Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2606
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2683
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2686 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
  -formView: Symfony\Component\Form\FormView {#2722 …}
  -form: Symfony\Component\Form\Form {#2872 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 2703
    -nom: ""Stephen Stills" - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Stephen Stills (guitar, bass, piano, organ, steel‑drum, percussion, vocals), Eric Clapton (electric guitar), Booker T. Jones (organ), Calvin “Fuzzy” Samuels (bass), Jeff Whittaker (congas), Sidney George (flute, alto saxophone), Rita Coolidge, David Crosby, Graham Nash, Priscilla Jones, John Sebastian, Cass Elliot, Claudia Lennear, Judith Powell, Larry Steele, Liza Strike, Tony Wilson, Sherlie Matthews (backing vocals), Conrad Isidore,  Johnny Barbata, Ringo Starr, Dallas Taylor (drums).\r\n
      \r\n
      - Stephen Stills - Stephen Stills !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Stephen Stills' 1970 debut solo album !\r\n
      - Includes hit singles "Love The One You're With" and "Sit Yourself Down" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      This self-titled solo debut from CSNY's most musically adventurous member is a tour de force of bluesy rock, Latin grooves, and pure, unfiltered Stephen Stills energy. His songs are certainly in a league with those of the other members, and it's chiefly on his solo albums that Stills's own personality comes through.\r\n
      \r\n
      Still's Top 20 hit "Love the One You're With" was the lead single from the album, released in November 1970. The album's other smash, "Sit Yourself Down", the seccond single, reached the Top 40, peaking at No. 37. Stills doesn't just play guitar here he wrestles it into submission, layering his virtuosity over an album that sounds both meticulously crafted and effortlessly cool.\r\n
      \r\n
      Oh, and did we mention it features both Jimi Hendrix and Eric Clapton ? Because it does. That's like having both the Beatles and the Stones as your backup band.\r\n
      \r\n
      Recorded in the wake of CSNY's success, Stephen Stills proves that while Crosby and Nash leaned into their harmonies and Young wandered off into his own world, Stills was busy crafting something bolder, grittier, and sonically rich.\r\n
      \r\n
      Stills jumps from folk to blues to Latin to orchestral balladry, but it never feels disjointed. The production is warm and immersive, with Stills playing most of the instruments himself (because of course he does). If Déjà Vu was a collaborative masterpiece, Stephen Stills is proof that he could do just fine on his own.\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of Stephen Stills, is mastered by Bernie Grundman from the original master tape, and is pressed on 180 gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Stephen Stills (guitar, bass, piano, organ, steel‑drum, percussion, vocals), Eric Clapton (electric guitar), Booker T. Jones (organ), Calvin “Fuzzy” Samuels (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cZyj6GECjZ0&list=PLX66jEixZe1w8go6X07IU_IGiVfi-vu64"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 074-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Love The One You're With"
      ]
      [
        "ordre" => 2
        "nom" => "2. Do For The Others"
      ]
      [
        "ordre" => 3
        "nom" => "3. Church (Part Of Someone)"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Old Times Good Times"
      ]
      [
        "ordre" => 6
        "nom" => "2. Go Back Home"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Sit Yourself Down"
      ]
      [
        "ordre" => 9
        "nom" => "2. To A Flame"
      ]
      [
        "ordre" => 10
        "nom" => "3. Black Queen"
      ]
      [
        "ordre" => 11
        "nom" => " Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Cherokee"
      ]
      [
        "ordre" => 13
        "nom" => "2. We Are Not Helpless"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1754415261 {#1876
      date: 2025-08-05 17:34:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772960005 {#1869
      date: 2026-03-08 08:53:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stephen-stills-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-074-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3146
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 2703
    -nom: ""Stephen Stills" - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Stephen Stills (guitar, bass, piano, organ, steel‑drum, percussion, vocals), Eric Clapton (electric guitar), Booker T. Jones (organ), Calvin “Fuzzy” Samuels (bass), Jeff Whittaker (congas), Sidney George (flute, alto saxophone), Rita Coolidge, David Crosby, Graham Nash, Priscilla Jones, John Sebastian, Cass Elliot, Claudia Lennear, Judith Powell, Larry Steele, Liza Strike, Tony Wilson, Sherlie Matthews (backing vocals), Conrad Isidore,  Johnny Barbata, Ringo Starr, Dallas Taylor (drums).\r\n
      \r\n
      - Stephen Stills - Stephen Stills !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Stephen Stills' 1970 debut solo album !\r\n
      - Includes hit singles "Love The One You're With" and "Sit Yourself Down" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      This self-titled solo debut from CSNY's most musically adventurous member is a tour de force of bluesy rock, Latin grooves, and pure, unfiltered Stephen Stills energy. His songs are certainly in a league with those of the other members, and it's chiefly on his solo albums that Stills's own personality comes through.\r\n
      \r\n
      Still's Top 20 hit "Love the One You're With" was the lead single from the album, released in November 1970. The album's other smash, "Sit Yourself Down", the seccond single, reached the Top 40, peaking at No. 37. Stills doesn't just play guitar here he wrestles it into submission, layering his virtuosity over an album that sounds both meticulously crafted and effortlessly cool.\r\n
      \r\n
      Oh, and did we mention it features both Jimi Hendrix and Eric Clapton ? Because it does. That's like having both the Beatles and the Stones as your backup band.\r\n
      \r\n
      Recorded in the wake of CSNY's success, Stephen Stills proves that while Crosby and Nash leaned into their harmonies and Young wandered off into his own world, Stills was busy crafting something bolder, grittier, and sonically rich.\r\n
      \r\n
      Stills jumps from folk to blues to Latin to orchestral balladry, but it never feels disjointed. The production is warm and immersive, with Stills playing most of the instruments himself (because of course he does). If Déjà Vu was a collaborative masterpiece, Stephen Stills is proof that he could do just fine on his own.\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of Stephen Stills, is mastered by Bernie Grundman from the original master tape, and is pressed on 180 gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Stephen Stills (guitar, bass, piano, organ, steel‑drum, percussion, vocals), Eric Clapton (electric guitar), Booker T. Jones (organ), Calvin “Fuzzy” Samuels (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cZyj6GECjZ0&list=PLX66jEixZe1w8go6X07IU_IGiVfi-vu64"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 074-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Love The One You're With"
      ]
      [
        "ordre" => 2
        "nom" => "2. Do For The Others"
      ]
      [
        "ordre" => 3
        "nom" => "3. Church (Part Of Someone)"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Old Times Good Times"
      ]
      [
        "ordre" => 6
        "nom" => "2. Go Back Home"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Sit Yourself Down"
      ]
      [
        "ordre" => 9
        "nom" => "2. To A Flame"
      ]
      [
        "ordre" => 10
        "nom" => "3. Black Queen"
      ]
      [
        "ordre" => 11
        "nom" => " Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Cherokee"
      ]
      [
        "ordre" => 13
        "nom" => "2. We Are Not Helpless"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1754415261 {#1876
      date: 2025-08-05 17:34:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772960005 {#1869
      date: 2026-03-08 08:53:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stephen-stills-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-074-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
}

[
  "produit" => App\Entity\Produit {#2049
    -id: 2706
    -nom: "Lady Soul - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar), King Curtis (tenor saxophone), Willie Bridges, Haywood Henry (baritone saxophone), Charlie Chalmers, Floyd Newman (saxophone), Gene "Bowlegs" Miller, Melvin Lastie (trumpet), Tony Studd (trombone), The Sweet Inspirations (backing vocals),  Roger Hawkins (drums).\r\n
      \r\n
      - Aretha Franklin "Lady Soul" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Includes the smash hit "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Lady Soul, released in January 1968, was one of Aretha Franklin's finest and most popular albums a N° 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools". Just a landmark statement of female empowerment and inspired vocal performance. Other massive hits include "(Sweet, Sweet Baby) Since You've Been Gone" and "Ain't No Way".\r\n
      \r\n
      Lady Soul topped the R&B charts and reached N° 2 on the Billboard 200. Aretha also provides her own unique and soulful interpretations of James Brown's "Money Won't Change You", Ray Charles' "Come Back Baby" and Curtis Mayfield's civil rights anthem, "People Get Ready". Rolling Stone named Aretha Franklin as the N° 1 Greatest Singer of All Time and it's all in evidence on Lady Soul.\r\n
      \r\n
      Lacquers cut by Kevin Gray at Cohearant Audio at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K7s4h88BeOo&list=PLNPGM2D7aODc0fzxnf2icnkvRrT6KBWd5"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 033-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Chain Of Fools"
      ]
      [
        "ordre" => 2
        "nom" => "2. Money Won't Change You"
      ]
      [
        "ordre" => 3
        "nom" => "3. People Get Ready"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Niki Hoeky"
      ]
      [
        "ordre" => 6
        "nom" => "2. (You Make Me Feel Like) A Natural Woman"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Since You've Been Gone (Sweet Sweet Baby)"
      ]
      [
        "ordre" => 9
        "nom" => "2. Good To Me As I Am To You2. Good To Me As I Am To You"
      ]
      [
        "ordre" => 10
        "nom" => "3. Come Back Baby"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Groovin'"
      ]
      [
        "ordre" => 13
        "nom" => "2. Ain't No Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2051 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1455 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2060 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2053 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2055 …}
    -enregistreLe: DateTime @1754417185 {#2042
      date: 2025-08-05 18:06:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772959853 {#2043
      date: 2026-03-08 08:50:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2057 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lady-soul-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-033-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3260
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2049
    -id: 2706
    -nom: "Lady Soul - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar), King Curtis (tenor saxophone), Willie Bridges, Haywood Henry (baritone saxophone), Charlie Chalmers, Floyd Newman (saxophone), Gene "Bowlegs" Miller, Melvin Lastie (trumpet), Tony Studd (trombone), The Sweet Inspirations (backing vocals),  Roger Hawkins (drums).\r\n
      \r\n
      - Aretha Franklin "Lady Soul" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Includes the smash hit "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Lady Soul, released in January 1968, was one of Aretha Franklin's finest and most popular albums a N° 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools". Just a landmark statement of female empowerment and inspired vocal performance. Other massive hits include "(Sweet, Sweet Baby) Since You've Been Gone" and "Ain't No Way".\r\n
      \r\n
      Lady Soul topped the R&B charts and reached N° 2 on the Billboard 200. Aretha also provides her own unique and soulful interpretations of James Brown's "Money Won't Change You", Ray Charles' "Come Back Baby" and Curtis Mayfield's civil rights anthem, "People Get Ready". Rolling Stone named Aretha Franklin as the N° 1 Greatest Singer of All Time and it's all in evidence on Lady Soul.\r\n
      \r\n
      Lacquers cut by Kevin Gray at Cohearant Audio at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K7s4h88BeOo&list=PLNPGM2D7aODc0fzxnf2icnkvRrT6KBWd5"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 033-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Chain Of Fools"
      ]
      [
        "ordre" => 2
        "nom" => "2. Money Won't Change You"
      ]
      [
        "ordre" => 3
        "nom" => "3. People Get Ready"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Niki Hoeky"
      ]
      [
        "ordre" => 6
        "nom" => "2. (You Make Me Feel Like) A Natural Woman"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Since You've Been Gone (Sweet Sweet Baby)"
      ]
      [
        "ordre" => 9
        "nom" => "2. Good To Me As I Am To You2. Good To Me As I Am To You"
      ]
      [
        "ordre" => 10
        "nom" => "3. Come Back Baby"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Groovin'"
      ]
      [
        "ordre" => 13
