape, live-in-studio, the way they did back in the Fifties". - Sheryl and Don Crow, The Nashville Blues and Roots Alliance\r\n
      \r\n
      "Starting strong with a duet with John Fogerty on 'Long As I Can See The Light', followed by Marc Broussard on 'Mathilda', this made-with-love album from Louisiana mainstay Warren Storm doesn't slow down across eleven songs and 36 minutes... Storm still has the soul that made him the Godfather of Swamp Pop. Spend some time with him as he is Taking The World, By Storm". - Donald Teplyske, Fervor Coulee - Roots Music Opinion\r\n
      \r\n
      "Who knows ? Maybe it's the constant edible infusion of crawfish and Tabasco sauce, Dixie beer and moonshine diets that took their mortal toll on dedicated swamp pop practitioners... Luckily one of the original swampers, Mr. Warren Storm, is not about to give up the Holy Ghost anytime soon. 82-years-young, he's still singing for the ages and capable of working a backroom dance floor harder than anyone alive". - Bill Bently, Americana Highways\r\n
      \r\n
      Warren "Storm" Schexnider is a Louisiana legend. At age 82 when this album was recorded, he's been creating music for more than 70 years a milestone that's dubbed him the "Godfather of Swamp Pop" for his fealty to the indigenous music of the Acadiana region of south Louisiana and southeast Texas. Created in the 1950s and early 1960s by teenage Cajuns, swamp pop combines New Orleans-style rhythm and blues, country and western, and traditional French Louisiana musical influences.\r\n
      \r\n
      Warren throughout his career has recorded on innumerable records, both on his own as a vocalist/musician, and as a studio musician on other albums. He continues to blaze a path for younger musicians, which is why one could say the universe had a plan that resulted in the album Taking the World, by Storm, new from APO Records. Recorded at Dockside Studio, Maurice, Louisiana in March 2019, the album was produced by Yvette Landry and executive producer Chad Kassem. Mastering was by Ryan K. Smith at Sterling Sound in Nashville. Now a 45 RPM dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      Warren Storm grew up in a Cajun household (he spoke only French until the third grade!) surrounded by music. His father, an Abbeville, Louisiana native, was a drummer, fiddler, and accordian player who indoctrinated his then 12-year-old son Warren into the biz with an impromptu Rayne-Bo Ramblers gig. By age 15, Warren was playing drums with Larry Brasso's Rhythm-aires. Throughout his adolescence Warren played with various dance hall bands, including with Fats Domino's drummer Charlie "Hungry" Williams. Warren became known as the top session drummer in the area; then just after graduation from Abbeville High School, Warren signed a recording contract. His first record, a 7-inch released in 1958, containing "The Prisoner's Song", b/w "Mama, Mama, Mama" sold a quarter of a million copies. His subsequent hits "So Long, So Long, (Goodbye, Goodbye)", "Birmingham Bar", "Lord, I Need Somebody Bad Tonight", "Things Have Gone To Pieces" and more led to Warren's induction into both Louisiana and Texas' Music Hall of Fame.\r\n
      \r\n
      Yvette Landry, a singer-songwriter and musician, grew up in Breaux Bridge, Louisiana not far from the levees of the Atchafalaya Basin, North America's largest swampland. She fronts her own band, The Yvette Landry Band, and her debut award-winning album titled Should Have Known was released in 2010. (The album was named Offbeat Magazine's "Best Country / Folk Album" and Landry "Best Country/Folk Artist") She's been a familiar presence on stages at countless cultural festivals and venues from the New Orleans Jazz and Heritage Festival to the Bluebird Café in Nashville.\r\n
      \r\n
      Still, when Warren Storm strolled unannounced into a gig she was playing in the spring of 2018, Yvette was at once a little nervous and starstruck.\r\n
      \r\n
      When prodded to sing a signature tune of Warren's, "I Need Somebody Bad", off her newly-released album, she says, "I shut my eyes and belted it out". At the end of the night Warren approached her, shook her hand and said "I never heard a girl sing that song before. You did real good. Think I could have a copy ?"\r\n
      \r\n
      She complied and a friendship blossomed. As Warren thumbed through his accumulated memoriabilia Landry began noticing who she was seeing in photos : Willie Nelson, Ray Price, Hank Williams, Jr., Elvis and others.\r\n
      \r\n
      The idea was born to compile Warren's stories and pictures for a book about his career spent performing with, and opening for some of the finest musicians in the world. That book became Taking the World, by Storm - A Conversation with Warren "Storm" Schexnider, The Godfather of Swamp Pop.\r\n
      \r\n
      When the idea was proposed to reissue one of Warren's previous albums to accompany the book, Yvette and those working with her on the project went one bettter : record a new album with Warren, live in the studio, straight to 2 track tape, "just like he did in his early days". And so the recording process began. Next to become involved was Acoustic Sounds and APO Records owner Chad Kassem, who arranged for the album to appear on the APO label, to be mastered by Ryan K. Smith at Sterling Sound in Nashville, and to be plated and pressed on vinyl at Quality Record Pressings, renowned among audiophiles and music professionals for its fine-sounding LPs.\r\n
      \r\n
      For Chad, born and raised in the south Louisiana town of Lafayette, the music of Warren Storm was as familiar growing up as the climate and culture of his homeland. Chad says he feels fortunate to have had the opportunity to participate in such a one-of-a-kind project.\r\n
      \r\n
      The core band for this album is an experienced crew: Eric Adcock (piano), Roddie Romero (electric guitar), Derek Huston (saxophone), Chris French (upright bass), and Gary Usie (drums). Special guests include vocalist Marc Broussard ("Mathilda"), Sonny Landreth (slide guitar on "Mathilda"), Beau Thomas (fiddle) and Richard Comeaux (pedal steel) on "Tennessee Blues, and Willie "Tee" Trahan (tenor saxophone on "In My Moments Of Sorrow" and "Troubles, Troubles"). Yvette Landry also sings with Warren on "Mama, Mama, Mama.\r\n
      \r\n
      Lastly, the one-and-only John Fogerty (Creedence Clearwater Revival) was gracious enough to sing along with Warren's performance of "Long As I Can See The Light". Warren recorded a video with John in the mid-1980s ("My Toot Toot") and remains a huge fan of John's.\r\n
      \r\n
      Warren Storm is a legend in Louisiana music, a swamp pop pioneer. As Yvette says, "He is a master who sings with excitement (like it was his first time) and reverence (like it is his last time)". Enjoy this musical gem and tribute to the swamp pop genre.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Warren Storm, Marc Broussard, John Fogerty (vocals), Eric Adcock (piano), Richard Comeaux (pedal steel guitar), Derek Huston (tenor & bariton saxophone), Chris French (bass), Sonny Landreth (slide guitar), Roddie Romero (electric guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jTcKRHT2YGU"
    -referenceProduit: "Analogue Productions AAPO 2026-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Long As I Can See The Light"
      ]
      [
        "ordre" => 1
        "nom" => "2. Mathilda"
      ]
      [
        "ordre" => 2
        "nom" => "3. Lonely Nights"
      ]
      [
        "ordre" => 3
        "nom" => "4. Let The Four Winds Blow"
      ]
      [
        "ordre" => 4
        "nom" => "5. Tennessee Blues"
      ]
      [
        "ordre" => 5
        "nom" => "6. Mama, Mama, Mama"
      ]
      [
        "ordre" => 6
        "nom" => "7. In My Moments of Sorrow"
      ]
      [
        "ordre" => 7
        "nom" => "8. Prisoner’s Song"
      ]
      [
        "ordre" => 8
        "nom" => "9. My House of Memories"
      ]
      [
        "ordre" => 9
        "nom" => "10. Troubles, Troubles"
      ]
      [
        "ordre" => 10
        "nom" => "11. Raining in My Heart"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1591372695 {#1896
      date: 2020-06-05 15:58:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769964945 {#1889
      date: 2026-02-01 16:55:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-taking-the-world-by-storm-analogue-productions-aapo-2026-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3083
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 1871
    -nom: "Taking The World By Storm"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      Warren Storm, Marc Broussard, John Fogerty (vocals), Eric Adcock (piano), Richard Comeaux (pedal steel guitar), Derek Huston (tenor & bariton saxophone), Chris French (bass), Sonny Landreth (slide guitar), Roddie Romero (electric guitar), Beau Thomas (fiddle), Willie Tee Trahan (tenor saxophone), Gary Usie (drums).\r\n
      \r\n
      - Now a 45 RPM double LP for better tracking, higher-quality sound !\r\n
      - Swamp pop pioneer and Louisiana legend Warren Storm returns !\r\n
      - Louisiana and Texas' Music Hall of Fame inductee !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from analog tape recording !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Old-style heavyweight tip-on gatefold jacket from Stoughton Printing !\r\n
      - A Personal Favorite of Acoustic Sounds / APO Records CEO Chad Kassem !\r\n
      - Praise for the 33 1/3 version of 'Taking The World, By Storm' !\r\n
      \r\n
      Taking the world by Storm : Memoir, album showcase swamp pop star Warren Storm - Music - theadvocate.com\r\n
      \r\n
