Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2571
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2648
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2651 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
  -formView: Symfony\Component\Form\FormView {#2687 …}
  -form: Symfony\Component\Form\Form {#2837 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2965
    -nom: "Trio (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Dolly Parton, Linda Ronstadt, Emmylou Harris (guitar, vocals), Kenny Edwards, Leland Sklar (acoustic bass), Albert Lee, (acoustic guitar, guitar Highstrung, mandolin, soloist ), John Starling (Rhythm & acoustic guitar), Mark O'Connor (acoustic guitar, fiddle, mandolin, viola), David Lindley (acoustic guitar, dulcimer, autoharp, Kona Hawaiian guitar, mandolin, zither Harpolek), Herb Pederson (banjo), Jodi Burnett (cello), Dennis Karmazyn (cello soloist), Marty Krystall (clarinet), Charles Veal (concertmaster), Steve Fishell (dobro, pedal steel guitar), Kenny Edwards (electric bass), Ry Cooder (electric guitar), Bill Payne, Bill Payne (electric & acoustic piano, Harmonium, Organ Hammond), Brice Martin (flute), Ilene "Novi" Novog (viola), Russ Kunkel (drums).\r\n
      \r\n
      - Dolly Parton, Linda Ronstadt, Emmylou Harris "Trio" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - 2 x Grammy-winning album mastered from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      A landmark collaboration and one of the most celebrated albums in country music history, Trio brings together three transcendent voices Dolly Parton, Emmylou Harris, and Linda Ronstadt in a recording that's as emotionally rich as it is impeccably produced.\r\n
      \r\n
      Originally released in 1987, Trio was both a critical and commercial triumph, selling more than 4 million copies worldwide, topping the Billboard U.S. Country Albums chart for five consecutive weeks, and earning the Grammy Award for Best Country Performance by a Duo or Group with Vocal. It was also nominated for Album of the Year. The album yielded four major country hits, highlighted by the haunting, harmony-driven remake of Phil Spector's classic "To Know Him Is to Love Him".\r\n
      \r\n
      Produced by legendary engineer George Massenburg, Trio is a masterclass in clarity, balance, and vocal blend. Every track showcases the trio's distinct personalities while achieving a near-perfect harmonic unity-three iconic artists elevating one another through tasteful arrangements, pristine acoustics, and song-first performances.\r\n
      \r\n
      Now, this classic shines brighter than ever. Mastered at 45 RPM and pressed on flat, ultra-quiet vinyl by Quality Record Pressings, this edition reveals rewarding insights for audiophiles, including greater nuance, texture and emotional depth with every listen.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Dolly Parton, Linda Ronstadt, Emmylou Harris (guitar, vocals), Kenny Edwards, Leland Sklar (acoustic bass), Albert Lee, (acoustic guitar, guitar Highstrung, mandolin, soloist ), John Starling (Rhythm & acoustic guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OjkihwNeCqA&list=PLUWP0osIt1ZmUuyceR9X_Qo7BDRou7npU"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 005-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Pain Of Loving You"
      ]
      [
        "ordre" => 2
        "nom" => "2. Making Plans"
      ]
      [
        "ordre" => 3
        "nom" => "3. To Know Him Is To Love Him "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Hobo's Meditation"
      ]
      [
        "ordre" => 6
        "nom" => "2. Wildflowers"
      ]
      [
        "ordre" => 7
        "nom" => "3. Telling Me Lies "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. My Dear Companion"
      ]
      [
        "ordre" => 10
        "nom" => "2. Those Memories Of You"
      ]
      [
        "ordre" => 11
        "nom" => "3. I've Had Enough "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Rosewood Casket"
      ]
      [
        "ordre" => 14
        "nom" => "2. Farther Along"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1770151418 {#1875
      date: 2026-02-03 20:43:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770275880 {#1868
      date: 2026-02-05 07:18:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trio-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-005-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3112
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2965
    -nom: "Trio (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Dolly Parton, Linda Ronstadt, Emmylou Harris (guitar, vocals), Kenny Edwards, Leland Sklar (acoustic bass), Albert Lee, (acoustic guitar, guitar Highstrung, mandolin, soloist ), John Starling (Rhythm & acoustic guitar), Mark O'Connor (acoustic guitar, fiddle, mandolin, viola), David Lindley (acoustic guitar, dulcimer, autoharp, Kona Hawaiian guitar, mandolin, zither Harpolek), Herb Pederson (banjo), Jodi Burnett (cello), Dennis Karmazyn (cello soloist), Marty Krystall (clarinet), Charles Veal (concertmaster), Steve Fishell (dobro, pedal steel guitar), Kenny Edwards (electric bass), Ry Cooder (electric guitar), Bill Payne, Bill Payne (electric & acoustic piano, Harmonium, Organ Hammond), Brice Martin (flute), Ilene "Novi" Novog (viola), Russ Kunkel (drums).\r\n
      \r\n
      - Dolly Parton, Linda Ronstadt, Emmylou Harris "Trio" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - 2 x Grammy-winning album mastered from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      A landmark collaboration and one of the most celebrated albums in country music history, Trio brings together three transcendent voices Dolly Parton, Emmylou Harris, and Linda Ronstadt in a recording that's as emotionally rich as it is impeccably produced.\r\n
      \r\n
      Originally released in 1987, Trio was both a critical and commercial triumph, selling more than 4 million copies worldwide, topping the Billboard U.S. Country Albums chart for five consecutive weeks, and earning the Grammy Award for Best Country Performance by a Duo or Group with Vocal. It was also nominated for Album of the Year. The album yielded four major country hits, highlighted by the haunting, harmony-driven remake of Phil Spector's classic "To Know Him Is to Love Him".\r\n
      \r\n
      Produced by legendary engineer George Massenburg, Trio is a masterclass in clarity, balance, and vocal blend. Every track showcases the trio's distinct personalities while achieving a near-perfect harmonic unity-three iconic artists elevating one another through tasteful arrangements, pristine acoustics, and song-first performances.\r\n
      \r\n
      Now, this classic shines brighter than ever. Mastered at 45 RPM and pressed on flat, ultra-quiet vinyl by Quality Record Pressings, this edition reveals rewarding insights for audiophiles, including greater nuance, texture and emotional depth with every listen.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Dolly Parton, Linda Ronstadt, Emmylou Harris (guitar, vocals), Kenny Edwards, Leland Sklar (acoustic bass), Albert Lee, (acoustic guitar, guitar Highstrung, mandolin, soloist ), John Starling (Rhythm & acoustic guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OjkihwNeCqA&list=PLUWP0osIt1ZmUuyceR9X_Qo7BDRou7npU"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 005-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Pain Of Loving You"
      ]
      [
        "ordre" => 2
        "nom" => "2. Making Plans"
      ]
      [
        "ordre" => 3
        "nom" => "3. To Know Him Is To Love Him "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Hobo's Meditation"
      ]
      [
        "ordre" => 6
        "nom" => "2. Wildflowers"
      ]
      [
        "ordre" => 7
        "nom" => "3. Telling Me Lies "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. My Dear Companion"
      ]
      [
        "ordre" => 10
        "nom" => "2. Those Memories Of You"
      ]
      [
        "ordre" => 11
        "nom" => "3. I've Had Enough "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Rosewood Casket"
      ]
      [
        "ordre" => 14
        "nom" => "2. Farther Along"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1770151418 {#1875
      date: 2026-02-03 20:43:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770275880 {#1868
      date: 2026-02-05 07:18:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trio-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-005-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "produit" => App\Entity\Produit {#2046
    -id: 2558
    -nom: "Shotgun Willie (2 LP) 45 RPM"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Willie Nelson's breakthrough solo album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.\r\n
      \r\n
      Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time\r\n
      \r\n
      The album the first to feature Nelson with long hair and a beard on the cover gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at N° 60 and 22 on Hot Country Songs respectively.\r\n
      \r\n
      We are so pleased to bring you this deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Bobbie Nelson (piano), Jody Payne (guitar), Bee Spears (bass), Mickey Raphael (harmonica), Waylon Jennings (vocals), Paul English (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DzVDEUR7mx4"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 045-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Shotgun Willie"
      ]
      [
        "ordre" => 2
        "nom" => "2. Whiskey River"
      ]
      [
        "ordre" => 3
        "nom" => "3. Sad Songs And Waltzes"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Local Memory"
      ]
      [
        "ordre" => 6
        "nom" => "2. Slow Down Old World"
      ]
      [
        "ordre" => 7
        "nom" => "3. Stay All Night (Stay A Little Longer)"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Devil In A Sleepin' Bag"
      ]
      [
        "ordre" => 10
        "nom" => "2. She's Not For You"
      ]
      [
        "ordre" => 11
        "nom" => "3. Bubbles In My Beer"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. You Look Like The Devil"
      ]
      [
        "ordre" => 14
        "nom" => "2. So Much To Do"
      ]
      [
        "ordre" => 15
        "nom" => "3. A Song For You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2051 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2060 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2053 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2055 …}
    -enregistreLe: DateTime @1727163867 {#2042
      date: 2024-09-24 07:44:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769947959 {#2041
      date: 2026-02-01 12:12:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2057 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-shotgun-willie-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-045-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3226
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2046
    -id: 2558
    -nom: "Shotgun Willie (2 LP) 45 RPM"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Willie Nelson's breakthrough solo album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.\r\n
      \r\n
      Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time\r\n
      \r\n
      The album the first to feature Nelson with long hair and a beard on the cover gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at N° 60 and 22 on Hot Country Songs respectively.\r\n
      \r\n
      We are so pleased to bring you this deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Bobbie Nelson (piano), Jody Payne (guitar), Bee Spears (bass), Mickey Raphael (harmonica), Waylon Jennings (vocals), Paul English (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DzVDEUR7mx4"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 045-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Shotgun Willie"
      ]
      [
        "ordre" => 2
        "nom" => "2. Whiskey River"
      ]
      [
        "ordre" => 3
        "nom" => "3. Sad Songs And Waltzes"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Local Memory"
      ]
      [
        "ordre" => 6
        "nom" => "2. Slow Down Old World"
      ]
      [
        "ordre" => 7
        "nom" => "3. Stay All Night (Stay A Little Longer)"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Devil In A Sleepin' Bag"
      ]
      [
        "ordre" => 10
        "nom" => "2. She's Not For You"
      ]
      [
        "ordre" => 11
        "nom" => "3. Bubbles In My Beer"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. You Look Like The Devil"
      ]
      [
        "ordre" => 14
        "nom" => "2. So Much To Do"
      ]
      [
        "ordre" => 15
        "nom" => "3. A Song For You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2051 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2060 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2053 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2055 …}
    -enregistreLe: DateTime @1727163867 {#2042
      date: 2024-09-24 07:44:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769947959 {#2041
      date: 2026-02-01 12:12:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2057 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-shotgun-willie-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-045-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "produit" => App\Entity\Produit {#2065
    -id: 2171
    -nom: "And Then I Wrote (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Willie Nelson's iconic 1962 debut album! Now a 45 RPM Analogue Productions reissue !\r\n
      ... and then I wrote includes "Crazy," "Hello Walls," "Funny How Time Slips Away" and more !\r\n
      - 180 gram 2 LP vinyl by Quality Record Pressings !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab by Acoustic Sounds from the original analog tape !\r\n
