Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2620
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2697
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2700 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
  -formView: Symfony\Component\Form\FormView {#2736 …}
  -form: Symfony\Component\Form\Form {#2886 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 2316
    -nom: "Live at Montreux 1969"
    -informationComplementaire: null
    -description: "Live At Montreux 1969 finds The First Lady of Song expertly backed by the Tommy Flanagan Trio (Tommy Flanagan (piano), Frank de la Rosa (bass), and Ed Thigpen (drums)) and performing a stunning set that combines contemporary tracks, such as "Sunshine Of Your Love" and "Hey Jude" alongside such classics as "I Won't Dance" and "That Old Black Magic" plus a scat medley. Available on vinyl for the first time !"
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Tommy Flanagan (piano), Frank de la Rosa (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZJ5ToNi_Fo0"
    -referenceProduit: "Mercury Records 594731"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Give Me The Simple Life"
      ]
      [
        "ordre" => 2
        "nom" => "2. This Girl's In Love With You"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Won't Dance"
      ]
      [
        "ordre" => 4
        "nom" => "4. A Place For Lovers"
      ]
      [
        "ordre" => 5
        "nom" => "5. That Old Black Magic"
      ]
      [
        "ordre" => 6
        "nom" => "6. I Love You Madly"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "7. Trouble Is A Man"
      ]
      [
        "ordre" => 9
        "nom" => "8. Sunshine of Your Love"
      ]
      [
        "ordre" => 10
        "nom" => "9. Well Alright Okay You Win"
      ]
      [
        "ordre" => 11
        "nom" => "10. Hey Jude"
      ]
      [
        "ordre" => 12
        "nom" => "11. Scat Medley"
      ]
      [
        "ordre" => 13
        "nom" => "12. A House Is Not A Home"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1667982136 {#1928
      date: 2022-11-09 08:22:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765724337 {#1921
      date: 2025-12-14 14:58:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-montreux-1969-mercury-records-594731"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3158
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 2316
    -nom: "Live at Montreux 1969"
    -informationComplementaire: null
    -description: "Live At Montreux 1969 finds The First Lady of Song expertly backed by the Tommy Flanagan Trio (Tommy Flanagan (piano), Frank de la Rosa (bass), and Ed Thigpen (drums)) and performing a stunning set that combines contemporary tracks, such as "Sunshine Of Your Love" and "Hey Jude" alongside such classics as "I Won't Dance" and "That Old Black Magic" plus a scat medley. Available on vinyl for the first time !"
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Tommy Flanagan (piano), Frank de la Rosa (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZJ5ToNi_Fo0"
    -referenceProduit: "Mercury Records 594731"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Give Me The Simple Life"
      ]
      [
        "ordre" => 2
        "nom" => "2. This Girl's In Love With You"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Won't Dance"
      ]
      [
        "ordre" => 4
        "nom" => "4. A Place For Lovers"
      ]
      [
        "ordre" => 5
        "nom" => "5. That Old Black Magic"
      ]
      [
        "ordre" => 6
        "nom" => "6. I Love You Madly"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "7. Trouble Is A Man"
      ]
      [
        "ordre" => 9
        "nom" => "8. Sunshine of Your Love"
      ]
      [
        "ordre" => 10
        "nom" => "9. Well Alright Okay You Win"
      ]
      [
        "ordre" => 11
        "nom" => "10. Hey Jude"
      ]
      [
        "ordre" => 12
        "nom" => "11. Scat Medley"
      ]
      [
        "ordre" => 13
        "nom" => "12. A House Is Not A Home"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1667982136 {#1928
      date: 2022-11-09 08:22:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765724337 {#1921
      date: 2025-12-14 14:58:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-montreux-1969-mercury-records-594731"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 2504
    -nom: "Great Women Of Song: Ella Fitzgerald"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Ella Fitzgerald (vocals), Louis Armstrong (trumpet, vocals), Ellis Larkins, Oscar Peterson, Paul Smith (piano), Herb Ellis, Barney Kessel (guitar), Ray Brown, Joe Mondragon (bass), Buddy Rich, Alvin Stoller (drums), Paul Weston’s Orchestra, Sy Oliver and His Orchestra, Buddy Bergman’s Orchestra, Nelson Riddle’s Orchestra.\r\n
      \r\n
      - Ella Fitzgerald's cherished recordings on vinyl LP !\r\n
      \r\n
      Known internationally as "The First Lady of Song", Ella Fitzgerald was also, importantly, the first lady of Verve Records the label that was essentially created for her by her manager and the label's founder, Norman Granz.\r\n
      \r\n
      This collection brings together Ella's most cherished recordings in the company of American music's greatest performers and composers-Louis Armstrong, George & Ira Gershwin, Irving Berlin and Jerome Kern, among many others.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Musicians :  Ella Fitzgerald (vocals), Louis Armstrong (trumpet, vocals), Ellis Larkins, Oscar Peterson, Paul Smith (piano), Herb Ellis, Barney Kessel (guitar), Ray Brown, Joe Mondragon (bass), Buddy Rich, Alvin Stoller (drums), Paul Weston’s Orchestra..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OAVZuSoP8dk"
    -referenceProduit: "Verve Records 3400"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. It's A Lovely Day Today"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dream A Little Dream Of Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. It's Only A Paper Moon"
      ]
      [
        "ordre" => 4
        "nom" => "4. Someone To Watch Over Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. You Do Something To Me"
      ]
      [
        "ordre" => 6
        "nom" => "6. Isn't It Romantic ?"
