Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2646
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2723
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2726 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
  -formView: Symfony\Component\Form\FormView {#2762 …}
  -form: Symfony\Component\Form\Form {#2912 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 3058
    -nom: "Dexter Calling"
    -informationComplementaire: "Le hard bop à l’état pur, porté par le souffle inimitable de Dexter Gordon. Avec "Dexter Calling...", chaque note respire, un son ample, chaleureux, et toute l’élégance du jazz Blue Note."
    -description: """
      Enregistré en 1961 pour le mythique label Blue Note Records, "Dexter Calling..." capture Dexter Gordon à un moment de parfaite maîtrise artistique. Son jeu de saxophone ténor, à la fois posé et expressif, déroule des phrases longues, pleines de swing et d’une élégance naturelle.\r\n
      \r\n
      Pour cette session, il s’entoure d’un trio d’exception, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie. Ensemble, ils créent un équilibre parfait entre souplesse rythmique et énergie bop, donnant à chaque morceau une respiration fluide et vivante.\r\n
      \r\n
      Entre standards revisités et compositions originales, l’album oscille avec finesse entre lyrisme et swing, confirmant le statut de Dexter Gordon comme l’une des grandes voix du jazz moderne.\r\n
      \r\n
      Dexter Calling... n’est pas seulement un disque, c’est une conversation musicale, un appel lancé aux amateurs de jazz et une réponse immédiate pour ceux qui cherchent l’essence du hard bop.\r\n
      \r\n
      - Dexter Gordon "Dexter Calling" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Though he first recorded in the late-1940s, Dexter Gordon's 1961 signing to Blue Note Records marked the beginning of a career renaissance for the great tenor saxophonist after a tumultuous decade. With the swift one-two punch of his label debut Doin' Allright and Dexter Calling, recorded just three days apart in May 1961, Dexter solidified his return to form with aplomb. Dexter Calling featured an entirely different band with Dexter holding forth at the helm of a potent quartet with pianist Kenny Drew, bassist Paul Chambers, and drummer Philly Joe Jones. The set opens with the soulful hard bop gem "Soul Sister" before shifting into high gear and proving his dexterity on hard-charging numbers such as "Modal Mood", "I Want More", and "Clear the Dex". Gordon slows down for the stunning ballad "Ernie's Tune" before closing the set with Charlie Chaplin's joyous "Smile".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dexter Gordon (tenor saxophone), Kenny Drew –(piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=nxLCnWurc48&list=RDnxLCnWurc48&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series  9548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Soul Sister"
      ]
      [
        "ordre" => 2
        "nom" => "2. Modal Mood"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Want More "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. End Of A Love Affair"
      ]
      [
        "ordre" => 6
        "nom" => "2. Clear The Dex"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ernie's Tune"
      ]
      [
        "ordre" => 8
        "nom" => "4. Smile"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1775666383 {#1929
      date: 2026-04-08 16:39:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777963829 {#1922
      date: 2026-05-05 06:50:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dexter-calling-blue-note-tone-poet-series-9548"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3183
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 3058
    -nom: "Dexter Calling"
    -informationComplementaire: "Le hard bop à l’état pur, porté par le souffle inimitable de Dexter Gordon. Avec "Dexter Calling...", chaque note respire, un son ample, chaleureux, et toute l’élégance du jazz Blue Note."
    -description: """
      Enregistré en 1961 pour le mythique label Blue Note Records, "Dexter Calling..." capture Dexter Gordon à un moment de parfaite maîtrise artistique. Son jeu de saxophone ténor, à la fois posé et expressif, déroule des phrases longues, pleines de swing et d’une élégance naturelle.\r\n
      \r\n
      Pour cette session, il s’entoure d’un trio d’exception, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie. Ensemble, ils créent un équilibre parfait entre souplesse rythmique et énergie bop, donnant à chaque morceau une respiration fluide et vivante.\r\n
      \r\n
      Entre standards revisités et compositions originales, l’album oscille avec finesse entre lyrisme et swing, confirmant le statut de Dexter Gordon comme l’une des grandes voix du jazz moderne.\r\n
      \r\n
      Dexter Calling... n’est pas seulement un disque, c’est une conversation musicale, un appel lancé aux amateurs de jazz et une réponse immédiate pour ceux qui cherchent l’essence du hard bop.\r\n
      \r\n
      - Dexter Gordon "Dexter Calling" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Though he first recorded in the late-1940s, Dexter Gordon's 1961 signing to Blue Note Records marked the beginning of a career renaissance for the great tenor saxophonist after a tumultuous decade. With the swift one-two punch of his label debut Doin' Allright and Dexter Calling, recorded just three days apart in May 1961, Dexter solidified his return to form with aplomb. Dexter Calling featured an entirely different band with Dexter holding forth at the helm of a potent quartet with pianist Kenny Drew, bassist Paul Chambers, and drummer Philly Joe Jones. The set opens with the soulful hard bop gem "Soul Sister" before shifting into high gear and proving his dexterity on hard-charging numbers such as "Modal Mood", "I Want More", and "Clear the Dex". Gordon slows down for the stunning ballad "Ernie's Tune" before closing the set with Charlie Chaplin's joyous "Smile".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dexter Gordon (tenor saxophone), Kenny Drew –(piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=nxLCnWurc48&list=RDnxLCnWurc48&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series  9548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Soul Sister"
      ]
      [
        "ordre" => 2
        "nom" => "2. Modal Mood"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Want More "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. End Of A Love Affair"
      ]
      [
        "ordre" => 6
        "nom" => "2. Clear The Dex"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ernie's Tune"
      ]
      [
        "ordre" => 8
        "nom" => "4. Smile"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1775666383 {#1929
      date: 2026-04-08 16:39:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777963829 {#1922
      date: 2026-05-05 06:50:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dexter-calling-blue-note-tone-poet-series-9548"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2102
    -id: 3073
    -nom: "In Times Of Dragons"
    -informationComplementaire: "Plongez dans "In Times of Dragons", une odyssée musicale envoûtante signée Tori Amos, là où émotions brutes et élégance sonore se rencontrent pour donner vie à un monde aussi fragile que puissant."
    -description: """
      In Times of Dragons de Tori Amos est une œuvre à la fois intime et cinématographique, où l’artiste explore des paysages émotionnels profonds à travers une instrumentation riche et organique. Porté par le piano signature d’Amos, l’album mêle textures électroniques, arrangements de cordes et rythmiques subtiles pour créer une atmosphère à la fois mystique et contemporaine.\r\n
      \r\n
      Entourée de musiciens fidèles comme Matt Chamberlain (batterie), Jon Evans (basse) et Mark Hawley (guitare), Tori Amos tisse un univers sonore dense où chaque morceau agit comme un chapitre d’un récit plus vaste. Les thèmes abordés oscillent entre introspection, résilience et imaginaire mythologique, donnant à l’album une profondeur narrative rare.\r\n
      \r\n
      - Tori Amos "In Times Of Dragons" !\r\n
      - 18 -gram double LP !\r\n
      \r\n
      Tori Amos is returning for spring 2026 with a new album called In Times of Dragons. The album is a "metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non-accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons' in their usurpation of America", Amos shared in a press release.\r\n
      \r\n
      Amos has also shared an extensive list of tour dates for 35 shows in the United States this summer, kicking off in July in Florida and wrapping up at the beginning of September in Seattle.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Tori Amos (piano, keyboards, harpsichord, synthesizer, vocals), Mark Hawley (guitar, ukulele), Jon Evans (bass), Matt Chamberlain (drums, percussion), Natashya “Tash” Hawley (vocals), John Philip Shenale (keyboards, synthesizer, string arrangement)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=O8LPsY5HBp4&list=RDO8LPsY5HBp4&start_radio=1"
    -referenceProduit: "Decca Records"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Shush"
      ]
      [
        "ordre" => 2
        "nom" => "2. In Times of Dragons"
      ]
      [
        "ordre" => 3
        "nom" => "3. Provincetown "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. St. Teresa"
      ]
      [
        "ordre" => 6
        "nom" => "2. Gasoline Girls"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ode to Minnesota"
      ]
      [
        "ordre" => 8
        "nom" => "4. Fanny Faudrey"
      ]
      [
        "ordre" => 9
        "nom" => "5. Veins"
      ]
      [
        "ordre" => 10
        "nom" => "6. Strawberry Moon "
      ]
      [
        "ordre" => 11
        "nom" => "Side C :"
      ]
      [
        "ordre" => 12
        "nom" => "1. Song of Sorrow"
      ]
      [
        "ordre" => 13
        "nom" => "2. Flood"
      ]
      [
        "ordre" => 14
        "nom" => "3. Pyrite"
      ]
      [
        "ordre" => 15
        "nom" => "4. Tempest "
      ]
      [
        "ordre" => 16
        "nom" => "Side D : "
      ]
      [
        "ordre" => 17
        "nom" => "1. Angelshark"
      ]
      [
        "ordre" => 18
        "nom" => "2. Blue Lotus"
      ]
      [
        "ordre" => 19
        "nom" => "3. Stronger Together"
      ]
      [
        "ordre" => 20
        "nom" => "4. 23 Peaks"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2104 …}
    -label: Proxies\__CG__\App\Entity\Label {#2107 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2116 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2109 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2111 …}
    -enregistreLe: DateTime @1777706443 {#2095
      date: 2026-05-02 07:20:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777706995 {#2096
      date: 2026-05-02 07:29:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2113 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-in-times-of-dragons-decca-records"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3297
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2102
    -id: 3073
    -nom: "In Times Of Dragons"
    -informationComplementaire: "Plongez dans "In Times of Dragons", une odyssée musicale envoûtante signée Tori Amos, là où émotions brutes et élégance sonore se rencontrent pour donner vie à un monde aussi fragile que puissant."