      - Sleeved in a deluxe Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      "Hello Walls", "Crazy", "Funny How Time Slips Away". These are some of the most memorable hits in the Willie Nelson songwriting canon. One of the most important musical artists in American history, a first-name giant like Elvis and Ella, Willie scored these and more hits with his debut album... and then I wrote. (Texas Monthly magazine ranks it N° 4 on their ranked list of all 145 Willie Nelson albums).\r\n
      \r\n
      In 1961 Willie Nelson was finally in Nashville and tasting success after years of scraping by in various locales, on his gift for making heartaches and memories rhyme. Nelson's songs "Crazy", "Hello Walls" and "Funny How Time Slips Away" bcame huge hits for Patsy Cline, Faron Young and Billy Walker, respectively. The royalty checks fat ones were rolling in.\r\n
      \r\n
      But Willie wanted more. These songs were his essence, and he wanted country music fans to know they poured out of his soul. The next fall, in 1962, he debuted his first full-length album with Liberty Records, and called it... and then I wrote. It was perhaps the most accomplished debut album in history.\r\n
      \r\n
      "For many of us born in the six decades since, it's impossible to imagine a world in which these songs didn't exist. If you grew up in Texas, they were likely just about everywhere: at ballgames and cookouts and weddings and funerals, on road trips and the radio and every jukebox you've ever flipped through", writes Texas Monthly.\r\n
      \r\n
      How best to apply the Analogue Productions reissue treatment to such a historic veteran country classic? Well, for starters, there was no doubt this classic deserved the wider-spaced grooves, improved cartridge tracking, and noticable reductions in distortion and high frequency loss that are testament to a 45 RPM four-sided AP reissue. So four glorious sides of 180 gram dead-silent vinyl pressed by our own Quality Record Pressings it would have to be. And the mastering ? Top-notch marks there as well. The capable hands of our engineer Matthew Lutthans at The Mastering Lab by Acoustic Sounds working with the original master tape sounds amazing. The Mastering Lab by Acoustic Sounds upholds the quality standard achieved by the late Grammy-winning mastering engineer Doug Sax that made the brand famous.\r\n
      \r\n
      It wasn't just the songs on the album that ascended to the country canon, including the three previously mentioned hits that appear back-to-back, but the deep cuts like "Mr. Record Man", "Undo the Right", and "Wake Me When It's Over"... and then I wrote isn't just one of the greatest debuts of all time it's one of the best singer-songwriter records ever recorded.\r\n
      \r\n
      The sheen of the Nashville sound on this record is mercifully dialed down. It was produced by the head of Liberty's country division, Joe Allison, partly in Music Row's famous Quonset Hut studio and partly in Hollywood. Allison appreciated Willie's idiosyncratic singing style and kept his vocals out front, dropping the glossy chorus back in the mix and eschewing strings altogether.\r\n
      \r\n
      The album produced one Top Ten single "Touch Me", yet none of the other three singles made the charts. Yet if it were released today, people would mistake it for a Willie's Greatest Hits record. Patsy Cline released her definitive version of "Crazy" in 1961, and in the years since it's been recorded by dozens of artists, from Linda Ronstadt to Chaka Khan to Austin emo band Mineral to, for the first time on this record, Willie himself.\r\n
      \r\n
      It's the song that would take him from poet-picker to a composer worthy of inclusion in the Great American Songbook. The Analogue Productions reissue of... and then I wrote will find its place of honor at the top of the most cherished LPs in your music collection.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Willie Nelson (acoustic guitar, vocals), Billy Strange, Roy Nichol, Johnny Western (guitar), B. J. Baker (backing vocals), Earl Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AU3qCSi2Wjw"
    -referenceProduit: "Analogue Productions AAPP 133-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Touch Me "
      ]
      [
        "ordre" => 2
        "nom" => "2. Wake Me When It's Over "
      ]
      [
        "ordre" => 3
        "nom" => "3. Hello Walls"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Funny How Time Slips Away "
      ]
      [
        "ordre" => 6
        "nom" => "2. Crazy "
      ]
      [
        "ordre" => 7
        "nom" => "3. The Part Where I Cry"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Mr. Record Man "
      ]
      [
        "ordre" => 10
        "nom" => "2. Three Days "
      ]
      [
        "ordre" => 11
        "nom" => "3. One Step Beyond"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Undo the Right "
      ]
      [
        "ordre" => 14
        "nom" => "2. Darkness On the Face of the Earth "
      ]
      [
        "ordre" => 15
        "nom" => "3. Where My House Lives"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2067 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2076 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2069 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2071 …}
    -enregistreLe: DateTime @1639762394 {#2062
      date: 2021-12-17 17:33:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769947576 {#2063
      date: 2026-02-01 12:06:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2073 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-and-then-i-wrote-2-lp-45-rpm-analogue-productions-aapp-133-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3279
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2065
    -id: 2171
    -nom: "And Then I Wrote (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Willie Nelson's iconic 1962 debut album! Now a 45 RPM Analogue Productions reissue !\r\n
      ... and then I wrote includes "Crazy," "Hello Walls," "Funny How Time Slips Away" and more !\r\n
      - 180 gram 2 LP vinyl by Quality Record Pressings !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab by Acoustic Sounds from the original analog tape !\r\n
      - Sleeved in a deluxe Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      "Hello Walls", "Crazy", "Funny How Time Slips Away". These are some of the most memorable hits in the Willie Nelson songwriting canon. One of the most important musical artists in American history, a first-name giant like Elvis and Ella, Willie scored these and more hits with his debut album... and then I wrote. (Texas Monthly magazine ranks it N° 4 on their ranked list of all 145 Willie Nelson albums).\r\n
      \r\n
      In 1961 Willie Nelson was finally in Nashville and tasting success after years of scraping by in various locales, on his gift for making heartaches and memories rhyme. Nelson's songs "Crazy", "Hello Walls" and "Funny How Time Slips Away" bcame huge hits for Patsy Cline, Faron Young and Billy Walker, respectively. The royalty checks fat ones were rolling in.\r\n
      \r\n
      But Willie wanted more. These songs were his essence, and he wanted country music fans to know they poured out of his soul. The next fall, in 1962, he debuted his first full-length album with Liberty Records, and called it... and then I wrote. It was perhaps the most accomplished debut album in history.\r\n
      \r\n
      "For many of us born in the six decades since, it's impossible to imagine a world in which these songs didn't exist. If you grew up in Texas, they were likely just about everywhere: at ballgames and cookouts and weddings and funerals, on road trips and the radio and every jukebox you've ever flipped through", writes Texas Monthly.\r\n
      \r\n
      How best to apply the Analogue Productions reissue treatment to such a historic veteran country classic? Well, for starters, there was no doubt this classic deserved the wider-spaced grooves, improved cartridge tracking, and noticable reductions in distortion and high frequency loss that are testament to a 45 RPM four-sided AP reissue. So four glorious sides of 180 gram dead-silent vinyl pressed by our own Quality Record Pressings it would have to be. And the mastering ? Top-notch marks there as well. The capable hands of our engineer Matthew Lutthans at The Mastering Lab by Acoustic Sounds working with the original master tape sounds amazing. The Mastering Lab by Acoustic Sounds upholds the quality standard achieved by the late Grammy-winning mastering engineer Doug Sax that made the brand famous.\r\n
      \r\n
      It wasn't just the songs on the album that ascended to the country canon, including the three previously mentioned hits that appear back-to-back, but the deep cuts like "Mr. Record Man", "Undo the Right", and "Wake Me When It's Over"... and then I wrote isn't just one of the greatest debuts of all time it's one of the best singer-songwriter records ever recorded.\r\n
      \r\n
      The sheen of the Nashville sound on this record is mercifully dialed down. It was produced by the head of Liberty's country division, Joe Allison, partly in Music Row's famous Quonset Hut studio and partly in Hollywood. Allison appreciated Willie's idiosyncratic singing style and kept his vocals out front, dropping the glossy chorus back in the mix and eschewing strings altogether.\r\n
      \r\n
      The album produced one Top Ten single "Touch Me", yet none of the other three singles made the charts. Yet if it were released today, people would mistake it for a Willie's Greatest Hits record. Patsy Cline released her definitive version of "Crazy" in 1961, and in the years since it's been recorded by dozens of artists, from Linda Ronstadt to Chaka Khan to Austin emo band Mineral to, for the first time on this record, Willie himself.\r\n
      \r\n
      It's the song that would take him from poet-picker to a composer worthy of inclusion in the Great American Songbook. The Analogue Productions reissue of... and then I wrote will find its place of honor at the top of the most cherished LPs in your music collection.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Willie Nelson (acoustic guitar, vocals), Billy Strange, Roy Nichol, Johnny Western (guitar), B. J. Baker (backing vocals), Earl Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AU3qCSi2Wjw"
    -referenceProduit: "Analogue Productions AAPP 133-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Touch Me "
      ]
      [
        "ordre" => 2
        "nom" => "2. Wake Me When It's Over "
      ]
      [
        "ordre" => 3
        "nom" => "3. Hello Walls"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Funny How Time Slips Away "
      ]
      [
        "ordre" => 6
        "nom" => "2. Crazy "
      ]
      [
        "ordre" => 7
        "nom" => "3. The Part Where I Cry"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Mr. Record Man "
      ]
      [
        "ordre" => 10
        "nom" => "2. Three Days "
      ]
      [
        "ordre" => 11
        "nom" => "3. One Step Beyond"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Undo the Right "
      ]
      [
        "ordre" => 14
        "nom" => "2. Darkness On the Face of the Earth "
      ]
      [
        "ordre" => 15
        "nom" => "3. Where My House Lives"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2067 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2076 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2069 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2071 …}
    -enregistreLe: DateTime @1639762394 {#2062
      date: 2021-12-17 17:33:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769947576 {#2063
      date: 2026-02-01 12:06:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2073 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-and-then-i-wrote-2-lp-45-rpm-analogue-productions-aapp-133-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "produit" => App\Entity\Produit {#2081
    -id: 1724
    -nom: "Red Headed Stranger"
    -informationComplementaire: null
    -description: """
      - Concept Album Reissued On Vinyl LP !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 237/500 !\r\n
      \r\n
      Willie Nelson's 1975 concept album, with its mystic and religious overtones, broke all of the traditional rules of country music and helped establish Austin, Texas, as ground zero of the "Outlaw" movement ! Nelson's self-financed, surprise double-platinum smash helped him reach by far his largest audience and yielded the N° 1 country single (and Top 20 pop hit) Blues Eyes Crying in the Rain.\r\n
      \r\n
      Willie Nelson has been part of our collective consciousness far longer than his legendary status as a performer. Long before the formally pony-tailed master of song was singing “Stardust”, “Always On My Mind”, and “Blue Eyes Crying In The Rain” (none of which he wrote) Nelson was a master lyricist for some of country music’s greatest stars. Among the hits he wrote are Patsy Cline’s “Crazy”, Roy Orbison’s “Pretty Paper” and the autobiographical “Night Life” for Ray Price.\r\n
      \r\n
      Following the brilliant Phases And Stages Willie’s debut for Columbia is a brilliant concept album (nearly unheard of in country music) based around the song and story of the “Red Headed Stranger”. Although the song had been previously recorded by Eddy Arnold, it was Willie who would take the song to a much higher level by putting together an entire cycle of songs based around the tragic story of the Red Headed Stranger. Nelson’s album is a stunning mix of original and classic songs. Among the highlights are his heart-felt interpretations of “Blue Eyes Crying In The Rain”, “Time Of The Preacher” and “Can I Sleep In Your Arms” by the prolific song writer Hank Cochran.\r\n
      \r\n
      Red Headed Stranger also features Willie’s Family, his band, featuring his sister Bobbie (piano), Jody Payne (guitar, mandolin), the impeccable harmonica of Mickey Raphael, and the ever flawless Billy English on drums. \r\n
      \r\n
      "Newly signed to Columbia, Nelson was feeling ambitious. "It was the first time I had 'artistic control'" he recalled. "So I thought I would just start writing". Nelson had penned the song "Red Headed Stranger" years before; on a drive back to Austin after a Colorado ski trip, he fleshed out the yarn his wife, Connie, writing down the lyrics as they came out of his mouth. He kept the arrangements extremely spare, in sharp contrast to the gussied-up music coming out of Nashville at the time. The songs locked together to tell a tale of murder and infidelity, and the concept album became one of Nelson's biggest hits". - www.rollingstone.com \r\n
