Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2580
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2657
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2660 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
  -formView: Symfony\Component\Form\FormView {#2696 …}
  -form: Symfony\Component\Form\Form {#2846 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2373
    -nom: "Debut In The Netherlands"
    -informationComplementaire: null
    -description: """
      - Dave Brubeck "Debut In The Netherlands 1958" 180 gram double LP !\r\n
      - Remastered from the original analog tapes !\r\n
      - Limited to 2000 copies worldwide !\r\n
      - Pressed at Optimal in Germany !\r\n
      - Dave Brubeck Quartet Europe, here we come !\r\n
      \r\n
      With the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on February 26 in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music.\r\n
      \r\n
      Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck's hotel door to congratulate him. Brubeck is said to have responded, "It should have been you." He dedicated one of his most famous pieces, "The Duke," included on this album, to his fellow pianist.\r\n
      \r\n
      That winter evening of 1958, the four American musicians, all in their late thirties, took the stage of the Concertgebouw.\r\n
      \r\n
      Picture the packed auditorium murmuring expectantly, and four musicians overcome with stage fright yet eager to perform. After some timid applause, Desmond kicked off with the melancholy, sophisticated theme of "Two Part Contention". The piano came in, sounding out a counter-melody that revealed Brubeck's classical training and knowledge of counterpoint, acquired when he studied under Milhaud and Schoenberg. He had an inventiveness that was not only melodic but also rhythmic, and he knew how to win over an audience. This was followed by a Disney piece, "Someday, My Prince Will Come" introduced by the piano, three years before the great Miles Davis brought out his eponymous album. They continued with a 1930s standard, "These Foolish Things", by Jack Strachey, a song that had helped make Ella Fitzgerald famous. Paul led the show in his flowing, ethereal style, with sporadic brassy, dissonant contrasts, proving  if proof were needed  his consummate skills in harmonic phrasing.\r\n
      \r\n
      The saxophone then announced the theme of "One Moment Worth Years". Eugene, who liked to be called "the Senator", seemed to lead the private dialogue with an unseen hand, dexterous and sensitive. In the same vein, they led on with "For All We Know"  to thunderous applause. It was now Joe's turn to take the limelight. When he played "Watusi Drums", the audience discovered an exceptional drummer who had started out as a virtuoso violinist: 15 years previously, he had been playing Mendelssohn's Concerto with the Boston Symphony Orchestra. After hearing Jascha Heifetz, he decided he could never reach the maestro's heights and switched to drums. The band went on to play "The Wright Groove", a short piece written by Eugene. The concert concluded with "The Duke", a tribute to Ellington, and then a superb rendition of "Take the A-Train", a 1940s classic and the hallmark piece of Ellington's orchestra, played here in a whirlwind of energy and innovative rhythms. With their rhythmic patterns, interspersed with one or two bursts of resounding laughter, the musicians displayed the creative spirit that was to result in the legendary album Time Out a year later.\r\n
      \r\n
      Sadly, the original tape comes to a halt before the end of this piece could be recorded. Nevertheless, we have chosen to retain the surviving part to bear witness to the groundbreaking creativity then bubbling under the surface in this exceptional quartet's timeless art.\r\n
      \r\n
      The concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nWWuvbOW-FI&list=RDnWWuvbOW-FI&start_radio=1"
    -referenceProduit: "The Lost Recordings 4043"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Two Part Contention "
        "ordre" => 1
      ]
      [
        "nom" => "2. Someday My Prince Will Come "
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. These Foolish Things"
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "1. One Moment Worth Years "
        "ordre" => 6
      ]
      [
        "nom" => "2. For All We Know "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Watusi Drums "
        "ordre" => 9
      ]
      [
        "nom" => "2. The Wright Groove "
        "ordre" => 10
      ]
      [
        "nom" => "3. The Duke "
        "ordre" => 11
      ]
      [
        "nom" => "4. Take the "A" Train (incomplete)"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1677917666 {#1875
      date: 2023-03-04 08:14:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763975756 {#1868
      date: 2025-11-24 09:15:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-debut-in-the-netherlands-the-lost-recordings-4043"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3121
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2373
    -nom: "Debut In The Netherlands"
    -informationComplementaire: null
    -description: """
      - Dave Brubeck "Debut In The Netherlands 1958" 180 gram double LP !\r\n
      - Remastered from the original analog tapes !\r\n
      - Limited to 2000 copies worldwide !\r\n
      - Pressed at Optimal in Germany !\r\n
      - Dave Brubeck Quartet Europe, here we come !\r\n
      \r\n
      With the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on February 26 in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music.\r\n
      \r\n
      Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck's hotel door to congratulate him. Brubeck is said to have responded, "It should have been you." He dedicated one of his most famous pieces, "The Duke," included on this album, to his fellow pianist.\r\n
      \r\n
      That winter evening of 1958, the four American musicians, all in their late thirties, took the stage of the Concertgebouw.\r\n
      \r\n
      Picture the packed auditorium murmuring expectantly, and four musicians overcome with stage fright yet eager to perform. After some timid applause, Desmond kicked off with the melancholy, sophisticated theme of "Two Part Contention". The piano came in, sounding out a counter-melody that revealed Brubeck's classical training and knowledge of counterpoint, acquired when he studied under Milhaud and Schoenberg. He had an inventiveness that was not only melodic but also rhythmic, and he knew how to win over an audience. This was followed by a Disney piece, "Someday, My Prince Will Come" introduced by the piano, three years before the great Miles Davis brought out his eponymous album. They continued with a 1930s standard, "These Foolish Things", by Jack Strachey, a song that had helped make Ella Fitzgerald famous. Paul led the show in his flowing, ethereal style, with sporadic brassy, dissonant contrasts, proving  if proof were needed  his consummate skills in harmonic phrasing.\r\n