    -description: """
      In Times of Dragons de Tori Amos est une œuvre à la fois intime et cinématographique, où l’artiste explore des paysages émotionnels profonds à travers une instrumentation riche et organique. Porté par le piano signature d’Amos, l’album mêle textures électroniques, arrangements de cordes et rythmiques subtiles pour créer une atmosphère à la fois mystique et contemporaine.\r\n
      \r\n
      Entourée de musiciens fidèles comme Matt Chamberlain (batterie), Jon Evans (basse) et Mark Hawley (guitare), Tori Amos tisse un univers sonore dense où chaque morceau agit comme un chapitre d’un récit plus vaste. Les thèmes abordés oscillent entre introspection, résilience et imaginaire mythologique, donnant à l’album une profondeur narrative rare.\r\n
      \r\n
      - Tori Amos "In Times Of Dragons" !\r\n
      - 18 -gram double LP !\r\n
      \r\n
      Tori Amos is returning for spring 2026 with a new album called In Times of Dragons. The album is a "metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non-accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons' in their usurpation of America", Amos shared in a press release.\r\n
      \r\n
      Amos has also shared an extensive list of tour dates for 35 shows in the United States this summer, kicking off in July in Florida and wrapping up at the beginning of September in Seattle.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Tori Amos (piano, keyboards, harpsichord, synthesizer, vocals), Mark Hawley (guitar, ukulele), Jon Evans (bass), Matt Chamberlain (drums, percussion), Natashya “Tash” Hawley (vocals), John Philip Shenale (keyboards, synthesizer, string arrangement)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=O8LPsY5HBp4&list=RDO8LPsY5HBp4&start_radio=1"
    -referenceProduit: "Decca Records"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Shush"
      ]
      [
        "ordre" => 2
        "nom" => "2. In Times of Dragons"
      ]
      [
        "ordre" => 3
        "nom" => "3. Provincetown "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. St. Teresa"
      ]
      [
        "ordre" => 6
        "nom" => "2. Gasoline Girls"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ode to Minnesota"
      ]
      [
        "ordre" => 8
        "nom" => "4. Fanny Faudrey"
      ]
      [
        "ordre" => 9
        "nom" => "5. Veins"
      ]
      [
        "ordre" => 10
        "nom" => "6. Strawberry Moon "
      ]
      [
        "ordre" => 11
        "nom" => "Side C :"
      ]
      [
        "ordre" => 12
        "nom" => "1. Song of Sorrow"
      ]
      [
        "ordre" => 13
        "nom" => "2. Flood"
      ]
      [
        "ordre" => 14
        "nom" => "3. Pyrite"
      ]
      [
        "ordre" => 15
        "nom" => "4. Tempest "
      ]
      [
        "ordre" => 16
        "nom" => "Side D : "
      ]
      [
        "ordre" => 17
        "nom" => "1. Angelshark"
      ]
      [
        "ordre" => 18
        "nom" => "2. Blue Lotus"
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        "nom" => "3. Stronger Together"
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        "nom" => "4. 23 Peaks"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2104 …}
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    -modifierLe: DateTime @1777706995 {#2096
      date: 2026-05-02 07:29:55.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2113 …}
    -disponible: null
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    -slug: "vinyles-in-times-of-dragons-decca-records"
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}

[
  "produit" => App\Entity\Produit {#2123
    -id: 1832
    -nom: "The Complete 'Round About At The Cafe Bohemia"
    -informationComplementaire: "Un club mythique, une nuit de 1956, et l’un des plus beaux témoignages live du hard bop. Ce coffret exceptionnel de Kenny Dorham vous ouvre les portes du Café Bohemia dans une édition audiophile somptueuse, aussi immersive à l’écoute qu’à regarder."
    -description: """
      Avec "The Complete ’Round About Midnight at the Café Bohemia", plongez au cœur de l’âge d’or du jazz new-yorkais grâce à une réédition vinyle d’exception signée Blue Note. Enregistrées en live le 31 mai 1956, ces sessions capturent toute la magie du Café Bohemia, haut lieu du Greenwich Village où se retrouvaient les plus grands musiciens de l’époque.\r\n
      \r\n
      Ce coffret rassemble l’intégralité des performances du sextet de Kenny Dorham, entouré de J.R. Monterose, Kenny Burrell, Bobby Timmons, Sam Jones et Arthur Edgehill. Entre standards revisités et compositions originales, le groupe déploie une énergie vibrante, portée par des improvisations inspirées et une interaction constante entre les musiciens.\r\n
      \r\n
      Cette édition premium propose plusieurs vinyles pressés avec un soin audiophile, offrant une restitution sonore chaleureuse et détaillée, fidèle à l’ambiance du club. Le coffret est accompagné d’un livret richement illustré, incluant photos d’époque et notes détaillées, pour une immersion complète dans l’univers Blue Note.\r\n
      \r\n
      À la fois objet de collection et expérience d’écoute unique, ce coffret est une pièce incontournable pour les amateurs de jazz et de vinyle haut de gamme.\r\n
      \r\n
      - Kenny Dorham "The Complete 'Round About At The Cafe Bohemia" 180 gram (3 LP) !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tapes !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The great unsung trumpeter Kenny Dorham was a vital part of the early Blue Note story appearing as a sideman on bebop dates by Thelonious Monk and Art Blakey as well as foundational hard bop sessions with Horace Silver and as a founding member of The Jazz Messengers. In fact, just six months after The Jazz Messengers cut their landmark namesake live recordings at the Cafe Bohemia, Dorham brought his own sextet into the fabled NYC jazz club in May 1956 to record his maiden live recording date under his own name. Presented in full on the 3LP Tone Poet Vinyl Edition of "The Complete ‘Round About Midnight At The Cafe Bohemia" the sublime set features the trumpeter with J.R. Monterose on tenor saxophone, Kenny Burrell on guitar, Bobby Timmons on piano, Sam Jones on bass, and Arthur Edgehill on drums for an inspired collection of originals by Dorham, Monk, and Dizzy Gillespie, as well as choice Great American Songbook standards.\r\n
      \r\n
      Produced for release by Joe Harley, the vinyl is all-analog and cut directly from Rudy Van Gelder's original master tapes by Kevin Gray. Pressed on 180 gram vinyl at RTI, the three LPs come packaged in a deluxe tip-on trifold jacket which includes a booklet with never-before-seen photos by Francis Wolff and an in-depth essay and track-by-track analysis by Syd Schwartz.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), J. R. Monterose (tenor saxophone), Kenny Burrell (guitar), Bobby Timmons (piano), Sam Jones (bass), Arthur Edgehill (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=MwYajj7T0q0&list=RDMwYajj7T0q0&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 2882"
    -titreMorceau: [
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        "ordre" => 3
        "nom" => "3. Mexico City "
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        "nom" => "Side B : "
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        "nom" => "1. A Night In Tunisia"
      ]
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        "nom" => "2. Autumn In New York"
      ]
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        "nom" => "3. Hill’s Edge "
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        "nom" => "Side C :"
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        "nom" => "1. K.D.’s Blues"
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        "nom" => "3. Mexico City (alternate take) "
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        "nom" => "1. Royal Roost"
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        "nom" => "2. My Heart Stood Still"
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        "nom" => "3. The Prophet "
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      [
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        "nom" => "3. N.Y. Theme"
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        "nom" => ""
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2125 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3348
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2123
    -id: 1832
    -nom: "The Complete 'Round About At The Cafe Bohemia"
    -informationComplementaire: "Un club mythique, une nuit de 1956, et l’un des plus beaux témoignages live du hard bop. Ce coffret exceptionnel de Kenny Dorham vous ouvre les portes du Café Bohemia dans une édition audiophile somptueuse, aussi immersive à l’écoute qu’à regarder."
    -description: """
      Avec "The Complete ’Round About Midnight at the Café Bohemia", plongez au cœur de l’âge d’or du jazz new-yorkais grâce à une réédition vinyle d’exception signée Blue Note. Enregistrées en live le 31 mai 1956, ces sessions capturent toute la magie du Café Bohemia, haut lieu du Greenwich Village où se retrouvaient les plus grands musiciens de l’époque.\r\n
      \r\n
      Ce coffret rassemble l’intégralité des performances du sextet de Kenny Dorham, entouré de J.R. Monterose, Kenny Burrell, Bobby Timmons, Sam Jones et Arthur Edgehill. Entre standards revisités et compositions originales, le groupe déploie une énergie vibrante, portée par des improvisations inspirées et une interaction constante entre les musiciens.\r\n
      \r\n
      Cette édition premium propose plusieurs vinyles pressés avec un soin audiophile, offrant une restitution sonore chaleureuse et détaillée, fidèle à l’ambiance du club. Le coffret est accompagné d’un livret richement illustré, incluant photos d’époque et notes détaillées, pour une immersion complète dans l’univers Blue Note.\r\n
      \r\n
      À la fois objet de collection et expérience d’écoute unique, ce coffret est une pièce incontournable pour les amateurs de jazz et de vinyle haut de gamme.\r\n
      \r\n
      - Kenny Dorham "The Complete 'Round About At The Cafe Bohemia" 180 gram (3 LP) !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tapes !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The great unsung trumpeter Kenny Dorham was a vital part of the early Blue Note story appearing as a sideman on bebop dates by Thelonious Monk and Art Blakey as well as foundational hard bop sessions with Horace Silver and as a founding member of The Jazz Messengers. In fact, just six months after The Jazz Messengers cut their landmark namesake live recordings at the Cafe Bohemia, Dorham brought his own sextet into the fabled NYC jazz club in May 1956 to record his maiden live recording date under his own name. Presented in full on the 3LP Tone Poet Vinyl Edition of "The Complete ‘Round About Midnight At The Cafe Bohemia" the sublime set features the trumpeter with J.R. Monterose on tenor saxophone, Kenny Burrell on guitar, Bobby Timmons on piano, Sam Jones on bass, and Arthur Edgehill on drums for an inspired collection of originals by Dorham, Monk, and Dizzy Gillespie, as well as choice Great American Songbook standards.\r\n
      \r\n
      Produced for release by Joe Harley, the vinyl is all-analog and cut directly from Rudy Van Gelder's original master tapes by Kevin Gray. Pressed on 180 gram vinyl at RTI, the three LPs come packaged in a deluxe tip-on trifold jacket which includes a booklet with never-before-seen photos by Francis Wolff and an in-depth essay and track-by-track analysis by Syd Schwartz.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), J. R. Monterose (tenor saxophone), Kenny Burrell (guitar), Bobby Timmons (piano), Sam Jones (bass), Arthur Edgehill (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=MwYajj7T0q0&list=RDMwYajj7T0q0&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 2882"
    -titreMorceau: [
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        "nom" => "3. Hill’s Edge "
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        "nom" => "Side C :"
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        "nom" => "3. Mexico City (alternate take) "
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        "nom" => "2. Riffin’ "
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        "nom" => "3. N.Y. Theme"
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2125 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
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    -modifierLe: DateTime @1777113607 {#2118
      date: 2026-04-25 10:40:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-the-complete-round-about-at-the-cafe-bohemia-blue-note-tone-poet-series-2882"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2141
    -id: 2905
    -nom: "This Is Clarence Carter"
    -informationComplementaire: "Plongez dans la soul authentique avec "This Is Clarence Carter". Porté par la voix intense de Clarence Carter et le mythique “Slip Away”, cet album capture toute l’émotion brute et le groove des années 60. Un classique incontournable."