      \r\n
      "Nelson had gotten his start writing hits like 'Crazy' for Patsy Cline, but his own breakthrough was a cover of an old country standard written by Rose in 1945 and originally recorded by Roy Acuff. Delivered with Nelson’s jazz-singer phrasing, it’s the beating heart of Red Headed Stranger, his 1975 concept album about love and death in the Old West". - Rolling Stone
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Jody Payne (guitar, mandolin), Bee Spears (bass), Bobbie Nelson (piano), Mickey Raphael (harmonica), Bucky Meadows (guitar), Paul English, Billy English (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ieFkYPOawro&list=RDieFkYPOawro&start_radio=1"
    -referenceProduit: "Legacy Records 8951"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Time Of The Preacher"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Couldn't Believe It Was True"
      ]
      [
        "ordre" => 3
        "nom" => "3. Time Of The Preacher Theme"
      ]
      [
        "ordre" => 4
        "nom" => "4. Medley :"
      ]
      [
        "ordre" => 5
        "nom" => "Blue Rock Montana"
      ]
      [
        "ordre" => 6
        "nom" => "Red Headed Stranger"
      ]
      [
        "ordre" => 7
        "nom" => "5. Blue Eyes Crying In The Rain"
      ]
      [
        "ordre" => 8
        "nom" => "6. Red Headed Stranger"
      ]
      [
        "ordre" => 9
        "nom" => "7. Time Of The Preacher Theme"
      ]
      [
        "ordre" => 10
        "nom" => "8. Just As I Am"
      ]
      [
        "ordre" => 11
        "nom" => "Side B : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Denver"
      ]
      [
        "ordre" => 13
        "nom" => "2. O'er The Waves"
      ]
      [
        "ordre" => 14
        "nom" => "3. Down Yonder"
      ]
      [
        "ordre" => 15
        "nom" => "4. Can I Sleep In Your Arms"
      ]
      [
        "ordre" => 16
        "nom" => "5. Remember Me (When The Candle Lights Are Gleaming)"
      ]
      [
        "ordre" => 17
        "nom" => "6. Hands On The Wheel"
      ]
      [
        "ordre" => 18
        "nom" => "7. Bandera"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2083 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2092 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2085 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2087 …}
    -enregistreLe: DateTime @1565884375 {#2078
      date: 2019-08-15 15:52:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769947390 {#2079
      date: 2026-02-01 12:03:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2089 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-red-headed-stranger-legacy-records-8951"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3327
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2081
    -id: 1724
    -nom: "Red Headed Stranger"
    -informationComplementaire: null
    -description: """
      - Concept Album Reissued On Vinyl LP !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 237/500 !\r\n
      \r\n
      Willie Nelson's 1975 concept album, with its mystic and religious overtones, broke all of the traditional rules of country music and helped establish Austin, Texas, as ground zero of the "Outlaw" movement ! Nelson's self-financed, surprise double-platinum smash helped him reach by far his largest audience and yielded the N° 1 country single (and Top 20 pop hit) Blues Eyes Crying in the Rain.\r\n
      \r\n
      Willie Nelson has been part of our collective consciousness far longer than his legendary status as a performer. Long before the formally pony-tailed master of song was singing “Stardust”, “Always On My Mind”, and “Blue Eyes Crying In The Rain” (none of which he wrote) Nelson was a master lyricist for some of country music’s greatest stars. Among the hits he wrote are Patsy Cline’s “Crazy”, Roy Orbison’s “Pretty Paper” and the autobiographical “Night Life” for Ray Price.\r\n
      \r\n
      Following the brilliant Phases And Stages Willie’s debut for Columbia is a brilliant concept album (nearly unheard of in country music) based around the song and story of the “Red Headed Stranger”. Although the song had been previously recorded by Eddy Arnold, it was Willie who would take the song to a much higher level by putting together an entire cycle of songs based around the tragic story of the Red Headed Stranger. Nelson’s album is a stunning mix of original and classic songs. Among the highlights are his heart-felt interpretations of “Blue Eyes Crying In The Rain”, “Time Of The Preacher” and “Can I Sleep In Your Arms” by the prolific song writer Hank Cochran.\r\n
      \r\n
      Red Headed Stranger also features Willie’s Family, his band, featuring his sister Bobbie (piano), Jody Payne (guitar, mandolin), the impeccable harmonica of Mickey Raphael, and the ever flawless Billy English on drums. \r\n
      \r\n
      "Newly signed to Columbia, Nelson was feeling ambitious. "It was the first time I had 'artistic control'" he recalled. "So I thought I would just start writing". Nelson had penned the song "Red Headed Stranger" years before; on a drive back to Austin after a Colorado ski trip, he fleshed out the yarn his wife, Connie, writing down the lyrics as they came out of his mouth. He kept the arrangements extremely spare, in sharp contrast to the gussied-up music coming out of Nashville at the time. The songs locked together to tell a tale of murder and infidelity, and the concept album became one of Nelson's biggest hits". - www.rollingstone.com \r\n
      \r\n
      "Nelson had gotten his start writing hits like 'Crazy' for Patsy Cline, but his own breakthrough was a cover of an old country standard written by Rose in 1945 and originally recorded by Roy Acuff. Delivered with Nelson’s jazz-singer phrasing, it’s the beating heart of Red Headed Stranger, his 1975 concept album about love and death in the Old West". - Rolling Stone
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Jody Payne (guitar, mandolin), Bee Spears (bass), Bobbie Nelson (piano), Mickey Raphael (harmonica), Bucky Meadows (guitar), Paul English, Billy English (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ieFkYPOawro&list=RDieFkYPOawro&start_radio=1"
    -referenceProduit: "Legacy Records 8951"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Time Of The Preacher"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Couldn't Believe It Was True"
      ]
      [
        "ordre" => 3
        "nom" => "3. Time Of The Preacher Theme"
      ]
      [
        "ordre" => 4
        "nom" => "4. Medley :"
      ]
      [
        "ordre" => 5
        "nom" => "Blue Rock Montana"
      ]
      [
        "ordre" => 6
        "nom" => "Red Headed Stranger"
      ]
      [
        "ordre" => 7
        "nom" => "5. Blue Eyes Crying In The Rain"
      ]
      [
        "ordre" => 8
        "nom" => "6. Red Headed Stranger"
      ]
      [
        "ordre" => 9
        "nom" => "7. Time Of The Preacher Theme"
      ]
      [
        "ordre" => 10
        "nom" => "8. Just As I Am"
      ]
      [
        "ordre" => 11
        "nom" => "Side B : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Denver"
      ]
      [
        "ordre" => 13
        "nom" => "2. O'er The Waves"
      ]
      [
        "ordre" => 14
        "nom" => "3. Down Yonder"
      ]
      [
        "ordre" => 15
        "nom" => "4. Can I Sleep In Your Arms"
      ]
      [
        "ordre" => 16
        "nom" => "5. Remember Me (When The Candle Lights Are Gleaming)"
      ]
      [
        "ordre" => 17
        "nom" => "6. Hands On The Wheel"
      ]
      [
        "ordre" => 18
        "nom" => "7. Bandera"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2083 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2092 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2085 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2087 …}
    -enregistreLe: DateTime @1565884375 {#2078
      date: 2019-08-15 15:52:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769947390 {#2079
      date: 2026-02-01 12:03:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2089 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-red-headed-stranger-legacy-records-8951"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 854
    -nom: "My Way"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Willie Nelson (acoustic guitar, vocals), Dean Parks (acoustic & electric guitar), David Piltch (acoustic bass), Mickey Raphael (harmonica), Paul Franklin (steel guitar), Jeff Coffin (alto saxophone), Doug Moffet (baritone saxophone), Denis Solee (tenor saxophone), Barry Green, Chris McDonald (trombone), Mike Haynes, Steve Patrick (trumpet), Alicia Enstrom, Anthony La Marchina, Betsy Lamb, Carole Rabinowitz, Conni Ellisor, David Davidson, Janet Darnall, Karen Winkelmann, Monisa\u{202F}Angell (strings section), Matt Rollings (piano, Wurlitzer electric piano, B‑3 organ), Jay Bellerose (drums).\r\n
      \r\n
      - 2019 Grammy Winner - Best Traditional Pop Vocal Album !\r\n
      - New album covers Sinatra's famed songbook !\r\n
      - Recorded in the tradition of 1978's legendary Stardust and 2016's Grammy Award-winning Summertime : Willie Nelson Sings Gershwin !\r\n
      \r\n
      In the wake of the wonderfully-received album of originals Last Man Standing earlier this year, the ever-prolific Willie Nelson is ready to announce his next project and it's one incredibly close to his heart. Coming September 14, the album is titled My Way and is an album of songs made famous by Frank Sinatra. Willie Nelson and Frank Sinatra are both defining avatars of American popular music. Hearing Willie's freewheeling roadhouse rave-ups and Frank's smoky, cosmopolitan songs, one may assume they sat on different sides of the fence but they had an enduring friendship and great respect for each other's craft.\r\n
      \r\n
      My Way, Willie Nelson's new album, explores his admiration and connection to Sinatra's art and artistry across 11 fresh, intoxicating takes on songs made famous by the Chairman of the Board. Recorded in the tradition of 1978's legendary Stardust and 2016's Grammy Award-winning Summertime: Willie Nelson Sings Gershwin, My Way is a warm and personal nod from one icon to another.\r\n
      \r\n
      Like Sinatra, Willie is a vocalist who imbues every song with a myriad of impressionistic sonic signatures. "I learned a lot about phrasing listening to Frank", Willie said in a 2018 interview. "He didn't worry about behind the beat or in front of the beat, or whatever he could sing it either way, and that's the feel you have to have". Such is the spirit of My Way's smooth approach to timeless tunes such as "Summer Wind", "It Was A Very Good Year", "I'll Be Around", "Fly Me To The Moon", "What Is This Thing Called Love" (cast as a duet with fellow Grammy winner Norah Jones) and, of course, the anthemic "My Way". Add Willie's stalwart backing band, plus lush string and horn arrangements all produced by Grammy winners Buddy Cannon and Matt Rollings and you've got an album that's as cool as it gets.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Willie Nelson (acoustic guitar, vocals), Dean Parks (acoustic & electric guitar), David Piltch (acoustic bass), Mickey Raphael (harmonica), Paul Franklin (steel guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TcbUHJ-j4kE&list=RDTcbUHJ-j4kE&start_radio=1"
    -referenceProduit: "Legacy Records 5118"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Fly Me To The Moon"
      ]
      [
        "ordre" => 2
        "nom" => "2. Summer Wind"
      ]
      [
        "ordre" => 3
        "nom" => "3. One For My Baby (And One More For The Road)"
      ]
      [
        "ordre" => 4
        "nom" => "4. A Foggy Day"
      ]
      [
        "ordre" => 5
        "nom" => "5. It Was A Very Good Year"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Blue Moon"
      ]
      [
        "ordre" => 8
        "nom" => "2. I'll Be Around"
      ]
      [
        "ordre" => 9
        "nom" => "3. Night And Day"
      ]
      [
        "ordre" => 10
        "nom" => "4. What Is This Thing Called Love (with Norah Jones)"
      ]
      [
        "ordre" => 11
        "nom" => "5. Young At Heart"
      ]
      [
        "ordre" => 12
        "nom" => "6. My Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2083 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2105 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2098 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2100 …}
    -enregistreLe: DateTime @1451638613 {#2094
      date: 2016-01-01 08:56:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769947341 {#2095
      date: 2026-02-01 12:02:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2102 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-my-way-legacy-records-5118"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3375
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2097
    -id: 854
    -nom: "My Way"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Willie Nelson (acoustic guitar, vocals), Dean Parks (acoustic & electric guitar), David Piltch (acoustic bass), Mickey Raphael (harmonica), Paul Franklin (steel guitar), Jeff Coffin (alto saxophone), Doug Moffet (baritone saxophone), Denis Solee (tenor saxophone), Barry Green, Chris McDonald (trombone), Mike Haynes, Steve Patrick (trumpet), Alicia Enstrom, Anthony La Marchina, Betsy Lamb, Carole Rabinowitz, Conni Ellisor, David Davidson, Janet Darnall, Karen Winkelmann, Monisa\u{202F}Angell (strings section), Matt Rollings (piano, Wurlitzer electric piano, B‑3 organ), Jay Bellerose (drums).\r\n
      \r\n
      - 2019 Grammy Winner - Best Traditional Pop Vocal Album !\r\n
      - New album covers Sinatra's famed songbook !\r\n
      - Recorded in the tradition of 1978's legendary Stardust and 2016's Grammy Award-winning Summertime : Willie Nelson Sings Gershwin !\r\n
      \r\n
