Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2472
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2319 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2549
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2552 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2551 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2125 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2319 …}
  -formView: Symfony\Component\Form\FormView {#2588 …}
  -form: Symfony\Component\Form\Form {#2738 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1851
    -id: 3070
    -nom: "At Baker's Keyboard Lounge"
    -informationComplementaire: "Plongez dans l’intimité d’un club mythique et laissez-vous emporter par le génie d’un des plus grands pianistes de jazz. Avec "At Baker’s Keyboard Lounge", chaque note résonne comme un instant suspendu, entre virtuosité, émotion et pure magie musicale."
    -description: """
      The Oscar Peterson Trio "At Baker’s Keyboard Lounge" est un enregistrement live emblématique capturant toute la virtuosité et l’élégance du légendaire pianiste Oscar Peterson, accompagné de son trio. Enregistré dans l’atmosphère feutrée du mythique club Baker’s Keyboard Lounge à Detroit, cet album plonge l’auditeur au cœur d’une performance jazz authentique, vibrante et spontanée.\r\n
      \r\n
      Porté par un swing irrésistible, des improvisations raffinées et une complicité musicale remarquable entre les musiciens, ce concert témoigne du génie d’Oscar Peterson, reconnu pour sa technique exceptionnelle et son sens mélodique inégalé. Chaque morceau révèle une énergie unique, oscillant entre douceur, virtuosité et intensité rythmique.\r\n
      \r\n
      Cet album est une véritable immersion dans l’âge d’or du jazz live, offrant une expérience sonore chaleureuse et intemporelle qui séduira aussi bien les amateurs que les passionnés.\r\n
      \r\n
      - Oscar Peterson "At Baker's Keyboard Lounge : The Complete Recordings" !\r\n
      - Previously Unreleased Performances !\r\n
      - Recorded at Baker's Keyboard Lounge in Detroit, MI, August 19, 1960 !\r\n
      \r\n
      When Oscar Peterson arrived at Baker's Keyboard Lounge in Detroit in early August 1960 for a two-week engagement, the pianist's year-old trio, featuring bassist Ray Brown and drummer Ed Thigpen, was ascending to new artistic peaks.\r\n
      \r\n
      Intended at the time as a live album for Verve but never released, the music on At Baker's Keyboard Lounge features remarkable, previously unissued performances, all taped on a single Friday night.\r\n
      \r\n
      No matter the tempo, rhythm, or complexity of the arrangement, the three players breathe as one on these recordings, phrasing as if controlled by a single heartbeat.\r\n
      \r\n
      These new-to-the-world recordings, made in Peterson's prime at the longest continuously-operating jazz club in the U.S., remind you that there will never be anyone else like Oscar Peterson.\r\n
      \r\n
      These Complete Recordings include all five sets, in the order they were performed.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson\t(piano), Ray Brown (bass), Ed Thigpen\t(drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VmUiNeb-__I&list=RDVmUiNeb-__I&start_radio=1"
    -referenceProduit: "Verve Records 0893"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Politics & Poker"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dancing on the Ceiling"
      ]
      [
        "ordre" => 3
        "nom" => "3. S’Posin"
      ]
      [
        "ordre" => 4
        "nom" => "4. Django "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Liza (All The Clouds Roll Away)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Where Do I Go From Here ?"
      ]
      [
        "ordre" => 8
        "nom" => "3. Yesterdays"
      ]
      [
        "ordre" => 9
        "nom" => "4. Softly As In a Morning Sunrise"
      ]
      [
        "ordre" => 10
        "nom" => "5. Touch Of Your Lips"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1912 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2013 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1915 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2001 …}
    -enregistreLe: DateTime @1776667958 {#1885
      date: 2026-04-20 06:52:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776668317 {#1883
      date: 2026-04-20 06:58:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2007 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-baker-s-keyboard-lounge-verve-records-0893"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3025
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2551 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2125 …}
  +produit: App\Entity\Produit {#1851
    -id: 3070
    -nom: "At Baker's Keyboard Lounge"
    -informationComplementaire: "Plongez dans l’intimité d’un club mythique et laissez-vous emporter par le génie d’un des plus grands pianistes de jazz. Avec "At Baker’s Keyboard Lounge", chaque note résonne comme un instant suspendu, entre virtuosité, émotion et pure magie musicale."