    -description: """
      Sorti en 1968, "This Is Clarence Carter" est le premier album studio de Clarence Carter, une figure emblématique de la soul sudiste. Porté par la chaleur brute de sa voix et une sincérité désarmante, cet album incarne à la perfection l’esprit de la musique soul de la fin des années 60.\r\n
      \r\n
      On y retrouve un savant mélange de blues, de rhythm & blues et de soul profonde, avec des arrangements sobres mais efficaces qui mettent en avant l’émotion pure. L’album contient notamment le titre culte “Slip Away”, qui deviendra un classique instantané et propulsera Carter sur le devant de la scène. Chaque morceau raconte une histoire, oscillant entre amour, désir, vulnérabilité et intensité émotionnelle.\r\n
      \r\n
      This Is Clarence Carter n’est pas seulement un premier album, c’est une déclaration d’identité artistique, brute et authentique, qui pose les bases d’une carrière marquante dans la soul américaine.\r\n
      \r\n
      Musicians : \r\n
      Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone), Floyd Newman (baritone saxophone), Gene Miller (trumpet), Barry Beckett (piano, electric piano, Hammond organ), David Hood (bass), Roger Hawkins (drums).\r\n
      \r\n
      Clarence Carter, blind from birth, was a blues singer with lascivious wit, a talented guitarist, a songwriter with a twinkle in his eye, and a champion of down-to-earth soul grooves who taught himself to play the guitar. He sang in a gospel choir, completed a degree in music, and grounded the duo Clarence & Calvin but was not however very successful. After a car crash involving Calvin Scott, Carter started on a solo career and signed a contract with Rick Hall and the Fame label as a soloist. Among the earliest singles recorded at the Muscle Shoals studio were a few hits. After leaving Fame for Atlantic, he managed to enter the Top 20 of the R & B charts with "Looking For A Fox". His breakthrough came with "Slip Away", which sold a million copies and was awarded a Gold Record.\r\n
      \r\n
      The legendary Fame Studios in Muscle Shoals remained the home basis, as it were, for Carter during his career with Atlantic. "This Is…" begins with a contemplative, soft sound. "Do What You Gotta Do", written by Jim Webb, is a lovely, melancholic mid-tempo ballad, saturated with Barry Beckett’s keyboard and smothered by lush, plaintive winds. But the man is primarily funky here… as three danceable, finger-snapping tracks prove; "Wind It Up", with further witty improvisations and a fervid organ solo, the highly syncopated, playful "Thread The Needle", and the smoky, irresistible "Funky Fever" all written by Carter himself. Dan Penn’s and Spooner Oldham’s "Slippin’ Around" has an unorthodox bossa nova-like beat that is reminiscent of Ray Charles’s "What’d I Say", while Carter’s unmistakable chuckle is to be heard for the first time on the riotous funk-rock number "I’m Qualified", which has the very same unique, infectious groove as was to be heard on Wilson Pickett’s "In The Midnight Hour". "She Ain’t Gonna Do Right", composed by the same man, brings more Alabama Country to the mix, whereby Beckett contributes a catchy, persistent organ riff in the refrain. Soul, blues, funk, R & B a gigantic album from a giant of the genre.\r\n
      \r\n
      Recording: \u{FEFF}1968 at Fame Studios, Muscle Shoals, AL, by Rick Hall\r\n
      Production: Rick Hall
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=Phqe9vBsThs&list=OLAK5uy_lkdMKLgHD3C8EAPN8_RjgI9aSGgdWWgv8&index=8"
    -referenceProduit: "Atlantic SD 8192"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Do What You Gotta Do"
      ]
      [
        "ordre" => 2
        "nom" => "2. Looking for a Fox"
      ]
      [
        "ordre" => 3
        "nom" => "3. Slippin' Around"
      ]
      [
        "ordre" => 4
        "nom" => "4. I'm Qualified"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Can't See Myself"
      ]
      [
        "ordre" => 6
        "nom" => "6. Wind It Up"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Part Time Love"
      ]
      [
        "ordre" => 9
        "nom" => "2. Thread the Needle"
      ]
      [
        "ordre" => 10
        "nom" => "3. Slip Away"
      ]
      [
        "ordre" => 11
        "nom" => "4. Funky Fever"
      ]
      [
        "ordre" => 12
        "nom" => "5. She Ain't Gonna Do Right"
      ]
      [
        "ordre" => 13
        "nom" => "6. Set Me Free"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2143 …}
    -label: Proxies\__CG__\App\Entity\Label {#2146 …}
    -style: App\Entity\Style {#1512 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2150 …}
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    }
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      date: 2026-04-25 10:34:06.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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]

App\Twig\Components\GestionPanierFavoriComponents {#3399
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2141
    -id: 2905
    -nom: "This Is Clarence Carter"
    -informationComplementaire: "Plongez dans la soul authentique avec "This Is Clarence Carter". Porté par la voix intense de Clarence Carter et le mythique “Slip Away”, cet album capture toute l’émotion brute et le groove des années 60. Un classique incontournable."
    -description: """
      Sorti en 1968, "This Is Clarence Carter" est le premier album studio de Clarence Carter, une figure emblématique de la soul sudiste. Porté par la chaleur brute de sa voix et une sincérité désarmante, cet album incarne à la perfection l’esprit de la musique soul de la fin des années 60.\r\n
      \r\n
      On y retrouve un savant mélange de blues, de rhythm & blues et de soul profonde, avec des arrangements sobres mais efficaces qui mettent en avant l’émotion pure. L’album contient notamment le titre culte “Slip Away”, qui deviendra un classique instantané et propulsera Carter sur le devant de la scène. Chaque morceau raconte une histoire, oscillant entre amour, désir, vulnérabilité et intensité émotionnelle.\r\n
      \r\n
      This Is Clarence Carter n’est pas seulement un premier album, c’est une déclaration d’identité artistique, brute et authentique, qui pose les bases d’une carrière marquante dans la soul américaine.\r\n
      \r\n
      Musicians : \r\n
      Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone), Floyd Newman (baritone saxophone), Gene Miller (trumpet), Barry Beckett (piano, electric piano, Hammond organ), David Hood (bass), Roger Hawkins (drums).\r\n
      \r\n
      Clarence Carter, blind from birth, was a blues singer with lascivious wit, a talented guitarist, a songwriter with a twinkle in his eye, and a champion of down-to-earth soul grooves who taught himself to play the guitar. He sang in a gospel choir, completed a degree in music, and grounded the duo Clarence & Calvin but was not however very successful. After a car crash involving Calvin Scott, Carter started on a solo career and signed a contract with Rick Hall and the Fame label as a soloist. Among the earliest singles recorded at the Muscle Shoals studio were a few hits. After leaving Fame for Atlantic, he managed to enter the Top 20 of the R & B charts with "Looking For A Fox". His breakthrough came with "Slip Away", which sold a million copies and was awarded a Gold Record.\r\n
      \r\n
      The legendary Fame Studios in Muscle Shoals remained the home basis, as it were, for Carter during his career with Atlantic. "This Is…" begins with a contemplative, soft sound. "Do What You Gotta Do", written by Jim Webb, is a lovely, melancholic mid-tempo ballad, saturated with Barry Beckett’s keyboard and smothered by lush, plaintive winds. But the man is primarily funky here… as three danceable, finger-snapping tracks prove; "Wind It Up", with further witty improvisations and a fervid organ solo, the highly syncopated, playful "Thread The Needle", and the smoky, irresistible "Funky Fever" all written by Carter himself. Dan Penn’s and Spooner Oldham’s "Slippin’ Around" has an unorthodox bossa nova-like beat that is reminiscent of Ray Charles’s "What’d I Say", while Carter’s unmistakable chuckle is to be heard for the first time on the riotous funk-rock number "I’m Qualified", which has the very same unique, infectious groove as was to be heard on Wilson Pickett’s "In The Midnight Hour". "She Ain’t Gonna Do Right", composed by the same man, brings more Alabama Country to the mix, whereby Beckett contributes a catchy, persistent organ riff in the refrain. Soul, blues, funk, R & B a gigantic album from a giant of the genre.\r\n
      \r\n
      Recording: \u{FEFF}1968 at Fame Studios, Muscle Shoals, AL, by Rick Hall\r\n
      Production: Rick Hall
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=Phqe9vBsThs&list=OLAK5uy_lkdMKLgHD3C8EAPN8_RjgI9aSGgdWWgv8&index=8"
    -referenceProduit: "Atlantic SD 8192"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Do What You Gotta Do"
      ]
      [
        "ordre" => 2
        "nom" => "2. Looking for a Fox"
      ]
      [
        "ordre" => 3
        "nom" => "3. Slippin' Around"
      ]
      [
        "ordre" => 4
        "nom" => "4. I'm Qualified"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Can't See Myself"
      ]
      [
        "ordre" => 6
        "nom" => "6. Wind It Up"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Part Time Love"
      ]
      [
        "ordre" => 9
        "nom" => "2. Thread the Needle"
      ]
      [
        "ordre" => 10
        "nom" => "3. Slip Away"
      ]
      [
        "ordre" => 11
        "nom" => "4. Funky Fever"
      ]
      [
        "ordre" => 12
        "nom" => "5. She Ain't Gonna Do Right"
      ]
      [
        "ordre" => 13
        "nom" => "6. Set Me Free"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2143 …}
    -label: Proxies\__CG__\App\Entity\Label {#2146 …}
    -style: App\Entity\Style {#1512 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2155 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2148 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2150 …}
    -enregistreLe: DateTime @1763664369 {#2137
      date: 2025-11-20 18:46:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777113246 {#2136
      date: 2026-04-25 10:34:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2152 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-this-is-clarence-carter-atlantic-sd-8192"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2160
    -id: 3041
    -nom: "Live At Montreux"
    -informationComplementaire: "Un concert historique, une rencontre légendaire. Quand Miles Davis retrouve les orchestrations de Gil Evans sous la direction de Quincy Jones, la scène de Montreux devient le théâtre d’un moment unique dans l’histoire du jazz."
