Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2644
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2491 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2721
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2724 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2723 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2491 …}
  -formView: Symfony\Component\Form\FormView {#2760 …}
  -form: Symfony\Component\Form\Form {#2910 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 1266
    -nom: "Fire & Rain"
    -informationComplementaire: null
    -description: """
      - 100 % Analogue 45 RPM  180 Gram Vinyl Double LP !\r\n
      - Cut From Original 1/4 Inch 30 ips All Analogue Stereo Master By Bernie Grundman !\r\n
      - Pressed at RTI !\r\n
      \r\n
      Jacintha's first new album since 2007 features a fabulous selection of hits from the James Taylor catalogue including : You've Got A Friend, Sweet Baby James, Walking Man, Fire & Rain, Shower The People and several other popular choices. Jacintha's first popular vocal album represents a striking change of pace from this Singaporean audiophile favorite.\r\n
      \r\n
      Several of the best LA-based musicians associated with James Taylor during his lengthy and stellar career appear on this album : Lee Sklar (bass), Russ Kunkel (drums), Jim Cox (keyboards & currently touring with JT), and Dean Parks (acoustic guitar & currently touring with JT). All songs are arranged by Tim Pierce (Vanessa Use Me and Vanessa When The Levee Breaks) who also plays acoustic guitar on several tracks.\r\n
      \r\n
      The entire album is recorded 100 % pure analogue at The Henson Studios in Hollywood, formerly know as A&M (and the original location of the Charlie Chaplin film studios). In 1999, A&M Records was sold to Universal Music. Subsequently the studio location, including all the recording studio facilities and equipment, was purchased by The Jim Henson Company. Henson Recording Studios was established in 2000 and continues the legacy of technical expertise and excellent service founded by A&M. The album is tracked to 2 inch Multitrack analogue tape running at 30 ips and mixed down to 1/4 inch tape also running at 30 ips. All tracking and mixing is done at Sunset Sound by recording engineer and co-producer Michael C. Ross.\r\n
      \r\n
      The album is mastered and all vinyl cut by Bernie Grundman at Bernie Grundman Mastering using the 1/4 inch 30 ips master and on the all analogue cutting system at Bernie Grundman Mastering.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Jacintha (vocals), Tim Pierce, Dean Parks (guitar), Leland Sklar (bass), Jim Cox (keyboards), Charlie Bisharat (violin), Russ Kunkel (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=LKp1HCqMYXQ"
    -referenceProduit: "Groove Note Records 1099-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Fire & Rain"
      ]
      [
        "ordre" => 2
        "nom" => "2. Something In The Way She Moves"
      ]
      [
        "ordre" => 3
        "nom" => "3. Walking Man"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sweet Baby James"
      ]
      [
        "ordre" => 6
        "nom" => "2. Don't Let Me Be Lonely Tonight"
      ]
      [
        "ordre" => 7
        "nom" => "3. You've Got A Friend"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Long Ago And Faraway"
      ]
      [
        "ordre" => 10
        "nom" => "2. The Water Is Wide"
      ]
      [
        "ordre" => 11
        "nom" => "3. Shower The People"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Fire & Rain (Bonus Cut - Alternate Take)"
      ]
      [
        "ordre" => 14
        "nom" => "2. On The Road Jam"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1515051315 {#1929
      date: 2018-01-04 07:35:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769438435 {#1922
      date: 2026-01-26 14:40:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fire-rain-groove-note-records-1099-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3181
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2723 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 1266
    -nom: "Fire & Rain"
    -informationComplementaire: null
    -description: """
      - 100 % Analogue 45 RPM  180 Gram Vinyl Double LP !\r\n
      - Cut From Original 1/4 Inch 30 ips All Analogue Stereo Master By Bernie Grundman !\r\n
      - Pressed at RTI !\r\n
      \r\n
      Jacintha's first new album since 2007 features a fabulous selection of hits from the James Taylor catalogue including : You've Got A Friend, Sweet Baby James, Walking Man, Fire & Rain, Shower The People and several other popular choices. Jacintha's first popular vocal album represents a striking change of pace from this Singaporean audiophile favorite.\r\n
      \r\n
      Several of the best LA-based musicians associated with James Taylor during his lengthy and stellar career appear on this album : Lee Sklar (bass), Russ Kunkel (drums), Jim Cox (keyboards & currently touring with JT), and Dean Parks (acoustic guitar & currently touring with JT). All songs are arranged by Tim Pierce (Vanessa Use Me and Vanessa When The Levee Breaks) who also plays acoustic guitar on several tracks.\r\n
      \r\n
      The entire album is recorded 100 % pure analogue at The Henson Studios in Hollywood, formerly know as A&M (and the original location of the Charlie Chaplin film studios). In 1999, A&M Records was sold to Universal Music. Subsequently the studio location, including all the recording studio facilities and equipment, was purchased by The Jim Henson Company. Henson Recording Studios was established in 2000 and continues the legacy of technical expertise and excellent service founded by A&M. The album is tracked to 2 inch Multitrack analogue tape running at 30 ips and mixed down to 1/4 inch tape also running at 30 ips. All tracking and mixing is done at Sunset Sound by recording engineer and co-producer Michael C. Ross.\r\n
      \r\n
      The album is mastered and all vinyl cut by Bernie Grundman at Bernie Grundman Mastering using the 1/4 inch 30 ips master and on the all analogue cutting system at Bernie Grundman Mastering.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Jacintha (vocals), Tim Pierce, Dean Parks (guitar), Leland Sklar (bass), Jim Cox (keyboards), Charlie Bisharat (violin), Russ Kunkel (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=LKp1HCqMYXQ"
    -referenceProduit: "Groove Note Records 1099-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Fire & Rain"
      ]
      [
        "ordre" => 2
        "nom" => "2. Something In The Way She Moves"
      ]
      [
        "ordre" => 3
        "nom" => "3. Walking Man"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sweet Baby James"
      ]
      [
        "ordre" => 6
        "nom" => "2. Don't Let Me Be Lonely Tonight"
      ]
      [
        "ordre" => 7
        "nom" => "3. You've Got A Friend"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Long Ago And Faraway"
      ]
      [
        "ordre" => 10
        "nom" => "2. The Water Is Wide"
      ]
      [
        "ordre" => 11
        "nom" => "3. Shower The People"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Fire & Rain (Bonus Cut - Alternate Take)"
      ]
      [
        "ordre" => 14
        "nom" => "2. On The Road Jam"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1515051315 {#1929
      date: 2018-01-04 07:35:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769438435 {#1922
      date: 2026-01-26 14:40:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fire-rain-groove-note-records-1099-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2491 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2649
    -nom: "The Great Kai & J.J."
