Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2557
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2634
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2637 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
  -formView: Symfony\Component\Form\FormView {#2673 …}
  -form: Symfony\Component\Form\Form {#2823 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2104
    -nom: "Eagles - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES FOR DEFINITIVE SOUND : PRESSED AT RTI ON MOFI SUPERVINYL, LIMITED TO 7500 COPIES !\r\n
      \r\n
      Originally released in June 1972, the Eagles' self-titled debut played a significant role in changing the face of mainstream music while setting up a dominant run that's continued for nearly five decades. Produced by Glyn Johns, and home to three massive hits, Eagles established a cleverly restrained, Los Angeles-bred style that would sweep the country and position the group as superstars.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Glenn Frey (guitar & slide guitar, vocals), Bernie Leadon (guitar, banjo, vocals), Randy Meisner (bass guitar), Don Henley (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=32Oc2d_3yEk"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-024"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Take It Easy"
      ]
      [
        "ordre" => 1
        "nom" => "2. Witchy Woman"
      ]
      [
        "ordre" => 2
        "nom" => "3. Chug All Night"
      ]
      [
        "ordre" => 3
        "nom" => "4. Most of Us Are Sad"
      ]
      [
        "ordre" => 4
        "nom" => "5. Nightingale"
      ]
      [
        "ordre" => 5
        "nom" => "6. Train Leaves Here This Morning"
      ]
      [
        "ordre" => 6
        "nom" => "7. Take the Devil"
      ]
      [
        "ordre" => 7
        "nom" => "8. Earlybird"
      ]
      [
        "ordre" => 8
        "nom" => "9. Peaceful Easy Feeling"
      ]
      [
        "ordre" => 9
        "nom" => "10. Tryin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1628923181 {#1875
      date: 2021-08-14 06:39:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765568014 {#1868
      date: 2025-12-12 19:33:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eagles-ultradisc-one-step-2-lp-45-rpm-box-set-mobile-fidelity-sound-lab-ud1s-024"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3098
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2104
    -nom: "Eagles - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES FOR DEFINITIVE SOUND : PRESSED AT RTI ON MOFI SUPERVINYL, LIMITED TO 7500 COPIES !\r\n
      \r\n
      Originally released in June 1972, the Eagles' self-titled debut played a significant role in changing the face of mainstream music while setting up a dominant run that's continued for nearly five decades. Produced by Glyn Johns, and home to three massive hits, Eagles established a cleverly restrained, Los Angeles-bred style that would sweep the country and position the group as superstars.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Glenn Frey (guitar & slide guitar, vocals), Bernie Leadon (guitar, banjo, vocals), Randy Meisner (bass guitar), Don Henley (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=32Oc2d_3yEk"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-024"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Take It Easy"
      ]
      [
        "ordre" => 1
        "nom" => "2. Witchy Woman"
      ]
      [
        "ordre" => 2
        "nom" => "3. Chug All Night"
      ]
      [
        "ordre" => 3
        "nom" => "4. Most of Us Are Sad"
      ]
      [
        "ordre" => 4
        "nom" => "5. Nightingale"
      ]
      [
        "ordre" => 5
        "nom" => "6. Train Leaves Here This Morning"
      ]
      [
        "ordre" => 6
        "nom" => "7. Take the Devil"
      ]
      [
        "ordre" => 7
        "nom" => "8. Earlybird"
      ]
      [
        "ordre" => 8
        "nom" => "9. Peaceful Easy Feeling"
      ]
      [
        "ordre" => 9
        "nom" => "10. Tryin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1628923181 {#1875
      date: 2021-08-14 06:39:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765568014 {#1868
      date: 2025-12-12 19:33:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eagles-ultradisc-one-step-2-lp-45-rpm-box-set-mobile-fidelity-sound-lab-ud1s-024"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "produit" => App\Entity\Produit {#2046
    -id: 2190
    -nom: "One Of These Nights - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MOBILE FIDELITY ULTRADISC ONE-STEPBOX SET TAKES THE EAGLES' COMMERCIAL BREAKTHROUGH TO THE LIMIT !\r\n
      \r\n
      One of These Nights stands as the final album the Eagles made before releasing the bajillion-selling Their Greatest Hits (1971-1975). The timing is telling. A coming-out party for Glenn Frey and Don Henley's songwriting skills, the studio record – the band's fourth and first to hit #1 on the charts signifies the group's ascent to superstar status. Home to three massive singles (the title track, "Lyin' Eyes," and "Take It to the Limit") and nominated for four Grammy Awards, the quadruple-platinum 1975 set solidified the Eagles' Southern California-reared sound and made the band a household name. Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set truly takes One of These Nights to the limit.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Don Felder (guitar, slide guitar, vocals), Randy Meisner (bass, vocals), Glenn Frey, Joe Walsh (guitar, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i8VYNvYdP5Q"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-027"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. One Of These Nights "
      ]
      [
        "ordre" => 1
        "nom" => "2. Too Hot Hands "
      ]
      [
        "ordre" => 2
        "nom" => "3. Hollywood Waltz \t"
      ]
      [
        "ordre" => 3
        "nom" => "4. Journey Of The Sorcerer"
      ]
      [
        "ordre" => 4
        "nom" => "5. Lyin’ Eyes "
      ]
      [
        "ordre" => 5
        "nom" => "6. Take It To The Limit "
      ]
      [
        "ordre" => 6
        "nom" => "7. Visions "
      ]
      [
        "ordre" => 7
        "nom" => "8. After The Thrill Is Gone "
      ]
      [
        "ordre" => 8
        "nom" => "9. I Wish You Peave"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2054 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2047 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2049 …}
    -enregistreLe: DateTime @1641128880 {#2042
      date: 2022-01-02 13:08:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765567127 {#2041
      date: 2025-12-12 19:18:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2051 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-one-of-these-nights-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-027"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3214
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2046
    -id: 2190
    -nom: "One Of These Nights - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MOBILE FIDELITY ULTRADISC ONE-STEPBOX SET TAKES THE EAGLES' COMMERCIAL BREAKTHROUGH TO THE LIMIT !\r\n
      \r\n
      One of These Nights stands as the final album the Eagles made before releasing the bajillion-selling Their Greatest Hits (1971-1975). The timing is telling. A coming-out party for Glenn Frey and Don Henley's songwriting skills, the studio record – the band's fourth and first to hit #1 on the charts signifies the group's ascent to superstar status. Home to three massive singles (the title track, "Lyin' Eyes," and "Take It to the Limit") and nominated for four Grammy Awards, the quadruple-platinum 1975 set solidified the Eagles' Southern California-reared sound and made the band a household name. Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set truly takes One of These Nights to the limit.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Don Felder (guitar, slide guitar, vocals), Randy Meisner (bass, vocals), Glenn Frey, Joe Walsh (guitar, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i8VYNvYdP5Q"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-027"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. One Of These Nights "
      ]
      [
        "ordre" => 1
        "nom" => "2. Too Hot Hands "
      ]
      [
        "ordre" => 2
        "nom" => "3. Hollywood Waltz \t"
      ]
      [
        "ordre" => 3
        "nom" => "4. Journey Of The Sorcerer"
      ]
      [
        "ordre" => 4
        "nom" => "5. Lyin’ Eyes "
      ]
      [
        "ordre" => 5
        "nom" => "6. Take It To The Limit "
      ]
      [
        "ordre" => 6
        "nom" => "7. Visions "
      ]
      [
        "ordre" => 7
        "nom" => "8. After The Thrill Is Gone "
      ]
      [
        "ordre" => 8
        "nom" => "9. I Wish You Peave"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2054 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2047 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2049 …}
    -enregistreLe: DateTime @1641128880 {#2042
      date: 2022-01-02 13:08:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765567127 {#2041
      date: 2025-12-12 19:18:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2051 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-one-of-these-nights-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-027"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "produit" => App\Entity\Produit {#2059
    -id: 2192
    -nom: "On The Border - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      With its name indicative of the music's boundary-testing diversity and Southwestern inspiration, On the Border finds the Eagles leaving everything on the table and embracing a harder edge that takes the band out of more relaxed territory and establishes it as a group that knows how and wants to rock. Glenn Frey, Don Henley, new member Don Felder, and company immediately announce their intent on the defiant album-opening hit "Already Gone" and never look back, crafting a gem of a record that from start to finish is arguably their most consistent and balanced effort.\r\n
      \r\n
      Limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition pays tribute to the record's significance and enhances the experience for generations to come. Playing with reference sonics that elevate an effort revered by audiophiles, it provides a lively, dynamic, transparent, and intimate view of a release whose contemporary importance continues to grow. The opportunity to zero in on the particulars of the Eagles' golden harmonies, distinct vocal timbres, and cohesive interplay has never been better.\r\n
      \r\n
      Visually, the premium packaging and gorgeous presentation of the UD1S On the Border pressing befit its select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. From every angle, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic Navajo cover painting to the meticulous finishes.\r\n
      \r\n
      And with On the Border, there's plenty to take in and soak up. Declared by famed critic Robert Christgau as "the Eagles' best album", the 1974 set claims a rich backstory. Initially recorded amid tumultuous sessions with producer Glyn Johns in London shortly after the release of the group's sophomore Desperado set, On the Border took a new turn after the band elected to scrap most of the prior work, return to its native California, and team with producer Bill Szymczyk to give the material less of a smooth, polished sheen and more toughness. Szymczyk also afforded the Eagles more input and freedom in the arrangements, and suggested adding another guitarist to play on "Good Day in Hell". Felder got the call, and so won over the Eagles with his skills, he quickly became the fifth member of the band.\r\n
      \r\n
      While the late-arriving Felder only plays on one other album cut, "Already Gone", his mates more than prove their muster on the remainder of a double-platinum affair that established the Eagles as a force whose range transcended the calmer country-leaning style it perfected on their first two LPs. Primarily written by Jackson Browne and shelved during the Desperado sessions due to its higher-energy nature, the throttle-twisting "James Dean" ricochets with barbed riffs and rebellious swagger. Listen without limits to how Szymczyk's raw production stamps the song with a leather-and-jeans cool befitting its protagonist. Similarly rugged, the slide-guitar-fueled "Good Day in Hell" boasts its own mean streak. And the funk-laced, boot-stomping title track cautions "don't you tell me 'bout your law and order". Throughout On the Border, the Eagles are in no mood to mess around.\r\n
      \r\n
      Not that the band skirts sentimental territory. On one of the era's finest covers, the Eagles nail the bittersweet feelings and bring high-definition detail to the vivid scenery of Tom Waits' "Ol' '55", a song the group makes its own. The rustic ballad "My Man" serves as a tribute to the recently deceased Gram Parsons, with singer-guitarist Bernie Leadon taking the lead on the microphone as he pours his heart out to his former Flying Burrito Brothers mate. And when it comes to romance, is it possible to top "Best of My Love"? Graced with Henley's honey-dipped vocals, refined wordless group harmonies, brushed drums, and the gentle strum of acoustic guitars, the Johns-produced cut soared to Number One and set the stage for what would soon be the Eagles' reality: global dominance.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Don Felder (electric guitar), Randy Meisner (bass, vocals), Bernie Leadon (guitar, banjo, steel guitar, vocals), Glenn Frey (guitar, piano, vocals), Don Henley (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DYVITwlx2dM"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-026"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Already Gone"
      ]
      [
        "ordre" => 1
        "nom" => "2. You Never Cry Like a Lover"
      ]
      [
        "ordre" => 2
        "nom" => "3. Midnight Flyer"
      ]
      [
        "ordre" => 3
        "nom" => "4. My Man"
      ]
      [
        "ordre" => 4
        "nom" => "5. On the Border"
      ]
      [
        "ordre" => 5
        "nom" => "6. James Dean"
      ]
      [
        "ordre" => 6
        "nom" => "7. Ol' ‘55"
      ]
      [
        "ordre" => 7
        "nom" => "8. Is It True ?"
