Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2564
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2641
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2644 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2643 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …}
  -formView: Symfony\Component\Form\FormView {#2680 …}
  -form: Symfony\Component\Form\Form {#2830 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 1297
    -nom: "Piano In The Background"
    -informationComplementaire: ""
    -description: """
      Big band fans, take note! These nine numbers, in precisely this version, belong in every collection. We are talking about the year 1960, and the 17 musicians involved have probably performed this very repertoire every night in a different venue all over the globe. But in the studio it all sounds fresh and new, well practiced but never dull, cool, groovy and intoxicating. The difference to a great number of other Ellington LPs is that here not a single wind soloist stands in the foreground but the whole body of musicians. The arrangements are all new and some of them are even quite unusual, but Sam Woodyard on the drums has everything well under control sometimes not at all 'Ellington-like'.\r\n
      \r\n
      Snapping the fingers is automatic, and tapping your foot is also not to be frowned on; however this recording demands careful listening ! If you have the first version of these numbers in your collection then it would be a good idea to compare them with this recording. The Duke Ellington Orchestra remains young, dynamic and varied thanks to a continually changing ensemble. And the 'Piano Man', as the best 'pause-filling' pianist ironically called himself, sat full of vigour before the 88 keys of the keyboard at the age of 60.\r\n
      \r\n
      Not only jazz fans will be saying a big thank you that this recording made in the early days of stereophony is available once again on virgin vinyl with superb sound.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : May and June 1960 at Radio Recorders, Los Angeles\r\n
      Production : Henri Renaud\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges, Harry Carney, Paul Gonzalves (saxophone), Lawrence Brown, "Booty" Wood, (trombone), Ray Nance, Willie Cook (trumpet), Aaron Bell (bass), Sam Woodyard (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xqpg2fWqtkE"
    -referenceProduit: "Columbia Records CS 8346"
    -titreMorceau: [
      [
        "nom" => "1. Happy Go Lucky Local"
        "ordre" => 1
      ]
      [
        "nom" => "1. I'm Beginning To See The Light"
        "ordre" => 6
      ]
      [
        "nom" => "2. Midriff"
        "ordre" => 7
      ]
      [
        "nom" => "2. What Am I Here For"
        "ordre" => 2
      ]
      [
        "nom" => "3. It Don't Mean A Thing"
        "ordre" => 8
      ]
      [
        "nom" => "3. Kinda Dukish / Rockin' In Rhythm"
        "ordre" => 3
      ]
      [
        "nom" => "4. Main Stem"
        "ordre" => 9
      ]
      [
        "nom" => "4. Perdido"
        "ordre" => 4
      ]
      [
        "nom" => "5. Take The "A" Train"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1524812141 {#1876
      date: 2018-04-27 06:55:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570437752 {#1869
      date: 2019-10-07 08:42:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-piano-in-the-background-columbia-records-cs-8346"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3104
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 1297
    -nom: "Piano In The Background"
    -informationComplementaire: ""
    -description: """
      Big band fans, take note! These nine numbers, in precisely this version, belong in every collection. We are talking about the year 1960, and the 17 musicians involved have probably performed this very repertoire every night in a different venue all over the globe. But in the studio it all sounds fresh and new, well practiced but never dull, cool, groovy and intoxicating. The difference to a great number of other Ellington LPs is that here not a single wind soloist stands in the foreground but the whole body of musicians. The arrangements are all new and some of them are even quite unusual, but Sam Woodyard on the drums has everything well under control sometimes not at all 'Ellington-like'.\r\n
      \r\n
      Snapping the fingers is automatic, and tapping your foot is also not to be frowned on; however this recording demands careful listening ! If you have the first version of these numbers in your collection then it would be a good idea to compare them with this recording. The Duke Ellington Orchestra remains young, dynamic and varied thanks to a continually changing ensemble. And the 'Piano Man', as the best 'pause-filling' pianist ironically called himself, sat full of vigour before the 88 keys of the keyboard at the age of 60.\r\n
