Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2627
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2474 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2704
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2707 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2706 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2474 …}
  -formView: Symfony\Component\Form\FormView {#2743 …}
  -form: Symfony\Component\Form\Form {#2893 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 692
    -nom: "It's Time"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      "Jimmy D. Lane's guitar playing will knock you over. His control of his guitar, from the most delicate tonal nuances to the flashiest, fastest licks, is almost superhuman. Only the most masterful guitar players can command their instruments this way, and all the practice in the world can't develop it. Jimmy D. Lane is a natural-born guitar monster". - Bob Margolin, guitarist in the Muddy Waters Band for seven years\r\n
      \r\n
      It's Time could just as well have been titled It's Overdue. It's long been time for one of today's most powerful and expressive musicians to break the chains of relative commercial obscurity. Time to seize the reins of blues leadership, just as his father, Jimmy Rogers, did in the 1940s. Masters Eddie Kramer (engineer for Hendrix, Zeppelin, Woodstock etc.), Chris "Whipper" Layton and Tommy Shannon (of Double Trouble) and Mike Finnigan (organ in the bands of Etta James, Taj Mahal and CSN&Y) are all onboard to give Jimmy the nudge he needs to clear the launching pad. It's Time. \r\n
      \r\n
      "Just wanted to let you know how much Frank and I are enjoying Jimmy D. Lane's new CD - It's Time. It is truly wonderful! We are looking forward to experiencing the Blues Masters concert in Oct. Take care and thanks so much for such a hauntingly awesome CD. Please convey to him that we are hoping not to wear out the CD we enjoy it so much". - Peggy Ulasek, Maryland \r\n
      \r\n
      "Lane's certainly got the goods. The guitarist and singer he plays bass and drums, too, on a pair of tracks wrote all but one of the disc's 12 songs. And he's got a knack for mixing Hendrix- and Vaughan-influenced contemporary blues with old-school roots learned from his father...what makes It's Time a fun listen is its textural variety...Kramer's production offers a bright, modern sound that still has the warm feel of live performance. He and Lane keep the set tightly focused...For Jimmy D. Lane, now's as good a time as any". - Michael Cote, Blues Revue, February / March 2005
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Jimmy D. Lane (guitar, vocals), Tommy Shannon (bass), Mike Finnigan (keyboard), Celia Price (organ, piano), Larry Faucette (congas), Bill Garrison (slide guitar), Cheryl Rutz, Aaron Householter (backup vocals),  Chris Layton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lKKDXdUqC84"
    -referenceProduit: "APO Records 2020-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. What Makes People"
      ]
      [
        "ordre" => 2
        "nom" => "2. 'Til I Loved You"
      ]
      [
        "ordre" => 3
        "nom" => "3. Half Love"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Ain't It a Pity"
      ]
      [
        "ordre" => 6
        "nom" => "2. It's Time"
      ]
      [
        "ordre" => 7
        "nom" => "3. Stuck in the Middle"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Hand on the Door"
      ]
      [
        "ordre" => 10
        "nom" => "2. Bad Luck"
      ]
      [
        "ordre" => 11
        "nom" => "3. My Nature"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. 24-7"
      ]
      [
        "ordre" => 14
        "nom" => "2. Bleeding Heart"
      ]
      [
        "ordre" => 15
        "nom" => "3. Salina"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1406112851 {#1929
      date: 2014-07-23 10:54:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769680525 {#1922
      date: 2026-01-29 09:55:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-it-s-time-apo-records-2020-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3164
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2706 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 692
    -nom: "It's Time"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      "Jimmy D. Lane's guitar playing will knock you over. His control of his guitar, from the most delicate tonal nuances to the flashiest, fastest licks, is almost superhuman. Only the most masterful guitar players can command their instruments this way, and all the practice in the world can't develop it. Jimmy D. Lane is a natural-born guitar monster". - Bob Margolin, guitarist in the Muddy Waters Band for seven years\r\n
      \r\n
      It's Time could just as well have been titled It's Overdue. It's long been time for one of today's most powerful and expressive musicians to break the chains of relative commercial obscurity. Time to seize the reins of blues leadership, just as his father, Jimmy Rogers, did in the 1940s. Masters Eddie Kramer (engineer for Hendrix, Zeppelin, Woodstock etc.), Chris "Whipper" Layton and Tommy Shannon (of Double Trouble) and Mike Finnigan (organ in the bands of Etta James, Taj Mahal and CSN&Y) are all onboard to give Jimmy the nudge he needs to clear the launching pad. It's Time. \r\n
      \r\n
      "Just wanted to let you know how much Frank and I are enjoying Jimmy D. Lane's new CD - It's Time. It is truly wonderful! We are looking forward to experiencing the Blues Masters concert in Oct. Take care and thanks so much for such a hauntingly awesome CD. Please convey to him that we are hoping not to wear out the CD we enjoy it so much". - Peggy Ulasek, Maryland \r\n
      \r\n
      "Lane's certainly got the goods. The guitarist and singer he plays bass and drums, too, on a pair of tracks wrote all but one of the disc's 12 songs. And he's got a knack for mixing Hendrix- and Vaughan-influenced contemporary blues with old-school roots learned from his father...what makes It's Time a fun listen is its textural variety...Kramer's production offers a bright, modern sound that still has the warm feel of live performance. He and Lane keep the set tightly focused...For Jimmy D. Lane, now's as good a time as any". - Michael Cote, Blues Revue, February / March 2005
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Jimmy D. Lane (guitar, vocals), Tommy Shannon (bass), Mike Finnigan (keyboard), Celia Price (organ, piano), Larry Faucette (congas), Bill Garrison (slide guitar), Cheryl Rutz, Aaron Householter (backup vocals),  Chris Layton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lKKDXdUqC84"
    -referenceProduit: "APO Records 2020-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. What Makes People"
      ]
      [
        "ordre" => 2
        "nom" => "2. 'Til I Loved You"
      ]
      [
        "ordre" => 3
        "nom" => "3. Half Love"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Ain't It a Pity"
      ]
      [
        "ordre" => 6
        "nom" => "2. It's Time"
      ]
      [
        "ordre" => 7
        "nom" => "3. Stuck in the Middle"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Hand on the Door"
      ]
      [
        "ordre" => 10
        "nom" => "2. Bad Luck"
      ]
      [
        "ordre" => 11
        "nom" => "3. My Nature"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. 24-7"
      ]
      [
        "ordre" => 14
        "nom" => "2. Bleeding Heart"
      ]
      [
        "ordre" => 15
        "nom" => "3. Salina"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1406112851 {#1929
      date: 2014-07-23 10:54:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769680525 {#1922