      ]
      [
        "ordre" => 8
        "nom" => "9. Good Day in Hell"
      ]
      [
        "ordre" => 9
        "nom" => "10. Best of My Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2067 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2060 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2062 …}
    -enregistreLe: DateTime @1641459474 {#2056
      date: 2022-01-06 08:57:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765566947 {#2057
      date: 2025-12-12 19:15:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2064 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-on-the-border-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-026"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3262
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2059
    -id: 2192
    -nom: "On The Border - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      With its name indicative of the music's boundary-testing diversity and Southwestern inspiration, On the Border finds the Eagles leaving everything on the table and embracing a harder edge that takes the band out of more relaxed territory and establishes it as a group that knows how and wants to rock. Glenn Frey, Don Henley, new member Don Felder, and company immediately announce their intent on the defiant album-opening hit "Already Gone" and never look back, crafting a gem of a record that from start to finish is arguably their most consistent and balanced effort.\r\n
      \r\n
      Limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition pays tribute to the record's significance and enhances the experience for generations to come. Playing with reference sonics that elevate an effort revered by audiophiles, it provides a lively, dynamic, transparent, and intimate view of a release whose contemporary importance continues to grow. The opportunity to zero in on the particulars of the Eagles' golden harmonies, distinct vocal timbres, and cohesive interplay has never been better.\r\n
      \r\n
      Visually, the premium packaging and gorgeous presentation of the UD1S On the Border pressing befit its select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. From every angle, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic Navajo cover painting to the meticulous finishes.\r\n
      \r\n
      And with On the Border, there's plenty to take in and soak up. Declared by famed critic Robert Christgau as "the Eagles' best album", the 1974 set claims a rich backstory. Initially recorded amid tumultuous sessions with producer Glyn Johns in London shortly after the release of the group's sophomore Desperado set, On the Border took a new turn after the band elected to scrap most of the prior work, return to its native California, and team with producer Bill Szymczyk to give the material less of a smooth, polished sheen and more toughness. Szymczyk also afforded the Eagles more input and freedom in the arrangements, and suggested adding another guitarist to play on "Good Day in Hell". Felder got the call, and so won over the Eagles with his skills, he quickly became the fifth member of the band.\r\n
      \r\n
      While the late-arriving Felder only plays on one other album cut, "Already Gone", his mates more than prove their muster on the remainder of a double-platinum affair that established the Eagles as a force whose range transcended the calmer country-leaning style it perfected on their first two LPs. Primarily written by Jackson Browne and shelved during the Desperado sessions due to its higher-energy nature, the throttle-twisting "James Dean" ricochets with barbed riffs and rebellious swagger. Listen without limits to how Szymczyk's raw production stamps the song with a leather-and-jeans cool befitting its protagonist. Similarly rugged, the slide-guitar-fueled "Good Day in Hell" boasts its own mean streak. And the funk-laced, boot-stomping title track cautions "don't you tell me 'bout your law and order". Throughout On the Border, the Eagles are in no mood to mess around.\r\n
      \r\n
      Not that the band skirts sentimental territory. On one of the era's finest covers, the Eagles nail the bittersweet feelings and bring high-definition detail to the vivid scenery of Tom Waits' "Ol' '55", a song the group makes its own. The rustic ballad "My Man" serves as a tribute to the recently deceased Gram Parsons, with singer-guitarist Bernie Leadon taking the lead on the microphone as he pours his heart out to his former Flying Burrito Brothers mate. And when it comes to romance, is it possible to top "Best of My Love"? Graced with Henley's honey-dipped vocals, refined wordless group harmonies, brushed drums, and the gentle strum of acoustic guitars, the Johns-produced cut soared to Number One and set the stage for what would soon be the Eagles' reality: global dominance.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Don Felder (electric guitar), Randy Meisner (bass, vocals), Bernie Leadon (guitar, banjo, steel guitar, vocals), Glenn Frey (guitar, piano, vocals), Don Henley (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DYVITwlx2dM"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-026"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Already Gone"
      ]
      [
        "ordre" => 1
        "nom" => "2. You Never Cry Like a Lover"
      ]
      [
        "ordre" => 2
        "nom" => "3. Midnight Flyer"
      ]
      [
        "ordre" => 3
        "nom" => "4. My Man"
      ]
      [
        "ordre" => 4
        "nom" => "5. On the Border"
      ]
      [
        "ordre" => 5
        "nom" => "6. James Dean"
      ]
      [
        "ordre" => 6
        "nom" => "7. Ol' ‘55"
      ]
      [
        "ordre" => 7
        "nom" => "8. Is It True ?"
      ]
      [
        "ordre" => 8
        "nom" => "9. Good Day in Hell"
      ]
      [
        "ordre" => 9
        "nom" => "10. Best of My Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2067 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2060 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2062 …}
    -enregistreLe: DateTime @1641459474 {#2056
      date: 2022-01-06 08:57:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765566947 {#2057
      date: 2025-12-12 19:15:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2064 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-on-the-border-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-026"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "produit" => App\Entity\Produit {#2072
    -id: 2191
    -nom: "The Long Run - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of an exhaustive tour for Hotel California and the first album to feature Timothy B. Schmidt, the 1979 album ultimately became the final record the group would create for nearly three decades. Stacked with first-rate material and three mammoth singles, it ensured the Eagles never drifted far from the public consciousness and ended up moving more than seven million copies. Mastered from the original analog master tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP vinyl box set presents The Long Run in unparalleled sound.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Don Felder (guitars, organ, vocals), Glenn Frey (guitars, keyboards, vocals), Timothy B. Schmit (bass guitar, vocals), Joe Walsh guitars, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=skC2GToR1uY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-029"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. The Long Run "
      ]
      [
        "ordre" => 1
        "nom" => "2. I Can’t Tell You Why "
      ]
      [
        "ordre" => 2
        "nom" => "3. In The City "
      ]
      [
        "ordre" => 3
        "nom" => "4. The Disco Strangler "
      ]
      [
        "ordre" => 4
        "nom" => "5. King Of Hollywood"
      ]
      [
        "ordre" => 5
        "nom" => "6. Heartache Tonight "
      ]
      [
        "ordre" => 6
        "nom" => "7. Those Shoes "
      ]
      [
        "ordre" => 7
        "nom" => "8. Teenage Jail "
      ]
      [
        "ordre" => 8
        "nom" => "9. The Greeks Don’t Want No Freaks "
      ]
      [
        "ordre" => 9
        "nom" => "10. The Sad Cafe"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2073 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2075 …}
    -enregistreLe: DateTime @1641280330 {#2069
      date: 2022-01-04 07:12:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765566789 {#2070
      date: 2025-12-12 19:13:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2077 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-long-run-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-029"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3310
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2072
    -id: 2191
    -nom: "The Long Run - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of an exhaustive tour for Hotel California and the first album to feature Timothy B. Schmidt, the 1979 album ultimately became the final record the group would create for nearly three decades. Stacked with first-rate material and three mammoth singles, it ensured the Eagles never drifted far from the public consciousness and ended up moving more than seven million copies. Mastered from the original analog master tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP vinyl box set presents The Long Run in unparalleled sound.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Don Felder (guitars, organ, vocals), Glenn Frey (guitars, keyboards, vocals), Timothy B. Schmit (bass guitar, vocals), Joe Walsh guitars, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=skC2GToR1uY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-029"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. The Long Run "
      ]
      [
        "ordre" => 1
        "nom" => "2. I Can’t Tell You Why "
      ]
      [
        "ordre" => 2
        "nom" => "3. In The City "
      ]
      [
        "ordre" => 3
        "nom" => "4. The Disco Strangler "
      ]
      [
        "ordre" => 4
        "nom" => "5. King Of Hollywood"
      ]
      [
        "ordre" => 5
        "nom" => "6. Heartache Tonight "
      ]
      [
        "ordre" => 6
        "nom" => "7. Those Shoes "
      ]
      [
        "ordre" => 7
        "nom" => "8. Teenage Jail "
      ]
      [
        "ordre" => 8
        "nom" => "9. The Greeks Don’t Want No Freaks "
      ]
      [
        "ordre" => 9
        "nom" => "10. The Sad Cafe"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2073 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2075 …}
    -enregistreLe: DateTime @1641280330 {#2069
      date: 2022-01-04 07:12:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765566789 {#2070
      date: 2025-12-12 19:13:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2077 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-long-run-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-029"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "produit" => App\Entity\Produit {#2085
    -id: 2189
    -nom: "Hotel California - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      The moment the instantly recognizable intertwined guitar passage on the title track to the Eagles' Hotel California begins, the album's genius becomes obvious all over again. Ranked the 37th Greatest Album of All Time by Rolling Stone, certified by RIAA as the third best-selling record in history, and looked upon as foundation upon which the Golden State's mid-‘70s rustic music scene was built, the 1976 landmark remains a music staple immune to shifts in trends, generations, and styles. Mastered from the original analog master tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP vinyl box set ensures you will want to permanently check in and never leave this particular Hotel California.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Don Felder (guitar, slide guitar, vocals), Randy Meisner (bass, vocals), Glenn Frey, Joe Walsh (guitar, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Pa5nqYXEnY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-028"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Hotel California "
      ]
      [
        "ordre" => 1
        "nom" => "2. The New Kid In Town "
      ]
      [
        "ordre" => 2
        "nom" => "3. Life In The Fast Lane "
      ]
      [
        "ordre" => 3
        "nom" => "4. Wasted Time"
      ]
      [
        "ordre" => 4
        "nom" => "5. Wasted Time (Reprise) "
      ]
      [
        "ordre" => 5
        "nom" => "6. Victim Of Love "
      ]
      [
        "ordre" => 6
        "nom" => "7. Pretty Maids All In A Row "
      ]
      [
        "ordre" => 7
        "nom" => "8. Try And Love Again "
      ]
      [
        "ordre" => 8
        "nom" => "9. The Last Resort"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2093 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2086 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2088 …}
    -enregistreLe: DateTime @1641115629 {#2082
      date: 2022-01-02 09:27:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765566602 {#2083
      date: 2025-12-12 19:10:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2090 …}
    -disponible: null
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    -slug: "vinyles-hotel-california-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-028"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3358
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2085
    -id: 2189
    -nom: "Hotel California - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      The moment the instantly recognizable intertwined guitar passage on the title track to the Eagles' Hotel California begins, the album's genius becomes obvious all over again. Ranked the 37th Greatest Album of All Time by Rolling Stone, certified by RIAA as the third best-selling record in history, and looked upon as foundation upon which the Golden State's mid-‘70s rustic music scene was built, the 1976 landmark remains a music staple immune to shifts in trends, generations, and styles. Mastered from the original analog master tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP vinyl box set ensures you will want to permanently check in and never leave this particular Hotel California.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Don Felder (guitar, slide guitar, vocals), Randy Meisner (bass, vocals), Glenn Frey, Joe Walsh (guitar, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Pa5nqYXEnY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-028"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "1. Hotel California "
      ]
      [
        "ordre" => 1
        "nom" => "2. The New Kid In Town "
      ]
      [
        "ordre" => 2