    -description: """
      Enregistré le 8 juillet 1991 au Montreux Jazz Festival, "Miles & Quincy Live at Montreux" réunit deux figures majeures de la musique, Miles Davis et Quincy Jones, entourés d’un orchestre exceptionnel.\r\n
      \r\n
      Ce concert marque un événement rare, le retour de Miles Davis aux arrangements de Gil Evans, collaborateur emblématique avec lequel il avait créé des œuvres majeures comme "Sketches of Spain". Pour l’occasion, Quincy Jones dirige une formation impressionnante mêlant solistes de jazz, big band et orchestre élargi.\r\n
      \r\n
      Porté par le jeu intense et introspectif de Miles Davis, l’ensemble offre une relecture magistrale de ces compositions, où se mêlent richesse orchestrale, puissance des cuivres et subtilité des textures.\r\n
      \r\n
      À la fois hommage et aboutissement, cet enregistrement est d’autant plus poignant qu’il s’agit de l’une des dernières apparitions de Miles Davis sur scène. Il capture un moment suspendu, où passé et présent se rencontrent dans une interprétation d’une grande profondeur artistique.\r\n
      \r\n
      Musicians & conductor :\r\n
      Miles Davis (trumpet), Quincy Jones (conductor), Lew Soloff, Miles Evans (trompet), Wallace Roney, Benny Bailey, Marvin Stamm, John D'earth, Jack Walrath (trompet, flugelhorn), John Clark, Tom Varner (French horn), Tom Malone (trombone), Dave Bargeron, Earl McIntyre (trombone, euphonium), Dave Taylor (bass trombone), Howard Johnson (tuba), Alex Foster (alto & soprano saxophone, flute), George Adams (tenor saxophone, flute), Jerry Bergonzi (tenor saxophone), Bob Malach (tenor saxophone, flute, clarinet), Larry Schneider (tenor saxophone, flute, oboe, clarinet), Sal Giorgianni (alto saxophone), Christian Gavillet, Roger Rosenberg (bass clarinet, baritone saxophone), Michel Weber (clarinet), Anne O’Brien, Julian Cawdry, Hanspeter Frehner (flute), Tilman Zahn, Dave Seghezzo, Xavier Duss, Judith Wenziker (oboe), Christian Raabe, Reiner Erb (bassoon), Gil Goldstein, Delmar Brown (keyboards), George Gruntz (piano), Mike Richmond (double bass), Xenia Schindler (harp), Kenwood Dennard (percussion), John Riley (drums, percussion).\r\n
      \r\n
      - Miles Davis & Quincy Jones "Live At Montreux" !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut by Matthew Luthans at The Mastering Lab !\r\n
      - Pressed on 180 gram premium quality vinyl at Fidelity Record Pressing !\r\n
      - 1994 Grammy Award Winner !\r\n
      - Best Large Jazz Ensemble Album !\r\n
      \r\n
      The Grammy® Award-winning collaboration of Miles & Quincy revisiting the classic Gil Evans arrangements that Miles originally recorded decades before with Gil. It's rare for Miles to look back, and these performances are superb. Recorded live at the Montreux Jazz Festival on July 8, 1991, these are some of Miles' final recordings.\r\n
      \r\n
      Cut by Matthew Lutthans at The Mastering Lab and pressed on 180 gram black vinyl at Fidelity Record Pressing.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Miles Davis (trumpet), Quincy Jones (conductor), Kenny Garrett (alto saxophone), Wallace Roney, Benny Bailey (trumpet, flugelhorn), Carles Benavent (bass), John Riley (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=-JQzCZjb1eg&list=RD-JQzCZjb1eg&start_radio=1"
    -referenceProduit: "Rhino Reserve 5221"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Introduction by Claude Nobs and Quincy Jones "
      ]
      [
        "ordre" => 2
        "nom" => "2. Boplicity "
      ]
      [
        "ordre" => 3
        "nom" => "3. Introduction to Miles Ahead Medley"
      ]
      [
        "ordre" => 4
        "nom" => "4. Springsville "
      ]
      [
        "ordre" => 5
        "nom" => "5. Maids of Cadiz "
      ]
      [
        "ordre" => 6
        "nom" => "6. The Duke "
      ]
      [
        "ordre" => 7
        "nom" => "7. My Ship "
      ]
      [
        "ordre" => 8
        "nom" => "8. Miles Ahead "
      ]
      [
        "ordre" => 9
        "nom" => "9. Blues for Pablo "
      ]
      [
        "ordre" => 10
        "nom" => "Side B : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Introduction to Porgy and Bess Medley "
      ]
      [
        "ordre" => 12
        "nom" => "2. Orgone "
      ]
      [
        "ordre" => 13
        "nom" => "3. Gone, Gone Gone "
      ]
      [
        "ordre" => 14
        "nom" => "4. Summertime "
      ]
      [
        "ordre" => 15
        "nom" => "5. Here Come De Honey Man "
      ]
      [
        "ordre" => 16
        "nom" => "6. The Pan Piper "
      ]
      [
        "ordre" => 17
        "nom" => "7. Solea "
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
      [
        "ordre" => 23
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2162 …}
    -label: Proxies\__CG__\App\Entity\Label {#2165 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
    -enregistreLe: DateTime @1775224672 {#2157
      date: 2026-04-03 13:57:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803860 {#2158
      date: 2026-04-21 20:37:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-montreux-rhino-reserve-5221"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3450
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2160
    -id: 3041
    -nom: "Live At Montreux"
    -informationComplementaire: "Un concert historique, une rencontre légendaire. Quand Miles Davis retrouve les orchestrations de Gil Evans sous la direction de Quincy Jones, la scène de Montreux devient le théâtre d’un moment unique dans l’histoire du jazz."
    -description: """
      Enregistré le 8 juillet 1991 au Montreux Jazz Festival, "Miles & Quincy Live at Montreux" réunit deux figures majeures de la musique, Miles Davis et Quincy Jones, entourés d’un orchestre exceptionnel.\r\n
      \r\n
      Ce concert marque un événement rare, le retour de Miles Davis aux arrangements de Gil Evans, collaborateur emblématique avec lequel il avait créé des œuvres majeures comme "Sketches of Spain". Pour l’occasion, Quincy Jones dirige une formation impressionnante mêlant solistes de jazz, big band et orchestre élargi.\r\n
      \r\n
      Porté par le jeu intense et introspectif de Miles Davis, l’ensemble offre une relecture magistrale de ces compositions, où se mêlent richesse orchestrale, puissance des cuivres et subtilité des textures.\r\n
      \r\n
      À la fois hommage et aboutissement, cet enregistrement est d’autant plus poignant qu’il s’agit de l’une des dernières apparitions de Miles Davis sur scène. Il capture un moment suspendu, où passé et présent se rencontrent dans une interprétation d’une grande profondeur artistique.\r\n
      \r\n
      Musicians & conductor :\r\n
      Miles Davis (trumpet), Quincy Jones (conductor), Lew Soloff, Miles Evans (trompet), Wallace Roney, Benny Bailey, Marvin Stamm, John D'earth, Jack Walrath (trompet, flugelhorn), John Clark, Tom Varner (French horn), Tom Malone (trombone), Dave Bargeron, Earl McIntyre (trombone, euphonium), Dave Taylor (bass trombone), Howard Johnson (tuba), Alex Foster (alto & soprano saxophone, flute), George Adams (tenor saxophone, flute), Jerry Bergonzi (tenor saxophone), Bob Malach (tenor saxophone, flute, clarinet), Larry Schneider (tenor saxophone, flute, oboe, clarinet), Sal Giorgianni (alto saxophone), Christian Gavillet, Roger Rosenberg (bass clarinet, baritone saxophone), Michel Weber (clarinet), Anne O’Brien, Julian Cawdry, Hanspeter Frehner (flute), Tilman Zahn, Dave Seghezzo, Xavier Duss, Judith Wenziker (oboe), Christian Raabe, Reiner Erb (bassoon), Gil Goldstein, Delmar Brown (keyboards), George Gruntz (piano), Mike Richmond (double bass), Xenia Schindler (harp), Kenwood Dennard (percussion), John Riley (drums, percussion).\r\n
      \r\n
      - Miles Davis & Quincy Jones "Live At Montreux" !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut by Matthew Luthans at The Mastering Lab !\r\n
      - Pressed on 180 gram premium quality vinyl at Fidelity Record Pressing !\r\n
      - 1994 Grammy Award Winner !\r\n
      - Best Large Jazz Ensemble Album !\r\n
      \r\n
      The Grammy® Award-winning collaboration of Miles & Quincy revisiting the classic Gil Evans arrangements that Miles originally recorded decades before with Gil. It's rare for Miles to look back, and these performances are superb. Recorded live at the Montreux Jazz Festival on July 8, 1991, these are some of Miles' final recordings.\r\n
      \r\n
      Cut by Matthew Lutthans at The Mastering Lab and pressed on 180 gram black vinyl at Fidelity Record Pressing.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Miles Davis (trumpet), Quincy Jones (conductor), Kenny Garrett (alto saxophone), Wallace Roney, Benny Bailey (trumpet, flugelhorn), Carles Benavent (bass), John Riley (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=-JQzCZjb1eg&list=RD-JQzCZjb1eg&start_radio=1"
    -referenceProduit: "Rhino Reserve 5221"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Introduction by Claude Nobs and Quincy Jones "
      ]
      [
        "ordre" => 2
        "nom" => "2. Boplicity "
      ]
      [
        "ordre" => 3
        "nom" => "3. Introduction to Miles Ahead Medley"
      ]
      [
        "ordre" => 4
        "nom" => "4. Springsville "
      ]
      [
        "ordre" => 5
        "nom" => "5. Maids of Cadiz "
      ]
      [
        "ordre" => 6
        "nom" => "6. The Duke "
      ]
      [
        "ordre" => 7
        "nom" => "7. My Ship "
      ]
      [
        "ordre" => 8
        "nom" => "8. Miles Ahead "
      ]
      [
        "ordre" => 9
        "nom" => "9. Blues for Pablo "
      ]
      [
        "ordre" => 10
        "nom" => "Side B : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Introduction to Porgy and Bess Medley "
      ]
      [
        "ordre" => 12
        "nom" => "2. Orgone "
      ]
      [
        "ordre" => 13
        "nom" => "3. Gone, Gone Gone "
      ]
      [
        "ordre" => 14
        "nom" => "4. Summertime "
      ]
      [
        "ordre" => 15
        "nom" => "5. Here Come De Honey Man "
      ]
      [
        "ordre" => 16
        "nom" => "6. The Pan Piper "
      ]
      [
        "ordre" => 17
        "nom" => "7. Solea "
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
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      [
        "ordre" => 21
        "nom" => ""
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      [
        "ordre" => 22
        "nom" => ""
      ]
      [
        "ordre" => 23
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2162 …}
    -label: Proxies\__CG__\App\Entity\Label {#2165 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
    -enregistreLe: DateTime @1775224672 {#2157
      date: 2026-04-03 13:57:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803860 {#2158
      date: 2026-04-21 20:37:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-montreux-rhino-reserve-5221"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2179
    -id: 3040
    -nom: "Blues In My Bottle"
    -informationComplementaire: "Seul avec sa guitare, Lightnin' Hopkins transforme chaque note en confession, "Blues in My Bottle" du blues à l’état brut, sans filtre, sans compromis."
    -description: """
      L'album "Blues in My Bottle" de Lightnin' Hopkins est une plongée brute et sans artifice dans l’essence même du blues texan. Enregistré au début des années 1960 pour le label Bluesville, cet album capture Hopkins dans sa forme la plus pure, seul avec sa guitare, sa voix et son sens unique du récit.\r\n
      \r\n
      Ici, pas de groupe ni d’arrangements sophistiqués, seulement un homme et son instrument. Hopkins tisse simultanément lignes de basse, rythmiques et phrases mélodiques avec une liberté totale, accompagnant des paroles improvisées, souvent introspectives, parfois mordantes, toujours authentiques.\r\n
      \r\n
      Chaque morceau semble naître sur l’instant, porté par un groove souple et une voix habitée. Blues in My Bottle n’est pas seulement un album, c’est une expérience intime, presque confidentielle, qui place l’auditeur face à l’un des plus grands conteurs du blues.\r\n
      \r\n
      - Lightnin' Hopkins "Blues In My Bottle" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      This 1961 solo acoustic album by Lightnin' Hopkins features the legend at his finest. Showcasing Hopkins' guitar and vocals, Blues in My Bottle shines a spotlight on his blues mastery. The album contains Hopkins' performances of originals, traditional standards, and renditions of covers. This edition is pressed on 180 gram vinyl at QRP and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      Besides such blues standard as "Wine Spodee-O-Dee", "Business in the Bottle", and "Catfish Blues", the album contains several biographical originals, including "Beans, Beans, Beans", and "D-7".\r\n
      \r\n
      Samuel John "Lightnin'" Hopkins was a Texas Country bluesman of the highest caliber. In 2010, Rolling Stone magazine ranked him N° 71 on its list of the 100 greatest guitarists of all time. He influenced a generation of blues and country musicians from Stevie Ray Vaughan to Hank Williams Jr., while being coined "the embodiment of the jazz-and-poetry spirit" by musicologist Robert McCormick.\r\n
       \r\n
      His distinctive finger-style technique included playing bass, rhythm, lead, and percussion at the same time, tapping or slapping the body of his guitar for rhythmic accompaniment.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Lightnin' Hopkins (electric guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=4cIF6-kLrQs&list=PLKjjIa7cwTkKPL82ui2qIeMeVtf8qZQdl"
    -referenceProduit: "Acoustic Sounds Series (Bluesville) 0978"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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App\Twig\Components\GestionPanierFavoriComponents {#3501
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
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  +produit: App\Entity\Produit {#2179
    -id: 3040
    -nom: "Blues In My Bottle"
    -informationComplementaire: "Seul avec sa guitare, Lightnin' Hopkins transforme chaque note en confession, "Blues in My Bottle" du blues à l’état brut, sans filtre, sans compromis."