      \r\n
      Not only jazz fans will be saying a big thank you that this recording made in the early days of stereophony is available once again on virgin vinyl with superb sound.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : May and June 1960 at Radio Recorders, Los Angeles\r\n
      Production : Henri Renaud\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges, Harry Carney, Paul Gonzalves (saxophone), Lawrence Brown, "Booty" Wood, (trombone), Ray Nance, Willie Cook (trumpet), Aaron Bell (bass), Sam Woodyard (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xqpg2fWqtkE"
    -referenceProduit: "Columbia Records CS 8346"
    -titreMorceau: [
      [
        "nom" => "1. Happy Go Lucky Local"
        "ordre" => 1
      ]
      [
        "nom" => "1. I'm Beginning To See The Light"
        "ordre" => 6
      ]
      [
        "nom" => "2. Midriff"
        "ordre" => 7
      ]
      [
        "nom" => "2. What Am I Here For"
        "ordre" => 2
      ]
      [
        "nom" => "3. It Don't Mean A Thing"
        "ordre" => 8
      ]
      [
        "nom" => "3. Kinda Dukish / Rockin' In Rhythm"
        "ordre" => 3
      ]
      [
        "nom" => "4. Main Stem"
        "ordre" => 9
      ]
      [
        "nom" => "4. Perdido"
        "ordre" => 4
      ]
      [
        "nom" => "5. Take The "A" Train"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1524812141 {#1876
      date: 2018-04-27 06:55:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570437752 {#1869
      date: 2019-10-07 08:42:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-piano-in-the-background-columbia-records-cs-8346"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 1117
    -nom: " Concerto for Violin and Orchestra N° 2 "
    -informationComplementaire: ""
    -description: """
      Bartók’s Second Violin Concerto combines a potent mixture of traditional concerto writing, compositional history and biographical upheavals. It was one of the last works he wrote before emigrating to the USA, and its classical three-movement form unites a mature feeling for form, sparkling musicality and exceptional violinistic sophistication.\r\n
      \r\n
      Bartók employs the inexhaustible sources of tonal writing with superb mastery to produce his own distinctive tonal language. In his dissonantly sharpened, expressive, even audacious music one can recognise peasant dance, cantilena, variation movement, rondo form, and twelve-tone themes, which however remain tonal.\r\n
      \r\n
      During his career spanning 60 years Isaac Stern recorded this major contemporary work several times and demonstrates once again his superb mastery of his instrument in this particular recording. With bravura he conjures up eruptive snatches of melody out of the rhapsodic depths, allows the slow movement to glow with pastoral sentiment, and tears through the vast variations finale with a perfect command of the score, his instrument and his creative prowess.\r\n
      \r\n
      This Speakers Corner production was manufactured 100 % analogously, with the use of the analogue mastertape and analogue mastering. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : January 1958 at Columbia 30th Street Studio, New York, by Jack Ashkinzy\r\n
      Production : Howard H. Scott
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Isaac Stern (violin) and the New York Philharmonic Orchestra conducted by Leonard Bernstein"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Columbia MS 6002"
    -titreMorceau: [
      [
        "nom" => "1. I. Allegro Non Troppo"
        "ordre" => 1
      ]
      [
        "nom" => "1. II. Andante Tranquillo"
        "ordre" => 3
      ]
      [
        "nom" => "2. III. Allegro Molto"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …}
    -enregistreLe: DateTime @1484991580 {#2042
      date: 2017-01-21 09:39:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570428577 {#2043
      date: 2019-10-07 06:09:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-concerto-for-violin-and-orchestra-n-2-columbia-ms-6002"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3218
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 1117
    -nom: " Concerto for Violin and Orchestra N° 2 "
    -informationComplementaire: ""
    -description: """
      Bartók’s Second Violin Concerto combines a potent mixture of traditional concerto writing, compositional history and biographical upheavals. It was one of the last works he wrote before emigrating to the USA, and its classical three-movement form unites a mature feeling for form, sparkling musicality and exceptional violinistic sophistication.\r\n
      \r\n