      In the wake of the wonderfully-received album of originals Last Man Standing earlier this year, the ever-prolific Willie Nelson is ready to announce his next project and it's one incredibly close to his heart. Coming September 14, the album is titled My Way and is an album of songs made famous by Frank Sinatra. Willie Nelson and Frank Sinatra are both defining avatars of American popular music. Hearing Willie's freewheeling roadhouse rave-ups and Frank's smoky, cosmopolitan songs, one may assume they sat on different sides of the fence but they had an enduring friendship and great respect for each other's craft.\r\n
      \r\n
      My Way, Willie Nelson's new album, explores his admiration and connection to Sinatra's art and artistry across 11 fresh, intoxicating takes on songs made famous by the Chairman of the Board. Recorded in the tradition of 1978's legendary Stardust and 2016's Grammy Award-winning Summertime: Willie Nelson Sings Gershwin, My Way is a warm and personal nod from one icon to another.\r\n
      \r\n
      Like Sinatra, Willie is a vocalist who imbues every song with a myriad of impressionistic sonic signatures. "I learned a lot about phrasing listening to Frank", Willie said in a 2018 interview. "He didn't worry about behind the beat or in front of the beat, or whatever he could sing it either way, and that's the feel you have to have". Such is the spirit of My Way's smooth approach to timeless tunes such as "Summer Wind", "It Was A Very Good Year", "I'll Be Around", "Fly Me To The Moon", "What Is This Thing Called Love" (cast as a duet with fellow Grammy winner Norah Jones) and, of course, the anthemic "My Way". Add Willie's stalwart backing band, plus lush string and horn arrangements all produced by Grammy winners Buddy Cannon and Matt Rollings and you've got an album that's as cool as it gets.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Willie Nelson (acoustic guitar, vocals), Dean Parks (acoustic & electric guitar), David Piltch (acoustic bass), Mickey Raphael (harmonica), Paul Franklin (steel guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TcbUHJ-j4kE&list=RDTcbUHJ-j4kE&start_radio=1"
    -referenceProduit: "Legacy Records 5118"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Fly Me To The Moon"
      ]
      [
        "ordre" => 2
        "nom" => "2. Summer Wind"
      ]
      [
        "ordre" => 3
        "nom" => "3. One For My Baby (And One More For The Road)"
      ]
      [
        "ordre" => 4
        "nom" => "4. A Foggy Day"
      ]
      [
        "ordre" => 5
        "nom" => "5. It Was A Very Good Year"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Blue Moon"
      ]
      [
        "ordre" => 8
        "nom" => "2. I'll Be Around"
      ]
      [
        "ordre" => 9
        "nom" => "3. Night And Day"
      ]
      [
        "ordre" => 10
        "nom" => "4. What Is This Thing Called Love (with Norah Jones)"
      ]
      [
        "ordre" => 11
        "nom" => "5. Young At Heart"
      ]
      [
        "ordre" => 12
        "nom" => "6. My Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2083 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2105 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2098 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2100 …}
    -enregistreLe: DateTime @1451638613 {#2094
      date: 2016-01-01 08:56:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769947341 {#2095
      date: 2026-02-01 12:02:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2102 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-my-way-legacy-records-5118"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "produit" => App\Entity\Produit {#2110
    -id: 441
    -nom: "The Fabulous Johnny Cash"
    -informationComplementaire: null
    -description: "Impex Records et Audio International annoncent la résurrection d'un classique américain! Une merveille : « The Fabulous Johnny Cash » sur vinyIe de 180 grammes! « The Fabulous Johnny Cash » a été le troisième album du chanteur de country Johnny Cash. Initialement publié en 1959 par Columbia, peu de temps après son départ de chez Sun Records. Ce nouveau et fabuleux Johnny Cash prend ici une nouvelle ampleur et lui permet de se diriger artistiquement sur d’autres registres comme la country, le folk et le gospel. Lorsque Johnny Cash est sur la radio, personne ne change de station. C’est une voix, un nom avec une âme qui traverse toutes les frontières et c’est une voix que nous croyons tous."
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Johnny Cash (guitar, vocals), Luther Perkins (lead guitar), Don Helms  (steel guitar), Marshall Grant (bass), The Jordanaires (background vocals), Marvin Hughes (piano), Buddy Harman, Morris Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=s9Ig4lW7yD4"
    -referenceProduit: "Impex Records IMP 6008"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Run Softly, Blue River"
      ]
      [
        "ordre" => 2
        "nom" => "2. Frankie's Man, Johnny"
      ]
      [
        "ordre" => 3
        "nom" => "3. That's All Over"
      ]
      [
        "ordre" => 4
        "nom" => "4. The Troubadour"
      ]
      [
        "ordre" => 5
        "nom" => "5. One More Ride"
      ]
      [
        "ordre" => 6
        "nom" => "6. That's Enough"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. I Still Miss Someone"
      ]
      [
        "ordre" => 9
        "nom" => "2. Don't Take Your Guns to Town"
      ]
      [
        "ordre" => 10
        "nom" => "3. I'd Rather Die Young"
      ]
      [
        "ordre" => 11
        "nom" => "4. Pickin' Time"
      ]
      [
        "ordre" => 12
        "nom" => "5. Shepherd of My Heart"
      ]
      [
        "ordre" => 13
        "nom" => "6. Suppertime"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
    -label: Proxies\__CG__\App\Entity\Label {#2115 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2124 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2117 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2119 …}
    -enregistreLe: DateTime @1305355499 {#2107
      date: 2011-05-14 06:44:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769797464 {#2108
      date: 2026-01-30 18:24:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2121 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-fabulous-johnny-cash-impex-records-imp-6008"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3421
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2110
    -id: 441
    -nom: "The Fabulous Johnny Cash"
    -informationComplementaire: null
    -description: "Impex Records et Audio International annoncent la résurrection d'un classique américain! Une merveille : « The Fabulous Johnny Cash » sur vinyIe de 180 grammes! « The Fabulous Johnny Cash » a été le troisième album du chanteur de country Johnny Cash. Initialement publié en 1959 par Columbia, peu de temps après son départ de chez Sun Records. Ce nouveau et fabuleux Johnny Cash prend ici une nouvelle ampleur et lui permet de se diriger artistiquement sur d’autres registres comme la country, le folk et le gospel. Lorsque Johnny Cash est sur la radio, personne ne change de station. C’est une voix, un nom avec une âme qui traverse toutes les frontières et c’est une voix que nous croyons tous."
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Johnny Cash (guitar, vocals), Luther Perkins (lead guitar), Don Helms  (steel guitar), Marshall Grant (bass), The Jordanaires (background vocals), Marvin Hughes (piano), Buddy Harman, Morris Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=s9Ig4lW7yD4"
    -referenceProduit: "Impex Records IMP 6008"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Run Softly, Blue River"
      ]
      [
        "ordre" => 2
        "nom" => "2. Frankie's Man, Johnny"
      ]
      [
        "ordre" => 3
        "nom" => "3. That's All Over"
      ]
      [
        "ordre" => 4
        "nom" => "4. The Troubadour"
      ]
      [
        "ordre" => 5
        "nom" => "5. One More Ride"
      ]
      [
        "ordre" => 6
        "nom" => "6. That's Enough"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. I Still Miss Someone"
      ]
      [
        "ordre" => 9
        "nom" => "2. Don't Take Your Guns to Town"
      ]
      [
        "ordre" => 10
        "nom" => "3. I'd Rather Die Young"
      ]
      [
        "ordre" => 11
        "nom" => "4. Pickin' Time"
      ]
      [
        "ordre" => 12
        "nom" => "5. Shepherd of My Heart"
      ]
      [
        "ordre" => 13
        "nom" => "6. Suppertime"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
    -label: Proxies\__CG__\App\Entity\Label {#2115 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2124 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2117 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2119 …}
    -enregistreLe: DateTime @1305355499 {#2107
      date: 2011-05-14 06:44:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769797464 {#2108
      date: 2026-01-30 18:24:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2121 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-fabulous-johnny-cash-impex-records-imp-6008"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "produit" => App\Entity\Produit {#2129
    -id: 2536
    -nom: "At Folsom Prison"
    -informationComplementaire: null
    -description: """
      - The 1968 album that made Johnny Cash a music legend !\r\n
      - 180 gram double LP, 45 RPM !\r\n
      - 1/4" / 15 ips analog master to DSD 256 to analog console to lathe !\r\n
      - Double LP set plays arresting immediacy, spaciousness, and directness !\r\n
      \r\n
      Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution's forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He'd played there two years prior. But this time was different.\r\n
      \r\n
      Cash took the stage that day for two shows amid a darkening sociopolitical atmosphere and a raging war in Vietnam, as well as the knowledge his career and health hung on by a thread. The Arkansas native shared many of the long odds and abject failures of the inmates for which he performed. The songs he chose, and the conviction with which he delivered them, say as much. The point at which Cash transformed from a country star into a legendary artist, and a bold statement about the American prison state and its commitment to rehabilitation, the triple-platinum At Folsom Prison remains one the most important, potent, and fabled records of the 20th century.\r\n
      \r\n
      Mastered on MoFi's renowned mastering system at its California studio and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) set of At Folsom Prison veritably places you in the cafeteria with the hootin' and hollerin' prisoners with which Cash felt a mutual chemistry, sympathy, and spirit. A through-line to the no-frills rawness that helps make this landmark record among the most genuine documents ever committed to tape, this audiophile reissue presents what transpired that winter day with a fullness, directness, spaciousness, and dynamic absent prior editions.\r\n
      \r\n
      You can hear it echo off the walls of the room; pulse through the Tennessee Three's itchy, acoustic-based boom-chick rhythms; crackle in the announcements conveyed over the intercom; ring in the comedy of the off-cuff remarks and pair of novelty tunes; sense it in palpable energy that wells up within Cash and his audience. And you can experience it like never before via Cash's knockout singing. The bedrock foundation of all his music, the singer's baritone resonates with profound degrees of depth, pliability, and passion that underscore how much this appearance meant to him and the extent he was living the narratives.\r\n
      \r\n
      Indeed, every song on At Folsom Prison serves a purpose and speaks to the conditions mental, emotional, physical, geographical, legal, social the inmates confronted on a daily basis. Beginning with the explicit messages of the opening "Folsom Prison Blues", Cash makes it clear he understands and shares many of their plights. Not for nothing did the myth of Cash having done hard time persist for decades once this record hit the streets. That's how real it is, and how dedicated Cash remains to conveying every note with the same truth he invests in the impromptu comments he makes between and amid songs.\r\n
      \r\n
      Listen to the sorrow, regret, pity, and loneliness of Merle Travis' "Dark as the Dungeon", Cash pulling syllables until they threaten to break and inhabiting the mood of bleak phrases such as "pleasures are few" and "the sun never shines". Witness the isolation, dejection, and sadness punctuating the walking-blues "I Still Miss Someone", matched in gravity by a solemn reading of "The Long Black Veil" a traditional dirge that involves murder, cheating, and deception. Cash cuts even deeper on a heartbreaking solo rendition of "Send a Picture of Mother" and plainspoken version of Harlan Howard's "The Wall", detailing a suicide disguised as jailbreak through cliched-jaw deliveries that softly curse the impossible situation.\r\n
      \r\n
      In chronicling temptations, mistakes, mortality, punishment, and life "inside" — for better or worse, the stories of the disenfranchised, forgotten, written-off, and unrepentant "At Folsom Prison" also has a blast playing the outlaw role. Cash captures wild-eyed craziness and out-of-control mayhem on a revved-up take of "Cocaine Blues", taking extra satisfaction in its dastardly tales by way of voice that shifts into character for the sheriff and judge. The gallows humor and racing drama of "25 Minutes to Go"; quicksilver accents and resigned acceptance of "I Got Stripes"; train-whistle blare and twangy locomotion of "Folsom Prison Blues" all fight the law only to see the law win.\r\n
      \r\n
      Cash remains deeply committed at every moment, and inseparably connected with the tortured souls removed from the goings-on of the outside world. No wonder all but two songs here stem from the day's first performance that saw Cash, Luther Perkins, Marshall Grant, and company give everything. As does the Man in Black's soon-to-be-wife, June Carter. The couple's fiery duet on "Jackson" scorches; their combination of surrender and fortitude "Give My Love to Rose" puts us in the dying protagonist's shoes.\r\n