    -description: """
      L'album "Blues in My Bottle" de Lightnin' Hopkins est une plongée brute et sans artifice dans l’essence même du blues texan. Enregistré au début des années 1960 pour le label Bluesville, cet album capture Hopkins dans sa forme la plus pure, seul avec sa guitare, sa voix et son sens unique du récit.\r\n
      \r\n
      Ici, pas de groupe ni d’arrangements sophistiqués, seulement un homme et son instrument. Hopkins tisse simultanément lignes de basse, rythmiques et phrases mélodiques avec une liberté totale, accompagnant des paroles improvisées, souvent introspectives, parfois mordantes, toujours authentiques.\r\n
      \r\n
      Chaque morceau semble naître sur l’instant, porté par un groove souple et une voix habitée. Blues in My Bottle n’est pas seulement un album, c’est une expérience intime, presque confidentielle, qui place l’auditeur face à l’un des plus grands conteurs du blues.\r\n
      \r\n
      - Lightnin' Hopkins "Blues In My Bottle" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      This 1961 solo acoustic album by Lightnin' Hopkins features the legend at his finest. Showcasing Hopkins' guitar and vocals, Blues in My Bottle shines a spotlight on his blues mastery. The album contains Hopkins' performances of originals, traditional standards, and renditions of covers. This edition is pressed on 180 gram vinyl at QRP and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      Besides such blues standard as "Wine Spodee-O-Dee", "Business in the Bottle", and "Catfish Blues", the album contains several biographical originals, including "Beans, Beans, Beans", and "D-7".\r\n
      \r\n
      Samuel John "Lightnin'" Hopkins was a Texas Country bluesman of the highest caliber. In 2010, Rolling Stone magazine ranked him N° 71 on its list of the 100 greatest guitarists of all time. He influenced a generation of blues and country musicians from Stevie Ray Vaughan to Hank Williams Jr., while being coined "the embodiment of the jazz-and-poetry spirit" by musicologist Robert McCormick.\r\n
       \r\n
      His distinctive finger-style technique included playing bass, rhythm, lead, and percussion at the same time, tapping or slapping the body of his guitar for rhythmic accompaniment.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Lightnin' Hopkins (electric guitar, vocals)"
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        "nom" => ""
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    ]
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}

[
  "produit" => App\Entity\Produit {#2200
    -id: 3039
    -nom: "That's My Story - The Blues"
    -informationComplementaire: "Plongez dans l’essence du blues avec John Lee Hooker. Une guitare, une voix, et parfois juste ce qu’il faut de groove pour faire vibrer chaque note. That’s My Story, c’est le blues dans sa forme la plus pure… avec une touche de sophistication inattendue."
    -description: """
      Sorti en 1960 sur le label Riverside, "That’s My Story : John Lee Hooker Sings the Blues" marque une rencontre unique entre le blues brut de John Lee Hooker et une section rythmique issue du jazz.\r\n
      \r\n
      Sur cet album, Hooker alterne entre performances en solo, fidèles à son style hypnotique et répétitif, et morceaux accompagnés par Sam Jones (contrebasse) et Louis Hayes (batterie), deux musiciens reconnus de la scène jazz.\r\n
      \r\n
      Le résultat est un disque à la fois intime et sophistiqué, où la voix grave et le jeu percussif de Hooker s’inscrivent dans un cadre plus structuré sans jamais perdre leur intensité. Des titres comme "I Need Some Money" ou "I’m Wanderin’" illustrent parfaitement la dualité de l’album, entre blues rural dépouillé et accompagnement subtil.\r\n
      \r\n
      Cet enregistrement capture un moment rare où le blues traditionnel dialogue avec le jazz moderne, offrant une écoute à la fois accessible et profondément authentique.\r\n
      \r\n
      - John Lee Hooker "That's My Story : John Lee Hooker Sings The Blues" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      That's My Story is the 1960 album from the blues icon, John Lee Hooker, originally released on Riverside Records. The album features a raw, stripped-down approach for a country blues sound. Hooker plays acoustic guitar on tracks like "I Need Some Money" and "No More Doggin'" to create a compelling collection that expertly showcases his mastery. This edition is pressed on 180 gram vinyl at Quality Record Pressings and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      John Lee Hooker (1917-2001), known fondly as "King of the Boogie", was born near Clarksdale, Mississippi. As a young man, Hooker worked his way up north to Detroit to pursue his passion of music. By 1948, the artist had a hit on his hands with one of his earliest recordings, "Boogie Chillun'". He became a leading figure in modern electric blues due to his distinct voice and hypnotic guitar style. Hooker would record over 100 albums throughout the course of his six-decade-long career. The Rolling Stones, Eric Clapton and Carlos Santana are among those who cite Hooker as a major influence.\r\n
      \r\n
      John Lee Hooker's work is widely recognized for its impact on modern music his simple, yet deeply effective songs transcend borders and languages around the globe.\r\n
      \r\n
      Hooker was inducted into the Rock & Roll Hall of Fame, Blues Hall of Fame and Memphis Music Hall of Fame; was honored with a star on the Hollywood Walk of Fame and took home four Grammy Awards, plus a coveted Lifetime Achievement award in 2000.\r\n
      \r\n
      The Hook continues to live on: His music can regularly be heard in TV shows, commercials and films, and many of his tracks have been sampled in new songs by the likes of Brandi, Chuck D and St Germain, among many others.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Sam Jones (bass), Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=qwt_5QM2Ncg&list=PLzGotn8LeP0fmoYJC8MMJ9Uwa23jIVI4w"
    -referenceProduit: "Acoustic Sounds Series (Bluesville) 0977"
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        "ordre" => 0
        "nom" => "Side A :"
      ]
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        "nom" => "1. I Need Some Money"
      ]
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        "ordre" => 2
        "nom" => "2. Come On And See About Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. I'm Wanderin'"
      ]
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        "ordre" => 4
        "nom" => "4. Democrat Man"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Want To Talk About You"
      ]
      [
        "ordre" => 6
        "nom" => "6. Gonna Use My Rod "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
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        "ordre" => 8
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      ]
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      ]
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      [
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        "nom" => "4. You're Leavin' Me, Baby"
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        "nom" => "5. That's My Story"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2202 …}
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    -slug: "vinyles-that-s-my-story-the-blues-acoustic-sounds-series-bluesville-0977"
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App\Twig\Components\GestionPanierFavoriComponents {#3552
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
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    -id: 3039
    -nom: "That's My Story - The Blues"
    -informationComplementaire: "Plongez dans l’essence du blues avec John Lee Hooker. Une guitare, une voix, et parfois juste ce qu’il faut de groove pour faire vibrer chaque note. That’s My Story, c’est le blues dans sa forme la plus pure… avec une touche de sophistication inattendue."
    -description: """
      Sorti en 1960 sur le label Riverside, "That’s My Story : John Lee Hooker Sings the Blues" marque une rencontre unique entre le blues brut de John Lee Hooker et une section rythmique issue du jazz.\r\n
      \r\n
      Sur cet album, Hooker alterne entre performances en solo, fidèles à son style hypnotique et répétitif, et morceaux accompagnés par Sam Jones (contrebasse) et Louis Hayes (batterie), deux musiciens reconnus de la scène jazz.\r\n
      \r\n
      Le résultat est un disque à la fois intime et sophistiqué, où la voix grave et le jeu percussif de Hooker s’inscrivent dans un cadre plus structuré sans jamais perdre leur intensité. Des titres comme "I Need Some Money" ou "I’m Wanderin’" illustrent parfaitement la dualité de l’album, entre blues rural dépouillé et accompagnement subtil.\r\n
      \r\n
      Cet enregistrement capture un moment rare où le blues traditionnel dialogue avec le jazz moderne, offrant une écoute à la fois accessible et profondément authentique.\r\n
      \r\n
      - John Lee Hooker "That's My Story : John Lee Hooker Sings The Blues" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      That's My Story is the 1960 album from the blues icon, John Lee Hooker, originally released on Riverside Records. The album features a raw, stripped-down approach for a country blues sound. Hooker plays acoustic guitar on tracks like "I Need Some Money" and "No More Doggin'" to create a compelling collection that expertly showcases his mastery. This edition is pressed on 180 gram vinyl at Quality Record Pressings and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      John Lee Hooker (1917-2001), known fondly as "King of the Boogie", was born near Clarksdale, Mississippi. As a young man, Hooker worked his way up north to Detroit to pursue his passion of music. By 1948, the artist had a hit on his hands with one of his earliest recordings, "Boogie Chillun'". He became a leading figure in modern electric blues due to his distinct voice and hypnotic guitar style. Hooker would record over 100 albums throughout the course of his six-decade-long career. The Rolling Stones, Eric Clapton and Carlos Santana are among those who cite Hooker as a major influence.\r\n
      \r\n
      John Lee Hooker's work is widely recognized for its impact on modern music his simple, yet deeply effective songs transcend borders and languages around the globe.\r\n
      \r\n
      Hooker was inducted into the Rock & Roll Hall of Fame, Blues Hall of Fame and Memphis Music Hall of Fame; was honored with a star on the Hollywood Walk of Fame and took home four Grammy Awards, plus a coveted Lifetime Achievement award in 2000.\r\n
      \r\n
      The Hook continues to live on: His music can regularly be heard in TV shows, commercials and films, and many of his tracks have been sampled in new songs by the likes of Brandi, Chuck D and St Germain, among many others.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Sam Jones (bass), Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    ]
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2208 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-that-s-my-story-the-blues-acoustic-sounds-series-bluesville-0977"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2218
    -id: 2910
    -nom: "St. Louis To Liverpool"
    -informationComplementaire: "St. Louis to Liverpool marque le retour de Chuck Berry en 1964 et confirme son statut de maître du rock’n’roll. Avec des titres comme "You Never Can Tell" et "No Particular Place to Go", il réaffirme son influence majeure sur la génération suivante."
