Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2387
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2234 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2464
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2467 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2466 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2040 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2234 …}
  -formView: Symfony\Component\Form\FormView {#2503 …}
  -form: Symfony\Component\Form\Form {#2653 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1724
    -id: 3075
    -nom: "Fun House"
    -informationComplementaire: "Avec Iggy Pop au sommet de son intensité, "Fun House" vous plonge dans un rock sauvage, sans compromis. Riffs puissants, rythme hypnotique, et une touche de folie apportée par Steve Mackay au saxophone, tout est réuni pour une écoute inoubliable."
    -description: """
      Fun House, l’album culte de The Stooges !\r\n
      \r\n
      Sorti en 1970, "Fun House" est un album incontournable du rock proto-punk. Mené par Iggy Pop, The Stooges livrent une performance brute et intense, marquée par les riffs saturés de Ron Asheton et une rythmique puissante.\r\n
      \r\n
      L’apport du saxophoniste Steve Mackay confère à l’album une dimension expérimentale unique. Véritable référence du rock alternatif et du punk, Fun House influence encore aujourd’hui de nombreux artistes.\r\n
      \r\n
      - The Stooges Make the Ultimate Rock ‘n’ Roll Statement on "Fun House" : Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling Stone !\r\n
      \r\n
      - Experience the Band’s 1970 Effort in Definitive Sound on Vinyl : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Explodes with Energy, Immediacy, and Force !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Do you feel it ?” Iggy Pop asks on “Dirt”. The answer is patently obvious for anyone who encounters the Stooges’ Fun House. \r\n
      \r\n
      This is a record on which unabandoned feeling takes precedence, primal energy surges to the fore, outsider attitude snarls with destructive force, electrifying chaos assumes the form of wild joyousness all of which might very well be impossible to put into words. Legendary Village Voice journalist Robert Christgau even admitted “language wasn’t designed for the job” of conveying what many critics and artists believe to be the ultimate rock ‘n’ roll statement. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time this 1970 landmark is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater emotionalism, and more realistic ambience than prior versions. \r\n
      \r\n
      From beginning to end, the live-in-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci’s esteemed production the unrelenting sense of groove; the sheer impact of the rhythms; the bleed of the unmuted volumes; the ferocity of Pop’s heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension emerge with gripping presence, body, and power. The Stooges’ most controlled, focused, and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb or hydroelectric plant to which Christgau thought of comparing it.\r\n
      \r\n
      Intense, cohesive, and aggressive, Fun House differs from and improves upon the Stooges’ groundbreaking debut in several ways. For starters, the quartet developed nearly all of the songs that ended up on the record over the course of several months of shows they performed on the weekends. They weren’t under pressure to write additional material once the sessions commenced a circumstance that led to on-the-spot songs such as “Not Right” and “Little Doll” on their self-titled set. Just as importantly, they were matched with Gallucci, whose pedigree as an organist on the Kingsmen’s “Louie Louie” and television credits as a member of Dick Clark’s house band in Don and the Good Times immediately endeared him to the band.\r\n
      \r\n
      The Stooges’ instinctive faith in Gallucci paid immediate dividends. In tune with the fact the Stooges’ managed the equivalent of bottling lightning at their distinctive shows, Gallucci sought to capture their concert vibe. He thwarted convention and removed all the drapes, carpeting, and other vibration-deadening accoutrements from Elektra Sound Recorders the studio just a short stroll away from the group’s temporary digs at Tropicana Motel. He also let Pop sing, grunt, shout, and bark in live fashion via a hand-held microphone sent through two Marshall amplifiers that served as his personal PA system. Engineer Brian Ross-Myring was the final piece to what became a recording for the ages. \r\n
      \r\n
      Gallucci and Ross-Myring had another brilliant idea when they planned to have the Stooges knock out one tune in the studio per day in an order that would mirror the sequence on the record. First, they invited the band to run through the songs on what essentially functioned as a preparation day during which levels, baffles, and positions would be dialed in. Then, they got down to business, achieving the goal of nailing down a song each day and providing Gallucci roughly between 15 and 25 takes of each to choose for the official version. Reportedly, aside from two guitar overdubs, every note of Fun House transpired as you hear it today. \r\n
      \r\n
      That goes for the relentless riffing of guitarist Ron Asheton, corrosive pounding of drummer Scott Asheton, sinewy swaying of bassist Dave Alexander, blustery howling of Pop, and untamed, nearly stream-of-conscious blaring of Mackay. Plucked from his job at a record store in Michigan just two days before the sessions began, the young saxophonist helped push the Stooges to avant galaxies no artist ever visited on “1970”, the title track, and “L.A. Blues”, the latter an attempt by Gallucci to chronicle the Stooges’ famed concert-ending freak-outs. To get in the proper frame of mind, the band dropped acid and let fly. \r\n