        "nom" => "2. Ain't No Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2051 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1455 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2060 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2053 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2055 …}
    -enregistreLe: DateTime @1754417185 {#2042
      date: 2025-08-05 18:06:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772959853 {#2043
      date: 2026-03-08 08:50:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2057 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lady-soul-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-033-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
}

[
  "produit" => App\Entity\Produit {#2069
    -id: 3012
    -nom: "Tarkus  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      - Emerson, Lake & Palmer Push Creative Boundaries on Tarkus, 1971 Prog Staple Features Theatrical Title Track, Diverse Arrangements, and Iconic Armadillo-Themed Cover Art !\r\n
      \r\n
      - Mastered at MoFi’s California Studio and Pressed at Fidelity Record Pressing: Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM LP Plays with Rich, Detailed Sound and Exceptional Definition !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Tarkus likely remains the only album in existence that links jazz luminary Dave Brubeck, Russian composer Sergei Prokofiev, recording engineer Eddy Offord, Argentine composer Alberto Ginastera, American genius Frank Zappa, and German multi-hyphenate Johann Sebastian Bach. At once diverse, ambitious, and complex, Emerson, Lake & Palmer’s sophomore statement proved fantastically successful and accessible. It reached No. 1 on the UK Albums Chart and, in the U.S., climbed into the Top 10. The 1971 effort also propelled the British group to the forefront of the concert scene and became instantly identifiable via its now-iconic cover art.\r\n
      \r\n
      Mastered at MoFi’s California studio, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity’s numbered-edition 180 gram 33 RPM LP of Tarkus presents the gold-certified effort in audiophile sound. Clear, dynamic, and balanced, the collectible edition honors the fastidious approaches that informed the playing and recording of the record. With black backgrounds, dead-quiet surfaces, and exceptional definition, this reissue brings to light the tonal depth and virtuosic musicianship on display. \r\n
      \r\n
      Traits textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio’s compositions and interplay are rendered amid broad soundstages and delivered with finite detail. You’ll relish the separation, imaging, and timing that help make every song come across with involving presence and realism. These sonic signposts extend to the snorkel-tube-inspired Moog synthesizer on “Aquatarkus”, the St. Mark’s Church pipe organ on “The Only Way (Hymn)”, and the improvisational jamming and hollering on the lighthearted rave-up “Are You Ready Eddy ?”.\r\n
      \r\n
      Anchored by the theatrical title track a nearly 21 minute-long epic that charts the life of the armadillo creature from birth to the aftermath of his defeat in a battle with a manticore Tarkus briefly created a rift in the supergroup’s then-thriving chemistry. The reason : The architecture and direction keyboardist Keith Emerson pursued with “Tarkus”. \r\n
      \r\n
      Based on 10/8 and 5/4 time signatures, the dexterous suite initially frustrated guitarist-singer Greg Lake, who soon came around to both playing on it and writing its anti-war narrative. A seven-part journey in which peacefulness and violence, calm and clamor, and flourishes and marches unfold within the sonically metaphorical framework, “Tarkus” looms as one of the finest prog compositions ever performed. \r\n
      \r\n
      The album’s second half prominently displays Emerson, Lake & Palmer’s expansive range with concise songs and, in two spots, its sense of humor. Made and sequenced on Tarkus to give listeners a breather after the demanding opener, “Jeremy Bender” unfolds with honky-tonk pianos and percussive hand claps. An homage to Brubeck’s “Count Down”, the tumbling “Bitches Crystal” doubles as a showcase for Emerson’s impeccable piano skills. The keyboardist also takes center stage on “The Only Way (Hymn)”, which folds bold religious contemplation with a segue into the jazz-fueled instrumental “Infinite Space”. \r\n
      \r\n
      Free of drum solos, acoustic ballads, and cerebral interludes, Tarkus differs from its equally esteemed predecessor but finds Emerson, Lake & Palmer again hitting on all cylinders as a band seemingly capable of playing any style at any pace. Reflecting on the album more than 40 years later, Emerson rightly stated : “It offers a lot for the advancement of musicians. If anyone wants to get into progressive rock music... provides the elements. You’ve got a lot going on with Tarkus”.\r\n
      \r\n
      That extends to William Neal’s vibrant cover art. Born out of a somewhat innocuous doodle, the final design which memorably omits the band’s name, contains the skeletal remains of an eaten lizard, and famously features a red-eyed armadillo transformed into a hybrid tank replete with guns and treads reflects the title track’s storyline and dovetails with Neal’s other narrative-associated drawings in the sleeve. From the first to the last note, from the cover to the final illustration, Tarkus is the complete package.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Keith Emerson (keyboards, Hammond organ, piano, Moog synthesizer),  Greg Lake (bass guitar, guitar, electric & acoustic guitar, vocals), Carl Palmer (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uiP239pFac0&list=RDuiP239pFac0&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-577"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tarkus"
      ]
      [
        "ordre" => 2
        "nom" => "I. Eruption -"
      ]
      [
        "ordre" => 3
        "nom" => "II. Stones of Years -"
      ]
      [
        "ordre" => 4
        "nom" => "III. Iconoclast -"
      ]
      [
        "ordre" => 5
        "nom" => "IV. Mass -"
      ]
      [
        "ordre" => 6
        "nom" => "V. Manticore -"
      ]
      [
        "ordre" => 7
        "nom" => "VI. Battlefield -"
      ]
      [
        "ordre" => 8
        "nom" => "VII. Aquatarkus "
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Jeremy Bender"
      ]
      [
        "ordre" => 11
        "nom" => "2. Bitches Crystal"
      ]
      [
        "ordre" => 12
        "nom" => "3. The Only Way (Hymn)"
      ]
      [
        "ordre" => 13
        "nom" => "4. Infinite Space (Conclusion)"
      ]
      [
        "ordre" => 14
        "nom" => "5. A Time and a Place"
      ]
      [
        "ordre" => 15
        "nom" => "6. Are You Ready Eddy ?"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2071 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2083 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2076 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2078 …}
    -enregistreLe: DateTime @1772959511 {#2062
      date: 2026-03-08 08:45:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772959605 {#2063
      date: 2026-03-08 08:46:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2080 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tarkus-limited-numbered-edition-mobile-fidelity-sound-lab-mfsl-1-577"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3311
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2069
    -id: 3012
    -nom: "Tarkus  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      - Emerson, Lake & Palmer Push Creative Boundaries on Tarkus, 1971 Prog Staple Features Theatrical Title Track, Diverse Arrangements, and Iconic Armadillo-Themed Cover Art !\r\n
      \r\n
      - Mastered at MoFi’s California Studio and Pressed at Fidelity Record Pressing: Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM LP Plays with Rich, Detailed Sound and Exceptional Definition !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Tarkus likely remains the only album in existence that links jazz luminary Dave Brubeck, Russian composer Sergei Prokofiev, recording engineer Eddy Offord, Argentine composer Alberto Ginastera, American genius Frank Zappa, and German multi-hyphenate Johann Sebastian Bach. At once diverse, ambitious, and complex, Emerson, Lake & Palmer’s sophomore statement proved fantastically successful and accessible. It reached No. 1 on the UK Albums Chart and, in the U.S., climbed into the Top 10. The 1971 effort also propelled the British group to the forefront of the concert scene and became instantly identifiable via its now-iconic cover art.\r\n
      \r\n
      Mastered at MoFi’s California studio, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity’s numbered-edition 180 gram 33 RPM LP of Tarkus presents the gold-certified effort in audiophile sound. Clear, dynamic, and balanced, the collectible edition honors the fastidious approaches that informed the playing and recording of the record. With black backgrounds, dead-quiet surfaces, and exceptional definition, this reissue brings to light the tonal depth and virtuosic musicianship on display. \r\n
      \r\n
      Traits textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio’s compositions and interplay are rendered amid broad soundstages and delivered with finite detail. You’ll relish the separation, imaging, and timing that help make every song come across with involving presence and realism. These sonic signposts extend to the snorkel-tube-inspired Moog synthesizer on “Aquatarkus”, the St. Mark’s Church pipe organ on “The Only Way (Hymn)”, and the improvisational jamming and hollering on the lighthearted rave-up “Are You Ready Eddy ?”.\r\n
      \r\n
      Anchored by the theatrical title track a nearly 21 minute-long epic that charts the life of the armadillo creature from birth to the aftermath of his defeat in a battle with a manticore Tarkus briefly created a rift in the supergroup’s then-thriving chemistry. The reason : The architecture and direction keyboardist Keith Emerson pursued with “Tarkus”. \r\n
      \r\n
      Based on 10/8 and 5/4 time signatures, the dexterous suite initially frustrated guitarist-singer Greg Lake, who soon came around to both playing on it and writing its anti-war narrative. A seven-part journey in which peacefulness and violence, calm and clamor, and flourishes and marches unfold within the sonically metaphorical framework, “Tarkus” looms as one of the finest prog compositions ever performed. \r\n
      \r\n
      The album’s second half prominently displays Emerson, Lake & Palmer’s expansive range with concise songs and, in two spots, its sense of humor. Made and sequenced on Tarkus to give listeners a breather after the demanding opener, “Jeremy Bender” unfolds with honky-tonk pianos and percussive hand claps. An homage to Brubeck’s “Count Down”, the tumbling “Bitches Crystal” doubles as a showcase for Emerson’s impeccable piano skills. The keyboardist also takes center stage on “The Only Way (Hymn)”, which folds bold religious contemplation with a segue into the jazz-fueled instrumental “Infinite Space”. \r\n
      \r\n
      Free of drum solos, acoustic ballads, and cerebral interludes, Tarkus differs from its equally esteemed predecessor but finds Emerson, Lake & Palmer again hitting on all cylinders as a band seemingly capable of playing any style at any pace. Reflecting on the album more than 40 years later, Emerson rightly stated : “It offers a lot for the advancement of musicians. If anyone wants to get into progressive rock music... provides the elements. You’ve got a lot going on with Tarkus”.\r\n
      \r\n
      That extends to William Neal’s vibrant cover art. Born out of a somewhat innocuous doodle, the final design which memorably omits the band’s name, contains the skeletal remains of an eaten lizard, and famously features a red-eyed armadillo transformed into a hybrid tank replete with guns and treads reflects the title track’s storyline and dovetails with Neal’s other narrative-associated drawings in the sleeve. From the first to the last note, from the cover to the final illustration, Tarkus is the complete package.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Keith Emerson (keyboards, Hammond organ, piano, Moog synthesizer),  Greg Lake (bass guitar, guitar, electric & acoustic guitar, vocals), Carl Palmer (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uiP239pFac0&list=RDuiP239pFac0&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-577"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tarkus"
      ]
      [
        "ordre" => 2
        "nom" => "I. Eruption -"
      ]
      [
        "ordre" => 3
        "nom" => "II. Stones of Years -"
      ]
      [
        "ordre" => 4
        "nom" => "III. Iconoclast -"
      ]
      [
        "ordre" => 5
        "nom" => "IV. Mass -"
      ]
      [
        "ordre" => 6
        "nom" => "V. Manticore -"
      ]
      [
        "ordre" => 7
        "nom" => "VI. Battlefield -"
      ]
      [
        "ordre" => 8
        "nom" => "VII. Aquatarkus "
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Jeremy Bender"
      ]
      [
        "ordre" => 11
        "nom" => "2. Bitches Crystal"
      ]
      [
        "ordre" => 12
        "nom" => "3. The Only Way (Hymn)"
      ]
      [
        "ordre" => 13
        "nom" => "4. Infinite Space (Conclusion)"
      ]
      [
        "ordre" => 14
        "nom" => "5. A Time and a Place"
      ]
      [
        "ordre" => 15
        "nom" => "6. Are You Ready Eddy ?"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2071 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2083 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2076 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2078 …}
    -enregistreLe: DateTime @1772959511 {#2062
      date: 2026-03-08 08:45:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772959605 {#2063
