Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2568
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2415 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2645
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2648 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2647 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2415 …}
  -formView: Symfony\Component\Form\FormView {#2684 …}
  -form: Symfony\Component\Form\Form {#2834 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2793
    -nom: "Let It Be  (4 LP) Deluxe Edition"
    -informationComplementaire: null
    -description: """
      - Coming October 24, 2025 pre-order your copy today !\r\n
      - Deluxe (4 LP) Set with Newly Remastered Audio !\r\n
      - Features Unreleased Material from the Let It Be Sessions & Previously Unreleased 1984 Live Recording !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 156 / 500 !\r\n
      \r\n
      Let It Be by The Replacements - Paul Westerberg, Bob Stinson, Tommy Stinson, and Chris Mars originally released by highly revered indie label Twin/Tone Records, is widely hailed as one of the greatest albums of the 1980s and a cornerstone of indie rock.\r\n
      \r\n
      The deluxe edition gathers a wide range of unreleased material from the Let It Be sessions, including alternate versions of "Gary's Got a Boner" and "Favorite Thing", as well as previously unreleased outtakes "Who's Gonna Take Us Alive" and "Street Girl". The alternate version of "Androgynous" features a different vocal take and the full piano intro, restored for the first time. All five bonus tracks from 2008's Let It Be (Expanded Edition) are included here, newly remastered for this set.\r\n
      \r\n
      The collection also includes Goodnight! Go Home!, an unreleased 28-song performance recorded in August 1984 at the Cubby Bear in Chicago. Sourced from an audience tape and newly remastered, it finds the Minneapolis quartet charging through material from the not-yet-released album "I Will Dare" and "Unsatisfied", early favorites "Color Me Impressed" and "Takin' a Ride", and characteristically offbeat covers "Help Me Rhonda / Little G.T.O". originally done by The Beach Boys/Ronny & the Daytonas and "Can't Get Enough" (Bad Company).
      """
    -prixVente: "139.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Paul Westerberg (guitar, keyboards, piano, lead vocals), Bob Stinson (lead guitar), Tommy Stinson (bass guitar), Peter Buck (guitar), Chris Mars (drums, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=E3dFmNolsPA&list=PLNPGM2D7aODd32yBzIGoWwXlPbZcXycC4&index=5"
    -referenceProduit: "Rhino Records 8215"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Will Dare (2025 Remaster)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Favorite Thing (2025 Remaster)"
      ]
      [
        "ordre" => 3
        "nom" => "3. We're Comin' Out (2025 Remaster)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Tommy Gets His Tonsils Out (2025 Remaster)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Androgynous (2025 Remaster)"
      ]
      [
        "ordre" => 6
        "nom" => "6. Black Diamond (2025 Remaster)"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Unsatisfied (2025 Remaster)"
      ]
      [
        "ordre" => 9
        "nom" => "2. Seen Your Video (2025 Remaster)"
      ]
      [
        "ordre" => 10
        "nom" => "3. Gary's Got a Boner (2025 Remaster)"
      ]
      [
        "ordre" => 11
        "nom" => "4. Sixteen Blue (2025 Remaster)"
      ]
      [
        "ordre" => 12
        "nom" => "5. Answering Machine (2025 Remaster)"
      ]
      [
        "ordre" => 13
        "nom" => "Side C :"
      ]
      [
        "ordre" => 14
        "nom" => "1. Gary's Got a Boner (Alternate Version)"
      ]
      [
        "ordre" => 15
        "nom" => "2. Favorite Thing (Alternate Version)"
      ]
      [
        "ordre" => 16
        "nom" => "3. Perfectly Lethal (Outtake) [2025 Remaster]"
      ]
      [
        "ordre" => 17
        "nom" => "4. Temptation Eyes (Outtake) [2025 Remaster]"
      ]
      [
        "ordre" => 18
        "nom" => "5. Who's Gonna Take Us Alive"
      ]
      [
        "ordre" => 19
        "nom" => "6. Heartbeat, It's a Lovebeat (2025 Remaster) 7. Answering Machine (Home Demo #1)"
      ]
      [
        "ordre" => 20
        "nom" => "8. Answering Machine (Home Demo #2)"
      ]
      [
        "ordre" => 21
        "nom" => "Side D : "
      ]
      [
        "ordre" => 22
        "nom" => "1. Street Girl (Takes 1 and 2)"
      ]
      [
        "ordre" => 23
        "nom" => "2. Sixteen Blue (Alternate Version) [2025 Remaster]"
      ]
      [
        "ordre" => 24
        "nom" => "3. Unsatisfied (Alternate Mix) [Full-Length Version]"
      ]
      [
        "ordre" => 25
        "nom" => "4. Androgynous (Alternate Version)"
      ]
      [
        "ordre" => 26
        "nom" => "5. 20th Century Boy (2025 Remaster)"
      ]
      [
        "ordre" => 27
        "nom" => "6. Hey Good Lookin' (Live at Merlyn's, Madison, WI) [2025 Remaster]"
      ]
      [
        "ordre" => 28
        "nom" => "Side E :"
      ]
      [
        "ordre" => 29
        "nom" => "1. Can't Hardly Wait (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 30
        "nom" => "2. Left In The Dark (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 31
        "nom" => "3. Unsatisfied (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 32
        "nom" => "4. I Will Dare (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 33
        "nom" => "5. Favorite Thing (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 34
        "nom" => "6. Kids Don't Follow (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 35
        "nom" => "Side F : "
      ]
      [
        "ordre" => 36
        "nom" => "1. Run It (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 37
        "nom" => "2. Color Me Impressed (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 38
        "nom" => "3. Hayday (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 39
        "nom" => "4. Nowhere Is My Home (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 40
        "nom" => "5. Love You Till Friday (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 41
        "nom" => "6. Help Me Rhonda/Little G.T.O. (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 42
        "nom" => "7. Takin A Ride (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 43
        "nom" => "Side G : "
      ]
      [
        "ordre" => 44
        "nom" => "1. Tommy Gets His Tonsils Out (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 45
        "nom" => "2. Gary's Got A Boner (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 46
        "nom" => "3. Johnny's Gonna Die (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 47
        "nom" => "4. Can't Get Enough (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 48
        "nom" => "5. I'm in Trouble (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 49
        "nom" => "6. Don't Ask Why (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 50
        "nom" => "7. Take Me Down to the Hospital (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 51
        "nom" => "Side H :"
      ]
      [
        "ordre" => 52
        "nom" => "1. Shiftless When Idle (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 53
        "nom" => "2. Mr. Whirly (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 54
        "nom" => "3. Hitchin' a Ride (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 55
        "nom" => "4. Black Diamond (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 56
        "nom" => "5. 20th Century Boy (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 57
        "nom" => "6. Go (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 58
        "nom" => "7. Gimme Noise (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 59
        "nom" => "8. White and Lazy (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 60
        "nom" => ""
      ]
      [
        "ordre" => 61
        "nom" => ""
      ]
      [
        "ordre" => 62
        "nom" => ""
      ]
      [
        "ordre" => 63
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 65
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
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      [
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
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      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 79
        "nom" => ""
      ]
      [
        "ordre" => 80
        "nom" => ""
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      [
        "ordre" => 81
        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
      ]
      [
        "ordre" => 100
        "nom" => ""
      ]
      [
        "ordre" => 101
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1756407770 {#1875
      date: 2025-08-28 19:02:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770042034 {#1868
      date: 2026-02-02 14:20:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-let-it-be-4-lp-deluxe-edition-rhino-records-8215"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3109
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2647 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2793
    -nom: "Let It Be  (4 LP) Deluxe Edition"
    -informationComplementaire: null
    -description: """
      - Coming October 24, 2025 pre-order your copy today !\r\n
      - Deluxe (4 LP) Set with Newly Remastered Audio !\r\n
      - Features Unreleased Material from the Let It Be Sessions & Previously Unreleased 1984 Live Recording !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 156 / 500 !\r\n
      \r\n
      Let It Be by The Replacements - Paul Westerberg, Bob Stinson, Tommy Stinson, and Chris Mars originally released by highly revered indie label Twin/Tone Records, is widely hailed as one of the greatest albums of the 1980s and a cornerstone of indie rock.\r\n
      \r\n
      The deluxe edition gathers a wide range of unreleased material from the Let It Be sessions, including alternate versions of "Gary's Got a Boner" and "Favorite Thing", as well as previously unreleased outtakes "Who's Gonna Take Us Alive" and "Street Girl". The alternate version of "Androgynous" features a different vocal take and the full piano intro, restored for the first time. All five bonus tracks from 2008's Let It Be (Expanded Edition) are included here, newly remastered for this set.\r\n
      \r\n
      The collection also includes Goodnight! Go Home!, an unreleased 28-song performance recorded in August 1984 at the Cubby Bear in Chicago. Sourced from an audience tape and newly remastered, it finds the Minneapolis quartet charging through material from the not-yet-released album "I Will Dare" and "Unsatisfied", early favorites "Color Me Impressed" and "Takin' a Ride", and characteristically offbeat covers "Help Me Rhonda / Little G.T.O". originally done by The Beach Boys/Ronny & the Daytonas and "Can't Get Enough" (Bad Company).