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      The first-ever Impulse release (catalog number A-1) and known as one of the best efforts of Kai Winding and J.J. Johnson, this 1960 session features a collection of jazz heavyweights, including Bill Evans (piano), Paul Chambers (bass), and Art Taylor & Roy Haynes (drums). Evans' playing, in particular, raises this album beyond a mere Kai & J.J. and spotlights the group as a whole.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "J. J. Johnson, Kai Winding (trombone), Bill Evans (piano), Paul Chambers, Tommy Williams (bass), Roy Haynes, Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wTv03io_htw"
    -referenceProduit: "Acoustic Sounds Series Verve 4569"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. This Could Be The Start Of Something Big"
      ]
      [
        "ordre" => 2
        "nom" => "2. Georgia On My Mind"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blue Monk"
      ]
      [
        "ordre" => 4
        "nom" => "4. Judy"
      ]
      [
        "ordre" => 5
        "nom" => "5. Alone Together"
      ]
      [
        "ordre" => 6
        "nom" => "6. Side By Side"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. I Concentrate On You"
      ]
      [
        "ordre" => 9
        "nom" => "2. Theme From Picnic"
      ]
      [
        "ordre" => 10
        "nom" => "3. Trixie"
      ]
      [
        "ordre" => 11
        "nom" => "4. Going, Going, Gong !"
      ]
      [
        "ordre" => 12
        "nom" => "5. Just For A Thrill"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1740216482 {#2095
      date: 2025-02-22 09:28:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769427460 {#2096
      date: 2026-01-26 11:37:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-great-kai-j-j-acoustic-sounds-series-verve-4569"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3295
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2723 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 2649
    -nom: "The Great Kai & J.J."
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      The first-ever Impulse release (catalog number A-1) and known as one of the best efforts of Kai Winding and J.J. Johnson, this 1960 session features a collection of jazz heavyweights, including Bill Evans (piano), Paul Chambers (bass), and Art Taylor & Roy Haynes (drums). Evans' playing, in particular, raises this album beyond a mere Kai & J.J. and spotlights the group as a whole.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "J. J. Johnson, Kai Winding (trombone), Bill Evans (piano), Paul Chambers, Tommy Williams (bass), Roy Haynes, Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wTv03io_htw"
    -referenceProduit: "Acoustic Sounds Series Verve 4569"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. This Could Be The Start Of Something Big"
      ]
      [
        "ordre" => 2
        "nom" => "2. Georgia On My Mind"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blue Monk"
      ]
      [
        "ordre" => 4
        "nom" => "4. Judy"
      ]
      [
        "ordre" => 5
        "nom" => "5. Alone Together"
      ]
      [
        "ordre" => 6
        "nom" => "6. Side By Side"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. I Concentrate On You"
      ]
      [
        "ordre" => 9
        "nom" => "2. Theme From Picnic"
      ]
      [
        "ordre" => 10
        "nom" => "3. Trixie"
      ]
      [
        "ordre" => 11
        "nom" => "4. Going, Going, Gong !"
      ]
      [
        "ordre" => 12
        "nom" => "5. Just For A Thrill"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1740216482 {#2095
      date: 2025-02-22 09:28:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769427460 {#2096
      date: 2026-01-26 11:37:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-great-kai-j-j-acoustic-sounds-series-verve-4569"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2491 …}
}

[
  "produit" => App\Entity\Produit {#2119
    -id: 1071
    -nom: "Blow Up (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty.\r\n
      \r\n
      The of-the-moment realism of Yoshihiko Kannari's recordings and production aesthetic of producer and label head Takeshi "Tee" Fujii have been the benchmark to match. It is to their immense credit that Blow Up, Midnight Sugar, and Misty have yet to be matched, even 40 years later.\r\n
      \r\n
      Impex, who as Cisco Music has had a long association with Tee and Three Blind Mice, has now made available these seminal recordings on 180 gram audiophile vinyl. Mastered by Kevin Gray at Cohearent Audio.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Isao Suzuki (bass & cello), Kunihiko Sugano (piano & Fender piano), Takashi Mizuhashi (bass), George Otsuka (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AxQA22rEjzQ"
    -referenceProduit: "Impex Records IMP 015-45"
    -titreMorceau: [
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        "nom" => "1. Like It Is"
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      [
        "ordre" => 7
        "nom" => "2. I Can't Get Started"
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Low Flight"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2121 …}
    -label: Proxies\__CG__\App\Entity\Label {#2124 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …}
    -enregistreLe: DateTime @1479280428 {#2115
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    }
    -modifierLe: DateTime @1769413462 {#2114
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-blow-up-2-lp-45-rpm-impex-records-imp-015-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3346
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2723 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2119
    -id: 1071
    -nom: "Blow Up (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty.\r\n
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      The of-the-moment realism of Yoshihiko Kannari's recordings and production aesthetic of producer and label head Takeshi "Tee" Fujii have been the benchmark to match. It is to their immense credit that Blow Up, Midnight Sugar, and Misty have yet to be matched, even 40 years later.\r\n
      \r\n
      Impex, who as Cisco Music has had a long association with Tee and Three Blind Mice, has now made available these seminal recordings on 180 gram audiophile vinyl. Mastered by Kevin Gray at Cohearent Audio.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Isao Suzuki (bass & cello), Kunihiko Sugano (piano & Fender piano), Takashi Mizuhashi (bass), George Otsuka (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-blow-up-2-lp-45-rpm-impex-records-imp-015-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2491 …}
}

[
  "produit" => App\Entity\Produit {#2138
    -id: 2772
    -nom: "Hot Buttered Soul  (Limited Numbered Edition Small Batch One-Step )"
    -informationComplementaire: null
    -description: """
      - Issac Hayes "Hot Buttered Soul" !\r\n
      - Small Batch 180 gram LP from Craft Recordings !\r\n
      - Pressed using a one-step lacquer process at RTI utilizing Neotech's VR900 PVC compound !\r\n
      - All-analog mastering by Bernie Grundman from the original master tape !\r\n
      - Housed in a foil-stamped linen-wrapped slipcase !\r\n
      - In-depth liner notes !\r\n
      - Numbered and limited to 3000 copies worldwide !\r\n
      \r\n
      "(A) kind of you-are-there intimacy..." - The Absolute Sound\r\n
      Isaac Hayes earth-shattering record Hot Buttered Soul is the sixth release in Craft Recordings' acclaimed one-step lacquer process series, Small Batch. Released on Stax Records in 1969, Hot Buttered Soul pushed the boundaries of soul music, while setting Hayes on the path to superstardom, thanks to such groundbreaking tracks as "Hyperbolicsyllabicsesquedalymistic", plus ambitious renditions of the Bacharach / David classic "Walk on By" and Jimmy Webb's "By the Time I Get to Phoenix".\r\n