    -description: """
      The Oscar Peterson Trio "At Baker’s Keyboard Lounge" est un enregistrement live emblématique capturant toute la virtuosité et l’élégance du légendaire pianiste Oscar Peterson, accompagné de son trio. Enregistré dans l’atmosphère feutrée du mythique club Baker’s Keyboard Lounge à Detroit, cet album plonge l’auditeur au cœur d’une performance jazz authentique, vibrante et spontanée.\r\n
      \r\n
      Porté par un swing irrésistible, des improvisations raffinées et une complicité musicale remarquable entre les musiciens, ce concert témoigne du génie d’Oscar Peterson, reconnu pour sa technique exceptionnelle et son sens mélodique inégalé. Chaque morceau révèle une énergie unique, oscillant entre douceur, virtuosité et intensité rythmique.\r\n
      \r\n
      Cet album est une véritable immersion dans l’âge d’or du jazz live, offrant une expérience sonore chaleureuse et intemporelle qui séduira aussi bien les amateurs que les passionnés.\r\n
      \r\n
      - Oscar Peterson "At Baker's Keyboard Lounge : The Complete Recordings" !\r\n
      - Previously Unreleased Performances !\r\n
      - Recorded at Baker's Keyboard Lounge in Detroit, MI, August 19, 1960 !\r\n
      \r\n
      When Oscar Peterson arrived at Baker's Keyboard Lounge in Detroit in early August 1960 for a two-week engagement, the pianist's year-old trio, featuring bassist Ray Brown and drummer Ed Thigpen, was ascending to new artistic peaks.\r\n
      \r\n
      Intended at the time as a live album for Verve but never released, the music on At Baker's Keyboard Lounge features remarkable, previously unissued performances, all taped on a single Friday night.\r\n
      \r\n
      No matter the tempo, rhythm, or complexity of the arrangement, the three players breathe as one on these recordings, phrasing as if controlled by a single heartbeat.\r\n
      \r\n
      These new-to-the-world recordings, made in Peterson's prime at the longest continuously-operating jazz club in the U.S., remind you that there will never be anyone else like Oscar Peterson.\r\n
      \r\n
      These Complete Recordings include all five sets, in the order they were performed.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson\t(piano), Ray Brown (bass), Ed Thigpen\t(drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VmUiNeb-__I&list=RDVmUiNeb-__I&start_radio=1"
    -referenceProduit: "Verve Records 0893"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Politics & Poker"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dancing on the Ceiling"
      ]
      [
        "ordre" => 3
        "nom" => "3. S’Posin"
      ]
      [
        "ordre" => 4
        "nom" => "4. Django "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Liza (All The Clouds Roll Away)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Where Do I Go From Here ?"
      ]
      [
        "ordre" => 8
        "nom" => "3. Yesterdays"
      ]
      [
        "ordre" => 9
        "nom" => "4. Softly As In a Morning Sunrise"
      ]
      [
        "ordre" => 10
        "nom" => "5. Touch Of Your Lips"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1912 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2013 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1915 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2001 …}
    -enregistreLe: DateTime @1776667958 {#1885
      date: 2026-04-20 06:52:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776668317 {#1883
      date: 2026-04-20 06:58:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2007 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-baker-s-keyboard-lounge-verve-records-0893"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2319 …}
}

[
  "produit" => App\Entity\Produit {#2030
    -id: 3069
    -nom: "Affinity"
    -informationComplementaire: "Un jazz d’exception, où chaque note respire l’élégance. Avec "Affinity", The Oscar Peterson Trio vous invite à un voyage musical feutré et virtuose, entre swing maîtrisé et émotions délicates. Un classique intemporel pour les amateurs de jazz pur."