      date: 2026-03-08 08:46:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2080 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tarkus-limited-numbered-edition-mobile-fidelity-sound-lab-mfsl-1-577"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
}

[
  "produit" => App\Entity\Produit {#2090
    -id: 2903
    -nom: "Rock a Little - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Stevie Nicks (lead vocals, synthesizers), Rick Nowels (synthesizers, guitars, backing vocals), Bill Payne (synthesizers), Charles Judge (keyboards, synthesizers), Benmont Tench (piano, organ), Greg Phillinganes (keyboards, synthesizers, timpani), Chas Sandford (guitars, bass, drums machine), Bill Cuomo (keyboards), Michael Landau, Waddy Wachtel, Les Dudek, Danny Kortchmar (guitars), George Black (guitars, bass, Linn Drums programming), Kenny Edwards, Bob Glaub, Mike Porcaro (bass), Barney Wilen (saxophone), Sharon Celani, Marilyn Martin, Lori Perry-Nicks, Maria Vidal, Carolyn Brooks (backing vocals), David Kemper (tambourine, percussion), Bobbye Hall (percussion), Steve Jordan, Russ Kunkel, Andy Newmark, Denny Carmassi (drums).\r\n
      \r\n
      - Stevie Nicks Sings for the Things Money Can’t Buy on Rock a Little : Platinum Album Features Extravagant Production, Includes the Hits “Talk to Me” and “I Can’t Wait” !\r\n
      - Mobile Fidelity’s 180 graù 45 RPM (2 LP) Set Presents the 1985 Record in Audiophile Sound for the First Time : Strictly Limited to 4000 Numbered Copies, 40th Anniversary Reissue Plays with Exceptional Balance and Clarity !\r\n
      - 1/4” / 15 IPS Dolby A analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Looking back on her career in the early 90s, Stevie Nicks described the first track of Rock a Little as “the most exciting song that I had ever heard”. This coming from a superstar who was already closely affiliated with several bajillion-selling Fleetwood Mac albums to say nothing of her own benchmark solo debut. Her remarks attest to the enthusiasm and effort she invested in her third record, a 1985 work that quickly furthered Nicks’ profile and cemented itself as a piece of 80s pop lore.\r\n
      \r\n
      Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, strictly limited to 4000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents Rock a Little in audiophile sound for its 40th anniversary. Helmed by a cadre of producers and engineers, and recorded for a reported one million dollars, the platinum-certified album teems with a head-spinning array of colors, tones, dreamscapes, and accents. This reference-grade reissue marks the first time they are all brought to light and conveyed with proper balance, dimensionality, and positioning. \r\n
      \r\n
      Though Rock a Little doubtlessly has period characteristics of a mid-80s LP, Nicks and company spare no expense when it comes to distinguishing the music with expansive sonics distinguished with lush melodies, high-tech percussion, echoing vocals, sampled keyboards, and layers of sophisticated accents. The degrees of spaciousness, headroom, and dynamics are nothing less than inspiring, while the newly enhanced detail, texture, and clarity make the songs sing like never before. As for Nicks’ voice? Wait ’til you experience the transparency and depth. \r\n
      \r\n
      Those advantages extend, of course, to the aforementioned “I Can’t Wait”, a statement-making opener shot through with modulating synthesizers, splashy drums, metallic guitars, and serious drama. Holed up in a massive studio, Nicks required just one take to nail her part, which she called “magic and simply not able to beat”. The singer-songwriter also distilled the reverberating emotional essence of the Top 20 tune, stating “when I hear it on the radio, this incredible feeling comes over me, like something really incredible is about to happen”.\r\n
      \r\n
      The same can be said for nearly all of Rock a Little. Crafted by the likes of Songwriters Hall of Fame multi-instrumentalist/producer Rick Nowels, Heartbreakers organist Benmont Tench, bassist Bob Glaub, jack-of-all-trades Greg Phillinganes, and session-pro guitarists Waddy Watchel, Les Dudek, and Danny Kortchmar along with another two dozen or so participants the record spills with diverse ideas, shapes, and moods. Everything is in the right place, as evidenced by the swirling glide and sensual undertow of the slightly funky title track to the snapping rhythmic pace and big hooks of “Imperial Hotel”, one of Nicks’ standout moments. \r\n
      \r\n
      “What was it she wanted ?” Nicks queries on “No Spoken Word”, continuing a theme of contemplation that runs through the narratives. Nicks never lands on a definite answer, but hearing her explore loneliness, love, and the secrets we keep to ourselves proves continuously rewarding. Take her passionate performance on a cover of Chas Sanford’s “Talk to Me”, a Top 5 smash furthered by tasteful saxophone lines and understated folk elements. Immersive yourself in the grand sonic corridors of “If I Were You”, laden with Nicks’ signature mysticism. \r\n
      \r\n
      Moreover, surrender to the gravitas of the closing “Has Anyone Ever Written Anything for You”, a piano ballad composed about the death of Joe Walsh’s three-year-old daughter. As Nicks asserts earlier on the album, she sings for things money can’t buy. \r\n
      \r\n
      So, rock a little, yes, but dare to feel even more.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Stevie Nicks (lead vocals, synthesizers), Rick Nowels (synthesizers, guitars, backing vocals), Bill Payne (synthesizers), Charles Judge (keyboards, synthesizers), Benmont Tench (piano, organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fwi-DDHalU0&list=PLVMgMdYqIEka6hAOqw1KeDHcUlZ0-yiUr&index=7"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-603"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Can’t Wait"
      ]
      [
        "ordre" => 2
        "nom" => "2. Rock a Little (Go Ahead Lily)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Sister Honey"
      ]
      [
        "ordre" => 5
        "nom" => "2. I Sing for the Things"
      ]
      [
        "ordre" => 6
        "nom" => "3. Imperial Hotel"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Some Become Strangers"
      ]
      [
        "ordre" => 9
        "nom" => "2. Talk to Me"
      ]
      [
        "ordre" => 10
        "nom" => "3. The Nightmare"
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        "nom" => "Side D : "
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        "nom" => "1. If I Were You"
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      [
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        "nom" => "2. No Spoken Word"
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      [
        "ordre" => 14
        "nom" => "3. Has Anyone Ever Written Anything for You"
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      [
        "ordre" => 15
        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2092 …}
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    -modifierLe: DateTime @1772958485 {#2085
      date: 2026-03-08 08:28:05.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3362
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2090
    -id: 2903
    -nom: "Rock a Little - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Stevie Nicks (lead vocals, synthesizers), Rick Nowels (synthesizers, guitars, backing vocals), Bill Payne (synthesizers), Charles Judge (keyboards, synthesizers), Benmont Tench (piano, organ), Greg Phillinganes (keyboards, synthesizers, timpani), Chas Sandford (guitars, bass, drums machine), Bill Cuomo (keyboards), Michael Landau, Waddy Wachtel, Les Dudek, Danny Kortchmar (guitars), George Black (guitars, bass, Linn Drums programming), Kenny Edwards, Bob Glaub, Mike Porcaro (bass), Barney Wilen (saxophone), Sharon Celani, Marilyn Martin, Lori Perry-Nicks, Maria Vidal, Carolyn Brooks (backing vocals), David Kemper (tambourine, percussion), Bobbye Hall (percussion), Steve Jordan, Russ Kunkel, Andy Newmark, Denny Carmassi (drums).\r\n
      \r\n
      - Stevie Nicks Sings for the Things Money Can’t Buy on Rock a Little : Platinum Album Features Extravagant Production, Includes the Hits “Talk to Me” and “I Can’t Wait” !\r\n
      - Mobile Fidelity’s 180 graù 45 RPM (2 LP) Set Presents the 1985 Record in Audiophile Sound for the First Time : Strictly Limited to 4000 Numbered Copies, 40th Anniversary Reissue Plays with Exceptional Balance and Clarity !\r\n
      - 1/4” / 15 IPS Dolby A analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Looking back on her career in the early 90s, Stevie Nicks described the first track of Rock a Little as “the most exciting song that I had ever heard”. This coming from a superstar who was already closely affiliated with several bajillion-selling Fleetwood Mac albums to say nothing of her own benchmark solo debut. Her remarks attest to the enthusiasm and effort she invested in her third record, a 1985 work that quickly furthered Nicks’ profile and cemented itself as a piece of 80s pop lore.\r\n
      \r\n
      Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, strictly limited to 4000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents Rock a Little in audiophile sound for its 40th anniversary. Helmed by a cadre of producers and engineers, and recorded for a reported one million dollars, the platinum-certified album teems with a head-spinning array of colors, tones, dreamscapes, and accents. This reference-grade reissue marks the first time they are all brought to light and conveyed with proper balance, dimensionality, and positioning. \r\n
      \r\n
      Though Rock a Little doubtlessly has period characteristics of a mid-80s LP, Nicks and company spare no expense when it comes to distinguishing the music with expansive sonics distinguished with lush melodies, high-tech percussion, echoing vocals, sampled keyboards, and layers of sophisticated accents. The degrees of spaciousness, headroom, and dynamics are nothing less than inspiring, while the newly enhanced detail, texture, and clarity make the songs sing like never before. As for Nicks’ voice? Wait ’til you experience the transparency and depth. \r\n
      \r\n
      Those advantages extend, of course, to the aforementioned “I Can’t Wait”, a statement-making opener shot through with modulating synthesizers, splashy drums, metallic guitars, and serious drama. Holed up in a massive studio, Nicks required just one take to nail her part, which she called “magic and simply not able to beat”. The singer-songwriter also distilled the reverberating emotional essence of the Top 20 tune, stating “when I hear it on the radio, this incredible feeling comes over me, like something really incredible is about to happen”.\r\n
      \r\n
      The same can be said for nearly all of Rock a Little. Crafted by the likes of Songwriters Hall of Fame multi-instrumentalist/producer Rick Nowels, Heartbreakers organist Benmont Tench, bassist Bob Glaub, jack-of-all-trades Greg Phillinganes, and session-pro guitarists Waddy Watchel, Les Dudek, and Danny Kortchmar along with another two dozen or so participants the record spills with diverse ideas, shapes, and moods. Everything is in the right place, as evidenced by the swirling glide and sensual undertow of the slightly funky title track to the snapping rhythmic pace and big hooks of “Imperial Hotel”, one of Nicks’ standout moments. \r\n
      \r\n
      “What was it she wanted ?” Nicks queries on “No Spoken Word”, continuing a theme of contemplation that runs through the narratives. Nicks never lands on a definite answer, but hearing her explore loneliness, love, and the secrets we keep to ourselves proves continuously rewarding. Take her passionate performance on a cover of Chas Sanford’s “Talk to Me”, a Top 5 smash furthered by tasteful saxophone lines and understated folk elements. Immersive yourself in the grand sonic corridors of “If I Were You”, laden with Nicks’ signature mysticism. \r\n
      \r\n
      Moreover, surrender to the gravitas of the closing “Has Anyone Ever Written Anything for You”, a piano ballad composed about the death of Joe Walsh’s three-year-old daughter. As Nicks asserts earlier on the album, she sings for things money can’t buy. \r\n
      \r\n
      So, rock a little, yes, but dare to feel even more.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Stevie Nicks (lead vocals, synthesizers), Rick Nowels (synthesizers, guitars, backing vocals), Bill Payne (synthesizers), Charles Judge (keyboards, synthesizers), Benmont Tench (piano, organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=fwi-DDHalU0&list=PLVMgMdYqIEka6hAOqw1KeDHcUlZ0-yiUr&index=7"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-603"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Can’t Wait"
      ]
      [
        "ordre" => 2
        "nom" => "2. Rock a Little (Go Ahead Lily)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Sister Honey"
      ]
      [
        "ordre" => 5
        "nom" => "2. I Sing for the Things"
      ]
      [
        "ordre" => 6
        "nom" => "3. Imperial Hotel"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Some Become Strangers"
      ]
      [
        "ordre" => 9
        "nom" => "2. Talk to Me"
      ]
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        "ordre" => 10
        "nom" => "3. The Nightmare"
      ]
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        "ordre" => 11
        "nom" => "Side D : "
      ]
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        "nom" => "1. If I Were You"
      ]
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        "ordre" => 13
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      [
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2092 …}
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[
  "produit" => App\Entity\Produit {#2108
    -id: 3003
    -nom: "Compulsion !!!!!"