      \r\n
      As with all Small Batch titles, Hot Buttered Soul was mastered from its original master tapes (AAA) by Bernie Grundman and pressed on 180 gram vinyl at RTI using Neotech's VR900 compound, using a one-step lacquer process (as opposed to the standard three-step process). This technique allows for the utmost level of musical detail, clarity, and dynamics while reducing the amount of surface noise on the record. The limited nature of these pressings guarantees that each record is a true representation of the original lacquer and is as close as the listener can get to the original recording. This pressing is limited to 3,000 copies worldwide.\r\n
      \r\n
      Please note, because the lacquers are cut directly from the original tape with no digital manipulation, there is very minor tape noise on the album's Side B caused by the tape's age and use over time, however it does not distract from the overall superb listening experience. Lacquers are cut from the master tape, except for track B1 in which the original safety was used.\r\n
      \r\n
      About Hot Buttered Soul\r\n
      \r\n
      Described by liner notes writer Scott Galloway as "a searing souvenir of the art form, that will emphatically inspire into eternity", Isaac Hayes' Hot Buttered Soul has long been considered a landmark title in R&B one that pushed the limits of soul music and influenced countless artists in its wake.\r\n
      \r\n
      "I always try to make my music interesting in the sense that you can't figure out where I'm going", Hayes told Galloway in 1995. "I don't like people to second guess me. I had no formal training therefore I knew no boundaries. When you break the rules and go outside the box, you become innovative".\r\n
      \r\n
      Hayes recorded lead vocals and rhythm tracks in a single eight-hour session, during which he simultaneously served as lead vocalist, keyboardist (on the Hammond organ), and conductor. Performing alongside him at Memphis' Ardent Studios were bassist James Alexander, drummer Willie Hall, and rhythm guitarist Michael Toles-all members of the recently reformed Bar-Kays-plus pianist Marvell Thomas (son of Rufus). The album, which was produced by Thomas, Al Bell, and Allen Jones, also featured lush orchestration (arranged by Johnny Allen) and soaring backing vocals-all of which were captured during additional sessions in Detroit.\r\n
      \r\n
      Read more here.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "saac Hayes (keyboards, vocals), Michael Toles (guitar), James Alexander (bass), Marvell Thomas (keyboards), Willie Hall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=U0uqXngaGDk"
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      ]
      [
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        "nom" => "Side B : "
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      [
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        "nom" => "2. By the Time I Get to Phoenix"
      ]
      [
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …}
    -label: Proxies\__CG__\App\Entity\Label {#2143 …}
    -style: App\Entity\Style {#1508 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2147 …}
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    }
    -modifierLe: DateTime @1769412949 {#2136
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3397
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2723 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2138
    -id: 2772
    -nom: "Hot Buttered Soul  (Limited Numbered Edition Small Batch One-Step )"
    -informationComplementaire: null
    -description: """
      - Issac Hayes "Hot Buttered Soul" !\r\n
      - Small Batch 180 gram LP from Craft Recordings !\r\n
      - Pressed using a one-step lacquer process at RTI utilizing Neotech's VR900 PVC compound !\r\n
      - All-analog mastering by Bernie Grundman from the original master tape !\r\n
      - Housed in a foil-stamped linen-wrapped slipcase !\r\n
      - In-depth liner notes !\r\n
      - Numbered and limited to 3000 copies worldwide !\r\n
      \r\n
      "(A) kind of you-are-there intimacy..." - The Absolute Sound\r\n
      Isaac Hayes earth-shattering record Hot Buttered Soul is the sixth release in Craft Recordings' acclaimed one-step lacquer process series, Small Batch. Released on Stax Records in 1969, Hot Buttered Soul pushed the boundaries of soul music, while setting Hayes on the path to superstardom, thanks to such groundbreaking tracks as "Hyperbolicsyllabicsesquedalymistic", plus ambitious renditions of the Bacharach / David classic "Walk on By" and Jimmy Webb's "By the Time I Get to Phoenix".\r\n
      \r\n
      As with all Small Batch titles, Hot Buttered Soul was mastered from its original master tapes (AAA) by Bernie Grundman and pressed on 180 gram vinyl at RTI using Neotech's VR900 compound, using a one-step lacquer process (as opposed to the standard three-step process). This technique allows for the utmost level of musical detail, clarity, and dynamics while reducing the amount of surface noise on the record. The limited nature of these pressings guarantees that each record is a true representation of the original lacquer and is as close as the listener can get to the original recording. This pressing is limited to 3,000 copies worldwide.\r\n
      \r\n
      Please note, because the lacquers are cut directly from the original tape with no digital manipulation, there is very minor tape noise on the album's Side B caused by the tape's age and use over time, however it does not distract from the overall superb listening experience. Lacquers are cut from the master tape, except for track B1 in which the original safety was used.\r\n
      \r\n
      About Hot Buttered Soul\r\n
      \r\n
      Described by liner notes writer Scott Galloway as "a searing souvenir of the art form, that will emphatically inspire into eternity", Isaac Hayes' Hot Buttered Soul has long been considered a landmark title in R&B one that pushed the limits of soul music and influenced countless artists in its wake.\r\n
      \r\n
      "I always try to make my music interesting in the sense that you can't figure out where I'm going", Hayes told Galloway in 1995. "I don't like people to second guess me. I had no formal training therefore I knew no boundaries. When you break the rules and go outside the box, you become innovative".\r\n
      \r\n
      Hayes recorded lead vocals and rhythm tracks in a single eight-hour session, during which he simultaneously served as lead vocalist, keyboardist (on the Hammond organ), and conductor. Performing alongside him at Memphis' Ardent Studios were bassist James Alexander, drummer Willie Hall, and rhythm guitarist Michael Toles-all members of the recently reformed Bar-Kays-plus pianist Marvell Thomas (son of Rufus). The album, which was produced by Thomas, Al Bell, and Allen Jones, also featured lush orchestration (arranged by Johnny Allen) and soaring backing vocals-all of which were captured during additional sessions in Detroit.\r\n
      \r\n
      Read more here.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "saac Hayes (keyboards, vocals), Michael Toles (guitar), James Alexander (bass), Marvell Thomas (keyboards), Willie Hall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=U0uqXngaGDk"
    -referenceProduit: "Concord Craft Recordings 0504"
    -titreMorceau: [
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        "nom" => "Side A :"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2149 …}