    -description: """
      St. Louis to Liverpool est le 7ème album studio de Chuck Berry, sorti en novembre 1964 chez Chess Records. Il marque un moment clé de sa carrière : c’est l’album qui accompagne son retour après 20 mois de prison et qui le remet au premier plan du rock’n’roll au moment de la British Invasion (Beatles, Rolling Stones, etc.), des groupes qui s’inspiraient déjà beaucoup de lui.\r\n
      \r\n
      L’album rassemble principalement des singles sortis en 1964 et quelques titres plus anciens ou inédits. Malgré ce caractère un peu compilatoire, il est souvent considéré comme l’un des grands disques du rock classique, certains critiques l’ont même décrit comme "un des plus grands albums de rock’n’roll".\r\n
      \r\n
      Musicians : \r\n
      Chuck Berry (electric guitar, vocals), Matt “Guitar” Murphy (electric guitar), Johnnie Johnson, Lafayette Leake, Paul Williams (piano), Willie Dixon, Louis Satterfield (bass), Leroy C. Davis, James Robinson (tenor saxophone), Odie Payne, Fred Below, Ebby Hardy, Jaspar Thomas (drums).\r\n
      \r\n
      - Chuck Berry "St. Louis To Liverpool" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Contains four of the five 1964 Chuck Berry charting singles : "No Particular Place to Go", "You Never Can Tell," "Promised Land", and "Little Marie" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Rock & Roll Pioneer's 7th Studio Album on Limited Edition Vinyl LP !\r\n
      \r\n
      The seventh studio album by rock & roll master Chuck Berry, St. Louis to Liverpool was issued by Chess Records in 1964 and peaked at #124 on the US Billboard album chart, the first of his studio LPs to appear on the chart. Contains four of the five 1964 Chuck Berry charting singles : "No Particular Place to Go", "You Never Can Tell", "Promised Land", and "Little Marie". "You Never Can Tell" gained new fame after being danced by John Travolta and Uma Thurman on Tarantino's 1994 film Pulp Fiction.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Chuck Berry (electric guitar, vocals), Matt “Guitar” Murphy (electric guitar), Johnnie Johnson, Lafayette Leake, Paul Williams (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=4AxDm5FxjvI&list=RD4AxDm5FxjvI&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series (Chess Records) 8126"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "3. No Particular Place To Go"
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        "nom" => "4. You Two"
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        "nom" => "5. Promised Land"
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        "nom" => "6. You Never Can Tell"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
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        "nom" => "1. Go Bobby Soxer"
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        "nom" => "5. Merry Christmas Baby"
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      [
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        "nom" => "6. Brenda Lee"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2220 …}
    -label: Proxies\__CG__\App\Entity\Label {#2223 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3603
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2218
    -id: 2910
    -nom: "St. Louis To Liverpool"
    -informationComplementaire: "St. Louis to Liverpool marque le retour de Chuck Berry en 1964 et confirme son statut de maître du rock’n’roll. Avec des titres comme "You Never Can Tell" et "No Particular Place to Go", il réaffirme son influence majeure sur la génération suivante."
    -description: """
      St. Louis to Liverpool est le 7ème album studio de Chuck Berry, sorti en novembre 1964 chez Chess Records. Il marque un moment clé de sa carrière : c’est l’album qui accompagne son retour après 20 mois de prison et qui le remet au premier plan du rock’n’roll au moment de la British Invasion (Beatles, Rolling Stones, etc.), des groupes qui s’inspiraient déjà beaucoup de lui.\r\n
      \r\n
      L’album rassemble principalement des singles sortis en 1964 et quelques titres plus anciens ou inédits. Malgré ce caractère un peu compilatoire, il est souvent considéré comme l’un des grands disques du rock classique, certains critiques l’ont même décrit comme "un des plus grands albums de rock’n’roll".\r\n
      \r\n
      Musicians : \r\n
      Chuck Berry (electric guitar, vocals), Matt “Guitar” Murphy (electric guitar), Johnnie Johnson, Lafayette Leake, Paul Williams (piano), Willie Dixon, Louis Satterfield (bass), Leroy C. Davis, James Robinson (tenor saxophone), Odie Payne, Fred Below, Ebby Hardy, Jaspar Thomas (drums).\r\n
      \r\n
      - Chuck Berry "St. Louis To Liverpool" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Contains four of the five 1964 Chuck Berry charting singles : "No Particular Place to Go", "You Never Can Tell," "Promised Land", and "Little Marie" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Rock & Roll Pioneer's 7th Studio Album on Limited Edition Vinyl LP !\r\n
      \r\n
      The seventh studio album by rock & roll master Chuck Berry, St. Louis to Liverpool was issued by Chess Records in 1964 and peaked at #124 on the US Billboard album chart, the first of his studio LPs to appear on the chart. Contains four of the five 1964 Chuck Berry charting singles : "No Particular Place to Go", "You Never Can Tell", "Promised Land", and "Little Marie". "You Never Can Tell" gained new fame after being danced by John Travolta and Uma Thurman on Tarantino's 1994 film Pulp Fiction.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Chuck Berry (electric guitar, vocals), Matt “Guitar” Murphy (electric guitar), Johnnie Johnson, Lafayette Leake, Paul Williams (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=4AxDm5FxjvI&list=RD4AxDm5FxjvI&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series (Chess Records) 8126"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. Little Marie"
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      [
        "ordre" => 2
        "nom" => "2. Our Little Rendezvous"
      ]
      [
        "ordre" => 3
        "nom" => "3. No Particular Place To Go"
      ]
      [
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        "nom" => "4. You Two"
      ]
      [
        "ordre" => 5
        "nom" => "5. Promised Land"
      ]
      [
        "ordre" => 6
        "nom" => "6. You Never Can Tell"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Go Bobby Soxer"
      ]
      [
        "ordre" => 9
        "nom" => "2. The Things I Used To Do"
      ]
      [
        "ordre" => 10
        "nom" => "3. Liverpool Drive"
      ]
      [
        "ordre" => 11
        "nom" => "4. Night Beat"
      ]
      [
        "ordre" => 12
        "nom" => "5. Merry Christmas Baby"
      ]
      [
        "ordre" => 13
        "nom" => "6. Brenda Lee"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2220 …}
    -label: Proxies\__CG__\App\Entity\Label {#2223 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2232 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2225 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2227 …}
    -enregistreLe: DateTime @1764751605 {#2214
      date: 2025-12-03 08:46:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803146 {#2213
      date: 2026-04-21 20:25:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2229 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-st-louis-to-liverpool-acoustic-sounds-series-chess-records-8126"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2237
    -id: 741
    -nom: "Tell Mama"
    -informationComplementaire: "Plongez dans l’intensité brute de la soul avec "Tell Mama", l’album emblématique d’Etta James. Une voix puissante, des arrangements enflammés et une émotion à fleur de peau, chaque morceau est une déclaration d’amour, de douleur et de résilience."
    -description: """
      Sorti en 1968, "Tell Mama" marque un tournant majeur dans la carrière d’Etta James. Enregistré à Muscle Shoals, haut lieu de la soul américaine, cet album capture toute la puissance expressive de l’artiste, portée par des musiciens d’exception.\r\n
      \r\n
      Entre soul sudiste, rhythm & blues et touches de gospel, Etta James y livre des performances vocales saisissantes. Le titre éponyme "Tell Mama" s’impose comme un hymne vibrant, tandis que des morceaux comme "I’d Rather Go Blind" révèlent une vulnérabilité bouleversante.\r\n
      \r\n
      Cet album incarne à la fois la force et la fragilité, la passion et la douleur, des thèmes universels portés par une voix unique, capable de toucher l’auditeur en plein cœur. Tell Mama reste aujourd’hui une référence incontournable de la soul classique, témoignant du talent intemporel d’Etta James.\r\n
      \r\n
      - Etta James "Tell Mama" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Recorded with the Muscle Shoals session players at FAME studio !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - One of the greatest soul LPs of all time !\r\n
      \r\n
      When soul history shifted in the late '60s, Etta James was right at the center of the storm. After a bitter split between Atlantic's Jerry Wexler and FAME Studio's Rick Hall, Hall struck back by inviting Chess Records Atlantic's fiercest rival to bring its biggest stars to Muscle Shoals. Between August and December of 1967, Etta James walked into FAME looking for a creative spark... and walked out with the greatest album of her career: Tell Mama.\r\n
      \r\n
      These sessions didn't just revive Etta they reignited her artistry. Powered by the now-legendary Muscle Shoals rhythm section, James delivers some of the most commanding, emotionally charged performances ever put to tape. The title track "Tell Mama" and her scorching take on Otis Redding's "Security" both stormed the charts, pushing Etta back into the national spotlight. But the album's true jewel is found on the flip side: "I'd Rather Go Blind." First handed to her by songwriter and friend Fugi Foster during a prison visit, Etta transformed it into a soul masterwork a performance so definitive it's been covered hundreds of times, yet never surpassed.\r\n
      \r\n
      All-analog mastering by Matthew Lutthans at The Mastering Lab, 180 gram vinyl pressed by Quality Record Pressings. \r\n
      \r\n
      For collectors, Tell Mama isn't just another classic soul LP it's a cornerstone of the genre. This is Etta James at full power, captured in one of the most storied studios in American music, backed by musicians whose sound defined an era. Essential for soul devotees, indispensable for blues fans, and a must-own centerpiece for any serious vinyl collection.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Etta James (lead vocals), David Hood (bass), Jimmy Johnson (guitar), Barry Beckett, Spooner Oldham (keyboards), Ronald “Boogie” Taylor (trumpet), Joe Arnold (tenor saxophone), Charles Chalmers (baritone saxophone), Roger Hawkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=t_wbyv1TgIQ&list=RDt_wbyv1TgIQ&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 8129"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Tell Mama"
      ]
      [
        "ordre" => 2
        "nom" => "2. I'd Rather Go Blind"
      ]
      [
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        "nom" => "3. Watch Dog"
      ]
      [
        "ordre" => 4
        "nom" => "4. The Love Of My Man"
      ]
      [
        "ordre" => 5
        "nom" => "5. I'm Gonna Take What He's Got"
      ]
      [
        "ordre" => 6
        "nom" => "6. The Same Rope"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Security"
      ]
      [
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        "nom" => "2. Steal Away"
      ]
      [
        "ordre" => 10
        "nom" => "3. My Mother-In-Law"
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      [
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        "nom" => "4. Don't Lose Your Good Thing"
      ]
      [
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        "nom" => "5. It Hurts Me So Much"
      ]
      [
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        "nom" => "6. Just A Little Bit"
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      [
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        "nom" => ""
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      [
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      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2239 …}
    -label: Proxies\__CG__\App\Entity\Label {#2223 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2248 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2241 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2243 …}
    -enregistreLe: DateTime @1420622861 {#2234
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    }
    -modifierLe: DateTime @1776803092 {#2235
      date: 2026-04-21 20:24:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2245 …}
    -disponible: null
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    -slug: "vinyles-tell-mama-acoustic-sounds-series-8129"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3654
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2237
    -id: 741
    -nom: "Tell Mama"
    -informationComplementaire: "Plongez dans l’intensité brute de la soul avec "Tell Mama", l’album emblématique d’Etta James. Une voix puissante, des arrangements enflammés et une émotion à fleur de peau, chaque morceau est une déclaration d’amour, de douleur et de résilience."