      \r\n
      Often imitated and never duplicated, the results continue to melt minds more than 50 years after Pop and company got loose. Ranked the 94th greatest album of all time by Rolling Stone, said to be “the greatest rock ‘n’ roll album ever made” by Jack White, and championed by everyone from vaunted critics such as Lester Bangs and Ben Edmonds to musicians like Henry Rollins and Steve Albini, Fun House feels alright. It’s gonna stick you deep inside.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1830 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Steve Mackay (saxophone), Scott Asheton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=B9Q5luXFkAI&list=RDB9Q5luXFkAI&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-606"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Down on the Street"
      ]
      [
        "ordre" => 2
        "nom" => "2. Loose "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. T.V. Eye"
      ]
      [
        "ordre" => 5
        "nom" => "2. Dirt "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. 1970 "
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Fun House"
      ]
      [
        "ordre" => 10
        "nom" => "2. L.A. Blues"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1906 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2008 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1910 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1996 …}
    -enregistreLe: DateTime @1777926616 {#1839
      date: 2026-05-04 20:30:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777927181 {#1890
      date: 2026-05-04 20:39:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2002 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fun-house-mobile-fidelity-sound-lab-mfsl-2-606"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2940
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2466 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2040 …}
  +produit: App\Entity\Produit {#1724
    -id: 3075
    -nom: "Fun House"
    -informationComplementaire: "Avec Iggy Pop au sommet de son intensité, "Fun House" vous plonge dans un rock sauvage, sans compromis. Riffs puissants, rythme hypnotique, et une touche de folie apportée par Steve Mackay au saxophone, tout est réuni pour une écoute inoubliable."
    -description: """
      Fun House, l’album culte de The Stooges !\r\n
      \r\n
      Sorti en 1970, "Fun House" est un album incontournable du rock proto-punk. Mené par Iggy Pop, The Stooges livrent une performance brute et intense, marquée par les riffs saturés de Ron Asheton et une rythmique puissante.\r\n
      \r\n
      L’apport du saxophoniste Steve Mackay confère à l’album une dimension expérimentale unique. Véritable référence du rock alternatif et du punk, Fun House influence encore aujourd’hui de nombreux artistes.\r\n
      \r\n
      - The Stooges Make the Ultimate Rock ‘n’ Roll Statement on "Fun House" : Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling Stone !\r\n
      \r\n
      - Experience the Band’s 1970 Effort in Definitive Sound on Vinyl : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Explodes with Energy, Immediacy, and Force !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Do you feel it ?” Iggy Pop asks on “Dirt”. The answer is patently obvious for anyone who encounters the Stooges’ Fun House. \r\n
      \r\n
      This is a record on which unabandoned feeling takes precedence, primal energy surges to the fore, outsider attitude snarls with destructive force, electrifying chaos assumes the form of wild joyousness all of which might very well be impossible to put into words. Legendary Village Voice journalist Robert Christgau even admitted “language wasn’t designed for the job” of conveying what many critics and artists believe to be the ultimate rock ‘n’ roll statement. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time this 1970 landmark is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater emotionalism, and more realistic ambience than prior versions. \r\n
      \r\n
      From beginning to end, the live-in-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci’s esteemed production the unrelenting sense of groove; the sheer impact of the rhythms; the bleed of the unmuted volumes; the ferocity of Pop’s heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension emerge with gripping presence, body, and power. The Stooges’ most controlled, focused, and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb or hydroelectric plant to which Christgau thought of comparing it.\r\n
      \r\n
      Intense, cohesive, and aggressive, Fun House differs from and improves upon the Stooges’ groundbreaking debut in several ways. For starters, the quartet developed nearly all of the songs that ended up on the record over the course of several months of shows they performed on the weekends. They weren’t under pressure to write additional material once the sessions commenced a circumstance that led to on-the-spot songs such as “Not Right” and “Little Doll” on their self-titled set. Just as importantly, they were matched with Gallucci, whose pedigree as an organist on the Kingsmen’s “Louie Louie” and television credits as a member of Dick Clark’s house band in Don and the Good Times immediately endeared him to the band.\r\n
      \r\n
      The Stooges’ instinctive faith in Gallucci paid immediate dividends. In tune with the fact the Stooges’ managed the equivalent of bottling lightning at their distinctive shows, Gallucci sought to capture their concert vibe. He thwarted convention and removed all the drapes, carpeting, and other vibration-deadening accoutrements from Elektra Sound Recorders the studio just a short stroll away from the group’s temporary digs at Tropicana Motel. He also let Pop sing, grunt, shout, and bark in live fashion via a hand-held microphone sent through two Marshall amplifiers that served as his personal PA system. Engineer Brian Ross-Myring was the final piece to what became a recording for the ages. \r\n