    -description: """
      L’album "Affinity" du The Oscar Peterson Trio est une œuvre élégante et raffinée qui met en lumière toute la virtuosité du pianiste Oscar Peterson, accompagné de ses complices habituels. Enregistré à la fin des années 1960, cet album s’inscrit dans la grande tradition du jazz en trio, un équilibre subtil entre technique irréprochable, swing naturel et sensibilité mélodique.\r\n
      \r\n
      Le jeu de Peterson y est à la fois fluide et incisif, oscillant entre improvisations lumineuses et interprétations pleines de finesse. La section rythmique, d’une précision remarquable, offre un écrin idéal à son piano, créant une atmosphère à la fois intime et sophistiquée.\r\n
      \r\n
      Les morceaux, qu’ils soient standards revisités ou compositions originales, témoignent d’une complicité musicale rare et d’un goût prononcé pour l’élégance sonore.\r\n
      \r\n
      - The Oscar Peterson Trio "Affinity" !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Recorded in late September 1962 in Chicago and released on Verve the same year, the Norman Granz-produced Affinity captures the Oscar Peterson Trio,  Oscar Peterson on piano, Ray Brown on bass, and Ed Thigpen on drums, at a moment of deep cohesion, refining its blend of rhythmic poise, melodic clarity, and conversational interplay across a focused program of standards and contemporary works.\r\n
      \r\n
      Highlights include Peterson's first recorded version of Bill Evans's "Waltz for Debby", shaped with lyricism and quiet structural control, and Brown's buoyant "Gravy Waltz", co-written with Steve Allen, which showcases the ensemble's rhythmic intuition and later won the 1963 Grammy Award for Best Original Jazz Composition. Often considered one of Peterson's more understated early-1960s statements, Affinity endures as an essential Verve recording, reflecting a trio moving with confidence, curiosity, and unity of purpose during a period of intense artistic growth.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gzvAGdBST_w&list=PLyqAz2idXOaXgme6RNwS3HHP0QjeSTyZa"
    -referenceProduit: "Acoustic Sounds Serie (Verve) 9544"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Waltz For Debbie"
      ]
      [
        "ordre" => 2
        "nom" => "2. Tangerine"
      ]
      [
        "ordre" => 3
        "nom" => "3. Gravy Waltz"
      ]
      [
        "ordre" => 4
        "nom" => "4. This Could Be The Start Of Something "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Baubles, Bangles And Beads"
      ]
      [
        "ordre" => 7
        "nom" => "2. Six And Four"
      ]
      [
        "ordre" => 8
        "nom" => "3. I'm A Fool To Want You"
      ]
      [
        "ordre" => 9
        "nom" => "4. Yours Is My Heart Alone"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2032 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2041 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2034 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2036 …}
    -enregistreLe: DateTime @1776667080 {#2027
      date: 2026-04-20 06:38:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776667160 {#2028
      date: 2026-04-20 06:39:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2038 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-affinity-acoustic-sounds-serie-verve-9544"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3116
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2551 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2125 …}
  +produit: App\Entity\Produit {#2030
    -id: 3069
    -nom: "Affinity"
    -informationComplementaire: "Un jazz d’exception, où chaque note respire l’élégance. Avec "Affinity", The Oscar Peterson Trio vous invite à un voyage musical feutré et virtuose, entre swing maîtrisé et émotions délicates. Un classique intemporel pour les amateurs de jazz pur."