    -description: """
      Sorti en 1968, "Tell Mama" marque un tournant majeur dans la carrière d’Etta James. Enregistré à Muscle Shoals, haut lieu de la soul américaine, cet album capture toute la puissance expressive de l’artiste, portée par des musiciens d’exception.\r\n
      \r\n
      Entre soul sudiste, rhythm & blues et touches de gospel, Etta James y livre des performances vocales saisissantes. Le titre éponyme "Tell Mama" s’impose comme un hymne vibrant, tandis que des morceaux comme "I’d Rather Go Blind" révèlent une vulnérabilité bouleversante.\r\n
      \r\n
      Cet album incarne à la fois la force et la fragilité, la passion et la douleur, des thèmes universels portés par une voix unique, capable de toucher l’auditeur en plein cœur. Tell Mama reste aujourd’hui une référence incontournable de la soul classique, témoignant du talent intemporel d’Etta James.\r\n
      \r\n
      - Etta James "Tell Mama" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Recorded with the Muscle Shoals session players at FAME studio !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - One of the greatest soul LPs of all time !\r\n
      \r\n
      When soul history shifted in the late '60s, Etta James was right at the center of the storm. After a bitter split between Atlantic's Jerry Wexler and FAME Studio's Rick Hall, Hall struck back by inviting Chess Records Atlantic's fiercest rival to bring its biggest stars to Muscle Shoals. Between August and December of 1967, Etta James walked into FAME looking for a creative spark... and walked out with the greatest album of her career: Tell Mama.\r\n
      \r\n
      These sessions didn't just revive Etta they reignited her artistry. Powered by the now-legendary Muscle Shoals rhythm section, James delivers some of the most commanding, emotionally charged performances ever put to tape. The title track "Tell Mama" and her scorching take on Otis Redding's "Security" both stormed the charts, pushing Etta back into the national spotlight. But the album's true jewel is found on the flip side: "I'd Rather Go Blind." First handed to her by songwriter and friend Fugi Foster during a prison visit, Etta transformed it into a soul masterwork a performance so definitive it's been covered hundreds of times, yet never surpassed.\r\n
      \r\n
      All-analog mastering by Matthew Lutthans at The Mastering Lab, 180 gram vinyl pressed by Quality Record Pressings. \r\n
      \r\n
      For collectors, Tell Mama isn't just another classic soul LP it's a cornerstone of the genre. This is Etta James at full power, captured in one of the most storied studios in American music, backed by musicians whose sound defined an era. Essential for soul devotees, indispensable for blues fans, and a must-own centerpiece for any serious vinyl collection.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Etta James (lead vocals), David Hood (bass), Jimmy Johnson (guitar), Barry Beckett, Spooner Oldham (keyboards), Ronald “Boogie” Taylor (trumpet), Joe Arnold (tenor saxophone), Charles Chalmers (baritone saxophone), Roger Hawkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=t_wbyv1TgIQ&list=RDt_wbyv1TgIQ&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 8129"
    -titreMorceau: [
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        "ordre" => 4
        "nom" => "4. The Love Of My Man"
      ]
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        "nom" => "5. I'm Gonna Take What He's Got"
      ]
      [
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        "nom" => "Side B : "
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        "nom" => "2. Steal Away"
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[
  "produit" => App\Entity\Produit {#2253
    -id: 2382
    -nom: "Listen To Art Farmer and the Orchestra"
    -informationComplementaire: "Plongez dans l’élégance du jazz orchestral avec "Listen to Art Farmer and the Orchestra", un voyage porté par le souffle unique d’Art Farmer et des arrangements somptueux signés Oliver Nelson. Un classique intemporel, entre douceur et sophistication."
    -description: """
      Listen to Art Farmer and the Orchestra est un album emblématique du flugelhorniste Art Farmer, sublimé par les arrangements élégants de Oliver Nelson. Enregistré à une époque où le jazz orchestral atteint une maturité remarquable, cet album offre un équilibre parfait entre sophistication et émotion.\r\n
      \r\n
      Porté par un orchestre de haut niveau réunissant plusieurs grands noms du jazz, l’album met en lumière le jeu fluide, chaleureux et expressif d’Art Farmer. Sa sonorité au flugelhorn, à la fois douce et profonde, se déploie sur des arrangements riches, où chaque section, cuivres, bois et rythmique dialogue avec finesse.\r\n
      \r\n
      Loin des démonstrations techniques gratuites, cet enregistrement privilégie la musicalité, la nuance et l’élégance. Il s’inscrit dans la tradition du jazz moderne des années 60, tout en conservant une accessibilité qui séduira autant les amateurs éclairés que les auditeurs curieux.\r\n
      \r\n
      Un disque incontournable pour les amoureux de jazz orchestral, entre lyrisme, swing maîtrisé et raffinement sonore.\r\n
      \r\n
      Musicians :\r\n
      Art Farmer (flugelhorn, trumpet, bandleader), Oliver Nelson (arranger & conductor), Clark Terry, Ernie Royal (trumpet), Jimmy Cleveland, Benny Powell (trombone), Phil Woods (alto saxophone), Jerome Richardson (reeds, multi-instrumentalist), Hank Jones (piano), George Duvivier (bass), Osie Johnson (drums).\r\n
      \r\n
      - Art Farmer "Listen To Art Farmer and the Orchestra" !\r\n
      - Part of the Verve Vault Series !\r\n
      - Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Listen to Art Farmer and the Orchestra, recorded in 1962 and released the following year on Mercury, stands as one of trumpeter / flugelhornist Art Farmer's most ambitious statements as a leader.\r\n
      \r\n
      The album places Farmer at the forefront of a large ensemble arranged and conducted by Oliver Nelson, whose writing gives the project a striking blend of sophistication and swing. The personnel bridges New York's hard-bop scene with leading studio and jazz musicians, with Farmer featured as the principal solo voice against Nelson's full complement of brass, reeds, and rhythm. Guitarists Jim Hall and Barry Galbraith, bassist George Duvivier, drummer Charlie Persip, and pianist Tommy Flanagan are among the players supporting Farmer.\r\n
      \r\n
      They appear alongside an expanded orchestral roster of trumpets, trombones, French horns, reeds, and percussion. Nelson's orchestrations give him space to showcase his lyricism and poised tone, balancing tightly-arranged ensemble passages with luminous solo statements. This program draws on beloved standards including "Street of Dreams", and "Naima" and the orchestral setting underscores why Farmer was regarded as one of the era's most elegant and expressive horn players.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Art Farmer (flugelhorn, trumpet, bandleader), Oliver Nelson (arranger & conductor), Clark Terry, Ernie Royal (trumpet), Jimmy Cleveland, Benny Powell (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=s9eoqEDPEvI&list=PLb_GPRyrUSsXilcAVENMrvapk2IBe108z&index=3"
    -referenceProduit: "Verve Records (Vault Series) 1655"
    -titreMorceau: [
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App\Twig\Components\GestionPanierFavoriComponents {#3705
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    -id: 2382
    -nom: "Listen To Art Farmer and the Orchestra"
    -informationComplementaire: "Plongez dans l’élégance du jazz orchestral avec "Listen to Art Farmer and the Orchestra", un voyage porté par le souffle unique d’Art Farmer et des arrangements somptueux signés Oliver Nelson. Un classique intemporel, entre douceur et sophistication."
    -description: """
      Listen to Art Farmer and the Orchestra est un album emblématique du flugelhorniste Art Farmer, sublimé par les arrangements élégants de Oliver Nelson. Enregistré à une époque où le jazz orchestral atteint une maturité remarquable, cet album offre un équilibre parfait entre sophistication et émotion.\r\n
      \r\n
      Porté par un orchestre de haut niveau réunissant plusieurs grands noms du jazz, l’album met en lumière le jeu fluide, chaleureux et expressif d’Art Farmer. Sa sonorité au flugelhorn, à la fois douce et profonde, se déploie sur des arrangements riches, où chaque section, cuivres, bois et rythmique dialogue avec finesse.\r\n
      \r\n
      Loin des démonstrations techniques gratuites, cet enregistrement privilégie la musicalité, la nuance et l’élégance. Il s’inscrit dans la tradition du jazz moderne des années 60, tout en conservant une accessibilité qui séduira autant les amateurs éclairés que les auditeurs curieux.\r\n
      \r\n
      Un disque incontournable pour les amoureux de jazz orchestral, entre lyrisme, swing maîtrisé et raffinement sonore.\r\n
      \r\n
      Musicians :\r\n
      Art Farmer (flugelhorn, trumpet, bandleader), Oliver Nelson (arranger & conductor), Clark Terry, Ernie Royal (trumpet), Jimmy Cleveland, Benny Powell (trombone), Phil Woods (alto saxophone), Jerome Richardson (reeds, multi-instrumentalist), Hank Jones (piano), George Duvivier (bass), Osie Johnson (drums).\r\n
      \r\n
      - Art Farmer "Listen To Art Farmer and the Orchestra" !\r\n
      - Part of the Verve Vault Series !\r\n
      - Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Listen to Art Farmer and the Orchestra, recorded in 1962 and released the following year on Mercury, stands as one of trumpeter / flugelhornist Art Farmer's most ambitious statements as a leader.\r\n
      \r\n
      The album places Farmer at the forefront of a large ensemble arranged and conducted by Oliver Nelson, whose writing gives the project a striking blend of sophistication and swing. The personnel bridges New York's hard-bop scene with leading studio and jazz musicians, with Farmer featured as the principal solo voice against Nelson's full complement of brass, reeds, and rhythm. Guitarists Jim Hall and Barry Galbraith, bassist George Duvivier, drummer Charlie Persip, and pianist Tommy Flanagan are among the players supporting Farmer.\r\n
      \r\n
      They appear alongside an expanded orchestral roster of trumpets, trombones, French horns, reeds, and percussion. Nelson's orchestrations give him space to showcase his lyricism and poised tone, balancing tightly-arranged ensemble passages with luminous solo statements. This program draws on beloved standards including "Street of Dreams", and "Naima" and the orchestral setting underscores why Farmer was regarded as one of the era's most elegant and expressive horn players.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Art Farmer (flugelhorn, trumpet, bandleader), Oliver Nelson (arranger & conductor), Clark Terry, Ernie Royal (trumpet), Jimmy Cleveland, Benny Powell (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -referenceProduit: "Verve Records (Vault Series) 1655"
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    -modifierLe: DateTime @1775668870 {#2251
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2274
    -id: 3055
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Un blues brut, viscéral et intemporel. Avec "The Real Folk Blues", Muddy Waters incarne l’âme du Chicago blues dans ce qu’elle a de plus authentique. Une musique née de la terre, électrifiée en ville, et devenue légende."