      \r\n
      The saxophone then announced the theme of "One Moment Worth Years". Eugene, who liked to be called "the Senator", seemed to lead the private dialogue with an unseen hand, dexterous and sensitive. In the same vein, they led on with "For All We Know"  to thunderous applause. It was now Joe's turn to take the limelight. When he played "Watusi Drums", the audience discovered an exceptional drummer who had started out as a virtuoso violinist: 15 years previously, he had been playing Mendelssohn's Concerto with the Boston Symphony Orchestra. After hearing Jascha Heifetz, he decided he could never reach the maestro's heights and switched to drums. The band went on to play "The Wright Groove", a short piece written by Eugene. The concert concluded with "The Duke", a tribute to Ellington, and then a superb rendition of "Take the A-Train", a 1940s classic and the hallmark piece of Ellington's orchestra, played here in a whirlwind of energy and innovative rhythms. With their rhythmic patterns, interspersed with one or two bursts of resounding laughter, the musicians displayed the creative spirit that was to result in the legendary album Time Out a year later.\r\n
      \r\n
      Sadly, the original tape comes to a halt before the end of this piece could be recorded. Nevertheless, we have chosen to retain the surviving part to bear witness to the groundbreaking creativity then bubbling under the surface in this exceptional quartet's timeless art.\r\n
      \r\n
      The concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nWWuvbOW-FI&list=RDnWWuvbOW-FI&start_radio=1"
    -referenceProduit: "The Lost Recordings 4043"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Two Part Contention "
        "ordre" => 1
      ]
      [
        "nom" => "2. Someday My Prince Will Come "
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. These Foolish Things"
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "1. One Moment Worth Years "
        "ordre" => 6
      ]
      [
        "nom" => "2. For All We Know "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Watusi Drums "
        "ordre" => 9
      ]
      [
        "nom" => "2. The Wright Groove "
        "ordre" => 10
      ]
      [
        "nom" => "3. The Duke "
        "ordre" => 11
      ]
      [
        "nom" => "4. Take the "A" Train (incomplete)"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1677917666 {#1875
      date: 2023-03-04 08:14:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763975756 {#1868
      date: 2025-11-24 09:15:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-debut-in-the-netherlands-the-lost-recordings-4043"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 818
    -nom: "Time Out"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet, now a 33 1/3 RPM LP !\r\n
      - Reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram LP cut at 33 1/3 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      - Praise for the 180 gram 45 RPM version of Analogue Productions' Time Out reissue !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk," where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012.\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it - for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodit", "Pleasantville" and "Constantine".\r\n
      \r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time - so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five," the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you Time Out renewed.\r\n
      \r\n
      Like its 45 RPM sibling, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special - very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty ! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vKNZqM0d-xo"
    -referenceProduit: "Analogue Productions AAPJ 8192"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Blue Rondo A La Turk"
        "ordre" => 1
      ]
      [
        "nom" => "2. Strange Meadow Lark"
        "ordre" => 2
      ]
      [
        "nom" => "3. Take Five"
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. Three To Get Ready"
        "ordre" => 5
      ]
      [
        "nom" => "2. Kathy's Waltz"
        "ordre" => 6
      ]
      [
        "nom" => "3. Everybody's Jumpin'"
        "ordre" => 7
      ]
      [
        "nom" => "4. Pick Up Sticks"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#2046 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
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    -typeMateriel: null
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    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1443679862 {#2041
      date: 2015-10-01 06:11:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763975581 {#2042
      date: 2025-11-24 09:13:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-time-out-analogue-productions-aapj-8192"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3237
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 818
    -nom: "Time Out"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet, now a 33 1/3 RPM LP !\r\n
      - Reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram LP cut at 33 1/3 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      - Praise for the 180 gram 45 RPM version of Analogue Productions' Time Out reissue !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk," where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012.\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it - for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodit", "Pleasantville" and "Constantine".\r\n
      \r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time - so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five," the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you Time Out renewed.\r\n
      \r\n
      Like its 45 RPM sibling, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special - very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty ! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vKNZqM0d-xo"
    -referenceProduit: "Analogue Productions AAPJ 8192"
    -titreMorceau: [
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      ]
    ]