      ]
      [
        "ordre" => 7
        "nom" => "7. Misty 8.Blue Skies"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Cheek To Cheek"
      ]
      [
        "ordre" => 10
        "nom" => "2. I've Got A Crush On You"
      ]
      [
        "ordre" => 11
        "nom" => "3. All The Things You Are"
      ]
      [
        "ordre" => 12
        "nom" => "4. Bewitched, Bothered, And Bewildered"
      ]
      [
        "ordre" => 13
        "nom" => "5. Puttin' On The Ritz"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1709931536 {#2094
      date: 2024-03-08 20:58:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765723938 {#2095
      date: 2025-12-14 14:52:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-great-women-of-song-ella-fitzgerald-verve-records-3400"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3274
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2097
    -id: 2504
    -nom: "Great Women Of Song: Ella Fitzgerald"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Ella Fitzgerald (vocals), Louis Armstrong (trumpet, vocals), Ellis Larkins, Oscar Peterson, Paul Smith (piano), Herb Ellis, Barney Kessel (guitar), Ray Brown, Joe Mondragon (bass), Buddy Rich, Alvin Stoller (drums), Paul Weston’s Orchestra, Sy Oliver and His Orchestra, Buddy Bergman’s Orchestra, Nelson Riddle’s Orchestra.\r\n
      \r\n
      - Ella Fitzgerald's cherished recordings on vinyl LP !\r\n
      \r\n
      Known internationally as "The First Lady of Song", Ella Fitzgerald was also, importantly, the first lady of Verve Records the label that was essentially created for her by her manager and the label's founder, Norman Granz.\r\n
      \r\n
      This collection brings together Ella's most cherished recordings in the company of American music's greatest performers and composers-Louis Armstrong, George & Ira Gershwin, Irving Berlin and Jerome Kern, among many others.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Musicians :  Ella Fitzgerald (vocals), Louis Armstrong (trumpet, vocals), Ellis Larkins, Oscar Peterson, Paul Smith (piano), Herb Ellis, Barney Kessel (guitar), Ray Brown, Joe Mondragon (bass), Buddy Rich, Alvin Stoller (drums), Paul Weston’s Orchestra..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OAVZuSoP8dk"
    -referenceProduit: "Verve Records 3400"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. It's A Lovely Day Today"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dream A Little Dream Of Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. It's Only A Paper Moon"
      ]
      [
        "ordre" => 4
        "nom" => "4. Someone To Watch Over Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. You Do Something To Me"
      ]
      [
        "ordre" => 6
        "nom" => "6. Isn't It Romantic ?"
      ]
      [
        "ordre" => 7
        "nom" => "7. Misty 8.Blue Skies"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Cheek To Cheek"
      ]
      [
        "ordre" => 10
        "nom" => "2. I've Got A Crush On You"
      ]
      [
        "ordre" => 11
        "nom" => "3. All The Things You Are"
      ]
      [
        "ordre" => 12
        "nom" => "4. Bewitched, Bothered, And Bewildered"
      ]
      [
        "ordre" => 13
        "nom" => "5. Puttin' On The Ritz"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1709931536 {#2094
      date: 2024-03-08 20:58:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765723938 {#2095
      date: 2025-12-14 14:52:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-great-women-of-song-ella-fitzgerald-verve-records-3400"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

[
  "produit" => App\Entity\Produit {#2115
    -id: 871
    -nom: "Live at the Concertgebouw 1961"
    -informationComplementaire: null
    -description: """
      - 180 gram double LP !\r\n
      - Second pressing non-numbered !\r\n
      - Remastered from the original analog tapes !\r\n
      - Lacquers cut by André Perriat !\r\n
      \r\n
      On February 10, 1961 at the Concertgebouw in Amsterdam, just one year after her famous concert in Berlin, Ella found herself once again in front of a packed house. Following a sober presentation of the musicians by Norman Granz, Ella enters the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of "Too Close for Comfort".\r\n
      \r\n
      The voice settles down, she holds her audience by the hand, softly, surely. Ella settles on stage as if she were in her living room. She welcomes each spectator like a privileged guest. Each piece is a glass of champagne that she offers with grace. Sometimes melancholic, sometimes joking, most of the time laughing, dynamic and catchy. "Hilariously inventive Ella !" As Bing Crosby used to say : "Man, woman or child, Ella is the greatest of them all".\r\n
      \r\n
      Recorded at the Concertgebouw, Amsterdam, Nov. 18, 1961
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Lou Levy (piano), Herb Ellis (guitar), Wilfred Middlebrooks (bass), Gus Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "The Lost Recordings 4027"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Introduction "
      ]
      [
        "ordre" => 2
        "nom" => "2. Won't you please let me in "
      ]
      [
        "ordre" => 3
        "nom" => "3. Too close for comfort "
      ]
      [
        "ordre" => 4
        "nom" => "4. On a slow boat to china "
      ]
      [
        "ordre" => 5
        "nom" => "Side B :"
      ]
      [
        "ordre" => 6
        "nom" => "1. How long has this been going on ? "
      ]
      [
        "ordre" => 7
        "nom" => "2. Heart and soul "
      ]
      [
        "ordre" => 8
        "nom" => "3. You're driving me crazy "
      ]
      [
        "ordre" => 9
        "nom" => "4. That old black magic "
      ]
      [
        "ordre" => 10
        "nom" => "5. Lover come back to me "
      ]
      [
        "ordre" => 11
        "nom" => "Side C : "
      ]
      [
        "ordre" => 12
        "nom" => "1. My funny valentine "
      ]
      [
        "ordre" => 13
        "nom" => "2. I've got a crush on you "
      ]
      [
        "ordre" => 14
        "nom" => "3. Lorelei "
      ]
      [
        "ordre" => 15
        "nom" => "4. Mr. Paganini "
      ]
      [
        "ordre" => 16
        "nom" => "Side D : "
      ]
      [
        "ordre" => 17
        "nom" => "1. Mack the knife "
      ]
      [
        "ordre" => 18
        "nom" => "2. Saint Louis blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#2117 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2126 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2119 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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App\Twig\Components\GestionPanierFavoriComponents {#3322
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  +produit: App\Entity\Produit {#2115
    -id: 871
    -nom: "Live at the Concertgebouw 1961"
    -informationComplementaire: null
    -description: """
      - 180 gram double LP !\r\n
      - Second pressing non-numbered !\r\n
      - Remastered from the original analog tapes !\r\n
      - Lacquers cut by André Perriat !\r\n
      \r\n
      On February 10, 1961 at the Concertgebouw in Amsterdam, just one year after her famous concert in Berlin, Ella found herself once again in front of a packed house. Following a sober presentation of the musicians by Norman Granz, Ella enters the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of "Too Close for Comfort".\r\n
      \r\n
      The voice settles down, she holds her audience by the hand, softly, surely. Ella settles on stage as if she were in her living room. She welcomes each spectator like a privileged guest. Each piece is a glass of champagne that she offers with grace. Sometimes melancholic, sometimes joking, most of the time laughing, dynamic and catchy. "Hilariously inventive Ella !" As Bing Crosby used to say : "Man, woman or child, Ella is the greatest of them all".\r\n
      \r\n
      Recorded at the Concertgebouw, Amsterdam, Nov. 18, 1961
      """
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[
  "produit" => App\Entity\Produit {#2133
    -id: 2511
    -nom: "Clap Hands, Here Comes Charlie !"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
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      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Fourteen numbers from the heyday of swing, composed sometime between 1930 and 1945 played and sung time and time again in ballrooms, or on the radio to advertise biscuits or war bonds, were recorded by Ella in completely new and personal interpretations in 1961. No one should be put off by the rather unfortunate cover. Clap Hands... is absolutely top notch as regards musicality, perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens, despite the occasionally banal lyrics. The songs of this recording conjure up bygone days, with listeners in the 21st century being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Lou Levy (piano), Joe Mondragon (bass), Herb Ellis (guitar), Stan Levey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -nom: "Clap Hands, Here Comes Charlie !"