    -description: """
      Sorti en 1966 sur le label Chess Records, "The Real Folk Blues" de Muddy Waters est bien plus qu’un simple album, c’est une plongée dans les racines profondes du blues électrique. Cette compilation rassemble des enregistrements réalisés entre la fin des années 1940 et les années 1950, période durant laquelle Muddy Waters façonne le son du Chicago blues.\r\n
      \r\n
      Porté par une voix puissante et une guitare slide immédiatement reconnaissable, Muddy Waters s’entoure de musiciens d’exception tels que Little Walter à l’harmonica, Otis Spann au piano ou encore Willie Dixon à la basse. Ensemble, ils donnent naissance à un son brut, direct et profondément expressif.\r\n
      \r\n
      Des titres emblématiques comme “Mannish Boy” ou “Rollin’ Stone” capturent toute l’intensité de cette musique, un mélange de tension, de groove et d’émotion qui influencera durablement le rock et toute la musique moderne.\r\n
      \r\n
      The Real Folk Blues est une œuvre essentielle, à la fois historique et vibrante, qui continue de résonner comme l’un des témoignages les plus puissants du blues urbain américain.\r\n
      \r\n
      - Muddy Waters "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Issued by Chess Records at the height of the 1960s folk revival, this classic compilation cleverly reframed Waters' early Chicago recordings with a title and cover that aligned him with a new, younger audience discovering the roots of American music. The irony, of course, is that Muddy didn't need repositioning. He was the source.\r\n
      \r\n
      Although most of these tracks were recorded in Chicago studios, often with electric guitar in the mix, the spirit is unmistakably down-home. There's a stark, front-porch authority in the performances spare instrumentation, unvarnished arrangements, and a gritty, conversational vocal style that carries the emotional weight of Delta tradition straight into the urban blues era.\r\n
      \r\n
      This is the Muddy Waters who changed the language of modern blues. "Mannish Boy" stomps with primal swagger, its hypnotic riff and call-and-response vocal becoming one of the most recognizable signatures in postwar blues. "Screamin' & Cryin'" and "Just To Be With You" simmer with tension and longing, while "Walking Blues" reconnects directly to the Delta lineage that Waters absorbed in his youth. "Walking In The Park", "Same Thing", and "Canary Bird" round out a program that's stacked with grit, groove, and raw storytelling.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Jimmy Rogers, Robert Lockwood Jr. (guitar), Otis Spann (piano), Little Walter (harmonica), Willie Dixon (bass), Fred Below (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -setBoxMusic: false
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    -preCommande: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=i-R9qiS_n50&list=PL4W2uOPeutt6b-5nELOpnmccUDOLcYZkF&index=2"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 9991"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. Mannish Boy"
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      [
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        "nom" => "2. Screamin' & Crying"
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        "nom" => "3. Just To Be With You"
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        "nom" => "1. Same Thing"
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        "nom" => "2. Gypsy Women"
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        "nom" => "3. Rollin' & Tumblin'"
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        "nom" => "4. 40 Days & 40 Nights"
      ]
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        "nom" => "5. Little Geneva"
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App\Twig\Components\GestionPanierFavoriComponents {#3756
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2274
    -id: 3055
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Un blues brut, viscéral et intemporel. Avec "The Real Folk Blues", Muddy Waters incarne l’âme du Chicago blues dans ce qu’elle a de plus authentique. Une musique née de la terre, électrifiée en ville, et devenue légende."
    -description: """
      Sorti en 1966 sur le label Chess Records, "The Real Folk Blues" de Muddy Waters est bien plus qu’un simple album, c’est une plongée dans les racines profondes du blues électrique. Cette compilation rassemble des enregistrements réalisés entre la fin des années 1940 et les années 1950, période durant laquelle Muddy Waters façonne le son du Chicago blues.\r\n
      \r\n
      Porté par une voix puissante et une guitare slide immédiatement reconnaissable, Muddy Waters s’entoure de musiciens d’exception tels que Little Walter à l’harmonica, Otis Spann au piano ou encore Willie Dixon à la basse. Ensemble, ils donnent naissance à un son brut, direct et profondément expressif.\r\n
      \r\n
      Des titres emblématiques comme “Mannish Boy” ou “Rollin’ Stone” capturent toute l’intensité de cette musique, un mélange de tension, de groove et d’émotion qui influencera durablement le rock et toute la musique moderne.\r\n
      \r\n
      The Real Folk Blues est une œuvre essentielle, à la fois historique et vibrante, qui continue de résonner comme l’un des témoignages les plus puissants du blues urbain américain.\r\n
      \r\n
      - Muddy Waters "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Issued by Chess Records at the height of the 1960s folk revival, this classic compilation cleverly reframed Waters' early Chicago recordings with a title and cover that aligned him with a new, younger audience discovering the roots of American music. The irony, of course, is that Muddy didn't need repositioning. He was the source.\r\n
      \r\n
      Although most of these tracks were recorded in Chicago studios, often with electric guitar in the mix, the spirit is unmistakably down-home. There's a stark, front-porch authority in the performances spare instrumentation, unvarnished arrangements, and a gritty, conversational vocal style that carries the emotional weight of Delta tradition straight into the urban blues era.\r\n
      \r\n
      This is the Muddy Waters who changed the language of modern blues. "Mannish Boy" stomps with primal swagger, its hypnotic riff and call-and-response vocal becoming one of the most recognizable signatures in postwar blues. "Screamin' & Cryin'" and "Just To Be With You" simmer with tension and longing, while "Walking Blues" reconnects directly to the Delta lineage that Waters absorbed in his youth. "Walking In The Park", "Same Thing", and "Canary Bird" round out a program that's stacked with grit, groove, and raw storytelling.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Jimmy Rogers, Robert Lockwood Jr. (guitar), Otis Spann (piano), Little Walter (harmonica), Willie Dixon (bass), Fred Below (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=i-R9qiS_n50&list=PL4W2uOPeutt6b-5nELOpnmccUDOLcYZkF&index=2"
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[
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    -id: 3054
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Une voix. Une légende. Le blues à l’état pur. Avec "The Real Folk Blues", Howlin' Wolf livre une collection essentielle de titres bruts et intemporels, où chaque note résonne avec l’âme du Chicago blues."
    -description: """
      The Real Folk Blues (Mono) de Howlin' Wolf est une plongée brute et authentique dans l’âge d’or du blues de Chicago. Cette compilation rassemble certaines des sessions les plus marquantes enregistrées pour Chess Records entre les années 1950 et 1960.\r\n
      \r\n
      Porté par la voix puissante, rugueuse et profondément expressive de Howlin’ Wolf, l’album capture toute l’intensité émotionnelle du blues électrique. Chaque morceau est soutenu par une section rythmique solide et des musiciens d’exception, dont le guitariste Hubert Sumlin, dont le jeu incisif et nerveux est devenu indissociable du son du Wolf.\r\n
      \r\n
      Entre riffs hypnotiques, grooves lourds et atmosphères sombres, cet album incarne une musique viscérale, à la fois sauvage et raffinée. Le mix mono renforce encore cette sensation d’immersion directe, comme si l’auditeur se retrouvait au cœur d’un club enfumé du South Side de Chicago.\r\n
      \r\n
      - Howlin' Wolf "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Mastered from digital sources by Matt Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Most of Chess Records' Real Folk Blues albums were compilations of singles recorded over a span of years (in Wolf's case, from 1956 to 1965). This album did not fit the usual definitions of "folk blues," featuring instead Chicago urban blues by an incomparable singer and a host of great sidemen (including Hubert Sumlin and Buddy Guy), but Chess was making a move to remarket the blues to a new audience that had developed with the boom in folk music.\r\n
      \r\n
      This was Chess' second LP of Wolf singles, and a comment posted on the Blues Hall of Fame web site about the first LP applies to this one too : "Considering how many of the songs here have become standards in the repertoires of countless blues and rock bands, it's hard to fathom that none of these Wolf 45s sold well enough to make the Billboard R&B charts". The Real Folk Blues classics include "Killing Floor", "Tail Dragger", "Built for Comfort", and "Three Hundred Pounds of Joy".
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
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    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 9990"
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        "nom" => "1. Killing Floor 2:48"
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        "ordre" => 2
        "nom" => "2. Louise"
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        "ordre" => 3
        "nom" => "3. Poor Boy"
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        "nom" => "4. Sittin' On Top Of The World"
      ]
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        "nom" => "5. Nature"
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        "nom" => "6. My Country Sugar Mama "
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        "nom" => "Side B :"
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        "nom" => "1. Tail Dragger"
      ]
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        "nom" => "2. Three Hundred Pounds Of Joy"
      ]
      [
        "ordre" => 10
        "nom" => "3. Natchez Burnin'"
      ]
      [
        "ordre" => 11
        "nom" => "4. Built For Comfort"
      ]
      [
        "ordre" => 12
        "nom" => "5. Ooh Baby, Hold Me"
      ]
      [
        "ordre" => 13
        "nom" => "6. Tell Me What I've Done"
      ]
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      ]
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2292 …}
    -label: Proxies\__CG__\App\Entity\Label {#2223 …}
    -style: App\Entity\Style {#1489 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2298 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3807
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2290
    -id: 3054
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Une voix. Une légende. Le blues à l’état pur. Avec "The Real Folk Blues", Howlin' Wolf livre une collection essentielle de titres bruts et intemporels, où chaque note résonne avec l’âme du Chicago blues."
    -description: """
      The Real Folk Blues (Mono) de Howlin' Wolf est une plongée brute et authentique dans l’âge d’or du blues de Chicago. Cette compilation rassemble certaines des sessions les plus marquantes enregistrées pour Chess Records entre les années 1950 et 1960.\r\n
      \r\n
      Porté par la voix puissante, rugueuse et profondément expressive de Howlin’ Wolf, l’album capture toute l’intensité émotionnelle du blues électrique. Chaque morceau est soutenu par une section rythmique solide et des musiciens d’exception, dont le guitariste Hubert Sumlin, dont le jeu incisif et nerveux est devenu indissociable du son du Wolf.\r\n
      \r\n
      Entre riffs hypnotiques, grooves lourds et atmosphères sombres, cet album incarne une musique viscérale, à la fois sauvage et raffinée. Le mix mono renforce encore cette sensation d’immersion directe, comme si l’auditeur se retrouvait au cœur d’un club enfumé du South Side de Chicago.\r\n
      \r\n
      - Howlin' Wolf "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Mastered from digital sources by Matt Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Most of Chess Records' Real Folk Blues albums were compilations of singles recorded over a span of years (in Wolf's case, from 1956 to 1965). This album did not fit the usual definitions of "folk blues," featuring instead Chicago urban blues by an incomparable singer and a host of great sidemen (including Hubert Sumlin and Buddy Guy), but Chess was making a move to remarket the blues to a new audience that had developed with the boom in folk music.\r\n
      \r\n
      This was Chess' second LP of Wolf singles, and a comment posted on the Blues Hall of Fame web site about the first LP applies to this one too : "Considering how many of the songs here have become standards in the repertoires of countless blues and rock bands, it's hard to fathom that none of these Wolf 45s sold well enough to make the Billboard R&B charts". The Real Folk Blues classics include "Killing Floor", "Tail Dragger", "Built for Comfort", and "Three Hundred Pounds of Joy".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=ETMhupZUCsc&list=PLOFsCPXqLYfopdCzb5JMOXPFyT2Ie8u6T&index=3"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 9990"
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        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. Killing Floor 2:48"
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