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2060
    -id: 653
    -nom: "Time Out (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet !\r\n
      - First time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram, double LP set cut at 45 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk", where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite", "Pleasantville" and "Constantine".\r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five", the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 45 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you the definitive copy.\r\n
      \r\n
      Why definitive ? The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it's more than just the vinyl that makes this release so special. For the first time in its history, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FqPC-BkylxA&list=PLMxkpnetcodMI06cGhDnJWIu86POfn-JJ"
    -referenceProduit: "Analogue Productions AAPJ 8192-45"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
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      ]
      [
        "nom" => "2. Kathy's Waltz"
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      ]
      [
        "nom" => "Side D :"
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      ]
      [
        "nom" => "1. Everybody's Jumpin'"
        "ordre" => 9
      ]
      [
        "nom" => "2. Pick Up Sticks"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
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    -modifierLe: DateTime @1763975380 {#2058
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-time-out-2-lp-45-rpm-analogue-productions-aapj-8192-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3285
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2060
    -id: 653
    -nom: "Time Out (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet !\r\n
      - First time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram, double LP set cut at 45 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk", where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite", "Pleasantville" and "Constantine".\r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five", the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 45 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you the definitive copy.\r\n
      \r\n
      Why definitive ? The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it's more than just the vinyl that makes this release so special. For the first time in its history, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FqPC-BkylxA&list=PLMxkpnetcodMI06cGhDnJWIu86POfn-JJ"
    -referenceProduit: "Analogue Productions AAPJ 8192-45"
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        "nom" => "Side A :"
        "ordre" => 0
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      [
        "nom" => "2. Kathy's Waltz"
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      [
        "nom" => "Side D :"
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      ]
      [
        "nom" => "1. Everybody's Jumpin'"
        "ordre" => 9
      ]
      [
        "nom" => "2. Pick Up Sticks"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
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    -modifierLe: DateTime @1763975380 {#2058
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
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[
  "produit" => App\Entity\Produit {#2073
    -id: 1041
    -nom: "Time Further Out"
    -informationComplementaire: null
    -description: """
      Dave Brubeck and his quartet (Paul Desmond on alto-sax, Eugene Wright on bass and Joe Morello on drums) make a fine, even-more adventurous follow up to his legendary Time Outfeaturing his trademark easy-going swing arrangements in odd (9/4 !) time signatures and one amazing solo by Morello (the appropriately titled “Way More Drums”). Hits like “Unsquare Dance” and “It’s a Raggy Waltz” are augmented by “Charles Matthew Hallelujah”, “Maori Blues”, and the lovely “Blue Shadows In the Street”.\r\n
      \r\n
      IMPEX’s all-analog 180 gram pressing was mastered by George Marino at Sterling Sound in New York from the original master tapes. With RTI’s quiet surfaces and our strict attention to detail, this is a must-have for Brubeck fans (you are legion) and a great addition to any audiophile library.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=k1WFaQ70giw"
    -referenceProduit: "Impex Records IMP 6002"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. It’s a Raggy Waltz"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bluette"
        "ordre" => 2
      ]
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App\Twig\Components\GestionPanierFavoriComponents {#3333
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    -id: 1041
    -nom: "Time Further Out"
    -informationComplementaire: null
    -description: """
      Dave Brubeck and his quartet (Paul Desmond on alto-sax, Eugene Wright on bass and Joe Morello on drums) make a fine, even-more adventurous follow up to his legendary Time Outfeaturing his trademark easy-going swing arrangements in odd (9/4 !) time signatures and one amazing solo by Morello (the appropriately titled “Way More Drums”). Hits like “Unsquare Dance” and “It’s a Raggy Waltz” are augmented by “Charles Matthew Hallelujah”, “Maori Blues”, and the lovely “Blue Shadows In the Street”.\r\n
      \r\n
      IMPEX’s all-analog 180 gram pressing was mastered by George Marino at Sterling Sound in New York from the original master tapes. With RTI’s quiet surfaces and our strict attention to detail, this is a must-have for Brubeck fans (you are legion) and a great addition to any audiophile library.
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    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2089
    -id: 1319
    -nom: "Jazz At Oberlin"
    -informationComplementaire: null
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Original Jazz Classic Series Reissue of The Dave Brubeck Quartet Jazz At Oberlin on 180 gram LP. Cut from the Original Master Tapes (AAA) by Kevin Gray at Cohearent Audio and Pressed at RTI\r\n
      \r\n
      Recorded at Oberlin College, Ohio in 1953, the Dave Brubeck Quartet’s Jazz at Oberlin album is one of the earliest works in the cool jazz genre. As well as Dave Brubeck (piano) the album also features Paul Desmond (alto sax), Lloyd Davis (drums) and Ron Cotty (bass). This new edition of the album is released as part of the Original Jazz Classics Series and is pressed on 180 gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio. It is presented in a tip-on jacket.