      Bartók employs the inexhaustible sources of tonal writing with superb mastery to produce his own distinctive tonal language. In his dissonantly sharpened, expressive, even audacious music one can recognise peasant dance, cantilena, variation movement, rondo form, and twelve-tone themes, which however remain tonal.\r\n
      \r\n
      During his career spanning 60 years Isaac Stern recorded this major contemporary work several times and demonstrates once again his superb mastery of his instrument in this particular recording. With bravura he conjures up eruptive snatches of melody out of the rhapsodic depths, allows the slow movement to glow with pastoral sentiment, and tears through the vast variations finale with a perfect command of the score, his instrument and his creative prowess.\r\n
      \r\n
      This Speakers Corner production was manufactured 100 % analogously, with the use of the analogue mastertape and analogue mastering. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : January 1958 at Columbia 30th Street Studio, New York, by Jack Ashkinzy\r\n
      Production : Howard H. Scott
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Isaac Stern (violin) and the New York Philharmonic Orchestra conducted by Leonard Bernstein"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Columbia MS 6002"
    -titreMorceau: [
      [
        "nom" => "1. I. Allegro Non Troppo"
        "ordre" => 1
      ]
      [
        "nom" => "1. II. Andante Tranquillo"
        "ordre" => 3
      ]
      [
        "nom" => "2. III. Allegro Molto"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …}
    -enregistreLe: DateTime @1484991580 {#2042
      date: 2017-01-21 09:39:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570428577 {#2043
      date: 2019-10-07 06:09:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-concerto-for-violin-and-orchestra-n-2-columbia-ms-6002"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …}
}

[
  "produit" => App\Entity\Produit {#2061
    -id: 1115
    -nom: "Prokofiev : Symphony N° 5"
    -informationComplementaire: ""
    -description: """
      Prokofiev’s Symphony N° 5 is one of just a handful of traditional Russian works that have advanced to become a celebrated repertoire piece in the area of conflict between socialist artistic realism and conservative modernism. Although, in contrast to his colleague Shostakovich, Prokofiev toed the party line and was highly privileged, which made it very difficult to believe his later claim that his art was free of politics, his music has touched the hearts of concertgoers all over the world.\r\n
      \r\n
      In the present recording, the cosmopolitan Leonard Bernstein and the New York Philharmonic present the whole beauty of the melodies that unfold in the first movement with full orchestral radiance. Cheerfulness as a "hymn to free and happy Man" is given voice in the clarinet theme of the burlesque second movement with its imaginative changes. Reminiscences of the "Symphonie classique" appear to be intentional. In the finale, Prokofiev proves himself to be a confident master of the classical-romantic canon form, which uses the theme of the first movement and new motifs to create far more than just a melodious apotheosis. Jagged, sharp and percussive final bars round off this supreme orchestral firework, which makes great demands on every single musician.\r\n
      \r\n
      This Speakers Corner production was manufactured 100 % analogously, with the use of the analogue mastertape and analogue mastering. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : February 1966 at the Philharmonic Hall of Lincoln Center, New York\r\n
      Production : John McClure\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "The New York Philharmonic Orchestra conducted by Leonard Bernstein"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9zm7Z5FlHHs"
    -referenceProduit: "Columbia MS 7005"
    -titreMorceau: [
      [
        "nom" => "1. I. Andante"
        "ordre" => 1
      ]
      [
        "nom" => "1. III. Adagio"
        "ordre" => 4
      ]
      [
        "nom" => "2. II. Allegro Marcato"
        "ordre" => 2
      ]
      [
        "nom" => "2. IV. Allegro Giocoso"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2072 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2065 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2067 …}
    -enregistreLe: DateTime @1484987550 {#2058
      date: 2017-01-21 08:32:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570345707 {#2059
      date: 2019-10-06 07:08:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2069 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-prokofiev-symphony-n-5-columbia-ms-7005"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3269