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      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
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[
  "produit" => App\Entity\Produit {#2149
    -id: 562
    -nom: "Clap Hands, Here Comes Charlie !"
    -informationComplementaire: null
    -description: """
      "Back in the 1990s original Verve pressings of this record were hot items pushed into prominence in great part by write-ups in The Absolute Sound, particularly by my friend Frank Doris. I found a few, and even a few in pretty good condition, but none of them begin to compare to this double 45 RPM set that offers more of everything, particularly transparency and instrumental separation. ...Ella's on a microphone with a slightly rising high end but if it sounds icy, don't blame the recording or the mastering. It's your system. If it's well-balanced and your cartridge is a good tracker, the vocal transparency and clarity are spooky and the sibilant articulation is precise. These double LPs cut at Sterling Sound use the original tapes, not copies of the original tapes and the clarity and transparency coupled with QRP's drop-dead silent pressings are remarkable. The original pre-MGM buyout LP has a pleasingly nostalgic quality and the added warmth produces a bit more room sound, but in my opinion it can't compare to this reissue unless you like hearing things through rose-tinted loudspeakers. Elegantly produced, arranged and recorded and easy to recommend ..." Music = 9/11; Sound = 9/11 - Michael Fremer, AnalogPlanet.com, February 15, 2013. To read Fremer's full review, click here: http://www.analogplanet.com/content/ellas-room-double-45rpm-clap-hands-here-comes-charlie-reissue-analogue-productions\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Fourteen numbers from the heyday of swing, composed sometime between 1930 and 1945 - played and sung time and time again in ballrooms, or on the radio to advertise biscuits or war bonds, were recorded by Ella in completely new and personal interpretations in 1961. No one should be put off by the rather unfortunate cover. Clap Hands... is absolutely top notch as regards musicality, perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens, despite the occasionally banal lyrics. The songs of this recording conjure up bygone days, with listeners in the 21st century being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz.\r\n
       \r\n
      Originally released in 1962.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=vdE5hfcMgtE"
    -referenceProduit: "Analogue Productions AVRJ 4053-45"
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        "nom" => "2. 'Round Midnite"
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        "nom" => "3. Jersey Bounce"
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        "nom" => "4. Signing Off"
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        "nom" => "Side C : "
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        "nom" => "1. Cry Me A River"
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        "nom" => "2. This Year's Kisses"
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        "nom" => "3. Good Morning Heartache"
      ]
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        "ordre" => 13
        "nom" => "4. (I Was) Born To Be Blue"
      ]
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        "nom" => "Side D : "
      ]
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        "nom" => "1. Clap Hands, Here Comes Charlie!"
      ]
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    -description: """
      "Back in the 1990s original Verve pressings of this record were hot items pushed into prominence in great part by write-ups in The Absolute Sound, particularly by my friend Frank Doris. I found a few, and even a few in pretty good condition, but none of them begin to compare to this double 45 RPM set that offers more of everything, particularly transparency and instrumental separation. ...Ella's on a microphone with a slightly rising high end but if it sounds icy, don't blame the recording or the mastering. It's your system. If it's well-balanced and your cartridge is a good tracker, the vocal transparency and clarity are spooky and the sibilant articulation is precise. These double LPs cut at Sterling Sound use the original tapes, not copies of the original tapes and the clarity and transparency coupled with QRP's drop-dead silent pressings are remarkable. The original pre-MGM buyout LP has a pleasingly nostalgic quality and the added warmth produces a bit more room sound, but in my opinion it can't compare to this reissue unless you like hearing things through rose-tinted loudspeakers. Elegantly produced, arranged and recorded and easy to recommend ..." Music = 9/11; Sound = 9/11 - Michael Fremer, AnalogPlanet.com, February 15, 2013. To read Fremer's full review, click here: http://www.analogplanet.com/content/ellas-room-double-45rpm-clap-hands-here-comes-charlie-reissue-analogue-productions\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Fourteen numbers from the heyday of swing, composed sometime between 1930 and 1945 - played and sung time and time again in ballrooms, or on the radio to advertise biscuits or war bonds, were recorded by Ella in completely new and personal interpretations in 1961. No one should be put off by the rather unfortunate cover. Clap Hands... is absolutely top notch as regards musicality, perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens, despite the occasionally banal lyrics. The songs of this recording conjure up bygone days, with listeners in the 21st century being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz.\r\n
       \r\n
      Originally released in 1962.