        "nom" => "3. Life In The Fast Lane "
      ]
      [
        "ordre" => 3
        "nom" => "4. Wasted Time"
      ]
      [
        "ordre" => 4
        "nom" => "5. Wasted Time (Reprise) "
      ]
      [
        "ordre" => 5
        "nom" => "6. Victim Of Love "
      ]
      [
        "ordre" => 6
        "nom" => "7. Pretty Maids All In A Row "
      ]
      [
        "ordre" => 7
        "nom" => "8. Try And Love Again "
      ]
      [
        "ordre" => 8
        "nom" => "9. The Last Resort"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2093 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2086 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2088 …}
    -enregistreLe: DateTime @1641115629 {#2082
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    }
    -modifierLe: DateTime @1765566602 {#2083
      date: 2025-12-12 19:10:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2090 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hotel-california-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-028"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2186
    -nom: "From Elvis In Memphis - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone), Dick Steff, R.F. Taylor, Wayne Jackson (trumpet), Mike Leech, Tommy Cogbill (bass), Dan Penn, Reggie Young (electric guitar), Joe D'Gerolamo, Tony Cason (french Horn), Gene Chrisman (drums), Charlie Hodge, Dolores Edgin, Donna Thatcher, Ginger Holladay, Hurschel Wiginton*, Joe Babcock, June Page, Mary Greene, Mary Holladay, Millie Kirkham, Ronnie Milsap, Sandy Posey, Sonja Montgomery, Susan Pilkington (backing vocals).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      From Elvis in Memphis retains the distinction of being the most cohesive, passionate, mature, and emotionally invested record Elvis Presley ever made. Named one of the 500 Greatest Albums of All Time by Rolling Stone, the white-soul landmark features backing by "The "Memphis Boys" and teems with rhythm-heavy country, gospel, R&B, and blues. Lauded for its natural, open sonics, the 1969 set now comes across with remarkable clarity, presence, and warmth courtesy of a premium restoration befitting a king.\r\n
      \r\n
      Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set of From Elvis in Memphis unearths the ravishing inner detail, sticky rhythms, and brilliant arrangements of Chips Moman's inspired production. In short, this unparalleled reissue unlocks the spirit and gestalt of the recording and takes you inside American Sound Studio. It also brings you up close and personal with Presley's singing – widely considered by many to represent the finest of his career located dead-center amidst the instrumental hurricane. Equally impressive are the contributions of the aforementioned Boys, and how their Southern-brewed playing a balance of leisure with swiftness, grandiosity with concision, freedom with control dovetails with Presley's vernacular.\r\n
      \r\n
      The lavish packaging and gorgeous presentation of the UD1S From Elvis in Memphis pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      Sharing much in common with the full, rich, orchestrated Stax Records sound, From Elvis in Memphis oozes with choice nuances and distinctive flourishes that on this ultra-hi-fi edition not only arise with previously unheard transparency and sharpness, but complement and serve the whole. Take the specific tonalities and blending of violas, cellos, and horns that communicate mood and serve as counterpoints. Or lively performances of the backing quintet, and how the piano and Hammond organ trace the lines of the melodies and Presley's lead. Listen to the uplifting support provided by the cadre of backing vocalists (more than a dozen credited), unrivaled in Presley's canon and a precursor to the approach he'd soon adopt in Las Vegas.\r\n
      \r\n
      Of course, From Elvis in Memphis precedes the icon's transition into his glitzy jumpsuit phase and follows his merciful move away from the hoary soundtrack work that consumed nearly a decade of his creative life and prompted a rebirth that began in 1968. As the bridge between eras, the record seizes on Presley's rejuvenated attitude and commitment to quality, facets that drip from the fervency with which he delivers every word. For the same reasons, and for the fact it traces back to Presley's original roots and hip-shaking guise, the album further remains a cornerstone of American music history.\r\n
      \r\n
      Writing about the work's 40th anniversary for Rolling Stone, James Hunter correctly observed : "From Elvis in Memphis represented the full-on immersion in the Memphis idea of Elvis Presley, the American singer second only to Frank Sinatra for the ability to conjure a particular sonic universe with his merest vocal utterance. And from the album's first song, in which a bluesy Elvis espies a woman 'Wearin' That Loved On Look,' to its last, in which a more straight-up-pop Elvis regrets the injustices of life 'In the Ghetto,' his fully engaged, newly energized voice finds its most logical album setting in years".\r\n
      \r\n
      Incredibly, Presley and company completed more than two dozen cuts for From Elvis in Memphis. One, "Suspicious Minds", turned into the vocalist's final chart-topping single and lingers as one of his most beloved rock n' roll numbers. Even though it never formally appeared on the record, the non-album song is included here as a bonus track and attains newfound depth, energy, and swagger. Coupled with the other dozen tracks including the sultry "Power of My Love", balladic take of Dallas Frazier's "True Love Travels on a Gravel Road", and driving cover of Hank Snow's "I'm Moving On" it makes for the finest Elvis listening experience available.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mtv3chIAjug"
    -referenceProduit: "Mobile Fidelity Sound Lab US1S-017"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Wearin' That Loved On Look"
      ]
      [
        "ordre" => 1
        "nom" => "2. Only the Strong Survive"
      ]
      [
        "ordre" => 2
        "nom" => "3. I'll Hold You in My Heart (Till I Can Hold You in My Arms)"
      ]
      [
        "ordre" => 3
        "nom" => "4. Long Black Limousine"
      ]
      [
        "ordre" => 4
        "nom" => "5. It Keeps Right On A-Hurtin'"
      ]
      [
        "ordre" => 5
        "nom" => "6. I'm Movin' On"
      ]
      [
        "ordre" => 6
        "nom" => "7. Power of My Love"
      ]
      [
        "ordre" => 7
        "nom" => "8. Gentle on My Mind"
      ]
      [
        "ordre" => 8
        "nom" => "9. After Loving You"
      ]
      [
        "ordre" => 9
        "nom" => "10. True Love Travels on a Gravel Road"
      ]
      [
        "ordre" => 10
        "nom" => "11. Any Day Now"
      ]
      [
        "ordre" => 11
        "nom" => "12. In the Ghetto"
      ]
      [
        "ordre" => 12
        "nom" => "13. Suspicious Minds"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1641035422 {#2095
      date: 2022-01-01 11:10:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765370242 {#2096
      date: 2025-12-10 12:37:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-from-elvis-in-memphis-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-us1s-017"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3404
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2098
    -id: 2186
    -nom: "From Elvis In Memphis - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone), Dick Steff, R.F. Taylor, Wayne Jackson (trumpet), Mike Leech, Tommy Cogbill (bass), Dan Penn, Reggie Young (electric guitar), Joe D'Gerolamo, Tony Cason (french Horn), Gene Chrisman (drums), Charlie Hodge, Dolores Edgin, Donna Thatcher, Ginger Holladay, Hurschel Wiginton*, Joe Babcock, June Page, Mary Greene, Mary Holladay, Millie Kirkham, Ronnie Milsap, Sandy Posey, Sonja Montgomery, Susan Pilkington (backing vocals).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      From Elvis in Memphis retains the distinction of being the most cohesive, passionate, mature, and emotionally invested record Elvis Presley ever made. Named one of the 500 Greatest Albums of All Time by Rolling Stone, the white-soul landmark features backing by "The "Memphis Boys" and teems with rhythm-heavy country, gospel, R&B, and blues. Lauded for its natural, open sonics, the 1969 set now comes across with remarkable clarity, presence, and warmth courtesy of a premium restoration befitting a king.\r\n
      \r\n
      Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set of From Elvis in Memphis unearths the ravishing inner detail, sticky rhythms, and brilliant arrangements of Chips Moman's inspired production. In short, this unparalleled reissue unlocks the spirit and gestalt of the recording and takes you inside American Sound Studio. It also brings you up close and personal with Presley's singing – widely considered by many to represent the finest of his career located dead-center amidst the instrumental hurricane. Equally impressive are the contributions of the aforementioned Boys, and how their Southern-brewed playing a balance of leisure with swiftness, grandiosity with concision, freedom with control dovetails with Presley's vernacular.\r\n
      \r\n
      The lavish packaging and gorgeous presentation of the UD1S From Elvis in Memphis pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      Sharing much in common with the full, rich, orchestrated Stax Records sound, From Elvis in Memphis oozes with choice nuances and distinctive flourishes that on this ultra-hi-fi edition not only arise with previously unheard transparency and sharpness, but complement and serve the whole. Take the specific tonalities and blending of violas, cellos, and horns that communicate mood and serve as counterpoints. Or lively performances of the backing quintet, and how the piano and Hammond organ trace the lines of the melodies and Presley's lead. Listen to the uplifting support provided by the cadre of backing vocalists (more than a dozen credited), unrivaled in Presley's canon and a precursor to the approach he'd soon adopt in Las Vegas.\r\n
      \r\n
      Of course, From Elvis in Memphis precedes the icon's transition into his glitzy jumpsuit phase and follows his merciful move away from the hoary soundtrack work that consumed nearly a decade of his creative life and prompted a rebirth that began in 1968. As the bridge between eras, the record seizes on Presley's rejuvenated attitude and commitment to quality, facets that drip from the fervency with which he delivers every word. For the same reasons, and for the fact it traces back to Presley's original roots and hip-shaking guise, the album further remains a cornerstone of American music history.\r\n
      \r\n
      Writing about the work's 40th anniversary for Rolling Stone, James Hunter correctly observed : "From Elvis in Memphis represented the full-on immersion in the Memphis idea of Elvis Presley, the American singer second only to Frank Sinatra for the ability to conjure a particular sonic universe with his merest vocal utterance. And from the album's first song, in which a bluesy Elvis espies a woman 'Wearin' That Loved On Look,' to its last, in which a more straight-up-pop Elvis regrets the injustices of life 'In the Ghetto,' his fully engaged, newly energized voice finds its most logical album setting in years".\r\n
      \r\n
      Incredibly, Presley and company completed more than two dozen cuts for From Elvis in Memphis. One, "Suspicious Minds", turned into the vocalist's final chart-topping single and lingers as one of his most beloved rock n' roll numbers. Even though it never formally appeared on the record, the non-album song is included here as a bonus track and attains newfound depth, energy, and swagger. Coupled with the other dozen tracks including the sultry "Power of My Love", balladic take of Dallas Frazier's "True Love Travels on a Gravel Road", and driving cover of Hank Snow's "I'm Moving On" it makes for the finest Elvis listening experience available.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mtv3chIAjug"
    -referenceProduit: "Mobile Fidelity Sound Lab US1S-017"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Wearin' That Loved On Look"
      ]
      [
        "ordre" => 1
        "nom" => "2. Only the Strong Survive"
      ]
      [
        "ordre" => 2
        "nom" => "3. I'll Hold You in My Heart (Till I Can Hold You in My Arms)"
      ]
      [
        "ordre" => 3
        "nom" => "4. Long Black Limousine"
      ]
      [
        "ordre" => 4
        "nom" => "5. It Keeps Right On A-Hurtin'"
      ]
      [
        "ordre" => 5
        "nom" => "6. I'm Movin' On"
      ]
      [
        "ordre" => 6
        "nom" => "7. Power of My Love"
      ]
      [
        "ordre" => 7
        "nom" => "8. Gentle on My Mind"
      ]
      [
        "ordre" => 8
        "nom" => "9. After Loving You"
      ]
      [
        "ordre" => 9
        "nom" => "10. True Love Travels on a Gravel Road"
      ]
      [
        "ordre" => 10
        "nom" => "11. Any Day Now"
      ]
      [
        "ordre" => 11
        "nom" => "12. In the Ghetto"
      ]
      [
        "ordre" => 12
        "nom" => "13. Suspicious Minds"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
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    }
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      date: 2025-12-10 12:37:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-from-elvis-in-memphis-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-us1s-017"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "produit" => App\Entity\Produit {#2114
    -id: 1916
    -nom: "This Far - (Box Set 6 LP)"
    -informationComplementaire: null
    -description: """
      - Complete Collection of Studio Work On 180 gram Vinyl 6 LP Box Set !\r\n
      - All 6 Studio Albums To Date Remastered At Half-Speed at Abbey Road Studios !\r\n
      \r\n
      This box set features remastered versions of all of Sade's studio albums to date, on pure 180 gram black vinyl the first complete collection of their studio work up to the present day. All six of the band's acclaimed albums Diamond Life (1984), Promise (1985), Stronger Than Pride (1988), Love Deluxe (1992), Lovers Rock (2000) and Soldier Of Love (2010) are packaged into the beautifully finished, white case-bound box.\r\n
      \r\n
      The close band of four : Sade (vocals), Stuart Matthewman (saxophone, guitar), Andrew Hale (keyboards) and Paul Spencer Denman (bass), were intimately involved in the process, spending time at Abbey Road Studios alongside acclaimed mastering engineer Miles Showell, and the band's longtime co-producer Mike Pela.\r\n
      \r\n
