Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2577
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2654
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2657 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
  -formView: Symfony\Component\Form\FormView {#2693 …}
  -form: Symfony\Component\Form\Form {#2843 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 1797
    -nom: "Mingus Ah Um - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: ""
    -description: """
      The Ultimate Version of Landmark 1959 Album : Deluxe Audiophile Set Strictly Limited to 6000 Numbered Copies (Limit Two Per Customer) !\r\n
      \r\n
      "Better Git It in Your Soul" not only serves as the name of the inviting, holler-appointed opening track of Charles Mingus' Mingus Ah Um. It epitomizes the spirit, urgency, freedom, and feel-it-in-your-bones passion of an album that along with Miles Davis' Kind of Blue, Dave Brubeck's Time Out, and John Coltrane's Giant Steps forms the Mount Rushmore of quintessential records from 1959-1960, jazz's watershed graduating class. Indeed, Mingus Ah Um is cited on practically every "greatest" list assembled and enjoys the rare distinction of wearing a prestigious crown in the Penguin Guide to Jazz and membership in the Grammy Hall of Fame. Now, it receives the highest sonic treatment available in the form of a reissue worthy of its preeminent creative stature. \r\n
      \r\n
      Strictly limited to 6000 numbered copies and pressed on MoFi SuperVinyl at RTI, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step collector's edition makes Mingus Ah Um pop with unprecedented vibrancy, command, energy, and scale. The bassist's church-music roots spring to life in the form of blues themes, moaned vocals, spiritual motifs, and preacher-inspired riffs that register with hyper-realistic dimensionality and natural intimacy. Experienced as a seamless whole just as the cigar-chomping composer intended the band enters your listening room, its intertwined assembly of notes, phrases, pauses, shapes, and solos yielding something more music. What you hear here is the formation of aura and atmosphere traditionally only associated with live concerts. Such is the allure of UD1S and MoFi SuperVinyl.\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\r\n
      \r\n
      The lavish packaging and gorgeous presentation of the UD1S Mingus Ah Um pressing also befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the textures.\r\n
      \r\n
      And clearly, Mingus ardently honored and prized the aforementioned aspects on his Columbia Records debut. Witness the unforgettable cover art, a painting by S. Neil Fujita, whose varied hues, abstract geometries, free-base forms, and ornate albeit clean presentation mirrors the seemingly impossible blend of accessibility, complexity, experimentalism, consistency, focus, individualism, and collectivity reflected in every passage of the incredibly diverse album. Or, simply look at the reverence Mingus displays for his ancestors and their contributions to jazz's ongoing conversation and cultural relevance via "Jelly Roll" (for Jelly Roll Morton), "Open Letter to Duke" (for Duke Ellington), and the hallmark ballad "Goodbye Pork Pie Hat" (an homage to Lester Young\r\n
      ).\r\n
      Above all, however, Mingus Ah Um stands as an exuberant tribute to the idea (and blueprint-caliber execution) of fully realized musical frameworks serving as launching pads for expressive interactions, responses, exchanges, and improvisations. At the core, personality, character, invention, and, color remain paramount. Mingus Ah Um acts as an aural representation of a philosophy the artist espoused before and after the recording sessions. In the liner notes to the record's follow-up, and penned shortly after the recording of Mingus Ah Um, he spoke of striving for "primitive, mystic, supra-mind communication" and avoiding the repetition, boredom, apathy, and cliché associated with falling into set patterns and mimicking the approach of recognized giants. In other words, he demanded each member of his band "play himself".\r\n
      \r\n
      Nothing could be truer when you hear in such vivid detail the work of saxophonists John Handy, Shafi Hadi, and Booker Ervin, trombonists Willie Dennis and Jimmy Knepper, pianist Horace Parlan, drummer Dannie Richmond, and the genius bass playing of Mingus himself. The collective's technical acumen be it multi-tone row scales, pedal point rhythmic patterns, traditional chords, melodic moods, harmonic lines, beginning/ending-blurring context, high registers, major and minor thirds (and absence thereof), pivot-point chromatics, diatonic manners, open fifths, and more lingers not only in the mind, but invigorates the senses.\r\n
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Charles Mingus (bass, piano),? John Handy (alto & tenor sax, clarinet), ?Booker Ervin (tenor sax),? Shafi Hadi (tenor & alto sax),? Willie Dennis, Jimmy Knepper (trombone),? Horace Parlan (piano), ?Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yzlWvNbxrho"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S-010"
    -titreMorceau: [
      [
        "nom" => "1. Better Git It in Your Soul"
        "ordre" => 1
      ]
      [
        "nom" => "1. Bird Calls"
        "ordre" => 8
      ]
      [
        "nom" => "1. Boogie Stop Shuffle"
        "ordre" => 4
      ]
      [
        "nom" => "1. Pussy Cat Dues"
        "ordre" => 11
      ]
      [
        "nom" => "2. Fables of Faubus"
        "ordre" => 9
      ]
      [
        "nom" => "2. Goodbye Pork Pie Hat"
        "ordre" => 2
      ]
      [
        "nom" => "2. Jelly Roll"
        "ordre" => 12
      ]
      [
        "nom" => "2. Self-Portrait in Three Colors"
        "ordre" => 5
      ]
      [
        "nom" => "3. Open Letter to Duke"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1580194181 {#1875
      date: 2020-01-28 06:49:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1653485974 {#1868
      date: 2022-05-25 13:39:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mingus-ah-um-ultradisc-one-step-2-lp-45-rpm-box-set-mobile-fidelity-sound-lab-mfsl-45ud1s-010"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3118
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 1797
    -nom: "Mingus Ah Um - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: ""
    -description: """
      The Ultimate Version of Landmark 1959 Album : Deluxe Audiophile Set Strictly Limited to 6000 Numbered Copies (Limit Two Per Customer) !\r\n
      \r\n
      "Better Git It in Your Soul" not only serves as the name of the inviting, holler-appointed opening track of Charles Mingus' Mingus Ah Um. It epitomizes the spirit, urgency, freedom, and feel-it-in-your-bones passion of an album that along with Miles Davis' Kind of Blue, Dave Brubeck's Time Out, and John Coltrane's Giant Steps forms the Mount Rushmore of quintessential records from 1959-1960, jazz's watershed graduating class. Indeed, Mingus Ah Um is cited on practically every "greatest" list assembled and enjoys the rare distinction of wearing a prestigious crown in the Penguin Guide to Jazz and membership in the Grammy Hall of Fame. Now, it receives the highest sonic treatment available in the form of a reissue worthy of its preeminent creative stature. \r\n
      \r\n
      Strictly limited to 6000 numbered copies and pressed on MoFi SuperVinyl at RTI, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step collector's edition makes Mingus Ah Um pop with unprecedented vibrancy, command, energy, and scale. The bassist's church-music roots spring to life in the form of blues themes, moaned vocals, spiritual motifs, and preacher-inspired riffs that register with hyper-realistic dimensionality and natural intimacy. Experienced as a seamless whole just as the cigar-chomping composer intended the band enters your listening room, its intertwined assembly of notes, phrases, pauses, shapes, and solos yielding something more music. What you hear here is the formation of aura and atmosphere traditionally only associated with live concerts. Such is the allure of UD1S and MoFi SuperVinyl.\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\r\n
      \r\n
      The lavish packaging and gorgeous presentation of the UD1S Mingus Ah Um pressing also befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the textures.\r\n
      \r\n
      And clearly, Mingus ardently honored and prized the aforementioned aspects on his Columbia Records debut. Witness the unforgettable cover art, a painting by S. Neil Fujita, whose varied hues, abstract geometries, free-base forms, and ornate albeit clean presentation mirrors the seemingly impossible blend of accessibility, complexity, experimentalism, consistency, focus, individualism, and collectivity reflected in every passage of the incredibly diverse album. Or, simply look at the reverence Mingus displays for his ancestors and their contributions to jazz's ongoing conversation and cultural relevance via "Jelly Roll" (for Jelly Roll Morton), "Open Letter to Duke" (for Duke Ellington), and the hallmark ballad "Goodbye Pork Pie Hat" (an homage to Lester Young\r\n
      ).\r\n
      Above all, however, Mingus Ah Um stands as an exuberant tribute to the idea (and blueprint-caliber execution) of fully realized musical frameworks serving as launching pads for expressive interactions, responses, exchanges, and improvisations. At the core, personality, character, invention, and, color remain paramount. Mingus Ah Um acts as an aural representation of a philosophy the artist espoused before and after the recording sessions. In the liner notes to the record's follow-up, and penned shortly after the recording of Mingus Ah Um, he spoke of striving for "primitive, mystic, supra-mind communication" and avoiding the repetition, boredom, apathy, and cliché associated with falling into set patterns and mimicking the approach of recognized giants. In other words, he demanded each member of his band "play himself".\r\n
      \r\n
      Nothing could be truer when you hear in such vivid detail the work of saxophonists John Handy, Shafi Hadi, and Booker Ervin, trombonists Willie Dennis and Jimmy Knepper, pianist Horace Parlan, drummer Dannie Richmond, and the genius bass playing of Mingus himself. The collective's technical acumen be it multi-tone row scales, pedal point rhythmic patterns, traditional chords, melodic moods, harmonic lines, beginning/ending-blurring context, high registers, major and minor thirds (and absence thereof), pivot-point chromatics, diatonic manners, open fifths, and more lingers not only in the mind, but invigorates the senses.\r\n