      """
    -prixVente: "99.50"
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    -musicienOrchestre: "Ella Fitzgerald (vocals), ?Herb Ellis (guitar),? Gus Johnson, Lou Levy (piano),? Wilfred Middlebrooks, Joe Mondragon (bass), Stan Levey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -referenceProduit: "Analogue Productions AVRJ 4053-45"
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        "nom" => "1. Night In Tunisia"
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        "nom" => "2. You're My Thrill"
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        "nom" => "1. Stella My Starlight"
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        "nom" => "2. 'Round Midnite"
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        "nom" => "1. Cry Me A River"
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        "nom" => "2. This Year's Kisses"
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        "nom" => "4. (I Was) Born To Be Blue"
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        "nom" => "Side D : "
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        "ordre" => 15
        "nom" => "1. Clap Hands, Here Comes Charlie!"
      ]
      [
        "ordre" => 16
        "nom" => "2. Spring Can Really Hang You Up the Most"
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        "nom" => "3. Music Goes 'Round and 'Round"
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    ]
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[
  "produit" => App\Entity\Produit {#2165
    -id: 445
    -nom: "Let No Man Write My Epitaph"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Considered one of Ella's greatest recordings, she's backed on this 1960 release by pianist Paul Smith. Let No Man Write My Epitaph was a 1960 Hollywood movie featuring Fitzgerald. The album hits at a depth of emotional understanding that critics often complained was missing in Ella's reading of jazz lyrics, and once again establishes her as one of the supreme interpreters of the Great American Songbook.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Paul Smith (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=f88yoLs0yl0"
    -referenceProduit: "Acoustic Sounds Series 6901"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. Black Coffee"
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        "ordre" => 2
        "nom" => "2. Angel Eyes"
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        "nom" => "3. I Cried For You"
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        "nom" => "1. Misty"
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        "nom" => "2. September Song"
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        "nom" => "3. One For My Baby (And One More For The Road)"
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        "nom" => "4. Who's Sorry Now"
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        "nom" => "5. I'm Getting Sentimental Over You"
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        "ordre" => 14
        "nom" => "6. Reach For Tomorrow"
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    ]
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -slug: "vinyles-let-no-man-write-my-epitaph-acoustic-sounds-series-6901"
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    -id: 445
    -nom: "Let No Man Write My Epitaph"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Considered one of Ella's greatest recordings, she's backed on this 1960 release by pianist Paul Smith. Let No Man Write My Epitaph was a 1960 Hollywood movie featuring Fitzgerald. The album hits at a depth of emotional understanding that critics often complained was missing in Ella's reading of jazz lyrics, and once again establishes her as one of the supreme interpreters of the Great American Songbook.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Paul Smith (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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[
  "produit" => App\Entity\Produit {#2178
    -id: 2329
    -nom: "Cookin’ With Jaws and the Queen - (Box Set 4 LP)"
    -informationComplementaire: null
    -description: """
      - Eddie "Lockjaw" Davis with Shirley Scott "Cookin' with Jaws and the Queen"180 gram 4 LP collection !\r\n
      - Celebrating the 100th anniversary of Eddie "Lockjaw" Davis !\r\n
      - Cookin' with Jaws and the Queen : The Legendary Prestige Cookbook Albums compiles four classic soul-jazz albums featuring the tenor saxophonist's 1958 Cookbook albums with organist Shirley Scott !\r\n
      - Includes Cookbook, Vol. 1, Cookbook, Vol. 2, Cookbook, Vol. 3, and Smokin', all of which were recorded in stereo by the celebrated engineer, Rudy Van Gelder !\r\n
      - Newly remastered from the original analog tapes by Grammy-winning engineer Bernie Grundman !\r\n
      - 4 LP edition limited to 5000 copies worldwide !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Individually housed in tip-on jackets, featuring the original Prestige Records album artwork !\r\n
      \r\n
      Tenor Saxophonist's 1958 Cookbook Albums with Organist Shirley Scott Newly Remastered from the Original Analog Tapes by Bernie Grundman and Pressed on All-Analog 180 gram Vinyl 4 LP at RTI\r\n
      \r\n
      Craft Recordings celebrates the centennial of Eddie "Lockjaw" Davis with a brand-new, four-album collection, featuring the tenor saxophonist's incendiary 1958 Cookbook albums with organist Shirley Scott. Available here as a 180-gram vinyl 4 LP set, Cookin' with Jaws and the Queen : The Legendary Prestige Cookbook Albums compiles four classic soul-jazz albums: Cookbook, Vol. 1, Cookbook, Vol. 2, Cookbook, Vol. 3, and Smokin', all of which were recorded in stereo by the celebrated engineer, Rudy Van Gelder.\r\n
      \r\n
      Cookin' with Jaws and The Queen has been newly remastered from the original analog tapes by the Grammy-winning engineer, Bernie Grundman. Produced by Nick Phillips, the all-analog 4 LP edition was pressed at RTI, while each LP is individually housed in a tip-on jacket, featuring the original Prestige Records album artwork. Rounding out the vinyl package is a deluxe booklet featuring recording session photos and offering new, in-depth liner notes by jazz journalist Willard Jenkins, who serves as the artistic director for the DC Jazzfest.\r\n
      \r\n
      When tenor saxophonist Eddie "Lockjaw" Davis and Hammond B-3 organist Shirley Scott entered Rudy Van Gelder's hallowed Hackensack, NJ studio in 1958, it was clear that something special was about to take place. For roughly three years, Scott and Davis had been at the forefront of the soul-jazz sound, setting the gold standard for the tenor sax/organ combo. At 36, "Lockjaw" (also known as "Jaws"), was already a veteran of the New York City jazz scene, having spent much of the 1940s playing in the bands of Lucky Millinder, Andy Kirk, and Cootie Williams. But the horn player was also a stylistic chameleon, who straddled the line between the classic big band era and the emerging sounds of hard bop.\r\n
      \r\n