      "At 82 years old, Warren Storm has more history behind him than in front of him. Fortunately, this stop along the way gives the world another chance to take a taste of the swamp pop that he is generally considered to have created- a steamy mixture of country, cajun, zydeco and New Orleans R & B. Think early CCR and you'll be in the right book, if not on the right page. Louisiana musician Yvette Landry coaxed Storm into the studio to revisit some of his career highlights such as 'Mathilda' and 'Prisoner's Song' as well as some takes on classics by others including CCR's John Fogerty who guests on his classic 'Long As I Can See the Light'. With an all-star band including Eric Adcock on piano, Roddie Romero on guitar, Derek Huston on sax, Chris French on bass and Gary Usie on drums plus special guests including Fogerty, Marc Broussard, Sonny Landreth and Willie "Tee" Traham, the stage was set for a fine release and this disc delivers. Storm's voice shows little signs of his aging as revealed by both ballads such as the Bobby Charles penned 'Tennessee Blues' and more upbeat numbers such as the Dave Bartholomew/Fats Domino classic 'Let the Four Winds Blow' and his 1956 hits, 'Mama, Mama, Mama' (where Landry adds some saucy vocals to the mix) and 'Prisoner's Song'. Merle Haggard's 'My House of Memories' aptly captures the anguish of unshakable loss while the bouncy, saxdriven 'Troubles, Troubles' is musically at odds with the misery and turmoil claimed in the lyrics revealing the loss of his lady isn't likely as bad as he protests. For those seeking to revisit swamp pop history this is a nice souvenir. For those new to the genre, this is a great introduction". - Mark Smith, Jazz & Blues Report, March / April 2020 - Issue 389\r\n
      \r\n
      "Trust me when the opener 'Long as I Can See the Light' begins you won't care how it was recorded. Mr. Storm (or Mr. Schexnider, however you wish to call him) does not sound like an 82 year old. No way. He owns the mournful, inspirational Fogerty penned tune... Now's the time for music that lifts the spirits and here's some that does just that ! Mr. Schexnider is in fine voice here, soaring to hit all of the high notes and clearly enjoying the adulation coming from all of the participants.... Live to 2 track analog sound pleases the ears at low levels and no matter how loud you crank it. If I could rate these records separately for sound this one would be up at least a notch to "noine" bordering on 10. Go high, go low, have a party with this album of honest music making... thanks to Executive Producer Chad Kassem, the audiophile community's Alan Lomax. Perfectly pressed at QRP, Salina Kansas, USA".  - Michael Fremer, AnalogPlanet.com. \r\n
      \r\n
      "These are songs (from writers such as Earl King, Dave Bartholomew & Fats Domino, Bobby Charles, and others) that (Storm) has figuratively made his own already. ... There is also one song that is utterly new to Storm's repertoire : a sublime take on 'Long As I Can See the Light', written and originally recorded by John Fogerty during his Credence Clearwater Revival heyday. This track alone might justify acquisition of the album, for not only does the soul-stirring number seem perfectly made for Storm to interpret but it also features Fogerty himself as special guest vocalist on the final verse. Together, those two distinctive voices are a marvel to behold and a reminder of just how much the California-born rocker's essential sound (as well as verbal motifs on classic CCR songs such as 'Born on the Bayou') was influenced by the music and culture of South Louisiana". - Roger Wood, Living Blues Magazine, February 2020.\r\n
      \r\n
      "At age 82, Warren 'Storm' Schexnider is a wonderful force out of Louisiana ...and still doing what he does best. His new album, Taking The World, By Storm, finds him revisiting some material he recorded earlier in his career, and proving he still has the vocal power and flair to make these songs work. Seriously, there are some fantastic vocal performances on this album". - Michael Doherty's Music Log\r\n
      \r\n
      "He is a master of what is lovingly referred to as 'swamp pop', an amalgam of traditional Cajun sounds mixed with blues, R&B, zydeco, and country ...Warren Storm has done it all - he's been a drummer, a singer, and a front man... All 11 tracks (on Taking The World By Storm) were laid down on half-inch tape, live-in-studio, the way they did back in the Fifties". - Sheryl and Don Crow, The Nashville Blues and Roots Alliance\r\n
      \r\n
      "Starting strong with a duet with John Fogerty on 'Long As I Can See The Light', followed by Marc Broussard on 'Mathilda', this made-with-love album from Louisiana mainstay Warren Storm doesn't slow down across eleven songs and 36 minutes... Storm still has the soul that made him the Godfather of Swamp Pop. Spend some time with him as he is Taking The World, By Storm". - Donald Teplyske, Fervor Coulee - Roots Music Opinion\r\n
      \r\n
      "Who knows ? Maybe it's the constant edible infusion of crawfish and Tabasco sauce, Dixie beer and moonshine diets that took their mortal toll on dedicated swamp pop practitioners... Luckily one of the original swampers, Mr. Warren Storm, is not about to give up the Holy Ghost anytime soon. 82-years-young, he's still singing for the ages and capable of working a backroom dance floor harder than anyone alive". - Bill Bently, Americana Highways\r\n
      \r\n
      Warren "Storm" Schexnider is a Louisiana legend. At age 82 when this album was recorded, he's been creating music for more than 70 years a milestone that's dubbed him the "Godfather of Swamp Pop" for his fealty to the indigenous music of the Acadiana region of south Louisiana and southeast Texas. Created in the 1950s and early 1960s by teenage Cajuns, swamp pop combines New Orleans-style rhythm and blues, country and western, and traditional French Louisiana musical influences.\r\n
      \r\n
      Warren throughout his career has recorded on innumerable records, both on his own as a vocalist/musician, and as a studio musician on other albums. He continues to blaze a path for younger musicians, which is why one could say the universe had a plan that resulted in the album Taking the World, by Storm, new from APO Records. Recorded at Dockside Studio, Maurice, Louisiana in March 2019, the album was produced by Yvette Landry and executive producer Chad Kassem. Mastering was by Ryan K. Smith at Sterling Sound in Nashville. Now a 45 RPM dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      Warren Storm grew up in a Cajun household (he spoke only French until the third grade!) surrounded by music. His father, an Abbeville, Louisiana native, was a drummer, fiddler, and accordian player who indoctrinated his then 12-year-old son Warren into the biz with an impromptu Rayne-Bo Ramblers gig. By age 15, Warren was playing drums with Larry Brasso's Rhythm-aires. Throughout his adolescence Warren played with various dance hall bands, including with Fats Domino's drummer Charlie "Hungry" Williams. Warren became known as the top session drummer in the area; then just after graduation from Abbeville High School, Warren signed a recording contract. His first record, a 7-inch released in 1958, containing "The Prisoner's Song", b/w "Mama, Mama, Mama" sold a quarter of a million copies. His subsequent hits "So Long, So Long, (Goodbye, Goodbye)", "Birmingham Bar", "Lord, I Need Somebody Bad Tonight", "Things Have Gone To Pieces" and more led to Warren's induction into both Louisiana and Texas' Music Hall of Fame.\r\n
      \r\n
      Yvette Landry, a singer-songwriter and musician, grew up in Breaux Bridge, Louisiana not far from the levees of the Atchafalaya Basin, North America's largest swampland. She fronts her own band, The Yvette Landry Band, and her debut award-winning album titled Should Have Known was released in 2010. (The album was named Offbeat Magazine's "Best Country / Folk Album" and Landry "Best Country/Folk Artist") She's been a familiar presence on stages at countless cultural festivals and venues from the New Orleans Jazz and Heritage Festival to the Bluebird Café in Nashville.\r\n
      \r\n
      Still, when Warren Storm strolled unannounced into a gig she was playing in the spring of 2018, Yvette was at once a little nervous and starstruck.\r\n
      \r\n
      When prodded to sing a signature tune of Warren's, "I Need Somebody Bad", off her newly-released album, she says, "I shut my eyes and belted it out". At the end of the night Warren approached her, shook her hand and said "I never heard a girl sing that song before. You did real good. Think I could have a copy ?"\r\n
      \r\n
      She complied and a friendship blossomed. As Warren thumbed through his accumulated memoriabilia Landry began noticing who she was seeing in photos : Willie Nelson, Ray Price, Hank Williams, Jr., Elvis and others.\r\n
      \r\n
      The idea was born to compile Warren's stories and pictures for a book about his career spent performing with, and opening for some of the finest musicians in the world. That book became Taking the World, by Storm - A Conversation with Warren "Storm" Schexnider, The Godfather of Swamp Pop.\r\n
      \r\n
      When the idea was proposed to reissue one of Warren's previous albums to accompany the book, Yvette and those working with her on the project went one bettter : record a new album with Warren, live in the studio, straight to 2 track tape, "just like he did in his early days". And so the recording process began. Next to become involved was Acoustic Sounds and APO Records owner Chad Kassem, who arranged for the album to appear on the APO label, to be mastered by Ryan K. Smith at Sterling Sound in Nashville, and to be plated and pressed on vinyl at Quality Record Pressings, renowned among audiophiles and music professionals for its fine-sounding LPs.\r\n
      \r\n
      For Chad, born and raised in the south Louisiana town of Lafayette, the music of Warren Storm was as familiar growing up as the climate and culture of his homeland. Chad says he feels fortunate to have had the opportunity to participate in such a one-of-a-kind project.\r\n
      \r\n
      The core band for this album is an experienced crew: Eric Adcock (piano), Roddie Romero (electric guitar), Derek Huston (saxophone), Chris French (upright bass), and Gary Usie (drums). Special guests include vocalist Marc Broussard ("Mathilda"), Sonny Landreth (slide guitar on "Mathilda"), Beau Thomas (fiddle) and Richard Comeaux (pedal steel) on "Tennessee Blues, and Willie "Tee" Trahan (tenor saxophone on "In My Moments Of Sorrow" and "Troubles, Troubles"). Yvette Landry also sings with Warren on "Mama, Mama, Mama.\r\n
      \r\n
      Lastly, the one-and-only John Fogerty (Creedence Clearwater Revival) was gracious enough to sing along with Warren's performance of "Long As I Can See The Light". Warren recorded a video with John in the mid-1980s ("My Toot Toot") and remains a huge fan of John's.\r\n
      \r\n
      Warren Storm is a legend in Louisiana music, a swamp pop pioneer. As Yvette says, "He is a master who sings with excitement (like it was his first time) and reverence (like it is his last time)". Enjoy this musical gem and tribute to the swamp pop genre.