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
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    -id: 1115
    -nom: "Prokofiev : Symphony N° 5"
    -informationComplementaire: ""
    -description: """
      Prokofiev’s Symphony N° 5 is one of just a handful of traditional Russian works that have advanced to become a celebrated repertoire piece in the area of conflict between socialist artistic realism and conservative modernism. Although, in contrast to his colleague Shostakovich, Prokofiev toed the party line and was highly privileged, which made it very difficult to believe his later claim that his art was free of politics, his music has touched the hearts of concertgoers all over the world.\r\n
      \r\n
      In the present recording, the cosmopolitan Leonard Bernstein and the New York Philharmonic present the whole beauty of the melodies that unfold in the first movement with full orchestral radiance. Cheerfulness as a "hymn to free and happy Man" is given voice in the clarinet theme of the burlesque second movement with its imaginative changes. Reminiscences of the "Symphonie classique" appear to be intentional. In the finale, Prokofiev proves himself to be a confident master of the classical-romantic canon form, which uses the theme of the first movement and new motifs to create far more than just a melodious apotheosis. Jagged, sharp and percussive final bars round off this supreme orchestral firework, which makes great demands on every single musician.\r\n
      \r\n
      This Speakers Corner production was manufactured 100 % analogously, with the use of the analogue mastertape and analogue mastering. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : February 1966 at the Philharmonic Hall of Lincoln Center, New York\r\n
      Production : John McClure\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "The New York Philharmonic Orchestra conducted by Leonard Bernstein"
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    -nom: "Sinfonia Concertante K. 364"
    -informationComplementaire: ""
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      “Now I am going to compose a Sinfonia concertante”, wrote Mozart to his father, quite unsuspecting that his contribution to this hybrid of concerto and symphony would not bring the immediate approval and success to which he was accustomed. But opinions have changed drastically since then, especially since the Sinfonia concertante K. 364 has far greater depth to it than its title suggests. \r\n
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      \r\n
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      """
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[
  "produit" => App\Entity\Produit {#2093
    -id: 860
    -nom: "The Bill Evans Album"
    -informationComplementaire: ""
    -description: """
      The global corporation Columbia recorded and released only two LPs with pianist Bill Evans. A meager result when one considers the numerous concerts that the new trio undertook between 1969 and 1974. Together with Eddie Gomez, a phenomenon on the bass, and drummer Marty Mortell, the three established a firm - and ever better - trio. Evans became interested in the possibilities offered by the Fender Rhodes piano and used it for the first time in The Bill Evans Album.\r\n
      \r\n
      The LP is remarkable in that only Evans's own compositions were recorded — three previously recorded pieces and four brand-new works. Of particular note is the melancholy "Two Lonely People", Evans's musical interpretation of a poem by Carol Hall. "Sugar Plum" and "T.T.T." were to remain in his repertoire right up until his very last recordings. Unusual but very commendable because it begins with an ad hoc introductory improvisation is the electric piano version of Evans's most well-known composition - "Waltz For Debby".\r\n
      \r\n
      The excellent technical facilities at the Columbia Studio were used to the full by Bill Evans, even though they were only recording a small ensemble. And that is why the seven numbers sound far better than most of the trio's live recordings. And as Bill Evans once said, it was with this trio that he could fulfil his musical ambitions.\r\n
      \r\n
      Recording : May and June 1971 at CBS 30th Street Studio, New York, by Pete Weiss.\r\n
      Production : Helen Keane.
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bill Evans (piano, electric piano), Eddie Gomez (bass),  Marty Morrell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -id: 860
    -nom: "The Bill Evans Album"
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    -description: """
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      \r\n
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      Production : Helen Keane.