      24 year-old Shirley Scott, meanwhile, was a rising talent from Philadelphia, who stood out as one of the few female musicians in the male-dominated world of jazz. Scott, who would soon become known as the "Queen of the Organ," formed a creative partnership with Davis in 1955, and made her earliest recordings alongside the horn player. By 1958, they were a well-oiled duo. In his liner notes, Jenkins underscores this magical pairing with a quote from saxophonist James Carter: "Every successful artistic partnership has members that truly work together in simpatico towards a common goal, which in this case is groovin' and swingin' their listening audience beyond good health! [Scott] never fails...to provide the perfect underpinning for Lockjaw to either soar above or to dig into to achieve the ultimate goal of a great musical encounter every time. Lockjaw really listens to Shirley and takes his cues particularly on ballads, but she'll put some gentle, intense fire under him on up tempos and inspire the best out of Lockjaw". Jenkins adds, "This is classic Black vernacular jazz".\r\n
      \r\n
      Accompanying Davis and Scott in the studio was multi-reedist Jerome Richardson, who played the flute, baritone sax, and tenor sax. Bassist George Duvivier and drummer Arthur Edgehill rounded out the talented lineup. The sessions, which took place on June 20, September 12, and December 5, 1958, were captured by a 34 year-old Rudy Van Gelder at his Hackensack studio, while Prestige Records' Bob Weinstock and Esmond Edwards served as producers.\r\n
      \r\n
      The repertoire that comprises four albums' worth of material is a delicious combination of Davis-Scott originals and jazz standards. The Eddie "Lockjaw" Davis Cookbook, Vol. 1, originally released in June 1958, features several highlights, including the bluesy radio hit, "In the Kitchen". Clocking in at just under 13 minutes, the mid-tempo, Johnny Hodges-penned track offers plenty of time for each musician to showcase their talents. Ballad "But Beautiful", is another standout track which, Jenkins notes, is bolstered by "Lockjaw's opulently expressive tone...[and] his beautifully legato, conversational solo". Scott's solo, he adds, is "soul personified in the keys".\r\n
      \r\n
      The momentum continues with The Eddie "Lockjaw" Davis Cookbook, Vol. 2, released in December 1958, which features interpretations of the Hoagy Carmichael-Mitchell Parish standard, "Stardust", as well as originals like "Skillet" and opener "The Rev". The latter piece, as the title conveys, features an expressive, conversational delivery between the musicians, as if between a preacher and his parishioners.\r\n
      \r\n
      Cookbook, Vol. 3, which dropped in 1960, features such highlights as the George and Ira Gershwin classic, "Strike Up the Band," the Shirley Scott original "The Goose Hangs High", and the reflective "My Old Flame", which Jenkins remarks, "elicits the kind of wistful posture from Jaws that one might expect from the lament of a love lost, befitting its title. Ms. Scott enters as if embodying that lost love's farewell – ‘See ya later, baby'."\r\n
      \r\n
      The collection concludes with Smokin', an album that is also culled from the 1958 sessions but was originally released in 1964. The confident set finds the group jamming on originals like "Smoke This", "High Fry", and the self-titled "Jaws", as well as such classics as Johnny Burke-Arthur Johnston's "Pennies from Heaven," Edgar Sampson's "Blue Lou", and the George Forrest-Robert Wight tune, "It's a Blue World". The latter two tracks, Jenkins notes, exemplify Davis' unorthodox approach to balladry. "Jaws consistently displays a slightly vigorous attitude towards ballads, rarely actually luxuriating in the moment. His balladic immersion is more that of someone who's got places to go, people to see, food to cook; nonetheless his reverence for a good ballad is no less than his peers, it's just that he constantly sounds ready for a more purposeful stroll rather than a casual linger".\r\n
      \r\n
      Davis and Scott certainly did have plenty to accomplish, following these phenomenal sessions. The two musicians would continue to collaborate through the end of the decade, recording such albums as Jaws in Orbit, Bacalao (both released in 1959), and Misty (1963). Yet, despite the popularity of their work together, the artists went their separate ways, with Davis moving away entirely from the organ/tenor sound that he and Scott made famous. Scott soon joined forces with her husband, tenor saxophonist Stanley Turrentine, and recorded dozens of sessions as a leader during her lengthy career. Davis, meanwhile, would continue to toe the line between small group soul-jazz and the classic sounds of big bands, working with the likes of Count Basie, Kenny Clarke, Gene Ammons, and Johnny Griffin with whom he'd record multiple "Tough Tenors" albums. But those five years that Davis and Scott worked together were instrumental in shaping the sound of soul-jazz and these four delectable albums endure as some of their best work.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Eddie "Lockjaw" Davis (tenor saxophone), George Duvivier (bass), Jerome Richardson (tenor & bariton saxophone, flute), Shirley Scott (organ), Arthur Edgehill (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ZgwYT_aYg74"
    -referenceProduit: "Concord Craft Recordings 0879"
    -titreMorceau: [
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        "ordre" => 0
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      [
        "ordre" => 2
        "nom" => "1. Have Horn, Will Blow "
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        "nom" => "Side A :"
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        "ordre" => 10
        "nom" => "1. The Rev "
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      ]
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Skillet "
      ]
      [
        "ordre" => 14
        "nom" => "2. I Surrender, Dear "
      ]
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        "nom" => "LP 3 - Third Course - Cookbook, Vol. 3"
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        "nom" => "Side A : "
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        "nom" => "1. I'm Just A Lucky So And So "
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        "nom" => "Side A : "
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  +produit: App\Entity\Produit {#2178
    -id: 2329
    -nom: "Cookin’ With Jaws and the Queen - (Box Set 4 LP)"
    -informationComplementaire: null
    -description: """
      - Eddie "Lockjaw" Davis with Shirley Scott "Cookin' with Jaws and the Queen"180 gram 4 LP collection !\r\n
      - Celebrating the 100th anniversary of Eddie "Lockjaw" Davis !\r\n
      - Cookin' with Jaws and the Queen : The Legendary Prestige Cookbook Albums compiles four classic soul-jazz albums featuring the tenor saxophonist's 1958 Cookbook albums with organist Shirley Scott !\r\n
      - Includes Cookbook, Vol. 1, Cookbook, Vol. 2, Cookbook, Vol. 3, and Smokin', all of which were recorded in stereo by the celebrated engineer, Rudy Van Gelder !\r\n
      - Newly remastered from the original analog tapes by Grammy-winning engineer Bernie Grundman !\r\n