    -description: """
      L’album "Affinity" du The Oscar Peterson Trio est une œuvre élégante et raffinée qui met en lumière toute la virtuosité du pianiste Oscar Peterson, accompagné de ses complices habituels. Enregistré à la fin des années 1960, cet album s’inscrit dans la grande tradition du jazz en trio, un équilibre subtil entre technique irréprochable, swing naturel et sensibilité mélodique.\r\n
      \r\n
      Le jeu de Peterson y est à la fois fluide et incisif, oscillant entre improvisations lumineuses et interprétations pleines de finesse. La section rythmique, d’une précision remarquable, offre un écrin idéal à son piano, créant une atmosphère à la fois intime et sophistiquée.\r\n
      \r\n
      Les morceaux, qu’ils soient standards revisités ou compositions originales, témoignent d’une complicité musicale rare et d’un goût prononcé pour l’élégance sonore.\r\n
      \r\n
      - The Oscar Peterson Trio "Affinity" !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Recorded in late September 1962 in Chicago and released on Verve the same year, the Norman Granz-produced Affinity captures the Oscar Peterson Trio,  Oscar Peterson on piano, Ray Brown on bass, and Ed Thigpen on drums, at a moment of deep cohesion, refining its blend of rhythmic poise, melodic clarity, and conversational interplay across a focused program of standards and contemporary works.\r\n
      \r\n
      Highlights include Peterson's first recorded version of Bill Evans's "Waltz for Debby", shaped with lyricism and quiet structural control, and Brown's buoyant "Gravy Waltz", co-written with Steve Allen, which showcases the ensemble's rhythmic intuition and later won the 1963 Grammy Award for Best Original Jazz Composition. Often considered one of Peterson's more understated early-1960s statements, Affinity endures as an essential Verve recording, reflecting a trio moving with confidence, curiosity, and unity of purpose during a period of intense artistic growth.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gzvAGdBST_w&list=PLyqAz2idXOaXgme6RNwS3HHP0QjeSTyZa"
    -referenceProduit: "Acoustic Sounds Serie (Verve) 9544"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Waltz For Debbie"
      ]
      [
        "ordre" => 2
        "nom" => "2. Tangerine"
      ]
      [
        "ordre" => 3
        "nom" => "3. Gravy Waltz"
      ]
      [
        "ordre" => 4
        "nom" => "4. This Could Be The Start Of Something "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Baubles, Bangles And Beads"
      ]
      [
        "ordre" => 7
        "nom" => "2. Six And Four"
      ]
      [
        "ordre" => 8
        "nom" => "3. I'm A Fool To Want You"
      ]
      [
        "ordre" => 9
        "nom" => "4. Yours Is My Heart Alone"
      ]
      [
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[
  "produit" => App\Entity\Produit {#2048
    -id: 1474
    -nom: "Live at the Concertgebouw 1961"
    -informationComplementaire: null
    -description: """
      - Oscar Peterson Trio "Live In Bremen 1961" !\r\n
      - First-ever release! Live concert featuring jazz greats Oscar Peterson, Ray Brown and Ed Thigpen !\r\n
      - Numbered edition on 180 gram vinyl 45 RPM (2 LP) limited to 3000 copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Simon Garcia, Marciac, France !\r\n
      - Gatefold tip-on jackets printed in Italy !\r\n
      \r\n
      The Glocke was one of Herbert von Karajan's favorite concert halls in Europe. Located in the Hanseatic city of Bremen, a capital of commerce that gained its riches from the coffee business, it is an unusual place. The hall itself has been at the confluence of all the arts for decades. It was designed on an octagonal plan in 1737 and despite several fires, it has retained some of the finest acoustics on the continent.\r\n
      \r\n
      On that evening in April 1961, before an audience of 1400, the imposing figure of Oscar Peterson sat down at his piano with his two acolytes. There was Ray Brown, known to his admirers as "the handsome bassist", and Ed Thigpen, one of the most sought-after drummers on the New York scene.\r\n
      \r\n
      Some 15 years earlier, in the mid-1940s, the Canadian pianist was on the path to becoming a classical performer. Then, influenced by popular pianists such as Nat King Cole and the prodigious Art Tatum, whom he would idolize, he suddenly changed direction. In September 1949, Norman Granz discovered Peterson at Carnegie Hall and launched his career as a jazz legend. By 1958, with some ten years of success behind him, the man his fans nicknamed "the man with four hands" and the "Bomber of Boogie Woogie" began to feel that the structure of his repertoire and interpretations needed to evolve.\r\n