      \r\n
      Gallucci and Ross-Myring had another brilliant idea when they planned to have the Stooges knock out one tune in the studio per day in an order that would mirror the sequence on the record. First, they invited the band to run through the songs on what essentially functioned as a preparation day during which levels, baffles, and positions would be dialed in. Then, they got down to business, achieving the goal of nailing down a song each day and providing Gallucci roughly between 15 and 25 takes of each to choose for the official version. Reportedly, aside from two guitar overdubs, every note of Fun House transpired as you hear it today. \r\n
      \r\n
      That goes for the relentless riffing of guitarist Ron Asheton, corrosive pounding of drummer Scott Asheton, sinewy swaying of bassist Dave Alexander, blustery howling of Pop, and untamed, nearly stream-of-conscious blaring of Mackay. Plucked from his job at a record store in Michigan just two days before the sessions began, the young saxophonist helped push the Stooges to avant galaxies no artist ever visited on “1970”, the title track, and “L.A. Blues”, the latter an attempt by Gallucci to chronicle the Stooges’ famed concert-ending freak-outs. To get in the proper frame of mind, the band dropped acid and let fly. \r\n
      \r\n
      Often imitated and never duplicated, the results continue to melt minds more than 50 years after Pop and company got loose. Ranked the 94th greatest album of all time by Rolling Stone, said to be “the greatest rock ‘n’ roll album ever made” by Jack White, and championed by everyone from vaunted critics such as Lester Bangs and Ben Edmonds to musicians like Henry Rollins and Steve Albini, Fun House feels alright. It’s gonna stick you deep inside.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1830 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Steve Mackay (saxophone), Scott Asheton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=B9Q5luXFkAI&list=RDB9Q5luXFkAI&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-606"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
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        "ordre" => 1
        "nom" => "1. Down on the Street"
      ]
      [
        "ordre" => 2
        "nom" => "2. Loose "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. T.V. Eye"
      ]
      [
        "ordre" => 5
        "nom" => "2. Dirt "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. 1970 "
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Fun House"
      ]
      [
        "ordre" => 10
        "nom" => "2. L.A. Blues"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
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      ]
      [
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      [
        "ordre" => 14
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      [
        "ordre" => 15
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      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1906 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2008 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1910 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1996 …}
    -enregistreLe: DateTime @1777926616 {#1839
      date: 2026-05-04 20:30:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777927181 {#1890
      date: 2026-05-04 20:39:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2002 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fun-house-mobile-fidelity-sound-lab-mfsl-2-606"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2234 …}
}

[
  "produit" => App\Entity\Produit {#2025
    -id: 2784
    -nom: "The Stooges (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Always a Real Cool Time The Stooges’ Primal Self-Titled Debut Changed Rock ‘n’ Roll and Anticipated Punk, Includes “I Wanna Be Your Dog” and “No Fun” !\r\n
      - Experience the Groundbreaking 1969 Record in Definitive Sound and Celebrate Elektra 75, Mobile Fidelity’s Numbered Edition 180 gram  45 RPM (2 LP) Set Plays with Revealing Liveliness, Detail, and Physicality !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Few albums inspired the reactions and registered the impact of the Stooges’ primordial self-titled debut. To a majority of listeners who encountered it shortly after it was released the same week Woodstock happened in 1969, the record seemingly came from another planet despite the fact its songs reflect the band’s Detroit surroundings and youthful malaise. \r\n
      \r\n
      Originally deemed by Rolling Stone “loud, boring, tasteless, unimaginative and childish” sentiments shared by many critics only later to be included on the magazine’s 500 Greatest Albums of All Time register, The Stooges established the template for myriad styles and the snarling attitude that would be associated with the still-years-away punk scene. Time further proved the band’s stomping, clattering rock ‘n’ roll way ahead of the curve given the work is now cited on endless “Best Album” lists. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton gatefold jacket, and reissued to celebrate Elektra 75, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time Iggy Pop and Co.’s groundbreaking statement is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater separation, and more realistic presence than prior versions. \r\n
      \r\n
      The sonic characteristics that help make The Stooges unique the welling fuzztones; the dark, wet smack of the low end; the cavernous reverb and wah-wah; the in-the-red overdrive; the vibrant handclaps; the nearly detached timbre of Pop’s vocal sneer; the grit, grime, and grind of the stacked rhythms come across with involving clarity, liveliness, detail, and dimensionality. For all of their twisted density and savage tonality, songs project with a deep openness and large dynamic. It’s maybe as close as music has ever come to literally vibrating. \r\n