      """
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[
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    -id: 1581
    -nom: "Vibrations"
    -informationComplementaire: ""
    -description: "Vibrations is the second album released by American free jazz saxophonist Albert Ayler’s quartet featuring Don Cherry, Gary Peacock and Sonny Murray. The album was recorded in Copenhagen in September of 1964. Originally issued by the Freedom label, it also been released under an alternate title, Ghosts. Previously out of print for decades, the recordings have been remastered for an audiophile grade pressing on 180 gram vinyl at Pallas in Germany."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=V9B9y_c2-M0"
    -referenceProduit: "ORG Music 2096"
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        "nom" => "1. Ghosts"
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        "nom" => "2. Children"
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        "nom" => "2. Vibrations"
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        "nom" => "3. Holy Spirit"
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      date: 2019-10-04 06:25:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2120 …}
    -disponible: null
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    -slug: "vinyles-vibrations-org-music-2096"
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App\Twig\Components\GestionPanierFavoriComponents {#3422
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2109
    -id: 1581
    -nom: "Vibrations"
    -informationComplementaire: ""
    -description: "Vibrations is the second album released by American free jazz saxophonist Albert Ayler’s quartet featuring Don Cherry, Gary Peacock and Sonny Murray. The album was recorded in Copenhagen in September of 1964. Originally issued by the Freedom label, it also been released under an alternate title, Ghosts. Previously out of print for decades, the recordings have been remastered for an audiophile grade pressing on 180 gram vinyl at Pallas in Germany."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Albert Ayler (tenor saxophone), Don Cherry (cornet), Gary Peacock (bass), Sunny Murray (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=V9B9y_c2-M0"
    -referenceProduit: "ORG Music 2096"
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        "nom" => "1. Ghosts"
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        "nom" => "2. Children"
        "ordre" => 2
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      [
        "nom" => "2. Vibrations"
        "ordre" => 6
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        "nom" => "3. Holy Spirit"
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        "nom" => "3. Mothers"
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        "nom" => "Side A :"
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 4
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: Proxies\__CG__\App\Entity\Label {#2114 …}
    -style: App\Entity\Style {#1449 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2116 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-vibrations-org-music-2096"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …}
}

[
  "produit" => App\Entity\Produit {#2128
    -id: 499
    -nom: "Call Me"
    -informationComplementaire: ""
    -description: "Ce qui relie les chefs célèbres et les stars de la pop est leur nez fin pour les ingrédients, en particulier lorsque les chauds et épicés sont mélangés avec des éléments plus légers pour créer un résultat aromatique. La combinaison de « douceur » et de « funky » est le secret de Al Green, à la gloire des chansons pop, sentimentales et sensuelles, qui dans les années soixante-dix ont souvent été mentionnés comme « chansons pour faire l'amour ». Mais attention ! Cette musique faite à partir de sons ardents met le feu dès le premier morceau. Le sinueux et brillant single « Call Me », l’atmosphère détendue et groovy de « Stand Up », avec ses interjections vifs qui exigent une attention infaillible, sont typiques du style Green, tout comme sa capacité pour gagner le confort de la solitude sur « I'm So Lonesome, I Could Cry ». Cette musique rythmée et puissante peut être décrit comme une lumière intense et dynamique, mais jamais flashy comme sur « Your Love Is Like The Morning Sun ». Il trouve son apogée dans l'âme terrestre « I'm Waiting », et la profondeur spirituelle. L'un des meilleurs albums soul jamais enregistré!"
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Al Green (vocal),?James Mitchell (baritone sax, arrang),?Andrew Love (tenor sax),?Jack Hale (trombone),?Wayne Jackson (trumpet),?Mabon Hodges (guitar),?Charles Hodges (keybord),?Archie Turner (piano),?Leroy Hodges (bass),?Howard Grimes (drums)."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fTpIHph07Mo"
    -referenceProduit: "32077"
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        "nom" => "1. Call Me (Come Back Home)"
        "ordre" => 1
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        "nom" => "1. Here I Am Come And Take Me"
        "ordre" => 7
      ]
      [
        "nom" => "2. Funny How Time Slips Away"
        "ordre" => 8
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        "nom" => "2. Have You Been Making Out Ok"
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        "ordre" => 4
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        "nom" => "4. Jesus Is Waiting"
        "ordre" => 10
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        "nom" => "5. Your Love Is Like The Morning Sun"
        "ordre" => 5
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        "ordre" => 0
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        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
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    }
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      date: 2019-10-03 06:58:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2136 …}
    -disponible: null
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    -slug: "vinyles-call-me-32077"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3473
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2128
    -id: 499
    -nom: "Call Me"
    -informationComplementaire: ""
    -description: "Ce qui relie les chefs célèbres et les stars de la pop est leur nez fin pour les ingrédients, en particulier lorsque les chauds et épicés sont mélangés avec des éléments plus légers pour créer un résultat aromatique. La combinaison de « douceur » et de « funky » est le secret de Al Green, à la gloire des chansons pop, sentimentales et sensuelles, qui dans les années soixante-dix ont souvent été mentionnés comme « chansons pour faire l'amour ». Mais attention ! Cette musique faite à partir de sons ardents met le feu dès le premier morceau. Le sinueux et brillant single « Call Me », l’atmosphère détendue et groovy de « Stand Up », avec ses interjections vifs qui exigent une attention infaillible, sont typiques du style Green, tout comme sa capacité pour gagner le confort de la solitude sur « I'm So Lonesome, I Could Cry ». Cette musique rythmée et puissante peut être décrit comme une lumière intense et dynamique, mais jamais flashy comme sur « Your Love Is Like The Morning Sun ». Il trouve son apogée dans l'âme terrestre « I'm Waiting », et la profondeur spirituelle. L'un des meilleurs albums soul jamais enregistré!"