      The box set title, This Far, suggests that the band's studio work may not yet be fully complete, but this new highly collectable release brings together a canon of work previously difficult to source in its original format.\r\n
      \r\n
      Revisiting the audio, the band and Miles Showell at Abbey Road Studios worked from high resolution digital transfers of the stereo master mixes, from the original studio recordings, remastered at half-speed using Miles' own unique restored Neumann VMS80 cutting lathe, to perform the 12 sides of vinyl lacquer cuts. The elaborate, half-speed mastering process produced exceptionally clean and detailed audio whilst remaining faithful to the band's intended sound. No additional digital limiting was used in the mastering process, so the six albums benefit from the advantage of extra clarity and pure fidelity, preserving the dynamic range of the original mixes for the very first time.\r\n
      \r\n
      The six album sleeves have been meticulously reproduced in exact detail with authentic paper and printing methods, perfectly replicated for the first time since their original release, and assembled in the outer box which was designed by Tom Hingston Studios in London.\r\n
      \r\n
      Over an exceptional career spanning more than three decades, Sade's six albums have amassed a cool 60 million worldwide sales and have been certified platinum 24 times over. Producing singles such as "Your Love Is King", "Smooth Operator", and "By Your Side", Sade have gone on to achieve Number 1 albums across the world, collected several Grammys, MTV Video Music Awards, and a BRIT Award along the way, quietly taking their "place in the pantheon of cultural influence" (New York Times, October 2017). Their most recent studio album, Soldier Of Love, charted at number one in 15 countries, including the US, upon release in 2010.\r\n
      \r\n
      Commanding high praise from all genres of the global musical landscape Sade continue to leave their mark, engraved as a strong influence to some of today's most successful artists. The band are frequently cited as having inspired a younger generation of musicians, including Beyoncé, Drake, Kanye West, and Missy Elliot, to the freshest young blood of Christine and the Queens, Dua Lipa, FKA Twigs, Mabel, and Taylor Swift. Hip-hop luminaries have sampled from Sade's work creating new club classics, and their timeless tracks have been covered by Deftones, Donna Summer, Frank Ocean, Herbie Hancock, Jason Mraz, Lauryn Hill, LeAnn Rimes, Marsha Ambrosius featuring Dr. Dre, Prince, The 1975, Tori Amos, and You + Me, amongst others.\r\n
      \r\n
      Sade herself, universally lauded as "notoriously elusive", made her mark as a style icon after gracing the covers of The Face, Time, Rolling Stone, Billboard, i-D, Fader, Elle France, Cosmopolitan, NME, Melody Maker, Smash Hits, Essence, Ebony, Pride, Interview, and more throughout the band's illustrious career.\r\n
      \r\n
      Live, the band have toured all corners of the globe, including a notable 1985 performance at Live Aid, Wembley Stadium, when Sade Adu was the only African-born artist to appear in front of the live audience of 75000, plus an estimated worldwide television audience of 1,4 billion in 170 countries. The band's most recent 2011 tour performed 106 epic shows across four continents, experienced by 800000 fans, and was cited as "visually stunning" by Billboard with an "exquisite production", and an "adventure at the polar extremes of dynamics".\r\n
      A true testament to a body of work that through its evolution has captured hearts irrespective of age or creed, Sade's box set delivers and celebrates the band's legacy this far in a pure vinyl format.
      """
    -prixVente: "259.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 6
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Fh8ntMhUZHw"
    -referenceProduit: "Sony Records 56121"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "DIANOND LIFE (1984)"
      ]
      [
        "ordre" => 1
        "nom" => "Side A : "
      ]
      [
        "ordre" => 2
        "nom" => "1. Smooth Operator"
      ]
      [
        "ordre" => 3
        "nom" => "2. Your Love Is King"
      ]
      [
        "ordre" => 4
        "nom" => "3. Hang On To Your Love"
      ]
      [
        "ordre" => 5
        "nom" => "4. Frankie's First Affair"
      ]
      [
        "ordre" => 6
        "nom" => "5. When Am I Going To Make A Living"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Cherry Pie"
      ]
      [
        "ordre" => 9
        "nom" => "2. Sally"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Will Be Your Friend"
      ]
      [
        "ordre" => 11
        "nom" => "4. Why Can't We Live Together"
      ]
      [
        "ordre" => 12
        "nom" => "PROMISE (1985)"
      ]
      [
        "ordre" => 13
        "nom" => "Side A : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Is It A Crime"
      ]
      [
        "ordre" => 15
        "nom" => "2. The Sweetest Taboo"
      ]
      [
        "ordre" => 16
        "nom" => "3. War Of The Hearts"
      ]
      [
        "ordre" => 17
        "nom" => "4. Jezebel"
      ]
      [
        "ordre" => 18
        "nom" => "Side B : "
      ]
      [
        "ordre" => 19
        "nom" => "1. Mr Wrong"
      ]
      [
        "ordre" => 20
        "nom" => "2. Never As Good As The First Time"
      ]
      [
        "ordre" => 21
        "nom" => "3. Fear"
      ]
      [
        "ordre" => 22
        "nom" => "4. Tar Baby"
      ]
      [
        "ordre" => 23
        "nom" => "5. Maureen"
      ]
      [
        "ordre" => 24
        "nom" => "STRONGER THAN PRIDE (1988)"
      ]
      [
        "ordre" => 25
        "nom" => "Side A : "
      ]
      [
        "ordre" => 26
        "nom" => "1. Love Is Stronger Than Pride "
      ]
      [
        "ordre" => 27
        "nom" => "2. Paradise "
      ]
      [
        "ordre" => 28
        "nom" => "3. Nothing Can Come Between Us "
      ]
      [
        "ordre" => 29
        "nom" => "4. Haunt Me "
      ]
      [
        "ordre" => 30
        "nom" => "5. Turn My Back On You"
      ]
      [
        "ordre" => 31
        "nom" => "Side B : "
      ]
      [
        "ordre" => 32
        "nom" => "1. Keep Looking "
      ]
      [
        "ordre" => 33
        "nom" => "2. Clean Heart "
      ]
      [
        "ordre" => 34
        "nom" => "3. Give It Up "
      ]
      [
        "ordre" => 35
        "nom" => "4. I Never Thought I’d See The Day "
      ]
      [
        "ordre" => 36
        "nom" => "5. Siempre Hay Esperanza   "
      ]
      [
        "ordre" => 37
        "nom" => "LOVE DELUXE (1992)"
      ]
      [
        "ordre" => 38
        "nom" => "Side A : "
      ]
      [
        "ordre" => 39
        "nom" => "1. No Ordinary Love"
      ]
      [
        "ordre" => 40
        "nom" => "2. Feel No Pain"
      ]
      [
        "ordre" => 41
        "nom" => "3. I Couldn't Love You More"
      ]
      [
        "ordre" => 42
        "nom" => "4. Like A Tattoo"
      ]
      [
        "ordre" => 43
        "nom" => "Side B : "
      ]
      [
        "ordre" => 44
        "nom" => "1. Kiss Of Life"
      ]
      [
        "ordre" => 45
        "nom" => "2. Cherish The Day"
      ]
      [
        "ordre" => 46
        "nom" => "3. Pearls"
      ]
      [
        "ordre" => 47
        "nom" => "4. Bullet Proof Soul"
      ]
      [
        "ordre" => 48
        "nom" => "5. Mermaid"
      ]
      [
        "ordre" => 49
        "nom" => "LOVERS ROCK (2000)"
      ]
      [
        "ordre" => 50
        "nom" => "Side A : "
      ]
      [
        "ordre" => 51
        "nom" => "1. By Your Side    "
      ]
      [
        "ordre" => 52
        "nom" => "2. Flow    "
      ]
      [
        "ordre" => 53
        "nom" => "3. King of Sorrow    "
      ]
      [
        "ordre" => 54
        "nom" => "4. Somebody Already Broke My Heart    "
      ]
      [
        "ordre" => 55
        "nom" => "5. All About Our Love    "
      ]
      [
        "ordre" => 56
        "nom" => "6. Slave Song    "
      ]
      [
        "ordre" => 57
        "nom" => "Side B : "
      ]
      [
        "ordre" => 58
        "nom" => "1. The Sweetest Gift    "
      ]
      [
        "ordre" => 59
        "nom" => "2. Every Word    "
      ]
      [
        "ordre" => 60
        "nom" => "3. Immigrant    "
      ]
      [
        "ordre" => 61
        "nom" => "4. Lovers Rock    "
      ]
      [
        "ordre" => 62
        "nom" => "5. It's Only Love That Gets You Through "
      ]
      [
        "ordre" => 63
        "nom" => "SOLDIER OF LOVE (2010)"
      ]
      [
        "ordre" => 64
        "nom" => "Side A : "
      ]
      [
        "ordre" => 65
        "nom" => "1. The Moon And The Sky    "
      ]
      [
        "ordre" => 66
        "nom" => "2. Soldier Of Love    "
      ]
      [
        "ordre" => 67
        "nom" => "3. Morning Bird    "
      ]
      [
        "ordre" => 68
        "nom" => "4. Babyfather    "
      ]
      [
        "ordre" => 69
        "nom" => "5. Long Hard Road    "
      ]
      [
        "ordre" => 70
        "nom" => "Side B : "
      ]
      [
        "ordre" => 71
        "nom" => "1. Be That Easy    "
      ]
      [
        "ordre" => 72
        "nom" => "2. Bring Me Home    "
      ]
      [
        "ordre" => 73
        "nom" => "3. In Another Time    "
      ]
      [
        "ordre" => 74
        "nom" => "4. Skin    "
      ]
      [
        "ordre" => 75
        "nom" => "5. The Safest Place  "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1599895862 {#2111
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    }
    -modifierLe: DateTime @1765215784 {#2112
      date: 2025-12-08 17:43:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-this-far-box-set-6-lp-sony-records-56121"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3455
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2114
    -id: 1916
    -nom: "This Far - (Box Set 6 LP)"
    -informationComplementaire: null
    -description: """
      - Complete Collection of Studio Work On 180 gram Vinyl 6 LP Box Set !\r\n
      - All 6 Studio Albums To Date Remastered At Half-Speed at Abbey Road Studios !\r\n
      \r\n
      This box set features remastered versions of all of Sade's studio albums to date, on pure 180 gram black vinyl the first complete collection of their studio work up to the present day. All six of the band's acclaimed albums Diamond Life (1984), Promise (1985), Stronger Than Pride (1988), Love Deluxe (1992), Lovers Rock (2000) and Soldier Of Love (2010) are packaged into the beautifully finished, white case-bound box.\r\n
      \r\n
      The close band of four : Sade (vocals), Stuart Matthewman (saxophone, guitar), Andrew Hale (keyboards) and Paul Spencer Denman (bass), were intimately involved in the process, spending time at Abbey Road Studios alongside acclaimed mastering engineer Miles Showell, and the band's longtime co-producer Mike Pela.\r\n
      \r\n
      The box set title, This Far, suggests that the band's studio work may not yet be fully complete, but this new highly collectable release brings together a canon of work previously difficult to source in its original format.\r\n
      \r\n
      Revisiting the audio, the band and Miles Showell at Abbey Road Studios worked from high resolution digital transfers of the stereo master mixes, from the original studio recordings, remastered at half-speed using Miles' own unique restored Neumann VMS80 cutting lathe, to perform the 12 sides of vinyl lacquer cuts. The elaborate, half-speed mastering process produced exceptionally clean and detailed audio whilst remaining faithful to the band's intended sound. No additional digital limiting was used in the mastering process, so the six albums benefit from the advantage of extra clarity and pure fidelity, preserving the dynamic range of the original mixes for the very first time.\r\n
      \r\n
      The six album sleeves have been meticulously reproduced in exact detail with authentic paper and printing methods, perfectly replicated for the first time since their original release, and assembled in the outer box which was designed by Tom Hingston Studios in London.\r\n
      \r\n
      Over an exceptional career spanning more than three decades, Sade's six albums have amassed a cool 60 million worldwide sales and have been certified platinum 24 times over. Producing singles such as "Your Love Is King", "Smooth Operator", and "By Your Side", Sade have gone on to achieve Number 1 albums across the world, collected several Grammys, MTV Video Music Awards, and a BRIT Award along the way, quietly taking their "place in the pantheon of cultural influence" (New York Times, October 2017). Their most recent studio album, Soldier Of Love, charted at number one in 15 countries, including the US, upon release in 2010.\r\n
      \r\n
      Commanding high praise from all genres of the global musical landscape Sade continue to leave their mark, engraved as a strong influence to some of today's most successful artists. The band are frequently cited as having inspired a younger generation of musicians, including Beyoncé, Drake, Kanye West, and Missy Elliot, to the freshest young blood of Christine and the Queens, Dua Lipa, FKA Twigs, Mabel, and Taylor Swift. Hip-hop luminaries have sampled from Sade's work creating new club classics, and their timeless tracks have been covered by Deftones, Donna Summer, Frank Ocean, Herbie Hancock, Jason Mraz, Lauryn Hill, LeAnn Rimes, Marsha Ambrosius featuring Dr. Dre, Prince, The 1975, Tori Amos, and You + Me, amongst others.\r\n
      \r\n
      Sade herself, universally lauded as "notoriously elusive", made her mark as a style icon after gracing the covers of The Face, Time, Rolling Stone, Billboard, i-D, Fader, Elle France, Cosmopolitan, NME, Melody Maker, Smash Hits, Essence, Ebony, Pride, Interview, and more throughout the band's illustrious career.\r\n
      \r\n
      Live, the band have toured all corners of the globe, including a notable 1985 performance at Live Aid, Wembley Stadium, when Sade Adu was the only African-born artist to appear in front of the live audience of 75000, plus an estimated worldwide television audience of 1,4 billion in 170 countries. The band's most recent 2011 tour performed 106 epic shows across four continents, experienced by 800000 fans, and was cited as "visually stunning" by Billboard with an "exquisite production", and an "adventure at the polar extremes of dynamics".\r\n
      A true testament to a body of work that through its evolution has captured hearts irrespective of age or creed, Sade's box set delivers and celebrates the band's legacy this far in a pure vinyl format.