      \r\n
      Indeed, everything Pop, bassist Dave Alexander, and brothers Ron and Scott Asheton create on The Stooges is utterly corporeal. The genesis of the band’s then-inimitable approach traces back to the Motor City’s industrial facilities; the urge to tear down the pretense of the hippie movement; the feeling of being an outsider amid a society reckoning with a collision of cultures; and the genuine desire to be completely original. With Pop as the only true musician in the quartet, the Stooges pursued a do-it-yourself ethic that had no precedent in their era.\r\n
      \r\n
      Having constructed their own instruments from the likes of oil drums, vacuum cleaners, blenders, washboards, and various scraps, the Stooges eschewed structure and embraced experimentalism, improvisation, and personality. They used their lack of experience to their advantage, a trait manifested via the crude makeup and basic minimalism of nearly every note recorded for The Stooges. \r\n
      \r\n
      Three tracks “Real Cool Time”, “Not Right”, “Little Doll” were essentially developed on the spot after the band, which seldom bothered with fixed arrangements and flew by the seat of its pants to see what would transpire onstage, realized it needed more material to fill out the album. That requirement also explains why the chanted mantra “We Will Fall” stretches beyond the 10 minute mark as it feeds into the fractured, psychedelic mood coursing throughout the effort.\r\n
      \r\n
      As for the best-known cuts ? The Stooges rehearsed and memorized them before entering the Hit Factory with their producer, Velvet Underground alumni John Cale. Echoing the recurrent sound of a metal press stamping out automotive panels, and drenched in dirty reverb, the opening “1969” balances the band’s street-walking aggression, dance-baiting attack, and dissatisfied ennui, the rhymed lyrics popping with truthful flair and Ron Asheton’s guitar functioning as a supercharged stun gun. A love ballad like none other, “Ann”, the first song Pop wrote for the ensemble, initially peers through a beaded curtain before its mysticism gives way to menace and distortion.\r\n
      \r\n
      Nothing more aptly captures the Stooges’ essence than “I Wanna Be Your Dog”, a modern staple since covered by dozens of artists. Ranked the 314th Greatest Song of All Time by Rolling Stone, and based around a combination sleigh bells/one-note piano riff and rudimentary guitar chord sequence that maintains a non-varying pattern for nearly the entire duration, the steamrolling track hypnotizes by way of a groove that could extend for hours without growing tiresome. Its simple brilliance and scuzzy ooze are matched by the scuffed, scraping “No Fun”, an expressive pout almost nimble in build albeit edgy, dangerous, and explosive in practice. Just like Pop himself. \r\n
      \r\n
      Decades on, every moment of The Stooges remains a real cool time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1832 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Scott Asheton (drums), John Cale (viola)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ie531yTt3Ug&list=RDie531yTt3Ug&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL 2-605"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. 1969"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Wanna Be Your Dog"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. We Will Fall"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. No Fun"
      ]
      [
        "ordre" => 7
        "nom" => "2. Real Cool Time"
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Ann"
      ]
      [
        "ordre" => 10
        "nom" => "2. Not Right"
      ]
      [
        "ordre" => 11
        "nom" => "3. Little Doll"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1906 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2033 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2026 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2028 …}
    -enregistreLe: DateTime @1756141027 {#2022
      date: 2025-08-25 16:57:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770040154 {#2023
      date: 2026-02-02 13:49:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2030 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-stooges-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-mfsl-2-605"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3031
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2466 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2040 …}
  +produit: App\Entity\Produit {#2025
    -id: 2784
    -nom: "The Stooges (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Always a Real Cool Time The Stooges’ Primal Self-Titled Debut Changed Rock ‘n’ Roll and Anticipated Punk, Includes “I Wanna Be Your Dog” and “No Fun” !\r\n
      - Experience the Groundbreaking 1969 Record in Definitive Sound and Celebrate Elektra 75, Mobile Fidelity’s Numbered Edition 180 gram  45 RPM (2 LP) Set Plays with Revealing Liveliness, Detail, and Physicality !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Few albums inspired the reactions and registered the impact of the Stooges’ primordial self-titled debut. To a majority of listeners who encountered it shortly after it was released the same week Woodstock happened in 1969, the record seemingly came from another planet despite the fact its songs reflect the band’s Detroit surroundings and youthful malaise. \r\n
      \r\n