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Charles Mingus (bass, piano),? John Handy (alto & tenor sax, clarinet), ?Booker Ervin (tenor sax),? Shafi Hadi (tenor & alto sax),? Willie Dennis, Jimmy Knepper (trombone),? Horace Parlan (piano), ?Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yzlWvNbxrho"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S-010"
    -titreMorceau: [
      [
        "nom" => "1. Better Git It in Your Soul"
        "ordre" => 1
      ]
      [
        "nom" => "1. Bird Calls"
        "ordre" => 8
      ]
      [
        "nom" => "1. Boogie Stop Shuffle"
        "ordre" => 4
      ]
      [
        "nom" => "1. Pussy Cat Dues"
        "ordre" => 11
      ]
      [
        "nom" => "2. Fables of Faubus"
        "ordre" => 9
      ]
      [
        "nom" => "2. Goodbye Pork Pie Hat"
        "ordre" => 2
      ]
      [
        "nom" => "2. Jelly Roll"
        "ordre" => 12
      ]
      [
        "nom" => "2. Self-Portrait in Three Colors"
        "ordre" => 5
      ]
      [
        "nom" => "3. Open Letter to Duke"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1580194181 {#1875
      date: 2020-01-28 06:49:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1653485974 {#1868
      date: 2022-05-25 13:39:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mingus-ah-um-ultradisc-one-step-2-lp-45-rpm-box-set-mobile-fidelity-sound-lab-mfsl-45ud1s-010"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 1966
    -nom: "Blood, Sweat and Tears - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      David Clayton Thomas (lead vocals), Lew Soloff (trumpet, flugelhorn), Jim Fielder (bass), Dick Halligan (organ, piano, flute, trombone, vocals), Steve Katz (guitar, harmonica, vocals & lead vocals), Fred Lipsius (alto saxophone, piano), Chuck Winfield (trumpet, flugelhorn), Jerry Hyman (trombone), Alan Rubin (trumpet), Bobby Colomby (drums, percussion, vocals).\r\n
      \r\n
      Mastered from the Original Master Tapes with Mobile Fidelity's One-Step Process: Blood, Sweat & Tears UD1S 180 gram 45 RPM 2 LP Box Set Is Ultimate Version of 1968 Album !\r\n
      \r\n
      Superb Packaging Includes Opulent Box, Foil-Stamped Jackets, and SuperVinyl LPs : Deluxe Audiophile Pressing Strictly Limited to 6000 Numbered Copies (Limit Two Per Customer) ! \r\n
      \r\n
      James William Guercio-Produced Record Established New Precedents for Musical Fusion : Jazz-Rock Effort Includes "You've Made Me So Very Happy" and "Spinning Wheel" !\r\n
      \r\n
      Don't call it a comeback. Not only did Blood, Sweat & Tears' eponymous album establish new precedents for musical fusion and record production upon release in late 1968, the quadruple platinum set marked a new commercial beginning for a cross-cultural group nearly decimated months earlier when its prominent co-founder, Al Kooper, departed along with two other members. The resultant sophomore effort simply went on to top the charts for seven straight weeks, earn the Grammy Award for Album of the Year, spawn three successive Top 5 singles, and land the group a headlining slot at Woodstock. No wonder its reputation remains golden among listeners, particularly audiophiles, which have never experienced the hybrid fare in more vibrant fashion than on this collectible reissue.\r\n
      \r\n
      Strictly limited to 6000 numbered copies and pressed on MoFi SuperVinyl at RTI, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2LP edition presents Blood, Sweat & Tears with exacting sonics and unsurpassed visuals. Prized for decades for its rainbow of textures, colors, and openness as well as the tonalities, extension, and subtleties associated with the horn section Blood, Sweat & Tears now comes across with multi-dimensional scope and tremendous frequency responsiveness. The collective's genre-bending brass and woodwind instrumentation possess pointillistic details as rich, deep, and complex as a succulent Turkish espresso. Similarly, the originality, sophistication, and melodicism of the songs anchored by Jim Fielder's can-do-anything bass playing emerges with a newfound warmth, realism, and presence that surpass those even on the out-of-print ORG 45 RPM reissue. Such is the allure of UD1S and MoFi SuperVinyl.\r\n
      \r\n
      In addition, the lavish packaging and gorgeous presentation of the UD1S Blood, Sweat & Tears pressing also befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      Speaking of these critical aspects, it remains obvious producer James William Guercio valued them above all else when he manned the boards for the sessions. Working with engineer Roy Halee and the band's sensitive arrangements  including that for the Number Two smash "You've Made Me So Very Happy", co-arranged by Kooper  he helped spin the nonet's melange of classical, jazz, rock, folk, and blues into pop gold. Ignoring any stylistic boundaries, and preceding Chicago's similarly jazz-rock-centric debut by almost four months, the album interrupted formal convention and went against the grain of the era's dominant psychedelia. Along with creative interpretations of tunes by Traffic, Laura Nyro, and more, and fearless interplay of horns and keyboards, a key to the effort's mega-success and sterling reputation remains the vocals of David Clayton-Thomas.\r\n
      \r\n
      Reportedly discovered by Judy Collins, Clayton-Thomas brings a soulfulness and drama to the palette absent from the first album. His baritone emerges front and center on the country-leaning "And When I Die" and syncopated "Smiling Phases". The singer's multifaceted ability complements his colleagues deft approaches to tempo, transition, and tension, with solos dovetailing with jazz-derived segues to produce music that's at once elaborate, eclectic, and accessible never better represented than on the thrice Grammy-nominated "Spinning Wheel", a sly takedown of the LSD-addled era that ends with an Austrian tune from 1815 added at the last minute by Guercio to correct a mistake a one-off error on a set that seemingly has none other.\r\n
      \r\n
      Indeed, the most enduring appeal of Blood, Sweat & Tears pertains to the cohesive performances of a group that blazed its own trail. To focus on the playing of trumpeters / flugelhornists Lew Soloff and Chuck Winfield, drummer Bobby Colomby, organist Dick Halligan, guitarist Steve Katz, alto saxophonist Fred Lipsius, trombonist Jerry Hyman, and the aforementioned Clayton-Thomas and Fielder (many of whom also played auxiliary instruments) is to experience one of pop music's remarkable adventures.\r\n
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "David Clayton Thomas (lead vocals), Lew Soloff (trumpet, flugelhorn), Jim Fielder (bass), Dick Halligan (organ, piano, flute, trombone, vocals), Steve Katz (guitar, harmonica, vocals & lead vocals), Fred Lipsius (alto saxophone, piano)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GreaN1ljqGY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S 016"
    -titreMorceau: [
      [
        "nom" => "1. Variations on a Theme by Erik Satie (1st and 2nd Movements)"
        "ordre" => 0
      ]
      [
        "nom" => "10. Variations on a Theme by Erik Satie (1st Movement)"
        "ordre" => 9
      ]
      [
        "nom" => "2. Smiling Phases"
        "ordre" => 1
      ]
      [
        "nom" => "3. Sometimes in Winter"
        "ordre" => 2
      ]
      [
        "nom" => "4. More and More"
        "ordre" => 3
      ]
      [
        "nom" => "5. And When I Die"
        "ordre" => 4
      ]
      [
        "nom" => "6. God Bless the Child"
        "ordre" => 5
      ]
      [
        "nom" => "7. Spinning Wheel"
        "ordre" => 6
      ]
      [
        "nom" => "8. You've Made Me So Very Happy"
        "ordre" => 7
      ]
      [
        "nom" => "9. Blues – Part II"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
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    -modifierLe: DateTime @1653484525 {#2042
      date: 2022-05-25 13:15:25.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3232
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
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  +produit: App\Entity\Produit {#2044
    -id: 1966
    -nom: "Blood, Sweat and Tears - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      David Clayton Thomas (lead vocals), Lew Soloff (trumpet, flugelhorn), Jim Fielder (bass), Dick Halligan (organ, piano, flute, trombone, vocals), Steve Katz (guitar, harmonica, vocals & lead vocals), Fred Lipsius (alto saxophone, piano), Chuck Winfield (trumpet, flugelhorn), Jerry Hyman (trombone), Alan Rubin (trumpet), Bobby Colomby (drums, percussion, vocals).\r\n
      \r\n
      Mastered from the Original Master Tapes with Mobile Fidelity's One-Step Process: Blood, Sweat & Tears UD1S 180 gram 45 RPM 2 LP Box Set Is Ultimate Version of 1968 Album !\r\n
      \r\n
      Superb Packaging Includes Opulent Box, Foil-Stamped Jackets, and SuperVinyl LPs : Deluxe Audiophile Pressing Strictly Limited to 6000 Numbered Copies (Limit Two Per Customer) ! \r\n
      \r\n
      James William Guercio-Produced Record Established New Precedents for Musical Fusion : Jazz-Rock Effort Includes "You've Made Me So Very Happy" and "Spinning Wheel" !\r\n
      \r\n
      Don't call it a comeback. Not only did Blood, Sweat & Tears' eponymous album establish new precedents for musical fusion and record production upon release in late 1968, the quadruple platinum set marked a new commercial beginning for a cross-cultural group nearly decimated months earlier when its prominent co-founder, Al Kooper, departed along with two other members. The resultant sophomore effort simply went on to top the charts for seven straight weeks, earn the Grammy Award for Album of the Year, spawn three successive Top 5 singles, and land the group a headlining slot at Woodstock. No wonder its reputation remains golden among listeners, particularly audiophiles, which have never experienced the hybrid fare in more vibrant fashion than on this collectible reissue.\r\n
      \r\n