      """
    -prixVente: "139.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Paul Westerberg (guitar, keyboards, piano, lead vocals), Bob Stinson (lead guitar), Tommy Stinson (bass guitar), Peter Buck (guitar), Chris Mars (drums, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=E3dFmNolsPA&list=PLNPGM2D7aODd32yBzIGoWwXlPbZcXycC4&index=5"
    -referenceProduit: "Rhino Records 8215"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Will Dare (2025 Remaster)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Favorite Thing (2025 Remaster)"
      ]
      [
        "ordre" => 3
        "nom" => "3. We're Comin' Out (2025 Remaster)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Tommy Gets His Tonsils Out (2025 Remaster)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Androgynous (2025 Remaster)"
      ]
      [
        "ordre" => 6
        "nom" => "6. Black Diamond (2025 Remaster)"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Unsatisfied (2025 Remaster)"
      ]
      [
        "ordre" => 9
        "nom" => "2. Seen Your Video (2025 Remaster)"
      ]
      [
        "ordre" => 10
        "nom" => "3. Gary's Got a Boner (2025 Remaster)"
      ]
      [
        "ordre" => 11
        "nom" => "4. Sixteen Blue (2025 Remaster)"
      ]
      [
        "ordre" => 12
        "nom" => "5. Answering Machine (2025 Remaster)"
      ]
      [
        "ordre" => 13
        "nom" => "Side C :"
      ]
      [
        "ordre" => 14
        "nom" => "1. Gary's Got a Boner (Alternate Version)"
      ]
      [
        "ordre" => 15
        "nom" => "2. Favorite Thing (Alternate Version)"
      ]
      [
        "ordre" => 16
        "nom" => "3. Perfectly Lethal (Outtake) [2025 Remaster]"
      ]
      [
        "ordre" => 17
        "nom" => "4. Temptation Eyes (Outtake) [2025 Remaster]"
      ]
      [
        "ordre" => 18
        "nom" => "5. Who's Gonna Take Us Alive"
      ]
      [
        "ordre" => 19
        "nom" => "6. Heartbeat, It's a Lovebeat (2025 Remaster) 7. Answering Machine (Home Demo #1)"
      ]
      [
        "ordre" => 20
        "nom" => "8. Answering Machine (Home Demo #2)"
      ]
      [
        "ordre" => 21
        "nom" => "Side D : "
      ]
      [
        "ordre" => 22
        "nom" => "1. Street Girl (Takes 1 and 2)"
      ]
      [
        "ordre" => 23
        "nom" => "2. Sixteen Blue (Alternate Version) [2025 Remaster]"
      ]
      [
        "ordre" => 24
        "nom" => "3. Unsatisfied (Alternate Mix) [Full-Length Version]"
      ]
      [
        "ordre" => 25
        "nom" => "4. Androgynous (Alternate Version)"
      ]
      [
        "ordre" => 26
        "nom" => "5. 20th Century Boy (2025 Remaster)"
      ]
      [
        "ordre" => 27
        "nom" => "6. Hey Good Lookin' (Live at Merlyn's, Madison, WI) [2025 Remaster]"
      ]
      [
        "ordre" => 28
        "nom" => "Side E :"
      ]
      [
        "ordre" => 29
        "nom" => "1. Can't Hardly Wait (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 30
        "nom" => "2. Left In The Dark (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 31
        "nom" => "3. Unsatisfied (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 32
        "nom" => "4. I Will Dare (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 33
        "nom" => "5. Favorite Thing (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 34
        "nom" => "6. Kids Don't Follow (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 35
        "nom" => "Side F : "
      ]
      [
        "ordre" => 36
        "nom" => "1. Run It (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 37
        "nom" => "2. Color Me Impressed (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 38
        "nom" => "3. Hayday (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 39
        "nom" => "4. Nowhere Is My Home (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 40
        "nom" => "5. Love You Till Friday (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 41
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        "nom" => "1. Shiftless When Idle (Live at Cubby Bear, Chicago, IL, 8/17/84)"
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        "nom" => "6. Go (Live at Cubby Bear, Chicago, IL, 8/17/84)"
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  "produit" => App\Entity\Produit {#2046
    -id: 2784
    -nom: "The Stooges (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Always a Real Cool Time The Stooges’ Primal Self-Titled Debut Changed Rock ‘n’ Roll and Anticipated Punk, Includes “I Wanna Be Your Dog” and “No Fun” !\r\n
      - Experience the Groundbreaking 1969 Record in Definitive Sound and Celebrate Elektra 75, Mobile Fidelity’s Numbered Edition 180 gram  45 RPM (2 LP) Set Plays with Revealing Liveliness, Detail, and Physicality !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Few albums inspired the reactions and registered the impact of the Stooges’ primordial self-titled debut. To a majority of listeners who encountered it shortly after it was released the same week Woodstock happened in 1969, the record seemingly came from another planet despite the fact its songs reflect the band’s Detroit surroundings and youthful malaise. \r\n
      \r\n
      Originally deemed by Rolling Stone “loud, boring, tasteless, unimaginative and childish” sentiments shared by many critics only later to be included on the magazine’s 500 Greatest Albums of All Time register, The Stooges established the template for myriad styles and the snarling attitude that would be associated with the still-years-away punk scene. Time further proved the band’s stomping, clattering rock ‘n’ roll way ahead of the curve given the work is now cited on endless “Best Album” lists. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton gatefold jacket, and reissued to celebrate Elektra 75, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time Iggy Pop and Co.’s groundbreaking statement is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater separation, and more realistic presence than prior versions. \r\n
      \r\n
      The sonic characteristics that help make The Stooges unique the welling fuzztones; the dark, wet smack of the low end; the cavernous reverb and wah-wah; the in-the-red overdrive; the vibrant handclaps; the nearly detached timbre of Pop’s vocal sneer; the grit, grime, and grind of the stacked rhythms come across with involving clarity, liveliness, detail, and dimensionality. For all of their twisted density and savage tonality, songs project with a deep openness and large dynamic. It’s maybe as close as music has ever come to literally vibrating. \r\n
      \r\n
      Indeed, everything Pop, bassist Dave Alexander, and brothers Ron and Scott Asheton create on The Stooges is utterly corporeal. The genesis of the band’s then-inimitable approach traces back to the Motor City’s industrial facilities; the urge to tear down the pretense of the hippie movement; the feeling of being an outsider amid a society reckoning with a collision of cultures; and the genuine desire to be completely original. With Pop as the only true musician in the quartet, the Stooges pursued a do-it-yourself ethic that had no precedent in their era.\r\n
      \r\n
      Having constructed their own instruments from the likes of oil drums, vacuum cleaners, blenders, washboards, and various scraps, the Stooges eschewed structure and embraced experimentalism, improvisation, and personality. They used their lack of experience to their advantage, a trait manifested via the crude makeup and basic minimalism of nearly every note recorded for The Stooges. \r\n
      \r\n
      Three tracks “Real Cool Time”, “Not Right”, “Little Doll” were essentially developed on the spot after the band, which seldom bothered with fixed arrangements and flew by the seat of its pants to see what would transpire onstage, realized it needed more material to fill out the album. That requirement also explains why the chanted mantra “We Will Fall” stretches beyond the 10 minute mark as it feeds into the fractured, psychedelic mood coursing throughout the effort.\r\n
      \r\n
      As for the best-known cuts ? The Stooges rehearsed and memorized them before entering the Hit Factory with their producer, Velvet Underground alumni John Cale. Echoing the recurrent sound of a metal press stamping out automotive panels, and drenched in dirty reverb, the opening “1969” balances the band’s street-walking aggression, dance-baiting attack, and dissatisfied ennui, the rhymed lyrics popping with truthful flair and Ron Asheton’s guitar functioning as a supercharged stun gun. A love ballad like none other, “Ann”, the first song Pop wrote for the ensemble, initially peers through a beaded curtain before its mysticism gives way to menace and distortion.\r\n
      \r\n
      Nothing more aptly captures the Stooges’ essence than “I Wanna Be Your Dog”, a modern staple since covered by dozens of artists. Ranked the 314th Greatest Song of All Time by Rolling Stone, and based around a combination sleigh bells/one-note piano riff and rudimentary guitar chord sequence that maintains a non-varying pattern for nearly the entire duration, the steamrolling track hypnotizes by way of a groove that could extend for hours without growing tiresome. Its simple brilliance and scuzzy ooze are matched by the scuffed, scraping “No Fun”, an expressive pout almost nimble in build albeit edgy, dangerous, and explosive in practice. Just like Pop himself. \r\n
      \r\n
      Decades on, every moment of The Stooges remains a real cool time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Scott Asheton (drums), John Cale (viola)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ie531yTt3Ug&list=RDie531yTt3Ug&start_radio=1"
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    -nom: "The Stooges (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Always a Real Cool Time The Stooges’ Primal Self-Titled Debut Changed Rock ‘n’ Roll and Anticipated Punk, Includes “I Wanna Be Your Dog” and “No Fun” !\r\n
      - Experience the Groundbreaking 1969 Record in Definitive Sound and Celebrate Elektra 75, Mobile Fidelity’s Numbered Edition 180 gram  45 RPM (2 LP) Set Plays with Revealing Liveliness, Detail, and Physicality !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
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      Few albums inspired the reactions and registered the impact of the Stooges’ primordial self-titled debut. To a majority of listeners who encountered it shortly after it was released the same week Woodstock happened in 1969, the record seemingly came from another planet despite the fact its songs reflect the band’s Detroit surroundings and youthful malaise. \r\n
      \r\n
      Originally deemed by Rolling Stone “loud, boring, tasteless, unimaginative and childish” sentiments shared by many critics only later to be included on the magazine’s 500 Greatest Albums of All Time register, The Stooges established the template for myriad styles and the snarling attitude that would be associated with the still-years-away punk scene. Time further proved the band’s stomping, clattering rock ‘n’ roll way ahead of the curve given the work is now cited on endless “Best Album” lists. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton gatefold jacket, and reissued to celebrate Elektra 75, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time Iggy Pop and Co.’s groundbreaking statement is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater separation, and more realistic presence than prior versions. \r\n
      \r\n
      The sonic characteristics that help make The Stooges unique the welling fuzztones; the dark, wet smack of the low end; the cavernous reverb and wah-wah; the in-the-red overdrive; the vibrant handclaps; the nearly detached timbre of Pop’s vocal sneer; the grit, grime, and grind of the stacked rhythms come across with involving clarity, liveliness, detail, and dimensionality. For all of their twisted density and savage tonality, songs project with a deep openness and large dynamic. It’s maybe as close as music has ever come to literally vibrating. \r\n
      \r\n
      Indeed, everything Pop, bassist Dave Alexander, and brothers Ron and Scott Asheton create on The Stooges is utterly corporeal. The genesis of the band’s then-inimitable approach traces back to the Motor City’s industrial facilities; the urge to tear down the pretense of the hippie movement; the feeling of being an outsider amid a society reckoning with a collision of cultures; and the genuine desire to be completely original. With Pop as the only true musician in the quartet, the Stooges pursued a do-it-yourself ethic that had no precedent in their era.\r\n
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      \r\n
      Three tracks “Real Cool Time”, “Not Right”, “Little Doll” were essentially developed on the spot after the band, which seldom bothered with fixed arrangements and flew by the seat of its pants to see what would transpire onstage, realized it needed more material to fill out the album. That requirement also explains why the chanted mantra “We Will Fall” stretches beyond the 10 minute mark as it feeds into the fractured, psychedelic mood coursing throughout the effort.\r\n
      \r\n
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      \r\n
      Nothing more aptly captures the Stooges’ essence than “I Wanna Be Your Dog”, a modern staple since covered by dozens of artists. Ranked the 314th Greatest Song of All Time by Rolling Stone, and based around a combination sleigh bells/one-note piano riff and rudimentary guitar chord sequence that maintains a non-varying pattern for nearly the entire duration, the steamrolling track hypnotizes by way of a groove that could extend for hours without growing tiresome. Its simple brilliance and scuzzy ooze are matched by the scuffed, scraping “No Fun”, an expressive pout almost nimble in build albeit edgy, dangerous, and explosive in practice. Just like Pop himself. \r\n
      \r\n
      Decades on, every moment of The Stooges remains a real cool time.