      """
    -prixVente: "259.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 6
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Fh8ntMhUZHw"
    -referenceProduit: "Sony Records 56121"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "DIANOND LIFE (1984)"
      ]
      [
        "ordre" => 1
        "nom" => "Side A : "
      ]
      [
        "ordre" => 2
        "nom" => "1. Smooth Operator"
      ]
      [
        "ordre" => 3
        "nom" => "2. Your Love Is King"
      ]
      [
        "ordre" => 4
        "nom" => "3. Hang On To Your Love"
      ]
      [
        "ordre" => 5
        "nom" => "4. Frankie's First Affair"
      ]
      [
        "ordre" => 6
        "nom" => "5. When Am I Going To Make A Living"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Cherry Pie"
      ]
      [
        "ordre" => 9
        "nom" => "2. Sally"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Will Be Your Friend"
      ]
      [
        "ordre" => 11
        "nom" => "4. Why Can't We Live Together"
      ]
      [
        "ordre" => 12
        "nom" => "PROMISE (1985)"
      ]
      [
        "ordre" => 13
        "nom" => "Side A : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Is It A Crime"
      ]
      [
        "ordre" => 15
        "nom" => "2. The Sweetest Taboo"
      ]
      [
        "ordre" => 16
        "nom" => "3. War Of The Hearts"
      ]
      [
        "ordre" => 17
        "nom" => "4. Jezebel"
      ]
      [
        "ordre" => 18
        "nom" => "Side B : "
      ]
      [
        "ordre" => 19
        "nom" => "1. Mr Wrong"
      ]
      [
        "ordre" => 20
        "nom" => "2. Never As Good As The First Time"
      ]
      [
        "ordre" => 21
        "nom" => "3. Fear"
      ]
      [
        "ordre" => 22
        "nom" => "4. Tar Baby"
      ]
      [
        "ordre" => 23
        "nom" => "5. Maureen"
      ]
      [
        "ordre" => 24
        "nom" => "STRONGER THAN PRIDE (1988)"
      ]
      [
        "ordre" => 25
        "nom" => "Side A : "
      ]
      [
        "ordre" => 26
        "nom" => "1. Love Is Stronger Than Pride "
      ]
      [
        "ordre" => 27
        "nom" => "2. Paradise "
      ]
      [
        "ordre" => 28
        "nom" => "3. Nothing Can Come Between Us "
      ]
      [
        "ordre" => 29
        "nom" => "4. Haunt Me "
      ]
      [
        "ordre" => 30
        "nom" => "5. Turn My Back On You"
      ]
      [
        "ordre" => 31
        "nom" => "Side B : "
      ]
      [
        "ordre" => 32
        "nom" => "1. Keep Looking "
      ]
      [
        "ordre" => 33
        "nom" => "2. Clean Heart "
      ]
      [
        "ordre" => 34
        "nom" => "3. Give It Up "
      ]
      [
        "ordre" => 35
        "nom" => "4. I Never Thought I’d See The Day "
      ]
      [
        "ordre" => 36
        "nom" => "5. Siempre Hay Esperanza   "
      ]
      [
        "ordre" => 37
        "nom" => "LOVE DELUXE (1992)"
      ]
      [
        "ordre" => 38
        "nom" => "Side A : "
      ]
      [
        "ordre" => 39
        "nom" => "1. No Ordinary Love"
      ]
      [
        "ordre" => 40
        "nom" => "2. Feel No Pain"
      ]
      [
        "ordre" => 41
        "nom" => "3. I Couldn't Love You More"
      ]
      [
        "ordre" => 42
        "nom" => "4. Like A Tattoo"
      ]
      [
        "ordre" => 43
        "nom" => "Side B : "
      ]
      [
        "ordre" => 44
        "nom" => "1. Kiss Of Life"
      ]
      [
        "ordre" => 45
        "nom" => "2. Cherish The Day"
      ]
      [
        "ordre" => 46
        "nom" => "3. Pearls"
      ]
      [
        "ordre" => 47
        "nom" => "4. Bullet Proof Soul"
      ]
      [
        "ordre" => 48
        "nom" => "5. Mermaid"
      ]
      [
        "ordre" => 49
        "nom" => "LOVERS ROCK (2000)"
      ]
      [
        "ordre" => 50
        "nom" => "Side A : "
      ]
      [
        "ordre" => 51
        "nom" => "1. By Your Side    "
      ]
      [
        "ordre" => 52
        "nom" => "2. Flow    "
      ]
      [
        "ordre" => 53
        "nom" => "3. King of Sorrow    "
      ]
      [
        "ordre" => 54
        "nom" => "4. Somebody Already Broke My Heart    "
      ]
      [
        "ordre" => 55
        "nom" => "5. All About Our Love    "
      ]
      [
        "ordre" => 56
        "nom" => "6. Slave Song    "
      ]
      [
        "ordre" => 57
        "nom" => "Side B : "
      ]
      [
        "ordre" => 58
        "nom" => "1. The Sweetest Gift    "
      ]
      [
        "ordre" => 59
        "nom" => "2. Every Word    "
      ]
      [
        "ordre" => 60
        "nom" => "3. Immigrant    "
      ]
      [
        "ordre" => 61
        "nom" => "4. Lovers Rock    "
      ]
      [
        "ordre" => 62
        "nom" => "5. It's Only Love That Gets You Through "
      ]
      [
        "ordre" => 63
        "nom" => "SOLDIER OF LOVE (2010)"
      ]
      [
        "ordre" => 64
        "nom" => "Side A : "
      ]
      [
        "ordre" => 65
        "nom" => "1. The Moon And The Sky    "
      ]
      [
        "ordre" => 66
        "nom" => "2. Soldier Of Love    "
      ]
      [
        "ordre" => 67
        "nom" => "3. Morning Bird    "
      ]
      [
        "ordre" => 68
        "nom" => "4. Babyfather    "
      ]
      [
        "ordre" => 69
        "nom" => "5. Long Hard Road    "
      ]
      [
        "ordre" => 70
        "nom" => "Side B : "
      ]
      [
        "ordre" => 71
        "nom" => "1. Be That Easy    "
      ]
      [
        "ordre" => 72
        "nom" => "2. Bring Me Home    "
      ]
      [
        "ordre" => 73
        "nom" => "3. In Another Time    "
      ]
      [
        "ordre" => 74
        "nom" => "4. Skin    "
      ]
      [
        "ordre" => 75
        "nom" => "5. The Safest Place  "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1599895862 {#2111
      date: 2020-09-12 07:31:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765215784 {#2112
      date: 2025-12-08 17:43:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-this-far-box-set-6-lp-sony-records-56121"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "produit" => App\Entity\Produit {#2135
    -id: 2483
    -nom: "Rock & Roll"
    -informationComplementaire: "Limited to 2000 numbered copies !"