      Strictly limited to 6000 numbered copies and pressed on MoFi SuperVinyl at RTI, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2LP edition presents Blood, Sweat & Tears with exacting sonics and unsurpassed visuals. Prized for decades for its rainbow of textures, colors, and openness as well as the tonalities, extension, and subtleties associated with the horn section Blood, Sweat & Tears now comes across with multi-dimensional scope and tremendous frequency responsiveness. The collective's genre-bending brass and woodwind instrumentation possess pointillistic details as rich, deep, and complex as a succulent Turkish espresso. Similarly, the originality, sophistication, and melodicism of the songs anchored by Jim Fielder's can-do-anything bass playing emerges with a newfound warmth, realism, and presence that surpass those even on the out-of-print ORG 45 RPM reissue. Such is the allure of UD1S and MoFi SuperVinyl.\r\n
      \r\n
      In addition, the lavish packaging and gorgeous presentation of the UD1S Blood, Sweat & Tears pressing also befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      Speaking of these critical aspects, it remains obvious producer James William Guercio valued them above all else when he manned the boards for the sessions. Working with engineer Roy Halee and the band's sensitive arrangements  including that for the Number Two smash "You've Made Me So Very Happy", co-arranged by Kooper  he helped spin the nonet's melange of classical, jazz, rock, folk, and blues into pop gold. Ignoring any stylistic boundaries, and preceding Chicago's similarly jazz-rock-centric debut by almost four months, the album interrupted formal convention and went against the grain of the era's dominant psychedelia. Along with creative interpretations of tunes by Traffic, Laura Nyro, and more, and fearless interplay of horns and keyboards, a key to the effort's mega-success and sterling reputation remains the vocals of David Clayton-Thomas.\r\n
      \r\n
      Reportedly discovered by Judy Collins, Clayton-Thomas brings a soulfulness and drama to the palette absent from the first album. His baritone emerges front and center on the country-leaning "And When I Die" and syncopated "Smiling Phases". The singer's multifaceted ability complements his colleagues deft approaches to tempo, transition, and tension, with solos dovetailing with jazz-derived segues to produce music that's at once elaborate, eclectic, and accessible never better represented than on the thrice Grammy-nominated "Spinning Wheel", a sly takedown of the LSD-addled era that ends with an Austrian tune from 1815 added at the last minute by Guercio to correct a mistake a one-off error on a set that seemingly has none other.\r\n
      \r\n
      Indeed, the most enduring appeal of Blood, Sweat & Tears pertains to the cohesive performances of a group that blazed its own trail. To focus on the playing of trumpeters / flugelhornists Lew Soloff and Chuck Winfield, drummer Bobby Colomby, organist Dick Halligan, guitarist Steve Katz, alto saxophonist Fred Lipsius, trombonist Jerry Hyman, and the aforementioned Clayton-Thomas and Fielder (many of whom also played auxiliary instruments) is to experience one of pop music's remarkable adventures.\r\n
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "David Clayton Thomas (lead vocals), Lew Soloff (trumpet, flugelhorn), Jim Fielder (bass), Dick Halligan (organ, piano, flute, trombone, vocals), Steve Katz (guitar, harmonica, vocals & lead vocals), Fred Lipsius (alto saxophone, piano)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GreaN1ljqGY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S 016"
    -titreMorceau: [
      [
        "nom" => "1. Variations on a Theme by Erik Satie (1st and 2nd Movements)"
        "ordre" => 0
      ]
      [
        "nom" => "10. Variations on a Theme by Erik Satie (1st Movement)"
        "ordre" => 9
      ]
      [
        "nom" => "2. Smiling Phases"
        "ordre" => 1
      ]
      [
        "nom" => "3. Sometimes in Winter"
        "ordre" => 2
      ]
      [
        "nom" => "4. More and More"
        "ordre" => 3
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        "nom" => "5. And When I Die"
        "ordre" => 4
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      [
        "nom" => "6. God Bless the Child"
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      [
        "nom" => "7. Spinning Wheel"
        "ordre" => 6
      ]
      [
        "nom" => "8. You've Made Me So Very Happy"
        "ordre" => 7
      ]
      [
        "nom" => "9. Blues – Part II"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
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[
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    -id: 991
    -nom: "Coltrane Plays The Blues "
    -informationComplementaire: ""
    -description: """
      Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at Gotta Groove !\r\n
      \r\n
      Numbered Deluxe Laminated Gatefold Jackets !\r\n
      \r\n
      Only 2500 Numbered Limited Edition Copies Worldwide !\r\n
      \r\n
      John Coltrane returns to his roots using the Blues to explore the boundaries of Jazz! Features McCoy Tyner, Steve Davis and Elvin Jones! Recorded in 1960 during the My Favorite Things sessions, Coltrane Plays The Blues features "Blues To Bechet", "Blues To Elvin" and "Blues To You" in addition to three other tracks. \r\n
      \r\n
      "Coltrane's sessions for Atlantic in late October 1960 were prolific, yielding the material for My Favorite Things, Coltrane Plays the Blues, and Coltrane's Sound. My Favorite Things was destined to be the most remembered and influential of these, and while Coltrane Plays the Blues is not as renowned or daring in material, it is still a powerful session. As for the phrase "plays the blues" in the title, that's not an indicator that the tunes are conventional blues (they aren't). It's more indicative of a bluesy sensibility, whether he is playing muscular saxophone or, on "Blues to Bechet" and "Mr. Syms," the more unusual sounding (at the time) soprano sax. Elvin Jones, who hadn't been in Coltrane's band long, really busts out on the quicker numbers, such as "Blues to You" and "Mr. Day". - Richie Unterberger, www.allmusic.com \r\n
      \r\n
      "The Coltrane Quartet, three-fourths complete at the time of this recording, had begun its historic rise and had also turned the corner in Coltrane's music, transitioning from the expressive verticality of Giant Steps to the more elongated, long-limbed lyricism that would define his role in the avant-garde. It can come as no surprise that to do so, he engaged the material he'd known longest and best - the blues". - Neil Tesser, author of The Playboy Guide To Jazz 
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1851 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), McCoy Tyner (piano), Steve Davis (bass), Elvin Jones (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OYitm3eJqi8"
    -referenceProduit: "ORG 0195-45"
    -titreMorceau: [
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        "nom" => "1. Blues to Bechet "
        "ordre" => 3
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        "nom" => "1. Blues to Elvin "
        "ordre" => 1
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        "nom" => "1. Mr. Day "
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        "nom" => "1. Mr. Syms "
        "ordre" => 8
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      [
        "nom" => "2. Blues to You "
        "ordre" => 4
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        "nom" => "2. Mr. Knight"
        "ordre" => 9
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      [
        "nom" => "Side A :"
        "ordre" => 0
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        "ordre" => 5
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      [
        "nom" => "Side D : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
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      date: 2022-05-05 06:24:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
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    -slug: "vinyles-coltrane-plays-the-blues-org-0195-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3283
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2064
    -id: 991
    -nom: "Coltrane Plays The Blues "
    -informationComplementaire: ""
    -description: """
      Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at Gotta Groove !\r\n
      \r\n
      Numbered Deluxe Laminated Gatefold Jackets !\r\n
      \r\n
      Only 2500 Numbered Limited Edition Copies Worldwide !\r\n
      \r\n
      John Coltrane returns to his roots using the Blues to explore the boundaries of Jazz! Features McCoy Tyner, Steve Davis and Elvin Jones! Recorded in 1960 during the My Favorite Things sessions, Coltrane Plays The Blues features "Blues To Bechet", "Blues To Elvin" and "Blues To You" in addition to three other tracks. \r\n
      \r\n
      "Coltrane's sessions for Atlantic in late October 1960 were prolific, yielding the material for My Favorite Things, Coltrane Plays the Blues, and Coltrane's Sound. My Favorite Things was destined to be the most remembered and influential of these, and while Coltrane Plays the Blues is not as renowned or daring in material, it is still a powerful session. As for the phrase "plays the blues" in the title, that's not an indicator that the tunes are conventional blues (they aren't). It's more indicative of a bluesy sensibility, whether he is playing muscular saxophone or, on "Blues to Bechet" and "Mr. Syms," the more unusual sounding (at the time) soprano sax. Elvin Jones, who hadn't been in Coltrane's band long, really busts out on the quicker numbers, such as "Blues to You" and "Mr. Day". - Richie Unterberger, www.allmusic.com \r\n
      \r\n
      "The Coltrane Quartet, three-fourths complete at the time of this recording, had begun its historic rise and had also turned the corner in Coltrane's music, transitioning from the expressive verticality of Giant Steps to the more elongated, long-limbed lyricism that would define his role in the avant-garde. It can come as no surprise that to do so, he engaged the material he'd known longest and best - the blues". - Neil Tesser, author of The Playboy Guide To Jazz 