      date: 2026-01-29 09:55:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-it-s-time-apo-records-2020-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2474 …}
}

[
  "produit" => App\Entity\Produit {#2100
    -id: 775
    -nom: "Long Gone"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Analogue Productions is proud to present Long Gone, the debut album by the sensational new rock/ blues, guitarist/ singer-songwriter Jimmy D. Lane. While the listener will hear echoes of Jimi Hendrix and Stevie Ray Vaughan in Jimmy's playing, he is his own man, a fact recognized recently by Eric Clapton when, after playing together with Jimmy on a forthcoming tribute album to Jimmy's father, Jimmy Rogers, Clapton proclaimed Jimmy Lane an "incredible guitarist." Indeed, the strongest influence on Jimmy's musical development has been his father.\r\n
      \r\n
      Long Gone features Jimmy Lane with bassist Freddie Crawford (also a veteran member of Jimmy Rogers band and Jimmy Lane's regular group) and legendary drummer Jim Keltner, who has performed and/or recorded with everyone from John Lennon and Bob Dylan to the Rolling Stones and Eric Clapton. Jimmy Lane's repertoire on Long Gone is made up of his own originals and covers by blues and rock greats including Bob Dylan, Jimi Hendrix, Jimmy Rogers, John Lee Hooker, Muddy Waters and Albert King.\r\n
      \r\n
      "If anyone comes by the blues honestly, it's Jimmy D. Lane... his guitar playing is powerful and "inspirational;" you may find yourself playing air guitar for the first time in years... Lane gives us an electric guitar extravaganza of a type that was abundant 25-30 years ago but is nowadays rare".\r\n
      - Larry Kay, FI Magazine\r\n
      \r\n
      "Long Gone should move Jimmy D. Lane directly to the front ranks of those who will take the blues into the next century".\r\n
      - Jim DeKoster, Living Blues
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Jimmy D. Lane (guitar, vocals), John Koenig (guitar), Freddie Crawford (bass), Jim Keltner (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=biOljR-r9i0"
    -referenceProduit: "APO Records 2003"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Hear My Train A Comin'"
      ]
      [
        "ordre" => 2
        "nom" => "2. Obsession Babies"
      ]
      [
        "ordre" => 3
        "nom" => "3. Long Gone"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Shall Be Released"
      ]
      [
        "ordre" => 5
        "nom" => "5. Shake, Shiver, Ache"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Rollin' Stone"
      ]
      [
        "ordre" => 8
        "nom" => "2. Whiskey"
      ]
      [
        "ordre" => 9
        "nom" => "3. Boom Boom"
      ]
      [
        "ordre" => 10
        "nom" => "4. I'm In Love"
      ]
      [
        "ordre" => 11
        "nom" => "5. Tears Without A Shoulder"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
    -marque: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1431164044 {#2096
      date: 2015-05-09 09:34:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769680502 {#2095
      date: 2026-01-29 09:55:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-long-gone-apo-records-2003"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3280
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2706 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2100
    -id: 775
    -nom: "Long Gone"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Analogue Productions is proud to present Long Gone, the debut album by the sensational new rock/ blues, guitarist/ singer-songwriter Jimmy D. Lane. While the listener will hear echoes of Jimi Hendrix and Stevie Ray Vaughan in Jimmy's playing, he is his own man, a fact recognized recently by Eric Clapton when, after playing together with Jimmy on a forthcoming tribute album to Jimmy's father, Jimmy Rogers, Clapton proclaimed Jimmy Lane an "incredible guitarist." Indeed, the strongest influence on Jimmy's musical development has been his father.\r\n
      \r\n
      Long Gone features Jimmy Lane with bassist Freddie Crawford (also a veteran member of Jimmy Rogers band and Jimmy Lane's regular group) and legendary drummer Jim Keltner, who has performed and/or recorded with everyone from John Lennon and Bob Dylan to the Rolling Stones and Eric Clapton. Jimmy Lane's repertoire on Long Gone is made up of his own originals and covers by blues and rock greats including Bob Dylan, Jimi Hendrix, Jimmy Rogers, John Lee Hooker, Muddy Waters and Albert King.\r\n
      \r\n
      "If anyone comes by the blues honestly, it's Jimmy D. Lane... his guitar playing is powerful and "inspirational;" you may find yourself playing air guitar for the first time in years... Lane gives us an electric guitar extravaganza of a type that was abundant 25-30 years ago but is nowadays rare".\r\n
      - Larry Kay, FI Magazine\r\n
      \r\n
      "Long Gone should move Jimmy D. Lane directly to the front ranks of those who will take the blues into the next century".\r\n
      - Jim DeKoster, Living Blues
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Jimmy D. Lane (guitar, vocals), John Koenig (guitar), Freddie Crawford (bass), Jim Keltner (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=biOljR-r9i0"
    -referenceProduit: "APO Records 2003"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Hear My Train A Comin'"
      ]
      [
        "ordre" => 2
        "nom" => "2. Obsession Babies"
      ]
      [
        "ordre" => 3
        "nom" => "3. Long Gone"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Shall Be Released"
      ]
      [
        "ordre" => 5
        "nom" => "5. Shake, Shiver, Ache"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Rollin' Stone"
      ]
      [
        "ordre" => 8
        "nom" => "2. Whiskey"
      ]
      [
        "ordre" => 9
        "nom" => "3. Boom Boom"
      ]
      [
        "ordre" => 10
        "nom" => "4. I'm In Love"
      ]
      [
        "ordre" => 11
        "nom" => "5. Tears Without A Shoulder"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1431164044 {#2096
      date: 2015-05-09 09:34:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769680502 {#2095
      date: 2026-01-29 09:55:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-long-gone-apo-records-2003"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2474 …}
}

[
  "produit" => App\Entity\Produit {#2113
    -id: 827
    -nom: "Remember Me"
    -informationComplementaire: null
    -description: """
      Jimmie Lee Robinson doesn't dance for the approval of others nor does he thin his music to seduce a wider audience. The self-proclaimed Lonely Traveller's work is an artistic achievement that illustrates why enduring reputations are earned slowly, over time, not swiftly via shrewdly orchestrated media blitzes. His music, honest and unspoiled, comes as a welcome and refreshing alternative in an age of crowd-mesmerizing pyrotechnics, outlandish tempos, and incendiary solos. Remember Me, Robinson's first effort for the APO label and the first album recorded at Blue Heaven Studios, is an adventure deep into the blues of Mr. Robinson's Maxwell Street neighborhood, a neighborhood that has included residencies with musicians such as Little Walter, Howlin Wolf, Freddie King, Elmore James, Luther Tucker, Eddie Taylor, Magic Sam, Jimmy Reed, Shakey Jake, St. Louis Jimmy, Eddy Clearwater, Sunnyland Slim and more. \r\n
      \r\n
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      """
    -prixVente: "60.00"