    -description: """
      Musicians : \r\n
      Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone), Dick Cary (alto horn), Bobby Hackett, Taft Jordan, Ed "Tiger" Lewis (trumpet), Will Bradley, Richard Harris (trombone), Peanuts Hucko (clarinet, tenor saxophone), Arnett Cobb, Willis Jackson, Sam Taylor (tenor saxophone), George Duvivier, Jack Lesberg, Benny Moten, Lloyd Trotman (bass), The Delta Rhythm Boys, The Rhythmakers (backing vocals), Sidney Catlett, Connie Kay, Joe Marshall, Noruddin Zafer (drums).\r\n
      \r\n
      - 180-gram mono LP !\r\n
      - 1/4" / 15 IPS to DSD 256 to analog console to lathe !\r\n
      - Pressed at RTI !\r\n
      - Limited to 2000 numbered copies !\r\n
      - Reissued in partnership with Atlantic Records' 75th Anniversary !\r\n
      \r\n
      Rock & Roll, indeed. Ruth Brown's sizzling full-length debut also known by its eponymous title symbolizes what was exciting, fresh, invigorating, and raw about the burgeoning style in its halcyon days. Originally released in 1957, and reissued here in audiophile quality for the first time in partnership with Atlantic Records' 75th anniversary, the set remains a testament to one of the most pioneering and talented vocalists to ever command a stage.\r\n
      \r\n
      Mastered on Mobile Fidelity Sound Lab's renowned mastering system in California, pressed at RTI, housed in a Stoughton jacket, and strictly limited to 2000 numbered copies, Mobile Fidelity's 180 gram mono LP of Rock & Roll plays with an immediacy, vibrancy, and fullness that showcase the reach, power, and emotionalism of Brown's voice. The sound of her support musicians brassy horns, swinging rhythm combos, echoing backing vocalists, rollicking pianists, jaunty guitarists is made clear and vivid, helping the upbeat fare to jump, juke, and jive with newfound energy and exuberance. In a related manner, Brown's slower, more understated material crackles with an intimacy and passion that let you know you're in the presence of a woman who has lived what she sings. The longtime Rock and Roll Hall of Fame member deserves nothing less.\r\n
      \r\n
      In an era dominated by big-throated vocalists, few if any came grander than Brown. The singer, whose repeat million-selling ‘50s success with Atlantic Records led many to call the then-indie label "The House That Ruth Built," charted two dozen R&B hits in the span of a decade for the fledgling imprint. Rightly coined "Miss Rhythm", the extroverted Brown put Atlantic on the national map, became the best-selling female musician of the ‘50s, and established a precedent that would ultimately lead to Grammy and Tony Awards. Her early works have lost none of their fire or flair.\r\n
      \r\n
      Akin to many full-length LPs of its era, Rock & Roll doubles as a collection. Its 14 tracks comprise some of the more famous sides Brown recorded for Atlantic, beginning in 1949 with the all-time-great rendition of the ballad "So Long", and continuing through 1956. After the song caught the public's ear, the Virginia native briefly became known for her smoldering style with lovelorn material and torch songs, approaching them (see "Oh What a Dream," "Old Man River") with a combination of pained sadness and hardened resilience that had no contemporary equal. Encouraged to pursue the style by Atlantic Records co-founder Ahmt Ertegun, her R&B-driven material soon made her a constant chart presence.\r\n
      \r\n
      Demonstrating what fellow legend Bonnie Raitt deemed "sex with class and dignity", Brown merges blues and jazz, swing and gospel in electrifying fashion. She dares you not to move, dance, and get on your feet. A majority of Rock & Roll explodes with uptempo runs and jaunty readings of hot-blooded R&B numbers. Sweaty and sultry, bawdy and bold, Brown eclipses the anthemic blare of the saxophones and joyful clatter of the 88s, singing with a slight catch in her voice and hurricane-gale force that threatens to blow the roof off whatever room her voice occupies.\r\n
      \r\n
      Evidence abounds. Listen to her prod the band and encourage the band members to blow a fuse on a sizzling "Hello Little Boy", complete with cries and wails; stretch her phrasing to the heavens on the swaying "Wild Wild Young Men", laden with romp-and-stomp beats; plead and persuade on the snaking "5-10-15 Hours", which flips the script on the age's notions of dominance; use her raspy tones, high notes, and breath control to mesmerizing effect on the smash "Mama He Treats Your Daughter Mean", recorded with a group led by Ray Charles; survey the scene and take charge on the steaming "As Long as I'm Moving"; and tap a classy albeit flirtatious vein on "Lucky Lips", which dented the pop charts as her first crossover hit.\r\n
      \r\n
      Throughout Rock & Roll, Brown knows the lyrical connotations and spirited architecture of the songs inside-out. Her assertive voice never harsh, strident, or false is the epitome of the passionate desires and sonic strains that turned into nascent rock 'n' roll. Brown played a pivotal role in helping the style develop, the record a timeless reminder of a lasting legacy that will never be forgotten.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jxn_T-Ix-M8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Lucky Lips"
      ]
      [
        "ordre" => 2
        "nom" => "2. As Long As I'm Moving"
      ]
      [
        "ordre" => 3
        "nom" => "3. Wild Wild Young Men"
      ]
      [
        "ordre" => 4
        "nom" => "4. Daddy Daddy"
      ]
      [
        "ordre" => 5
        "nom" => "5. Mambo Baby"
      ]
      [
        "ordre" => 6
        "nom" => "6. Teardrops From My Eyes"
      ]
      [
        "ordre" => 7
        "nom" => "7. Hello Little Bo"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Mama Treats Your Daughter Mean"
      ]
      [
        "ordre" => 10
        "nom" => "2.  5-10-15 Hours"
      ]
      [
        "ordre" => 11
        "nom" => "3. It's Love Baby"
      ]
      [
        "ordre" => 12
        "nom" => "4. Sentimental Journey"
      ]
      [
        "ordre" => 13
        "nom" => "5. Old Man River"
      ]
      [
        "ordre" => 14
        "nom" => "6. So Long"
      ]
      [
        "ordre" => 15
        "nom" => "7. Oh What A Dream"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2137 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2146 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2139 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2141 …}
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    }
    -modifierLe: DateTime @1765213370 {#2130
      date: 2025-12-08 17:02:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2143 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rock-roll-mobile-fidelity-sound-lab-mfsl-1-548"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3506
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2135
    -id: 2483
    -nom: "Rock & Roll"
    -informationComplementaire: "Limited to 2000 numbered copies !"
    -description: """
      Musicians : \r\n
      Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone), Dick Cary (alto horn), Bobby Hackett, Taft Jordan, Ed "Tiger" Lewis (trumpet), Will Bradley, Richard Harris (trombone), Peanuts Hucko (clarinet, tenor saxophone), Arnett Cobb, Willis Jackson, Sam Taylor (tenor saxophone), George Duvivier, Jack Lesberg, Benny Moten, Lloyd Trotman (bass), The Delta Rhythm Boys, The Rhythmakers (backing vocals), Sidney Catlett, Connie Kay, Joe Marshall, Noruddin Zafer (drums).\r\n
      \r\n
      - 180-gram mono LP !\r\n
      - 1/4" / 15 IPS to DSD 256 to analog console to lathe !\r\n
      - Pressed at RTI !\r\n
      - Limited to 2000 numbered copies !\r\n
      - Reissued in partnership with Atlantic Records' 75th Anniversary !\r\n
      \r\n
      Rock & Roll, indeed. Ruth Brown's sizzling full-length debut also known by its eponymous title symbolizes what was exciting, fresh, invigorating, and raw about the burgeoning style in its halcyon days. Originally released in 1957, and reissued here in audiophile quality for the first time in partnership with Atlantic Records' 75th anniversary, the set remains a testament to one of the most pioneering and talented vocalists to ever command a stage.\r\n
      \r\n
      Mastered on Mobile Fidelity Sound Lab's renowned mastering system in California, pressed at RTI, housed in a Stoughton jacket, and strictly limited to 2000 numbered copies, Mobile Fidelity's 180 gram mono LP of Rock & Roll plays with an immediacy, vibrancy, and fullness that showcase the reach, power, and emotionalism of Brown's voice. The sound of her support musicians brassy horns, swinging rhythm combos, echoing backing vocalists, rollicking pianists, jaunty guitarists is made clear and vivid, helping the upbeat fare to jump, juke, and jive with newfound energy and exuberance. In a related manner, Brown's slower, more understated material crackles with an intimacy and passion that let you know you're in the presence of a woman who has lived what she sings. The longtime Rock and Roll Hall of Fame member deserves nothing less.\r\n
      \r\n
      In an era dominated by big-throated vocalists, few if any came grander than Brown. The singer, whose repeat million-selling ‘50s success with Atlantic Records led many to call the then-indie label "The House That Ruth Built," charted two dozen R&B hits in the span of a decade for the fledgling imprint. Rightly coined "Miss Rhythm", the extroverted Brown put Atlantic on the national map, became the best-selling female musician of the ‘50s, and established a precedent that would ultimately lead to Grammy and Tony Awards. Her early works have lost none of their fire or flair.\r\n
      \r\n
      Akin to many full-length LPs of its era, Rock & Roll doubles as a collection. Its 14 tracks comprise some of the more famous sides Brown recorded for Atlantic, beginning in 1949 with the all-time-great rendition of the ballad "So Long", and continuing through 1956. After the song caught the public's ear, the Virginia native briefly became known for her smoldering style with lovelorn material and torch songs, approaching them (see "Oh What a Dream," "Old Man River") with a combination of pained sadness and hardened resilience that had no contemporary equal. Encouraged to pursue the style by Atlantic Records co-founder Ahmt Ertegun, her R&B-driven material soon made her a constant chart presence.\r\n
      \r\n
      Demonstrating what fellow legend Bonnie Raitt deemed "sex with class and dignity", Brown merges blues and jazz, swing and gospel in electrifying fashion. She dares you not to move, dance, and get on your feet. A majority of Rock & Roll explodes with uptempo runs and jaunty readings of hot-blooded R&B numbers. Sweaty and sultry, bawdy and bold, Brown eclipses the anthemic blare of the saxophones and joyful clatter of the 88s, singing with a slight catch in her voice and hurricane-gale force that threatens to blow the roof off whatever room her voice occupies.\r\n
      \r\n
      Evidence abounds. Listen to her prod the band and encourage the band members to blow a fuse on a sizzling "Hello Little Boy", complete with cries and wails; stretch her phrasing to the heavens on the swaying "Wild Wild Young Men", laden with romp-and-stomp beats; plead and persuade on the snaking "5-10-15 Hours", which flips the script on the age's notions of dominance; use her raspy tones, high notes, and breath control to mesmerizing effect on the smash "Mama He Treats Your Daughter Mean", recorded with a group led by Ray Charles; survey the scene and take charge on the steaming "As Long as I'm Moving"; and tap a classy albeit flirtatious vein on "Lucky Lips", which dented the pop charts as her first crossover hit.\r\n
      \r\n
      Throughout Rock & Roll, Brown knows the lyrical connotations and spirited architecture of the songs inside-out. Her assertive voice never harsh, strident, or false is the epitome of the passionate desires and sonic strains that turned into nascent rock 'n' roll. Brown played a pivotal role in helping the style develop, the record a timeless reminder of a lasting legacy that will never be forgotten.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jxn_T-Ix-M8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Lucky Lips"
      ]
      [
        "ordre" => 2
        "nom" => "2. As Long As I'm Moving"
      ]
      [
        "ordre" => 3
        "nom" => "3. Wild Wild Young Men"
      ]
      [
        "ordre" => 4
        "nom" => "4. Daddy Daddy"
      ]
      [
        "ordre" => 5
        "nom" => "5. Mambo Baby"
      ]
      [
        "ordre" => 6
        "nom" => "6. Teardrops From My Eyes"
      ]
      [
        "ordre" => 7
        "nom" => "7. Hello Little Bo"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Mama Treats Your Daughter Mean"
      ]
      [
        "ordre" => 10
        "nom" => "2.  5-10-15 Hours"
      ]
      [
        "ordre" => 11
        "nom" => "3. It's Love Baby"
      ]
      [
        "ordre" => 12
        "nom" => "4. Sentimental Journey"
      ]
      [
        "ordre" => 13
        "nom" => "5. Old Man River"
      ]
      [
        "ordre" => 14
        "nom" => "6. So Long"
      ]
      [
        "ordre" => 15
        "nom" => "7. Oh What A Dream"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2137 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2146 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2139 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2141 …}
    -enregistreLe: DateTime @1703435102 {#2131
      date: 2023-12-24 16:25:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765213370 {#2130
      date: 2025-12-08 17:02:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2143 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rock-roll-mobile-fidelity-sound-lab-mfsl-1-548"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "produit" => App\Entity\Produit {#2151
    -id: 364
    -nom: "Night Beat"
    -informationComplementaire: null
    -description: """
      "...Thanks to Analogue Productions' 45-rpm reissue of Cooke's 1963 RCA album Night Beat he still speaks to us - eloquently. The sound is opulent; the songs excellent; the singing nonpareil; the mood, oh-so nostalgic". Music = 4.5/5; Sonics = 4/5 - Jonathan Valin, The Absolute Sound, September 2010\r\n
      \r\n