    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2491 …}
}

[
  "produit" => App\Entity\Produit {#2161
    -id: 2770
    -nom: "Hot Buttered Soul"
    -informationComplementaire: null
    -description: """
      - 180 gram LP with tip-on gatefold jacket !\r\n
      - Remastered from the original analog tape !\r\n
      \r\n
      One of the truly timeless albums in soul music history and the one that launched the career of Isaac Hayes, putting him firmly on the map as a musical force to be reckoned with and a source on musical inspiration for generations to come. This new vinyl reissue, complete with replica old-style tip-on jacket, features audio remastered from the original analog tapes by leading engineer Dave Cooley and pressed on 180 gram vinyl.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Isaac Hayes (keyboards, vocals), Michael Toles (guitar), James Alexander (bass), Marvell Thomas (keyboards), Willie Hall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dVCMyOaIKI0&list=RDdVCMyOaIKI0&start_radio=1"
    -referenceProduit: "Concord Craft Recordings 0034"
    -titreMorceau: [
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      [
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      [
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        "nom" => "2. By The Time I Get To Phoenix"
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …}
    -label: Proxies\__CG__\App\Entity\Label {#2143 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2169 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2162 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2164 …}
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    -modifierLe: DateTime @1769412305 {#2155
      date: 2026-01-26 07:25:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2166 …}
    -disponible: null
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    -slug: "vinyles-hot-buttered-soul-concord-craft-recordings-0034"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3450
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2723 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2161
    -id: 2770
    -nom: "Hot Buttered Soul"
    -informationComplementaire: null
    -description: """
      - 180 gram LP with tip-on gatefold jacket !\r\n
      - Remastered from the original analog tape !\r\n
      \r\n
      One of the truly timeless albums in soul music history and the one that launched the career of Isaac Hayes, putting him firmly on the map as a musical force to be reckoned with and a source on musical inspiration for generations to come. This new vinyl reissue, complete with replica old-style tip-on jacket, features audio remastered from the original analog tapes by leading engineer Dave Cooley and pressed on 180 gram vinyl.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Isaac Hayes (keyboards, vocals), Michael Toles (guitar), James Alexander (bass), Marvell Thomas (keyboards), Willie Hall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
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    -disponible: null
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}

[
  "produit" => App\Entity\Produit {#2176
    -id: 2764
    -nom: "Shaft  (Music From The Soundtrack)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Isaac Hayes (organ, piano, electric piano, vocals), Lester Snell –(piano), Charles Pitts, Harold Beane, Michael Toles (guitar), James Alexander, Wilbur Bascomb (bass), Andrew Love (tenor saxophone), Wayne Jackson (trumpet), Jack Hale (trombone), Floyd Newman (baritone saxophone), Pat Lewis, Brenda Hilliard, Albertian Walker (backing vocals), Willie Hall, Al Jackson Jr. (drums).\r\n
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      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3498
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2723 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
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    -id: 2764
    -nom: "Shaft  (Music From The Soundtrack)"
    -informationComplementaire: null
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      Isaac Hayes (organ, piano, electric piano, vocals), Lester Snell –(piano), Charles Pitts, Harold Beane, Michael Toles (guitar), James Alexander, Wilbur Bascomb (bass), Andrew Love (tenor saxophone), Wayne Jackson (trumpet), Jack Hale (trombone), Floyd Newman (baritone saxophone), Pat Lewis, Brenda Hilliard, Albertian Walker (backing vocals), Willie Hall, Al Jackson Jr. (drums).\r\n
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      - Remastered from the original analog tapes by Dave Cooley at Elysian Masters !\r\n
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      "Shaft" not only resulted in an Oscar win for Hayes, but launched the wah-wah workout and No. 1 smash-hit, "Theme from Shaft" into cultural ubiquity. Its legacy transcends time as not only one of the most lasting and most successful Blaxploitation albums of all time.\r\n
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …}
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[
  "produit" => App\Entity\Produit {#2193
    -id: 1843
    -nom: "After The Rain"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Irma Thomas (vocals), David Egan (piano), Corey Harris (acoustic & electric guitar), Sonny Landreth (slide guitar), Dirk Powell (fiddle, fretless banjo, acoustic & electric guitar), James Singleton (acoustic bass), David Torkanowsky (organ Hammond B3, piano), Juanita Brooks, Marc Broussard, Charles "Chucky C" Elam, III  (background vocals), Stanton Moore (drums, percussion).\r\n
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      Irma Thomas continues to reign as the "Soul Queen of New Orleans". Reissued on vinyl for the first time, After The Rain was recorded in Louisiana only months after Hurricane Katrina. A majority of the songs were chosen prior to the hurricane, but the album's prophetic themes offer a message of hope. The album earned Thomas her first GRAMMY for Best Contemporary Blues Album.\r\n
      \r\n
      Remixed and remastered audio pressed on 180-gram vinyl double LP, housed in gatefold jacket packaging.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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        "nom" => "1. In The Middle Of It All "
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        "nom" => "1. Make Me A Pallet On Your Floor "
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        "nom" => "2. Stone Survivor "
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        "nom" => "3. Shelter In The Rain"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3544
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2723 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2193
    -id: 1843
    -nom: "After The Rain"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Irma Thomas (vocals), David Egan (piano), Corey Harris (acoustic & electric guitar), Sonny Landreth (slide guitar), Dirk Powell (fiddle, fretless banjo, acoustic & electric guitar), James Singleton (acoustic bass), David Torkanowsky (organ Hammond B3, piano), Juanita Brooks, Marc Broussard, Charles "Chucky C" Elam, III  (background vocals), Stanton Moore (drums, percussion).\r\n
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      """
    -prixVente: "69.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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        "nom" => "3. Shelter In The Rain"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
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      date: 2026-01-26 07:10:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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}

[
  "produit" => App\Entity\Produit {#2211
    -id: 1227