      """
    -prixVente: "99.50"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
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[
  "produit" => App\Entity\Produit {#2035
    -id: 1773
    -nom: "Taking The World By Storm"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Warren Storm, Marc Broussard, John Fogerty (vocals), Eric Adcock (piano), Richard Comeaux (pedal steel guitar), Derek Huston (tenor & bariton saxophone), Chris French (bass), Sonny Landreth (slide guitar), Roddie Romero (electric guitar), Beau Thomas (fiddle), Willie Tee Trahan (tenor saxophone), Gary Usie (drums).\r\n
      \r\n
      - Swamp pop pioneer and Louisiana legend Warren Storm returns !\r\n
      - Louisiana and Texas' Music Hall of Fame inductee !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from analog tape recording !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Old-style heavyweight tip-on gatefold jacket from Stoughton Printing !\r\n
      - A Personal Favorite of Acoustic Sounds/APO Records CEO Chad Kassem !\r\n
      \r\n
      "At age 82, Warren 'Storm' Schexnider is a wonderful force out of Louisiana ... and still doing what he does best. His new album, Taking The World, By Storm, finds him revisiting some material he recorded earlier in his career, and proving he still has the vocal power and flair to make these songs work. Seriously, there are some fantastic vocal performances on this album". - Michael Doherty's Music Log\r\n
      \r\n
      "He is a master of what is lovingly referred to as 'swamp pop,' an amalgam of traditional Cajun sounds mixed with blues, R&B, zydeco, and country ... Warren Storm has done it all he's been a drummer, a singer, and a front man. ... All 11 tracks (on Taking The World By Storm) were laid down on half-inch tape, live-in-studio, the way they did back in the Fifties". - Sheryl and Don Crow, The Nashville Blues and Roots Alliance\r\n
      \r\n
      "Starting strong with a duet with John Fogerty on 'Long As I Can See The Light', followed by Marc Broussard on 'Mathilda', this made-with-love album from Louisiana mainstay Warren Storm doesn't slow down across eleven songs and 36 minutes. ... Storm still has the soul that made him the Godfather of Swamp Pop. Spend some time with him as he is Taking The World, By Storm". - Donald Teplyske, Fervor Coulee - Roots Music Opinion\r\n
      \r\n
      "Who knows ? Maybe it's the constant edible infusion of crawfish and Tabasco sauce, Dixie beer and moonshine diets that took their mortal toll on dedicated swamp pop practitioners. ... Luckily one of the original swampers, Mr. Warren Storm, is not about to give up the Holy Ghost anytime soon. 82-years-young, he's still singing for the ages and capable of working a backroom dance floor harder than anyone alive". - Bill Bently, Americana Highways\r\n
      \r\n
      Warren "Storm" Schexnider is a Louisiana legend. At age 82 when this album was recorded, he's been creating music for more than 70 years a milestone that's dubbed him the "Godfather of Swamp Pop" for his fealty to the indigenous music of the Acadiana region of south Louisiana and southeast Texas. Created in the 1950s and early 1960s by teenage Cajuns, swamp pop combines New Orleans-style rhythm and blues, country and western, and traditional French Louisiana musical influences.\r\n
      \r\n
      Warren throughout his career has recorded on innumerable records, both on his own as a vocalist/musician, and as a studio musician on other albums. He continues to blaze a path for younger musicians, which is why one could say the universe had a plan that resulted in the album Taking the World, by Storm, new from APO Records. Recorded at Dockside Studio, Maurice, Louisiana in March 2019, the album was produced by Yvette Landry and executive producer Chad Kassem. Mastering was by Ryan K. Smith at Sterling Sound in Nashville.\r\n
      \r\n
      Warren Storm grew up in a Cajun household (he spoke only French until the third grade!) surrounded by music. His father, an Abbeville, Louisiana native, was a drummer, fiddler, and accordian player who indoctrinated his then 12-year-old son Warren into the biz with an impromptu Rayne-Bo Ramblers gig. By age 15, Warren was playing drums with Larry Brasso's Rhythm-aires. Throughout his adolescence Warren played with various dance hall bands, including with Fats Domino's drummer Charlie "Hungry" Williams. Warren became known as the top session drummer in the area; then just after graduation from Abbeville High School, Warren signed a recording contract. His first record, a 7-inch released in 1958, containing "The Prisoner's Song", b/w "Mama, Mama, Mama" sold a quarter of a million copies. His subsequent hits "So Long, So Long, (Goodbye, Goodbye)", "Birmingham Bar", "Lord, I Need Somebody Bad Tonight", "Things Have Gone To Pieces" and more led to Warren's induction into both Louisiana and Texas' Music Hall of Fame.\r\n
      \r\n
      Yvette Landry, a singer-songwriter and musician, grew up in Breaux Bridge, Louisiana not far from the levees of the Atchafalaya Basin, North America's largest swampland. She fronts her own band, The Yvette Landry Band, and her debut award-winning album titled Should Have Known was released in 2010. (The album was named Offbeat Magazine's "Best Country / Folk Album" and Landry "Best Country / Folk Artist") She's been a familiar presence on stages at countless cultural festivals and venues from the New Orleans Jazz and Heritage Festival to the Bluebird Café in Nashville.\r\n
      \r\n
      Still, when Warren Storm strolled unannounced into a gig she was playing in the spring of 2018, Yvette was at once a little nervous and starstruck.\r\n
      \r\n
      When prodded to sing a signature tune of Warren's, "I Need Somebody Bad", off her newly-released album, she says, "I shut my eyes and belted it out". At the end of the night Warren approached her, shook her hand and said "I never heard a girl sing that song before. You did real good. Think I could have a copy ?"\r\n
      \r\n
      She complied and a friendship blossomed. As Warren thumbed through his accumulated memoriabilia Landry began noticing who she was seeing in photos: Willie Nelson, Ray Price, Hank Williams, Jr., Elvis and others.\r\n
      \r\n
      The idea was born to compile Warren's stories and pictures for a book about his career spent performing with, and opening for some of the finest musicians in the world. That book became Taking the World, by Storm A Conversation with Warren "Storm" Schexnider, The Godfather of Swamp Pop.\r\n
      \r\n
      When the idea was proposed to reissue one of Warren's previous albums to accompany the book, Yvette and those working with her on the project went one bettter : record a new album with Warren, live in the studio, straight to 2 track tape, "just like he did in his early days". And so the recording process began. Next to become involved was Acoustic Sounds and APO Records owner Chad Kassem, who arranged for the album to appear on the APO label, to be mastered by Ryan K. Smith at Sterling Sound in Nashville, and to be plated and pressed on vinyl at Quality Record Pressings, renowned among audiophiles and music professionals for its fine-sounding LPs.\r\n
      \r\n
      For Chad, born and raised in the south Louisiana town of Lafayette, the music of Warren Storm was as familiar growing up as the climate and culture of his homeland. Chad says he feels fortunate to have had the opportunity to participate in such a one-of-a-kind project.\r\n
      \r\n
      The core band for this album is an experienced crew: Eric Adcock (piano), Roddie Romero (electric guitar), Derek Huston (saxophone), Chris French (upright bass), and Gary Usie (drums). Special guests include vocalist Marc Broussard ("Mathilda"), Sonny Landreth (slide guitar on "Mathilda"), Beau Thomas (fiddle) and Richard Comeaux (pedal steel) on "Tennessee Blues, and Willie "Tee" Trahan (tenor saxophone on "In My Moments Of Sorrow" and "Troubles, Troubles"). Yvette Landry also sings with Warren on "Mama, Mama, Mama.\r\n
      \r\n
      Lastly, the one-and-only John Fogerty (Creedence Clearwater Revival) was gracious enough to sing along with Warren's performance of "Long As I Can See The Light". Warren recorded a video with John in the mid-1980s ("My Toot Toot") and remains a huge fan of John's.\r\n
      \r\n
      Warren Storm is a legend in Louisiana music, a swamp pop pioneer. As Yvette says, "He is a master who sings with excitement (like it was his first time) and reverence (like it is his last time)". Enjoy this musical gem and tribute to the swamp pop genre.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Warren Storm, Marc Broussard, John Fogerty (vocals), Eric Adcock (piano), Richard Comeaux (pedal steel guitar), Derek Huston (tenor & bariton saxophone), Chris French (bass), Sonny Landreth (slide guitar), Roddie Romero (electric guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=jTcKRHT2YGU"
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        "nom" => "1. Mama, Mama, Mama "
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      ]
      [
        "ordre" => 12
        "nom" => "6. Raining in My Heart"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
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      date: 2026-02-01 16:55:01.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -id: 1773
    -nom: "Taking The World By Storm"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Warren Storm, Marc Broussard, John Fogerty (vocals), Eric Adcock (piano), Richard Comeaux (pedal steel guitar), Derek Huston (tenor & bariton saxophone), Chris French (bass), Sonny Landreth (slide guitar), Roddie Romero (electric guitar), Beau Thomas (fiddle), Willie Tee Trahan (tenor saxophone), Gary Usie (drums).\r\n
      \r\n
      - Swamp pop pioneer and Louisiana legend Warren Storm returns !\r\n
      - Louisiana and Texas' Music Hall of Fame inductee !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from analog tape recording !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Old-style heavyweight tip-on gatefold jacket from Stoughton Printing !\r\n
      - A Personal Favorite of Acoustic Sounds/APO Records CEO Chad Kassem !\r\n
      \r\n