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      Jimmie Lee Robinson doesn't dance for the approval of others nor does he thin his music to seduce a wider audience. The self-proclaimed Lonely Traveller's work is an artistic achievement that illustrates why enduring reputations are earned slowly, over time, not swiftly via shrewdly orchestrated media blitzes. His music, honest and unspoiled, comes as a welcome and refreshing alternative in an age of crowd-mesmerizing pyrotechnics, outlandish tempos, and incendiary solos. Remember Me, Robinson's first effort for the APO label and the first album recorded at Blue Heaven Studios, is an adventure deep into the blues of Mr. Robinson's Maxwell Street neighborhood, a neighborhood that has included residencies with musicians such as Little Walter, Howlin Wolf, Freddie King, Elmore James, Luther Tucker, Eddie Taylor, Magic Sam, Jimmy Reed, Shakey Jake, St. Louis Jimmy, Eddy Clearwater, Sunnyland Slim and more. \r\n
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[
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    -id: 2520
    -nom: "The Chateau D'Herouville Sessions 1972  (Steven Wilson Mix)"
    -informationComplementaire: null
    -description: """
      Jethro Tull's 1972 Lost Recordings The Chateau D’Herouville Sessions on 2 LP. The Set Contains the Original 16 tracks Mixed by Steven Wilson and a Fourth Side of Recordings That Were Used on Subsequent Albums.\r\n
      \r\n
      Jethro Tull "The Château D’Hérouville Sessions" will be released as 2 LP set on March 15, 2024 for the first time. Recorded in Paris, 1972 in the lead up to recording A Passion Play, The Chateau D’Herouville Sessions 2 LP set contains the original 16 tracks mixed by Steven Wilson and a fourth side of recordings that were used on subsequent albums.\r\n
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    -nom: "The Chateau D'Herouville Sessions 1972  (Steven Wilson Mix)"
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      \r\n
      After a band meeting where the decision was made to return to the UK, they part-recorded a treasure trove of quirky material on master tapes which were ferried back to continue work on in London only to decide to start over with a whole new album project, which was to become A Passion Play, released in 1973. And so the Château tapes became the great lost album of Tull mythology until twenty years later when Ian Anderson reworked and completed most of the original material to release on the Nightcap album as the Chateau d’Isaster Tapes. Then in 2013, they received a make-over by Steven Wilson, for inclusion on the A Passion Play : An Extended Performance book-set.\r\n
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[
  "produit" => App\Entity\Produit {#2150
    -id: 2315
    -nom: "Stand Up (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - 180 gram 45 RPM double LP from Analogue Productions !\r\n
      - Mastered by Kevin Gray from the original U.K. Island analog tape !\r\n
      - Gold-selling second album was an early turning point for the band !\r\n
      - Plated at Quality Record Pressings and pressed at RTI !\r\n
      - Gatefold old-style "tip-on" jacket by Stoughton Printing with the pop-up (stand up) band image accurately reproduced !\r\n
      \r\n
      "Now comes Analogue Productions' 180 gram double 45 RPM reissue sourced from the original Island master tapes sent over from the U.K., cut by Kevin Gray at Cohearent Audio, pressed at RTI and housed in a laminated gatefold "Tip on" jacket complete with "pop up" band. The packaging is exquisite! Only word for it. AP couldn't get permission to use the pink label so it uses the green Chrysalis one. ...if the goal was to duplicate the original pink label Island sound, this reissue misses that, which is good because this new double 45 reissue is far superior to the original in every possible way. The tape was in great shape, that's for sure. Clarity, transparency, high frequency extension and especially transient precision are all far superior to the original. Bass is honest, not hyped up and the mastering delivers full dynamics that are somewhat (but only slightly), compressed on the original. Ian Anderson's vocals are naturally present as if you are on the other side of the microphone. Most importantly, the overall timbral balance sounds honest and correct. But especially great is the transient clarity on top and bottom. ... Best of all, as the title suggests this album "stands up" to time. It hasn't lost a thing musically, lyrically or sonically. Highly recommended !"  - Music = 9/11; Sound = 9/11 - Michael Fremer, trackingangle.com. To read Fremer's full review click here.\r\n
      \r\n
      Jethro Tull's second album, Stand Up, marked an early turning point for the band with the addition of guitarist Martin Barre along with Ian Anderson's introduction of folk-rock influences to the group's blues-based sound.\r\n
      \r\n
      Released in the summer of 1969, Stand Up rose quickly to the top of the U.K. Albums Chart, and eventually earned gold certification in the U.S.\r\n
      \r\n
      Stand Up was the first album where Anderson controlled the music and lyrics, resulting in a group of diverse songs that ranged from the swirling blues of "A New Day Yesterday" and the mandolin-fueled rave-up of "Fat Man", to the group's spirited re-working of Johann Sebastian Bach's "Bouree in E Minor". In a recent interview, Anderson picked Stand Up as his favorite Jethro Tull album, "because that was my first album of first really original music. It has a special place in my heart".\r\n
      \r\n
      Now with our 45 RPM release, plated at QRP and pressed at RTI, the best-sounding version of this historic album gives listeners an even richer sonic experience. The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      Clean, balanced, richly detailed. Just the way an Analogue Productions reissue should sound. You'll experience Jethro Tull classics such as "Bouree", "A New Day Yesterday", "Look Into The Sun", "We Used To Know", "Fat Man" and the rest with a new appreciation for the Grammy-winning progressive act's musical skill and innovation.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Ian Anderson (acoustic guitar, flute, vocals, organ, mandolin, balalaika, Mouth organ), Glen Cornick (bass), Martin Lancelot Barre (electric guitar, flute),  Clive Bunker (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Kq5zTznlSJI"
    -referenceProduit: "Analogue Productions AAPP 145-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. A New Day Yesterday "
      ]
      [
        "ordre" => 1
        "nom" => "2. Jeffrey Goes To Leicester Square "
      ]
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        "ordre" => 2
        "nom" => "3. Bourée "
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        "ordre" => 3
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        "ordre" => 4
        "nom" => "5. Look Into The Sun "
      ]
      [
        "ordre" => 5
        "nom" => "6. Nothing Is Easy "
      ]
      [
        "ordre" => 6
        "nom" => "7. Fat Man "
      ]
      [
        "ordre" => 7
        "nom" => "8. We Used To Know "
      ]
      [
        "ordre" => 8
        "nom" => "9. Reasons For Waiting "
      ]
      [
        "ordre" => 9
        "nom" => "10. For A Thousand Mothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
    -label: Proxies\__CG__\App\Entity\Label {#2152 …}
    -style: App\Entity\Style {#1506 …}
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    }
    -modifierLe: DateTime @1769630390 {#2145
      date: 2026-01-28 19:59:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2158 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stand-up-2-lp-45-rpm-analogue-productions-aapp-145-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3430
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    -id: 2315