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Al Green (vocal),?James Mitchell (baritone sax, arrang),?Andrew Love (tenor sax),?Jack Hale (trombone),?Wayne Jackson (trumpet),?Mabon Hodges (guitar),?Charles Hodges (keybord),?Archie Turner (piano),?Leroy Hodges (bass),?Howard Grimes (drums)."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fTpIHph07Mo"
    -referenceProduit: "32077"
    -titreMorceau: [
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        "nom" => "1. Here I Am Come And Take Me"
        "ordre" => 7
      ]
      [
        "nom" => "2. Funny How Time Slips Away"
        "ordre" => 8
      ]
      [
        "nom" => "2. Have You Been Making Out Ok"
        "ordre" => 2
      ]
      [
        "nom" => "3. Stand Up"
        "ordre" => 3
      ]
      [
        "nom" => "3. You Ought To Be With Me"
        "ordre" => 9
      ]
      [
        "nom" => "4. I'm So Lonesome I Could Cry"
        "ordre" => 4
      ]
      [
        "nom" => "4. Jesus Is Waiting"
        "ordre" => 10
      ]
      [
        "nom" => "5. Your Love Is Like The Morning Sun"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1454 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2139 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2132 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2134 …}
    -enregistreLe: DateTime @1328948689 {#2125
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    }
    -modifierLe: DateTime @1570085935 {#2126
      date: 2019-10-03 06:58:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2136 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-call-me-32077"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …}
}

[
  "produit" => App\Entity\Produit {#2144
    -id: 1742
    -nom: "Bird And Diz"
    -informationComplementaire: ""
    -description: "This 1952 collection is one of bebop’s key artifacts and also represents two milestones : the one and only time that pianist Thelonious Monk recorded with the dynamic duo, and the last time Gillespie and Parker appeared together in the studio. It also features the red-hot rhythm section of bassist Curly Stewart and drummer Buddy Rich.\r\n"
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Charlie Parker (alto saxophone), Dizzy Gillespie (trumpet), Thelonious Monk (piano), Curly Stewart (bass), Buddy Rich (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ovCpL1zjBgI"
    -referenceProduit: "Verve Records 27182"
    -titreMorceau: [
      [
        "nom" => "1. Bloomdido"
        "ordre" => 1
      ]
      [
        "nom" => "1. Leap Frog"
        "ordre" => 6
      ]
      [
        "nom" => "2. An Oscar For Treadwell"
        "ordre" => 7
      ]
      [
        "nom" => "2. Melancholy Baby"
        "ordre" => 2
      ]
      [
        "nom" => "3. Mohawk"
        "ordre" => 8
      ]
      [
        "nom" => "3. Relaxing With Lee"
        "ordre" => 3
      ]
      [
        "nom" => "4. Passport"
        "ordre" => 4
      ]
      [
        "nom" => "4. Visa"
        "ordre" => 9
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2146 …}
    -label: Proxies\__CG__\App\Entity\Label {#2149 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2158 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2151 …}
    -typeMasterTape: null
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    }
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      date: 2019-09-19 08:29:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …}
    -disponible: null
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    -slug: "vinyles-bird-and-diz-verve-records-27182"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3524
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2144
    -id: 1742
    -nom: "Bird And Diz"
    -informationComplementaire: ""
    -description: "This 1952 collection is one of bebop’s key artifacts and also represents two milestones : the one and only time that pianist Thelonious Monk recorded with the dynamic duo, and the last time Gillespie and Parker appeared together in the studio. It also features the red-hot rhythm section of bassist Curly Stewart and drummer Buddy Rich.\r\n"