      "At age 82, Warren 'Storm' Schexnider is a wonderful force out of Louisiana ... and still doing what he does best. His new album, Taking The World, By Storm, finds him revisiting some material he recorded earlier in his career, and proving he still has the vocal power and flair to make these songs work. Seriously, there are some fantastic vocal performances on this album". - Michael Doherty's Music Log\r\n
      \r\n
      "He is a master of what is lovingly referred to as 'swamp pop,' an amalgam of traditional Cajun sounds mixed with blues, R&B, zydeco, and country ... Warren Storm has done it all he's been a drummer, a singer, and a front man. ... All 11 tracks (on Taking The World By Storm) were laid down on half-inch tape, live-in-studio, the way they did back in the Fifties". - Sheryl and Don Crow, The Nashville Blues and Roots Alliance\r\n
      \r\n
      "Starting strong with a duet with John Fogerty on 'Long As I Can See The Light', followed by Marc Broussard on 'Mathilda', this made-with-love album from Louisiana mainstay Warren Storm doesn't slow down across eleven songs and 36 minutes. ... Storm still has the soul that made him the Godfather of Swamp Pop. Spend some time with him as he is Taking The World, By Storm". - Donald Teplyske, Fervor Coulee - Roots Music Opinion\r\n
      \r\n
      "Who knows ? Maybe it's the constant edible infusion of crawfish and Tabasco sauce, Dixie beer and moonshine diets that took their mortal toll on dedicated swamp pop practitioners. ... Luckily one of the original swampers, Mr. Warren Storm, is not about to give up the Holy Ghost anytime soon. 82-years-young, he's still singing for the ages and capable of working a backroom dance floor harder than anyone alive". - Bill Bently, Americana Highways\r\n
      \r\n
      Warren "Storm" Schexnider is a Louisiana legend. At age 82 when this album was recorded, he's been creating music for more than 70 years a milestone that's dubbed him the "Godfather of Swamp Pop" for his fealty to the indigenous music of the Acadiana region of south Louisiana and southeast Texas. Created in the 1950s and early 1960s by teenage Cajuns, swamp pop combines New Orleans-style rhythm and blues, country and western, and traditional French Louisiana musical influences.\r\n
      \r\n
      Warren throughout his career has recorded on innumerable records, both on his own as a vocalist/musician, and as a studio musician on other albums. He continues to blaze a path for younger musicians, which is why one could say the universe had a plan that resulted in the album Taking the World, by Storm, new from APO Records. Recorded at Dockside Studio, Maurice, Louisiana in March 2019, the album was produced by Yvette Landry and executive producer Chad Kassem. Mastering was by Ryan K. Smith at Sterling Sound in Nashville.\r\n
      \r\n
      Warren Storm grew up in a Cajun household (he spoke only French until the third grade!) surrounded by music. His father, an Abbeville, Louisiana native, was a drummer, fiddler, and accordian player who indoctrinated his then 12-year-old son Warren into the biz with an impromptu Rayne-Bo Ramblers gig. By age 15, Warren was playing drums with Larry Brasso's Rhythm-aires. Throughout his adolescence Warren played with various dance hall bands, including with Fats Domino's drummer Charlie "Hungry" Williams. Warren became known as the top session drummer in the area; then just after graduation from Abbeville High School, Warren signed a recording contract. His first record, a 7-inch released in 1958, containing "The Prisoner's Song", b/w "Mama, Mama, Mama" sold a quarter of a million copies. His subsequent hits "So Long, So Long, (Goodbye, Goodbye)", "Birmingham Bar", "Lord, I Need Somebody Bad Tonight", "Things Have Gone To Pieces" and more led to Warren's induction into both Louisiana and Texas' Music Hall of Fame.\r\n
      \r\n
      Yvette Landry, a singer-songwriter and musician, grew up in Breaux Bridge, Louisiana not far from the levees of the Atchafalaya Basin, North America's largest swampland. She fronts her own band, The Yvette Landry Band, and her debut award-winning album titled Should Have Known was released in 2010. (The album was named Offbeat Magazine's "Best Country / Folk Album" and Landry "Best Country / Folk Artist") She's been a familiar presence on stages at countless cultural festivals and venues from the New Orleans Jazz and Heritage Festival to the Bluebird Café in Nashville.\r\n
      \r\n
      Still, when Warren Storm strolled unannounced into a gig she was playing in the spring of 2018, Yvette was at once a little nervous and starstruck.\r\n
      \r\n
      When prodded to sing a signature tune of Warren's, "I Need Somebody Bad", off her newly-released album, she says, "I shut my eyes and belted it out". At the end of the night Warren approached her, shook her hand and said "I never heard a girl sing that song before. You did real good. Think I could have a copy ?"\r\n
      \r\n
      She complied and a friendship blossomed. As Warren thumbed through his accumulated memoriabilia Landry began noticing who she was seeing in photos: Willie Nelson, Ray Price, Hank Williams, Jr., Elvis and others.\r\n
      \r\n
      The idea was born to compile Warren's stories and pictures for a book about his career spent performing with, and opening for some of the finest musicians in the world. That book became Taking the World, by Storm A Conversation with Warren "Storm" Schexnider, The Godfather of Swamp Pop.\r\n
      \r\n
      When the idea was proposed to reissue one of Warren's previous albums to accompany the book, Yvette and those working with her on the project went one bettter : record a new album with Warren, live in the studio, straight to 2 track tape, "just like he did in his early days". And so the recording process began. Next to become involved was Acoustic Sounds and APO Records owner Chad Kassem, who arranged for the album to appear on the APO label, to be mastered by Ryan K. Smith at Sterling Sound in Nashville, and to be plated and pressed on vinyl at Quality Record Pressings, renowned among audiophiles and music professionals for its fine-sounding LPs.\r\n
      \r\n
      For Chad, born and raised in the south Louisiana town of Lafayette, the music of Warren Storm was as familiar growing up as the climate and culture of his homeland. Chad says he feels fortunate to have had the opportunity to participate in such a one-of-a-kind project.\r\n
      \r\n
      The core band for this album is an experienced crew: Eric Adcock (piano), Roddie Romero (electric guitar), Derek Huston (saxophone), Chris French (upright bass), and Gary Usie (drums). Special guests include vocalist Marc Broussard ("Mathilda"), Sonny Landreth (slide guitar on "Mathilda"), Beau Thomas (fiddle) and Richard Comeaux (pedal steel) on "Tennessee Blues, and Willie "Tee" Trahan (tenor saxophone on "In My Moments Of Sorrow" and "Troubles, Troubles"). Yvette Landry also sings with Warren on "Mama, Mama, Mama.\r\n
      \r\n
      Lastly, the one-and-only John Fogerty (Creedence Clearwater Revival) was gracious enough to sing along with Warren's performance of "Long As I Can See The Light". Warren recorded a video with John in the mid-1980s ("My Toot Toot") and remains a huge fan of John's.\r\n
      \r\n
      Warren Storm is a legend in Louisiana music, a swamp pop pioneer. As Yvette says, "He is a master who sings with excitement (like it was his first time) and reverence (like it is his last time)". Enjoy this musical gem and tribute to the swamp pop genre.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Warren Storm, Marc Broussard, John Fogerty (vocals), Eric Adcock (piano), Richard Comeaux (pedal steel guitar), Derek Huston (tenor & bariton saxophone), Chris French (bass), Sonny Landreth (slide guitar), Roddie Romero (electric guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "5. Troubles, Troubles "
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        "ordre" => 12
        "nom" => "6. Raining in My Heart"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
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    }
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    }
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[
  "produit" => App\Entity\Produit {#2048
    -id: 657
    -nom: "Sho’ Nuff"
    -informationComplementaire: null
    -description: """
      Willie Dixon once told Wild Child Butler, "You are the moan of the suffering woman, the groan of the dying man. You ain't nothing but the blues".\r\n
      \r\n
      Here's a man who's been heavily praised by Dixon, Muddy Waters, Howlin' Wolf and Jimmy Rogers just to name a few; a man who those blues legends were proud to accompany. As traditional as the blues on this album are, there's no mistaking a Wild Child tune. They can't be played this way by anyone else not so boisterous, not so Wild Child. His blues sometimes sound angry and raw, other times soft and country-polished. \r\n
      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "2. I Changed"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2050 …}
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    -modifierLe: DateTime @1769948307 {#2046
      date: 2026-02-01 12:18:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  }
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App\Twig\Components\GestionPanierFavoriComponents {#3245
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    -id: 657
    -nom: "Sho’ Nuff"
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    -description: """
      Willie Dixon once told Wild Child Butler, "You are the moan of the suffering woman, the groan of the dying man. You ain't nothing but the blues".\r\n
      \r\n
      Here's a man who's been heavily praised by Dixon, Muddy Waters, Howlin' Wolf and Jimmy Rogers just to name a few; a man who those blues legends were proud to accompany. As traditional as the blues on this album are, there's no mistaking a Wild Child tune. They can't be played this way by anyone else not so boisterous, not so Wild Child. His blues sometimes sound angry and raw, other times soft and country-polished. \r\n
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      This release offers a fine mix of Wild Child's down-home acoustic sound, his slow, muscular blues and his up-tempo shuffle or snapping blues. As Wild Child himself said, "If you can't dig these blues, you got a hole in your soul [to borrow from a Jimmy Rogers saying]. Talkin' 'bout sho' 'nuff".\r\n