    -nom: "Kick"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - 6 x platinum-selling album includes "New Sensation", "Never Tear Us Apart", "Devil Inside", and the N° 1 hit Need You Tonight" !\r\n
      - 180 gram 45 RPM double LP release !\r\n
      - Mastered by Ryan K. Smith from an EQ'd Dolby tape copy !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "...there's an immense, gutsy weight and power to this. Michael Hutchence's voice on the Analogue Productions version is far more in a natural, ambient kind of space ... it's soft, and warm and airy and seductive. ... but this is not in any way, shape or form implying that this soft and fuzzy around the edges, or smoothed over ... it absolutely isn't. I think this is supremely judged by Ryan Smith. ... the bass is really deep, really weighty, there's a phenomenal kind of kick, and power and drive." - Dave Denyer, Youtube video\r\n
      \r\n
      "You have such wonderful air between all those instruments. You have a lot of attack in this record ... it opens it up so brilliantly without ... in a nutshell, this reissue makes this brilliant record an unbelievable record". - Michael Ludwigs, 45 RPM Audiophile, YouTube video\r\n
      \r\n
      Kick, the sixth and best-selling 1987 studio album by Australian band INXS, has the unmistakable sound personified by its four U.S. Top 10 singles, "New Sensation", "Never Tear Us Apart", "Devil Inside" and "Need You Tonight", - which reached the top of the U.S. Billboard singles charts.\r\n
      \r\n
      Between 1980 and 1984, INXS released four studio albums and had toured their native country Australia extensively. With Kick, producer Chris Thomas fused the funk and soul of their previous album The Swing with the mainstream rock of Listen Like Thieves. In an interview with MusicRadar, Andrew Farriss stated, "The melding of funk and rock was always in our heads. We were very excited about the idea of overlaying two types of songs and genres together".\r\n
      \r\n
      Kick showcased a diverse range of musical styles, blending rock, pop, funk, and dance elements. This versatility appealed to a wide audience, making the album accessible to fans of different genres. It's four catchy singles became radio staples and were accompanied by stylish music videos, helping propel INXS to international stardom.\r\n
      \r\n
      Incorporating elements such as electronic percussion and synthesizers gave Kick a modern sound, helping it stand out, together with Michael Hutchence's charismatic and sultry vocals that created a strong emotional connection.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from an EQ'd Dolby tape copy by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Kirk Pengilly (guitar, saxophone, vocals), Tim Farriss (guitar),  Andrew Farriss (guitar, keyboards, harmonica), Garry Gary Beers (bass),  Michael Hutchence (vocals), Jon Farriss (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=ROyk9PPBMTQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 032-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Guns in the Sky"
      ]
      [
        "ordre" => 2
        "nom" => "2. New Sensation"
      ]
      [
        "ordre" => 3
        "nom" => "3. Devil Inside"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Need You Tonight"
      ]
      [
        "ordre" => 6
        "nom" => "2. Mediate"
      ]
      [
        "ordre" => 7
        "nom" => "3. The Loved One"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Wild Life"
      ]
      [
        "ordre" => 10
        "nom" => "2. Never Tear Us Apart"
      ]
      [
        "ordre" => 11
        "nom" => "3. Mystify"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Kick"
      ]
      [
        "ordre" => 14
        "nom" => "2. Calling All Nations"
      ]
      [
        "ordre" => 15
        "nom" => "3. Tiny Daggers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2213 …}
    -label: Proxies\__CG__\App\Entity\Label {#2216 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2225 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2218 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2220 …}
    -enregistreLe: DateTime @1507966453 {#2207
      date: 2017-10-14 07:34:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769358584 {#2206
      date: 2026-01-25 16:29:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2222 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kick-analogue-productions-atlantic-75-series-aapa-032-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3595
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2723 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2211
    -id: 1227
    -nom: "Kick"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - 6 x platinum-selling album includes "New Sensation", "Never Tear Us Apart", "Devil Inside", and the N° 1 hit Need You Tonight" !\r\n
      - 180 gram 45 RPM double LP release !\r\n
      - Mastered by Ryan K. Smith from an EQ'd Dolby tape copy !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "...there's an immense, gutsy weight and power to this. Michael Hutchence's voice on the Analogue Productions version is far more in a natural, ambient kind of space ... it's soft, and warm and airy and seductive. ... but this is not in any way, shape or form implying that this soft and fuzzy around the edges, or smoothed over ... it absolutely isn't. I think this is supremely judged by Ryan Smith. ... the bass is really deep, really weighty, there's a phenomenal kind of kick, and power and drive." - Dave Denyer, Youtube video\r\n
      \r\n
      "You have such wonderful air between all those instruments. You have a lot of attack in this record ... it opens it up so brilliantly without ... in a nutshell, this reissue makes this brilliant record an unbelievable record". - Michael Ludwigs, 45 RPM Audiophile, YouTube video\r\n
      \r\n
      Kick, the sixth and best-selling 1987 studio album by Australian band INXS, has the unmistakable sound personified by its four U.S. Top 10 singles, "New Sensation", "Never Tear Us Apart", "Devil Inside" and "Need You Tonight", - which reached the top of the U.S. Billboard singles charts.\r\n
      \r\n
      Between 1980 and 1984, INXS released four studio albums and had toured their native country Australia extensively. With Kick, producer Chris Thomas fused the funk and soul of their previous album The Swing with the mainstream rock of Listen Like Thieves. In an interview with MusicRadar, Andrew Farriss stated, "The melding of funk and rock was always in our heads. We were very excited about the idea of overlaying two types of songs and genres together".\r\n
      \r\n
      Kick showcased a diverse range of musical styles, blending rock, pop, funk, and dance elements. This versatility appealed to a wide audience, making the album accessible to fans of different genres. It's four catchy singles became radio staples and were accompanied by stylish music videos, helping propel INXS to international stardom.\r\n
      \r\n
      Incorporating elements such as electronic percussion and synthesizers gave Kick a modern sound, helping it stand out, together with Michael Hutchence's charismatic and sultry vocals that created a strong emotional connection.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from an EQ'd Dolby tape copy by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Kirk Pengilly (guitar, saxophone, vocals), Tim Farriss (guitar),  Andrew Farriss (guitar, keyboards, harmonica), Garry Gary Beers (bass),  Michael Hutchence (vocals), Jon Farriss (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=ROyk9PPBMTQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 032-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Guns in the Sky"