      \r\n
      And with the closing "Greystone Chapel", famously penned by convict Glen Sherley, who watched it all happen under the watchful eye of guards, Cash separates the corporeal from the spiritual, relaying lessons about salvation and survival. Heady themes to which he'd return for the remainder of his illustrious career.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Johnny Cash (guitar, vocals), Luther Perkins (electric guitar), Carl Perkins (electric guitar, vocals), Marshall Grant (bass), June Carter Cash, The Statler Brothers (vocals), The Carter Family (guitar, vocals), Randall Martin, W.S. Holland (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=GpZ-2HDJzFw"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-543"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Folsom Prison Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dark As The Dungeon"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Still Miss Someone"
      ]
      [
        "ordre" => 4
        "nom" => "4. Cocaine Blues"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. 25 Minutes To Go"
      ]
      [
        "ordre" => 7
        "nom" => "2. Orange Blossom Special"
      ]
      [
        "ordre" => 8
        "nom" => "3. The Long Black Veil"
      ]
      [
        "ordre" => 9
        "nom" => "Side C :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Send A Picture Of Mother"
      ]
      [
        "ordre" => 11
        "nom" => "2. The Wall"
      ]
      [
        "ordre" => 12
        "nom" => "3. Dirty Old Eggsuckin' Dog"
      ]
      [
        "ordre" => 13
        "nom" => "4. Flushed From The Bathroom Of Your Heart"
      ]
      [
        "ordre" => 14
        "nom" => "5. Jackson - with June Carter"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Give My Love To Rose - with June Carter"
      ]
      [
        "ordre" => 17
        "nom" => "2. I Got Stripes"
      ]
      [
        "ordre" => 18
        "nom" => "3. Green, Green Grass Of Home"
      ]
      [
        "ordre" => 19
        "nom" => "4. Greystone Chapel"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
    -label: Proxies\__CG__\App\Entity\Label {#2131 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2140 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2133 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2135 …}
    -enregistreLe: DateTime @1720901863 {#2126
      date: 2024-07-13 20:17:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769797122 {#2127
      date: 2026-01-30 18:18:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2137 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-folsom-prison-mobile-fidelity-sound-lab-mfsl-2-543"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3474
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2129
    -id: 2536
    -nom: "At Folsom Prison"
    -informationComplementaire: null
    -description: """
      - The 1968 album that made Johnny Cash a music legend !\r\n
      - 180 gram double LP, 45 RPM !\r\n
      - 1/4" / 15 ips analog master to DSD 256 to analog console to lathe !\r\n
      - Double LP set plays arresting immediacy, spaciousness, and directness !\r\n
      \r\n
      Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution's forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He'd played there two years prior. But this time was different.\r\n
      \r\n
      Cash took the stage that day for two shows amid a darkening sociopolitical atmosphere and a raging war in Vietnam, as well as the knowledge his career and health hung on by a thread. The Arkansas native shared many of the long odds and abject failures of the inmates for which he performed. The songs he chose, and the conviction with which he delivered them, say as much. The point at which Cash transformed from a country star into a legendary artist, and a bold statement about the American prison state and its commitment to rehabilitation, the triple-platinum At Folsom Prison remains one the most important, potent, and fabled records of the 20th century.\r\n
      \r\n
      Mastered on MoFi's renowned mastering system at its California studio and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) set of At Folsom Prison veritably places you in the cafeteria with the hootin' and hollerin' prisoners with which Cash felt a mutual chemistry, sympathy, and spirit. A through-line to the no-frills rawness that helps make this landmark record among the most genuine documents ever committed to tape, this audiophile reissue presents what transpired that winter day with a fullness, directness, spaciousness, and dynamic absent prior editions.\r\n
      \r\n
      You can hear it echo off the walls of the room; pulse through the Tennessee Three's itchy, acoustic-based boom-chick rhythms; crackle in the announcements conveyed over the intercom; ring in the comedy of the off-cuff remarks and pair of novelty tunes; sense it in palpable energy that wells up within Cash and his audience. And you can experience it like never before via Cash's knockout singing. The bedrock foundation of all his music, the singer's baritone resonates with profound degrees of depth, pliability, and passion that underscore how much this appearance meant to him and the extent he was living the narratives.\r\n
      \r\n
      Indeed, every song on At Folsom Prison serves a purpose and speaks to the conditions mental, emotional, physical, geographical, legal, social the inmates confronted on a daily basis. Beginning with the explicit messages of the opening "Folsom Prison Blues", Cash makes it clear he understands and shares many of their plights. Not for nothing did the myth of Cash having done hard time persist for decades once this record hit the streets. That's how real it is, and how dedicated Cash remains to conveying every note with the same truth he invests in the impromptu comments he makes between and amid songs.\r\n
      \r\n
      Listen to the sorrow, regret, pity, and loneliness of Merle Travis' "Dark as the Dungeon", Cash pulling syllables until they threaten to break and inhabiting the mood of bleak phrases such as "pleasures are few" and "the sun never shines". Witness the isolation, dejection, and sadness punctuating the walking-blues "I Still Miss Someone", matched in gravity by a solemn reading of "The Long Black Veil" a traditional dirge that involves murder, cheating, and deception. Cash cuts even deeper on a heartbreaking solo rendition of "Send a Picture of Mother" and plainspoken version of Harlan Howard's "The Wall", detailing a suicide disguised as jailbreak through cliched-jaw deliveries that softly curse the impossible situation.\r\n
      \r\n
      In chronicling temptations, mistakes, mortality, punishment, and life "inside" — for better or worse, the stories of the disenfranchised, forgotten, written-off, and unrepentant "At Folsom Prison" also has a blast playing the outlaw role. Cash captures wild-eyed craziness and out-of-control mayhem on a revved-up take of "Cocaine Blues", taking extra satisfaction in its dastardly tales by way of voice that shifts into character for the sheriff and judge. The gallows humor and racing drama of "25 Minutes to Go"; quicksilver accents and resigned acceptance of "I Got Stripes"; train-whistle blare and twangy locomotion of "Folsom Prison Blues" all fight the law only to see the law win.\r\n
      \r\n
      Cash remains deeply committed at every moment, and inseparably connected with the tortured souls removed from the goings-on of the outside world. No wonder all but two songs here stem from the day's first performance that saw Cash, Luther Perkins, Marshall Grant, and company give everything. As does the Man in Black's soon-to-be-wife, June Carter. The couple's fiery duet on "Jackson" scorches; their combination of surrender and fortitude "Give My Love to Rose" puts us in the dying protagonist's shoes.\r\n
      \r\n
      And with the closing "Greystone Chapel", famously penned by convict Glen Sherley, who watched it all happen under the watchful eye of guards, Cash separates the corporeal from the spiritual, relaying lessons about salvation and survival. Heady themes to which he'd return for the remainder of his illustrious career.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Johnny Cash (guitar, vocals), Luther Perkins (electric guitar), Carl Perkins (electric guitar, vocals), Marshall Grant (bass), June Carter Cash, The Statler Brothers (vocals), The Carter Family (guitar, vocals), Randall Martin, W.S. Holland (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=GpZ-2HDJzFw"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-543"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Folsom Prison Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dark As The Dungeon"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Still Miss Someone"
      ]
      [
        "ordre" => 4
        "nom" => "4. Cocaine Blues"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. 25 Minutes To Go"
      ]
      [
        "ordre" => 7
        "nom" => "2. Orange Blossom Special"
      ]
      [
        "ordre" => 8
        "nom" => "3. The Long Black Veil"
      ]
      [
        "ordre" => 9
        "nom" => "Side C :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Send A Picture Of Mother"
      ]
      [
        "ordre" => 11
        "nom" => "2. The Wall"
      ]
      [
        "ordre" => 12
        "nom" => "3. Dirty Old Eggsuckin' Dog"
      ]
      [
        "ordre" => 13
        "nom" => "4. Flushed From The Bathroom Of Your Heart"
      ]
      [
        "ordre" => 14
        "nom" => "5. Jackson - with June Carter"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Give My Love To Rose - with June Carter"
      ]
      [
        "ordre" => 17
        "nom" => "2. I Got Stripes"
      ]
      [
        "ordre" => 18
        "nom" => "3. Green, Green Grass Of Home"
      ]
      [
        "ordre" => 19
        "nom" => "4. Greystone Chapel"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
    -label: Proxies\__CG__\App\Entity\Label {#2131 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2140 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2133 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2135 …}
    -enregistreLe: DateTime @1720901863 {#2126
      date: 2024-07-13 20:17:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769797122 {#2127
      date: 2026-01-30 18:18:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2137 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-folsom-prison-mobile-fidelity-sound-lab-mfsl-2-543"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "produit" => App\Entity\Produit {#2145
    -id: 2467
    -nom: "John Prine"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - John Prine Self-titled 1971 debut by the American country / folk master singer-songwriter !\r\n
      - 180 gram 45 RPM double LP release from Analogue Productions !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois.\r\n
      \r\n
      Music journalist Erin Osmon, who traced the history leading up the album, spoke with Wisconsin Public Radio about the brilliance of Prine's songwriting and how he could write such memorable songs.\r\n
      \r\n
      "I think he did it because he kept it simple. When we think about great Midwestern songwriters, of course Bob Dylan comes to mind. But you know, many people compared Prine and Bob Dylan when Prine's self-titled album came out", Osmon said. "But with Prine, there was such a sense of simplicity and modesty. Prine never wanted to alienate the listener. On the contrary, he wanted to invite as many people as possible. That's why he wrote such simple yet profound statements through his lyrics".\r\n
      \r\n
      Prine's musical experience began when his older brother Dave introduced him to the Old Town School of Folk Music in Chicago. Prine met Ray Tate, the lead guitar teacher at OTS. Tate described Prine as a focused, dedicated student who wanted to learn fingerpicking and fingerstyle guitar.\r\n
      \r\n
      Later Tate, and other instructors at OTS founded a club called the 5th Peg right across the street from the Old Town School, which is the first place Prine appeared on stage. One night a young arts critic from the Chicago Sun-Times, by the name of Roger Ebert, happened into the 5th Peg and caught Prine's set.\r\n
      \r\n
      Music wasn't Ebert's beat. But after Ebert saw Prine's set, he felt moved enough to share the news of a new local talent", Osmon recalled. "And from there, all of Chicago took notice because Roger was a respected critic by then. He was a Chicago personality, and that made Chicagoans take note. After Roger's review, folks started trickling in. They wanted to be at the feet of the singing mailman".\r\n
      \r\n
      Through some chance encounters, with singer-songwriter Kris Kristofferson and others, Prine wound up signed to Atlantic Records. Prine recorded his debut album at American Sound Studios in Memphis; the band for the recording was a studio session group called the Memphis Boys, the Memphis equivalent of the Los Angeles session band, the Wrecking Crew.\r\n
      \r\n
      "They know that record labels hire them to make hits, and if they don't deliver on that, they fail", Osmon said. "They knew correctly that Prine's stuff was really about the lyrics. So eventually, they all kind of dove into the songs and paid close attention to the lyrics, trying to highlight the words as much as they could".\r\n
      \r\n
      The album became an instant hit with songs such as "Illegal Smile", "Hello In There", "Sam Stone", "Your Flag Decal Won't Get You Into Heaven Anymore", and of course, the classic "Angel From Montgomery".\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Prine (acoustic guitar, vocals), Steve Goodman (acoustic guitar),  Mike Leach (bass), Reggie Young (lead guitar), Bobby Emmons (organ),  Leo LeBlanc (pedal steel guitar), Bobby Wood (piano), John Christopher (rhythm guitar), Gene Chrisman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7lHkugF0nyI"