      \r\n
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      """
    -prixVente: "89.50"
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    -musicienOrchestre: "George Wild Child Butler (harmonica, vocals), Jimmy D. Lane (acoustic & electric guitars), Bob Stroger (bass), Jimmie Lee Robinson (acoustic guitar),  Sam Lay (drums)"
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      date: 2026-02-01 12:18:27.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2064
    -id: 826
    -nom: "Blue Bird"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Analogue Productions is proud to present the definitive album by Jimmy Rogers, one of the three founders of Muddy Water's first and greatest band, and a Chicago blues giant in his own right.\r\n
      \r\n
      Jimmy, whose evocative and earthy guitar sound embodies Chicago Blues, is recognized as a writer of Chicago blues songs second only to Willie Dixon and is regarded as one of the greatest Chicago blues singers by fans and musical legends alike, including Keith Richards of the Rolling Stones, who credits Jimmy as being one of his three greatest musical influences along with Muddy Waters and Chuck Berry.\r\n
      \r\n
      As the musical genre Jimmy pioneered is gaining mass popularity in the nineties, Jimmy's classic guitar work has been heard by millions in television commercials featuring songs such as Rock Me by Muddy Waters and I Ain't Superstitious by Howlin' Wolf.\r\n
      \r\n
      Jimmy is joined on this album by an all-star group comprised of the legendary pianist Johnnie Johnson, who was the backbone of all Chuck Berry's greatest hits, harmonica virtuoso Carey Bell, bassist Dave Myers, drummer Ted Harvey and lead guitarist Jimmy D. Lane. This recording won a W.C. Handy Award for the Best Traditional Blues Album in 1995.\r\n
      \r\n
      "Fans of Chicago blues aren't going to get any new recordings better than Jimmy Roger's Blue Bird... One of the reasons for the startling impact of this recording is the clear, resonant sound provided on both the LP and CD by Analogue Productions…" - Michael Ullman, Stereophile.\r\n
      \r\n
      "...this is a real 100% 1950s Chicago blues band and as can be expected the sounds they lay down are vintage and of the highest caliber. Finding a disc with such a pure and powerful Chicago blues on it in 1994 is a major revelation" - Andy Grigg, Westcoast Blues Review.\r\n
      \r\n
      "The finest-ever marriage of the blues and audiophile sonics, a bona fide blues session with sound quality, mastered by Doug Sax, never before associated with the genre. It's the most 'analogue-sounding' CD I've ever heard" - Ken Kessler, Hi Fi News & Record Review.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Jimmy Rogers (guitar, vocals), Dave Myers (bass), Jimmy D. Lane (lead guitar), Carey Bell (harmonica), Johnnie Johnson (piano), Ted Harvey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -preCommande: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=rmPKKQAGoW0"
    -referenceProduit: "APO Records 2001-45"
    -titreMorceau: [
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        "nom" => "2. Blue Bird"
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        "nom" => "3. Howlin' For My Darling"
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      ]
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        "ordre" => 10
        "nom" => "2. Blues Falling"
      ]
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        "nom" => "3. Lemon Squeezer"
      ]
      [
        "ordre" => 12
        "nom" => "10. That Ain't It (Baby I Need Your Love)"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Smokestack Lightning"
      ]
      [
        "ordre" => 15
        "nom" => "2. Blue and Lonesome"
      ]
      [
        "ordre" => 16
        "nom" => "3. Big Boss Man"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1455 …}
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    }
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App\Twig\Components\GestionPanierFavoriComponents {#3296
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2064
    -id: 826
    -nom: "Blue Bird"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Analogue Productions is proud to present the definitive album by Jimmy Rogers, one of the three founders of Muddy Water's first and greatest band, and a Chicago blues giant in his own right.\r\n
      \r\n
      Jimmy, whose evocative and earthy guitar sound embodies Chicago Blues, is recognized as a writer of Chicago blues songs second only to Willie Dixon and is regarded as one of the greatest Chicago blues singers by fans and musical legends alike, including Keith Richards of the Rolling Stones, who credits Jimmy as being one of his three greatest musical influences along with Muddy Waters and Chuck Berry.\r\n
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      \r\n
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      \r\n
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      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "Side B : "
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        "nom" => "3. Howlin' For My Darling"
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        "nom" => "2. Blues Falling"
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        "nom" => "10. That Ain't It (Baby I Need Your Love)"
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      [
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        "nom" => "3. Big Boss Man"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
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      date: 2026-01-29 12:19:22.0 UTC (+00:00)
    }
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[
  "produit" => App\Entity\Produit {#2080
    -id: 774
    -nom: "Legacy"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Jimmy D. Lane's first album for APO, Long Gone, has been instrumental in gathering widespread acclaim for the multitalented son of the late blues legend Jimmy Rogers. Critics worldwide have responded positively to Lane's incendiary guitar prowess and powerful vocals. Comparisons to Hendrix have been made. With Legacy, Jimmy D. Lane proves that he is as compelling looking back towards the great blues masters of the past as he is at crossing stylistic lines and pushing the music forward.\r\n
      \r\n
      His nine original compositions, while firmly rooted in the blues, allow Jimmy plenty of room to showcase his vision of a blues future. Jimmy D. is joined by the great Carey Bell on harmonica, Ronnie Earl alumni Per Hanson on drums, David Krull on piano and Freddie Crawford on bass. On the rousing remake of Howlin' Wolf's Big House, Wolf cohorts Hubert Sumlin and Sam Lay join in on the fun.\r\n
      \r\n
      The album title a refers to the intensely personal legacy passed from father to son. In what was to be the last time he sang or played his guitar (Jimmy Rogers passed away two months after these recordings), Jimmy Rogers joins his son for two unbelievably poignant performances on Another Mule Kicking in My Stall and One Room Country Shack. The old man was in fine form in the studio and it shows. Father and son were clearly having a ball! Jimmy D. Lane moves directly to the front ranks of those who will take the blues into the next century. - Living Blues
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
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        "nom" => "4. One Room Country Shack"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2082 …}
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      date: 2026-01-29 09:58:25.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3347
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  +produit: App\Entity\Produit {#2080
    -id: 774
    -nom: "Legacy"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Jimmy D. Lane's first album for APO, Long Gone, has been instrumental in gathering widespread acclaim for the multitalented son of the late blues legend Jimmy Rogers. Critics worldwide have responded positively to Lane's incendiary guitar prowess and powerful vocals. Comparisons to Hendrix have been made. With Legacy, Jimmy D. Lane proves that he is as compelling looking back towards the great blues masters of the past as he is at crossing stylistic lines and pushing the music forward.\r\n
      \r\n
      His nine original compositions, while firmly rooted in the blues, allow Jimmy plenty of room to showcase his vision of a blues future. Jimmy D. is joined by the great Carey Bell on harmonica, Ronnie Earl alumni Per Hanson on drums, David Krull on piano and Freddie Crawford on bass. On the rousing remake of Howlin' Wolf's Big House, Wolf cohorts Hubert Sumlin and Sam Lay join in on the fun.\r\n
      \r\n
      The album title a refers to the intensely personal legacy passed from father to son. In what was to be the last time he sang or played his guitar (Jimmy Rogers passed away two months after these recordings), Jimmy Rogers joins his son for two unbelievably poignant performances on Another Mule Kicking in My Stall and One Room Country Shack. The old man was in fine form in the studio and it shows. Father and son were clearly having a ball! Jimmy D. Lane moves directly to the front ranks of those who will take the blues into the next century. - Living Blues
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[
  "produit" => App\Entity\Produit {#2096
    -id: 692
    -nom: "It's Time"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      "Jimmy D. Lane's guitar playing will knock you over. His control of his guitar, from the most delicate tonal nuances to the flashiest, fastest licks, is almost superhuman. Only the most masterful guitar players can command their instruments this way, and all the practice in the world can't develop it. Jimmy D. Lane is a natural-born guitar monster". - Bob Margolin, guitarist in the Muddy Waters Band for seven years\r\n
      \r\n