      ]
      [
        "ordre" => 2
        "nom" => "2. New Sensation"
      ]
      [
        "ordre" => 3
        "nom" => "3. Devil Inside"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Need You Tonight"
      ]
      [
        "ordre" => 6
        "nom" => "2. Mediate"
      ]
      [
        "ordre" => 7
        "nom" => "3. The Loved One"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Wild Life"
      ]
      [
        "ordre" => 10
        "nom" => "2. Never Tear Us Apart"
      ]
      [
        "ordre" => 11
        "nom" => "3. Mystify"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Kick"
      ]
      [
        "ordre" => 14
        "nom" => "2. Calling All Nations"
      ]
      [
        "ordre" => 15
        "nom" => "3. Tiny Daggers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2213 …}
    -label: Proxies\__CG__\App\Entity\Label {#2216 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2225 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2218 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2220 …}
    -enregistreLe: DateTime @1507966453 {#2207
      date: 2017-10-14 07:34:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769358584 {#2206
      date: 2026-01-25 16:29:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2222 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kick-analogue-productions-atlantic-75-series-aapa-032-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2491 …}
}

[
  "produit" => App\Entity\Produit {#2230
    -id: 1391
    -nom: "Vivaldi In Venice"
    -informationComplementaire: null
    -description: """
      Chasing The Dragon's first "Direct Cut" album was of the Interpreti Veneziani performing a wonderful version of Vivaldi's Four Seasons. When chatting with Paolo, the orchestra's organizer, CTD discovered the group had never taken part in a 'live' recording. They have always performed in the San Vidal Church which is in the Accademia area of Venice. The acoustics in the church are outstanding. So after some discussion with the orchestra, they were convinced to record a live double album there. This would mean that a small crew would have to go to Venice and record 5 live concerts. It's a dirty job, but somebody had to do it! The jump factor of this album really has to be heard ! \r\n
      \r\n
      "For many years Francoise and I at Chasing the Dragon have had the pleasure of visiting Venice, where we would attend concerts given by the leading chamber orchestra; Interpreti Veneziani. These superb musicians, combined with the beautiful acoustics of San Vidal Church, create a wonderful concert event. Recently, we had the opportunity to record 5 live concerts, which we have combined together to present to you the pleasure of being amongst the audience yourself. We really hope you enjoy this album!". - Mike Valentine
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Chasing The Dragon 1008"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "ANTONIO VIVALDI - Violin Concerto In B Minor"
      ]
      [
        "ordre" => 2
        "nom" => "1. Allegro - Larghetto - Allegr"
      ]
      [
        "ordre" => 3
        "nom" => "GUISEPPE TARTINI - Violin Concerto In A Major"
      ]
      [
        "ordre" => 4
        "nom" => "2. Largo"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "GUISEPPE TARTINI - Violin Concerto In E Minor"
      ]
      [
        "ordre" => 7
        "nom" => "1. Allegro - Andante - Allegro"
      ]
      [
        "ordre" => 8
        "nom" => "ARCANGELO CORELLI - Concerto Grosso In D Major, Op. 6, N° 4"
      ]
      [
        "ordre" => 9
        "nom" => "2. Allegro"
      ]
      [
        "ordre" => 10
        "nom" => "Side C : "
      ]
      [
        "ordre" => 11
        "nom" => "ANTONIO VIVALDI "
      ]
      [
        "ordre" => 12
        "nom" => "1. "La Follia" Trio Sonata"
      ]
      [
        "ordre" => 13
        "nom" => "Violin and Cello Concerto"
      ]
      [
        "ordre" => 14
        "nom" => "2. Allegro moderato - Andante - Allegro molto"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "ANTONIO VIVALDI - Bassoon Concerto in E minor"
      ]
      [
        "ordre" => 17
        "nom" => "1. Allegro poco - Andante - Allegro"
      ]
      [
        "ordre" => 18
        "nom" => "Cello Concerto in A Major"
      ]
      [
        "ordre" => 19
        "nom" => "2. Allegro - Andante - Allegro"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2232 …}
    -label: Proxies\__CG__\App\Entity\Label {#2235 …}
    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2244 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2237 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2239 …}
    -enregistreLe: DateTime @1540707582 {#2227
      date: 2018-10-28 06:19:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769358256 {#2228
      date: 2026-01-25 16:24:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2241 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-vivaldi-in-venice-chasing-the-dragon-1008"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3646
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2723 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2230
    -id: 1391
    -nom: "Vivaldi In Venice"
    -informationComplementaire: null
    -description: """
      Chasing The Dragon's first "Direct Cut" album was of the Interpreti Veneziani performing a wonderful version of Vivaldi's Four Seasons. When chatting with Paolo, the orchestra's organizer, CTD discovered the group had never taken part in a 'live' recording. They have always performed in the San Vidal Church which is in the Accademia area of Venice. The acoustics in the church are outstanding. So after some discussion with the orchestra, they were convinced to record a live double album there. This would mean that a small crew would have to go to Venice and record 5 live concerts. It's a dirty job, but somebody had to do it! The jump factor of this album really has to be heard ! \r\n
      \r\n
      "For many years Francoise and I at Chasing the Dragon have had the pleasure of visiting Venice, where we would attend concerts given by the leading chamber orchestra; Interpreti Veneziani. These superb musicians, combined with the beautiful acoustics of San Vidal Church, create a wonderful concert event. Recently, we had the opportunity to record 5 live concerts, which we have combined together to present to you the pleasure of being amongst the audience yourself. We really hope you enjoy this album!". - Mike Valentine
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Chasing The Dragon 1008"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "ANTONIO VIVALDI - Violin Concerto In B Minor"
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      [
        "ordre" => 2
        "nom" => "1. Allegro - Larghetto - Allegr"
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      [
        "ordre" => 3
        "nom" => "GUISEPPE TARTINI - Violin Concerto In A Major"
      ]
      [
        "ordre" => 4
        "nom" => "2. Largo"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "GUISEPPE TARTINI - Violin Concerto In E Minor"
      ]
      [
        "ordre" => 7
        "nom" => "1. Allegro - Andante - Allegro"
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      [
        "ordre" => 8
        "nom" => "ARCANGELO CORELLI - Concerto Grosso In D Major, Op. 6, N° 4"
      ]
      [
        "ordre" => 9
        "nom" => "2. Allegro"
      ]
      [
        "ordre" => 10
        "nom" => "Side C : "
      ]
      [
        "ordre" => 11
        "nom" => "ANTONIO VIVALDI "
      ]
      [
        "ordre" => 12
        "nom" => "1. "La Follia" Trio Sonata"
      ]
      [
        "ordre" => 13