      """
    -prixVente: "38.00"
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    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Ron Crotty (bass), Lloyd Davis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3381
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    -nom: "Jazz At Oberlin"
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    -description: """
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      Original Jazz Classic Series Reissue of The Dave Brubeck Quartet Jazz At Oberlin on 180 gram LP. Cut from the Original Master Tapes (AAA) by Kevin Gray at Cohearent Audio and Pressed at RTI\r\n
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[
  "produit" => App\Entity\Produit {#2109
    -id: 1658
    -nom: "A Dave Brubeck Christmas"
    -informationComplementaire: null
    -description: """
      - 180 gram 45 RPM double LP !\r\n
      - Lacquers cut at 45 RPM by Ryan K. Smith at Sterling Sound !\r\n
      - Brubeck originals plus holiday favorites !\r\n
      \r\n
      Released in 1996, A Dave Brubeck Christmas is a solo piano album by the renowned American jazz pianist and composer. Featuring Brubeck originals : "To Us Is Given" and "Run, Run, Run to Bethlehem", the album also includes versions of the holiday favorites "Santa Claus Is Coming to Town", "Winter Wonderland", "Away in a Manger", "Joy to the World", "The Christmas Song", "Jingle Bells" and more. This new (2 LP) edition is released on 180 gram vinyl with lacquers cut at 45 RPM by Ryan K. Smith at Sterling Sound.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dave Brubeck (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=a7Y7fpEfmC4"
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    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "2. Santa Claus Is Coming to Town"
        "ordre" => 2
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        "ordre" => 5
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        "nom" => "2. Winter Wonderland"
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App\Twig\Components\GestionPanierFavoriComponents {#3427
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    -id: 1658
    -nom: "A Dave Brubeck Christmas"
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    -description: """
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      - Lacquers cut at 45 RPM by Ryan K. Smith at Sterling Sound !\r\n
      - Brubeck originals plus holiday favorites !\r\n
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      """
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[
  "produit" => App\Entity\Produit {#2132
    -id: 1947
    -nom: "Lullabies"
    -informationComplementaire: null
    -description: "At 91 years old, Dave Brubeck recorded peerless takes on best-known children's songs, beloved standards, and originals as a gift to his grandchildren and as his last studio recording. His playing, ingenuity and integrity, all hallmarks of great Brubeck recordings, are abundantly apparent on this album."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dave Brubeck (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-lullabies-verve-records-13980"
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App\Twig\Components\GestionPanierFavoriComponents {#3480
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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    -id: 1947
    -nom: "Lullabies"
    -informationComplementaire: null
    -description: "At 91 years old, Dave Brubeck recorded peerless takes on best-known children's songs, beloved standards, and originals as a gift to his grandchildren and as his last studio recording. His playing, ingenuity and integrity, all hallmarks of great Brubeck recordings, are abundantly apparent on this album."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=fzLDcX-lG98"
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[
  "produit" => App\Entity\Produit {#2148
    -id: 1680
    -nom: "You Get More Bounce With Curtis Counce !"
    -informationComplementaire: null
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2023 !\r\n
      - Seven key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      - Titles featuring Andre Previn, Leroy Vinnegar, Ornette Coleman, Curtis Counce, Art Farmer and Phineas Newborn Jr. !\r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      "This is a great, great album. I loved it and this pressing is perfect the labels are original, the jacket is tip-on, the engineer is great. I don't know how they're doing it this is a great deal though $29.95 for a record of this quality is a steal and I can highly recommend ‘You Get More Bounce With Curtis Counts'". - Scott Wilson, The Pressing Matters, for YouTube. View his review here.\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to continue the Contemporary Records Acoustic Sounds series for 2023 with seven album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      American bassist Curtis Counce recorded the memorably-titled You Get More Bounce with Curtis Counce! in 1956 and 1957 for its release on the Contemporary label. The program features the underrated by talented Curtis Counce Quintet of 1956-1957, a group consisting of bassist/leader Counce, trumpeter Jack Sheldon, tenor saxophonist Harold Land, pianist Carl Perkins, and drummer Frank Butler. Counce contributed two originals but otherwise the band sticks to jazz standards, with some of the best moments being on "Too Close for Comfort", "Mean to Me", and Charlie Parker's "Big Foot". 4 Stars, AllMusic.\r\n
      \r\n
      Founded in 1951 by film producer, screenwriter and record collector Lester Koenig (1917-1977), Contemporary Records became the epicenter of the West Coast jazz scene, while its cutting-edge approach to sound and design attracted some of the era's most exciting artists. The Contemporary Records Acoustic Sounds series which launched in the spring of 2022 with titles by Art Pepper, Barney Kessel and Benny Carter, among others  honors the label's rich legacy through meticulous reissues that highlight the label's influential classics, as well as its must-hear rarities.\r\n
      \r\n
      Since its initial rollout, the series has earned accolades from a slew of outlets, including JazzTimes, which spoke to the impact of the label, reflecting: "Artists, producers, and engineers alike have held Contemporary aloft... as a label dedicated to presenting jazz at its absolute purest, richest, and live-est", adding that the new reissues "are living, breathing proof of that label's hotly cutting clarity". Audiophile Review, meanwhile, marveled at the stereo pressing of Art Pepper + Eleven : Modern Jazz Classics, which it called "top-notch", elaborating that it sounds "richer and more inviting... deliver[ing] a bit more cinemascopic ‘view' of the group". Praising Hampton Hawes' Four! as "pristine". Audiophile Audition added, "Kudos to Craft Recordings for re-introducing a brilliant pianist".
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Curtis Counce (bass), Harold Land (tenor saxophone), Carl Perkins (piano), Jack Sheldon (trumpet), Frank Butler (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uYZr2E27WBs"
    -referenceProduit: "Acoustic Sounds Series 0389"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 1
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      [
        "nom" => "3. Too Close For Comfort"
        "ordre" => 3
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      [
        "nom" => "4. Mean To Me"
        "ordre" => 4
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
      [
        "nom" => "1. Stranger In Paradise"
        "ordre" => 6
      ]
      [
        "nom" => "2. Counceltation"
        "ordre" => 7
      ]
      [
        "nom" => "3. Big Foot"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: Proxies\__CG__\App\Entity\Label {#2153 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2162 …}
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      date: 2025-11-23 18:58:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-you-get-more-bounce-with-curtis-counce-acoustic-sounds-series-0389"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3526
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2148
    -id: 1680
    -nom: "You Get More Bounce With Curtis Counce !"