      - 4 LP edition limited to 5000 copies worldwide !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Individually housed in tip-on jackets, featuring the original Prestige Records album artwork !\r\n
      \r\n
      Tenor Saxophonist's 1958 Cookbook Albums with Organist Shirley Scott Newly Remastered from the Original Analog Tapes by Bernie Grundman and Pressed on All-Analog 180 gram Vinyl 4 LP at RTI\r\n
      \r\n
      Craft Recordings celebrates the centennial of Eddie "Lockjaw" Davis with a brand-new, four-album collection, featuring the tenor saxophonist's incendiary 1958 Cookbook albums with organist Shirley Scott. Available here as a 180-gram vinyl 4 LP set, Cookin' with Jaws and the Queen : The Legendary Prestige Cookbook Albums compiles four classic soul-jazz albums: Cookbook, Vol. 1, Cookbook, Vol. 2, Cookbook, Vol. 3, and Smokin', all of which were recorded in stereo by the celebrated engineer, Rudy Van Gelder.\r\n
      \r\n
      Cookin' with Jaws and The Queen has been newly remastered from the original analog tapes by the Grammy-winning engineer, Bernie Grundman. Produced by Nick Phillips, the all-analog 4 LP edition was pressed at RTI, while each LP is individually housed in a tip-on jacket, featuring the original Prestige Records album artwork. Rounding out the vinyl package is a deluxe booklet featuring recording session photos and offering new, in-depth liner notes by jazz journalist Willard Jenkins, who serves as the artistic director for the DC Jazzfest.\r\n
      \r\n
      When tenor saxophonist Eddie "Lockjaw" Davis and Hammond B-3 organist Shirley Scott entered Rudy Van Gelder's hallowed Hackensack, NJ studio in 1958, it was clear that something special was about to take place. For roughly three years, Scott and Davis had been at the forefront of the soul-jazz sound, setting the gold standard for the tenor sax/organ combo. At 36, "Lockjaw" (also known as "Jaws"), was already a veteran of the New York City jazz scene, having spent much of the 1940s playing in the bands of Lucky Millinder, Andy Kirk, and Cootie Williams. But the horn player was also a stylistic chameleon, who straddled the line between the classic big band era and the emerging sounds of hard bop.\r\n
      \r\n
      24 year-old Shirley Scott, meanwhile, was a rising talent from Philadelphia, who stood out as one of the few female musicians in the male-dominated world of jazz. Scott, who would soon become known as the "Queen of the Organ," formed a creative partnership with Davis in 1955, and made her earliest recordings alongside the horn player. By 1958, they were a well-oiled duo. In his liner notes, Jenkins underscores this magical pairing with a quote from saxophonist James Carter: "Every successful artistic partnership has members that truly work together in simpatico towards a common goal, which in this case is groovin' and swingin' their listening audience beyond good health! [Scott] never fails...to provide the perfect underpinning for Lockjaw to either soar above or to dig into to achieve the ultimate goal of a great musical encounter every time. Lockjaw really listens to Shirley and takes his cues particularly on ballads, but she'll put some gentle, intense fire under him on up tempos and inspire the best out of Lockjaw". Jenkins adds, "This is classic Black vernacular jazz".\r\n
      \r\n
      Accompanying Davis and Scott in the studio was multi-reedist Jerome Richardson, who played the flute, baritone sax, and tenor sax. Bassist George Duvivier and drummer Arthur Edgehill rounded out the talented lineup. The sessions, which took place on June 20, September 12, and December 5, 1958, were captured by a 34 year-old Rudy Van Gelder at his Hackensack studio, while Prestige Records' Bob Weinstock and Esmond Edwards served as producers.\r\n
      \r\n
      The repertoire that comprises four albums' worth of material is a delicious combination of Davis-Scott originals and jazz standards. The Eddie "Lockjaw" Davis Cookbook, Vol. 1, originally released in June 1958, features several highlights, including the bluesy radio hit, "In the Kitchen". Clocking in at just under 13 minutes, the mid-tempo, Johnny Hodges-penned track offers plenty of time for each musician to showcase their talents. Ballad "But Beautiful", is another standout track which, Jenkins notes, is bolstered by "Lockjaw's opulently expressive tone...[and] his beautifully legato, conversational solo". Scott's solo, he adds, is "soul personified in the keys".\r\n
      \r\n
      The momentum continues with The Eddie "Lockjaw" Davis Cookbook, Vol. 2, released in December 1958, which features interpretations of the Hoagy Carmichael-Mitchell Parish standard, "Stardust", as well as originals like "Skillet" and opener "The Rev". The latter piece, as the title conveys, features an expressive, conversational delivery between the musicians, as if between a preacher and his parishioners.\r\n
      \r\n
      Cookbook, Vol. 3, which dropped in 1960, features such highlights as the George and Ira Gershwin classic, "Strike Up the Band," the Shirley Scott original "The Goose Hangs High", and the reflective "My Old Flame", which Jenkins remarks, "elicits the kind of wistful posture from Jaws that one might expect from the lament of a love lost, befitting its title. Ms. Scott enters as if embodying that lost love's farewell – ‘See ya later, baby'."\r\n
      \r\n
      The collection concludes with Smokin', an album that is also culled from the 1958 sessions but was originally released in 1964. The confident set finds the group jamming on originals like "Smoke This", "High Fry", and the self-titled "Jaws", as well as such classics as Johnny Burke-Arthur Johnston's "Pennies from Heaven," Edgar Sampson's "Blue Lou", and the George Forrest-Robert Wight tune, "It's a Blue World". The latter two tracks, Jenkins notes, exemplify Davis' unorthodox approach to balladry. "Jaws consistently displays a slightly vigorous attitude towards ballads, rarely actually luxuriating in the moment. His balladic immersion is more that of someone who's got places to go, people to see, food to cook; nonetheless his reverence for a good ballad is no less than his peers, it's just that he constantly sounds ready for a more purposeful stroll rather than a casual linger".\r\n
      \r\n
      Davis and Scott certainly did have plenty to accomplish, following these phenomenal sessions. The two musicians would continue to collaborate through the end of the decade, recording such albums as Jaws in Orbit, Bacalao (both released in 1959), and Misty (1963). Yet, despite the popularity of their work together, the artists went their separate ways, with Davis moving away entirely from the organ/tenor sound that he and Scott made famous. Scott soon joined forces with her husband, tenor saxophonist Stanley Turrentine, and recorded dozens of sessions as a leader during her lengthy career. Davis, meanwhile, would continue to toe the line between small group soul-jazz and the classic sounds of big bands, working with the likes of Count Basie, Kenny Clarke, Gene Ammons, and Johnny Griffin with whom he'd record multiple "Tough Tenors" albums. But those five years that Davis and Scott worked together were instrumental in shaping the sound of soul-jazz and these four delectable albums endure as some of their best work.