      "...The recording by Dave Hassinger is a masterpiece of immediacy, transparency and harmonic complexity... This is a big, juicy, wet and intoxicating recording comprised of richly drawn instruments, particularly Billy Preston's shimmering Hammond organ and Hal Blaine's woody percussion... A knockout of a reissue and essential". Music = 10/11; Sound = 10/11 - Michael Fremer, Musicangle\r\n
      \r\n
      "Whenever I think of Night Beat, I wonder how many records as perfect have been made since 1963. Listen anew to Sam Cooke's vocal honey on this Soul Blues album and I doubt you will come up with any worthy contenders... This 45 RPM issue was remastered at Sterling Sound and brings out the backing musicians including organist Billy Preston and guitarist Barney Kessel better than the ABKCO release, and makes it sound more like Sam was in the same room with the band. The definitive Night Beat". Recording = 10/10; Music = 10/10 - Dennis Davis, Hi-Fi+, Issue 69\r\n
      \r\n
      Clearly Sam Cooke’s most intimate, most soulful and ultimately most real recording. This one has the feel of a private performance captured after hours when the audience had gone home and the singer was singing purely for the love of his songs. The performance put forth is simply straight from Cooke’s soul. His selection of songs include spiritual, bluesy ballads and gospel classics. Cooke owns these songs, making each interpretation all his own. This is warm music that’s easy to connect with. Mastered by George Marino at Sterling Sound from the original three-track masters.\r\n
      \r\n
      Originally released in 1963.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sam Cooke (vocals), René Hall, Clifton White, Barney Kessel (guitar), Cliff Hils (bass guitar), Ray Johnson (piano), Billy Preston (organ), Sharky Hall (drums, tambourine), Hal Blaine  (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YEx5pLLTTDo"
    -referenceProduit: "Analogue Productions AAPP 2709-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Nobody Knows the Trouble I've Seen"
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      [
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        "nom" => "2. Lost and Lookin'"
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        "ordre" => 3
        "nom" => "3. Mean Old World"
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      [
        "ordre" => 4
        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. Please Don't Drive Me Away"
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        "ordre" => 6
        "nom" => "2. I Lost Everything"
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      [
        "ordre" => 7
        "nom" => "3. Get Yourself a Another Fool"
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      [
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        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Little Red Rooster"
      ]
      [
        "ordre" => 10
        "nom" => "2. Laughin' and Clownin'"
      ]
      [
        "ordre" => 11
        "nom" => "3. Trouble Blues"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. You Gotta Move"
      ]
      [
        "ordre" => 14
        "nom" => "2. Fool's Paradise"
      ]
      [
        "ordre" => 15
        "nom" => "3. Shake Rattle and Roll"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2153 …}
    -label: Proxies\__CG__\App\Entity\Label {#2156 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2165 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2158 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2160 …}
    -enregistreLe: DateTime @1278691206 {#2148
      date: 2010-07-09 16:00:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765139803 {#2149
      date: 2025-12-07 20:36:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2162 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-night-beat-analogue-productions-aapp-2709-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3557
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2151
    -id: 364
    -nom: "Night Beat"
    -informationComplementaire: null
    -description: """
      "...Thanks to Analogue Productions' 45-rpm reissue of Cooke's 1963 RCA album Night Beat he still speaks to us - eloquently. The sound is opulent; the songs excellent; the singing nonpareil; the mood, oh-so nostalgic". Music = 4.5/5; Sonics = 4/5 - Jonathan Valin, The Absolute Sound, September 2010\r\n
      \r\n
      "...The recording by Dave Hassinger is a masterpiece of immediacy, transparency and harmonic complexity... This is a big, juicy, wet and intoxicating recording comprised of richly drawn instruments, particularly Billy Preston's shimmering Hammond organ and Hal Blaine's woody percussion... A knockout of a reissue and essential". Music = 10/11; Sound = 10/11 - Michael Fremer, Musicangle\r\n
      \r\n
      "Whenever I think of Night Beat, I wonder how many records as perfect have been made since 1963. Listen anew to Sam Cooke's vocal honey on this Soul Blues album and I doubt you will come up with any worthy contenders... This 45 RPM issue was remastered at Sterling Sound and brings out the backing musicians including organist Billy Preston and guitarist Barney Kessel better than the ABKCO release, and makes it sound more like Sam was in the same room with the band. The definitive Night Beat". Recording = 10/10; Music = 10/10 - Dennis Davis, Hi-Fi+, Issue 69\r\n
      \r\n
      Clearly Sam Cooke’s most intimate, most soulful and ultimately most real recording. This one has the feel of a private performance captured after hours when the audience had gone home and the singer was singing purely for the love of his songs. The performance put forth is simply straight from Cooke’s soul. His selection of songs include spiritual, bluesy ballads and gospel classics. Cooke owns these songs, making each interpretation all his own. This is warm music that’s easy to connect with. Mastered by George Marino at Sterling Sound from the original three-track masters.\r\n
      \r\n
      Originally released in 1963.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sam Cooke (vocals), René Hall, Clifton White, Barney Kessel (guitar), Cliff Hils (bass guitar), Ray Johnson (piano), Billy Preston (organ), Sharky Hall (drums, tambourine), Hal Blaine  (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YEx5pLLTTDo"
    -referenceProduit: "Analogue Productions AAPP 2709-45"
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        "nom" => "1. Nobody Knows the Trouble I've Seen"
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        "nom" => "2. Lost and Lookin'"
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        "nom" => "3. Mean Old World"
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        "nom" => "Side B : "
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        "ordre" => 5
        "nom" => "1. Please Don't Drive Me Away"
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        "ordre" => 6
        "nom" => "2. I Lost Everything"
      ]
      [
        "ordre" => 7
        "nom" => "3. Get Yourself a Another Fool"
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        "nom" => "Side C : "
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        "nom" => "1. Little Red Rooster"
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      [
        "ordre" => 10
        "nom" => "2. Laughin' and Clownin'"
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        "ordre" => 11
        "nom" => "3. Trouble Blues"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. You Gotta Move"
      ]
      [
        "ordre" => 14
        "nom" => "2. Fool's Paradise"
      ]
      [
        "ordre" => 15
        "nom" => "3. Shake Rattle and Roll"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2153 …}
    -label: Proxies\__CG__\App\Entity\Label {#2156 …}
    -style: App\Entity\Style {#1063 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2160 …}
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    }
    -modifierLe: DateTime @1765139803 {#2149
      date: 2025-12-07 20:36:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2162 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-night-beat-analogue-productions-aapp-2709-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "produit" => App\Entity\Produit {#2170
    -id: 834
    -nom: "Mirrorball"
    -informationComplementaire: null
    -description: """
      - Sarah McLachlan "Mirrorball" 200 gram triple LP 45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      Features great McLachlan hits performed live : "Building A Mystery", "I Will Remember You", "Adia" and "Angel" !\r\n
      \r\n
      The Analogue Productions / QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Grafted from McLachlan's supremely satisfying 1998 performances, Mirrorball is drawn almost equally from the multiplatinum Surfacing and its superior predecessor, Fumbling Towards Ecstasy. (Included also is the lovely, hard-to-come-by 'I Will Remember You'). Live, a haunting ballad such as "Possession" becomes a fevered, aggressive bit of psychedelia. "Hold On" reveals new depths when performed behind the beat with morphing time signatures and driving piano.\r\n
      \r\n
      "McLachlan's warmly expressive voice is still at the epicenter of her performances. She roams through these 14 songs with agile ease, riding the rails between singing for dramatic arena effect - huskily growling, airily trilling - and knowing what to play down with her sensually controlled crooning (witness such gems as Fumbling's title song and 'Good Enough'). Overall, McLachlan's vocals match the heavily percussive intensity of her band and the build of her backing vocalists, producing a more spacious sound than the precise pitch rendered on her studio recordings. - Amazon.com
      """
    -prixVente: "169.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sarah McLachlan (piano, guitar, vocals), Brian Minato (bass), Vince Jones (keyboards, vocals), Camille Henderson (vocals), David Sinclair, Sean Ashby (guitar, vocals), Ashwin Sood (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jhftGMTqnAU"
    -referenceProduit: "Analogue Productions AAPP 053-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
      ]
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        "ordre" => 1
        "nom" => "1. Building A Mystery"
      ]
      [
        "ordre" => 2
        "nom" => "2. Hold On"
      ]
      [
        "ordre" => 3
        "nom" => "3. Good Enough"
      ]
      [
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        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. I Will Remember You"
      ]
      [
        "ordre" => 6
        "nom" => "2. Adia"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. I Love You"
      ]
      [
        "ordre" => 9
        "nom" => "2. Do What You Have To Do"
      ]
      [
        "ordre" => 10
        "nom" => "Side D :"
      ]
      [
        "ordre" => 11
        "nom" => "1. The Path of Thorns (Terms)"
      ]
      [
        "ordre" => 12
        "nom" => "2. Fear"
      ]
      [
        "ordre" => 13
        "nom" => "3. Possession"
      ]
      [
        "ordre" => 14
        "nom" => "Side E :"
      ]
      [
        "ordre" => 15
        "nom" => "1. Sweet Surrender"
      ]
      [
        "ordre" => 16
        "nom" => "2. Ice Cream"
      ]
      [
        "ordre" => 17
        "nom" => "Side F : "
      ]
      [
        "ordre" => 18
        "nom" => "1. Fumbling Towards Ecstasy"
      ]
      [
        "ordre" => 19
        "nom" => "2. Angel"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …}
    -label: Proxies\__CG__\App\Entity\Label {#2156 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2174 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …}
    -enregistreLe: DateTime @1446369819 {#2167
      date: 2015-11-01 09:23:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765125085 {#2168
      date: 2025-12-07 16:31:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
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    -slug: "vinyles-mirrorball-analogue-productions-aapp-053-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3608
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2170
    -id: 834
    -nom: "Mirrorball"
    -informationComplementaire: null
    -description: """
      - Sarah McLachlan "Mirrorball" 200 gram triple LP 45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      Features great McLachlan hits performed live : "Building A Mystery", "I Will Remember You", "Adia" and "Angel" !\r\n
      \r\n
      The Analogue Productions / QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Grafted from McLachlan's supremely satisfying 1998 performances, Mirrorball is drawn almost equally from the multiplatinum Surfacing and its superior predecessor, Fumbling Towards Ecstasy. (Included also is the lovely, hard-to-come-by 'I Will Remember You'). Live, a haunting ballad such as "Possession" becomes a fevered, aggressive bit of psychedelia. "Hold On" reveals new depths when performed behind the beat with morphing time signatures and driving piano.\r\n
      \r\n
      "McLachlan's warmly expressive voice is still at the epicenter of her performances. She roams through these 14 songs with agile ease, riding the rails between singing for dramatic arena effect - huskily growling, airily trilling - and knowing what to play down with her sensually controlled crooning (witness such gems as Fumbling's title song and 'Good Enough'). Overall, McLachlan's vocals match the heavily percussive intensity of her band and the build of her backing vocalists, producing a more spacious sound than the precise pitch rendered on her studio recordings. - Amazon.com
      """
    -prixVente: "169.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sarah McLachlan (piano, guitar, vocals), Brian Minato (bass), Vince Jones (keyboards, vocals), Camille Henderson (vocals), David Sinclair, Sean Ashby (guitar, vocals), Ashwin Sood (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jhftGMTqnAU"
    -referenceProduit: "Analogue Productions AAPP 053-45"
    -titreMorceau: [
      [
        "ordre" => 0
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        "ordre" => 3
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        "nom" => "Side B :"
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        "ordre" => 5
        "nom" => "1. I Will Remember You"
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      [