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
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    -id: 1120
    -nom: "Family Style (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered from the original tapes by Ryan Smith at Sterling Sound !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n
      \r\n
      Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play". With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots" and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.\r\n
      \r\n
      As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 180 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n
      \r\n
      There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Jimmie Vaughan (guitar, vocals), Al Berry, Preston Hubbard (bass), Stan Harrison, Steve Elson (saxophone), Richard Hilton (piano, keyboards), Larry Aberman, Doyle Bramhall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mYLGcymAXN4"
    -referenceProduit: "Analogue Productions AAPP 0100-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Hard To Be "
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        "ordre" => 2
        "nom" => "2. White Boots"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
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      [
        "ordre" => 4
        "nom" => "1. D/FW"
      ]
      [
        "ordre" => 5
        "nom" => "2. Good Texan"
      ]
      [
        "ordre" => 6
        "nom" => "3. Hillbillies From Outerspace"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
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        "ordre" => 8
        "nom" => "1. Long Way From Home"
      ]
      [
        "ordre" => 9
        "nom" => "2. Tick Tock"
      ]
      [
        "ordre" => 10
        "nom" => "3. Telephone Song"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Baboom/Mama Said"
      ]
      [
        "ordre" => 13
        "nom" => "2. Brothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2067 …}
    -label: Proxies\__CG__\App\Entity\Label {#2070 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2079 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2072 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2074 …}
    -enregistreLe: DateTime @1485674098 {#2062
      date: 2017-01-29 07:14:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770038111 {#2063
      date: 2026-02-02 13:15:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2076 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-family-style-2-lp-45-rpm-analogue-productions-aapp-0100-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3274
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2647 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2065
    -id: 1120
    -nom: "Family Style (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered from the original tapes by Ryan Smith at Sterling Sound !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n
      \r\n
      Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play". With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots" and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.\r\n
      \r\n
      As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 180 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n
      \r\n
      There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Jimmie Vaughan (guitar, vocals), Al Berry, Preston Hubbard (bass), Stan Harrison, Steve Elson (saxophone), Richard Hilton (piano, keyboards), Larry Aberman, Doyle Bramhall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mYLGcymAXN4"
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        "nom" => "Side B : "
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        "nom" => "1. D/FW"
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        "nom" => "3. Hillbillies From Outerspace"
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        "nom" => "3. Telephone Song"
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      [
        "ordre" => 11
        "nom" => "Side D : "
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        "nom" => "1. Baboom/Mama Said"
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      [
        "ordre" => 13
        "nom" => "2. Brothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2067 …}
    -label: Proxies\__CG__\App\Entity\Label {#2070 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2079 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2074 …}
    -enregistreLe: DateTime @1485674098 {#2062
      date: 2017-01-29 07:14:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770038111 {#2063
      date: 2026-02-02 13:15:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2076 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-family-style-2-lp-45-rpm-analogue-productions-aapp-0100-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2415 …}
}

[
  "produit" => App\Entity\Produit {#2084
    -id: 2555
    -nom: "Loaded (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Final Velvet Underground album featuring founding member and songwriter Lou Reed !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      After The Velvet Underground cut three albums for the jazz-oriented Verve label that earned them lots of notoriety but negligible sales, the group signed with industry powerhouse Atlantic Records in 1970.\r\n
      \r\n
      Label head Ahmet Ertegun supposedly asked Lou Reed to avoid sex and drugs in his songs, and instead focus on making an album "loaded with hits". Loaded was the result. It was the group's swan song, with Reed leaving the group shortly before its release. With John Cale long gone from the band, Doug Yule highly prominent (he sings lead on four of the ten tracks), and Maureen Tucker absent on maternity leave, this is hardly a purist's Velvet Underground album. Still, AllMusic gives the album 5 Stars and Pitchfork calls it a "perfect rock 'n' roll record 40 minutes long, five songs to a side, and not a single wasted note".\r\n
      \r\n
      Loaded is the sort of proper album that feels like a greatest hits collection, with each track thoroughly inhabiting and mastering a dominant rock archetype. Although the songs "Sweet Jane" and "Rock & Roll" distinguished the band as a "seminal proto-punk" act, "The trifecta of 'Who Loves the Sun', 'Sweet Jane' and 'Rock & Roll' is among the best three-song openings on any rock and roll record", wrote Paste contributor Jeff Gonick\r\n
      \r\n
      Analogue Productions has given Loaded the deserving full reissue treatment: Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lou Reed (rhythm guitar, piano, vocals), Doug Yule (organ, piano, bass, drums, lead & acoustic guitar, vocals), Sterling Morrison (lead & rhythm guitar), Adrian Barber, Bill Yule, Tommy (percussion), Moe Tucker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uHxLawJONeQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 034-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Who Loves The Sun"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sweet Jane"
      ]
      [
        "ordre" => 3
        "nom" => "3. Rock & Roll"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Cool It Down"
      ]
      [
        "ordre" => 6
        "nom" => "2. New Age"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Head Held High"
      ]
      [
        "ordre" => 9
        "nom" => "2. Lonesome Cowboy Bill"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Found A Reason"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Train Round The Bend"
      ]
      [
        "ordre" => 13
        "nom" => "2. Oh ! Sweet Nuthin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2086 …}
    -label: Proxies\__CG__\App\Entity\Label {#2089 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2098 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2091 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2093 …}
    -enregistreLe: DateTime @1726552380 {#2081
      date: 2024-09-17 05:53:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770037912 {#2082
      date: 2026-02-02 13:11:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2095 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-loaded-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-034-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3325
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2647 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2084
    -id: 2555
    -nom: "Loaded (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Final Velvet Underground album featuring founding member and songwriter Lou Reed !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      After The Velvet Underground cut three albums for the jazz-oriented Verve label that earned them lots of notoriety but negligible sales, the group signed with industry powerhouse Atlantic Records in 1970.\r\n
      \r\n
      Label head Ahmet Ertegun supposedly asked Lou Reed to avoid sex and drugs in his songs, and instead focus on making an album "loaded with hits". Loaded was the result. It was the group's swan song, with Reed leaving the group shortly before its release. With John Cale long gone from the band, Doug Yule highly prominent (he sings lead on four of the ten tracks), and Maureen Tucker absent on maternity leave, this is hardly a purist's Velvet Underground album. Still, AllMusic gives the album 5 Stars and Pitchfork calls it a "perfect rock 'n' roll record 40 minutes long, five songs to a side, and not a single wasted note".\r\n
      \r\n
      Loaded is the sort of proper album that feels like a greatest hits collection, with each track thoroughly inhabiting and mastering a dominant rock archetype. Although the songs "Sweet Jane" and "Rock & Roll" distinguished the band as a "seminal proto-punk" act, "The trifecta of 'Who Loves the Sun', 'Sweet Jane' and 'Rock & Roll' is among the best three-song openings on any rock and roll record", wrote Paste contributor Jeff Gonick\r\n
      \r\n
      Analogue Productions has given Loaded the deserving full reissue treatment: Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lou Reed (rhythm guitar, piano, vocals), Doug Yule (organ, piano, bass, drums, lead & acoustic guitar, vocals), Sterling Morrison (lead & rhythm guitar), Adrian Barber, Bill Yule, Tommy (percussion), Moe Tucker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uHxLawJONeQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 034-45"
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        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Who Loves The Sun"
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        "ordre" => 2
        "nom" => "2. Sweet Jane"
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      [
        "ordre" => 3
        "nom" => "3. Rock & Roll"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Cool It Down"
      ]
      [
        "ordre" => 6
        "nom" => "2. New Age"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
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        "ordre" => 8
        "nom" => "1. Head Held High"
      ]
      [
        "ordre" => 9
        "nom" => "2. Lonesome Cowboy Bill"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Found A Reason"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Train Round The Bend"
      ]
      [
        "ordre" => 13
        "nom" => "2. Oh ! Sweet Nuthin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2086 …}
    -label: Proxies\__CG__\App\Entity\Label {#2089 …}
    -style: App\Entity\Style {#1063 …}
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      date: 2026-02-02 13:11:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  }
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[
  "produit" => App\Entity\Produit {#2103
    -id: 2228
    -nom: "Groovin’ (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Felix Cavaliere (keyboards, organ, vocals), Gene Cornish (guitar, bass guitar, harmonica, percussion, vocals), Eddie Brigati (percussion, vocals), Dino Danelli (drums, percussion), David Brigati (backing vocals), Hubert Laws (flute), Chuck Rainey (bass guitar).\r\n
      \r\n
      Blue-Eyed Soul, Garage Rock, Harmonious Pop, and Optimistic Vibes Coexist on Groovin': The Young Rascals' 1967 Landmark Features Three Top 10 Singles and Limitless Personality\r\n
      \r\n
      Mastered from the Original Master Tapes and Pressed at RTI for Supreme Sound: Numbered Mobile Fidelity 180 gram 45 RPM Mono (2 LP) Set Also Includes Bonus Track, "A Beautiful Morning".\r\n
      \r\n
      Simultaneously elevated and bypassed by the artistically prolific year in which it was released, the Young Rascals' Groovin' remains high-water mark of a collective Rolling Stone boldly proclaimed "the blackest white group of all" in 1970. Home to three Top 10 singles and a diverse array of pop music in step with the era's exploratory creativity, the set belongs aside the Beatles' Sgt. Peppers' Lonely Hearts Club Band, Love's Forever Changes, Jefferson Airplane's Surrealistic Pillow, and 1967's other pioneering recordings. Particularly now that it boasts definitive sonics.\r\n
      \r\n
      Mastered from the original master tapes and pressed on dead-quiet vinyl at RTI, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) of Groovin' presents the album in fully restored mono. In addition, the painstakingly produced restoration includes "A Beautiful Morning", an early 1968 million-selling hit that reached the third spot on the Billboard Hot 100 chart and debuted as the first release under the band's then-newly truncated Rascals name. Blue-eyed soul and innocuous optimism have rarely sounded more contagious than on this audiophile-grade reissue.\r\n
      \r\n
      Expertly portraying the quartet's unmistakable harmonies, the analog set captures the deep-seated personality and effortless melodies that seemingly occupy every passage. Reflecting the playfulness of the cover art, the members demonstrate a cohesiveness, chemistry, and charm made vividly apparent via the newly uncovered detail, airiness, and tonalities. Benefiting from the focus, immersion, and accuracy unique to mono, and free of any artificial panning or effects, Mobile Fidelity's edition lets the songs breathe and expand. Notes blossom and decay, voices rise and fall, and the craftsmanship of the arrangements emerges with revealing clarity. Long overlooked due to the dozens of other landmarks issued in the pivotal year, Groovin' now firmly earns its place in history as a masterwork.\r\n