    -informationComplementaire: null
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2023 !\r\n
      - Seven key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      - Titles featuring Andre Previn, Leroy Vinnegar, Ornette Coleman, Curtis Counce, Art Farmer and Phineas Newborn Jr. !\r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      "This is a great, great album. I loved it and this pressing is perfect the labels are original, the jacket is tip-on, the engineer is great. I don't know how they're doing it this is a great deal though $29.95 for a record of this quality is a steal and I can highly recommend ‘You Get More Bounce With Curtis Counts'". - Scott Wilson, The Pressing Matters, for YouTube. View his review here.\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to continue the Contemporary Records Acoustic Sounds series for 2023 with seven album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      American bassist Curtis Counce recorded the memorably-titled You Get More Bounce with Curtis Counce! in 1956 and 1957 for its release on the Contemporary label. The program features the underrated by talented Curtis Counce Quintet of 1956-1957, a group consisting of bassist/leader Counce, trumpeter Jack Sheldon, tenor saxophonist Harold Land, pianist Carl Perkins, and drummer Frank Butler. Counce contributed two originals but otherwise the band sticks to jazz standards, with some of the best moments being on "Too Close for Comfort", "Mean to Me", and Charlie Parker's "Big Foot". 4 Stars, AllMusic.\r\n
      \r\n
      Founded in 1951 by film producer, screenwriter and record collector Lester Koenig (1917-1977), Contemporary Records became the epicenter of the West Coast jazz scene, while its cutting-edge approach to sound and design attracted some of the era's most exciting artists. The Contemporary Records Acoustic Sounds series which launched in the spring of 2022 with titles by Art Pepper, Barney Kessel and Benny Carter, among others  honors the label's rich legacy through meticulous reissues that highlight the label's influential classics, as well as its must-hear rarities.\r\n
      \r\n
      Since its initial rollout, the series has earned accolades from a slew of outlets, including JazzTimes, which spoke to the impact of the label, reflecting: "Artists, producers, and engineers alike have held Contemporary aloft... as a label dedicated to presenting jazz at its absolute purest, richest, and live-est", adding that the new reissues "are living, breathing proof of that label's hotly cutting clarity". Audiophile Review, meanwhile, marveled at the stereo pressing of Art Pepper + Eleven : Modern Jazz Classics, which it called "top-notch", elaborating that it sounds "richer and more inviting... deliver[ing] a bit more cinemascopic ‘view' of the group". Praising Hampton Hawes' Four! as "pristine". Audiophile Audition added, "Kudos to Craft Recordings for re-introducing a brilliant pianist".
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Curtis Counce (bass), Harold Land (tenor saxophone), Carl Perkins (piano), Jack Sheldon (trumpet), Frank Butler (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=uYZr2E27WBs"
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    -modifierLe: DateTime @1763924338 {#2146
      date: 2025-11-23 18:58:58.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2171
    -id: 2012
    -nom: "Katanga !"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Curtis Amy (soprano & tenor saxophone), Dupree Bolton, Marcus Belgrave (trumpet), Victor Gaskin, George Morrow (bass), Roy Brewster (trombone), John Houston, Jack Wilson (piano), Ray Crawford (guitar), Roy Ayers (vibraphone), Tony Bazley, Doug Sides (drums).\r\n
      \r\n
      Who are these guys ? That's the usual reaction of anyone fortunate enough to have come across this remarkable (and remarkably rare) session from 1963. The last of six albums saxophonist Curtis Amy recorded for Pacific Jazz in the early-1960s, Katanga! transcends not only the rest but plenty of other recorded jazz from that period as well. Trumpeter Dupree Bolton's brilliant playing here is simply breathtaking in one of his very few recorded appearances during a career plagued with personal problems. Bolton and Amy are joined by guitarist Ray Crawford, pianist Jack Wilson, bassist Victor Gaskin, and drummer Doug Sides on this gem of an album.\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 Gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      Blue Note Records' Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Curtis Amy (soprano & tenor saxophone), Dupree Bolton, Marcus Belgrave (trumpet), Victor Gaskin, George Morrow (bass), Roy Brewster (trombone), John Houston, Jack Wilson (piano), Ray Crawford (guitar), Roy Ayers (vibraphone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wLxxeBRqqKw"
    -referenceProduit: "Blue Note Tone Poet Series 87701"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Katanga \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. Lonely Woman \t"
        "ordre" => 2
      ]
      [
        "nom" => "3. Native Land "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Amyable "
        "ordre" => 5
      ]
      [
        "nom" => "2. You Don't Know What Love Is "
        "ordre" => 6
      ]
      [
        "nom" => "3. A Shade Of Brown"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2173 …}
    -label: Proxies\__CG__\App\Entity\Label {#2176 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2185 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2178 …}
    -typeMasterTape: null
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    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …}
    -enregistreLe: DateTime @1618730467 {#2164
      date: 2021-04-18 07:21:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763923474 {#2165
      date: 2025-11-23 18:44:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-katanga-blue-note-tone-poet-series-87701"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3577
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2171
    -id: 2012
    -nom: "Katanga !"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Curtis Amy (soprano & tenor saxophone), Dupree Bolton, Marcus Belgrave (trumpet), Victor Gaskin, George Morrow (bass), Roy Brewster (trombone), John Houston, Jack Wilson (piano), Ray Crawford (guitar), Roy Ayers (vibraphone), Tony Bazley, Doug Sides (drums).\r\n
      \r\n