      It's Time could just as well have been titled It's Overdue. It's long been time for one of today's most powerful and expressive musicians to break the chains of relative commercial obscurity. Time to seize the reins of blues leadership, just as his father, Jimmy Rogers, did in the 1940s. Masters Eddie Kramer (engineer for Hendrix, Zeppelin, Woodstock etc.), Chris "Whipper" Layton and Tommy Shannon (of Double Trouble) and Mike Finnigan (organ in the bands of Etta James, Taj Mahal and CSN&Y) are all onboard to give Jimmy the nudge he needs to clear the launching pad. It's Time. \r\n
      \r\n
      "Just wanted to let you know how much Frank and I are enjoying Jimmy D. Lane's new CD - It's Time. It is truly wonderful! We are looking forward to experiencing the Blues Masters concert in Oct. Take care and thanks so much for such a hauntingly awesome CD. Please convey to him that we are hoping not to wear out the CD we enjoy it so much". - Peggy Ulasek, Maryland \r\n
      \r\n
      "Lane's certainly got the goods. The guitarist and singer he plays bass and drums, too, on a pair of tracks wrote all but one of the disc's 12 songs. And he's got a knack for mixing Hendrix- and Vaughan-influenced contemporary blues with old-school roots learned from his father...what makes It's Time a fun listen is its textural variety...Kramer's production offers a bright, modern sound that still has the warm feel of live performance. He and Lane keep the set tightly focused...For Jimmy D. Lane, now's as good a time as any". - Michael Cote, Blues Revue, February / March 2005
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
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        "nom" => "2. Bleeding Heart"
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      [
        "ordre" => 15
        "nom" => "3. Salina"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2082 …}
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      date: 2026-01-29 09:55:25.0 UTC (+00:00)
    }
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App\Twig\Components\GestionPanierFavoriComponents {#3400
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
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    -nom: "It's Time"
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      It's Time could just as well have been titled It's Overdue. It's long been time for one of today's most powerful and expressive musicians to break the chains of relative commercial obscurity. Time to seize the reins of blues leadership, just as his father, Jimmy Rogers, did in the 1940s. Masters Eddie Kramer (engineer for Hendrix, Zeppelin, Woodstock etc.), Chris "Whipper" Layton and Tommy Shannon (of Double Trouble) and Mike Finnigan (organ in the bands of Etta James, Taj Mahal and CSN&Y) are all onboard to give Jimmy the nudge he needs to clear the launching pad. It's Time. \r\n
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      """
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[
  "produit" => App\Entity\Produit {#2111
    -id: 775
    -nom: "Long Gone"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Analogue Productions is proud to present Long Gone, the debut album by the sensational new rock/ blues, guitarist/ singer-songwriter Jimmy D. Lane. While the listener will hear echoes of Jimi Hendrix and Stevie Ray Vaughan in Jimmy's playing, he is his own man, a fact recognized recently by Eric Clapton when, after playing together with Jimmy on a forthcoming tribute album to Jimmy's father, Jimmy Rogers, Clapton proclaimed Jimmy Lane an "incredible guitarist." Indeed, the strongest influence on Jimmy's musical development has been his father.\r\n
      \r\n
      Long Gone features Jimmy Lane with bassist Freddie Crawford (also a veteran member of Jimmy Rogers band and Jimmy Lane's regular group) and legendary drummer Jim Keltner, who has performed and/or recorded with everyone from John Lennon and Bob Dylan to the Rolling Stones and Eric Clapton. Jimmy Lane's repertoire on Long Gone is made up of his own originals and covers by blues and rock greats including Bob Dylan, Jimi Hendrix, Jimmy Rogers, John Lee Hooker, Muddy Waters and Albert King.\r\n
      \r\n
      "If anyone comes by the blues honestly, it's Jimmy D. Lane... his guitar playing is powerful and "inspirational;" you may find yourself playing air guitar for the first time in years... Lane gives us an electric guitar extravaganza of a type that was abundant 25-30 years ago but is nowadays rare".\r\n
      - Larry Kay, FI Magazine\r\n
      \r\n
      "Long Gone should move Jimmy D. Lane directly to the front ranks of those who will take the blues into the next century".\r\n
      - Jim DeKoster, Living Blues
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Jimmy D. Lane (guitar, vocals), John Koenig (guitar), Freddie Crawford (bass), Jim Keltner (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=biOljR-r9i0"
    -referenceProduit: "APO Records 2003"
    -titreMorceau: [
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        "nom" => "1. Hear My Train A Comin'"
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        "nom" => "2. Obsession Babies"
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        "nom" => "1. Rollin' Stone"
      ]
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        "nom" => "2. Whiskey"
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        "nom" => "3. Boom Boom"
      ]
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        "nom" => "4. I'm In Love"
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        "nom" => "5. Tears Without A Shoulder"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2082 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3448
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    -id: 775
    -nom: "Long Gone"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
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      \r\n
      Long Gone features Jimmy Lane with bassist Freddie Crawford (also a veteran member of Jimmy Rogers band and Jimmy Lane's regular group) and legendary drummer Jim Keltner, who has performed and/or recorded with everyone from John Lennon and Bob Dylan to the Rolling Stones and Eric Clapton. Jimmy Lane's repertoire on Long Gone is made up of his own originals and covers by blues and rock greats including Bob Dylan, Jimi Hendrix, Jimmy Rogers, John Lee Hooker, Muddy Waters and Albert King.\r\n
      \r\n
      "If anyone comes by the blues honestly, it's Jimmy D. Lane... his guitar playing is powerful and "inspirational;" you may find yourself playing air guitar for the first time in years... Lane gives us an electric guitar extravaganza of a type that was abundant 25-30 years ago but is nowadays rare".\r\n
      - Larry Kay, FI Magazine\r\n
      \r\n
      "Long Gone should move Jimmy D. Lane directly to the front ranks of those who will take the blues into the next century".\r\n
      - Jim DeKoster, Living Blues
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Jimmy D. Lane (guitar, vocals), John Koenig (guitar), Freddie Crawford (bass), Jim Keltner (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=biOljR-r9i0"
    -referenceProduit: "APO Records 2003"
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        "nom" => "2. Whiskey"
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        "nom" => "4. I'm In Love"
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        "ordre" => 11
        "nom" => "5. Tears Without A Shoulder"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2082 …}
    -label: App\Entity\Label {#1063 …}
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    -modifierLe: DateTime @1769680502 {#2106
      date: 2026-01-29 09:55:02.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2124
    -id: 827
    -nom: "Remember Me"
    -informationComplementaire: null
    -description: """
      Jimmie Lee Robinson doesn't dance for the approval of others nor does he thin his music to seduce a wider audience. The self-proclaimed Lonely Traveller's work is an artistic achievement that illustrates why enduring reputations are earned slowly, over time, not swiftly via shrewdly orchestrated media blitzes. His music, honest and unspoiled, comes as a welcome and refreshing alternative in an age of crowd-mesmerizing pyrotechnics, outlandish tempos, and incendiary solos. Remember Me, Robinson's first effort for the APO label and the first album recorded at Blue Heaven Studios, is an adventure deep into the blues of Mr. Robinson's Maxwell Street neighborhood, a neighborhood that has included residencies with musicians such as Little Walter, Howlin Wolf, Freddie King, Elmore James, Luther Tucker, Eddie Taylor, Magic Sam, Jimmy Reed, Shakey Jake, St. Louis Jimmy, Eddy Clearwater, Sunnyland Slim and more. \r\n
      \r\n
      On Remember Me, Robinson accompanies himself on acoustic guitar to create The Lonely Traveller's distinctive brand of blues, which he says represents a lifetime of work, the trials and tribulations of growing up on and experiencing Maxwell Street. If you listen closely, you'll also hear Jimmy D. Lane (son of the late blues legend Jimmy Rogers) accompanying on one tune. \r\n
      \r\n
      Robinson sings in the powerful and sometimes piercing voice that inspired the Lonesome Lee sobriquet when he began recording for Bandera Records in the 1950s. Boot-stomping, spur-jangling highlights include a rousing performance of "Wait For Me", Jimmy Reed-inspired "Boss Man" and a spirited rendition of "Wagon Wheels".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Jimmie Lee Robinson (acoustic guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=WskTZ6lpN9c"
    -referenceProduit: "APO Records 2006"
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        "ordre" => 12
        "nom" => "5. Remember Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2126 …}
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    }
    -modifierLe: DateTime @1769631764 {#2122
      date: 2026-01-28 20:22:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2132 …}
    -disponible: null
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    -slug: "vinyles-remember-me-apo-records-2006"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3494
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2124
    -id: 827
    -nom: "Remember Me"
    -informationComplementaire: null
    -description: """