    -nom: "Stand Up (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - 180 gram 45 RPM double LP from Analogue Productions !\r\n
      - Mastered by Kevin Gray from the original U.K. Island analog tape !\r\n
      - Gold-selling second album was an early turning point for the band !\r\n
      - Plated at Quality Record Pressings and pressed at RTI !\r\n
      - Gatefold old-style "tip-on" jacket by Stoughton Printing with the pop-up (stand up) band image accurately reproduced !\r\n
      \r\n
      "Now comes Analogue Productions' 180 gram double 45 RPM reissue sourced from the original Island master tapes sent over from the U.K., cut by Kevin Gray at Cohearent Audio, pressed at RTI and housed in a laminated gatefold "Tip on" jacket complete with "pop up" band. The packaging is exquisite! Only word for it. AP couldn't get permission to use the pink label so it uses the green Chrysalis one. ...if the goal was to duplicate the original pink label Island sound, this reissue misses that, which is good because this new double 45 reissue is far superior to the original in every possible way. The tape was in great shape, that's for sure. Clarity, transparency, high frequency extension and especially transient precision are all far superior to the original. Bass is honest, not hyped up and the mastering delivers full dynamics that are somewhat (but only slightly), compressed on the original. Ian Anderson's vocals are naturally present as if you are on the other side of the microphone. Most importantly, the overall timbral balance sounds honest and correct. But especially great is the transient clarity on top and bottom. ... Best of all, as the title suggests this album "stands up" to time. It hasn't lost a thing musically, lyrically or sonically. Highly recommended !"  - Music = 9/11; Sound = 9/11 - Michael Fremer, trackingangle.com. To read Fremer's full review click here.\r\n
      \r\n
      Jethro Tull's second album, Stand Up, marked an early turning point for the band with the addition of guitarist Martin Barre along with Ian Anderson's introduction of folk-rock influences to the group's blues-based sound.\r\n
      \r\n
      Released in the summer of 1969, Stand Up rose quickly to the top of the U.K. Albums Chart, and eventually earned gold certification in the U.S.\r\n
      \r\n
      Stand Up was the first album where Anderson controlled the music and lyrics, resulting in a group of diverse songs that ranged from the swirling blues of "A New Day Yesterday" and the mandolin-fueled rave-up of "Fat Man", to the group's spirited re-working of Johann Sebastian Bach's "Bouree in E Minor". In a recent interview, Anderson picked Stand Up as his favorite Jethro Tull album, "because that was my first album of first really original music. It has a special place in my heart".\r\n
      \r\n
      Now with our 45 RPM release, plated at QRP and pressed at RTI, the best-sounding version of this historic album gives listeners an even richer sonic experience. The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      Clean, balanced, richly detailed. Just the way an Analogue Productions reissue should sound. You'll experience Jethro Tull classics such as "Bouree", "A New Day Yesterday", "Look Into The Sun", "We Used To Know", "Fat Man" and the rest with a new appreciation for the Grammy-winning progressive act's musical skill and innovation.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Ian Anderson (acoustic guitar, flute, vocals, organ, mandolin, balalaika, Mouth organ), Glen Cornick (bass), Martin Lancelot Barre (electric guitar, flute),  Clive Bunker (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Kq5zTznlSJI"
    -referenceProduit: "Analogue Productions AAPP 145-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. A New Day Yesterday "
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      [
        "ordre" => 1
        "nom" => "2. Jeffrey Goes To Leicester Square "
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      [
        "ordre" => 2
        "nom" => "3. Bourée "
      ]
      [
        "ordre" => 3
        "nom" => "4. Back To The Family "
      ]
      [
        "ordre" => 4
        "nom" => "5. Look Into The Sun "
      ]
      [
        "ordre" => 5
        "nom" => "6. Nothing Is Easy "
      ]
      [
        "ordre" => 6
        "nom" => "7. Fat Man "
      ]
      [
        "ordre" => 7
        "nom" => "8. We Used To Know "
      ]
      [
        "ordre" => 8
        "nom" => "9. Reasons For Waiting "
      ]
      [
        "ordre" => 9
        "nom" => "10. For A Thousand Mothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
    -label: Proxies\__CG__\App\Entity\Label {#2152 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2161 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2154 …}
    -typeMasterTape: null
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    -modifierLe: DateTime @1769630390 {#2145
      date: 2026-01-28 19:59:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2158 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stand-up-2-lp-45-rpm-analogue-productions-aapp-145-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2474 …}
}

[
  "produit" => App\Entity\Produit {#2168
    -id: 2679
    -nom: "Benefit (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - 180 gram 45 RPM double LP from Analogue Productions !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from flat copies of the original U.K. and U.S. analog master tapes !\r\n
      - Third studio album featured advanced studio recording techniques !\r\n
      - Featuring original U.S. tracklisting with bonus track "Alive And Well And Living In" from U.K. release !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Gatefold old-style tip-on jacket by Stoughton Printing !\r\n
      \r\n
      "We get the U.K. version, but also with the bonus track the 'Alive And Well'... this, in a way, is a complete version of this alltime, alltime classic... This is Jethro Tull at its purest, this is Jethro Tull at its best". - Michael Ludwigs, 45 RPM Audiophile, YouTube video.\r\n
      \r\n
      "I was really glad to see Matt Luthans on board as the mastering engineer. (Analogue Productions) utilitizes all of the great mastering engineers and I think we can count Matt Luthans among them... How does it sound ? Well, I think they have kind of worked a miracle here... They have been able to draw out the strength of this production, get rid of some of the problems with it, and give us the best-sounding edition of this that I've heard, so far". - Scott Wilson, The Pressing Matters, YouTube video.\r\n
      \r\n
      "A hybrid of packaging elements taken from various international pressings of Benefit give the Analogue Productions edition a stunning presentation. A live shot of the group featuring a double-exposed Ian Anderson that graced the gatefold of original German pressings is featured. Instead of replicating the 'tan steamboat' label of the original US Reprise pressing, the green Chrysalis label is a tip of the hat to the original UK pressing... Analogue Productions reissues almost always outdo previous reissue efforts, yet here Matthew Lutthans' cutting work magnifies some of Benefit's quirky sonic characteristics... Analogue Productions' successful attempt to produce this album's ultimate pressing makes worthwhile revisiting one of Jethro Tull's most underrated albums". - Music = 9/11, Sound = 10/11 - Dylan Peggin, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      "...as it relates to this Analogue Productions release it really pulled the blanket off of the recording, it really gave life and vibrance... this is one of those easy, easy comparisons to say that the new one really knocked it out of the park. It brought a lot of the essential nutrients of this album, and the ingredients that were there, a brought them into a fresh listening experience ... great job in Salina, Kansas to Chad and the mastering engineers of bringing this one home and giving us a solid reproduction of this classic Jethro Tull Benefit album". - David Bianco, Safe & Sound Texas Audio Excursion YouTube video\r\n