    -informationComplementaire: null
    -description: """
      - Andrew Hill "Compulsion !!!!! 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      One of the boldest statements in the Andrew Hill discography, 1965's Compulsion was the pianist's expression of the avant-garde through the prism of jazz music's roots in African rhythms. Hill's percussive piano drives an intrepid ensemble through four evocative originals "Compulsion", "Legacy", "Premonition", and "Limbo" given deeply engaged performances by trumpeter Freddie Hubbard, saxophonist John Gilmore, bassists Cecil McBee and Richard Davis, drummer Joe Chambers, and percussionists Nedi Qamar and Renaud Simmons.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Andrew Hill (piano), Cecil McBee, Richard Davis (bass), Renaud Simmons (congas), John Gilmore (tenor saxophone, bass clarinet), Freddie Hubbard\t(trumpet, flugelhorn), Nadi Qamar (African drums, African thumb piano), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4xCobq5eNUQ&list=RD4xCobq5eNUQ&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 6642"
    -titreMorceau: [
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2110 …}
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      date: 2026-03-08 08:25:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2119 …}
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    -slug: "vinyles-compulsion-blue-note-tone-poet-series-6642"
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App\Twig\Components\GestionPanierFavoriComponents {#3413
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2108
    -id: 3003
    -nom: "Compulsion !!!!!"
    -informationComplementaire: null
    -description: """
      - Andrew Hill "Compulsion !!!!! 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      One of the boldest statements in the Andrew Hill discography, 1965's Compulsion was the pianist's expression of the avant-garde through the prism of jazz music's roots in African rhythms. Hill's percussive piano drives an intrepid ensemble through four evocative originals "Compulsion", "Legacy", "Premonition", and "Limbo" given deeply engaged performances by trumpeter Freddie Hubbard, saxophonist John Gilmore, bassists Cecil McBee and Richard Davis, drummer Joe Chambers, and percussionists Nedi Qamar and Renaud Simmons.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Andrew Hill (piano), Cecil McBee, Richard Davis (bass), Renaud Simmons (congas), John Gilmore (tenor saxophone, bass clarinet), Freddie Hubbard\t(trumpet, flugelhorn), Nadi Qamar (African drums, African thumb piano), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=4xCobq5eNUQ&list=RD4xCobq5eNUQ&start_radio=1"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2110 …}
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      date: 2026-03-08 08:25:31.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2119 …}
    -disponible: null
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    -slug: "vinyles-compulsion-blue-note-tone-poet-series-6642"
  }
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[
  "produit" => App\Entity\Produit {#2133
    -id: 3004
    -nom: "Tenorman (Mono Version)"
    -informationComplementaire: null
    -description: """
      - The Lawrence Marable Quartet "Tenorman" (Mono) 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original mono master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      A West Coast jazz date that blows with hard bop gusto, Tenorman by The Lawrence Marable Quartet featuring James Clay was a hard-swinging session led by the esteemed drummer (Marable) that served as an introduction of the young Texan tenor (Clay) with sturdy support from pianist Sonny Clark and bassist Jimmy Bond. Recorded in August 1956 at Capitol Studios in Hollywood for the Jazz: West label, a boutique imprint allied with Pacific Jazz, the album presents assured versions of well-worn standards "The Devil And The Deep Blue Sea", "Easy Living", "Willow Weep For Me", "Lover Man" with a trio of original compositions by Clark interspersed "Minor Meeting", "Three Fingers North", "Marbles".\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lawrence Marable (drums), Jimmy Bond (bass), Sonny Clarke\t(piano), James Clay (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CHXpUY5I3Mc&list=RDCHXpUY5I3Mc&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 6641"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Devil And The Deep Blue Sea"
      ]
      [
        "ordre" => 2
        "nom" => "2. Easy Living"
      ]
      [
        "ordre" => 3
        "nom" => "3. Minor Meeting"
      ]
      [
        "ordre" => 4
        "nom" => "4. Air Tight "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Willow Weep For Me"
      ]
      [
        "ordre" => 7
        "nom" => "2. Three Fingers North"
      ]
      [
        "ordre" => 8
        "nom" => "3. Lover Man"
      ]
      [
        "ordre" => 9
        "nom" => "4. Marbles"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1771748783 {#2125
      date: 2026-02-22 08:26:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958309 {#2124
      date: 2026-03-08 08:25:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
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    -slug: "vinyles-tenorman-mono-version-blue-note-tone-poet-series-6641"
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App\Twig\Components\GestionPanierFavoriComponents {#3464
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2133
    -id: 3004
    -nom: "Tenorman (Mono Version)"
    -informationComplementaire: null
    -description: """
      - The Lawrence Marable Quartet "Tenorman" (Mono) 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original mono master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      A West Coast jazz date that blows with hard bop gusto, Tenorman by The Lawrence Marable Quartet featuring James Clay was a hard-swinging session led by the esteemed drummer (Marable) that served as an introduction of the young Texan tenor (Clay) with sturdy support from pianist Sonny Clark and bassist Jimmy Bond. Recorded in August 1956 at Capitol Studios in Hollywood for the Jazz: West label, a boutique imprint allied with Pacific Jazz, the album presents assured versions of well-worn standards "The Devil And The Deep Blue Sea", "Easy Living", "Willow Weep For Me", "Lover Man" with a trio of original compositions by Clark interspersed "Minor Meeting", "Three Fingers North", "Marbles".\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lawrence Marable (drums), Jimmy Bond (bass), Sonny Clarke\t(piano), James Clay (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CHXpUY5I3Mc&list=RDCHXpUY5I3Mc&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 6641"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Devil And The Deep Blue Sea"
      ]
      [
        "ordre" => 2
        "nom" => "2. Easy Living"
      ]
      [
        "ordre" => 3
        "nom" => "3. Minor Meeting"
      ]
      [
        "ordre" => 4
        "nom" => "4. Air Tight "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Willow Weep For Me"
      ]
      [
        "ordre" => 7
        "nom" => "2. Three Fingers North"
      ]
      [
        "ordre" => 8
        "nom" => "3. Lover Man"
      ]
      [
        "ordre" => 9
        "nom" => "4. Marbles"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: Proxies\__CG__\App\Entity\Label {#2113 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2144 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2137 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1771748783 {#2125
      date: 2026-02-22 08:26:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958309 {#2124
      date: 2026-03-08 08:25:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tenorman-mono-version-blue-note-tone-poet-series-6641"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
}

[
  "produit" => App\Entity\Produit {#2153
    -id: 3011
    -nom: "Twio, Vol. 2"
    -informationComplementaire: null
    -description: "For his third Blue Note album, tenor saxophonist Walter Smith III reprises his Twio concept with a highly enjoyable Vol. 2, a set of classic jazz songs that exudes a playful sense of joyful freedom. The album features a new cast of musicians including bassist Joe Sanders and drummer Kendrick Scott, plus special guest appearances by eminent elders Ron Carter on bass and Branford Marsalis on tenor saxophone."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Walter Smith III (tenor saxophone), Joe Sanders (double bass), Kendrick Scott (drums)Ron Carter (bass), Branford Marsalis (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Tnv4o9jiUs&list=PLEz_mLoNZMeRl6rAqkAJjzKUeP88u28DV&index=4"
    -referenceProduit: "Blue Note Records 0027"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. My Ideal"
      ]
      [
        "ordre" => 2
        "nom" => "2. Circus"
      ]
      [
        "ordre" => 3
        "nom" => "3. Light Blue"
      ]
      [
        "ordre" => 4
        "nom" => "4. Casual - Lee"
      ]
      [
        "ordre" => 5
        "nom" => "5. Lawns "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. I Should Care"
      ]
      [
        "ordre" => 8
        "nom" => "2. Fall"
      ]
      [
        "ordre" => 9
        "nom" => "3. Escapade"
      ]
      [
        "ordre" => 10
        "nom" => "4. Isfahan"
      ]
      [
        "ordre" => 11
        "nom" => "5. Swingin' at the Haven"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2155 …}
    -label: Proxies\__CG__\App\Entity\Label {#2158 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2167 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2160 …}
    -typeMasterTape: null
    -marque: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2162 …}
    -enregistreLe: DateTime @1772957945 {#2146
      date: 2026-03-08 08:19:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958109 {#2147
      date: 2026-03-08 08:21:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2164 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-twio-vol-2-blue-note-records-0027"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3515
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2153
    -id: 3011
    -nom: "Twio, Vol. 2"
    -informationComplementaire: null
    -description: "For his third Blue Note album, tenor saxophonist Walter Smith III reprises his Twio concept with a highly enjoyable Vol. 2, a set of classic jazz songs that exudes a playful sense of joyful freedom. The album features a new cast of musicians including bassist Joe Sanders and drummer Kendrick Scott, plus special guest appearances by eminent elders Ron Carter on bass and Branford Marsalis on tenor saxophone."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Walter Smith III (tenor saxophone), Joe Sanders (double bass), Kendrick Scott (drums)Ron Carter (bass), Branford Marsalis (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Tnv4o9jiUs&list=PLEz_mLoNZMeRl6rAqkAJjzKUeP88u28DV&index=4"
    -referenceProduit: "Blue Note Records 0027"
    -titreMorceau: [
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        "nom" => "4. Casual - Lee"
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        "nom" => "5. Lawns "
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        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. I Should Care"
      ]
      [
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      ]
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        "nom" => "4. Isfahan"
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      [
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        "nom" => "5. Swingin' at the Haven"
      ]
      [
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        "nom" => ""
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      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2155 …}
    -label: Proxies\__CG__\App\Entity\Label {#2158 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2167 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2160 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2162 …}
    -enregistreLe: DateTime @1772957945 {#2146
      date: 2026-03-08 08:19:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958109 {#2147
      date: 2026-03-08 08:21:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2164 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-twio-vol-2-blue-note-records-0027"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
}

[
  "produit" => App\Entity\Produit {#2174
    -id: 3010
    -nom: "Kiss All The Time. Disco, Occasionally"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Harry Styles (vocals), Yaffra (piano, synthesizer, organ, backing vocals), Sam Wilson (marimba, vibraphone), Alessandro Ruisi (violin), Tom Skinner (drums, backing vocals), Jules Buckley (orchestral arrangement, celesta), Ellie Rowsell, House Gospel Choir : Aleysha Eve, CJ Idos, Cartell Green-Brown, Daniel Thomas, Dean Patron, Gemma Knight Jones, Harrison Atlee, Laura Leon, Monday Osarobo, Monique Meade, Natalie Maddix, Shayanne Campbell, Vania Lima, Zaza Wright (chœurs, backing vocals).\r\n
      \r\n
      - Harry Styles "Kiss All The Time. Disco, Occasionally" !\r\n
      - Single 180 gram black vinyl with gatefold jacket and printed holographic inner sleeve !\r\n
      - Includes 12 page booklet with lyrics and photos !\r\n
      \r\n
      Kiss All The Time. Disco, Occasionally is the fourth studio album by Grammy Award winner Harry Styles. Executive produced by Kid Harpoon, the album contains 12 tracks and is out March 6.\r\n
      \r\n
      Single 180 gram black vinyl with gatefold jacket and printed holographic inner sleeve. Includes 12 page booklet with lyrics and photos.\r\n
      \r\n
      The pop icon teased the album's announcement with mysterious billboards popping up across the globe. Emblazoned with the words "We Belong Together", the imagery was taken from the English star's previous rollercoaster global tour and appeared in cities as far flung as Manchester and Sao Paolo.\r\n
      \r\n
      Details are just emerging of the album process, which seemingly took Harry Styles three years to perfect. The English star was recently snapped exiting London's state-of-art RAK Studios, while Kid Harpoon returns to executive produce the record.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Harry Styles (vocals), Yaffra (piano, synthesizer, organ, backing vocals), Sam Wilson (marimba, vibraphone), Alessandro Ruisi (violin), Tom Skinner (drums, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TXzdKCvmZJ0&list=RDTXzdKCvmZJ0&start_radio=1&t=760s"
    -referenceProduit: "Columbia Records 7113"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Aperture"
      ]
      [
        "ordre" => 2
        "nom" => "2. American Girls"
      ]
      [
        "ordre" => 3
        "nom" => "3. Ready, Steady, Go !"