      Who are these guys ? That's the usual reaction of anyone fortunate enough to have come across this remarkable (and remarkably rare) session from 1963. The last of six albums saxophonist Curtis Amy recorded for Pacific Jazz in the early-1960s, Katanga! transcends not only the rest but plenty of other recorded jazz from that period as well. Trumpeter Dupree Bolton's brilliant playing here is simply breathtaking in one of his very few recorded appearances during a career plagued with personal problems. Bolton and Amy are joined by guitarist Ray Crawford, pianist Jack Wilson, bassist Victor Gaskin, and drummer Doug Sides on this gem of an album.\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 Gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      Blue Note Records' Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Curtis Amy (soprano & tenor saxophone), Dupree Bolton, Marcus Belgrave (trumpet), Victor Gaskin, George Morrow (bass), Roy Brewster (trombone), John Houston, Jack Wilson (piano), Ray Crawford (guitar), Roy Ayers (vibraphone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wLxxeBRqqKw"
    -referenceProduit: "Blue Note Tone Poet Series 87701"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. Katanga \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. Lonely Woman \t"
        "ordre" => 2
      ]
      [
        "nom" => "3. Native Land "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Amyable "
        "ordre" => 5
      ]
      [
        "nom" => "2. You Don't Know What Love Is "
        "ordre" => 6
      ]
      [
        "nom" => "3. A Shade Of Brown"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2173 …}
    -label: Proxies\__CG__\App\Entity\Label {#2176 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2185 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2178 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …}
    -enregistreLe: DateTime @1618730467 {#2164
      date: 2021-04-18 07:21:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763923474 {#2165
      date: 2025-11-23 18:44:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-katanga-blue-note-tone-poet-series-87701"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2190
    -id: 1530
    -nom: "Cosmo's Factory (Half-Speed Mastered)"
    -informationComplementaire: null
    -description: """
      - 50th Anniversary Edition 180 graù Vinyl LP !\r\n
      - Half-Speed Mastered by Miles Showell at Abbey Road Studios !\r\n
      - Rolling Stone 500 Greatest Albums of All Time Rated 413 / 500 !\r\n
      \r\n
      50th anniversary pressing of iconic studio album from America's greatest rock and roll band;first released in 1970 at the peak of Creedence's prolific career. Includes the hits "Who'll Stop The Rain", "Run Though the Jungle", "Up Around The Bend", "Looking Out My Back Door" and more, plus a cover of "I Heard It Through the Grapevine". The album was mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch. This 180-gram vinyl comes housed in a tip-on jacket replicating the original pressing packaging.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Fogerty (rhythm guitar, lead guitar, keyboards, saxophone, lead vocals), Tom Fogerty (rhythm guitar, backing vocals), Stu Cook (bass guitar), Doug “Cosmo” Clifford (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DClgtv90VK4&list=RDDClgtv90VK4&start_radio=1"
    -referenceProduit: "Concord Craft Recording 0128"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Ramble Tamble "
        "ordre" => 1
      ]
      [
        "nom" => "2. Before You Accuse Me (Take A Look At Yourself) "
        "ordre" => 2
      ]
      [
        "nom" => "3. Travelin' Band ["
        "ordre" => 3
      ]
      [
        "nom" => "4. Ooby Dooby "
        "ordre" => 4
      ]
      [
        "nom" => "5. Lookin' Out My Back Door "
        "ordre" => 5
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      [
        "nom" => "6. Run Through The Jungle "
        "ordre" => 6
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      [
        "nom" => "Side B : "
        "ordre" => 7
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      [
        "nom" => "1. Up Around The Bend "
        "ordre" => 8
      ]
      [
        "nom" => "2. My Baby Left Me "
        "ordre" => 9
      ]
      [
        "nom" => "3. Who'll Stop The Rain "
        "ordre" => 10
      ]
      [
        "nom" => "4. I Heard It Through The Grapevine "
        "ordre" => 11
      ]
      [
        "nom" => "5. Long As I Can See The Light "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
    -label: Proxies\__CG__\App\Entity\Label {#2091 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2201 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2194 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2196 …}
    -enregistreLe: DateTime @1548140991 {#2187
      date: 2019-01-22 07:09:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763921444 {#2188
      date: 2025-11-23 18:10:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2198 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cosmo-s-factory-half-speed-mastered-concord-craft-recording-0128"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3628
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2190
    -id: 1530
    -nom: "Cosmo's Factory (Half-Speed Mastered)"
    -informationComplementaire: null
    -description: """
      - 50th Anniversary Edition 180 graù Vinyl LP !\r\n
      - Half-Speed Mastered by Miles Showell at Abbey Road Studios !\r\n
      - Rolling Stone 500 Greatest Albums of All Time Rated 413 / 500 !\r\n
      \r\n
      50th anniversary pressing of iconic studio album from America's greatest rock and roll band;first released in 1970 at the peak of Creedence's prolific career. Includes the hits "Who'll Stop The Rain", "Run Though the Jungle", "Up Around The Bend", "Looking Out My Back Door" and more, plus a cover of "I Heard It Through the Grapevine". The album was mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch. This 180-gram vinyl comes housed in a tip-on jacket replicating the original pressing packaging.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Fogerty (rhythm guitar, lead guitar, keyboards, saxophone, lead vocals), Tom Fogerty (rhythm guitar, backing vocals), Stu Cook (bass guitar), Doug “Cosmo” Clifford (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DClgtv90VK4&list=RDDClgtv90VK4&start_radio=1"