      \r\n
      Look no further than the opening "A Girl Like You", commandeered by Felix Cavaliere's confident singing and skated along by peppy jazz-rock architecture marked by exuberant horns, lilting piano lines, and splashing rhythms. Or "How Can I Be Sure", on which Eddie Brigati takes the vocal lead over a waltzing pattern that conveys joyousness, rumination, and the rollercoaster ups / downs that accompany the initial stages of a relationship. Brigati also does the honors on the reflective, subdued, albeit optimistic Motown cover "A Place in the Sun", while he and Cavaliere share the lead on "If You Knew", a strolling ditty underlined by a subtle, swift bass line.\r\n
      \r\n
      Of course, no piece on Groovin' remains more celebrated or recognized than the smash title track part of the Rock and Roll Hall of Fame's collection of 500 Songs That Shaped Rock and Roll. As birds chirp and congas echo, the Young Rascals paint a picture of bliss, with R&B harmonies and a laidback harmonica whisking the listener to ecstasy. The original B-side, the Latin-inspired "Sueno", further puts the foursome's vocal aptitude on display. Sonically and lyrically ("I have been flying high above reality"; "Only thing needed is someone to come along and trip along with me"), it hints at the psychedelic experimentation the group would soon embrace to its detriment.\r\n
      \r\n
      Indeed, Groovin' steers clear of any indulgence or falseness, wrapping its metaphorical arms around on the colors, moods, and possibilities of the age. Here, upbeat soul ("I'm So Happy Now") coexists with persuasive garage rock ("Find Somebody") and energized, fuzz-toned nuggets ("You Better Run") that prove the Young Rascals had their ears to the ground in both the States and England. In practically every way, it is thoroughly 1967 and a quintessential part of any music library.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Felix Cavaliere (keyboards, organ, vocals), Gene Cornish (guitar, bass guitar, harmonica, percussion, vocals), Eddie Brigati (percussion, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qrP7UXVGuwo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-503"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. A Girl Like You "
      ]
      [
        "ordre" => 2
        "nom" => "2. Find Somebody "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. I’m So Happy Now "
      ]
      [
        "ordre" => 5
        "nom" => "2. Sueno "
      ]
      [
        "ordre" => 6
        "nom" => "3. How Can I Be Sure "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Groovin’ "
      ]
      [
        "ordre" => 9
        "nom" => "2. If You Knew "
      ]
      [
        "ordre" => 10
        "nom" => "3. I Don’t Love You Any More "
      ]
      [
        "ordre" => 11
        "nom" => "4. You Better Run "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. A Place in the Sun "
      ]
      [
        "ordre" => 14
        "nom" => "2. It’s Love "
      ]
      [
        "ordre" => 15
        "nom" => "3. A Beautiful Morning"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2105 …}
    -label: Proxies\__CG__\App\Entity\Label {#2051 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2114 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2107 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2109 …}
    -enregistreLe: DateTime @1653895450 {#2100
      date: 2022-05-30 07:24:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770022525 {#2101
      date: 2026-02-02 08:55:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-groovin-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-503"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3376
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2647 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2103
    -id: 2228
    -nom: "Groovin’ (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Felix Cavaliere (keyboards, organ, vocals), Gene Cornish (guitar, bass guitar, harmonica, percussion, vocals), Eddie Brigati (percussion, vocals), Dino Danelli (drums, percussion), David Brigati (backing vocals), Hubert Laws (flute), Chuck Rainey (bass guitar).\r\n
      \r\n
      Blue-Eyed Soul, Garage Rock, Harmonious Pop, and Optimistic Vibes Coexist on Groovin': The Young Rascals' 1967 Landmark Features Three Top 10 Singles and Limitless Personality\r\n
      \r\n
      Mastered from the Original Master Tapes and Pressed at RTI for Supreme Sound: Numbered Mobile Fidelity 180 gram 45 RPM Mono (2 LP) Set Also Includes Bonus Track, "A Beautiful Morning".\r\n
      \r\n
      Simultaneously elevated and bypassed by the artistically prolific year in which it was released, the Young Rascals' Groovin' remains high-water mark of a collective Rolling Stone boldly proclaimed "the blackest white group of all" in 1970. Home to three Top 10 singles and a diverse array of pop music in step with the era's exploratory creativity, the set belongs aside the Beatles' Sgt. Peppers' Lonely Hearts Club Band, Love's Forever Changes, Jefferson Airplane's Surrealistic Pillow, and 1967's other pioneering recordings. Particularly now that it boasts definitive sonics.\r\n
      \r\n
      Mastered from the original master tapes and pressed on dead-quiet vinyl at RTI, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) of Groovin' presents the album in fully restored mono. In addition, the painstakingly produced restoration includes "A Beautiful Morning", an early 1968 million-selling hit that reached the third spot on the Billboard Hot 100 chart and debuted as the first release under the band's then-newly truncated Rascals name. Blue-eyed soul and innocuous optimism have rarely sounded more contagious than on this audiophile-grade reissue.\r\n
      \r\n
      Expertly portraying the quartet's unmistakable harmonies, the analog set captures the deep-seated personality and effortless melodies that seemingly occupy every passage. Reflecting the playfulness of the cover art, the members demonstrate a cohesiveness, chemistry, and charm made vividly apparent via the newly uncovered detail, airiness, and tonalities. Benefiting from the focus, immersion, and accuracy unique to mono, and free of any artificial panning or effects, Mobile Fidelity's edition lets the songs breathe and expand. Notes blossom and decay, voices rise and fall, and the craftsmanship of the arrangements emerges with revealing clarity. Long overlooked due to the dozens of other landmarks issued in the pivotal year, Groovin' now firmly earns its place in history as a masterwork.\r\n
      \r\n
      Look no further than the opening "A Girl Like You", commandeered by Felix Cavaliere's confident singing and skated along by peppy jazz-rock architecture marked by exuberant horns, lilting piano lines, and splashing rhythms. Or "How Can I Be Sure", on which Eddie Brigati takes the vocal lead over a waltzing pattern that conveys joyousness, rumination, and the rollercoaster ups / downs that accompany the initial stages of a relationship. Brigati also does the honors on the reflective, subdued, albeit optimistic Motown cover "A Place in the Sun", while he and Cavaliere share the lead on "If You Knew", a strolling ditty underlined by a subtle, swift bass line.\r\n
      \r\n
      Of course, no piece on Groovin' remains more celebrated or recognized than the smash title track part of the Rock and Roll Hall of Fame's collection of 500 Songs That Shaped Rock and Roll. As birds chirp and congas echo, the Young Rascals paint a picture of bliss, with R&B harmonies and a laidback harmonica whisking the listener to ecstasy. The original B-side, the Latin-inspired "Sueno", further puts the foursome's vocal aptitude on display. Sonically and lyrically ("I have been flying high above reality"; "Only thing needed is someone to come along and trip along with me"), it hints at the psychedelic experimentation the group would soon embrace to its detriment.\r\n
      \r\n
      Indeed, Groovin' steers clear of any indulgence or falseness, wrapping its metaphorical arms around on the colors, moods, and possibilities of the age. Here, upbeat soul ("I'm So Happy Now") coexists with persuasive garage rock ("Find Somebody") and energized, fuzz-toned nuggets ("You Better Run") that prove the Young Rascals had their ears to the ground in both the States and England. In practically every way, it is thoroughly 1967 and a quintessential part of any music library.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Felix Cavaliere (keyboards, organ, vocals), Gene Cornish (guitar, bass guitar, harmonica, percussion, vocals), Eddie Brigati (percussion, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qrP7UXVGuwo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-503"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. A Girl Like You "
      ]
      [
        "ordre" => 2
        "nom" => "2. Find Somebody "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. I’m So Happy Now "
      ]
      [
        "ordre" => 5
        "nom" => "2. Sueno "
      ]
      [
        "ordre" => 6
        "nom" => "3. How Can I Be Sure "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Groovin’ "
      ]
      [
        "ordre" => 9
        "nom" => "2. If You Knew "
      ]
      [
        "ordre" => 10
        "nom" => "3. I Don’t Love You Any More "
      ]
      [
        "ordre" => 11
        "nom" => "4. You Better Run "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. A Place in the Sun "
      ]
      [
        "ordre" => 14
        "nom" => "2. It’s Love "
      ]
      [
        "ordre" => 15
        "nom" => "3. A Beautiful Morning"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2105 …}
    -label: Proxies\__CG__\App\Entity\Label {#2051 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2114 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2107 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2109 …}
    -enregistreLe: DateTime @1653895450 {#2100
      date: 2022-05-30 07:24:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770022525 {#2101
      date: 2026-02-02 08:55:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-groovin-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-503"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2415 …}
}

[
  "produit" => App\Entity\Produit {#2119
    -id: 2825
    -nom: "Wildflowers - One-Step (2 LP) Numbered Limited Edition"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Tom Petty (acoustic, electric guitars, 12 string, bass, harmonica, piano, Hammond organ, vocals), Mike Campbell (lead & acoustic guitars, slide guitar, bass, sitar, backing vocals), Benmont Tench (keyboards, piano, organ, mellotron), Howie Epstein (bass, backing vocals), Steve Ferrone (drums).\r\n
       \r\n
      Additional musicians :\r\n
      Ringo Starr (drums), Lenny Castro, Phil Jones (percussion), John Pierce (bass), Marty Rifkin (pedal steel guitar), Brandon Fields, Greg Herbig, Jim Horn, Kim Hutchcroft (saxophone), Carl Wilson (backing vocals).\r\n
      \r\n
      - Tom Petty "Wildflowers" !\r\n
      - Because Sound Matters One-Step pressing !\r\n
      - Sourced from the original analog master tapes !\r\n
      - Mastered by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Limited to 6000 numbered copies !\r\n
      - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n
      \r\n
      Stoughton Printing Old Style tip-on jacket with original artwork\r\n
      \r\n
      One-Step vinyl is the ultimate vinyl pressing. Because Sound Matters' meticulous One-Step process creates the definitive sounding audiophile version of the all-time classic Tom Petty album, Wildflowers. The original analog master tapes have been used to ensure Wildflowers has never sounded better!\r\n
      \r\n
      The initial pressing of this One-Step version is limited to 6000 copies. The album is housed inside a top quality, uniquely designed numbered slipcase. The enclosed 2 LP's will feature an “Old Style” double pocket gatefold tip-on jacket for the first time.\r\n
      \r\n
      Special care has been taken to faithfully preserve the original sound with exceptional clarity and depth, capturing the recording's nuances and subtleties at every step to create the best sounding record possible.\r\n
      \r\n
      The One-Step process is highly regarded among audiophiles and collectors for its unparalleled sound fidelity and represents the pinnacle of vinyl manufacturing craftsmanship.\r\n
      \r\n
      In a career full of great albums, most Tom Petty fans call Wildflowers a masterpiece, likely his most acclaimed album. Produced by Rick Rubin with Tom Petty & Mike Campbell it was released in November of 1994 featuring 15 songs. Wildflowers is considered a creative high point in Tom’s career. Originally conceived as a double album as Tom had written and recorded 25 songs Wildflowers was eventually cut down to 15 songs. “You Don’t Know How It Feels”,“You Wreck Me”, “It’s Good To Be King” and “A Higher Place” were released as singles and charted on the Billboard Album Rock Tracks Chart. Although never officially released as a single, the title song has become one of Tom’s most popular and streamed songs.\r\n
      \r\n
      Wildflowers was originally recorded, mixed and mastered on analog tape, so this One-Step version is a true All Analog presentation as Chris Bellman carefully cut 7 lacquers from the original master tapes as the source for this incredible sounding release!\r\n
      \r\n
      Tom’s audio archivist Ryan Ulyate was involved at every step and provided invaluable information and research along the way including keeping a close eye on the master tapes as lacquer after lacquer was cut. Wildflowers original album package designer, Jeri Heiden was brought in to create the beautiful double gatefold jacket.\r\n
      \r\n
      We listened to and analyzed many different vinyl pressings, CDs and Hi Rez audio to be certain the magic coming off the tapes would transcend every other pressing all of which sound great. We hope you agree that we accomplished the goal of creating the best sounding version of Wildflowers ever.