      ]
      [
        "ordre" => 4
        "nom" => "4. Are You Listening Yet ?"
      ]
      [
        "ordre" => 5
        "nom" => "5. Taste Back"
      ]
      [
        "ordre" => 6
        "nom" => "6. The Waiting Game"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Season 2 Weight Loss"
      ]
      [
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        "nom" => "2. Coming Up Roses"
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      [
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        "nom" => "3. Pop"
      ]
      [
        "ordre" => 11
        "nom" => "4. Dance No More"
      ]
      [
        "ordre" => 12
        "nom" => "5. Paint by Numbers"
      ]
      [
        "ordre" => 13
        "nom" => "6. Carla's Song"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
    -label: Proxies\__CG__\App\Entity\Label {#2179 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …}
    -enregistreLe: DateTime @1772783727 {#2170
      date: 2026-03-06 07:55:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772783891 {#2169
      date: 2026-03-06 07:58:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kiss-all-the-time-disco-occasionally-columbia-records-7113"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3566
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2174
    -id: 3010
    -nom: "Kiss All The Time. Disco, Occasionally"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Harry Styles (vocals), Yaffra (piano, synthesizer, organ, backing vocals), Sam Wilson (marimba, vibraphone), Alessandro Ruisi (violin), Tom Skinner (drums, backing vocals), Jules Buckley (orchestral arrangement, celesta), Ellie Rowsell, House Gospel Choir : Aleysha Eve, CJ Idos, Cartell Green-Brown, Daniel Thomas, Dean Patron, Gemma Knight Jones, Harrison Atlee, Laura Leon, Monday Osarobo, Monique Meade, Natalie Maddix, Shayanne Campbell, Vania Lima, Zaza Wright (chœurs, backing vocals).\r\n
      \r\n
      - Harry Styles "Kiss All The Time. Disco, Occasionally" !\r\n
      - Single 180 gram black vinyl with gatefold jacket and printed holographic inner sleeve !\r\n
      - Includes 12 page booklet with lyrics and photos !\r\n
      \r\n
      Kiss All The Time. Disco, Occasionally is the fourth studio album by Grammy Award winner Harry Styles. Executive produced by Kid Harpoon, the album contains 12 tracks and is out March 6.\r\n
      \r\n
      Single 180 gram black vinyl with gatefold jacket and printed holographic inner sleeve. Includes 12 page booklet with lyrics and photos.\r\n
      \r\n
      The pop icon teased the album's announcement with mysterious billboards popping up across the globe. Emblazoned with the words "We Belong Together", the imagery was taken from the English star's previous rollercoaster global tour and appeared in cities as far flung as Manchester and Sao Paolo.\r\n
      \r\n
      Details are just emerging of the album process, which seemingly took Harry Styles three years to perfect. The English star was recently snapped exiting London's state-of-art RAK Studios, while Kid Harpoon returns to executive produce the record.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Harry Styles (vocals), Yaffra (piano, synthesizer, organ, backing vocals), Sam Wilson (marimba, vibraphone), Alessandro Ruisi (violin), Tom Skinner (drums, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TXzdKCvmZJ0&list=RDTXzdKCvmZJ0&start_radio=1&t=760s"
    -referenceProduit: "Columbia Records 7113"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. Aperture"
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        "ordre" => 2
        "nom" => "2. American Girls"
      ]
      [
        "ordre" => 3
        "nom" => "3. Ready, Steady, Go !"
      ]
      [
        "ordre" => 4
        "nom" => "4. Are You Listening Yet ?"
      ]
      [
        "ordre" => 5
        "nom" => "5. Taste Back"
      ]
      [
        "ordre" => 6
        "nom" => "6. The Waiting Game"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Season 2 Weight Loss"
      ]
      [
        "ordre" => 9
        "nom" => "2. Coming Up Roses"
      ]
      [
        "ordre" => 10
        "nom" => "3. Pop"
      ]
      [
        "ordre" => 11
        "nom" => "4. Dance No More"
      ]
      [
        "ordre" => 12
        "nom" => "5. Paint by Numbers"
      ]
      [
        "ordre" => 13
        "nom" => "6. Carla's Song"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
    -label: Proxies\__CG__\App\Entity\Label {#2179 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …}
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      date: 2026-03-06 07:55:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772783891 {#2169
      date: 2026-03-06 07:58:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kiss-all-the-time-disco-occasionally-columbia-records-7113"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
}

[
  "produit" => App\Entity\Produit {#2199
    -id: 2954
    -nom: "The Lamb Lies Down On Broadway - (4 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Peter Gabriel (flute, oboe, percussion, lead vocals), Tony Banks (keyboards, synthesizers, mellotron, backing vocals), Steve Hackett (electric & acoustic guitars), Mike Rutherford (bass guitar, guitar, backing vocals), Phil Collins (drums, percussion, backing vocals), Brian Eno (synthesizer).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - The Lamb Lies Down On Broadway Genesis' gold-selling sixth studio album !\r\n
      - 180 gram 45 RPM (4 LP) !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "Nothng but manna from analog heaven can be found within the balance of Analogue Productions' year-long-plus Atlantic 75 anniversary reissue series... but to my ears, the crème de la crème of the lot are all the reissuances culled from the prime, more progressive-leaning '70s era of the Genesis catalog... A few highlights to whet your aural whistle: 1) Mike Rutherford's high-pitched, 12 string acoustic guitarwork and the overall rise / fall drama of "The Musical Box" (LP 1, Side 1, Track 1, November 1971's Nursery Cryme). 2) The full majesty of Tony Banks' lengthy piano intro (and outro!) and Steve Hackett's career-defining guitar solo on "Firth of Fifth" (LP 1, Side 2, Track 1, September 1973's Selling England by the Pound). 3) Peter Gabriel's pleading lead vocals and Phil Collins' ever-clever drumming on "Back in N.Y.C." (LP 2, Side 3, Track 1, November 1974's The Lamb Lies Down on Broadway). 4) The all-in, all-band composition of the mostly instrumental "Los Endos", replete with thematically squonky, volcanic callbacks to prior tracks and other suppers past (LP 2, Side 4, Track 2, A Trick of the Tail). I could go on and I will, when I can !" -  Mike Mettler, AnalogPlanet's Top LPs of 2024, Dec. 20, 2024. Read the entire review here.\r\n
      \r\n
      "...it's the band's magnum opus, an epic, 94 minute (2 LP) concept album... opting for four 45 RPM discs instead of two 33 RPM platters was a wise decision... The reissue was mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and pressed at Quality Record Pressings. The result ? The Analogue Productions edition is far superior. In fact, Genesis fans may be startled by what a step up this is from the 1974 editions; I know I was. The AP Lamb is is more open-sounding than my early U.S. and U.K. pressings and boasts a wider dynamic range and more tonal accuracy. It's also a much quieter pressing with more presence". - Jeff Wilson, The Absolute Sound, July-August 2024\r\n
      \r\n
      "If you already know the album and are very familiar with it you'll put this on and you'll just be hooked you'll be glued to it from side one through to side eight... an absolute all round unequivocal thumbs up for me". - Dave Denyer on YouTube compares the "absolutely superb new Chris Bellman all-analogue cut from the original master tapes" to both a 1974 U.K. original and 1980 U.K. "Porky Prime Cut". Video.\r\n
      \r\n
      Michael Ludwigs, 45 RPM Audiophile 'Atlantic 75: Genesis, Bad Company, Phil Collins Against the Original Pressings.' YouTube video.\r\n
      \r\n
      "... another thing I noticed with the sound is ... this one opens up as you would expect a 45 to, but there's much more detail in the mid-range so that is really impressive and a key to my enjoyment of this album as a whole". - Scott Wilson, The Pressing Matters, YouTube. Watch the full review here.\r\n
      \r\n
      Genesis' sixth studio album was released as a double album in November 1974 by Charisma Records and is the last to feature original frontman Peter Gabriel. The group's longest album to date, The Lamb Lies Down on Broadway peaked at No. 10 on the U.K. Albums Chart and N° 41 on the Billboard 200 in the U.S..\r\n
      \r\n
      The album is a concept album and tells the surreal story, devised by Gabriel, of a young Puerto Rican named Rael who embarks on a journey through a series of strange and bizarre events in New York City.\r\n
      \r\n
      Musically, the album is a departure from the band's previous works, incorporating a wide range of styles including progressive rock, art rock, funk, and jazz fusion. The album features complex rhythms, intricate melodies, and dense layers of instrumentation, showcasing the band's virtuosic musicianship.\r\n
      \r\n
      The album is notable for its use of storytelling, with each track contributing to the larger narrative of Rael's journey. The lyrics are often cryptic and abstract, and the album's surreal imagery has been interpreted in a variety of ways by listeners and critics.\r\n
      \r\n
      The Lamb Lies Down On Broadway gained acclaim in the years after its release, reaching gold certification for sales in the U.K. and U.S.. In 1978, Nick Kent wrote for NME that it "had a compelling appeal that often transcended the hoary weightiness of the mammoth concept that held the equally mammoth four sides of vinyl together." In a special edition of Q and Mojo magazines titled Pink Floyd & The Story of Prog Rock, The Lamb ranked at N° 14 in its 40 Cosmic Rock Albums list. The album came third in a list of the 10 best concept albums by Uncut magazine, where it was described as an "impressionistic, intense album" and "pure theatre (in a good way) and still Gabriel's best work." A Rolling Stone poll to rank readers' favourite progressive rock albums of all time placed The Lamb fifth in the list.\r\n
      \r\n
      The Lamb Lies Down On Broadway is widely regarded as one of Genesis's most important and influential works, inspiring generations of progressive rock musicians.