    -referenceProduit: "Analogue Productions AAPA 004-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Illegal Smile"
      ]
      [
        "ordre" => 2
        "nom" => "2. Spanish Pipedream"
      ]
      [
        "ordre" => 3
        "nom" => "3. Hello In There"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sam Stone"
      ]
      [
        "ordre" => 6
        "nom" => "2. Paradise"
      ]
      [
        "ordre" => 7
        "nom" => "3. Pretty Good"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Your Flag Decal Won't Get You Into Heaven Anymore"
      ]
      [
        "ordre" => 10
        "nom" => "2. Far From Me"
      ]
      [
        "ordre" => 11
        "nom" => "3. Angel From Montogomery"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Quiet Man"
      ]
      [
        "ordre" => 14
        "nom" => "2. Donald And Lydia"
      ]
      [
        "ordre" => 15
        "nom" => "3. Six O' Clock News"
      ]
      [
        "ordre" => 16
        "nom" => "4. Flashback Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
    -label: Proxies\__CG__\App\Entity\Label {#2067 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2151 …}
    -enregistreLe: DateTime @1698662795 {#2142
      date: 2023-10-30 10:46:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769787458 {#2143
      date: 2026-01-30 15:37:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-john-prine-analogue-productions-aapa-004-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3520
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2145
    -id: 2467
    -nom: "John Prine"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - John Prine Self-titled 1971 debut by the American country / folk master singer-songwriter !\r\n
      - 180 gram 45 RPM double LP release from Analogue Productions !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois.\r\n
      \r\n
      Music journalist Erin Osmon, who traced the history leading up the album, spoke with Wisconsin Public Radio about the brilliance of Prine's songwriting and how he could write such memorable songs.\r\n
      \r\n
      "I think he did it because he kept it simple. When we think about great Midwestern songwriters, of course Bob Dylan comes to mind. But you know, many people compared Prine and Bob Dylan when Prine's self-titled album came out", Osmon said. "But with Prine, there was such a sense of simplicity and modesty. Prine never wanted to alienate the listener. On the contrary, he wanted to invite as many people as possible. That's why he wrote such simple yet profound statements through his lyrics".\r\n
      \r\n
      Prine's musical experience began when his older brother Dave introduced him to the Old Town School of Folk Music in Chicago. Prine met Ray Tate, the lead guitar teacher at OTS. Tate described Prine as a focused, dedicated student who wanted to learn fingerpicking and fingerstyle guitar.\r\n
      \r\n
      Later Tate, and other instructors at OTS founded a club called the 5th Peg right across the street from the Old Town School, which is the first place Prine appeared on stage. One night a young arts critic from the Chicago Sun-Times, by the name of Roger Ebert, happened into the 5th Peg and caught Prine's set.\r\n
      \r\n
      Music wasn't Ebert's beat. But after Ebert saw Prine's set, he felt moved enough to share the news of a new local talent", Osmon recalled. "And from there, all of Chicago took notice because Roger was a respected critic by then. He was a Chicago personality, and that made Chicagoans take note. After Roger's review, folks started trickling in. They wanted to be at the feet of the singing mailman".\r\n
      \r\n
      Through some chance encounters, with singer-songwriter Kris Kristofferson and others, Prine wound up signed to Atlantic Records. Prine recorded his debut album at American Sound Studios in Memphis; the band for the recording was a studio session group called the Memphis Boys, the Memphis equivalent of the Los Angeles session band, the Wrecking Crew.\r\n
      \r\n
      "They know that record labels hire them to make hits, and if they don't deliver on that, they fail", Osmon said. "They knew correctly that Prine's stuff was really about the lyrics. So eventually, they all kind of dove into the songs and paid close attention to the lyrics, trying to highlight the words as much as they could".\r\n
      \r\n
      The album became an instant hit with songs such as "Illegal Smile", "Hello In There", "Sam Stone", "Your Flag Decal Won't Get You Into Heaven Anymore", and of course, the classic "Angel From Montgomery".\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Prine (acoustic guitar, vocals), Steve Goodman (acoustic guitar),  Mike Leach (bass), Reggie Young (lead guitar), Bobby Emmons (organ),  Leo LeBlanc (pedal steel guitar), Bobby Wood (piano), John Christopher (rhythm guitar), Gene Chrisman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7lHkugF0nyI"
    -referenceProduit: "Analogue Productions AAPA 004-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Illegal Smile"
      ]
      [
        "ordre" => 2
        "nom" => "2. Spanish Pipedream"
      ]
      [
        "ordre" => 3
        "nom" => "3. Hello In There"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sam Stone"
      ]
      [
        "ordre" => 6
        "nom" => "2. Paradise"
      ]
      [
        "ordre" => 7
        "nom" => "3. Pretty Good"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Your Flag Decal Won't Get You Into Heaven Anymore"
      ]
      [
        "ordre" => 10
        "nom" => "2. Far From Me"
      ]
      [
        "ordre" => 11
        "nom" => "3. Angel From Montogomery"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Quiet Man"
      ]
      [
        "ordre" => 14
        "nom" => "2. Donald And Lydia"
      ]
      [
        "ordre" => 15
        "nom" => "3. Six O' Clock News"
      ]
      [
        "ordre" => 16
        "nom" => "4. Flashback Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
    -label: Proxies\__CG__\App\Entity\Label {#2067 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2151 …}
    -enregistreLe: DateTime @1698662795 {#2142
      date: 2023-10-30 10:46:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769787458 {#2143
      date: 2026-01-30 15:37:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-john-prine-analogue-productions-aapa-004-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "produit" => App\Entity\Produit {#2161
    -id: 1967
    -nom: "This Side"
    -informationComplementaire: null
    -description: "This Side solidifies Nickel Creek's position as the single most original and inventive bluegrass band to emerge in the early 2000s. The album, produced by Alison Krauss, topped the Billboard Top Bluegrass and Top Independent charts upon release and went Gold in the U.S., winning the band a Grammy award for Best Contemporary Folk Album. Highlights include "Speak", "Smoothie Song" and "This Side", plus a cover of Pavement's "Spit on a Stranger"."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sean Watkins (guitar, vocals), Sara Watkins (fiddle, strings, vocals), Byron House (acoustic bass), Chris Thile (mandolin, bouzouki, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xnzGqh93EFQ"
    -referenceProduit: "Craf Recordings 0334"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Smoothie Song "
      ]
      [
        "ordre" => 2
        "nom" => "2. Spit On A Stranger "
      ]
      [
        "ordre" => 3
        "nom" => "3. Speak "
      ]
      [
        "ordre" => 4
        "nom" => "4. Hanging By A Thread"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. I Should've Known Better "
      ]
      [
        "ordre" => 7
        "nom" => "2. This Side "
      ]
      [
        "ordre" => 8
        "nom" => "3. Green And Gray"
      ]
      [
        "ordre" => 9
        "nom" => "Side C : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Seven Wonders "
      ]
      [
        "ordre" => 11
        "nom" => "2. House Carpenter "
      ]
      [
        "ordre" => 12
        "nom" => "3. Beauty And The Mess"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Sabra Girl "
      ]
      [
        "ordre" => 15
        "nom" => "2. Young "
      ]
      [
        "ordre" => 16
        "nom" => "3. Brand New Sidewalk"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …}
    -label: Proxies\__CG__\App\Entity\Label {#2166 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …}
    -enregistreLe: DateTime @1607758097 {#2158
      date: 2020-12-12 07:28:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768994691 {#2159
      date: 2026-01-21 11:24:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-this-side-craf-recordings-0334"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3571
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2161
    -id: 1967
    -nom: "This Side"
    -informationComplementaire: null
    -description: "This Side solidifies Nickel Creek's position as the single most original and inventive bluegrass band to emerge in the early 2000s. The album, produced by Alison Krauss, topped the Billboard Top Bluegrass and Top Independent charts upon release and went Gold in the U.S., winning the band a Grammy award for Best Contemporary Folk Album. Highlights include "Speak", "Smoothie Song" and "This Side", plus a cover of Pavement's "Spit on a Stranger"."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sean Watkins (guitar, vocals), Sara Watkins (fiddle, strings, vocals), Byron House (acoustic bass), Chris Thile (mandolin, bouzouki, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xnzGqh93EFQ"
    -referenceProduit: "Craf Recordings 0334"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Smoothie Song "
      ]
      [
        "ordre" => 2
        "nom" => "2. Spit On A Stranger "
      ]
      [
        "ordre" => 3
        "nom" => "3. Speak "
      ]
      [
        "ordre" => 4
        "nom" => "4. Hanging By A Thread"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. I Should've Known Better "
      ]
      [
        "ordre" => 7
        "nom" => "2. This Side "
      ]
      [
        "ordre" => 8
        "nom" => "3. Green And Gray"
      ]
      [
        "ordre" => 9
        "nom" => "Side C : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Seven Wonders "
      ]
      [
        "ordre" => 11
        "nom" => "2. House Carpenter "
      ]
      [
        "ordre" => 12
        "nom" => "3. Beauty And The Mess"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Sabra Girl "
      ]
      [
        "ordre" => 15
        "nom" => "2. Young "
      ]
      [
        "ordre" => 16
        "nom" => "3. Brand New Sidewalk"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …}
    -label: Proxies\__CG__\App\Entity\Label {#2166 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …}
    -enregistreLe: DateTime @1607758097 {#2158
      date: 2020-12-12 07:28:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768994691 {#2159
      date: 2026-01-21 11:24:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-this-side-craf-recordings-0334"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "produit" => App\Entity\Produit {#2180
    -id: 792
    -nom: "Greatest Hits"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Patsy Cline (vocals), Floyd Cramer (piano, organ), Ray Edenton, Randy Hughes (rhythm guitar), Harold Bradley (electric bass), Hank Garland, Grady Martin (electric guitar), Walter Haynes (steel guitar), Joe Jenkins, Bob Moore (acoustic bass), Bill Pursell (organ, vibraphone), Hargus "Pig" Robbins (piano), Rita Faye Wilson (autoharp), The Jordanaires, Millie Kirkham (background vocals), Buddy Harman, Doug Kirkham (drums).\r\n
      \r\n
      - 200 gram, 45 RPM vinyl pressing by Quality Record Pressings !\r\n
      - Now presented in an upgraded, deluxe tip-on gatefold jacket with Patsy's timeless classics spread across four sides !\r\n
      \r\n
      Cut by Ryan Smith at Sterling Sound directly from the original master tape. This was a straight transfer, bypassing the console altogether. There was no EQ of any kind. A true direct transfer, using a VMS 80, the most sophisticated lathe. You're hearing the master tape !\r\n
      \r\n
      Reviewer Michael Fremer says of the 33 1/3 RPM version: "Cline's powerful, resonant voice and her unerring, more-generic-than-Southern diction and phrasing plus her ability to express hurt and vulnerability (without inducing too much self-pity) helped her cross over during her lifetime. Those qualities have also helped assure her continued popularity fifty years after her death... All of that will become apparent as you play this direct connection to the recording studio reissue from Analogue Productions... The original master tapes were transferred to lacquer at Sterling Sound by connecting the playback deck's output directly to the lathe, thereby bypassing altogether the mixing board. The sonics are sensational, particularly in terms of transparency... Everything from the silent 200 g pressing to the "tip-on" (paper on cardboard) gatefold jacket and the center portfolio of great full color Patsy shots screams HIGH QUALITY ! This reissue, from the AAA production, to the pressing and packaging quality epitomizes the purpose of the current return to vinyl". Music = 9/11, Sound = 9/11 - Michael Fremer.\r\n
      \r\n
      What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline ? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.\r\n
      \r\n
      In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy's biggest hits - all of them from the country singles market - including "Walkin' After Midnight", "Sweet Dreams (Of You)", "Crazy", and "I Fall to Pieces".\r\n
      \r\n
      Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's "countrypolitan" sound. And trust us, on this 200 gram QRP pressing, mastered by Sterling Sound, Cline's seductive vocals have never sounded clearer or richer. And the packaging on this release is as deluxe as the audio. Analogue Productions has reissued this classic LP in a new deluxe tip-on gatefold jacket. Inside you'll enjoy a spread of vivid color studio publicity shots of Patsy, courtesy of the Universal Music Archives.\r\n