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1851 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), McCoy Tyner (piano), Steve Davis (bass), Elvin Jones (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=OYitm3eJqi8"
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        "ordre" => 9
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      [
        "nom" => "Side A :"
        "ordre" => 0
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        "ordre" => 2
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        "ordre" => 5
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        "nom" => "Side D : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …}
    -enregistreLe: DateTime @1470375930 {#2057
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    }
    -modifierLe: DateTime @1651731843 {#2058
      date: 2022-05-05 06:24:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-coltrane-plays-the-blues-org-0195-45"
  }
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}

[
  "produit" => App\Entity\Produit {#2083
    -id: 2036
    -nom: ""Live" At The Village Vanguard"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Sax virtuoso John Coltrane "Live" at the Village Vanguard (Impulse ! AS-10), was Trane's first official "live" album. Coltrane is joined here on two tunes by the wonderful Eric Dolphy on bass clarinet, plus veteran sidemen McCoy Tyner on piano, Elvin Jones on drums, and Jimmy Garrison & Reggie Workman alternating on bass (both play together on "India", one of three tracks from the same sessions added here as a bonus). Right after the Village dates, Trane and Dolphy would embark on a successful European tour.\r\n
      \r\n
      Recorded live at the Village Vanguard, New York, November 2 & 3, 1961\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Eric Dolphy (bass clarinet), McCoy Tyner (piano), Reggie Workman, Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=bFMRQcxjP2Q"
    -referenceProduit: "Acoustic Sounds Series 78201"
    -titreMorceau: [
      [
        "nom" => "1. Chasin' The Trane"
        "ordre" => 4
      ]
      [
        "nom" => "1.Spiritual "
        "ordre" => 1
      ]
      [
        "nom" => "2. Softly As In A Morning Sunrise"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
    -label: Proxies\__CG__\App\Entity\Label {#2085 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2089 …}
    -enregistreLe: DateTime @1620988638 {#2080
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    }
    -modifierLe: DateTime @1643011665 {#2081
      date: 2022-01-24 08:07:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-live-at-the-village-vanguard-acoustic-sounds-series-78201"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3336
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2083
    -id: 2036
    -nom: ""Live" At The Village Vanguard"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Sax virtuoso John Coltrane "Live" at the Village Vanguard (Impulse ! AS-10), was Trane's first official "live" album. Coltrane is joined here on two tunes by the wonderful Eric Dolphy on bass clarinet, plus veteran sidemen McCoy Tyner on piano, Elvin Jones on drums, and Jimmy Garrison & Reggie Workman alternating on bass (both play together on "India", one of three tracks from the same sessions added here as a bonus). Right after the Village dates, Trane and Dolphy would embark on a successful European tour.\r\n
      \r\n
      Recorded live at the Village Vanguard, New York, November 2 & 3, 1961\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Eric Dolphy (bass clarinet), McCoy Tyner (piano), Reggie Workman, Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=bFMRQcxjP2Q"
    -referenceProduit: "Acoustic Sounds Series 78201"
    -titreMorceau: [
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        "ordre" => 4
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      [
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      [
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        "ordre" => 0
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      [
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        "ordre" => 3
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
    -label: Proxies\__CG__\App\Entity\Label {#2085 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2094 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2087 …}
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    }
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      date: 2022-01-24 08:07:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2091 …}
    -disponible: null
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    -slug: "vinyles-live-at-the-village-vanguard-acoustic-sounds-series-78201"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2099
    -id: 2029
    -nom: "Crescent"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Released in 1964, Crescent is one of sax master John Coltrane's finest albums, featuring the talents of McCoy Tyner, Jimmy Garrison and Elvin Jones. During 1964 John Coltrane spent the least amount of time in the recording studio of his entire solo career. It wasn't until April 27 that ‘Trane, along with Tyner, Garrison and Jones went to the familiar surroundings of Rudy Van Gelder's Englewood Cliff's studio to begin work on the album that came to be called, Crescent.\r\n
      \r\n
      They recorded all the tracks that appear on Crescent, along with "Songs Of Praise", but not the final versions of the album's five tracks. From that first day's recording the ones that make the final cut are, "Lonnie's Lament", "The Drum Thing" and "Wise One". The first two of these three tracks make up all of side two of the album and on "Lonnie's Lament" Coltrane does not solo at all, instead it features a long bass solo by Garrison.\r\n
      \r\n
      Garrison's widow recalled that this album along with A Love Supreme, which was released a year later in 1965, were the two that her husband listened to the most.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Jimmy Garrison (bass),  McCoy Tyner (piano), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3z6Fo61Ts_k"
    -referenceProduit: "Acoustic Sounds Series 78301"
    -titreMorceau: [
      [
        "nom" => "1. Crescent "
        "ordre" => 1
      ]
      [
        "nom" => "1. Lonnie's Lament "
        "ordre" => 5
      ]
      [
        "nom" => "2. The Drum Thing"
        "ordre" => 6
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      [
        "nom" => "2. Wise One "
        "ordre" => 2
      ]
      [
        "nom" => "3. Bessie's Blues"
        "ordre" => 3
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      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
    -label: Proxies\__CG__\App\Entity\Label {#2085 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
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      date: 2022-01-24 08:07:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
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    -slug: "vinyles-crescent-acoustic-sounds-series-78301"
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3384
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2099
    -id: 2029
    -nom: "Crescent"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Released in 1964, Crescent is one of sax master John Coltrane's finest albums, featuring the talents of McCoy Tyner, Jimmy Garrison and Elvin Jones. During 1964 John Coltrane spent the least amount of time in the recording studio of his entire solo career. It wasn't until April 27 that ‘Trane, along with Tyner, Garrison and Jones went to the familiar surroundings of Rudy Van Gelder's Englewood Cliff's studio to begin work on the album that came to be called, Crescent.\r\n
      \r\n
      They recorded all the tracks that appear on Crescent, along with "Songs Of Praise", but not the final versions of the album's five tracks. From that first day's recording the ones that make the final cut are, "Lonnie's Lament", "The Drum Thing" and "Wise One". The first two of these three tracks make up all of side two of the album and on "Lonnie's Lament" Coltrane does not solo at all, instead it features a long bass solo by Garrison.\r\n
      \r\n
      Garrison's widow recalled that this album along with A Love Supreme, which was released a year later in 1965, were the two that her husband listened to the most.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Jimmy Garrison (bass),  McCoy Tyner (piano), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3z6Fo61Ts_k"
    -referenceProduit: "Acoustic Sounds Series 78301"
    -titreMorceau: [
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        "nom" => "1. Crescent "
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      [
        "nom" => "1. Lonnie's Lament "
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      [
        "nom" => "2. The Drum Thing"
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      [
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        "nom" => "Side A : "
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        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
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    -modifierLe: DateTime @1643011628 {#2097
      date: 2022-01-24 08:07:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-crescent-acoustic-sounds-series-78301"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2112
    -id: 1990
    -nom: "Music, Message and the Moment"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      John Coltrane, Max Roach, Quincy Jones, Elvin Jones, Jimmy Garrison, Charles Mingus, Shirley Scott, Yusef Lateef, Archie Shepp, Stanley Turrentine, Earl Hines, Oliver Nelson, Pharoah Sanders, The Ahmad Jamal Trio, Albert Ayler, Charlie Haden, Alice Coltrane, Michael White, Dewey Redman, Marion Brown, John Handy\r\n
      \r\n
      Deluxe Vinyl 4 LP Box Set Celebrating Impulse ! Records' Vital First Decade; Housed in a Museum Drop-Front Box Set with Magazine Style Booklet and Vinyl Slip Mat\r\n
      \r\n