      \r\n
      Jethro Tull's 1970 classic Benefit was their third studio album in as many years, following the successes of This Was (1968) and Stand Up (1969).\r\n
      \r\n
      For Benefit, Ian Anderson (flute, guitars, vocals), Martin Barre (guitars), Glenn Cornick (bass), and Clive Bunker (drums) were joined by John Evan on piano and organ. Evan would go on to play on all of Jethro Tull's albums throughout the '70s. It was also the last to include Cornick, who was fired from the band upon completion of touring for the album. \r\n
      \r\n
      Recorded at Morgan Studios, where the band recorded Stand Up, the album featured more advanced studio techniques, such as a backward-recorded flute on "With You There To Help Me" and a sped-up guitar on "Play In Time". Frontman Ian Anderson said Evan had changed the band's style : "John has added a new dimension musically and I can write more freely now. In fact anything is possible with him at the keyboard".\r\n
      \r\n
      Compared to Stand Up, although containing a similar mix of bluesy hard-rockers and melodic acoustic numbers, Benefit had, as Ian Anderson put it, a "harder, slightly darker feel" compared to previous material. The eclectic fusion of folk, rock, and progressive elements creates a sonic tapestry unlike any other.\r\n
      \r\n
      Anderson's virtuosic flute playing intertwines with Barre's electrifying guitar work, weaving intricate melodies that transport listeners to a world of introspection and imagination. From the hauntingly beautiful "With You There to Help Me" to the whimsical energy of "To Cry You a Song", each track invites exploration of both the inner self and the world beyond.\r\n
      \r\n
      This Analogue Productions 45 RPM release, plated and pressed at Quality Record Pressings, gives this historic album the rich sonic presentation it deserves. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.  This release duplicates the gatefold jacket used in the U.K.; it uses the original U.S. song order and track listing, with the addition at the end of LP 2 Side B, of the bonus track "Alive And Well And Living In" from the U.K. version.\r\n
      \r\n
      Benefit stands as a testament to Jethro Tull's pioneering spirit, pushing the boundaries of musical expression and leaving an indelible mark on the landscape of rock music. This reissue is clean, balanced and richly detailed, the way an Analogue Productions reissue shou
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ian Anderson (acoustic & electric guitar, flute, balalaika, keyboards, vocals), Martin Barre (electric guitar), Glenn Cornick (bass guitar,  Hammond organ), Clive Bunker (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fW9_NDR6z1I"
    -referenceProduit: "Analogue Productions AAPP 169-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. With You There To Help Me"
      ]
      [
        "ordre" => 2
        "nom" => "2. Nothing To Say"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Inside"
      ]
      [
        "ordre" => 5
        "nom" => "2. Son"
      ]
      [
        "ordre" => 6
        "nom" => "3. For Michael Collins, Jeffrey And Me"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. To Cry You A Song"
      ]
      [
        "ordre" => 9
        "nom" => "2. A Time For Everything"
      ]
      [
        "ordre" => 10
        "nom" => "3. Teacher"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Play In Time"
      ]
      [
        "ordre" => 13
        "nom" => "2. Sossity; You're A Woman"
      ]
      [
        "ordre" => 14
        "nom" => "3. Alive And Well And Living In"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
    -label: Proxies\__CG__\App\Entity\Label {#2152 …}
    -style: App\Entity\Style {#1505 …}
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    -enregistreLe: DateTime @1748607660 {#2164
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    }
    -modifierLe: DateTime @1769630360 {#2163
      date: 2026-01-28 19:59:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2173 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-benefit-2-lp-45-rpm-analogue-productions-aapp-169-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3478
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2706 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2168
    -id: 2679
    -nom: "Benefit (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - 180 gram 45 RPM double LP from Analogue Productions !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from flat copies of the original U.K. and U.S. analog master tapes !\r\n
      - Third studio album featured advanced studio recording techniques !\r\n
      - Featuring original U.S. tracklisting with bonus track "Alive And Well And Living In" from U.K. release !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Gatefold old-style tip-on jacket by Stoughton Printing !\r\n
      \r\n
      "We get the U.K. version, but also with the bonus track the 'Alive And Well'... this, in a way, is a complete version of this alltime, alltime classic... This is Jethro Tull at its purest, this is Jethro Tull at its best". - Michael Ludwigs, 45 RPM Audiophile, YouTube video.\r\n
      \r\n
      "I was really glad to see Matt Luthans on board as the mastering engineer. (Analogue Productions) utilitizes all of the great mastering engineers and I think we can count Matt Luthans among them... How does it sound ? Well, I think they have kind of worked a miracle here... They have been able to draw out the strength of this production, get rid of some of the problems with it, and give us the best-sounding edition of this that I've heard, so far". - Scott Wilson, The Pressing Matters, YouTube video.\r\n
      \r\n
      "A hybrid of packaging elements taken from various international pressings of Benefit give the Analogue Productions edition a stunning presentation. A live shot of the group featuring a double-exposed Ian Anderson that graced the gatefold of original German pressings is featured. Instead of replicating the 'tan steamboat' label of the original US Reprise pressing, the green Chrysalis label is a tip of the hat to the original UK pressing... Analogue Productions reissues almost always outdo previous reissue efforts, yet here Matthew Lutthans' cutting work magnifies some of Benefit's quirky sonic characteristics... Analogue Productions' successful attempt to produce this album's ultimate pressing makes worthwhile revisiting one of Jethro Tull's most underrated albums". - Music = 9/11, Sound = 10/11 - Dylan Peggin, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      "...as it relates to this Analogue Productions release it really pulled the blanket off of the recording, it really gave life and vibrance... this is one of those easy, easy comparisons to say that the new one really knocked it out of the park. It brought a lot of the essential nutrients of this album, and the ingredients that were there, a brought them into a fresh listening experience ... great job in Salina, Kansas to Chad and the mastering engineers of bringing this one home and giving us a solid reproduction of this classic Jethro Tull Benefit album". - David Bianco, Safe & Sound Texas Audio Excursion YouTube video\r\n
      \r\n
      Jethro Tull's 1970 classic Benefit was their third studio album in as many years, following the successes of This Was (1968) and Stand Up (1969).\r\n
      \r\n