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Peter Gabriel (flute, oboe, percussion, lead vocals), Tony Banks (keyboards, synthesizers, mellotron, backing vocals), Steve Hackett (electric & acoustic guitars)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 4
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=F8Zs6axh7dE&list=RDF8Zs6axh7dE&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 013-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Lamb Lies Down On Broadway"
      ]
      [
        "ordre" => 2
        "nom" => "2. Fly On A Windshield"
      ]
      [
        "ordre" => 3
        "nom" => "3. Broadway Melody of 1974"
      ]
      [
        "ordre" => 4
        "nom" => "4. Cuckoo Cocoon"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. In The Cage"
      ]
      [
        "ordre" => 7
        "nom" => "2. The Grand Parade Of Lifeless Packaging"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Back In N.Y.C."
      ]
      [
        "ordre" => 10
        "nom" => "2. Hairless Heart"
      ]
      [
        "ordre" => 11
        "nom" => "3. Counting Out Time"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Carpet Crawlers"
      ]
      [
        "ordre" => 14
        "nom" => "2. The Chamber Of 32 Doors"
      ]
      [
        "ordre" => 15
        "nom" => "Side E :"
      ]
      [
        "ordre" => 16
        "nom" => "1. Lilywhite Lilith"
      ]
      [
        "ordre" => 17
        "nom" => "2. The Waiting Room"
      ]
      [
        "ordre" => 18
        "nom" => "3. Anyway"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => "Side F : "
      ]
      [
        "ordre" => 21
        "nom" => "1. Here Comes The Supernatural Anaesthetist"
      ]
      [
        "ordre" => 22
        "nom" => "2. The Lamia"
      ]
      [
        "ordre" => 23
        "nom" => "3. Silent Sorrow In Empty Boats"
      ]
      [
        "ordre" => 24
        "nom" => "Side G :"
      ]
      [
        "ordre" => 25
        "nom" => "1. The Colony Of Slippermen"
      ]
      [
        "ordre" => 26
        "nom" => "a. The Arrival"
      ]
      [
        "ordre" => 27
        "nom" => "b. A Visit To The Doktor"
      ]
      [
        "ordre" => 28
        "nom" => "c. The Raven"
      ]
      [
        "ordre" => 29
        "nom" => "2. Ravine"
      ]
      [
        "ordre" => 30
        "nom" => "3. The Light Dies Down On Broadway"
      ]
      [
        "ordre" => 31
        "nom" => "Side H : "
      ]
      [
        "ordre" => 32
        "nom" => "1. Riding The Scree"
      ]
      [
        "ordre" => 33
        "nom" => "2. In The Rapids"
      ]
      [
        "ordre" => 34
        "nom" => "3. It"
      ]
      [
        "ordre" => 35
        "nom" => ""
      ]
      [
        "ordre" => 36
        "nom" => ""
      ]
      [
        "ordre" => 37
        "nom" => ""
      ]
      [
        "ordre" => 38
        "nom" => ""
      ]
      [
        "ordre" => 39
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2210 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2205 …}
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    -modifierLe: DateTime @1772609083 {#2190
      date: 2026-03-04 07:24:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2207 …}
    -disponible: null
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    -slug: "vinyles-the-lamb-lies-down-on-broadway-4-lp-45-rpm-analogue-productions-atlantic-75-series-013-45"
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3617
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2199
    -id: 2954
    -nom: "The Lamb Lies Down On Broadway - (4 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Peter Gabriel (flute, oboe, percussion, lead vocals), Tony Banks (keyboards, synthesizers, mellotron, backing vocals), Steve Hackett (electric & acoustic guitars), Mike Rutherford (bass guitar, guitar, backing vocals), Phil Collins (drums, percussion, backing vocals), Brian Eno (synthesizer).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - The Lamb Lies Down On Broadway Genesis' gold-selling sixth studio album !\r\n
      - 180 gram 45 RPM (4 LP) !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "Nothng but manna from analog heaven can be found within the balance of Analogue Productions' year-long-plus Atlantic 75 anniversary reissue series... but to my ears, the crème de la crème of the lot are all the reissuances culled from the prime, more progressive-leaning '70s era of the Genesis catalog... A few highlights to whet your aural whistle: 1) Mike Rutherford's high-pitched, 12 string acoustic guitarwork and the overall rise / fall drama of "The Musical Box" (LP 1, Side 1, Track 1, November 1971's Nursery Cryme). 2) The full majesty of Tony Banks' lengthy piano intro (and outro!) and Steve Hackett's career-defining guitar solo on "Firth of Fifth" (LP 1, Side 2, Track 1, September 1973's Selling England by the Pound). 3) Peter Gabriel's pleading lead vocals and Phil Collins' ever-clever drumming on "Back in N.Y.C." (LP 2, Side 3, Track 1, November 1974's The Lamb Lies Down on Broadway). 4) The all-in, all-band composition of the mostly instrumental "Los Endos", replete with thematically squonky, volcanic callbacks to prior tracks and other suppers past (LP 2, Side 4, Track 2, A Trick of the Tail). I could go on and I will, when I can !" -  Mike Mettler, AnalogPlanet's Top LPs of 2024, Dec. 20, 2024. Read the entire review here.\r\n
      \r\n
      "...it's the band's magnum opus, an epic, 94 minute (2 LP) concept album... opting for four 45 RPM discs instead of two 33 RPM platters was a wise decision... The reissue was mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and pressed at Quality Record Pressings. The result ? The Analogue Productions edition is far superior. In fact, Genesis fans may be startled by what a step up this is from the 1974 editions; I know I was. The AP Lamb is is more open-sounding than my early U.S. and U.K. pressings and boasts a wider dynamic range and more tonal accuracy. It's also a much quieter pressing with more presence". - Jeff Wilson, The Absolute Sound, July-August 2024\r\n
      \r\n
      "If you already know the album and are very familiar with it you'll put this on and you'll just be hooked you'll be glued to it from side one through to side eight... an absolute all round unequivocal thumbs up for me". - Dave Denyer on YouTube compares the "absolutely superb new Chris Bellman all-analogue cut from the original master tapes" to both a 1974 U.K. original and 1980 U.K. "Porky Prime Cut". Video.\r\n
      \r\n
      Michael Ludwigs, 45 RPM Audiophile 'Atlantic 75: Genesis, Bad Company, Phil Collins Against the Original Pressings.' YouTube video.\r\n
      \r\n
      "... another thing I noticed with the sound is ... this one opens up as you would expect a 45 to, but there's much more detail in the mid-range so that is really impressive and a key to my enjoyment of this album as a whole". - Scott Wilson, The Pressing Matters, YouTube. Watch the full review here.\r\n
      \r\n
      Genesis' sixth studio album was released as a double album in November 1974 by Charisma Records and is the last to feature original frontman Peter Gabriel. The group's longest album to date, The Lamb Lies Down on Broadway peaked at No. 10 on the U.K. Albums Chart and N° 41 on the Billboard 200 in the U.S..\r\n
      \r\n
      The album is a concept album and tells the surreal story, devised by Gabriel, of a young Puerto Rican named Rael who embarks on a journey through a series of strange and bizarre events in New York City.\r\n
      \r\n
      Musically, the album is a departure from the band's previous works, incorporating a wide range of styles including progressive rock, art rock, funk, and jazz fusion. The album features complex rhythms, intricate melodies, and dense layers of instrumentation, showcasing the band's virtuosic musicianship.\r\n
      \r\n
      The album is notable for its use of storytelling, with each track contributing to the larger narrative of Rael's journey. The lyrics are often cryptic and abstract, and the album's surreal imagery has been interpreted in a variety of ways by listeners and critics.\r\n
      \r\n
      The Lamb Lies Down On Broadway gained acclaim in the years after its release, reaching gold certification for sales in the U.K. and U.S.. In 1978, Nick Kent wrote for NME that it "had a compelling appeal that often transcended the hoary weightiness of the mammoth concept that held the equally mammoth four sides of vinyl together." In a special edition of Q and Mojo magazines titled Pink Floyd & The Story of Prog Rock, The Lamb ranked at N° 14 in its 40 Cosmic Rock Albums list. The album came third in a list of the 10 best concept albums by Uncut magazine, where it was described as an "impressionistic, intense album" and "pure theatre (in a good way) and still Gabriel's best work." A Rolling Stone poll to rank readers' favourite progressive rock albums of all time placed The Lamb fifth in the list.\r\n
      \r\n
      The Lamb Lies Down On Broadway is widely regarded as one of Genesis's most important and influential works, inspiring generations of progressive rock musicians.
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Peter Gabriel (flute, oboe, percussion, lead vocals), Tony Banks (keyboards, synthesizers, mellotron, backing vocals), Steve Hackett (electric & acoustic guitars)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 4
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=F8Zs6axh7dE&list=RDF8Zs6axh7dE&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 013-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 1
        "nom" => "1. The Lamb Lies Down On Broadway"
      ]
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        "nom" => "2. Fly On A Windshield"
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      [
        "ordre" => 3
        "nom" => "3. Broadway Melody of 1974"
      ]
      [
        "ordre" => 4
        "nom" => "4. Cuckoo Cocoon"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
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      [
        "ordre" => 6
        "nom" => "1. In The Cage"
      ]
      [
        "ordre" => 7
        "nom" => "2. The Grand Parade Of Lifeless Packaging"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Back In N.Y.C."
      ]
      [
        "ordre" => 10
        "nom" => "2. Hairless Heart"
      ]
      [
        "ordre" => 11
        "nom" => "3. Counting Out Time"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Carpet Crawlers"
      ]
      [
        "ordre" => 14
        "nom" => "2. The Chamber Of 32 Doors"
      ]
      [
        "ordre" => 15
        "nom" => "Side E :"
      ]
      [
        "ordre" => 16
        "nom" => "1. Lilywhite Lilith"
      ]
      [
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        "nom" => "2. The Waiting Room"
      ]
      [
        "ordre" => 18
        "nom" => "3. Anyway"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => "Side F : "
      ]
      [
        "ordre" => 21
        "nom" => "1. Here Comes The Supernatural Anaesthetist"
      ]
      [
        "ordre" => 22
        "nom" => "2. The Lamia"
      ]
      [
        "ordre" => 23
        "nom" => "3. Silent Sorrow In Empty Boats"
      ]
      [
        "ordre" => 24
        "nom" => "Side G :"
      ]
      [
        "ordre" => 25
        "nom" => "1. The Colony Of Slippermen"
      ]
      [
        "ordre" => 26
        "nom" => "a. The Arrival"
      ]
      [
        "ordre" => 27
        "nom" => "b. A Visit To The Doktor"
      ]
      [
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        "nom" => "c. The Raven"
      ]
      [
        "ordre" => 29
        "nom" => "2. Ravine"
      ]
      [
        "ordre" => 30
        "nom" => "3. The Light Dies Down On Broadway"
      ]
      [
        "ordre" => 31
        "nom" => "Side H : "
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      [
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        "nom" => "1. Riding The Scree"
      ]
      [
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        "nom" => "2. In The Rapids"
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      [
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
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[
  "produit" => App\Entity\Produit {#2215
    -id: 1419
    -nom: "JT"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      James Taylor (acoustic guitar, electric guitar, vocals), Danny Kortchmar (electric guitar, acoustic guitar), Lee Ritenour (electric guitar), Leland Sklar (bass guitar), Carole King (piano, backing vocals), David Sanborn, Michael Brecker (saxophone), Clarence McDonald (keyboards, piano), Ralph MacDonald (percussion), Russ Kunkel (drums, percussion).\r\n
      \r\n
      - Triple-Platinum Album Reestablished James Taylor's Prominent Place in the Folk-Rock Community : JT Finds Singer Alternating Between Shade and Light !\r\n
      - Warmth, Immediacy, and Intimacy: Mobile Fidelity's Numbered-Edition 180 gram 33 RPM LP Is Sourced from the Original Analog Master Tapes for Exceptional Sound !\r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      James Taylor's best-selling record since 1970's hallmark Sweet Baby James, the triple-platinum JT takes its permanent place as one of the singer's most enduring albums an affair that gorges on country, blues, and rock styles as well as incisive songwriting. As the preeminent singer-songwriter's Columbia debut, it catapulted Taylor back into the limelight and reestablished his place as the era's leading-edge folk-rock troubadour.\r\n
      \r\n
      Sourced from the original analog master tapes, Mobile Fidelity's numbered-edition 180 gram LP possesses a warmth, immediacy, and intimacy absent from other pressings. The singer's comforting voice, breath control, and enchanting guitar lines sound as if they pour right out of the studio control room. Similarly, the splendid array of backing instrumentation is balanced, vivid, and dynamic. Taylor should always sound this realistic, warm, and lively.\r\n
      \r\n
      More than any other of his records, JT features all sides of Taylor's lyrical persona. Optimistic, content material fills half of the 1977 set while Taylor reveals a darker, moodier identity on a number of songs that keep the 12 track set alternating between shade and light, shadow and sun. He turns romantic and blissful on the touching ballad "There We Are", praises the power of love on "Your Smiling Face", and enchants with the graceful "Secret O'Life".\r\n
      \r\n
      In addition to channeling domestic bliss, Taylor expresses surprise and cynicism on "Honey Don't Leave L.A.", delves into despair on "Another Grey Morning", and invites sardonic tones on "Bartender's Blues." The result is a complete picture of an extraordinary songwriter and an accurate sketch of the mixed emotions many of us feel when it comes to romance. Taylor's ability to capture deep-seated feelings and set them to lyrical and musical poetry explains why we relate to him on such a meta-level. It's also why his music, including JT, remains timeless.\r\n
      \r\n
      Taylor doesn't do it all alone. JT benefits from an all-star support cast. Carly Simon and Linda Ronstadt supply background vocals, saxophone great David Sanborn plays the horn, Russ Kunkel mans the percussion, and arranger David Campbell oversees the strings and woodwinds. It's no wonder why many fans consider this gorgeous collection of Laurel Canyon pop-rock Taylor's finest.\r\n
      \r\n
      Whether you've never heard this record or know it inside and out, this reissue will open your ears to previously hidden details ranging from pedal-steel guitar accents to honky-tonk tonalities. Taylor's funky rhythms, too, gain in stature, as does his command of pace and tempo.