      2021 marks the 60th anniversary of the legendary jazz label, Impulse ! Records home to such pioneering jazz artists as John Coltrane, Charles Mingus, Pharoah Sanders, Quincy Jones, and more. As a centerpiece to its year-long celebrations, the imprint takes a look back at its first decade with the release of Impulse Records : Music, Message & The Moment a deluxe vinyl 4 LP box set. Housed in a museum drop-front box set, Impulse Records : Music, Message & The Moment speaks to the political, social, and spiritual elements that were omnipresent in the 60s when Impulse ! and its artists were at their creative heights. In a decade marked by protests, racial and social unrest, and the dismantling of institutions, jazz was an integral part of exploring Black identity and pushing cultural and political boundaries. \r\n
      \r\n
      Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse ! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era's velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even  from swing and bebop, to free and Afrofuturist.\r\n
      \r\n
      The performances on Impulse Records: Music, Message & the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance : the promise still deferred, the message still on time. The collection highlights musical conversations about civil rights echoed in such albums as John Coltrane's Alabama, Archie Shepp's Attica Blues, John and Alice Coltrane's Reverend King, Charlie Haden and the Liberation Orchestra's We Shall Overcome, and Oliver Nelson's The Rights Of All. It also focuses on themes of spirituality, transcendentalism, and Afrofuturism through the music of Albert Ayler, Pharoah Sanders, John Coltrane, and Alice Coltrane. The historical importance of social music, meanwhile, is reflected in works by artists like Quincy Jones and John Handy.\r\n
      \r\n
      Rounding out the collection are essays by poet and critic A.B. Spellman "In many ways, this collection is a mural in sound of the activist's stimulation of the Sixties and Seventies... we need this scope of sound again : We need the horns to scream of stout resistance, and we need the bands to sing to us of the righteous beauty of our souls" and critic Greg Tate "A collection celebrating Impulse's deep-digging support of artists who scored We The People's SingFight-ing for social political and artists' self-determination in a critical time of beatdowns, breakthroughs and cosmically-centered aspirations", both of whom offer vital perspectives on the importance of Impulse !, its artists, and its music particularly within the cultural backdrop of the 60s.\r\n
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "John Coltrane, Max Roach, Quincy Jones, Elvin Jones, Jimmy Garrison, Charles Mingus, Shirley Scott, Yusef Lateef, Archie Shepp, Stanley Turrentine, Earl Hines, Oliver Nelson, Pharoah Sanders, The Ahmad Jamal Trio, Albert Ayler, Charlie Haden…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eWjhgz8bm1Q"
    -referenceProduit: "Impulse Records 71871"
    -titreMorceau: [
      [
        "nom" => "1. Africa / The John Coltrane Quartet"
        "ordre" => 1
      ]
      [
        "nom" => "1. Alabama / John Coltrane "
        "ordre" => 8
      ]
      [
        "nom" => "1. Blue Nile / Alice Coltrane"
        "ordre" => 25
      ]
      [
        "nom" => "1. Garvey's Ghost / Max Roach "
        "ordre" => 3
      ]
      [
        "nom" => "1. Imani / Dewey Redman "
        "ordre" => 30
      ]
      [
        "nom" => "1. Malcolm, Malcolm - Semper Malcolm / Archie Shepp"
        "ordre" => 13
      ]
      [
        "nom" => "1. The Awakening / The Ahmad Jamal Trio"
        "ordre" => 21
      ]
      [
        "nom" => "1. The Creator Has a Master Plan (edit) / Pharoah Sanders "
        "ordre" => 18
      ]
      [
        "nom" => "2. Astral Traveling / Pharoah Sanders"
        "ordre" => 26
      ]
      [
        "nom" => "2. Better Get Hit in Yo' Soul / Charles Mingus "
        "ordre" => 9
      ]
      [
        "nom" => "2. Bismillahi 'Rrahmani 'Rrahim / Marion Brown"
        "ordre" => 31
      ]
      [
        "nom" => "2. Good Lookin' Out / Stanley Turrentine"
        "ordre" => 14
      ]
      [
        "nom" => "2. Hard Sock Dance / Quincy Jones and his Orchestra"
        "ordre" => 4
      ]
      [
        "nom" => "2. Music Is the Healing Force of the Universe / Albert Ayler"
        "ordre" => 22
      ]
      [
        "nom" => "2. Reverend King / John Coltrane & Alice Coltrane"
        "ordre" => 19
      ]
      [
        "nom" => "3. Black and Tan Fantasy / Earl Hines "
        "ordre" => 15
      ]
      [
        "nom" => "3. Blues for Brother George Jackson / Archie Shepp "
        "ordre" => 27
      ]
      [
        "nom" => "3. Freedom Dance / Shirley Scott Trio"
        "ordre" => 10
      ]
      [
        "nom" => "3. Hard Work / John Handy "
        "ordre" => 32
      ]
      [
        "nom" => "3. Up 'Gainst the Wall / John Coltrane"
        "ordre" => 5
      ]
      [
        "nom" => "3. We Shall Overcome / Charlie Haden"
        "ordre" => 23
      ]
      [
        "nom" => "4. Just Us Blues / Elvin Jones / Jimmy Garrison Sextet"
        "ordre" => 6
      ]
      [
        "nom" => "4. Lament (Mankind) / Michael White"
        "ordre" => 28
      ]
      [
        "nom" => "4. Sister Mamie / Yusef Lateef "
        "ordre" => 11
      ]
      [
        "nom" => "4. The Rights of All / Oliver Nelson "
        "ordre" => 16
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "Side E : "
        "ordre" => 17
      ]
      [
        "nom" => "Side F : "
        "ordre" => 20
      ]
      [
        "nom" => "Side G : "
        "ordre" => 24
      ]
      [
        "nom" => "Side H : "
        "ordre" => 29
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2114 …}
    -label: Proxies\__CG__\App\Entity\Label {#2117 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2126 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2119 …}
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      date: 2021-03-07 08:16:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1641112256 {#2110
      date: 2022-01-02 08:30:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2123 …}
    -disponible: null
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    -slug: "vinyles-music-message-and-the-moment-impulse-records-71871"
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App\Twig\Components\GestionPanierFavoriComponents {#3430
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2112
    -id: 1990
    -nom: "Music, Message and the Moment"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      John Coltrane, Max Roach, Quincy Jones, Elvin Jones, Jimmy Garrison, Charles Mingus, Shirley Scott, Yusef Lateef, Archie Shepp, Stanley Turrentine, Earl Hines, Oliver Nelson, Pharoah Sanders, The Ahmad Jamal Trio, Albert Ayler, Charlie Haden, Alice Coltrane, Michael White, Dewey Redman, Marion Brown, John Handy\r\n
      \r\n
      Deluxe Vinyl 4 LP Box Set Celebrating Impulse ! Records' Vital First Decade; Housed in a Museum Drop-Front Box Set with Magazine Style Booklet and Vinyl Slip Mat\r\n
      \r\n
      2021 marks the 60th anniversary of the legendary jazz label, Impulse ! Records home to such pioneering jazz artists as John Coltrane, Charles Mingus, Pharoah Sanders, Quincy Jones, and more. As a centerpiece to its year-long celebrations, the imprint takes a look back at its first decade with the release of Impulse Records : Music, Message & The Moment a deluxe vinyl 4 LP box set. Housed in a museum drop-front box set, Impulse Records : Music, Message & The Moment speaks to the political, social, and spiritual elements that were omnipresent in the 60s when Impulse ! and its artists were at their creative heights. In a decade marked by protests, racial and social unrest, and the dismantling of institutions, jazz was an integral part of exploring Black identity and pushing cultural and political boundaries. \r\n
      \r\n
      Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse ! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era's velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even  from swing and bebop, to free and Afrofuturist.\r\n
      \r\n
      The performances on Impulse Records: Music, Message & the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance : the promise still deferred, the message still on time. The collection highlights musical conversations about civil rights echoed in such albums as John Coltrane's Alabama, Archie Shepp's Attica Blues, John and Alice Coltrane's Reverend King, Charlie Haden and the Liberation Orchestra's We Shall Overcome, and Oliver Nelson's The Rights Of All. It also focuses on themes of spirituality, transcendentalism, and Afrofuturism through the music of Albert Ayler, Pharoah Sanders, John Coltrane, and Alice Coltrane. The historical importance of social music, meanwhile, is reflected in works by artists like Quincy Jones and John Handy.\r\n
      \r\n
      Rounding out the collection are essays by poet and critic A.B. Spellman "In many ways, this collection is a mural in sound of the activist's stimulation of the Sixties and Seventies... we need this scope of sound again : We need the horns to scream of stout resistance, and we need the bands to sing to us of the righteous beauty of our souls" and critic Greg Tate "A collection celebrating Impulse's deep-digging support of artists who scored We The People's SingFight-ing for social political and artists' self-determination in a critical time of beatdowns, breakthroughs and cosmically-centered aspirations", both of whom offer vital perspectives on the importance of Impulse !, its artists, and its music particularly within the cultural backdrop of the 60s.\r\n
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "John Coltrane, Max Roach, Quincy Jones, Elvin Jones, Jimmy Garrison, Charles Mingus, Shirley Scott, Yusef Lateef, Archie Shepp, Stanley Turrentine, Earl Hines, Oliver Nelson, Pharoah Sanders, The Ahmad Jamal Trio, Albert Ayler, Charlie Haden…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eWjhgz8bm1Q"
    -referenceProduit: "Impulse Records 71871"
    -titreMorceau: [
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        "nom" => "1. Africa / The John Coltrane Quartet"
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        "nom" => "1. Alabama / John Coltrane "
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      [
        "nom" => "1. Blue Nile / Alice Coltrane"
        "ordre" => 25
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        "nom" => "1. Garvey's Ghost / Max Roach "
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      [
        "nom" => "1. Imani / Dewey Redman "