      Jimmie Lee Robinson doesn't dance for the approval of others nor does he thin his music to seduce a wider audience. The self-proclaimed Lonely Traveller's work is an artistic achievement that illustrates why enduring reputations are earned slowly, over time, not swiftly via shrewdly orchestrated media blitzes. His music, honest and unspoiled, comes as a welcome and refreshing alternative in an age of crowd-mesmerizing pyrotechnics, outlandish tempos, and incendiary solos. Remember Me, Robinson's first effort for the APO label and the first album recorded at Blue Heaven Studios, is an adventure deep into the blues of Mr. Robinson's Maxwell Street neighborhood, a neighborhood that has included residencies with musicians such as Little Walter, Howlin Wolf, Freddie King, Elmore James, Luther Tucker, Eddie Taylor, Magic Sam, Jimmy Reed, Shakey Jake, St. Louis Jimmy, Eddy Clearwater, Sunnyland Slim and more. \r\n
      \r\n
      On Remember Me, Robinson accompanies himself on acoustic guitar to create The Lonely Traveller's distinctive brand of blues, which he says represents a lifetime of work, the trials and tribulations of growing up on and experiencing Maxwell Street. If you listen closely, you'll also hear Jimmy D. Lane (son of the late blues legend Jimmy Rogers) accompanying on one tune. \r\n
      \r\n
      Robinson sings in the powerful and sometimes piercing voice that inspired the Lonesome Lee sobriquet when he began recording for Bandera Records in the 1950s. Boot-stomping, spur-jangling highlights include a rousing performance of "Wait For Me", Jimmy Reed-inspired "Boss Man" and a spirited rendition of "Wagon Wheels".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Jimmie Lee Robinson (acoustic guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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        "ordre" => 12
        "nom" => "5. Remember Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2126 …}
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    -modifierLe: DateTime @1769631764 {#2122
      date: 2026-01-28 20:22:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2132 …}
    -disponible: null
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  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2389 …}
}

[
  "produit" => App\Entity\Produit {#2140
    -id: 752
    -nom: "I Know You"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      If you are a blues fan, you know Howlin' Wolf. And if you know Wolf, you already know Hubert Sumlin. Over a span of almost 25 years together, Hubert and Wolf recorded a slew of acknowledged blues classics (in addition to knocking each other's teeth out !) That's Hubert's hair-raising guitar behind the original versions of Spoonful, Back Door Man, and Killing Floor. Along the way, Hubert became an acknowledged guitar hero too, among others, Jimi Hendrix, Keith Richards and Eric Clapton, who proclaimed Hubert's style as "just the weirdest".\r\n
      \r\n
      Yet as influential as he was until his death in December 2011, Hubert Sumlin recorded relatively few solo albums during his lifetime. And when he did, he was often obscured by a mountain of production. On I Know You, surrounded by old friends such a fellow Wolf bandmate Sam Lay on drums and the great Carey Bell on harmonica, Hubert felt free to create in an intimate setting that captured the spirit of the great Chess recordings from the '50's. APO is proud to present Hubert Sumlin's I Know You. It's 100 percent pure unadultered wild and wooly Hubert !\r\n
      \r\n
      "The Guitarists' Guitarist!" - Living Blues\r\n
      \r\n
      "Sumlin is an influence on everyone from the Rolling Stones to Captain Beefheart. (His) solos are instantly recognizable; jagged single notes, shrieks, plunks and shivering moans...as volatile and expressive as the best blues singing". - The New York Times\r\n
      \r\n
      "Hubert Sumlin needs no introduction to blues aficionados - he's the man who played that stinging lead guitar on many of Howlin' Wolf's legendary sides, and inspired more than a generation of blues guitarists. He's in fine form here, singing a selection of classics and originals with a rough (but good) voice and guitar solos that jab and weave with a fat ragged tone. Sumlin takes chances with his playing - sometimes he goes off on weird tangents, all the more musically exciting for their expectations - even the "wrong" notes sound right, oh yeah". ?- Frank Doris, Fi Magazine\r\n
      \r\n
      "...Hubert Sumlin reclaims his place in blues history with this solo album... But the real joy's in the way he's regained his creative vitality. That comes booming through in his vocals and slow-smoked guitar workouts..."?- Ted Drozdowski, Pulse Magazine\r\n
      \r\n
      "I think that I Know You is one of Sumlin's best ever as a solo artist. Everything about this CD displays the emotion and feeling of Chicago blues and calls upon the spirits of Howlin' Wolf and Muddy Waters to give it the power of their music...A stellar cast really makes Sumlin and this CD click on all cylinders. Sumlin's guitar is as good on this CD as I have heard in recent years and every song is a joy to listen to". - Dave "Doc" Plitz, Blues On Stage\r\n
      \r\n
      "Hubert Sumlin's I Know You (APO 2004) is appropriately rough and raunchy, reminiscent of his brutal sideman work with Howlin' Wolf...his authenticity and impact of this rough brand of blues is undeniable. With Chicago veterans like drummer Sam Lay and harmonica ace Carey Bell on board, this session smacks of the real deal without trying too hard...Recorded live to two-track analog, I Know You has an 'old school' charm that should sit well with Chess collectors and vintage blues fans." — Bill Milkowski, Bluetones (JazzTimes) ??"…I Know You has a degree of urgency, coupled with remarkable ease, that makes it a real delight. The result is a record that compares very favorably with Wolf's London Sessions record as a mix of old and new". – All Music Guide
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Hubert Sumlin (guitar, vocals), Jimmy D. Lane (guitar), Freddie Crawford (bass), Carey Bell (harmonica), David Krull (organ, piano), Sam Lay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=q0nzGMebMXo"
    -referenceProduit: "APO Records 2004"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. I'm Coming Home"
      ]
      [
        "ordre" => 2
        "nom" => "2. Howlin' For My Darling"
      ]
      [
        "ordre" => 3
        "nom" => "3. That's Why I'm Gonna Leave You"
      ]
      [
        "ordre" => 4
        "nom" => "4. How Many More Years"
      ]
      [
        "ordre" => 5
        "nom" => "5. Don't Judge A Book By The Cover"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. I Got It Where I Want It"
      ]
      [
        "ordre" => 8
        "nom" => "2. Smokestack"
      ]
      [
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        "nom" => "3. I've Been Hurt"
      ]
      [
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        "nom" => "4. You My Best"
      ]
      [
        "ordre" => 11
        "nom" => "5. Good Bye"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2142 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3545
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2140
    -id: 752
    -nom: "I Know You"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      If you are a blues fan, you know Howlin' Wolf. And if you know Wolf, you already know Hubert Sumlin. Over a span of almost 25 years together, Hubert and Wolf recorded a slew of acknowledged blues classics (in addition to knocking each other's teeth out !) That's Hubert's hair-raising guitar behind the original versions of Spoonful, Back Door Man, and Killing Floor. Along the way, Hubert became an acknowledged guitar hero too, among others, Jimi Hendrix, Keith Richards and Eric Clapton, who proclaimed Hubert's style as "just the weirdest".\r\n
      \r\n
      Yet as influential as he was until his death in December 2011, Hubert Sumlin recorded relatively few solo albums during his lifetime. And when he did, he was often obscured by a mountain of production. On I Know You, surrounded by old friends such a fellow Wolf bandmate Sam Lay on drums and the great Carey Bell on harmonica, Hubert felt free to create in an intimate setting that captured the spirit of the great Chess recordings from the '50's. APO is proud to present Hubert Sumlin's I Know You. It's 100 percent pure unadultered wild and wooly Hubert !\r\n
      \r\n
      "The Guitarists' Guitarist!" - Living Blues\r\n
      \r\n
      "Sumlin is an influence on everyone from the Rolling Stones to Captain Beefheart. (His) solos are instantly recognizable; jagged single notes, shrieks, plunks and shivering moans...as volatile and expressive as the best blues singing". - The New York Times\r\n
      \r\n
      "Hubert Sumlin needs no introduction to blues aficionados - he's the man who played that stinging lead guitar on many of Howlin' Wolf's legendary sides, and inspired more than a generation of blues guitarists. He's in fine form here, singing a selection of classics and originals with a rough (but good) voice and guitar solos that jab and weave with a fat ragged tone. Sumlin takes chances with his playing - sometimes he goes off on weird tangents, all the more musically exciting for their expectations - even the "wrong" notes sound right, oh yeah". ?- Frank Doris, Fi Magazine\r\n
      \r\n
      "...Hubert Sumlin reclaims his place in blues history with this solo album... But the real joy's in the way he's regained his creative vitality. That comes booming through in his vocals and slow-smoked guitar workouts..."?- Ted Drozdowski, Pulse Magazine\r\n
      \r\n
      "I think that I Know You is one of Sumlin's best ever as a solo artist. Everything about this CD displays the emotion and feeling of Chicago blues and calls upon the spirits of Howlin' Wolf and Muddy Waters to give it the power of their music...A stellar cast really makes Sumlin and this CD click on all cylinders. Sumlin's guitar is as good on this CD as I have heard in recent years and every song is a joy to listen to". - Dave "Doc" Plitz, Blues On Stage\r\n
      \r\n