      """
    -prixVente: "69.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "James Taylor (acoustic guitar, electric guitar, vocals), Danny Kortchmar (electric guitar, acoustic guitar), Lee Ritenour (electric guitar), Leland Sklar (bass guitar), Carole King (piano, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QrXdNiQohyw&list=RDQrXdNiQohyw&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-354"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Your Smiling Face "
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        "ordre" => 2
        "nom" => "2. There We Are "
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        "ordre" => 3
        "nom" => "3. Honey Don’t Leave L.A. "
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        "nom" => "4. Another Grey Morning "
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        "ordre" => 5
        "nom" => "5. Bartender’s Blues "
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        "nom" => "6. Secret O’ Life"
      ]
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        "ordre" => 7
        "nom" => "Side B : "
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        "ordre" => 8
        "nom" => "1. Handy Man "
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        "nom" => "2. I Was Only Telling a Lie "
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        "nom" => "3. Looking for Love on Broadway "
      ]
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        "ordre" => 11
        "nom" => "4. Terra Nova "
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      [
        "ordre" => 12
        "nom" => "5. Traffic Jam "
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        "ordre" => 13
        "nom" => "6. If I Keep My Heart Out of Sight"
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      [
        "ordre" => 14
        "nom" => ""
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2217 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
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    -modifierLe: DateTime @1771865631 {#2213
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3668
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2215
    -id: 1419
    -nom: "JT"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      James Taylor (acoustic guitar, electric guitar, vocals), Danny Kortchmar (electric guitar, acoustic guitar), Lee Ritenour (electric guitar), Leland Sklar (bass guitar), Carole King (piano, backing vocals), David Sanborn, Michael Brecker (saxophone), Clarence McDonald (keyboards, piano), Ralph MacDonald (percussion), Russ Kunkel (drums, percussion).\r\n
      \r\n
      - Triple-Platinum Album Reestablished James Taylor's Prominent Place in the Folk-Rock Community : JT Finds Singer Alternating Between Shade and Light !\r\n
      - Warmth, Immediacy, and Intimacy: Mobile Fidelity's Numbered-Edition 180 gram 33 RPM LP Is Sourced from the Original Analog Master Tapes for Exceptional Sound !\r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      James Taylor's best-selling record since 1970's hallmark Sweet Baby James, the triple-platinum JT takes its permanent place as one of the singer's most enduring albums an affair that gorges on country, blues, and rock styles as well as incisive songwriting. As the preeminent singer-songwriter's Columbia debut, it catapulted Taylor back into the limelight and reestablished his place as the era's leading-edge folk-rock troubadour.\r\n
      \r\n
      Sourced from the original analog master tapes, Mobile Fidelity's numbered-edition 180 gram LP possesses a warmth, immediacy, and intimacy absent from other pressings. The singer's comforting voice, breath control, and enchanting guitar lines sound as if they pour right out of the studio control room. Similarly, the splendid array of backing instrumentation is balanced, vivid, and dynamic. Taylor should always sound this realistic, warm, and lively.\r\n
      \r\n
      More than any other of his records, JT features all sides of Taylor's lyrical persona. Optimistic, content material fills half of the 1977 set while Taylor reveals a darker, moodier identity on a number of songs that keep the 12 track set alternating between shade and light, shadow and sun. He turns romantic and blissful on the touching ballad "There We Are", praises the power of love on "Your Smiling Face", and enchants with the graceful "Secret O'Life".\r\n
      \r\n
      In addition to channeling domestic bliss, Taylor expresses surprise and cynicism on "Honey Don't Leave L.A.", delves into despair on "Another Grey Morning", and invites sardonic tones on "Bartender's Blues." The result is a complete picture of an extraordinary songwriter and an accurate sketch of the mixed emotions many of us feel when it comes to romance. Taylor's ability to capture deep-seated feelings and set them to lyrical and musical poetry explains why we relate to him on such a meta-level. It's also why his music, including JT, remains timeless.\r\n
      \r\n
      Taylor doesn't do it all alone. JT benefits from an all-star support cast. Carly Simon and Linda Ronstadt supply background vocals, saxophone great David Sanborn plays the horn, Russ Kunkel mans the percussion, and arranger David Campbell oversees the strings and woodwinds. It's no wonder why many fans consider this gorgeous collection of Laurel Canyon pop-rock Taylor's finest.\r\n
      \r\n
      Whether you've never heard this record or know it inside and out, this reissue will open your ears to previously hidden details ranging from pedal-steel guitar accents to honky-tonk tonalities. Taylor's funky rhythms, too, gain in stature, as does his command of pace and tempo.
      """
    -prixVente: "69.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "James Taylor (acoustic guitar, electric guitar, vocals), Danny Kortchmar (electric guitar, acoustic guitar), Lee Ritenour (electric guitar), Leland Sklar (bass guitar), Carole King (piano, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QrXdNiQohyw&list=RDQrXdNiQohyw&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-354"
    -titreMorceau: [
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        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Your Smiling Face "
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        "ordre" => 2
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      [
        "ordre" => 3
        "nom" => "3. Honey Don’t Leave L.A. "
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      [
        "ordre" => 4
        "nom" => "4. Another Grey Morning "
      ]
      [
        "ordre" => 5
        "nom" => "5. Bartender’s Blues "
      ]
      [
        "ordre" => 6
        "nom" => "6. Secret O’ Life"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
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      [
        "ordre" => 8
        "nom" => "1. Handy Man "
      ]
      [
        "ordre" => 9
        "nom" => "2. I Was Only Telling a Lie "
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      [
        "ordre" => 10
        "nom" => "3. Looking for Love on Broadway "
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      [
        "ordre" => 11
        "nom" => "4. Terra Nova "
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      [
        "ordre" => 12
        "nom" => "5. Traffic Jam "
      ]
      [
        "ordre" => 13
        "nom" => "6. If I Keep My Heart Out of Sight"
      ]
      [
        "ordre" => 14
        "nom" => ""
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      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2217 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
    -style: App\Entity\Style {#1453 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2221 …}
    -enregistreLe: DateTime @1542052893 {#2212
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    }
    -modifierLe: DateTime @1771865631 {#2213
      date: 2026-02-23 16:53:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2223 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-jt-mobile-fidelity-sound-lab-mfsl-1-354"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
}

[
  "produit" => App\Entity\Produit {#2231
    -id: 3008
    -nom: "The Captain and Me (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The Album That Made the Doobie Brothers Superstars: The Captain and Me Features the Hits "China Grove" and "Long Train Runnin'", Even Balance Between Edgy Rock and Rustic Ballads !\r\n
      - Experience the 1973 Record in Definitive Sound: Mobile Fidelity's Numbered-Edition 180 gram 45 RPM (2 LP) Set Elevates Ted Templeman's Production and Comes Housed in a Stoughton Gatefold Jacket !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Taking off on the commercial success of Toulouse Street, The Captain and Me propelled the Doobie Brothers to superstar status. Having spent an entire year on the charts after its March 1973 release, the band's third record features one classic after another. Not to mention an even-keeled balance between gritty rock fare and mellow balladry that highlights the group's chemistry and songwriting prowess. And a guest turn on pedal steel by Steely Dan alum Jeff “Skunk” Baxter, who’d officially crack the Doobie Brothers’ lineup the following year. \r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) presents The Captain and Me in definitive sound. Given the luxurious room of a 45 RPM version for the first time and benefiting from the wider grooves, the music unfolds amid large soundstages replete with ultra-quiet backgrounds, vivid dynamics, and sharp imaging. Ted Templeman’s excellent production charms like never before. \r\n
      \r\n
      The organic sonics of The Captain and Me demonstrate why myriad listeners swear allegiance to 70s recordings. Facets that help make the album so welcoming voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace from beginning to end, well-placed percussive accents, warm tones, defined separation between the players come across on this collectible reissue with involving presence, openness, and realism. Everything sounds crisp and clear. Nothing is overdone or out of place, even with the addition of strings and synthesizers in places. \r\n
      \r\n
      No wonder why The Captain and Me stands as one the feel-good California quintet's signature works. Balanced between Tom Johnston's harder-edged contributions and Patrick Simmons' rustic excursions, the album displays a stunning array of high harmonies and interlocking rhythms. Laidback yet engaged, the stylistic combination belies the Doobies' roots as a Northern California bar band that played at afternoon jam sessions for members of the Hells Angels and parallels its evolution into a more polished, confident collective on par with mainstream peers the Eagles and the Allman Brothers Band.\r\n
      \r\n
      Such biker-meets-beach mentality informs the lead-off "Natural Thing" a midtempo tune that feeds of the tension between the acoustic and electric guitars while showing off the the band’s then-new incorporation of ARP synthesizers and on the skyward title track, which builds in energy as it moves towards a climax. And of course, there's the Top 15 smash "China Grove" and Top 10 hit "Long Train Runnin'". Each pop-rock hallmark rides memorable guitar riffs into the sunset. Each conjures the liberating feelings of wind blowing through your hair and three-day weekends. Each never gets old. \r\n
      \r\n
      By keeping their craft deceptively simple and thoroughly enjoyable, the Doobies understand music is supposed to be fun and that it needs to groove. And groove and sway The Captain and Me does without fail. You could say it keeps on movin’. Another key reason for its ageless charm : The playing of pianist Bill Payne. The Little Feat member appears on five cuts, including the romantic “South City Midnight Lady” (along with Baxter), polyrhythmic “Without You”, and blues corker “Dark Eyed Cajun Woman”. \r\n
      \r\n
      You’d likely never guess the Doobie Brothers made The Captain and Me under the pressures associated with a quick turnaround time and demands for a set that would prove its prior LP wasn’t a fluke. More than two million copies in sales, two massive singles, and Top 10 chart status did more than that. The Captain and Me sent the band on its way to Rock and Roll Hall of Fame stature and permanent standing as one of the great rock ‘n’ roll bands of its time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Tom Johnston, Patrick Simmons (guitar, vocals), Tiran Porter (bass, backing vocals), John Hartman, Michael Hossack (drums, percussion), Bill Payne (keyboards), Jeff Baxter (pedal steel guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ffGfxHxGj_g&list=RDffGfxHxGj_g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-597"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Natural Thing"
      ]
      [
        "ordre" => 2
        "nom" => "2. Long Train Runnin’"
      ]
      [
        "ordre" => 3
        "nom" => "3. China Grove"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Dark Eyed Cajun Woman"
      ]
      [
        "ordre" => 6