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Tom Petty (acoustic, electric guitars, 12 string, bass, harmonica, piano, Hammond organ, vocals), Mike Campbell (lead & acoustic guitars, slide guitar, bass, sitar, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=c_m1EO_vRWw&list=RDc_m1EO_vRWw&start_radio=1"
    -referenceProduit: "Warner Bros. (Because Sound Matters) 3144"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Wildflowers"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Don’t Know How It Feels"
      ]
      [
        "ordre" => 3
        "nom" => "3. Time To Move On"
      ]
      [
        "ordre" => 4
        "nom" => "4. You Wreck Me"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. It’s Good To Be King"
      ]
      [
        "ordre" => 7
        "nom" => "2. Only A Broken Heart"
      ]
      [
        "ordre" => 8
        "nom" => "3. Honey Bee"
      ]
      [
        "ordre" => 9
        "nom" => "4. Don’t Fade On Me"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Hard On Me"
      ]
      [
        "ordre" => 12
        "nom" => "2. Cabin Down Below"
      ]
      [
        "ordre" => 13
        "nom" => "3. To Find A Friend"
      ]
      [
        "ordre" => 14
        "nom" => "4. A Higher Place"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. House In The Woods"
      ]
      [
        "ordre" => 17
        "nom" => "2. Crawling Back To You"
      ]
      [
        "ordre" => 18
        "nom" => "3. Wake Up Time"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2121 …}
    -label: Proxies\__CG__\App\Entity\Label {#2124 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …}
    -enregistreLe: DateTime @1757703336 {#2116
      date: 2025-09-12 18:55:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770019096 {#2117
      date: 2026-02-02 07:58:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-wildflowers-one-step-2-lp-numbered-limited-edition-warner-bros-because-sound-matters-3144"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3427
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2647 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2119
    -id: 2825
    -nom: "Wildflowers - One-Step (2 LP) Numbered Limited Edition"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Tom Petty (acoustic, electric guitars, 12 string, bass, harmonica, piano, Hammond organ, vocals), Mike Campbell (lead & acoustic guitars, slide guitar, bass, sitar, backing vocals), Benmont Tench (keyboards, piano, organ, mellotron), Howie Epstein (bass, backing vocals), Steve Ferrone (drums).\r\n
       \r\n
      Additional musicians :\r\n
      Ringo Starr (drums), Lenny Castro, Phil Jones (percussion), John Pierce (bass), Marty Rifkin (pedal steel guitar), Brandon Fields, Greg Herbig, Jim Horn, Kim Hutchcroft (saxophone), Carl Wilson (backing vocals).\r\n
      \r\n
      - Tom Petty "Wildflowers" !\r\n
      - Because Sound Matters One-Step pressing !\r\n
      - Sourced from the original analog master tapes !\r\n
      - Mastered by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Limited to 6000 numbered copies !\r\n
      - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n
      \r\n
      Stoughton Printing Old Style tip-on jacket with original artwork\r\n
      \r\n
      One-Step vinyl is the ultimate vinyl pressing. Because Sound Matters' meticulous One-Step process creates the definitive sounding audiophile version of the all-time classic Tom Petty album, Wildflowers. The original analog master tapes have been used to ensure Wildflowers has never sounded better!\r\n
      \r\n
      The initial pressing of this One-Step version is limited to 6000 copies. The album is housed inside a top quality, uniquely designed numbered slipcase. The enclosed 2 LP's will feature an “Old Style” double pocket gatefold tip-on jacket for the first time.\r\n
      \r\n
      Special care has been taken to faithfully preserve the original sound with exceptional clarity and depth, capturing the recording's nuances and subtleties at every step to create the best sounding record possible.\r\n
      \r\n
      The One-Step process is highly regarded among audiophiles and collectors for its unparalleled sound fidelity and represents the pinnacle of vinyl manufacturing craftsmanship.\r\n
      \r\n
      In a career full of great albums, most Tom Petty fans call Wildflowers a masterpiece, likely his most acclaimed album. Produced by Rick Rubin with Tom Petty & Mike Campbell it was released in November of 1994 featuring 15 songs. Wildflowers is considered a creative high point in Tom’s career. Originally conceived as a double album as Tom had written and recorded 25 songs Wildflowers was eventually cut down to 15 songs. “You Don’t Know How It Feels”,“You Wreck Me”, “It’s Good To Be King” and “A Higher Place” were released as singles and charted on the Billboard Album Rock Tracks Chart. Although never officially released as a single, the title song has become one of Tom’s most popular and streamed songs.\r\n
      \r\n
      Wildflowers was originally recorded, mixed and mastered on analog tape, so this One-Step version is a true All Analog presentation as Chris Bellman carefully cut 7 lacquers from the original master tapes as the source for this incredible sounding release!\r\n
      \r\n
      Tom’s audio archivist Ryan Ulyate was involved at every step and provided invaluable information and research along the way including keeping a close eye on the master tapes as lacquer after lacquer was cut. Wildflowers original album package designer, Jeri Heiden was brought in to create the beautiful double gatefold jacket.\r\n
      \r\n
      We listened to and analyzed many different vinyl pressings, CDs and Hi Rez audio to be certain the magic coming off the tapes would transcend every other pressing all of which sound great. We hope you agree that we accomplished the goal of creating the best sounding version of Wildflowers ever.
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Tom Petty (acoustic, electric guitars, 12 string, bass, harmonica, piano, Hammond organ, vocals), Mike Campbell (lead & acoustic guitars, slide guitar, bass, sitar, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=c_m1EO_vRWw&list=RDc_m1EO_vRWw&start_radio=1"
    -referenceProduit: "Warner Bros. (Because Sound Matters) 3144"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Wildflowers"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Don’t Know How It Feels"
      ]
      [
        "ordre" => 3
        "nom" => "3. Time To Move On"
      ]
      [
        "ordre" => 4
        "nom" => "4. You Wreck Me"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. It’s Good To Be King"
      ]
      [
        "ordre" => 7
        "nom" => "2. Only A Broken Heart"
      ]
      [
        "ordre" => 8
        "nom" => "3. Honey Bee"
      ]
      [
        "ordre" => 9
        "nom" => "4. Don’t Fade On Me"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Hard On Me"
      ]
      [
        "ordre" => 12
        "nom" => "2. Cabin Down Below"
      ]
      [
        "ordre" => 13
        "nom" => "3. To Find A Friend"
      ]
      [
        "ordre" => 14
        "nom" => "4. A Higher Place"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. House In The Woods"
      ]
      [
        "ordre" => 17
        "nom" => "2. Crawling Back To You"
      ]
      [
        "ordre" => 18
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[
  "produit" => App\Entity\Produit {#2140
    -id: 1845
    -nom: "Black And White"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Tony Joe White's 1969 album debut featuring the hit "Polk Salad Annie" !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      - Plated and 180 gram pressing by Quality Record Pressings !\r\n
      - Tip-on gatefold jacket by Stoughton Printing !\r\n
      - Highly recommended for fans of Creedence Clearwater Revival, and J.J. Cale !\r\n
      \r\n
      Singer-songwriter Tony Joe White's most well-known hit led off this way "Some of ya'll still never been down South... down there we've got a plant, looks somethin' like a turnip green. 'Cept it ain't".\r\n
      \r\n
      "Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Rivival's Bayou Country and Green River.\r\n
      \r\n
      Released in 1969, White's album debut Black and White contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia").\r\n
      \r\n
      This Analogue Productions edition is the highest-quality reissue of Black and White released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 180 gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty.\r\n
      \r\n
      Besides "Annie", side one of Black and White includes several other White originals. AllMusic judges the best of these to be "Willie and Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia", a White composition popularized by Brook Benton.\r\n
      \r\n
      The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie and Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade.\r\n
      \r\n
      Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul !
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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  +produit: App\Entity\Produit {#2140
    -id: 1845
    -nom: "Black And White"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Tony Joe White's 1969 album debut featuring the hit "Polk Salad Annie" !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      - Plated and 180 gram pressing by Quality Record Pressings !\r\n
      - Tip-on gatefold jacket by Stoughton Printing !\r\n
      - Highly recommended for fans of Creedence Clearwater Revival, and J.J. Cale !\r\n
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      \r\n
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      \r\n
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      \r\n
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      \r\n
      Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul !
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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[
  "produit" => App\Entity\Produit {#2156
    -id: 2846
    -nom: "Homemade Ice Cream (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Now a double LP cut at 45 RPM ! Improved tracking, high freqency response !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Old-style heavyweight tip-on jacket from Stoughton Printing !\r\n
      - A Personal Favorite of Acoustic Sounds CEO Chad Kassem !\r\n
      - Hi-Fi News 2019 Album Choice selection for Year's Best LPs !\r\n
      - Hi-Fi News June 2019 Album Choice selection !\r\n
      \r\n
      "This superb reissue is a fitting tribute to the finest purveyor ever of 'Swamp Rock,' White having passed late last year. Although best known for composing the Elvis hit 'Polk Salad Annie', and 'Rainy Night In Georgia', a smash for Brook Benton in 1970, his own LPs were also something special. Three seconds into this 1973 release and your jaw will drop: the most melodic, tactile lower registers this side of a Kodo album. Every composition mixes wit, wisdom and winsomeness, with musicianship of the highest order it was recorded in Nashville with sidemen including David Briggs and Norbert Putnam. Above it all, though, is a voice so textured and deep that it makes J.J. Cale sound like Klaus Nomi". - Sound Quality: 95% - Ken Kessler, Hi Fi News, June 2019\r\n
      \r\n
      "I have been tempted to buy a repress of this title... I'm pleased I waited, very pleased! And I can stop looking for a quality used original too. This is one of those intimate albums that gets better the later in the day you happen to sit with it; I know it'll get even better with a glass of wine on a warm summer evening too. Kevin Gray mastered, nothing else need be said. ... I'm not so sure about this not being a top seller; anyone who enjoys music would be a fool to miss out on this. With only 1,000 pressed initially it may well be that it fulfills that prophesy, so get it while you can. I hope demand results in another pressing run... If you "do" 45 RPM cuts, what are you waiting for ? You really can't go wrong or will regret picking this one up". - Gordon Johnson, Jimpress\r\n
      \r\n
      Praise for our 33 1/3 version :\r\n
      \r\n
      "Audiophiles, this is a must-have LP. The sound is completely natural with no studio artifacts. What stands out, though, are the timbral qualities of the instruments and White's great voice. Organ, piano and bass are there for harmonic effect, but the sounds of the drums and guitars are some of the best I've heard from my system. Originally recorded in 1973, this reissue LP jumped to the top of my short list for Audiophilia's Star Recordings of the Year, 2013". Anthony Kershaw, Audiophilia.com, May 2013\r\n
      \r\n
      "From the fantastic opening groove of 'Saturday Nite in Oak Grove, Louisiana' to soul searching ballads like 'For Ol' Times Sake' and 'Ol' Mother Earth', Homemade Ice Cream will sustain your interest with great melodies and superb playing. And all are sung with charisma and sensitivity featuring White's husky baritone voice." Anthony Kershaw, Audiophilia.com, May 2013\r\n
      \r\n
      "This is, after all, the man who gave 'Polk Salad Annie' to Elvis (although White did hit the charts with it) and 'Rainy Night in Georgia' to Brook Benton, as well as creating hits for Dusty Springfield, Hank Williams Jr. and many others... TJW is swampier than the rest, so this will appeal to anyone who used to read ZigZag". Sound Quality : 86% - Ken Kessler, Hi-Fi News, August 2012\r\n
      \r\n
      "Not a song on this album is less than compelling and some are downright searing. White's vulnerability and ability to convey heartbreak and hurt put him in Roy Orbison's class, though he expresses these feelings less bombastically... The sound starts out really good but just gets better as it goes, with side two's final four tracks being astonishingly transparent and intimate-sounding - as if you're sitting on the other side of the microphones... The Quality Record Pressings pressing quality is state of the art". Music = 8/11; Sound = 9/11 - Michael Fremer, MusicAngle.com, March 2012\r\n
      \r\n
      "... Among the mass of truly memorable and talented songwriters who practiced their craft in the late 1960s and early '70s, Tony Joe White is the quiet master... It's slightly mind-twisting to think that the LP reissue movement is now digging deep into major-label catalogs the way CD reissues once did. Dig on !" Performance = 3.5/5; Sonics = 4/5 - Robert Baird, Stereophile, January 2012\r\n
      \r\n
      "You might not know this record", says Chad, "but give it a try and I guarantee you will be blown away".\r\n
      \r\n
      You may or may not know of Tony Joe White, but we all know his two most famous songs "Polk Salad Annie" and "Rainy Night In Georgia". This record is up to the standards of those great numbers. So soulful, humid, rich and textured. Or as Tony Joe would say, "It's swampy".\r\n
      \r\n
      And because it's such a classic, such a southern musical touchstone, we've gone and upped the ante making this standout a 45 RPM double LP release. Veteran audiophiles know and hear the difference. With more LP real estate, inner groove distortion is reduced and tracking by your stereo cartridge is improved. That's a major sonic advantage ! Mastered by Kevin Gray at Cohearent Audio from the original analog tape, this LP sounds phenomenal from the first note to the last fade out.\r\n
      \r\n
      The last four songs on side two of this album are going to positively floor you. They are so sparse and bluesy and emotional. And the sound is as good as the music. With this new QRP pressing, the sound is so good it's tape-like. So solid and jet-black is the foundation from which the music just jumps. Ya gotta hear it to understand what we're trying to describe. It's one of those jaw-hit-the-floor, sit-in-stunned-silence, goose-bump-raising, tears-in-your-eyes records. You know, the kind we're all looking for as audiophiles ? \r\n
      \r\n
      When Chad decided to reissue this album, he knew that it wasn't going to be a top-seller. But it's one of his all-time favorites for music and sound, and we feel that whoever takes a chance on this one is going to be richly rewarded. We gotta figure this one is going to end up being one of the favorites of some of our customers, too. If you trust us at all, you can buy with great confidence.\r\n
      \r\n
      Homeade Ice Cream was originally released in 1973 on Warner Bros. and was co-produced by White and legendary Atlantic producer Tom Dowd. It's White's sixth overall record and his third for Warner Bros. This is very much a back porch acoustic affair. The music has the space to breathe, one of the reasons for the life-like sound.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Tony Joe White (guitar, harmonica, lead vocals), Reggie Young (guitar), David Briggs (piano, organ), Norbert Putnam\t(bass), Kenny Malone (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=puDI-CDKWDc&list=OLAK5uy_mZNCTrqume0w5E3QHwZj78jzV3Oij8Y8k&index=4"
    -referenceProduit: "Analogue Productions AAPP 2708-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Saturday Night In Oak Grove Louisiana"
      ]
      [
        "ordre" => 2
        "nom" => "2. For Ol' Times Sake"
      ]
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        "ordre" => 3
        "nom" => "3. I Want Love ('Tween You & Me)"
      ]
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        "nom" => "Side B : "
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        "nom" => "1. Homemade Ice Cream"
      ]
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        "nom" => "2. Ol'Mother Earth "
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        "ordre" => 7
        "nom" => "3. Lazy"
      ]
      [
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        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. California On My Mind"
      ]
      [
        "ordre" => 10
        "nom" => "2. Backwoods Preacher Man"
      ]
      [
        "ordre" => 11
        "nom" => "3. Takin' The Midnight Train"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. No News Is Good News"
      ]
      [
        "ordre" => 14
        "nom" => "2. Did Somebody Make A Fool Out Of You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2142 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3531
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2647 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2156
    -id: 2846
    -nom: "Homemade Ice Cream (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Now a double LP cut at 45 RPM ! Improved tracking, high freqency response !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Old-style heavyweight tip-on jacket from Stoughton Printing !\r\n
      - A Personal Favorite of Acoustic Sounds CEO Chad Kassem !\r\n
      - Hi-Fi News 2019 Album Choice selection for Year's Best LPs !\r\n
      - Hi-Fi News June 2019 Album Choice selection !\r\n
      \r\n
      "This superb reissue is a fitting tribute to the finest purveyor ever of 'Swamp Rock,' White having passed late last year. Although best known for composing the Elvis hit 'Polk Salad Annie', and 'Rainy Night In Georgia', a smash for Brook Benton in 1970, his own LPs were also something special. Three seconds into this 1973 release and your jaw will drop: the most melodic, tactile lower registers this side of a Kodo album. Every composition mixes wit, wisdom and winsomeness, with musicianship of the highest order it was recorded in Nashville with sidemen including David Briggs and Norbert Putnam. Above it all, though, is a voice so textured and deep that it makes J.J. Cale sound like Klaus Nomi". - Sound Quality: 95% - Ken Kessler, Hi Fi News, June 2019\r\n
      \r\n
      "I have been tempted to buy a repress of this title... I'm pleased I waited, very pleased! And I can stop looking for a quality used original too. This is one of those intimate albums that gets better the later in the day you happen to sit with it; I know it'll get even better with a glass of wine on a warm summer evening too. Kevin Gray mastered, nothing else need be said. ... I'm not so sure about this not being a top seller; anyone who enjoys music would be a fool to miss out on this. With only 1,000 pressed initially it may well be that it fulfills that prophesy, so get it while you can. I hope demand results in another pressing run... If you "do" 45 RPM cuts, what are you waiting for ? You really can't go wrong or will regret picking this one up". - Gordon Johnson, Jimpress\r\n
      \r\n
      Praise for our 33 1/3 version :\r\n
      \r\n
      "Audiophiles, this is a must-have LP. The sound is completely natural with no studio artifacts. What stands out, though, are the timbral qualities of the instruments and White's great voice. Organ, piano and bass are there for harmonic effect, but the sounds of the drums and guitars are some of the best I've heard from my system. Originally recorded in 1973, this reissue LP jumped to the top of my short list for Audiophilia's Star Recordings of the Year, 2013". Anthony Kershaw, Audiophilia.com, May 2013\r\n
      \r\n
      "From the fantastic opening groove of 'Saturday Nite in Oak Grove, Louisiana' to soul searching ballads like 'For Ol' Times Sake' and 'Ol' Mother Earth', Homemade Ice Cream will sustain your interest with great melodies and superb playing. And all are sung with charisma and sensitivity featuring White's husky baritone voice." Anthony Kershaw, Audiophilia.com, May 2013\r\n
      \r\n
      "This is, after all, the man who gave 'Polk Salad Annie' to Elvis (although White did hit the charts with it) and 'Rainy Night in Georgia' to Brook Benton, as well as creating hits for Dusty Springfield, Hank Williams Jr. and many others... TJW is swampier than the rest, so this will appeal to anyone who used to read ZigZag". Sound Quality : 86% - Ken Kessler, Hi-Fi News, August 2012\r\n
      \r\n
      "Not a song on this album is less than compelling and some are downright searing. White's vulnerability and ability to convey heartbreak and hurt put him in Roy Orbison's class, though he expresses these feelings less bombastically... The sound starts out really good but just gets better as it goes, with side two's final four tracks being astonishingly transparent and intimate-sounding - as if you're sitting on the other side of the microphones... The Quality Record Pressings pressing quality is state of the art". Music = 8/11; Sound = 9/11 - Michael Fremer, MusicAngle.com, March 2012\r\n
      \r\n
      "... Among the mass of truly memorable and talented songwriters who practiced their craft in the late 1960s and early '70s, Tony Joe White is the quiet master... It's slightly mind-twisting to think that the LP reissue movement is now digging deep into major-label catalogs the way CD reissues once did. Dig on !" Performance = 3.5/5; Sonics = 4/5 - Robert Baird, Stereophile, January 2012\r\n
      \r\n
      "You might not know this record", says Chad, "but give it a try and I guarantee you will be blown away".\r\n
      \r\n
      You may or may not know of Tony Joe White, but we all know his two most famous songs "Polk Salad Annie" and "Rainy Night In Georgia". This record is up to the standards of those great numbers. So soulful, humid, rich and textured. Or as Tony Joe would say, "It's swampy".\r\n
      \r\n
      And because it's such a classic, such a southern musical touchstone, we've gone and upped the ante making this standout a 45 RPM double LP release. Veteran audiophiles know and hear the difference. With more LP real estate, inner groove distortion is reduced and tracking by your stereo cartridge is improved. That's a major sonic advantage ! Mastered by Kevin Gray at Cohearent Audio from the original analog tape, this LP sounds phenomenal from the first note to the last fade out.\r\n
      \r\n
      The last four songs on side two of this album are going to positively floor you. They are so sparse and bluesy and emotional. And the sound is as good as the music. With this new QRP pressing, the sound is so good it's tape-like. So solid and jet-black is the foundation from which the music just jumps. Ya gotta hear it to understand what we're trying to describe. It's one of those jaw-hit-the-floor, sit-in-stunned-silence, goose-bump-raising, tears-in-your-eyes records. You know, the kind we're all looking for as audiophiles ? \r\n
      \r\n
      When Chad decided to reissue this album, he knew that it wasn't going to be a top-seller. But it's one of his all-time favorites for music and sound, and we feel that whoever takes a chance on this one is going to be richly rewarded. We gotta figure this one is going to end up being one of the favorites of some of our customers, too. If you trust us at all, you can buy with great confidence.\r\n
      \r\n
      Homeade Ice Cream was originally released in 1973 on Warner Bros. and was co-produced by White and legendary Atlantic producer Tom Dowd. It's White's sixth overall record and his third for Warner Bros. This is very much a back porch acoustic affair. The music has the space to breathe, one of the reasons for the life-like sound.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Tony Joe White (guitar, harmonica, lead vocals), Reggie Young (guitar), David Briggs (piano, organ), Norbert Putnam\t(bass), Kenny Malone (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=puDI-CDKWDc&list=OLAK5uy_mZNCTrqume0w5E3QHwZj78jzV3Oij8Y8k&index=4"
    -referenceProduit: "Analogue Productions AAPP 2708-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. Saturday Night In Oak Grove Louisiana"
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      [
        "ordre" => 2
        "nom" => "2. For Ol' Times Sake"
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        "ordre" => 3
        "nom" => "3. I Want Love ('Tween You & Me)"
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        "nom" => "Side B : "
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        "ordre" => 5
        "nom" => "1. Homemade Ice Cream"
      ]
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        "ordre" => 6
        "nom" => "2. Ol'Mother Earth "
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        "nom" => "3. Lazy"
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        "nom" => "Side C :"
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        "nom" => "1. California On My Mind"
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        "nom" => "2. Backwoods Preacher Man"
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        "nom" => "3. Takin' The Midnight Train"
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        "ordre" => 12
        "nom" => "Side D : "
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      [
        "ordre" => 13
        "nom" => "1. No News Is Good News"
      ]
      [
        "ordre" => 14
        "nom" => "2. Did Somebody Make A Fool Out Of You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2142 …}
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[
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    -id: 2643
    -nom: "Tracy Chapman: 35th Anniversary Edition"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Tracy Chapman (acoustic & electric guitar, vocals), Larry Klein (bass), Jack Holder (dulcimer), Jack Holder (electric guitar), David LaFlamme (electric violon), Jack Holder (guitar), Steve Kaplan (harmonica), Bob Marlette, Steve Kaplan (keyboards), Jack Holder (organ), Jack Holder (piano), Jack Holder (sitar), Ed Black (steel guitar), Paulinho Da Costa (percussion), Denny Fongheiser (drums).\r\n
      \r\n
      Tracy Chapman's Self-Titled Debut Album Reissued for Its 35th Anniversary Edition on 180 gram LP. Sourced From an Analogue Master. Featuring the Classic Singles "Fast Car", "Talkin’ Bout a Revolution" and "Baby Can I Hold You". Finally Available on Vinyl !\r\n
      \r\n
      Originally released by Elektra Records in April 1988, Tracy Chapman has long been unavailable on vinyl. This anniversary reissue has been prepared for release by Chapman and the album’s original producer, David Kershenbaum, pressed on 180 gram vinyl and sourced from an analogue master. The album package includes an insert of translated lyrics, which accompanied the original international release. Featuring the classic singles "Fast Car", "Talkin' Bout A Revolution", and ‘Baby Can I Hold You’, the album earned three Grammy Awards and went on to become one of the most successful debuts of all time, peaking at N°1 in multiple countries and selling more than 20 million copies worldwide.To this day, it still makes regular appearances on charts around the world, and is one of the most successful albums by a female artist in chart history.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Tracy Chapman (acoustic & electric guitar, vocals), Larry Klein (bass), Jack Holder (dulcimer), Jack Holder (electric guitar), David LaFlamme (electric violon), Jack Holder (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=Q2wneBVssPc"
    -referenceProduit: "Rhino Records 0774"
    -titreMorceau: [
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        "nom" => "5. Baby Can I Hold You"
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        "nom" => "2. She's Got Her Ticket"
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        "nom" => "4. For My Lover"
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        "nom" => "5. If Not Now..."