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      [
        "nom" => "1. Malcolm, Malcolm - Semper Malcolm / Archie Shepp"
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        "nom" => "1. The Creator Has a Master Plan (edit) / Pharoah Sanders "
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        "nom" => "2. Hard Sock Dance / Quincy Jones and his Orchestra"
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        "ordre" => 22
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      [
        "nom" => "2. Reverend King / John Coltrane & Alice Coltrane"
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      [
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2114 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2131
    -id: 2134
    -nom: "First Flight To Tokyo : The Lost 1961 Recordings"
    -informationComplementaire: ""
    -description: """
      First Flight To Tokyo : The Lost 1961 Recordings is a thrilling previously unreleased live recording of Art Blakey & The Jazz Messengers captured at Hibiya Public Hall in Tokyo on January 4, 1961 during the band's first-ever tour of Japan. The Jazz Messengers were among the first modern jazz groups to tour the country, and adoring Japanese audiences were enthralled by one of the band's all-time great line-ups featuring the legendary drummer with Lee Morgan on trumpet, Wayne Shorter on tenor saxophone, Bobby Timmons on piano, and Jymie Merritt on bass. The concert featured soaring performances of well-known jazz staples including Charlie Parker's "Now's The Time", Thelonious Monk's "Round About Midnight" and Jazz Messenger hits including "Blues March", "Dat Dere"" and "Moanin'".\r\n
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      \r\n
      Audio was newly transferred from the original 1/4" tape reels, and the vinyl edition was mastered by Bernie Grundman and pressed on 180 gram vinyl at RTI.\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass), Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=CidPZqDqSE4"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
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    -modifierLe: DateTime @1641111846 {#2129
      date: 2022-01-02 08:24:06.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …}
    -disponible: null
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    -slug: "vinyles-first-flight-to-tokyo-the-lost-1961-recordings-blue-note-records-72801"
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App\Twig\Components\GestionPanierFavoriComponents {#3481
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2131
    -id: 2134
    -nom: "First Flight To Tokyo : The Lost 1961 Recordings"
    -informationComplementaire: ""
    -description: """
      First Flight To Tokyo : The Lost 1961 Recordings is a thrilling previously unreleased live recording of Art Blakey & The Jazz Messengers captured at Hibiya Public Hall in Tokyo on January 4, 1961 during the band's first-ever tour of Japan. The Jazz Messengers were among the first modern jazz groups to tour the country, and adoring Japanese audiences were enthralled by one of the band's all-time great line-ups featuring the legendary drummer with Lee Morgan on trumpet, Wayne Shorter on tenor saxophone, Bobby Timmons on piano, and Jymie Merritt on bass. The concert featured soaring performances of well-known jazz staples including Charlie Parker's "Now's The Time", Thelonious Monk's "Round About Midnight" and Jazz Messenger hits including "Blues March", "Dat Dere"" and "Moanin'".\r\n
      \r\n
      First Flight To Tokyo was co-produced by Zev Feldman and David Weiss. The deluxe 2 LP vinyl edition comes with an elaborate booklet featuring rare photos by Japanese photographers Shunji Okura and Hozumi Nakadaira; a historical essay by acclaimed jazz critic Bob Blumenthal; plus new interviews with Wayne Shorter in conversation with Blue Note president Don Was, celebrated saxophonist Lou Donaldson, Japanese jazz star Sadao Watanabe, renowned Japanese music critic Reiko Yukawa, Blakey's son Takashi Blakey, and a trio of drum greats: Louis Hayes, Billy Hart, and Cindy Blackman Santana.\r\n
      \r\n
      Audio was newly transferred from the original 1/4" tape reels, and the vinyl edition was mastered by Bernie Grundman and pressed on 180 gram vinyl at RTI.\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass), Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
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    -modifierLe: DateTime @1641111846 {#2129
      date: 2022-01-02 08:24:06.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2152
    -id: 2047
    -nom: " Careless Love  (Deluxe Edition)"
    -informationComplementaire: ""
    -description: """
      Careless Love (Deluxe Edition) 3 LP set !\r\n
      \r\n
      Includes the previously unreleased 2005 live set, recorded for the Festival de Jazz de Vitoria-Gasteiz !\r\n
      \r\n
      Careless Love, first released in 2004, is a rich collection of covers, with tunes from Bob Dylan to James P. Johnson and including a milestone rendition of Leonard Cohen's "Dance Me to the End of Love". Featuring the original, "Don't Wait Too Long" co-written by Jesse Harris & Larry Klein. With more than a half-a-million albums sold, it shifted Peyroux from the jazz realm into the mainstream arena and remains her most popular release. Deluxe Edition includes the previously unreleased 2005 live set, recorded by Basque Public Radio for the Festival de Jazz de Vitoria-Gasteiz in Spain.\r\n
      \r\n
      Madeleine performs the repertoire from Careless Love, plus additional bonus songs\r\n
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Madeleine Peyroux (acoustic guitar, vocals), David Piltch (bass),  Dean Parks (guitar), Larry Goldings (piano, organ Hammond, celesta), Jay Bellerose (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
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    -extraitYoutube: "https://www.youtube.com/watch?v=w8YuzBt13D0"
    -referenceProduit: "Craft Recordings 0285"
    -titreMorceau: [
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        "ordre" => 32
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        "nom" => "4. No More "
        "ordre" => 24
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        "ordre" => 19
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      [
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      [
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      [
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      [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3532
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2152
    -id: 2047
    -nom: " Careless Love  (Deluxe Edition)"
    -informationComplementaire: ""
    -description: """
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      Includes the previously unreleased 2005 live set, recorded for the Festival de Jazz de Vitoria-Gasteiz !\r\n
      \r\n
      Careless Love, first released in 2004, is a rich collection of covers, with tunes from Bob Dylan to James P. Johnson and including a milestone rendition of Leonard Cohen's "Dance Me to the End of Love". Featuring the original, "Don't Wait Too Long" co-written by Jesse Harris & Larry Klein. With more than a half-a-million albums sold, it shifted Peyroux from the jazz realm into the mainstream arena and remains her most popular release. Deluxe Edition includes the previously unreleased 2005 live set, recorded by Basque Public Radio for the Festival de Jazz de Vitoria-Gasteiz in Spain.\r\n
      \r\n
      Madeleine performs the repertoire from Careless Love, plus additional bonus songs\r\n
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Madeleine Peyroux (acoustic guitar, vocals), David Piltch (bass),  Dean Parks (guitar), Larry Goldings (piano, organ Hammond, celesta), Jay Bellerose (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=w8YuzBt13D0"
    -referenceProduit: "Craft Recordings 0285"
    -titreMorceau: [
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        "nom" => "1. Between The Bars "
        "ordre" => 21
      ]
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        "nom" => "1. Careless Love "
        "ordre" => 30
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      [
        "nom" => "1. Dance Me To The End Of Love "
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        "nom" => "1. Lonesome Road "
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        "nom" => "1. Lonesome Road "
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      ]
      [
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        "ordre" => 31
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        "nom" => "2. Don’t Cry Baby "
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      ]
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      ]
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        "nom" => "3. I’ll Look Around "
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      ]
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        "ordre" => 32
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      [
        "nom" => "3. Walking After Midnight "
        "ordre" => 23
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      [
        "nom" => "3. Weary Blues "
        "ordre" => 10
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        "nom" => "4. I’ll Look Around "
        "ordre" => 11
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      [
        "nom" => "4. No More "
        "ordre" => 24
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      [
        "nom" => "4. You’re Gonna Make Me Lonesome When You Go "
        "ordre" => 19
      ]
      [
        "nom" => "4. You’re Gonna Make Me Lonesome When You Go "
        "ordre" => 4
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      ]
      [
        "nom" => "LIVE AT FESTIVAL DE JAZZ DE VITORIA-GASTEIZ 2005"
        "ordre" => 15
      ]
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
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        "nom" => "Side C : "
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      [
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        "ordre" => 29
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    ]
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[