      Originally deemed by Rolling Stone “loud, boring, tasteless, unimaginative and childish” sentiments shared by many critics only later to be included on the magazine’s 500 Greatest Albums of All Time register, The Stooges established the template for myriad styles and the snarling attitude that would be associated with the still-years-away punk scene. Time further proved the band’s stomping, clattering rock ‘n’ roll way ahead of the curve given the work is now cited on endless “Best Album” lists. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton gatefold jacket, and reissued to celebrate Elektra 75, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time Iggy Pop and Co.’s groundbreaking statement is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater separation, and more realistic presence than prior versions. \r\n
      \r\n
      The sonic characteristics that help make The Stooges unique the welling fuzztones; the dark, wet smack of the low end; the cavernous reverb and wah-wah; the in-the-red overdrive; the vibrant handclaps; the nearly detached timbre of Pop’s vocal sneer; the grit, grime, and grind of the stacked rhythms come across with involving clarity, liveliness, detail, and dimensionality. For all of their twisted density and savage tonality, songs project with a deep openness and large dynamic. It’s maybe as close as music has ever come to literally vibrating. \r\n
      \r\n
      Indeed, everything Pop, bassist Dave Alexander, and brothers Ron and Scott Asheton create on The Stooges is utterly corporeal. The genesis of the band’s then-inimitable approach traces back to the Motor City’s industrial facilities; the urge to tear down the pretense of the hippie movement; the feeling of being an outsider amid a society reckoning with a collision of cultures; and the genuine desire to be completely original. With Pop as the only true musician in the quartet, the Stooges pursued a do-it-yourself ethic that had no precedent in their era.\r\n
      \r\n
      Having constructed their own instruments from the likes of oil drums, vacuum cleaners, blenders, washboards, and various scraps, the Stooges eschewed structure and embraced experimentalism, improvisation, and personality. They used their lack of experience to their advantage, a trait manifested via the crude makeup and basic minimalism of nearly every note recorded for The Stooges. \r\n
      \r\n
      Three tracks “Real Cool Time”, “Not Right”, “Little Doll” were essentially developed on the spot after the band, which seldom bothered with fixed arrangements and flew by the seat of its pants to see what would transpire onstage, realized it needed more material to fill out the album. That requirement also explains why the chanted mantra “We Will Fall” stretches beyond the 10 minute mark as it feeds into the fractured, psychedelic mood coursing throughout the effort.\r\n
      \r\n
      As for the best-known cuts ? The Stooges rehearsed and memorized them before entering the Hit Factory with their producer, Velvet Underground alumni John Cale. Echoing the recurrent sound of a metal press stamping out automotive panels, and drenched in dirty reverb, the opening “1969” balances the band’s street-walking aggression, dance-baiting attack, and dissatisfied ennui, the rhymed lyrics popping with truthful flair and Ron Asheton’s guitar functioning as a supercharged stun gun. A love ballad like none other, “Ann”, the first song Pop wrote for the ensemble, initially peers through a beaded curtain before its mysticism gives way to menace and distortion.\r\n
      \r\n
      Nothing more aptly captures the Stooges’ essence than “I Wanna Be Your Dog”, a modern staple since covered by dozens of artists. Ranked the 314th Greatest Song of All Time by Rolling Stone, and based around a combination sleigh bells/one-note piano riff and rudimentary guitar chord sequence that maintains a non-varying pattern for nearly the entire duration, the steamrolling track hypnotizes by way of a groove that could extend for hours without growing tiresome. Its simple brilliance and scuzzy ooze are matched by the scuffed, scraping “No Fun”, an expressive pout almost nimble in build albeit edgy, dangerous, and explosive in practice. Just like Pop himself. \r\n
      \r\n
      Decades on, every moment of The Stooges remains a real cool time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1832 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Scott Asheton (drums), John Cale (viola)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ie531yTt3Ug&list=RDie531yTt3Ug&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL 2-605"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. 1969"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Wanna Be Your Dog"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. We Will Fall"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. No Fun"
      ]
      [
        "ordre" => 7
        "nom" => "2. Real Cool Time"
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Ann"
      ]
      [
        "ordre" => 10
        "nom" => "2. Not Right"
      ]
      [
        "ordre" => 11
        "nom" => "3. Little Doll"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1906 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2033 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2026 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2028 …}
    -enregistreLe: DateTime @1756141027 {#2022
      date: 2025-08-25 16:57:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770040154 {#2023
      date: 2026-02-02 13:49:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2030 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-stooges-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-mfsl-2-605"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2234 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3223
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2234 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3224 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3272 …}
  +isValidated: false
  +validatedFields: []
}