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        "nom" => "6. For You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2175 …}
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    -modifierLe: DateTime @1770014510 {#2167
      date: 2026-02-02 06:41:50.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
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    -slug: "vinyles-tracy-chapman-35th-anniversary-edition-rhino-records-0774"
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App\Twig\Components\GestionPanierFavoriComponents {#3577
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2647 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2169
    -id: 2643
    -nom: "Tracy Chapman: 35th Anniversary Edition"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Tracy Chapman (acoustic & electric guitar, vocals), Larry Klein (bass), Jack Holder (dulcimer), Jack Holder (electric guitar), David LaFlamme (electric violon), Jack Holder (guitar), Steve Kaplan (harmonica), Bob Marlette, Steve Kaplan (keyboards), Jack Holder (organ), Jack Holder (piano), Jack Holder (sitar), Ed Black (steel guitar), Paulinho Da Costa (percussion), Denny Fongheiser (drums).\r\n
      \r\n
      Tracy Chapman's Self-Titled Debut Album Reissued for Its 35th Anniversary Edition on 180 gram LP. Sourced From an Analogue Master. Featuring the Classic Singles "Fast Car", "Talkin’ Bout a Revolution" and "Baby Can I Hold You". Finally Available on Vinyl !\r\n
      \r\n
      Originally released by Elektra Records in April 1988, Tracy Chapman has long been unavailable on vinyl. This anniversary reissue has been prepared for release by Chapman and the album’s original producer, David Kershenbaum, pressed on 180 gram vinyl and sourced from an analogue master. The album package includes an insert of translated lyrics, which accompanied the original international release. Featuring the classic singles "Fast Car", "Talkin' Bout A Revolution", and ‘Baby Can I Hold You’, the album earned three Grammy Awards and went on to become one of the most successful debuts of all time, peaking at N°1 in multiple countries and selling more than 20 million copies worldwide.To this day, it still makes regular appearances on charts around the world, and is one of the most successful albums by a female artist in chart history.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Tracy Chapman (acoustic & electric guitar, vocals), Larry Klein (bass), Jack Holder (dulcimer), Jack Holder (electric guitar), David LaFlamme (electric violon), Jack Holder (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Q2wneBVssPc"
    -referenceProduit: "Rhino Records 0774"
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        "nom" => "2. She's Got Her Ticket"
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        "nom" => "3. Why ?"
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        "nom" => "5. If Not Now..."
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      [
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        "nom" => "6. For You"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
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    -style: App\Entity\Style {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2175 …}
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    -modifierLe: DateTime @1770014510 {#2167
      date: 2026-02-02 06:41:50.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
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    -slug: "vinyles-tracy-chapman-35th-anniversary-edition-rhino-records-0774"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2415 …}
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[
  "produit" => App\Entity\Produit {#2187
    -id: 2178
    -nom: "Women and Children First - (Box Set 2 LP) UltraDisc One-Step 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL FOR A DEFINITIVE LISTENING EXPERIENCE !\r\n
      \r\n
      Van Halen vocalist David Lee Roth says it all on the second song of the band's third album and third consecutive smash in less than three years time. "Everybody wants some!", he declares before immediately querying, "Baby, how 'bout, you ?" Roth and the rest of Van Halen already knew the answer. The quartet further confirmed its status as America's leading rock band and principal party starters on Women and Children First while heading in harder, heavier directions with thrilling songs that Rolling Stone scribe David Fricke rightly deemed "works of high-volume art." Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) set of the triple-platinum effort ensures demand for the 1980 record has never been higher.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Alex Van Halen (drums), Edward Van Halen (guitar), David Lee Roth (vocals), Michael Anthony (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=11mBDT5mpdw"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-034"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. And the Cradle Will Rock..."
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        "ordre" => 1
        "nom" => "2. Everybody Wants Some!!"
      ]
      [
        "ordre" => 2
        "nom" => "3. Fools"
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        "ordre" => 3
        "nom" => "4. Romeo's Delight"
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        "ordre" => 4
        "nom" => "5. Tora ! Tora !"
      ]
      [
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        "nom" => "6. Loss of Control"
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        "nom" => "7. Take Your Whiskey Home"
      ]
      [
        "ordre" => 7
        "nom" => "8. Could This Be Magic ?"
      ]
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        "ordre" => 8
        "nom" => "9. In a Simple Rhyme"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
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    -enregistreLe: DateTime @1640697434 {#2183
      date: 2021-12-28 13:17:14.0 UTC (+00:00)
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    -modifierLe: DateTime @1770013852 {#2182
      date: 2026-02-02 06:30:52.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-women-and-children-first-box-set-2-lp-ultradisc-one-step-45-rpm-mobile-fidelity-sound-lab-ud1s-034"
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App\Twig\Components\GestionPanierFavoriComponents {#3628
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2647 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2187
    -id: 2178
    -nom: "Women and Children First - (Box Set 2 LP) UltraDisc One-Step 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL FOR A DEFINITIVE LISTENING EXPERIENCE !\r\n
      \r\n
      Van Halen vocalist David Lee Roth says it all on the second song of the band's third album and third consecutive smash in less than three years time. "Everybody wants some!", he declares before immediately querying, "Baby, how 'bout, you ?" Roth and the rest of Van Halen already knew the answer. The quartet further confirmed its status as America's leading rock band and principal party starters on Women and Children First while heading in harder, heavier directions with thrilling songs that Rolling Stone scribe David Fricke rightly deemed "works of high-volume art." Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) set of the triple-platinum effort ensures demand for the 1980 record has never been higher.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Alex Van Halen (drums), Edward Van Halen (guitar), David Lee Roth (vocals), Michael Anthony (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -lpsMusic: 2
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        "nom" => "8. Could This Be Magic ?"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#2051 …}
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    -typeMasterTape: null
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[
  "produit" => App\Entity\Produit {#2203
    -id: 2179
    -nom: "Van Halen - (Box Set 2 LP) UltraDisc One-Step 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      Van Halen did more than announce to the world the earthshaking arrival of a revolutionary guitarist. Performed by an enterprising California quartet that took its name from two of its principal members, the 1978 debut ripped headlines away from punk, injected fresh energy into a then-moribund rock 'n' roll scene, reimagined how heavy music and throwback pop could coexist, and invited everyone to experience the top-down pleasures of a beachfront Saturday night every day of the week no matter where they lived. Painstakingly restored by Mobile Fidelity Sound Lab, and the first of a multi-album series in an exciting partnership between the famous reissue label and Van Halen, Van Halen delivers feel-good thrills and hormonally charged desires like never before.\r\n
      \r\n
      Limited to 15000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM (2 LP) collector's edition pays tribute to the record's merit and allows fans to experience Van Halen's original blend of raw power, Hollywood flair, and vaudeville fun for generations to come. Playing with reference-setting sonics that elevate a 10-times-platinum landmark whose importance cannot be quantitatively measured, this definitive version provides a clear, clean, transparent, balanced, and turn-the-volume-up-to-11 view of an album that birthed entirely new styles. Since MoFi's unique SuperVinyl compound allows you to crank the decibels to your wildest desires without risking noise-floor interference, prepare to not only hear but feel Van Halen in your chest, no fifth-row concert seat necessary.\r\n
      \r\n
      The premium packaging and gorgeous presentation of the UD1S Van Halen pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic cover art to the meticulous finishes and, yes, of course, Eddie Van Halen's pioneering fretwork and his brother Alex's double-bass percussion.\r\n
      \r\n
      Indeed, could a piece of music that transformed how countless guitarists approached their instrument be more fittingly named than "Eruption" ? Likely not, and in just 102 seconds, Eddie Van Halen rewrote, reimagined, and reconfigured a vocabulary last significantly updated a decade earlier by fellow six-string wizard Jimi Hendrix. Akin to the Washington State legend, Eddie Van Halen developed his own techniques and tones all the while making his seismic accomplishments seem effortless. Devoid of the pretense, ego, and showiness that infected many of his imitators, the Dutch native sticks to a straightforward approach that underlines the authority, prowess, and visionary scope of his playing and then-unheard-of finger-tapping skills. Throughout Van Halen, he establishes himself as an instant idol a savant whose otherworldly combination of breadth, poise, feel, speed, force, and melody seems beamed in from another galaxy.\r\n
      \r\n
      As does nearly every song on the record, whose cohesiveness and dynamic put into perspective the advanced chemistry and one-for-all spirit the youthful band had out of the gates. Having paid its dues for years in bars and clubs – going as far as recording a 24 track demo for Kiss bassist Gene Simmons at Village Recorders only to be spurned by management companies that felt its music wouldn't go anywhere Van Halen finally got a deserved break when Warner Bros. executives signed the group in 1977. The subsequent recording sessions further testify on behalf of the band's synergy and alignment. Completed in just a few weeks with producer Ted Templeman, Van Halen was primarily cut live in the studio with minimal overdubs and edits. The explosiveness, energy, and electricity remain definitive, and as heard on this UD1S set, put the group on a private stage humming amplifiers, Frankenstrat guitar, bright spotlights, sweaty headbands, and then some.\r\n
      \r\n