  "produit" => App\Entity\Produit {#2171
    -id: 2049
    -nom: "Live At Slugs' Volume 1"
    -informationComplementaire: ""
    -description: """
      180 gram LP !\r\n
      \r\n
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
      \r\n
      Where have you gone, Charles Tolliver ? There was such promise in the concept of Music Inc., and in Strata East, but evidently the music world's attention was elsewhere and this tremendous live set was probably heard by only a few hundred sets of ears. On the back of the record sleeve, Tolliver undersigned his mission statement : "Music Inc. was created out of the desire to assemble men able to see the necessity for survival of a heritage and an art in the hopes that the sacrifices and high level of communication between them will eventually reach every soul".\r\n
      \r\n
      And he isn't kidding. You won't find a much higher level of communication than he, Cecil McBee, Stanley Cowell, and Jimmy Hopps engaged in on May 1, 1970 at Slugs' in New York City. This was much more than an attempt to merely 'preserve acoustic jazz' as in the stilted Marsalis vein. This was an attempt to preserve a measure of authenticity while maintaining the notion of forward-thinking, present-tense improvised music. They deserved a greater response than the lukewarm, sparse applause they received that night, and continue to deserve a far more cognizant audience for their efforts.\r\n
      \r\n
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      \r\n
      Through its duration, the music on Live at Slugs' is often riveting and incessantly compelling. Hopps is a lesser-known entity to me, but the other three players featured here are some of the all-time underrated presences in the jazz pantheon, and they play nothing short of masterfully. Always a presence on his recordings, Tolliver demonstrates tremendous range, flair, and command as a trumpeter and leader. Had he not come along at a time when pure jazz was falling out of favor, I have to believe his name (along with Woody Shaw's) would be every bit as prolific as Freddie Hubbard's or Lee Morgan's; the same holds for the always brilliant and expressive McBee on bass.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-live-at-slugs-volume-1-pure-pleasure-records-ppan-1972"
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App\Twig\Components\GestionPanierFavoriComponents {#3583
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
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    -id: 2049
    -nom: "Live At Slugs' Volume 1"
    -informationComplementaire: ""
    -description: """
      180 gram LP !\r\n
      \r\n
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
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      Where have you gone, Charles Tolliver ? There was such promise in the concept of Music Inc., and in Strata East, but evidently the music world's attention was elsewhere and this tremendous live set was probably heard by only a few hundred sets of ears. On the back of the record sleeve, Tolliver undersigned his mission statement : "Music Inc. was created out of the desire to assemble men able to see the necessity for survival of a heritage and an art in the hopes that the sacrifices and high level of communication between them will eventually reach every soul".\r\n
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      \r\n
      Through its duration, the music on Live at Slugs' is often riveting and incessantly compelling. Hopps is a lesser-known entity to me, but the other three players featured here are some of the all-time underrated presences in the jazz pantheon, and they play nothing short of masterfully. Always a presence on his recordings, Tolliver demonstrates tremendous range, flair, and command as a trumpeter and leader. Had he not come along at a time when pure jazz was falling out of favor, I have to believe his name (along with Woody Shaw's) would be every bit as prolific as Freddie Hubbard's or Lee Morgan's; the same holds for the always brilliant and expressive McBee on bass.\r\n
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    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Charles Tolliver (trumpet), Cecil McBee (bass), Stanley Cowell (piano), Jimmy Hopps (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-live-at-slugs-volume-1-pure-pleasure-records-ppan-1972"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
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[
  "produit" => App\Entity\Produit {#2190
    -id: 2176
    -nom: "Deciphering The Message"
    -informationComplementaire: ""
    -description: """
      Drummer, producer and beat scientist Makaya McCraven digs through the Blue Note vaults with this new remix project that puts a modern bounce on jazz classics by Art Blakey, Horace Silver, and more. McCraven's mastery of the loop is akin to hip-hop's most celebrated beatmakers such as J Dilla & Madlib, both of whom have also remixed Blue Note tracks, but McCraven's unique approach also incorporates new recorded elements including his own drums, Joel Ross' vibraphone, Jeff Parker's guitar, and more.\r\n
      \r\n
      For Deciphering The Message, McCraven wanted to maintain the integrity of Blue Note's original music, but with a modern bounce, appealing to those who might only know the label from their grandparents' old vinyl collection.\r\n
      \r\n
      Yet these artists weren't always legends; on purpose, McCraven catches them on their way up. "I wanted to focus on a little bit of the older catalog and a certain era," he says. "From the beginning, I was inspired by this idea of these young musicians going through the bands, almost like a rite of passage". In those days, it was common to hear these artists play similar melodies in different groups across various records and put their own spin on the genre's standards. McCraven wanted to explore the concept of sampling within the scope of traditional jazz. "To me, it's all part of a broader thread", he says. "I picked tracks that were speaking to me, but it all came together in that way".\r\n
      \r\n
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      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=xT32LyUzrZI"
    -referenceProduit: "Blue Note Records 4730"
    -titreMorceau: [
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        "nom" => "- from A Night In Tunisia by Art Blakey & The Jazz Messengers"
        "ordre" => 5
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        "ordre" => 1
      ]
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        "nom" => "1. Frank's Tune - AKA "De'Jeff's Tune" - from Easterly Winds by Jack Wilson"
        "ordre" => 12
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        "ordre" => 13
      ]
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        "ordre" => 3
      ]
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        "nom" => "3. Monaco - AKA "Monte Negro" - from 'Round About Midnight At The Cafe Bohemia"
        "ordre" => 15
      ]
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        "nom" => "3. When Your Lover Has Gone - AKA "When You've Left Your Lover""
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      ]
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        "nom" => "4. Ecaroh (AKA "Revlis") - from Horace Silver Trio by Horace Silver"
        "ordre" => 6
      ]
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        "nom" => "4. Mr. Jin - AKA "Mr. Gin" - from Indestructible by Art Blakey & The Jazz Messengers"
        "ordre" => 17
      ]
      [
        "nom" => "5. C.F.D. - AKA "D.F.C." - from Something Personal by Jack Wilson"
        "ordre" => 18
      ]
      [
        "nom" => "5. Tranquillity - AKA "Corner Of The World" - from Components by Bobby Hutcherson"
        "ordre" => 7
      ]
      [
        "nom" => "6. Black Rhythm Happening - from Black Rhythm Happening by Eddie Gale"
        "ordre" => 19
      ]
      [
        "nom" => "6. Wail Bait - AKA "Wait Bail" - from The Memorial Album by Clifford Brown"
        "ordre" => 8
      ]
      [
        "nom" => "7. Coppin' The Haven - AKA "At The Haven Coppin'" - from One Flight Up"
        "ordre" => 9
      ]
      [
        "nom" => "by Dexter Gordon"
        "ordre" => 10
      ]
      [
        "nom" => "by Hank Mobley"
        "ordre" => 2
      ]
      [
        "nom" => "by Kenny Burrell"
        "ordre" => 14
      ]
      [
        "nom" => "by Kenny Dorham"
        "ordre" => 16
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3634
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
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    -id: 2176
    -nom: "Deciphering The Message"
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    -description: """
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    -prixVente: "34.50"
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    -musicienOrchestre: ""
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xT32LyUzrZI"
    -referenceProduit: "Blue Note Records 4730"
    -titreMorceau: [
      [
        "nom" => "- from A Night In Tunisia by Art Blakey & The Jazz Messengers"
        "ordre" => 5
      ]
      [
        "nom" => "1. A Slice Of The Top (AKA "Sliced Off The Top") - from A Slice Of The Top"
        "ordre" => 1
      ]
      [
        "nom" => "1. Frank's Tune - AKA "De'Jeff's Tune" - from Easterly Winds by Jack Wilson"
        "ordre" => 12
      ]
      [
        "nom" => "2. Autumn In New York - AKA "Spring In Chicago" - from Blue Lights, Vol.1"
        "ordre" => 13
      ]
      [
        "nom" => "2. Sunset (AKA "Son Set") - from Whistle Stop by Kenny Dorham"
        "ordre" => 3
      ]
      [
        "nom" => "3. Monaco - AKA "Monte Negro" - from 'Round About Midnight At The Cafe Bohemia"
        "ordre" => 15
      ]
      [
        "nom" => "3. When Your Lover Has Gone - AKA "When You've Left Your Lover""
        "ordre" => 4
      ]
      [
        "nom" => "4. Ecaroh (AKA "Revlis") - from Horace Silver Trio by Horace Silver"
        "ordre" => 6
      ]
      [
        "nom" => "4. Mr. Jin - AKA "Mr. Gin" - from Indestructible by Art Blakey & The Jazz Messengers"
        "ordre" => 17
      ]
      [
        "nom" => "5. C.F.D. - AKA "D.F.C." - from Something Personal by Jack Wilson"
        "ordre" => 18
      ]
      [