        "nom" => "2. Clear as the Driven Snow"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Without You"
      ]
      [
        "ordre" => 9
        "nom" => "2. South City Midnight Lady"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Evil Woman"
      ]
      [
        "ordre" => 12
        "nom" => "2. Busted Down Around O’Connelly Corners"
      ]
      [
        "ordre" => 13
        "nom" => "3. Ukiah"
      ]
      [
        "ordre" => 14
        "nom" => "4. The Captain and Me"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2233 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
    -style: App\Entity\Style {#1453 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2237 …}
    -enregistreLe: DateTime @1771863549 {#2228
      date: 2026-02-23 16:19:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771863868 {#2229
      date: 2026-02-23 16:24:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2239 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-the-captain-and-me-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-597"
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App\Twig\Components\GestionPanierFavoriComponents {#3719
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2231
    -id: 3008
    -nom: "The Captain and Me (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The Album That Made the Doobie Brothers Superstars: The Captain and Me Features the Hits "China Grove" and "Long Train Runnin'", Even Balance Between Edgy Rock and Rustic Ballads !\r\n
      - Experience the 1973 Record in Definitive Sound: Mobile Fidelity's Numbered-Edition 180 gram 45 RPM (2 LP) Set Elevates Ted Templeman's Production and Comes Housed in a Stoughton Gatefold Jacket !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Taking off on the commercial success of Toulouse Street, The Captain and Me propelled the Doobie Brothers to superstar status. Having spent an entire year on the charts after its March 1973 release, the band's third record features one classic after another. Not to mention an even-keeled balance between gritty rock fare and mellow balladry that highlights the group's chemistry and songwriting prowess. And a guest turn on pedal steel by Steely Dan alum Jeff “Skunk” Baxter, who’d officially crack the Doobie Brothers’ lineup the following year. \r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) presents The Captain and Me in definitive sound. Given the luxurious room of a 45 RPM version for the first time and benefiting from the wider grooves, the music unfolds amid large soundstages replete with ultra-quiet backgrounds, vivid dynamics, and sharp imaging. Ted Templeman’s excellent production charms like never before. \r\n
      \r\n
      The organic sonics of The Captain and Me demonstrate why myriad listeners swear allegiance to 70s recordings. Facets that help make the album so welcoming voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace from beginning to end, well-placed percussive accents, warm tones, defined separation between the players come across on this collectible reissue with involving presence, openness, and realism. Everything sounds crisp and clear. Nothing is overdone or out of place, even with the addition of strings and synthesizers in places. \r\n
      \r\n
      No wonder why The Captain and Me stands as one the feel-good California quintet's signature works. Balanced between Tom Johnston's harder-edged contributions and Patrick Simmons' rustic excursions, the album displays a stunning array of high harmonies and interlocking rhythms. Laidback yet engaged, the stylistic combination belies the Doobies' roots as a Northern California bar band that played at afternoon jam sessions for members of the Hells Angels and parallels its evolution into a more polished, confident collective on par with mainstream peers the Eagles and the Allman Brothers Band.\r\n
      \r\n
      Such biker-meets-beach mentality informs the lead-off "Natural Thing" a midtempo tune that feeds of the tension between the acoustic and electric guitars while showing off the the band’s then-new incorporation of ARP synthesizers and on the skyward title track, which builds in energy as it moves towards a climax. And of course, there's the Top 15 smash "China Grove" and Top 10 hit "Long Train Runnin'". Each pop-rock hallmark rides memorable guitar riffs into the sunset. Each conjures the liberating feelings of wind blowing through your hair and three-day weekends. Each never gets old. \r\n
      \r\n
      By keeping their craft deceptively simple and thoroughly enjoyable, the Doobies understand music is supposed to be fun and that it needs to groove. And groove and sway The Captain and Me does without fail. You could say it keeps on movin’. Another key reason for its ageless charm : The playing of pianist Bill Payne. The Little Feat member appears on five cuts, including the romantic “South City Midnight Lady” (along with Baxter), polyrhythmic “Without You”, and blues corker “Dark Eyed Cajun Woman”. \r\n
      \r\n
      You’d likely never guess the Doobie Brothers made The Captain and Me under the pressures associated with a quick turnaround time and demands for a set that would prove its prior LP wasn’t a fluke. More than two million copies in sales, two massive singles, and Top 10 chart status did more than that. The Captain and Me sent the band on its way to Rock and Roll Hall of Fame stature and permanent standing as one of the great rock ‘n’ roll bands of its time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Tom Johnston, Patrick Simmons (guitar, vocals), Tiran Porter (bass, backing vocals), John Hartman, Michael Hossack (drums, percussion), Bill Payne (keyboards), Jeff Baxter (pedal steel guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ffGfxHxGj_g&list=RDffGfxHxGj_g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-597"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Natural Thing"
      ]
      [
        "ordre" => 2
        "nom" => "2. Long Train Runnin’"
      ]
      [
        "ordre" => 3
        "nom" => "3. China Grove"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Dark Eyed Cajun Woman"
      ]
      [
        "ordre" => 6
        "nom" => "2. Clear as the Driven Snow"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Without You"
      ]
      [
        "ordre" => 9
        "nom" => "2. South City Midnight Lady"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Evil Woman"
      ]
      [
        "ordre" => 12
        "nom" => "2. Busted Down Around O’Connelly Corners"
      ]
      [
        "ordre" => 13
        "nom" => "3. Ukiah"
      ]
      [
        "ordre" => 14
        "nom" => "4. The Captain and Me"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2233 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2242 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2235 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2237 …}
    -enregistreLe: DateTime @1771863549 {#2228
      date: 2026-02-23 16:19:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771863868 {#2229
      date: 2026-02-23 16:24:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2239 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-captain-and-me-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-597"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
}

[
  "produit" => App\Entity\Produit {#2247
    -id: 1830
    -nom: "Into Somethin'"
    -informationComplementaire: null
    -description: """
      - From the Blue Note 80 Vinyl Reissue Series !\r\n
      - Curated by Don Was and Cem Kurosman !\r\n
      - Mastered by Kevin Gray from the original master tapes !\r\n
      - 180 gram LP pressed at Optimal in Germany !\r\n
      \r\n
      In honor of Blue Note Records' 80th Anniversary, the legendary jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this second series curated by Don Was and Cem Kurosman features 180 gram vinyl LP releases in standard packaging with albums spanning the many eras of the label's history presented by themes : Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. The series resumes in May 2020 with Part 4 of theGreat Reid Miles Covers theme Larry Young "Into Somethin'" (1964), Kenny Dorham "Trompeta Toccata" (1965), and Andrew Hill "Smoke Stack" (1966).\r\n
      \r\n
      \r\n
      On 1964's "Into Somethin'" his first album for Blue Note Larry Young made it abundantly clear that he had his own unique approach to the Hammond B-3 organ. Rather than the tried-and-true soul jazz sound so strongly identified with the instrument, Young explored more modal territory over the course of his six Blue Note albums including this tremendous session featuring tenor saxophonist Sam Rivers, guitarist Grant Green, and drummer Elvin Jones. The remarkable album cover design by Reid Miles made excellent use of a memorable photograph by Francis Wolff.\r\n
      \r\n
      This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Larry Young (organ), Grant Green (guitar), Sam Rivers (tenor saxophone), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rLeeAHJ6E-o"
    -referenceProduit: "Blue Note Records 2548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Tyrone"
      ]
      [
        "ordre" => 2
        "nom" => "2. Plaza de Toros"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Paris"
      ]
      [
        "ordre" => 5
        "nom" => "2. Back Up"
      ]
      [
        "ordre" => 6
        "nom" => "3. Ritha"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2249 …}
    -label: Proxies\__CG__\App\Entity\Label {#2252 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2261 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2254 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2256 …}
    -enregistreLe: DateTime @1585034709 {#2244
      date: 2020-03-24 07:25:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771779371 {#2245
      date: 2026-02-22 16:56:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2258 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-into-somethin-blue-note-records-2548"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3770
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2685 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2247
    -id: 1830
    -nom: "Into Somethin'"
    -informationComplementaire: null
    -description: """
      - From the Blue Note 80 Vinyl Reissue Series !\r\n
      - Curated by Don Was and Cem Kurosman !\r\n
      - Mastered by Kevin Gray from the original master tapes !\r\n
      - 180 gram LP pressed at Optimal in Germany !\r\n
      \r\n
      In honor of Blue Note Records' 80th Anniversary, the legendary jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this second series curated by Don Was and Cem Kurosman features 180 gram vinyl LP releases in standard packaging with albums spanning the many eras of the label's history presented by themes : Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. The series resumes in May 2020 with Part 4 of theGreat Reid Miles Covers theme Larry Young "Into Somethin'" (1964), Kenny Dorham "Trompeta Toccata" (1965), and Andrew Hill "Smoke Stack" (1966).\r\n
      \r\n
      \r\n
      On 1964's "Into Somethin'" his first album for Blue Note Larry Young made it abundantly clear that he had his own unique approach to the Hammond B-3 organ. Rather than the tried-and-true soul jazz sound so strongly identified with the instrument, Young explored more modal territory over the course of his six Blue Note albums including this tremendous session featuring tenor saxophonist Sam Rivers, guitarist Grant Green, and drummer Elvin Jones. The remarkable album cover design by Reid Miles made excellent use of a memorable photograph by Francis Wolff.\r\n
      \r\n
      This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Larry Young (organ), Grant Green (guitar), Sam Rivers (tenor saxophone), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rLeeAHJ6E-o"
    -referenceProduit: "Blue Note Records 2548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Tyrone"
      ]
      [
        "ordre" => 2
        "nom" => "2. Plaza de Toros"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Paris"
      ]
      [
        "ordre" => 5
        "nom" => "2. Back Up"
      ]
      [
        "ordre" => 6
        "nom" => "3. Ritha"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2249 …}
    -label: Proxies\__CG__\App\Entity\Label {#2252 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2261 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2254 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2256 …}
    -enregistreLe: DateTime @1585034709 {#2244
      date: 2020-03-24 07:25:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771779371 {#2245
      date: 2026-02-22 16:56:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2258 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-into-somethin-blue-note-records-2548"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3971
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2453 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3972 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4020 …}
  +isValidated: false
  +validatedFields: []
}