      Van Halen yielded just one hit in the form of a Top 40 single (a breathless cover of the Kinks' "You Really Got Me") but practically every song on the revered LP has become a staple. Named the 202nd Greatest Album of All Time by Rolling Stone and considered by countless experts as one of the best debuts in history, the record displays what can happen with four distinct talents gel and strive for the same purposes. In Van Halen's case, the latter almost always involved partying, freedom, sex, and, in the immortal words of singer David Lee Roth, living "life like there's no tomorrow." The celebration manifests from the opening notes of the strutting "Runnin' with the Devil" announced with the blare of droning car horns, Michael Anthony's robust bass line, and Alex Van Halen's thumping drumming and continues through the conclusion of the white-hot "On Fire", goosed by Eddie Van Halen's race-track-ready lines, Roth's flamboyant deliveries, and the rhythm section's cat-like pounce.\r\n
      \r\n
      Picking out individual highlights on Van Halen is akin to trying to count all the stars in a clear nighttime desert sky : There are far too many to identify, once you see one you notice another dozen you didn't spot before, and the cluster is best enjoyed as a whole. What's evident over repeat listens is the sheer diversity, a fact that's often overlooked: The high harmonies and background funk of "Jamie's Cryin'"; the insistent cane-and-a-tophat shuffle and doo-wop shoo-bop vocal break on "I'm the One"; the throwback acoustic blues that spreads into fast-paced, single-entendre wildfire on the Roth-led standout interpretation of John Brim's "Ice Cream Man".\r\n
      \r\n
      Like the man says, on Van Halen, all the flavors are guaranteed to satisfy. Secure your limited-numbered edition of this masterwork today before it sells out like every prior MoFi UD1S release.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Alex Van Halen (drums), Edward Van Halen (guitar), David Roth (vocals), Michael Anthony (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2VFJB-ZeVqM"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-032"
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        "nom" => "6. Jamie's Cryin'"
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        "nom" => "7. Atomic Punk"
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        "nom" => "8. Feel Your Love Tonight"
      ]
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      ]
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        "nom" => "11. On Fire"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
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    }
    -modifierLe: DateTime @1770013681 {#2201
      date: 2026-02-02 06:28:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-van-halen-box-set-2-lp-ultradisc-one-step-45-rpm-mobile-fidelity-sound-lab-ud1s-032"
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App\Twig\Components\GestionPanierFavoriComponents {#3681
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2647 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2203
    -id: 2179
    -nom: "Van Halen - (Box Set 2 LP) UltraDisc One-Step 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      Van Halen did more than announce to the world the earthshaking arrival of a revolutionary guitarist. Performed by an enterprising California quartet that took its name from two of its principal members, the 1978 debut ripped headlines away from punk, injected fresh energy into a then-moribund rock 'n' roll scene, reimagined how heavy music and throwback pop could coexist, and invited everyone to experience the top-down pleasures of a beachfront Saturday night every day of the week no matter where they lived. Painstakingly restored by Mobile Fidelity Sound Lab, and the first of a multi-album series in an exciting partnership between the famous reissue label and Van Halen, Van Halen delivers feel-good thrills and hormonally charged desires like never before.\r\n
      \r\n
      Limited to 15000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM (2 LP) collector's edition pays tribute to the record's merit and allows fans to experience Van Halen's original blend of raw power, Hollywood flair, and vaudeville fun for generations to come. Playing with reference-setting sonics that elevate a 10-times-platinum landmark whose importance cannot be quantitatively measured, this definitive version provides a clear, clean, transparent, balanced, and turn-the-volume-up-to-11 view of an album that birthed entirely new styles. Since MoFi's unique SuperVinyl compound allows you to crank the decibels to your wildest desires without risking noise-floor interference, prepare to not only hear but feel Van Halen in your chest, no fifth-row concert seat necessary.\r\n
      \r\n
      The premium packaging and gorgeous presentation of the UD1S Van Halen pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic cover art to the meticulous finishes and, yes, of course, Eddie Van Halen's pioneering fretwork and his brother Alex's double-bass percussion.\r\n
      \r\n
      Indeed, could a piece of music that transformed how countless guitarists approached their instrument be more fittingly named than "Eruption" ? Likely not, and in just 102 seconds, Eddie Van Halen rewrote, reimagined, and reconfigured a vocabulary last significantly updated a decade earlier by fellow six-string wizard Jimi Hendrix. Akin to the Washington State legend, Eddie Van Halen developed his own techniques and tones all the while making his seismic accomplishments seem effortless. Devoid of the pretense, ego, and showiness that infected many of his imitators, the Dutch native sticks to a straightforward approach that underlines the authority, prowess, and visionary scope of his playing and then-unheard-of finger-tapping skills. Throughout Van Halen, he establishes himself as an instant idol a savant whose otherworldly combination of breadth, poise, feel, speed, force, and melody seems beamed in from another galaxy.\r\n
      \r\n
      As does nearly every song on the record, whose cohesiveness and dynamic put into perspective the advanced chemistry and one-for-all spirit the youthful band had out of the gates. Having paid its dues for years in bars and clubs – going as far as recording a 24 track demo for Kiss bassist Gene Simmons at Village Recorders only to be spurned by management companies that felt its music wouldn't go anywhere Van Halen finally got a deserved break when Warner Bros. executives signed the group in 1977. The subsequent recording sessions further testify on behalf of the band's synergy and alignment. Completed in just a few weeks with producer Ted Templeman, Van Halen was primarily cut live in the studio with minimal overdubs and edits. The explosiveness, energy, and electricity remain definitive, and as heard on this UD1S set, put the group on a private stage humming amplifiers, Frankenstrat guitar, bright spotlights, sweaty headbands, and then some.\r\n
      \r\n
      Van Halen yielded just one hit in the form of a Top 40 single (a breathless cover of the Kinks' "You Really Got Me") but practically every song on the revered LP has become a staple. Named the 202nd Greatest Album of All Time by Rolling Stone and considered by countless experts as one of the best debuts in history, the record displays what can happen with four distinct talents gel and strive for the same purposes. In Van Halen's case, the latter almost always involved partying, freedom, sex, and, in the immortal words of singer David Lee Roth, living "life like there's no tomorrow." The celebration manifests from the opening notes of the strutting "Runnin' with the Devil" announced with the blare of droning car horns, Michael Anthony's robust bass line, and Alex Van Halen's thumping drumming and continues through the conclusion of the white-hot "On Fire", goosed by Eddie Van Halen's race-track-ready lines, Roth's flamboyant deliveries, and the rhythm section's cat-like pounce.\r\n
      \r\n
      Picking out individual highlights on Van Halen is akin to trying to count all the stars in a clear nighttime desert sky : There are far too many to identify, once you see one you notice another dozen you didn't spot before, and the cluster is best enjoyed as a whole. What's evident over repeat listens is the sheer diversity, a fact that's often overlooked: The high harmonies and background funk of "Jamie's Cryin'"; the insistent cane-and-a-tophat shuffle and doo-wop shoo-bop vocal break on "I'm the One"; the throwback acoustic blues that spreads into fast-paced, single-entendre wildfire on the Roth-led standout interpretation of John Brim's "Ice Cream Man".\r\n
      \r\n
      Like the man says, on Van Halen, all the flavors are guaranteed to satisfy. Secure your limited-numbered edition of this masterwork today before it sells out like every prior MoFi UD1S release.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Alex Van Halen (drums), Edward Van Halen (guitar), David Roth (vocals), Michael Anthony (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2VFJB-ZeVqM"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-032"
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      ]
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        "nom" => "6. Jamie's Cryin'"
      ]
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        "nom" => "7. Atomic Punk"
      ]
      [
        "ordre" => 7
        "nom" => "8. Feel Your Love Tonight"
      ]
      [
        "ordre" => 8
        "nom" => "9. Little Dreamer"
      ]
      [
        "ordre" => 9
        "nom" => "10. Ice Cream Man"
      ]
      [
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        "nom" => "11. On Fire"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
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    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2211 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2204 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2206 …}
    -enregistreLe: DateTime @1640698921 {#2200
      date: 2021-12-28 13:42:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770013681 {#2201
      date: 2026-02-02 06:28:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2208 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-van-halen-box-set-2-lp-ultradisc-one-step-45-rpm-mobile-fidelity-sound-lab-ud1s-032"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2415 …}
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[
  "produit" => App\Entity\Produit {#2216
    -id: 2181
    -nom: "Fair Warning - (Box Set 2 LP) UltraDisc One-Step 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      The song titles on Van Halen's aptly titled Fair Warning don't lie. The likes of "Unchained," "Mean Street", "Push Comes to Shove", "One Foot Out the Door", and more indicate the mood the band channels on its 1981 record. It's the nastiest, darkest, and fiercest album of the group's storied career. Guitarist Eddie Van Halen uses the forceful arrangements as a playground for his seemingly unlimited arsenal. Supported by a crack rhythm section and an inspired David Lee Roth, he performs with an almost impossible combination of punk-like intensity, technical finesse, lyrical fluidity, and unbridled emotion. For the fourth time in four years, Van Halen threw down the gauntlet to all challengers and emerged victorious. Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) set sounds the alarm with unfettered clarity, dynamics, and immediacy.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
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    -musicienOrchestre: "Alex Van Halen (drums), Edward Van Halen (guitar), Michael Anthony (bass), David Lee Roth (vocals)"
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        "ordre" => 0
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        "nom" => "6. Push Comes to Shove"
      ]
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        "ordre" => 6
        "nom" => "7. So This Is Love ?"
      ]
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        "ordre" => 7
        "nom" => "8. Sunday Afternoon in the Park"
      ]
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        "ordre" => 8
        "nom" => "9. One Foot Out the Door"
      ]
    ]
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      date: 2021-12-29 08:24:22.0 UTC (+00:00)
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