      For Benefit, Ian Anderson (flute, guitars, vocals), Martin Barre (guitars), Glenn Cornick (bass), and Clive Bunker (drums) were joined by John Evan on piano and organ. Evan would go on to play on all of Jethro Tull's albums throughout the '70s. It was also the last to include Cornick, who was fired from the band upon completion of touring for the album. \r\n
      \r\n
      Recorded at Morgan Studios, where the band recorded Stand Up, the album featured more advanced studio techniques, such as a backward-recorded flute on "With You There To Help Me" and a sped-up guitar on "Play In Time". Frontman Ian Anderson said Evan had changed the band's style : "John has added a new dimension musically and I can write more freely now. In fact anything is possible with him at the keyboard".\r\n
      \r\n
      Compared to Stand Up, although containing a similar mix of bluesy hard-rockers and melodic acoustic numbers, Benefit had, as Ian Anderson put it, a "harder, slightly darker feel" compared to previous material. The eclectic fusion of folk, rock, and progressive elements creates a sonic tapestry unlike any other.\r\n
      \r\n
      Anderson's virtuosic flute playing intertwines with Barre's electrifying guitar work, weaving intricate melodies that transport listeners to a world of introspection and imagination. From the hauntingly beautiful "With You There to Help Me" to the whimsical energy of "To Cry You a Song", each track invites exploration of both the inner self and the world beyond.\r\n
      \r\n
      This Analogue Productions 45 RPM release, plated and pressed at Quality Record Pressings, gives this historic album the rich sonic presentation it deserves. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.  This release duplicates the gatefold jacket used in the U.K.; it uses the original U.S. song order and track listing, with the addition at the end of LP 2 Side B, of the bonus track "Alive And Well And Living In" from the U.K. version.\r\n
      \r\n
      Benefit stands as a testament to Jethro Tull's pioneering spirit, pushing the boundaries of musical expression and leaving an indelible mark on the landscape of rock music. This reissue is clean, balanced and richly detailed, the way an Analogue Productions reissue shou
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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[
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    -nom: "Still Living In The Past - The Steven Wilson Remixes Half-Speed Mastered"
    -informationComplementaire: null
    -description: """
      - Steven Wilson Remixes of the Original Album !\r\n
      - 1971 Master Mixes of the Closing Tracks !\r\n
      - Double LP !\r\n
      - Combined US & UK Track Lists !\r\n
      - This Edition Produced by Ian Anderson !\r\n
      - Remixes & Remasters by Steven Wilson !\r\n
      - 2 LP Master Assembly by Nick Watson at Fluid Mastering !\r\n
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      - Audio Research & Essays by Don Needham !\r\n
      - Made in Germany !\r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3526
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      - This Edition Produced by Ian Anderson !\r\n
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      - Audio Research & Essays by Don Needham !\r\n
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[
  "produit" => App\Entity\Produit {#2196
    -id: 483
    -nom: "Aqualung"
    -informationComplementaire: "Last copy in stock !"
    -description: "AQUALUNG - 1971 saw the release of some of the greatest pop/rock albums of all time. Imagine: Pearl, Sticky Fingers, Who's Next, Tupelo Honey, Surf's Up, Fragile, Led Zeppelin IV, Muswell Hillbillies, Tapestry, What's Going On?, Madman Across the Water, and Tumbleweed Connection are just a few of the iconic tracks that were the hits of this exceptional year. Add to that the fourth album from Ian Anderson's progressive rock band, Aqualung, and you have a real gem, a masterpiece of arrangements and musicianship. Ian Anderson's flute playing brings beautiful melodies to the band's compositions. The particularly dynamic guitar riffs of tracks like "My God," "Hymn 43," "Locomotiv Breath," and "Wind Up" are especially memorable. This album was mastered and cut by Bernie Grundman from the original tapes provided by Ian Anderson, using Classic Records' ALL TUBE MONO cutting system. Aqualung... A monument, a legendary work forever etched in rock history, a record that achieves perfection in its purest form. It has everything! Melodic, audacious, lyrical. The band transcends itself and delivers an album that, even after 30 years, continues to surprise. An essential album!"
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3574
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2706 …}
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    -id: 483
    -nom: "Aqualung"
    -informationComplementaire: "Last copy in stock !"
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[
  "produit" => App\Entity\Produit {#2214
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    -nom: "Live at Woodstock - Box Set 3 LP + Bonus 7'' Colored Vinyl"
    -informationComplementaire: "Last copy in stock ! Magnificent Box Set 35th Anniversary Jimi Hendrix "Live At Woodstock""
    -description: """
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      \r\n
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      • 36 page deluxe 12" x 12"’ booklet packed with extra photos and interviews with Mitch Mitchell, Billy Cox, Eddie Kramer and others.\r\n
      • 7" colored vinyl single with ‘’Izabella’’ and Message To The Universe’’ recorded by Eddie Kramer the week after Woodstock with Hendrix’s Gypsy Sun & Rainbows band at New York’s Hit Factory.\r\n
      • Mastered by Bernie Grundman from original Master Tapes.\r\n
      • Reprication of Woodstock ticket\r\n
      \r\n
      It was 35 years ago when Jimi Hendrix took the stage to end what would become the most famous Rock event in history. Who knew it would be around 9 a.m. on Monday morning when Woodstock finally ended ? It was supposed to conclude Sunday night. What we do know is that Jimi came to headline the show and sure enough did so, even if it was at least 12 hours later than anticipated. For those who stayed to see the world’s greatest rock guitarist, it must have been a fitting end to three days of memorable performances by Crosby, Stills and Nash, Janis Joplin, Santana, The Grateful Dead, Creedence Clearwater Revival, The Who, Jefferson Airplane, The Band and a host of others. \r\n
      \r\n
      To commemorate that day and the spirit of what it has come to represent, Classic Records and Experience Hendrix have released the 35th anniversary Jimi Hendrix at Woodstock deluxe LP Boxed Set, which includes the entire Hendrix performance on three LPs, transferred from the original analog master tapes. Accompanying features include a 36 page booklet with rare photos, expanded essays and interviews with Eddie Kramer, Mitch Mitchell, Billy Cox and others present that day in the Summer of Love. Also included is a bonus colored vinyl 7" single with never-before-released versions of "Isabelle" and "Message to the Universe" recorded by Eddie Kramer at the Hit Factory the week after Woodstock with the same band. This definitive package will undoubtedly become a collectors item in years to come and is a must have for all serious Hendrix fans.\r\n
      \r\n
      To further add to the celebration of the 35th anniversary of Hendrix at Woodstock, Michael Hobson, President of Classic Records and TheMusic.com, recently conducted an interview with Eddie Kramer - the man behind the recording desk in a tractor-trailer at Woodstock. Here is how it was recorded all those years ago...