        "nom" => "Violin and Cello Concerto"
      ]
      [
        "ordre" => 14
        "nom" => "2. Allegro moderato - Andante - Allegro molto"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "ANTONIO VIVALDI - Bassoon Concerto in E minor"
      ]
      [
        "ordre" => 17
        "nom" => "1. Allegro poco - Andante - Allegro"
      ]
      [
        "ordre" => 18
        "nom" => "Cello Concerto in A Major"
      ]
      [
        "ordre" => 19
        "nom" => "2. Allegro - Andante - Allegro"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2232 …}
    -label: Proxies\__CG__\App\Entity\Label {#2235 …}
    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2244 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2237 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2239 …}
    -enregistreLe: DateTime @1540707582 {#2227
      date: 2018-10-28 06:19:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769358256 {#2228
      date: 2026-01-25 16:24:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2241 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-vivaldi-in-venice-chasing-the-dragon-1008"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2491 …}
}

[
  "produit" => App\Entity\Produit {#2249
    -id: 332
    -nom: "Swing's The Thing  (Mono Version)"
    -informationComplementaire: null
    -description: """
      - Illnois Jacquet "Swing's The Thing" (Mono Version) !\r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
       - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Originally recorded for the Clef label in 1956, Swing's The Thing features the tenor great in a stellar sextet with Roy Eldridge (trumpet), Jimmy Jones (piano), Herb Ellis (guitar), Ray Brown (bass) and Jo Jones (drums). While Jacquet's sessions as a leader may have been infrequent during this time, this session hits a magical mark with the 6-song set being highlighted by the tracks "Las Vegas Blues", "Harlem Nocturne", and "Achtung".\r\n
      \r\n
      Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180 gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "60.00"
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    -id: 332
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    -informationComplementaire: null
    -description: """
      - Illnois Jacquet "Swing's The Thing" (Mono Version) !\r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
       - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Originally recorded for the Clef label in 1956, Swing's The Thing features the tenor great in a stellar sextet with Roy Eldridge (trumpet), Jimmy Jones (piano), Herb Ellis (guitar), Ray Brown (bass) and Jo Jones (drums). While Jacquet's sessions as a leader may have been infrequent during this time, this session hits a magical mark with the 6-song set being highlighted by the tracks "Las Vegas Blues", "Harlem Nocturne", and "Achtung".\r\n
      \r\n
      Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180 gram vinyl in deluxe gatefold packaging.
      """
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[
  "produit" => App\Entity\Produit {#2267
    -id: 519
    -nom: "Swing's The Thing"
    -informationComplementaire: null
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss... most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Illinois Jacquet's 1956 album Swing's The Thing features Roy Eldridge, Jimmy Jones, Herb Ellis, Ray Brown and Jo Jones.
      """
    -prixVente: "129.50"
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    -id: 519
    -nom: "Swing's The Thing"
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    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss... most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Illinois Jacquet's 1956 album Swing's The Thing features Roy Eldridge, Jimmy Jones, Herb Ellis, Ray Brown and Jo Jones.
      """
    -prixVente: "129.50"
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[
  "produit" => App\Entity\Produit {#2283
    -id: 2195
    -nom: "Folk Singer - (Box Set 2 LP) 45 RPM - UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      Muddy Waters' Folk Singer remains rightly revered as the greatest-sounding blues album ever released and, to date, one of the only bonafide audiophile records in the genre. Originally issued in 1964 by Chess Records, the all-acoustic work has made the rounds as a demonstration disc and benefitted from myriad reissues, all of which sought to improve upon Willie Dixon and Ralph Bass' legendary, subtlety-abundant production while bringing the musicians into your room. More than five decades after Waters, Buddy Guy, and company initially gathered in a Chicago studio in September 1963, those feats (and more) are finally accomplished in definitive, unsurpassed fashion courtesy of Mobile Fidelity.\r\n
      \r\n
      Limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM (2 LP) collector's edition pays tribute to the album's merit and enhances the intimate program for generations to come. Playing with reference-setting sonics that more than justify its existence in a field filled with prior audiophile reissues of Folk Singer, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a set that inspired Rolling Stone to deem it the 282nd Greatest Album of All Time and proclaim it "a pioneering 'unplugged' set beloved by blues and folk fans alike".\r\n
      \r\n
      The premium packaging and beautiful presentation of the UD1S Folk Singer pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic photos to the gorgeous finishes.\r\n
      \r\n
      Such potency reveals itself explicitly on a vinyl set afforded uncanny reproduction of Waters' tobacco-stained singing, booming reach, robust acoustic guitar, and instrumental accompanists a Hall of Fame group that comprises a very young Guy, stand-up bassist Dixon, and drummer Francis Clay. Accurately portraying the scale of a human voice remains one of the most difficult tasks to accomplish on a recording. And yet the timbre, richness, and realism of Waters' singing here convey the authority of its inner cavity and considerable depth, allowing notes to individually register all the while pairing with succeeding rhythmic passages in seamless fashion. The presence, feel, and contributions of Waters' esteemed colleagues register, too, with the lifelike nature rivaled only by sitting in a small venue. Indeed, few albums of any style resonate with the reference levels of spaciousness, openness, and "room as an instrument" qualities to the extent of Folk Singer.\r\n
      \r\n
      Because of the production's unassailable reputation, ironically, the actual performances on Folk Singer often get short-changed or overlooked. That's a mistake. While much ado about the record's folk-like character and allegedly new direction surrounded the release, Waters' fourth proper album is nothing but the blues and a direct extension back to his Delta lineage and non-amplified roots. Sincere, emotional, direct, spontaneous, and interpretive, Waters and his mates follow a soulful path, completely skirting any notion of prescribed commercialism or pigeonholed definition. Folk Singer echoes with flexibility, liberty, and the artists' own unsullied visions. It could have happened on a Maxwell Street corner on the streets of Chicago.\r\n
      \r\n
      Or, as Mr. Bass writes in the original liner notes : "Muddy's rich vibrant tones, sometimes pleading, sometimes whispering, occasionally shouting and chanting, tells [sic] us the story of a blues singer or for lack of a better word a folk singer who can't tell you his story the same way more than once, whose interpretation changes as his mood and nostalgia serves him as on that one memorable day I asked Muddy to sing 'The Blues.'" Memorable storytelling, both in the narrative and instrumental form, dominates Folk Singer, from the autobiographical "My Home Is in the Delta" to a cover of the Sonny Boy Williamson staple "Good Morning Little School" to the solo "Feel Like Going Home".\r\n