      \r\n
      Cline's life and career has been the subject of numerous books, movies, documentaries, articles and stage plays. She has sold millions of albums through the past 50 years, giving her an iconic fan status, similar to that of country artists such as Johnny Cash and Dolly Parton. In 1992, the U.S. Postal Service honored her, along with Hank Williams, on a U.S. postage stamp. And in 1995 she was honored with a Grammy Lifetime Achievement Award. Cline was also honored with a star on the Hollywood Walk of Fame in 1999.\r\n
      \r\n
      Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top selling country album of all time by a female artist.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Patsy Cline (vocals), Floyd Cramer (piano, organ), Ray Edenton, Randy Hughes (rhythm guitar), Harold Bradley (electric bass), Hank Garland, Grady Martin (electric guitar), Walter Haynes (steel guitar), Joe Jenkins, Bob Moore (acoustic bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=bsRNCvHXHHU"
    -referenceProduit: "AAPP 74854-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Walking After Midnight"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sweet Dreams"
      ]
      [
        "ordre" => 3
        "nom" => "3. Crazy"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. I Fall To Pieces"
      ]
      [
        "ordre" => 6
        "nom" => "2. So Wrong"
      ]
      [
        "ordre" => 7
        "nom" => "3. Strange"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Back In Baby’s Arms"
      ]
      [
        "ordre" => 10
        "nom" => "2. She’s Got You"
      ]
      [
        "ordre" => 11
        "nom" => "3. Faded Love"
      ]
      [
        "ordre" => 12
        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Why Can’t He Be You"
      ]
      [
        "ordre" => 14
        "nom" => "2. You’re Stronger Than Me"
      ]
      [
        "ordre" => 15
        "nom" => "3. Leavin’ On Your Mind"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: Proxies\__CG__\App\Entity\Label {#2067 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2184 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …}
    -enregistreLe: DateTime @1438494993 {#2177
      date: 2015-08-02 05:56:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768899151 {#2178
      date: 2026-01-20 08:52:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-greatest-hits-aapp-74854-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3622
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2180
    -id: 792
    -nom: "Greatest Hits"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Patsy Cline (vocals), Floyd Cramer (piano, organ), Ray Edenton, Randy Hughes (rhythm guitar), Harold Bradley (electric bass), Hank Garland, Grady Martin (electric guitar), Walter Haynes (steel guitar), Joe Jenkins, Bob Moore (acoustic bass), Bill Pursell (organ, vibraphone), Hargus "Pig" Robbins (piano), Rita Faye Wilson (autoharp), The Jordanaires, Millie Kirkham (background vocals), Buddy Harman, Doug Kirkham (drums).\r\n
      \r\n
      - 200 gram, 45 RPM vinyl pressing by Quality Record Pressings !\r\n
      - Now presented in an upgraded, deluxe tip-on gatefold jacket with Patsy's timeless classics spread across four sides !\r\n
      \r\n
      Cut by Ryan Smith at Sterling Sound directly from the original master tape. This was a straight transfer, bypassing the console altogether. There was no EQ of any kind. A true direct transfer, using a VMS 80, the most sophisticated lathe. You're hearing the master tape !\r\n
      \r\n
      Reviewer Michael Fremer says of the 33 1/3 RPM version: "Cline's powerful, resonant voice and her unerring, more-generic-than-Southern diction and phrasing plus her ability to express hurt and vulnerability (without inducing too much self-pity) helped her cross over during her lifetime. Those qualities have also helped assure her continued popularity fifty years after her death... All of that will become apparent as you play this direct connection to the recording studio reissue from Analogue Productions... The original master tapes were transferred to lacquer at Sterling Sound by connecting the playback deck's output directly to the lathe, thereby bypassing altogether the mixing board. The sonics are sensational, particularly in terms of transparency... Everything from the silent 200 g pressing to the "tip-on" (paper on cardboard) gatefold jacket and the center portfolio of great full color Patsy shots screams HIGH QUALITY ! This reissue, from the AAA production, to the pressing and packaging quality epitomizes the purpose of the current return to vinyl". Music = 9/11, Sound = 9/11 - Michael Fremer.\r\n
      \r\n
      What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline ? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.\r\n
      \r\n
      In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy's biggest hits - all of them from the country singles market - including "Walkin' After Midnight", "Sweet Dreams (Of You)", "Crazy", and "I Fall to Pieces".\r\n
      \r\n
      Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's "countrypolitan" sound. And trust us, on this 200 gram QRP pressing, mastered by Sterling Sound, Cline's seductive vocals have never sounded clearer or richer. And the packaging on this release is as deluxe as the audio. Analogue Productions has reissued this classic LP in a new deluxe tip-on gatefold jacket. Inside you'll enjoy a spread of vivid color studio publicity shots of Patsy, courtesy of the Universal Music Archives.\r\n
      \r\n
      Cline's life and career has been the subject of numerous books, movies, documentaries, articles and stage plays. She has sold millions of albums through the past 50 years, giving her an iconic fan status, similar to that of country artists such as Johnny Cash and Dolly Parton. In 1992, the U.S. Postal Service honored her, along with Hank Williams, on a U.S. postage stamp. And in 1995 she was honored with a Grammy Lifetime Achievement Award. Cline was also honored with a star on the Hollywood Walk of Fame in 1999.\r\n
      \r\n
      Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top selling country album of all time by a female artist.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Patsy Cline (vocals), Floyd Cramer (piano, organ), Ray Edenton, Randy Hughes (rhythm guitar), Harold Bradley (electric bass), Hank Garland, Grady Martin (electric guitar), Walter Haynes (steel guitar), Joe Jenkins, Bob Moore (acoustic bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=bsRNCvHXHHU"
    -referenceProduit: "AAPP 74854-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Walking After Midnight"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sweet Dreams"
      ]
      [
        "ordre" => 3
        "nom" => "3. Crazy"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. I Fall To Pieces"
      ]
      [
        "ordre" => 6
        "nom" => "2. So Wrong"
      ]
      [
        "ordre" => 7
        "nom" => "3. Strange"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Back In Baby’s Arms"
      ]
      [
        "ordre" => 10
        "nom" => "2. She’s Got You"
      ]
      [
        "ordre" => 11
        "nom" => "3. Faded Love"
      ]
      [
        "ordre" => 12
        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Why Can’t He Be You"
      ]
      [
        "ordre" => 14
        "nom" => "2. You’re Stronger Than Me"
      ]
      [
        "ordre" => 15
        "nom" => "3. Leavin’ On Your Mind"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: Proxies\__CG__\App\Entity\Label {#2067 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2184 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …}
    -enregistreLe: DateTime @1438494993 {#2177
      date: 2015-08-02 05:56:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768899151 {#2178
      date: 2026-01-20 08:52:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-greatest-hits-aapp-74854-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "produit" => App\Entity\Produit {#2196
    -id: 2271
    -nom: "Storms of Life"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Randy Travis (lead vocals), Shane Keister, Bobby Wood, Dennis Burnside (keyboards), Kyle Lehning (keyboards, background vocals), Bobby Thompson, Mark Casstevens, Mark Hembree, Kenny Bell (acoustic guitar), Fred Newell, Keith Stegall, Steve Gibson, Greg Jennings (electric guitar), Larry Byrom (acoustic & electric guitar), Mark O'Connor (fiddle, mandolin), Doyle Grisham (steel guitar), Hoot Hester (fiddle), Jerry Douglas (dobro), Don Jackson (clarinet), Paul Overstreet, Lisa Silver, Diane Stegall, Baillie & the Boys, Thomas Brannon, Paul Davis, Phil Forrest (background vocals), Michael Rhodes, Jack Williams, David Hungate (bass guitar), Blaine Sprouse (fiddle), Terry McMillan, Kirk "Jelly Roll" Johnson (harmonica, percussion), Larrie Londin, James Stroud, Eddie Bayers (drums).\r\n
      \r\n
      - MASTERED FROM THE ORIGINAL ANALOG TAPES AND PRESSED AT RTI FOR AUDIOPHILE SOUND !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Nobody could have predicted the impact Randy Travis' proper debut would make on country music when it was released in 1986. Recorded by a virtually unknown singer-songwriter who had once been rejected by every major label, and bolstered by production and arrangements that spotlight Travis' impeccable vocals, Storms of Life spurred a stylistic sea change that would soon sweep Nashville and place the North Carolina native at the center of the neotraditionalist movement. More than three decades later, the LP's brilliance looms larger than ever.\r\n
      \r\n
      Mastered from the original analog master tapes, pressed on ultra-quiet vinyl at RTI, and issued in partnership with Warner Nashville in commemoration of the record's 35th anniversary, Mobile Fidelity's numbered-edition 180 gram vinyl LP of Storms of Life stands as the first contemporary country audiophile reissue and a testament to Travis' Country Music Hall of Fame legacy. Housed in a single-pocket tip-on gatefold sleeve with new artwork, the quadruple-platinum album now boasts stellar transparency, breathtaking clarity, broad dynamics, and gorgeous tonalities that allow listeners the opportunity to experience one of the greatest vocalists in recent memory with unparalleled intimacy, realism, and breadth.\r\n
      \r\n
      Produced by Kyle Lehning, and shaped to go against the mellowness and softness that were part of the then-current county-pop mold boosted by the popularity of Urban Cowboy, Storms of Life features fully formed architecture and expert instrumental support that benefit from the meticulous sonic restoration. Details such as the patient swell and bloom of pedal-steel guitars; rise and carry of background vocalists; bluesy drift of harmonicas; depth of pianos; airiness, snap and twang of acoustic guitars; back-porch sweetness of fiddles and mandolins; and grounding pace of the drums come across with reference-quality sound. Each contributor gets their own space in the mix. Music aficionados take note: Jerry Douglas, Mark O'Connor, Eddie Bayers, and David Hungate are just a few of the prized session musicians involved.\r\n
      \r\n
      For all the merit afforded by the blend of honky tonk, country and western, and balladry, nothing eclipses what Travis brings to the project. Coupled with the back-to-basics songwriting, his inimitable presence is why Storms of Life remains as fresh today as it was the year Top Gun premiered in cinemas. He approaches every song with an uncanny modesty, his conservational drawl and casual demeanor nearly concealing the power, reach, and artisan-like effortlessness that inhabit each note he sings. Akin to groundbreaking icons such as Frank Sinatra and Hank Williams, Travis never overdoes it; rather, he relies on instinct, and combined with his golden pipes, never sounds less than completely invested.\r\n
      \r\n
      On Storms of Life, the gateway to a sterling career laden with hit albums and major awards, Travis uses such assets to maximum effect. Evidence of his greatness arrives immediately on the opening "On the Other Hand", a clever take on an oft-worn country topic (unfaithfulness) and whose title ranks as one of the finest puns in the genre. Rich, steady, calm, and seemingly able to reach down into any bystander's soul, Travis' voice straddles tenderness and ache, reflecting the difficult situational divide facing the narrator, whose heart tugs him in one direction and his obligation another. It isn't the only instance where the then 27 year-old wades into messy emotional territory and retains an unshakable penchant for balance and spareness.\r\n
      \r\n
      Indeed, the aptly named Storms of Life largely concerns itself with the human condition and the memories, ruminations, meditations, wishes, and regrets that accompany it. On the two-stepping title track, Travis chronicles his circumstances with humor and color all the while emerging with a keen perspective. Busted relationships inform the upbeat, string- and choir-accented "Diggin' up Bones" and sentimental albeit sad "No Place Like Home". For "Reasons I Cheat", the protagonist makes no apologies for his behavior as Travis uncorks deep, grainy syllables amid the quiet that threaten to freeze the listener in place.\r\n
      \r\n
      Akin to the understatement he shows on the lost-love story "1982" and toe-tapping "There'll Always Be a Honky Tonk Somewhere", Travis unlike some of the song narrators remains in control throughout Storms of Life. For nearly 32 minutes, his spareness, articulation, subtlety, ease, and refinement set a template that has still yet to be matched in country music.\r\n
      \r\n
      Please note : The catalog number for Storms of Life is misprinted on the LP jacket spine as "MFSV 1-511" instead of the correct "MFSL 1-511". This title is normal 180 gram LP release, not a SuperVinyl release.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Randy Travis (lead vocals), Shane Keister, Bobby Wood, Dennis Burnside (keyboards), Kyle Lehning (keyboards, background vocals), Bobby Thompson, Mark Casstevens, Mark Hembree, Kenny Bell (acoustic guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Xahoyq6VYrM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-511"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. On the Other Hand"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Storms of Life"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Heart Cracked (But It Did Not Break)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Diggin' up Bones"