        "ordre" => 6
        "nom" => "2. Adia"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
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      [
        "ordre" => 8
        "nom" => "1. I Love You"
      ]
      [
        "ordre" => 9
        "nom" => "2. Do What You Have To Do"
      ]
      [
        "ordre" => 10
        "nom" => "Side D :"
      ]
      [
        "ordre" => 11
        "nom" => "1. The Path of Thorns (Terms)"
      ]
      [
        "ordre" => 12
        "nom" => "2. Fear"
      ]
      [
        "ordre" => 13
        "nom" => "3. Possession"
      ]
      [
        "ordre" => 14
        "nom" => "Side E :"
      ]
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        "nom" => "1. Sweet Surrender"
      ]
      [
        "ordre" => 16
        "nom" => "2. Ice Cream"
      ]
      [
        "ordre" => 17
        "nom" => "Side F : "
      ]
      [
        "ordre" => 18
        "nom" => "1. Fumbling Towards Ecstasy"
      ]
      [
        "ordre" => 19
        "nom" => "2. Angel"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …}
    -label: Proxies\__CG__\App\Entity\Label {#2156 …}
    -style: App\Entity\Style {#1063 …}
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    }
    -modifierLe: DateTime @1765125085 {#2168
      date: 2025-12-07 16:31:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-mirrorball-analogue-productions-aapp-053-45"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "produit" => App\Entity\Produit {#2186
    -id: 776
    -nom: "Brothers In Arms (2 LP) - Ultra Analog 180 gram  45 RPM"
    -informationComplementaire: null
    -description: """
      There are hit records. And then there are blockbusters. One of the world's best-selling records, a winner of two Grammy Awards, an era-defining reference statement, an MTV favorite, and a set that catapulted an already-acclaimed band to arena status, Dire Straits' Brothers in Arms is the kind of epic spectacular that comes around only once or twice a decade.\r\n
      \r\n
      The sense of realism this edition delivers will leave slack-jawed even the most hard-to-please audiophiles. As the recipient of the Grammy for Best-Engineered Recording, the album has always been a go-to sonic standard, but never has it sounded so reach-out-and-touch-it realistic as it does on this analog pressing. All of the hallmark characteristics - ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production - are here in spades. As is music-making of enviable proportions.\r\n
      \r\n
      Reasons for the album's chart-busting success primarily owe to the expertly crafted songs and memorable playing turned in by a group hitting its creative peak. Not to mention the spatial dimensions that cause instruments and vocals to naturally float in a fixed area.\r\n
      \r\n
      Anchored by "Money for Nothing," a caustically themed smash immediately identifiable via Mark Knopfler's resonant finger picked guitar riff and Sting's "I want my MTV" vocal refrain, Dire Straits' fifth album is stuffed with bluesy signatures, jazz-rock motifs, clever lyrics, and organic accents.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Alan Clark, Guy Fletcher (keyboards), Omar Hakim, Terry Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IHXK9glwFBg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-441"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. So Far Away"
      ]
      [
        "ordre" => 2
        "nom" => "2. Money for Nothing"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Walk of Life"
      ]
      [
        "ordre" => 5
        "nom" => "2. Your Latest Trick"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Why Worry"
      ]
      [
        "ordre" => 8
        "nom" => "2. Ride Across The River"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. The Man’s Too Strong"
      ]
      [
        "ordre" => 11
        "nom" => "2. One World"
      ]
      [
        "ordre" => 12
        "nom" => "3. Brothers in Arms"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2188 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2197 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2190 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2192 …}
    -enregistreLe: DateTime @1431323934 {#2183
      date: 2015-05-11 05:58:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764928632 {#2184
      date: 2025-12-05 09:57:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2194 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-brothers-in-arms-2-lp-ultra-analog-180-gram-45-rpm-mobile-fidelity-sound-lab-mfsl-2-441"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3659
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2186
    -id: 776
    -nom: "Brothers In Arms (2 LP) - Ultra Analog 180 gram  45 RPM"
    -informationComplementaire: null
    -description: """
      There are hit records. And then there are blockbusters. One of the world's best-selling records, a winner of two Grammy Awards, an era-defining reference statement, an MTV favorite, and a set that catapulted an already-acclaimed band to arena status, Dire Straits' Brothers in Arms is the kind of epic spectacular that comes around only once or twice a decade.\r\n
      \r\n
      The sense of realism this edition delivers will leave slack-jawed even the most hard-to-please audiophiles. As the recipient of the Grammy for Best-Engineered Recording, the album has always been a go-to sonic standard, but never has it sounded so reach-out-and-touch-it realistic as it does on this analog pressing. All of the hallmark characteristics - ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production - are here in spades. As is music-making of enviable proportions.\r\n
      \r\n
      Reasons for the album's chart-busting success primarily owe to the expertly crafted songs and memorable playing turned in by a group hitting its creative peak. Not to mention the spatial dimensions that cause instruments and vocals to naturally float in a fixed area.\r\n
      \r\n
      Anchored by "Money for Nothing," a caustically themed smash immediately identifiable via Mark Knopfler's resonant finger picked guitar riff and Sting's "I want my MTV" vocal refrain, Dire Straits' fifth album is stuffed with bluesy signatures, jazz-rock motifs, clever lyrics, and organic accents.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Alan Clark, Guy Fletcher (keyboards), Omar Hakim, Terry Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IHXK9glwFBg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-441"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. So Far Away"
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      [
        "ordre" => 2
        "nom" => "2. Money for Nothing"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. Walk of Life"
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      [
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        "nom" => "2. Your Latest Trick"
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      [
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        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Why Worry"
      ]
      [
        "ordre" => 8
        "nom" => "2. Ride Across The River"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. The Man’s Too Strong"
      ]
      [
        "ordre" => 11
        "nom" => "2. One World"
      ]
      [
        "ordre" => 12
        "nom" => "3. Brothers in Arms"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2188 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2197 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2190 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2192 …}
    -enregistreLe: DateTime @1431323934 {#2183
      date: 2015-05-11 05:58:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764928632 {#2184
      date: 2025-12-05 09:57:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2194 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-brothers-in-arms-2-lp-ultra-analog-180-gram-45-rpm-mobile-fidelity-sound-lab-mfsl-2-441"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

[
  "produit" => App\Entity\Produit {#2202
    -id: 948
    -nom: "Dr John's Gumbo"
    -informationComplementaire: null
    -description: """
      - N° 404 on Rolling Stone's list of 500 Greatest Albums of All Time !\r\n
      - Remastered by Kevin Gray at Cohearant Audio, from the original analog tapes !\r\n
      - 180 gram vinyl plated and pressed by Quality Record Pressings !\r\n
      - Tip-on style gatefold jacket by Stoughton Printing !\r\n
      \r\n
      Dr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.\r\n
      \r\n
      Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") Earl King and Earl Gaines ("Big Chief", "Let The Good Times Roll" and "Lonely Lonely Nights").\r\n
      \r\n
      Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.\r\n
      \r\n
      This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analogue tapes. Then we back that up with 180 gram plating and pressing on super-silent vinyl by our own Quality Record Pressings. Finally it's all housed in a tip-on gatefold jacket from Stoughton Printing. Deluxe all the way; you'll be estatic with the results !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dr. John (guitar, piano, cornet, vocals), Jimmy Calhoun (bass), Alvin Robinson, Ken Klimak (guitar), Ronnie Barron (electric piano, organ), David Lastie, Harold Battiste, Lee Allen, Moe Bachamin (saxophone), Streamline (trombone), Freddie Staehle (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=F9uaODHE1Rk"
    -referenceProduit: "Analogue Productions AAPP 093"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Iko Iko"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blow Wind Blow"
      ]
      [
        "ordre" => 3
        "nom" => "3. Big Chief"
      ]
      [
        "ordre" => 4
        "nom" => "4. Somebody Changed The Lock"
      ]
      [
        "ordre" => 5
        "nom" => "5. Mess Around"
      ]
      [
        "ordre" => 6
        "nom" => "6. Let The Good Times Roll"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Junko Partner"
      ]
      [
        "ordre" => 9
        "nom" => "2. Stack-A-Lee"
      ]
      [
        "ordre" => 10
        "nom" => "3. Tipitina"
      ]
      [
        "ordre" => 11
        "nom" => "4. Those Lonely Lonely Nights"
      ]
      [
        "ordre" => 12
        "nom" => "5. Huey Smith Medley (High Blood Pressure / Don't You Just Know It /"
      ]
      [
        "ordre" => 13
        "nom" => "Well I'll Be John Brown)"
      ]
      [
        "ordre" => 14
        "nom" => "6. Little Liza Jane"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …}
    -label: Proxies\__CG__\App\Entity\Label {#2156 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …}
    -enregistreLe: DateTime @1466403433 {#2199
      date: 2016-06-20 06:17:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764833754 {#2200
      date: 2025-12-04 07:35:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dr-john-s-gumbo-analogue-productions-aapp-093"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3710
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2636 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2202
    -id: 948
    -nom: "Dr John's Gumbo"
    -informationComplementaire: null
    -description: """
      - N° 404 on Rolling Stone's list of 500 Greatest Albums of All Time !\r\n
      - Remastered by Kevin Gray at Cohearant Audio, from the original analog tapes !\r\n
      - 180 gram vinyl plated and pressed by Quality Record Pressings !\r\n
      - Tip-on style gatefold jacket by Stoughton Printing !\r\n
      \r\n
      Dr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.\r\n
      \r\n
      Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") Earl King and Earl Gaines ("Big Chief", "Let The Good Times Roll" and "Lonely Lonely Nights").\r\n
      \r\n
      Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.\r\n
      \r\n
      This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analogue tapes. Then we back that up with 180 gram plating and pressing on super-silent vinyl by our own Quality Record Pressings. Finally it's all housed in a tip-on gatefold jacket from Stoughton Printing. Deluxe all the way; you'll be estatic with the results !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dr. John (guitar, piano, cornet, vocals), Jimmy Calhoun (bass), Alvin Robinson, Ken Klimak (guitar), Ronnie Barron (electric piano, organ), David Lastie, Harold Battiste, Lee Allen, Moe Bachamin (saxophone), Streamline (trombone), Freddie Staehle (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=F9uaODHE1Rk"
    -referenceProduit: "Analogue Productions AAPP 093"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Iko Iko"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blow Wind Blow"
      ]
      [
        "ordre" => 3
        "nom" => "3. Big Chief"
      ]
      [
        "ordre" => 4
        "nom" => "4. Somebody Changed The Lock"
      ]
      [
        "ordre" => 5
        "nom" => "5. Mess Around"
      ]
      [
        "ordre" => 6
        "nom" => "6. Let The Good Times Roll"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Junko Partner"
      ]
      [
        "ordre" => 9
        "nom" => "2. Stack-A-Lee"
      ]
      [
        "ordre" => 10
        "nom" => "3. Tipitina"
      ]
      [
        "ordre" => 11
        "nom" => "4. Those Lonely Lonely Nights"
      ]
      [
        "ordre" => 12
        "nom" => "5. Huey Smith Medley (High Blood Pressure / Don't You Just Know It /"
      ]
      [
        "ordre" => 13
        "nom" => "Well I'll Be John Brown)"
      ]
      [
        "ordre" => 14
        "nom" => "6. Little Liza Jane"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …}
    -label: Proxies\__CG__\App\Entity\Label {#2156 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …}
    -enregistreLe: DateTime @1466403433 {#2199
      date: 2016-06-20 06:17:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764833754 {#2200
      date: 2025-12-04 07:35:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dr-john-s-gumbo-analogue-productions-aapp-093"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3911
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2404 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3912 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3960 …}
  +isValidated: false
  +validatedFields: []
}