      \r\n
      Throughout, the nine songs transmit the innate proficiency and learned knowledge of virtuosos as they slowly roll and tumble with unmitigated freedom, informal playfulness, and understated sympathy. Steeped in the ways of the country, Folk Singer registers with a magnetic power and palpable force by keeping quiet, in the process redefining what it means to be loud as well as popular notions of the blues itself. What a ride.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
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    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2292 …}
    -enregistreLe: DateTime @1641645926 {#2280
      date: 2022-01-08 12:45:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769356379 {#2281
      date: 2026-01-25 15:52:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2294 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-folk-singer-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-ud1s-023"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3796
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2723 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2283
    -id: 2195
    -nom: "Folk Singer - (Box Set 2 LP) 45 RPM - UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      Muddy Waters' Folk Singer remains rightly revered as the greatest-sounding blues album ever released and, to date, one of the only bonafide audiophile records in the genre. Originally issued in 1964 by Chess Records, the all-acoustic work has made the rounds as a demonstration disc and benefitted from myriad reissues, all of which sought to improve upon Willie Dixon and Ralph Bass' legendary, subtlety-abundant production while bringing the musicians into your room. More than five decades after Waters, Buddy Guy, and company initially gathered in a Chicago studio in September 1963, those feats (and more) are finally accomplished in definitive, unsurpassed fashion courtesy of Mobile Fidelity.\r\n
      \r\n
      Limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM (2 LP) collector's edition pays tribute to the album's merit and enhances the intimate program for generations to come. Playing with reference-setting sonics that more than justify its existence in a field filled with prior audiophile reissues of Folk Singer, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a set that inspired Rolling Stone to deem it the 282nd Greatest Album of All Time and proclaim it "a pioneering 'unplugged' set beloved by blues and folk fans alike".\r\n
      \r\n
      The premium packaging and beautiful presentation of the UD1S Folk Singer pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic photos to the gorgeous finishes.\r\n
      \r\n
      Such potency reveals itself explicitly on a vinyl set afforded uncanny reproduction of Waters' tobacco-stained singing, booming reach, robust acoustic guitar, and instrumental accompanists a Hall of Fame group that comprises a very young Guy, stand-up bassist Dixon, and drummer Francis Clay. Accurately portraying the scale of a human voice remains one of the most difficult tasks to accomplish on a recording. And yet the timbre, richness, and realism of Waters' singing here convey the authority of its inner cavity and considerable depth, allowing notes to individually register all the while pairing with succeeding rhythmic passages in seamless fashion. The presence, feel, and contributions of Waters' esteemed colleagues register, too, with the lifelike nature rivaled only by sitting in a small venue. Indeed, few albums of any style resonate with the reference levels of spaciousness, openness, and "room as an instrument" qualities to the extent of Folk Singer.\r\n
      \r\n
      Because of the production's unassailable reputation, ironically, the actual performances on Folk Singer often get short-changed or overlooked. That's a mistake. While much ado about the record's folk-like character and allegedly new direction surrounded the release, Waters' fourth proper album is nothing but the blues and a direct extension back to his Delta lineage and non-amplified roots. Sincere, emotional, direct, spontaneous, and interpretive, Waters and his mates follow a soulful path, completely skirting any notion of prescribed commercialism or pigeonholed definition. Folk Singer echoes with flexibility, liberty, and the artists' own unsullied visions. It could have happened on a Maxwell Street corner on the streets of Chicago.\r\n
      \r\n
      Or, as Mr. Bass writes in the original liner notes : "Muddy's rich vibrant tones, sometimes pleading, sometimes whispering, occasionally shouting and chanting, tells [sic] us the story of a blues singer or for lack of a better word a folk singer who can't tell you his story the same way more than once, whose interpretation changes as his mood and nostalgia serves him as on that one memorable day I asked Muddy to sing 'The Blues.'" Memorable storytelling, both in the narrative and instrumental form, dominates Folk Singer, from the autobiographical "My Home Is in the Delta" to a cover of the Sonny Boy Williamson staple "Good Morning Little School" to the solo "Feel Like Going Home".\r\n
      \r\n
      Throughout, the nine songs transmit the innate proficiency and learned knowledge of virtuosos as they slowly roll and tumble with unmitigated freedom, informal playfulness, and understated sympathy. Steeped in the ways of the country, Folk Singer registers with a magnetic power and palpable force by keeping quiet, in the process redefining what it means to be loud as well as popular notions of the blues itself. What a ride.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Buddy Guy (guitar), Willie Dixon (bass), Clifton James (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zgA9_AyhZ_c"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-023"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. My Home Is in the Delta"
      ]
      [
        "ordre" => 1
        "nom" => "2. Long Distance"
      ]
      [
        "ordre" => 2
        "nom" => "3. My Captain"
      ]
      [
        "ordre" => 3
        "nom" => "4. Good Morning Little School Girl"
      ]
      [
        "ordre" => 4
        "nom" => "5. You Gonna Need My Help"
      ]
      [
        "ordre" => 5
        "nom" => "6. Cold Weather Blues"
      ]
      [
        "ordre" => 6
        "nom" => "7. Big Leg Woman"
      ]
      [
        "ordre" => 7
        "nom" => "8. Country Boy"
      ]
      [
        "ordre" => 8
        "nom" => "9. Feel Like Going Home"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2285 …}
    -label: Proxies\__CG__\App\Entity\Label {#2288 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2297 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2290 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2292 …}
    -enregistreLe: DateTime @1641645926 {#2280
      date: 2022-01-08 12:45:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769356379 {#2281
      date: 2026-01-25 15:52:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2294 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-folk-singer-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-ud1s-023"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2491 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3997
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2491 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3998 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4046 …}
  +isValidated: false
  +validatedFields: []
}