      ]
      [
        "ordre" => 5
        "nom" => "5. No Place Like Home"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. 1982"
      ]
      [
        "ordre" => 8
        "nom" => "2. Send My Body"
      ]
      [
        "ordre" => 9
        "nom" => "3. Messin' with My Mind"
      ]
      [
        "ordre" => 10
        "nom" => "4. Reasons I Cheat"
      ]
      [
        "ordre" => 11
        "nom" => "5. There'll Always Be a Honky Tonk Somewhere"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2198 …}
    -label: Proxies\__CG__\App\Entity\Label {#2131 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2207 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2200 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2202 …}
    -enregistreLe: DateTime @1663048922 {#2193
      date: 2022-09-13 06:02:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768751562 {#2194
      date: 2026-01-18 15:52:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2204 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-storms-of-life-mobile-fidelity-sound-lab-mfsl-1-511"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3673
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2196
    -id: 2271
    -nom: "Storms of Life"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Randy Travis (lead vocals), Shane Keister, Bobby Wood, Dennis Burnside (keyboards), Kyle Lehning (keyboards, background vocals), Bobby Thompson, Mark Casstevens, Mark Hembree, Kenny Bell (acoustic guitar), Fred Newell, Keith Stegall, Steve Gibson, Greg Jennings (electric guitar), Larry Byrom (acoustic & electric guitar), Mark O'Connor (fiddle, mandolin), Doyle Grisham (steel guitar), Hoot Hester (fiddle), Jerry Douglas (dobro), Don Jackson (clarinet), Paul Overstreet, Lisa Silver, Diane Stegall, Baillie & the Boys, Thomas Brannon, Paul Davis, Phil Forrest (background vocals), Michael Rhodes, Jack Williams, David Hungate (bass guitar), Blaine Sprouse (fiddle), Terry McMillan, Kirk "Jelly Roll" Johnson (harmonica, percussion), Larrie Londin, James Stroud, Eddie Bayers (drums).\r\n
      \r\n
      - MASTERED FROM THE ORIGINAL ANALOG TAPES AND PRESSED AT RTI FOR AUDIOPHILE SOUND !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Nobody could have predicted the impact Randy Travis' proper debut would make on country music when it was released in 1986. Recorded by a virtually unknown singer-songwriter who had once been rejected by every major label, and bolstered by production and arrangements that spotlight Travis' impeccable vocals, Storms of Life spurred a stylistic sea change that would soon sweep Nashville and place the North Carolina native at the center of the neotraditionalist movement. More than three decades later, the LP's brilliance looms larger than ever.\r\n
      \r\n
      Mastered from the original analog master tapes, pressed on ultra-quiet vinyl at RTI, and issued in partnership with Warner Nashville in commemoration of the record's 35th anniversary, Mobile Fidelity's numbered-edition 180 gram vinyl LP of Storms of Life stands as the first contemporary country audiophile reissue and a testament to Travis' Country Music Hall of Fame legacy. Housed in a single-pocket tip-on gatefold sleeve with new artwork, the quadruple-platinum album now boasts stellar transparency, breathtaking clarity, broad dynamics, and gorgeous tonalities that allow listeners the opportunity to experience one of the greatest vocalists in recent memory with unparalleled intimacy, realism, and breadth.\r\n
      \r\n
      Produced by Kyle Lehning, and shaped to go against the mellowness and softness that were part of the then-current county-pop mold boosted by the popularity of Urban Cowboy, Storms of Life features fully formed architecture and expert instrumental support that benefit from the meticulous sonic restoration. Details such as the patient swell and bloom of pedal-steel guitars; rise and carry of background vocalists; bluesy drift of harmonicas; depth of pianos; airiness, snap and twang of acoustic guitars; back-porch sweetness of fiddles and mandolins; and grounding pace of the drums come across with reference-quality sound. Each contributor gets their own space in the mix. Music aficionados take note: Jerry Douglas, Mark O'Connor, Eddie Bayers, and David Hungate are just a few of the prized session musicians involved.\r\n
      \r\n
      For all the merit afforded by the blend of honky tonk, country and western, and balladry, nothing eclipses what Travis brings to the project. Coupled with the back-to-basics songwriting, his inimitable presence is why Storms of Life remains as fresh today as it was the year Top Gun premiered in cinemas. He approaches every song with an uncanny modesty, his conservational drawl and casual demeanor nearly concealing the power, reach, and artisan-like effortlessness that inhabit each note he sings. Akin to groundbreaking icons such as Frank Sinatra and Hank Williams, Travis never overdoes it; rather, he relies on instinct, and combined with his golden pipes, never sounds less than completely invested.\r\n
      \r\n
      On Storms of Life, the gateway to a sterling career laden with hit albums and major awards, Travis uses such assets to maximum effect. Evidence of his greatness arrives immediately on the opening "On the Other Hand", a clever take on an oft-worn country topic (unfaithfulness) and whose title ranks as one of the finest puns in the genre. Rich, steady, calm, and seemingly able to reach down into any bystander's soul, Travis' voice straddles tenderness and ache, reflecting the difficult situational divide facing the narrator, whose heart tugs him in one direction and his obligation another. It isn't the only instance where the then 27 year-old wades into messy emotional territory and retains an unshakable penchant for balance and spareness.\r\n
      \r\n
      Indeed, the aptly named Storms of Life largely concerns itself with the human condition and the memories, ruminations, meditations, wishes, and regrets that accompany it. On the two-stepping title track, Travis chronicles his circumstances with humor and color all the while emerging with a keen perspective. Busted relationships inform the upbeat, string- and choir-accented "Diggin' up Bones" and sentimental albeit sad "No Place Like Home". For "Reasons I Cheat", the protagonist makes no apologies for his behavior as Travis uncorks deep, grainy syllables amid the quiet that threaten to freeze the listener in place.\r\n
      \r\n
      Akin to the understatement he shows on the lost-love story "1982" and toe-tapping "There'll Always Be a Honky Tonk Somewhere", Travis unlike some of the song narrators remains in control throughout Storms of Life. For nearly 32 minutes, his spareness, articulation, subtlety, ease, and refinement set a template that has still yet to be matched in country music.\r\n
      \r\n
      Please note : The catalog number for Storms of Life is misprinted on the LP jacket spine as "MFSV 1-511" instead of the correct "MFSL 1-511". This title is normal 180 gram LP release, not a SuperVinyl release.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Randy Travis (lead vocals), Shane Keister, Bobby Wood, Dennis Burnside (keyboards), Kyle Lehning (keyboards, background vocals), Bobby Thompson, Mark Casstevens, Mark Hembree, Kenny Bell (acoustic guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Xahoyq6VYrM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-511"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. On the Other Hand"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Storms of Life"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Heart Cracked (But It Did Not Break)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Diggin' up Bones"
      ]
      [
        "ordre" => 5
        "nom" => "5. No Place Like Home"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. 1982"
      ]
      [
        "ordre" => 8
        "nom" => "2. Send My Body"
      ]
      [
        "ordre" => 9
        "nom" => "3. Messin' with My Mind"
      ]
      [
        "ordre" => 10
        "nom" => "4. Reasons I Cheat"
      ]
      [
        "ordre" => 11
        "nom" => "5. There'll Always Be a Honky Tonk Somewhere"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2198 …}
    -label: Proxies\__CG__\App\Entity\Label {#2131 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2207 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2200 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2202 …}
    -enregistreLe: DateTime @1663048922 {#2193
      date: 2022-09-13 06:02:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768751562 {#2194
      date: 2026-01-18 15:52:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2204 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-storms-of-life-mobile-fidelity-sound-lab-mfsl-1-511"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

[
  "produit" => App\Entity\Produit {#2212
    -id: 643
    -nom: "Stardust - (Box Set 4 LP Clarity Vinyl SV-P II 45 RPM Series)"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P 45 RPM"
    -description: "The record label didn't want Nelson to do this project, inspired partially by the death of pop crooner Bing Crosby. Standard material - Moonlight in Vermont, All of Me, Don't Get Around Much Anymore - is arranged by Booker T. Jones of Green Onions fame and recorded in Nelson's inimitable style in Emmylou Harris' house."
    -prixVente: "799.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Bobbie Nelson (piano), Jody Payne (guitar), Bee Spears, Chris Ethridge (bass), Mickey Raphael (harmonica), Booker T. Jones (organ, piano), Paul English, Rex Ludwick (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_kJldfkTLL4"
    -referenceProduit: "Classic Records JC 35305-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Stardust"
      ]
      [
        "ordre" => 2
        "nom" => "2. Georgia On My Mind"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Blue Skies"
      ]
      [
        "ordre" => 5
        "nom" => "2. All Of Me"
      ]
      [
        "ordre" => 6
        "nom" => "3. Unchained Melody"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. September Song"
      ]
      [
        "ordre" => 9
        "nom" => "2. On The Sunny Side Of The Street"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Moonlight In Vermont"
      ]
      [
        "ordre" => 12
        "nom" => "2. Don't Get Around Much Anymore"
      ]
      [
        "ordre" => 13
        "nom" => "3. Someone To Watch Over Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2214 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2223 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2216 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2218 …}
    -enregistreLe: DateTime @1375995036 {#2209
      date: 2013-08-08 20:50:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1766748979 {#2210
      date: 2025-12-26 11:36:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2220 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stardust-box-set-4-lp-clarity-vinyl-sv-p-ii-45-rpm-series-classic-records-jc-35305-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3726
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2650 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2212
    -id: 643
    -nom: "Stardust - (Box Set 4 LP Clarity Vinyl SV-P II 45 RPM Series)"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P 45 RPM"
    -description: "The record label didn't want Nelson to do this project, inspired partially by the death of pop crooner Bing Crosby. Standard material - Moonlight in Vermont, All of Me, Don't Get Around Much Anymore - is arranged by Booker T. Jones of Green Onions fame and recorded in Nelson's inimitable style in Emmylou Harris' house."
    -prixVente: "799.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Bobbie Nelson (piano), Jody Payne (guitar), Bee Spears, Chris Ethridge (bass), Mickey Raphael (harmonica), Booker T. Jones (organ, piano), Paul English, Rex Ludwick (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_kJldfkTLL4"
    -referenceProduit: "Classic Records JC 35305-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Stardust"
      ]
      [
        "ordre" => 2
        "nom" => "2. Georgia On My Mind"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Blue Skies"
      ]
      [
        "ordre" => 5
        "nom" => "2. All Of Me"
      ]
      [
        "ordre" => 6
        "nom" => "3. Unchained Melody"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. September Song"
      ]
      [
        "ordre" => 9
        "nom" => "2. On The Sunny Side Of The Street"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Moonlight In Vermont"
      ]
      [
        "ordre" => 12
        "nom" => "2. Don't Get Around Much Anymore"
      ]
      [
        "ordre" => 13
        "nom" => "3. Someone To Watch Over Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2214 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2223 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2216 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2218 …}
    -enregistreLe: DateTime @1375995036 {#2209
      date: 2013-08-08 20:50:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1766748979 {#2210
      date: 2025-12-26 11:36:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2220 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stardust-box-set-4-lp-clarity-vinyl-sv-p-ii-45-rpm-series-classic-records-jc-35305-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3916
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2418 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3917 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3965 …}
  +isValidated: false
  +validatedFields: []
}