        "nom" => "5. Tranquillity - AKA "Corner Of The World" - from Components by Bobby Hutcherson"
        "ordre" => 7
      ]
      [
        "nom" => "6. Black Rhythm Happening - from Black Rhythm Happening by Eddie Gale"
        "ordre" => 19
      ]
      [
        "nom" => "6. Wail Bait - AKA "Wait Bail" - from The Memorial Album by Clifford Brown"
        "ordre" => 8
      ]
      [
        "nom" => "7. Coppin' The Haven - AKA "At The Haven Coppin'" - from One Flight Up"
        "ordre" => 9
      ]
      [
        "nom" => "by Dexter Gordon"
        "ordre" => 10
      ]
      [
        "nom" => "by Hank Mobley"
        "ordre" => 2
      ]
      [
        "nom" => "by Kenny Burrell"
        "ordre" => 14
      ]
      [
        "nom" => "by Kenny Dorham"
        "ordre" => 16
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "Side B : "
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
    -label: Proxies\__CG__\App\Entity\Label {#2136 …}
    -style: App\Entity\Style {#1063 …}
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    -modifierLe: DateTime @1640367952 {#2188
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2206
    -id: 2174
    -nom: "Street Of Dreams"
    -informationComplementaire: ""
    -description: """
      Grammy-winning pianist Bill Charlap returns to Blue Note with a sublime new album featuring his sterling trio with bassist Peter Washington and drummer Kenny Washington.\r\n
      \r\n
      This stunning new set presents the Great American Songbook alongside songs by great jazz composers including Billy Strayhorn, Duke Ellington, and Kenny Burrell. The trio formed in 1997 and began recording a series of sterling albums for Blue Note in 2000 that firmly established them as one of the leading groups in jazz.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Bill Charlap (piano), Peter Washington (bass), Kenny Washington (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mmWqyYwMpCg"
    -referenceProduit: "Blue Note Records 0401"
    -titreMorceau: [
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        "nom" => "1. The Duke \t"
        "ordre" => 1
      ]
      [
        "nom" => "1. Your Host "
        "ordre" => 6
      ]
      [
        "nom" => "2. Day Dream \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. Out Of Nowhere "
        "ordre" => 7
      ]
      [
        "nom" => "3. What Are You Doing the Rest Of Your Life ? "
        "ordre" => 8
      ]
      [
        "nom" => "3. You're All The World To Me \t"
        "ordre" => 3
      ]
      [
        "nom" => "4. I'll Know "
        "ordre" => 4
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      [
        "nom" => "4. Street Of Dreams"
        "ordre" => 9
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      [
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        "ordre" => 5
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2208 …}
    -label: Proxies\__CG__\App\Entity\Label {#2136 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-street-of-dreams-blue-note-records-0401"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3685
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2206
    -id: 2174
    -nom: "Street Of Dreams"
    -informationComplementaire: ""
    -description: """
      Grammy-winning pianist Bill Charlap returns to Blue Note with a sublime new album featuring his sterling trio with bassist Peter Washington and drummer Kenny Washington.\r\n
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      This stunning new set presents the Great American Songbook alongside songs by great jazz composers including Billy Strayhorn, Duke Ellington, and Kenny Burrell. The trio formed in 1997 and began recording a series of sterling albums for Blue Note in 2000 that firmly established them as one of the leading groups in jazz.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Bill Charlap (piano), Peter Washington (bass), Kenny Washington (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=mmWqyYwMpCg"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2208 …}
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    }
    -modifierLe: DateTime @1640365993 {#2204
      date: 2021-12-24 17:13:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2222
    -id: 2139
    -nom: "The Big Beat"
    -informationComplementaire: ""
    -description: """
      Blue Note Classic Vinyl Reissue Series !\r\n
      \r\n
      All analog 180 gram vinyl LP !\r\n
      \r\n
      Mastered by Kevin Gray directly from the original master tapes !\r\n
      \r\n
      Manufactured at Optimal in Germany !\r\n
      \r\n
      Standard packaging !\r\n
      \r\n
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
      \r\n
      The timeless 1960 hard bop classic The Big Beat was the album that first introduced one of the greatest line-ups of Art Blakey & The Jazz Messengers to the jazz public with the legendary drummer and bandleader joined by trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, and bassist Jymie Merritt. Shorter was the band's newest member, and it was immediately clear that his presence would steer the group's sound in a new more modern direction. Three of the album's six pieces were penned by Shorter including the swaggering set opener "The Chess Players", the imaginative "Sakeena's Vision" written for Blakey's young daughter, and the tribute "Lester Left Town" which was dedicated to influential jazz tenor forefather Lester Young.\r\n
      \r\n
      However, it was Timmons' unforgettable gospel-influenced tune "Dat Dere", a suitably soulful follow-up to the band's previous hit "Moanin'", that the album would ultimately become best-known for. This excellent edition of The Jazz Messengers would go on to record a phenomenal run of classic albums including A Night In Tunisia, Like Someone In Love, The Freedom Rider, Roots & Herbs, and The Witch Doctor.\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EKxgAwjq47w"
    -referenceProduit: "Blue Note Records 84029"
    -titreMorceau: [
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        "nom" => "1. Dat Dere"
        "ordre" => 5
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      [
        "nom" => "1. The Chess Players"
        "ordre" => 1
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      [
        "nom" => "2. Lester Left Town"
        "ordre" => 6
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      [
        "nom" => "2. Sakeena's Vision"
        "ordre" => 2
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        "nom" => "3. It's Only A Paper Moon"
        "ordre" => 7
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      [
        "nom" => "3. Politely"
        "ordre" => 3
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        "nom" => "Side A : "
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      [
        "nom" => "Side B : "
        "ordre" => 4
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
    -label: Proxies\__CG__\App\Entity\Label {#2136 …}
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    }
    -modifierLe: DateTime @1640365226 {#2220
      date: 2021-12-24 17:00:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2230 …}
    -disponible: null
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    -slug: "vinyles-the-big-beat-blue-note-records-84029"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3736
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2222
    -id: 2139
    -nom: "The Big Beat"
    -informationComplementaire: ""
    -description: """
      Blue Note Classic Vinyl Reissue Series !\r\n
      \r\n
      All analog 180 gram vinyl LP !\r\n
      \r\n
      Mastered by Kevin Gray directly from the original master tapes !\r\n
      \r\n
      Manufactured at Optimal in Germany !\r\n
      \r\n
      Standard packaging !\r\n
      \r\n
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
      \r\n
      The timeless 1960 hard bop classic The Big Beat was the album that first introduced one of the greatest line-ups of Art Blakey & The Jazz Messengers to the jazz public with the legendary drummer and bandleader joined by trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, and bassist Jymie Merritt. Shorter was the band's newest member, and it was immediately clear that his presence would steer the group's sound in a new more modern direction. Three of the album's six pieces were penned by Shorter including the swaggering set opener "The Chess Players", the imaginative "Sakeena's Vision" written for Blakey's young daughter, and the tribute "Lester Left Town" which was dedicated to influential jazz tenor forefather Lester Young.\r\n
      \r\n
      However, it was Timmons' unforgettable gospel-influenced tune "Dat Dere", a suitably soulful follow-up to the band's previous hit "Moanin'", that the album would ultimately become best-known for. This excellent edition of The Jazz Messengers would go on to record a phenomenal run of classic albums including A Night In Tunisia, Like Someone In Love, The Freedom Rider, Roots & Herbs, and The Witch Doctor.\r\n
      \r\n
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    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=EKxgAwjq47w"
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    -titreMorceau: [
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        "ordre" => 6
      ]
      [
        "nom" => "2. Sakeena's Vision"
        "ordre" => 2
      ]
      [
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      [
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        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
    -label: Proxies\__CG__\App\Entity\Label {#2136 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2233 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2226 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2228 …}
    -enregistreLe: DateTime @1633505419 {#2219
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    }
    -modifierLe: DateTime @1640365226 {#2220
      date: 2021-12-24 17:00:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2230 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-big-beat-blue-note-records-84029"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3937
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3938 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3986 …}
  +isValidated: false
  +validatedFields: []
}