      """
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[
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    -id: 2311
    -nom: "Dear Old Stockholm Vol. 2"
    -informationComplementaire: null
    -description: """
      - Eddie Higgins Trio "Dear Old Stockholm Vol. 2"180 gram vinyl !\r\n
      - Mixed and mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi strip !\r\n
      - Japanese pressing !\r\n
      - Celebrated jazz trio performs fan favorites !\r\n
      \r\n
      By the time this album was recorded in 2002, veteran pianist Eddie Higgins had become one of the most popular pianists in Japan, thanks in no small part to the independent label Venus Records. To commemorate its 10th anniversary, Venus asked its fans which songs they would like to hear the Eddie Higgins Trio perform on their new album. Higgins chose a selection of songs out of the top 25 vote getters.\r\n
      \r\n
      Featuring a lot of ballads, this is for the most part a mellow, relaxing album. Supported by the deep, tuneful bass of Jay Leonhart and sensitive drums of Joe Ascione, Higgins plays these popular songs with elegance and restrained passion. His musical ideas are always flowing and the harmonies are beautiful.\r\n
      \r\n
      Highlights include "Nardis" where the trio picks up the tempo and intensity, "Dear Old Stockholm" (the N° 1 choice of fans) and "Over The Rainbow". Great songs, wonderfully played. And as always the case with Venus Records, great sound.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Eddie Higgins (piano), Jay Leonhart (bass), Joe Ascione (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -referenceProduit: "Venus Records VHJD 0236"
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  +produit: App\Entity\Produit {#2201
    -id: 2311
    -nom: "Dear Old Stockholm Vol. 2"
    -informationComplementaire: null
    -description: """
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      - Mixed and mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi strip !\r\n
      - Japanese pressing !\r\n
      - Celebrated jazz trio performs fan favorites !\r\n
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      \r\n
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      \r\n
      Highlights include "Nardis" where the trio picks up the tempo and intensity, "Dear Old Stockholm" (the N° 1 choice of fans) and "Over The Rainbow". Great songs, wonderfully played. And as always the case with Venus Records, great sound.
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[
  "produit" => App\Entity\Produit {#2220
    -id: 2358
    -nom: "It's Magic Vol. II"
    -informationComplementaire: null
    -description: """
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      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi Strip !\r\n
      - Japanese pressing !\r\n
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      """
    -prixVente: "69.50"
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3614
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
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      - Second volume of jazzpiano classics on 180 gram vinyl !\r\n
      - Mixed and Mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi Strip !\r\n
      - Japanese pressing !\r\n
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      """
    -prixVente: "69.50"
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}

[
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    -id: 2357
    -nom: "My Funny Valentine Vol. 2"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - Mixed and mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi strip !\r\n
      - Japanese pressing !\r\n
      - Celebrated jazz quartet cooks !\r\n
      \r\n
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      \r\n
      Here Higgins is joined by his quartet consisting of Scott Hamilton on tenor sax, Jay Leonhart on bass, and Joe Ascione on drums.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Eddie Higgins (piano), Scott Hamilton (tenor saxophone), Jay Leonhart (bass), Joe Ascione (drums)"
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App\Twig\Components\GestionPanierFavoriComponents {#3665
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
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    -id: 2357
    -nom: "My Funny Valentine Vol. 2"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - Mixed and mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi strip !\r\n
      - Japanese pressing !\r\n
      - Celebrated jazz quartet cooks !\r\n
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      \r\n
      Here Higgins is joined by his quartet consisting of Scott Hamilton on tenor sax, Jay Leonhart on bass, and Joe Ascione on drums.
      """
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    -musicienOrchestre: "Eddie Higgins (piano), Scott Hamilton (tenor saxophone), Jay Leonhart (bass), Joe Ascione (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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}

[
  "produit" => App\Entity\Produit {#2252
    -id: 2413
    -nom: "Solo Piano Standards by Request 2nd Day"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - Mixed and mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi strip !\r\n
      - Japanese pressing !\r\n
      - Eddie Higgins solo piano Part 2 !\r\n
      \r\n
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      \r\n
      Standards by Request 1st Day and 2nd Day are a pair of solo piano albums that include a collection of standards requested by readers of Swing Journal. Forty of the top requests were given to Higgins and the plan was to record material for only one album. However, after recording 15 tracks on the first day-an extraordinary feat in itself-Higgins wanted to continue. So another recording took place the next day where Higgins recorded another 15 tracks.\r\n
      \r\n
      The tracks on this release are presented in the order they were recorded. No music sheets were involved. Higgins is so talented as a pianist that his own arranging and pacing of tunes as well as its spontaneous arrangement — were highly successful. The producer didn't feel the need to change a thing.\r\n
      \r\n
      Standards by Request 2nd Day shows why Higgins is such a popular artist. It's all here the beautiful sound, exquisite touch, stylish swing, and harmonious improvisation. Sit back and enjoy the work of a master !