    -referenceProduit: "Concord Craft Recording 0128"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Ramble Tamble "
        "ordre" => 1
      ]
      [
        "nom" => "2. Before You Accuse Me (Take A Look At Yourself) "
        "ordre" => 2
      ]
      [
        "nom" => "3. Travelin' Band ["
        "ordre" => 3
      ]
      [
        "nom" => "4. Ooby Dooby "
        "ordre" => 4
      ]
      [
        "nom" => "5. Lookin' Out My Back Door "
        "ordre" => 5
      ]
      [
        "nom" => "6. Run Through The Jungle "
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Up Around The Bend "
        "ordre" => 8
      ]
      [
        "nom" => "2. My Baby Left Me "
        "ordre" => 9
      ]
      [
        "nom" => "3. Who'll Stop The Rain "
        "ordre" => 10
      ]
      [
        "nom" => "4. I Heard It Through The Grapevine "
        "ordre" => 11
      ]
      [
        "nom" => "5. Long As I Can See The Light "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
    -label: Proxies\__CG__\App\Entity\Label {#2091 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2201 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2194 …}
    -typeMasterTape: null
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    -produitTestePar: null
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    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2196 …}
    -enregistreLe: DateTime @1548140991 {#2187
      date: 2019-01-22 07:09:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763921444 {#2188
      date: 2025-11-23 18:10:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2198 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cosmo-s-factory-half-speed-mastered-concord-craft-recording-0128"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2206
    -id: 2595
    -nom: "Kansas City 3 - For the Second Time"
    -informationComplementaire: null
    -description: """
      - Count Basie "Kansas City 3 For the Second Time" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on single pocket jacket !\r\n
      \r\n
      Anyone who ever heard Count Basie launch his band into a blues with several choruses of effortless piano has lamented that there is far too little of Basie the soloist among his recorded legacy. This shortage was rectified to a certain extent by the trio albums Basie made with Ray Brown and Louis Bellson in the Seventies, of which this is the sequel to the For the First Time set of the previous year.\r\n
      \r\n
      Once again, Basie's poetic introductions, precise calibrations of touch and coloration, and definitive swing create a joyous program of four venerable standards and an equal number of new blues. Bellson is empathetic throughout and dances with his brushes on "Sandman", while Brown's robust tone and earth-moving walking lines bring out the best in Basie the soloist and accompanist.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is a reissue jazz fans and audiophiles alike will treasure. Housed in a single pocket Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Count Basie (piano), Ray Brown (bass), Louis Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Y4Tm15HBK44"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 166"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Sandman"
        "ordre" => 1
      ]
      [
        "nom" => "2. If I could Be With You One Hour Tonight"
        "ordre" => 2
      ]
      [
        "nom" => "3. Draw"
        "ordre" => 3
      ]
      [
        "nom" => "4. On The Sunny Side of the Street"
        "ordre" => 4
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
      [
        "nom" => "1. The One I Love Belongs To Somebody Else"
        "ordre" => 6
      ]
      [
        "nom" => "2. Blues for Eric"
        "ordre" => 7
      ]
      [
        "nom" => "3. I Surrender, Dear"
        "ordre" => 8
      ]
      [
        "nom" => "4. Racehorse"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2208 …}
    -label: Proxies\__CG__\App\Entity\Label {#2211 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2220 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2213 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2215 …}
    -enregistreLe: DateTime @1732121797 {#2203
      date: 2024-11-20 16:56:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763914050 {#2204
      date: 2025-11-23 16:07:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2217 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kansas-city-3-for-the-second-time-analogue-productions-pablo-aapj-166"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3679
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2206
    -id: 2595
    -nom: "Kansas City 3 - For the Second Time"
    -informationComplementaire: null
    -description: """
      - Count Basie "Kansas City 3 For the Second Time" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on single pocket jacket !\r\n
      \r\n
      Anyone who ever heard Count Basie launch his band into a blues with several choruses of effortless piano has lamented that there is far too little of Basie the soloist among his recorded legacy. This shortage was rectified to a certain extent by the trio albums Basie made with Ray Brown and Louis Bellson in the Seventies, of which this is the sequel to the For the First Time set of the previous year.\r\n
      \r\n
      Once again, Basie's poetic introductions, precise calibrations of touch and coloration, and definitive swing create a joyous program of four venerable standards and an equal number of new blues. Bellson is empathetic throughout and dances with his brushes on "Sandman", while Brown's robust tone and earth-moving walking lines bring out the best in Basie the soloist and accompanist.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is a reissue jazz fans and audiophiles alike will treasure. Housed in a single pocket Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Count Basie (piano), Ray Brown (bass), Louis Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Y4Tm15HBK44"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 166"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Sandman"
        "ordre" => 1
      ]
      [
        "nom" => "2. If I could Be With You One Hour Tonight"
        "ordre" => 2
      ]
      [
        "nom" => "3. Draw"
        "ordre" => 3
      ]
      [
        "nom" => "4. On The Sunny Side of the Street"
        "ordre" => 4
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