      "Hubert Sumlin's I Know You (APO 2004) is appropriately rough and raunchy, reminiscent of his brutal sideman work with Howlin' Wolf...his authenticity and impact of this rough brand of blues is undeniable. With Chicago veterans like drummer Sam Lay and harmonica ace Carey Bell on board, this session smacks of the real deal without trying too hard...Recorded live to two-track analog, I Know You has an 'old school' charm that should sit well with Chess collectors and vintage blues fans." — Bill Milkowski, Bluetones (JazzTimes) ??"…I Know You has a degree of urgency, coupled with remarkable ease, that makes it a real delight. The result is a record that compares very favorably with Wolf's London Sessions record as a mix of old and new". – All Music Guide
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Hubert Sumlin (guitar, vocals), Jimmy D. Lane (guitar), Freddie Crawford (bass), Carey Bell (harmonica), David Krull (organ, piano), Sam Lay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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      - Beyond The 4 Walls - 45 RPM double LP pressed by Quality Record Pressings !\r\n
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      - Renowned Sacred Steel players The Campbell Brothers return to studio recording !\r\n
      - APO Records produces live to 2 track recording at Blue Heaven Studios !\r\n
      - Mastering by Kevin Gray of Cohearent Audio !\r\n
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[
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    -description: """
      "While it is difficult to imagine how he does it, Knox is making music as fully vivid and expressive as any of the blues icons he so obviously worships. ... Knox at 19 has recorded as strong a blues record as any released in (2011). He is going to be a major force in this music for a long time to come". 4.5/5 stars - Steve Pick, About.com\r\n
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      \r\n
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      Marquise Knox is a once-in-a-generation type of talent. And, man, are traditional blues lovers lucky he's decided to pursue straight-up real blues. Marquise has the voice, the songwriting talent, the guitar chops, the showmanship and the determination to very likely be a success in any number of styles of music. But for Marquise, it's nothing but the blues. Not the guitar hero, pyrotechnic licks blues. Not the gimmicky, tired, "Sweet Home Chicago" meets "Mustang Sally" predictable blues. No, Marquise almost seems to be literally channeling the certain-something energies and nuances of a Howlin' Wolf or Muddy Waters or Lightnin' Hopkins. In fact, when you listen to Marquise 19 years old when he recorded this title you get the sense that this is what those masters must have sounded like as young men. Marquise's blues are so transparent and bare. It's so easy to feel his music as totally legitimate. That's above all what makes it so appealing. That's what makes Marquise Knox special. He's the whole package. A throwback blues master on the rise. Anybody believe in reincarnation ? \r\n
      \r\n
      As you'd expect from somebody still so young, Marquise's talents have matured immeasurably since his 2009 APO debut, Man Child, recorded when he was 16. And that was a really good record. On Man Child, Marquise shared the guitar duties with Michael Burks, a fiercely explosive and powerful guitarist. For his new record, Marquise doesn't need the guitar help, and Here I Am doesn't want for even a little power and punch. Marquise's guitar skills have improved tenfold. Seriously. And his voice is, well, three years richer. To say that this record sounds unlike anything any other 19 year old is releasing in 2011 is undisputable. To say that it may be unlike anything anybody is releasing in 2011 might also be true. \r\n
      \r\n
      When Man Child hit the market in 2009, blues lovers freaked out partly because of how young Marquise was to be sounding like such an aged veteran. Well, he's still awfully young, but this time around, the focus ought to be entirely on just how incredible a bluesman Marquise Knox is, age aside.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Marquise Knox (guitar, harmonica, vocals), Eugene Johnson (bass), Wayne Sharp (organ hammond C3, piano), Mike Battle (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2190
    -id: 777
    -nom: "Man Child"
    -informationComplementaire: ""
    -description: """
      "Blue enthusiasts in St. Louis have known about Marquise Knox since he was fifteen years old and already demonstrating vocal skills and stage presence that rivaled veteran performers two or three times his age. Now people elsewhere are beginning to catch on; Knox has been fielding requests to appear at blues festivals across the United States and in Europe, in addition to his busy gigging schedule at home". Winner of Best Blues Artist 2010 - Riverfront Times, 2010.\r\n
      \r\n
      "...how Knox managed to ingest the anima of a 60-year-old in a 17-year-old's mind/body is part of the mystery that makes this LP so compelling...When you realise that he composed nearly all of the material, you'll want to see his birth certificate. Exquisite guitar-driven blues that promises much for the future". Sound Quality = 90% out of 100% - Ken Kessler, HiFi News, November 2010.\r\n
      \r\n
      "...when you reflect this set was cut at the age of sixteen, the prospects he will be the most notable blues artist of his generation seems a Done Deal...as always there's a lot of flashy and loud player claiming to wear The Raiment Of The Blues-Man, but our bet is Marquise Knox is right now the finest blues artist of his generation, and will be the blues figure to beat for years to come". - Tom "Papa" Ray, owner of Vintage Vinyl in St. Louis, host of The Soul Selector on KDHX 88.1 FM in St. Louis.\r\n
      \r\n
      "...a set that I can unhesitatingly recommend". - Mick Rainsford, Blues In Britain.\r\n
      \r\n
      Man Child is the title of Marquise Knox's national debut, and for good reason. Yes, he was just 16 years old at this recording, but no, this is not another one of those guitar-hero, someday-my-vocals-may-mature, I might one day write my own material records. This kid is flat-out for real! This is a man-sized offering of serious, mature blues. In fact, it's the maturity that provides the shock value here. Sixteen years old ? Listen to that voice and you'll swear he's lying about his age. Guitar licks that are tasty and restrained, none of this hyper-active, self-absorbed speed metal that somehow gets confused with blues.\r\n
      \r\n
      Marquise has already won the approval of B.B. King, Henry Townsend, Robert Lockwood Jr., Big George Brock, Bob Margolin, Sam Lay…Read those names again. Do you really think we're talking about a novelty act here ???\r\n
      \r\n
      And he's an original. All but one of the tracks on Man Child were penned by Marquise, and most of them were written in the studio, on-the-fly, a skill learned at least partially by one of Marquise's main heroes, Henry Townsend.??\r\n
      \r\n
      This is a 16 year old, inner-city kid who somehow has decided to become a dead-serious bluesman of the old-school variety. That just doesn't happen anymore.??Clear the way for the Man Child.\r\n
      """
    -prixVente: "52.00"
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    -musicienOrchestre: "Marquise Knox (guitar, harmonica, vocals), Michael Burks (guitar), Don Garrett (bass), Wayne Sharp (piano), Chuck "Popcorn" Louden (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3700
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2621 …}
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    -nom: "Man Child"
    -informationComplementaire: ""
    -description: """
      "Blue enthusiasts in St. Louis have known about Marquise Knox since he was fifteen years old and already demonstrating vocal skills and stage presence that rivaled veteran performers two or three times his age. Now people elsewhere are beginning to catch on; Knox has been fielding requests to appear at blues festivals across the United States and in Europe, in addition to his busy gigging schedule at home". Winner of Best Blues Artist 2010 - Riverfront Times, 2010.\r\n
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      "...how Knox managed to ingest the anima of a 60-year-old in a 17-year-old's mind/body is part of the mystery that makes this LP so compelling...When you realise that he composed nearly all of the material, you'll want to see his birth certificate. Exquisite guitar-driven blues that promises much for the future". Sound Quality = 90% out of 100% - Ken Kessler, HiFi News, November 2010.\r\n
      \r\n
      "...when you reflect this set was cut at the age of sixteen, the prospects he will be the most notable blues artist of his generation seems a Done Deal...as always there's a lot of flashy and loud player claiming to wear The Raiment Of The Blues-Man, but our bet is Marquise Knox is right now the finest blues artist of his generation, and will be the blues figure to beat for years to come". - Tom "Papa" Ray, owner of Vintage Vinyl in St. Louis, host of The Soul Selector on KDHX 88.1 FM in St. Louis.\r\n
      \r\n
      "...a set that I can unhesitatingly recommend". - Mick Rainsford, Blues In Britain.\r\n
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      Man Child is the title of Marquise Knox's national debut, and for good reason. Yes, he was just 16 years old at this recording, but no, this is not another one of those guitar-hero, someday-my-vocals-may-mature, I might one day write my own material records. This kid is flat-out for real! This is a man-sized offering of serious, mature blues. In fact, it's the maturity that provides the shock value here. Sixteen years old ? Listen to that voice and you'll swear he's lying about his age. Guitar licks that are tasty and restrained, none of this hyper-active, self-absorbed speed metal that somehow gets confused with blues.\r\n
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      This is a 16 year old, inner-city kid who somehow has decided to become a dead-serious bluesman of the old-school variety. That just doesn't happen anymore.??Clear the way for the Man Child.\r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\AjoutMailNewsletterComponent {#3890
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2389 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3891 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3939 …}
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