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Charlie Parker (alto saxophone), Dizzy Gillespie (trumpet), Thelonious Monk (piano), Curly Stewart (bass), Buddy Rich (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ovCpL1zjBgI"
    -referenceProduit: "Verve Records 27182"
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        "ordre" => 1
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        "ordre" => 6
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        "nom" => "2. An Oscar For Treadwell"
        "ordre" => 7
      ]
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        "nom" => "2. Melancholy Baby"
        "ordre" => 2
      ]
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        "nom" => "3. Mohawk"
        "ordre" => 8
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        "nom" => "3. Relaxing With Lee"
        "ordre" => 3
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        "nom" => "4. Passport"
        "ordre" => 4
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        "nom" => "4. Visa"
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        "ordre" => 0
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        "ordre" => 5
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2146 …}
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    }
    -modifierLe: DateTime @1568881797 {#2142
      date: 2019-09-19 08:29:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …}
    -disponible: null
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  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …}
}

[
  "produit" => App\Entity\Produit {#2163
    -id: 1011
    -nom: "Nocturnes & Mother Goose "
    -informationComplementaire: ""
    -description: """
      2 LP 180 gram, 45 RPM\r\n
      \r\n
      Ernest Ansermet conducts L'Orchestre De La Suisse Romande for this audiophile recording on 180 gram 45 RPM  2 LP.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Ernest Ansermet conducts L'Orchestre De La Suisse Romande"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "ORG 169-45"
    -titreMorceau: [
      [
        "nom" => "1. Prélude Et Danse Du Rouet"
        "ordre" => 1
      ]
      [
        "nom" => "2. Pavane De La Belle Au Bois Dormant"
        "ordre" => 2
      ]
      [
        "nom" => "3. Petit Poucet"
        "ordre" => 3
      ]
      [
        "nom" => "4. Laideronnette, Impératrice Des Pagodes"
        "ordre" => 4
      ]
      [
        "nom" => "5. Les Entretiens De La Belle Et De La Bête"
        "ordre" => 5
      ]
      [
        "nom" => "6. Le Jardin Féerique"
        "ordre" => 6
      ]
      [
        "nom" => "7. Nuages"
        "ordre" => 8
      ]
      [
        "nom" => "8. Fêtes"
        "ordre" => 9
      ]
      [
        "nom" => "9. Sirènes"
        "ordre" => 10
      ]
      [
        "nom" => "DEBUSSY : Nocturnes"
        "ordre" => 7
      ]
      [
        "nom" => "RAVEL : Ma Mere L'oye (Mother Goose)"
        "ordre" => 0
      ]
    ]
    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2165 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
    -enregistreLe: DateTime @1471378076 {#2160
      date: 2016-08-16 20:07:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1566111694 {#2161
      date: 2019-08-18 07:01:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …}
}

[
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
    -label: Proxies\__CG__\App\Entity\Label {#2184 …}
    -style: App\Entity\Style {#1438 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3724
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
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    -id: 947
    -nom: "Sonatas For Piano And Violin"
    -informationComplementaire: ""
    -description: ""The two records that Clara Haskil and Arthur Grumiaux made of six of Mozart's sonatas for piano and violin (to give the two instruments their correct priorty) in the late 1950s remain models against which later versions are judged (and often found wanting)" - Gramophone \n"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3920
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3921 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3969 …}
  +isValidated: false
  +validatedFields: []
}