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3620
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2706 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2214
    -id: 442
    -nom: "Live at Woodstock - Box Set 3 LP + Bonus 7'' Colored Vinyl"
    -informationComplementaire: "Last copy in stock ! Magnificent Box Set 35th Anniversary Jimi Hendrix "Live At Woodstock""
    -description: """
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      • 36 page deluxe 12" x 12"’ booklet packed with extra photos and interviews with Mitch Mitchell, Billy Cox, Eddie Kramer and others.\r\n
      • 7" colored vinyl single with ‘’Izabella’’ and Message To The Universe’’ recorded by Eddie Kramer the week after Woodstock with Hendrix’s Gypsy Sun & Rainbows band at New York’s Hit Factory.\r\n
      • Mastered by Bernie Grundman from original Master Tapes.\r\n
      • Reprication of Woodstock ticket\r\n
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      It was 35 years ago when Jimi Hendrix took the stage to end what would become the most famous Rock event in history. Who knew it would be around 9 a.m. on Monday morning when Woodstock finally ended ? It was supposed to conclude Sunday night. What we do know is that Jimi came to headline the show and sure enough did so, even if it was at least 12 hours later than anticipated. For those who stayed to see the world’s greatest rock guitarist, it must have been a fitting end to three days of memorable performances by Crosby, Stills and Nash, Janis Joplin, Santana, The Grateful Dead, Creedence Clearwater Revival, The Who, Jefferson Airplane, The Band and a host of others. \r\n
      \r\n
      To commemorate that day and the spirit of what it has come to represent, Classic Records and Experience Hendrix have released the 35th anniversary Jimi Hendrix at Woodstock deluxe LP Boxed Set, which includes the entire Hendrix performance on three LPs, transferred from the original analog master tapes. Accompanying features include a 36 page booklet with rare photos, expanded essays and interviews with Eddie Kramer, Mitch Mitchell, Billy Cox and others present that day in the Summer of Love. Also included is a bonus colored vinyl 7" single with never-before-released versions of "Isabelle" and "Message to the Universe" recorded by Eddie Kramer at the Hit Factory the week after Woodstock with the same band. This definitive package will undoubtedly become a collectors item in years to come and is a must have for all serious Hendrix fans.\r\n
      \r\n
      To further add to the celebration of the 35th anniversary of Hendrix at Woodstock, Michael Hobson, President of Classic Records and TheMusic.com, recently conducted an interview with Eddie Kramer - the man behind the recording desk in a tractor-trailer at Woodstock. Here is how it was recorded all those years ago...
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2216 …}
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[
  "produit" => App\Entity\Produit {#2236
    -id: 892
    -nom: "Miami Pop Festival / + Booklet"
    -informationComplementaire: null
    -description: """
      - Deluxe double LP includes never before released performances from Henrix's Miami Pop concerts !\r\n
      - All analog mastering, cut by Bernie Grundman !\r\n
      - Pressed at QRP on 150 gram vinyl !\r\n
      - Eight-page booklet filled with never before seen photos, and detailed liner notes !\r\n
      \r\n
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      \r\n
      Hendrix's headlining set at the two-day festival took place at the Gulfstream Park racetrack in Hallandale, Fla., on May 18, 1968. In addition to the usual Hendrix live staples such as "Hey Joe" and "Red House ," the album includes the first recorded stage performances of "Hear My Train A Comin" and "Tax Free". There are also bonus performances of "Fire" and "Foxey Lady" recorded at his afternoon slot.\r\n
      \r\n
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      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3673
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2236
    -id: 892
    -nom: "Miami Pop Festival / + Booklet"
    -informationComplementaire: null
    -description: """
      - Deluxe double LP includes never before released performances from Henrix's Miami Pop concerts !\r\n
      - All analog mastering, cut by Bernie Grundman !\r\n
      - Pressed at QRP on 150 gram vinyl !\r\n
      - Eight-page booklet filled with never before seen photos, and detailed liner notes !\r\n
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      \r\n
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      [
        "ordre" => 4
        "nom" => "4. Tax Free"
      ]
      [
        "ordre" => 5
        "nom" => "Side B :"
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      [
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        "nom" => "1. Fire"
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        "nom" => "2. Hear My Train a Comin'"
      ]
      [
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        "nom" => "3. I Don't Live Today"
      ]
      [
        "ordre" => 9
        "nom" => "Side C : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Red House"
      ]
      [
        "ordre" => 11
        "nom" => "2. Purple Haze"
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        "ordre" => 13
        "nom" => "1. Fire (Afternoon Show)"
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      [
        "ordre" => 14
        "nom" => "2. Foxey Lady (Afternoon Show)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2216 …}
    -label: Proxies\__CG__\App\Entity\Label {#2238 …}
    -style: App\Entity\Style {#1505 …}
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    -enregistreLe: DateTime @1458302997 {#2228
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    }
    -modifierLe: DateTime @1769627695 {#2227
      date: 2026-01-28 19:14:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-miami-pop-festival-booklet-legacy-records-6993"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2474 …}
}

[
  "produit" => App\Entity\Produit {#2252
    -id: 646
    -nom: "Southern Roots"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold double LP mastered from the original analog tapes !\r\n
      - Direct metal master cut !\r\n
      \r\n
      The legendary 1974 sessions form the Trans Maximus Studios in Memphis, Tennessee, featuring Jerry Lee Lewis piano / vocals, backed by Stax studio catts and members of the Blues Brothers band, and Booker T. & The MGs (Steve Cropper - guitar, Donald 'Duck' Dunn - bass, Al Jackson Jr. - drums), Carl Perkins - guitar, Tony Joe White - guitar, The Memphis Horns, a.m.o.\r\n
      \r\n
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      \r\n
      Meaux had just gotten out of prison and had a reputation you wouldn't want in your family tree. Separately, Meaux and Lewis each spelled trouble in a big way and could be impossible to work with. Together ? God knows what would happen. The results could be an utter disaster or a stroke of genius. As Meaux later observed, "I knew Jerry and I would fight, but in the end we'd come out with the record. We fought, but we delivered".\r\n
      \r\n
      For three days in September 1973, Jerry Lee Lewis and Huey Meaux went at it, and each other. Listen as Jerry Lee is turned loose in the studio by a producer who didn't try to rein in Jerry's ego. In fact, Meaux did everything he could to feed it. That ego is nowhere more evident than on Jerry's version of the Percy Sledge 1966 hit, When A Man Loves A Woman, which Jerry turns into a sermon on war between the sexes.\r\n
      \r\n
      Jerry and Huey cut mostly southern music soul, country, R&B and a touch of swamp pop. They even included a surprisingly impassioned version of Johnny Ray's 1952 hit record, "Cry".\r\n
      \r\n
      Little did we know that there was supposed to be a second Southern Roots album. Only 10 tracks ever appeared on the LP a scant 34 minutes of music  but we've got it all here, including the music that was scheduled to appear on the second "lost album", all neatly overdubbed and ready for release. We've also got the stuff you were never meant to hear, and there's plenty of it.\r\n
      Some 40 years later this double LP lets you be a fly on the wall as Jerry and Huey square off at one another, laughing, arguing and making music late into the night. It's Jerry Lee as you've never heard him before.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jerry Lee Lewis (piano, vocals), Steve Cropper (guitar), Donald 'Duck' Dunn (bass), Al Jackson Jr. (drums), Carl Perkins (guitar), Tony Joe White (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BVJFz7m_Oww&list=RDBVJFz7m_Oww&start_radio=1"
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    -titreMorceau: [
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        "nom" => "Side B :"
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      [