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Eddie Higgins  (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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        "nom" => "2. ing In The Dark "
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App\Twig\Components\GestionPanierFavoriComponents {#3716
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2252
    -id: 2413
    -nom: "Solo Piano Standards by Request 2nd Day"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - Mixed and mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi strip !\r\n
      - Japanese pressing !\r\n
      - Eddie Higgins solo piano Part 2 !\r\n
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      Standards by Request 1st Day and 2nd Day are a pair of solo piano albums that include a collection of standards requested by readers of Swing Journal. Forty of the top requests were given to Higgins and the plan was to record material for only one album. However, after recording 15 tracks on the first day-an extraordinary feat in itself-Higgins wanted to continue. So another recording took place the next day where Higgins recorded another 15 tracks.\r\n
      \r\n
      The tracks on this release are presented in the order they were recorded. No music sheets were involved. Higgins is so talented as a pianist that his own arranging and pacing of tunes as well as its spontaneous arrangement — were highly successful. The producer didn't feel the need to change a thing.\r\n
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      Standards by Request 2nd Day shows why Higgins is such a popular artist. It's all here the beautiful sound, exquisite touch, stylish swing, and harmonious improvisation. Sit back and enjoy the work of a master !
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Eddie Higgins  (piano)"
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      ]
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        "nom" => "5. Corcovado"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2260 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-solo-piano-standards-by-request-2nd-day-venus-records-vhjd-0238"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

[
  "produit" => App\Entity\Produit {#2268
    -id: 2355
    -nom: "Standards by Request 1st day"
    -informationComplementaire: null
    -description: """
      Pianist Eddie Higgins may not be well known in the US, but he is hands down the most famous and prolific musician on the Venus Records roster. Since his 1997 Venus debut, Higgins has released more than 20 albums from the label.\r\n
      \r\n
      Standards by Request 1st Day and 2nd Day are a pair of solo piano albums that include a collection of standards requested by readers of Swing Journal. Forty of the top requests were given to Higgins and the plan was to record material for only one album. However, after recording 15 tracks on the first day-an extraordinary feat in itself-Higgins wanted to continue. So another recording took place the next day where Higgins recorded another 15 tracks.\r\n
      \r\n
      The tracks on this release are presented in the order they were recorded. No music sheets were involved. Higgins is so talented as a pianist that his own arranging and pacing of tunes as well as its spontaneous arrangement were highly successful. The producer didn't feel the need to change a thing.\r\n
      \r\n
      Standards by Request 1st Day shows why Higgins is such a popular artist. It's all here the beautiful sound, exquisite touch, stylish swing, and harmonious improvisation. Sit back and enjoy the work of a master!
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Eddie Higgins (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eEIiJiAOwpk"
    -referenceProduit: "Venus Records VHJD 0237"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. It's Magic "
      ]
      [
        "ordre" => 2
        "nom" => "2. Easy Living "
      ]
      [
        "ordre" => 3
        "nom" => "3. Gone With The Wind "
      ]
      [
        "ordre" => 4
        "nom" => "4. I Gotta Right To Sing The Blues "
      ]
      [
        "ordre" => 5
        "nom" => "5. Dear  Old Stockholm"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. I Thought About You "
      ]
      [
        "ordre" => 8
        "nom" => "2. You'd Be So Nice To Come Home To "
      ]
      [
        "ordre" => 9
        "nom" => "3. My Old Flame "
      ]
      [
        "ordre" => 10
        "nom" => "4. Once Upon A Summertime "
      ]
      [
        "ordre" => 11
        "nom" => "5. Smoke Gets In Your Eyes"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …}
    -label: Proxies\__CG__\App\Entity\Label {#2206 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2276 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2269 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2271 …}
    -enregistreLe: DateTime @1676293391 {#2265
      date: 2023-02-13 13:03:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765617472 {#2266
      date: 2025-12-13 09:17:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2273 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-standards-by-request-1st-day-venus-records-vhjd-0237"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3769
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2699 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2268
    -id: 2355
    -nom: "Standards by Request 1st day"
    -informationComplementaire: null
    -description: """
      Pianist Eddie Higgins may not be well known in the US, but he is hands down the most famous and prolific musician on the Venus Records roster. Since his 1997 Venus debut, Higgins has released more than 20 albums from the label.\r\n
      \r\n
      Standards by Request 1st Day and 2nd Day are a pair of solo piano albums that include a collection of standards requested by readers of Swing Journal. Forty of the top requests were given to Higgins and the plan was to record material for only one album. However, after recording 15 tracks on the first day-an extraordinary feat in itself-Higgins wanted to continue. So another recording took place the next day where Higgins recorded another 15 tracks.\r\n
      \r\n
      The tracks on this release are presented in the order they were recorded. No music sheets were involved. Higgins is so talented as a pianist that his own arranging and pacing of tunes as well as its spontaneous arrangement were highly successful. The producer didn't feel the need to change a thing.\r\n
      \r\n
      Standards by Request 1st Day shows why Higgins is such a popular artist. It's all here the beautiful sound, exquisite touch, stylish swing, and harmonious improvisation. Sit back and enjoy the work of a master!
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Eddie Higgins (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eEIiJiAOwpk"
    -referenceProduit: "Venus Records VHJD 0237"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. It's Magic "
      ]
      [
        "ordre" => 2
        "nom" => "2. Easy Living "
      ]
      [
        "ordre" => 3
        "nom" => "3. Gone With The Wind "
      ]
      [
        "ordre" => 4
        "nom" => "4. I Gotta Right To Sing The Blues "
      ]
      [
        "ordre" => 5
        "nom" => "5. Dear  Old Stockholm"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. I Thought About You "
      ]
      [
        "ordre" => 8
        "nom" => "2. You'd Be So Nice To Come Home To "
      ]
      [
        "ordre" => 9
        "nom" => "3. My Old Flame "
      ]
      [
        "ordre" => 10
        "nom" => "4. Once Upon A Summertime "
      ]
      [
        "ordre" => 11
        "nom" => "5. Smoke Gets In Your Eyes"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …}
    -label: Proxies\__CG__\App\Entity\Label {#2206 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2276 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2269 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2271 …}
    -enregistreLe: DateTime @1676293391 {#2265
      date: 2023-02-13 13:03:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765617472 {#2266
      date: 2025-12-13 09:17:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2273 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-standards-by-request-1st-day-venus-records-vhjd-0237"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3965
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2467 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3966 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4014 …}
  +isValidated: false
  +validatedFields: []
}