      [
        "nom" => "1. The One I Love Belongs To Somebody Else"
        "ordre" => 6
      ]
      [
        "nom" => "2. Blues for Eric"
        "ordre" => 7
      ]
      [
        "nom" => "3. I Surrender, Dear"
        "ordre" => 8
      ]
      [
        "nom" => "4. Racehorse"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2208 …}
    -label: Proxies\__CG__\App\Entity\Label {#2211 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2220 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2213 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2215 …}
    -enregistreLe: DateTime @1732121797 {#2203
      date: 2024-11-20 16:56:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763914050 {#2204
      date: 2025-11-23 16:07:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2217 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kansas-city-3-for-the-second-time-analogue-productions-pablo-aapj-166"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2225
    -id: 2576
    -nom: "The Timekeepers"
    -informationComplementaire: null
    -description: """
      - Count Basie Meets Oscar Peterson "The Timekeepers" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on single pocket jacket !\r\n
      \r\n
      It could be argued that no two pianists could be more unalike than Count Basie, the master of understatement, and Oscar Peterson, the avatar of speed, power, and embellishment. The contrast in their approaches is part of what made their collaborations riveting. But the fact is that Basie, who held great power in reserve, could let it rip (and stride) when the mood struck him.\r\n
      \r\n
      And Peterson is capable of judiciously applying all that horsepower to achieve the most delicate effects. Both kinds of role reversals occur here. As the album title indicates, the great common denominator between the two is the observance and interpretation of time, not only in the sense of overall swing but of placement of notes and phrases. Their unaccompanied duet in the first choruses of "Rent Party" provides an emphatic demonstration.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a single pocket Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Count Basie (piano, organ), Oscar Peterson (piano), John Heard (double bass), Louie Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Hf3cBtr-txM"
    -referenceProduit: "Analogue Productions AAPJ 165"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I'm Confessin' (That I Love You)"
        "ordre" => 1
      ]
      [
        "nom" => "2. Soft Winds"
        "ordre" => 2
      ]
      [
        "nom" => "3. Rent Party"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. (Back Home Again In) Indiana"
        "ordre" => 5
      ]
      [
        "nom" => "2. Hey, Raymond"
        "ordre" => 6
      ]
      [
        "nom" => "3. After You've Gone"
        "ordre" => 7
      ]
      [
        "nom" => "4. That's the One"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2227 …}
    -label: Proxies\__CG__\App\Entity\Label {#2211 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2236 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2229 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2231 …}
    -enregistreLe: DateTime @1728806408 {#2222
      date: 2024-10-13 08:00:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763913680 {#2223
      date: 2025-11-23 16:01:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2233 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-timekeepers-analogue-productions-aapj-165"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3730
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2225
    -id: 2576
    -nom: "The Timekeepers"
    -informationComplementaire: null
    -description: """
      - Count Basie Meets Oscar Peterson "The Timekeepers" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on single pocket jacket !\r\n
      \r\n
      It could be argued that no two pianists could be more unalike than Count Basie, the master of understatement, and Oscar Peterson, the avatar of speed, power, and embellishment. The contrast in their approaches is part of what made their collaborations riveting. But the fact is that Basie, who held great power in reserve, could let it rip (and stride) when the mood struck him.\r\n
      \r\n
      And Peterson is capable of judiciously applying all that horsepower to achieve the most delicate effects. Both kinds of role reversals occur here. As the album title indicates, the great common denominator between the two is the observance and interpretation of time, not only in the sense of overall swing but of placement of notes and phrases. Their unaccompanied duet in the first choruses of "Rent Party" provides an emphatic demonstration.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a single pocket Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Count Basie (piano, organ), Oscar Peterson (piano), John Heard (double bass), Louie Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Hf3cBtr-txM"
    -referenceProduit: "Analogue Productions AAPJ 165"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I'm Confessin' (That I Love You)"
        "ordre" => 1
      ]
      [
        "nom" => "2. Soft Winds"
        "ordre" => 2
      ]
      [
        "nom" => "3. Rent Party"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. (Back Home Again In) Indiana"
        "ordre" => 5
      ]
      [
        "nom" => "2. Hey, Raymond"
        "ordre" => 6
      ]
      [
        "nom" => "3. After You've Gone"
        "ordre" => 7
      ]
      [
        "nom" => "4. That's the One"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2227 …}
    -label: Proxies\__CG__\App\Entity\Label {#2211 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2236 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2229 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2231 …}
    -enregistreLe: DateTime @1728806408 {#2222
      date: 2024-10-13 08:00:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763913680 {#2223
      date: 2025-11-23 16:01:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2233 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-timekeepers-analogue-productions-aapj-165"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3931
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3932 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3980 …}
  +isValidated: false
  +validatedFields: []
}