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        "nom" => "1. Haunted House"
      ]
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        "nom" => "2. Blueberry Hill"
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        "nom" => "3. The Revolutionary Man"
      ]
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        "nom" => "4. Big Blue Diamonds"
      ]
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        "ordre" => 11
        "nom" => "5. That Old Bourbon Street Church"
      ]
      [
        "ordre" => 12
        "nom" => "Side C : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Silver Threads Among The Gold"
      ]
      [
        "ordre" => 14
        "nom" => "2. Hold On I'm Coming (fast version)"
      ]
      [
        "ordre" => 15
        "nom" => "3. Take Your Time"
      ]
      [
        "ordre" => 16
        "nom" => "4. All Over Hell And Half Of Georgia"
      ]
      [
        "ordre" => 17
        "nom" => "5. I Sure Miss Those Good Old Times"
      ]
      [
        "ordre" => 18
        "nom" => "Side D : "
      ]
      [
        "ordre" => 19
        "nom" => "6. Raining In My Heart"
      ]
      [
        "ordre" => 20
        "nom" => "7 Honey Hush"
      ]
      [
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        "nom" => "8. Cry"
      ]
      [
        "ordre" => 22
        "nom" => "9. Margie"
      ]
      [
        "ordre" => 23
        "nom" => "10. Studio Chatter #8 - Polk Salad Annie"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …}
    -label: Proxies\__CG__\App\Entity\Label {#2257 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2266 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2259 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2261 …}
    -enregistreLe: DateTime @1378150520 {#2249
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    }
    -modifierLe: DateTime @1769591178 {#2250
      date: 2026-01-28 09:06:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2263 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-southern-roots-bear-family-21801"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3719
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2706 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
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    -id: 646
    -nom: "Southern Roots"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold double LP mastered from the original analog tapes !\r\n
      - Direct metal master cut !\r\n
      \r\n
      The legendary 1974 sessions form the Trans Maximus Studios in Memphis, Tennessee, featuring Jerry Lee Lewis piano / vocals, backed by Stax studio catts and members of the Blues Brothers band, and Booker T. & The MGs (Steve Cropper - guitar, Donald 'Duck' Dunn - bass, Al Jackson Jr. - drums), Carl Perkins - guitar, Tony Joe White - guitar, The Memphis Horns, a.m.o.\r\n
      \r\n
      At long last here are the original session tapes that produced Jerry Lee Lewis' 1974 'Southern Roots' LP. Produced by Huey Meaux, a fellow Louisiana wildman, the final results reveal what happens when two fiery, free-spirited forces lock horns in the studio.\r\n
      \r\n
      Meaux had just gotten out of prison and had a reputation you wouldn't want in your family tree. Separately, Meaux and Lewis each spelled trouble in a big way and could be impossible to work with. Together ? God knows what would happen. The results could be an utter disaster or a stroke of genius. As Meaux later observed, "I knew Jerry and I would fight, but in the end we'd come out with the record. We fought, but we delivered".\r\n
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      For three days in September 1973, Jerry Lee Lewis and Huey Meaux went at it, and each other. Listen as Jerry Lee is turned loose in the studio by a producer who didn't try to rein in Jerry's ego. In fact, Meaux did everything he could to feed it. That ego is nowhere more evident than on Jerry's version of the Percy Sledge 1966 hit, When A Man Loves A Woman, which Jerry turns into a sermon on war between the sexes.\r\n
      \r\n
      Jerry and Huey cut mostly southern music soul, country, R&B and a touch of swamp pop. They even included a surprisingly impassioned version of Johnny Ray's 1952 hit record, "Cry".\r\n
      \r\n
      Little did we know that there was supposed to be a second Southern Roots album. Only 10 tracks ever appeared on the LP a scant 34 minutes of music  but we've got it all here, including the music that was scheduled to appear on the second "lost album", all neatly overdubbed and ready for release. We've also got the stuff you were never meant to hear, and there's plenty of it.\r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=BVJFz7m_Oww&list=RDBVJFz7m_Oww&start_radio=1"
    -referenceProduit: "Bear Family 21801"
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        "nom" => "1. Meat Man"
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        "nom" => "Side B :"
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        "nom" => "1. Haunted House"
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        "nom" => "3. The Revolutionary Man"
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        "nom" => "5. That Old Bourbon Street Church"
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      [
        "ordre" => 12
        "nom" => "Side C : "
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      [
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        "nom" => "1. Silver Threads Among The Gold"
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        "nom" => "6. Raining In My Heart"
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        "ordre" => 23
        "nom" => "10. Studio Chatter #8 - Polk Salad Annie"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …}
    -label: Proxies\__CG__\App\Entity\Label {#2257 …}
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    -modifierLe: DateTime @1769591178 {#2250
      date: 2026-01-28 09:06:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2263 …}
    -disponible: null
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    -slug: "vinyles-southern-roots-bear-family-21801"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2474 …}
}

[
  "produit" => App\Entity\Produit {#2271
    -id: 953
    -nom: "Jerry Lee Lewis"
    -informationComplementaire: null
    -description: "The self-titled debut album by American musician and rock & roll pioneer Jerry Lee Lewis was released in 1958 by Sun Record Company. Produced by legends Jack Clement and Sam Phillips, the album features songs written by Lewis and his contemporaries at Sun Records (including Elvis Presley), the traditional “When The Saints Go Marching In”, and Hank Williams’ “Jambalaya”."
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jerry Lee Lewis (piano, lead vocals), Roland Janes (electric guitar), Ray Harris (bass), J.M. Van Eaton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1169 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nxVC_ME5I-g"
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      [
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      ]
      [
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        "nom" => "6. I’ll Be Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …}
    -label: Proxies\__CG__\App\Entity\Label {#2273 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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]

App\Twig\Components\GestionPanierFavoriComponents {#3772
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2706 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2271
    -id: 953
    -nom: "Jerry Lee Lewis"
    -informationComplementaire: null
    -description: "The self-titled debut album by American musician and rock & roll pioneer Jerry Lee Lewis was released in 1958 by Sun Record Company. Produced by legends Jack Clement and Sam Phillips, the album features songs written by Lewis and his contemporaries at Sun Records (including Elvis Presley), the traditional “When The Saints Go Marching In”, and Hank Williams’ “Jambalaya”."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jerry Lee Lewis (piano, lead vocals), Roland Janes (electric guitar), Ray Harris (bass), J.M. Van Eaton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1169 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …}
    -label: Proxies\__CG__\App\Entity\Label {#2273 …}
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    -modifierLe: DateTime @1769590766 {#2269
      date: 2026-01-28 08:59:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2279 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-jerry-lee-lewis-org-music-2052"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2474 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3968
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2474 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3969 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4017 …}
  +isValidated: false
  +validatedFields: []
}