      \r\n
      Peterson had been performing chiefly with guitarist Herb Ellis (with whom he never stopped playing), but now he decided to try out working with a trio. This marked an important turning point in his artistic development. The counterpoint of the guitar gave way to the functional and rhythmic backing of the drums and bass, enabling the musical magician to give freer rein to his creativity. In the words of Quebecois novelist Claude Vaillancourt in April 2008, his concerts were imbued with the magic of "hidden pleasure". At a time when jazz, influenced by the new sounds of rock, was in the throes of deconstruction, Peterson responded by grounding his music in the deep roots of the blues, in his classical training and in popular trends. To quote Vaillancourt again, he gave a "grounded earthiness" to the flights of virtuosity that made him so famous. And with spectacular results, as this Bremen concert proves : Peterson, instead of sacrificing swing, imbues it with constant refinement and elegance, and at times even seriousness.\r\n
      \r\n
      The concert kicks off with "Les Filles de Cadix", using the theme of Léo Delibes' famous 1874 composition, revisited by Miles Davis in 1957 on his Miles Ahead album. Initially barely perceptible, the trio ornaments and develops the theme with restraint and elegance up until the central section, where an enchanting swing takes over, before vanishing as discreetly as it had appeared. There are few tunes more popular than "I Could Have Danced all Night" from My Fair Lady, the Broadway musical that premiered in 1956. The rhythm builds up gradually, punctuated by Peterson's occasional humming, growing and amplifying before ending in a soft murmur of the piano.\r\n
      \r\n
      "The Golden Striker" opens with a choral-like melody reminiscent of Bach. Peterson's solo part is solemn; his delicacy nevertheless has forcefulness. His inspiration is drawn from a musical phrase and here, his classical training is evident. A variation follows on from a sudden stop: a wild swing with responses first from Brown and then Thigpen, and Peterson's flourishes on the piano. In only four minutes, the trio propels us into a vortex with the intensity of their performance. A few calm words introduce "Where Do We Go From Here ?", a springtime ballad, which, in contrast with the preceding piece, is light and carefree; we could imagine ourselves on the the banks of a cool, undulating stream. The virtuosity of the piano is so subtle as to be almost imperceptible, and time stands still until the very last chord, delicately played in arpeggio.\r\n
      \r\n
      "My Funny Valentine" is a standard that needs no introduction, but only after a few minutes does the solo piano, still leaving a role for the bass and drums, finally unveil the theme. Peterson drives his fellow musicians to increase the rhythm, the substance, the power. Brown responds with a solo that is just as enchanting. The last piano notes restore the lightness that Frank Sinatra had imparted to the song. Peterson gently introduces "I've Grown Accustomed to her Face", another song from My Fair Lady. Although the melody is less well known, the swirls of the piano in this interpretation transport the listeners into a thrilling whirlwind of delight. With "Blues for Big Scotia", the concert comes to an end in a different register: the trio gives us a version that is truly original. Dazzling arpeggios lead into a series of chords, , reminiscent of Peterson's experiences touring in the Deep South.\r\n
      \r\n
      The Lost Recordings retrieved the tapes of this landmark concert from the archives of the Bremen Radio, and many long weeks were spent on their restoration. As the trio leaves the stage to the thunderous applause of the German audience that we can hear here, it is clear that Oscar Peterson is an alchemist of genius, and in a certain sense, his very own Pygmalion who sees his transformations through to end. Already a master of swing, Peterson surpassed himself in every way. He broadened his repertoire and constantly reinvented himself, all the while remaining faithful to his innermost self. His legacy, the magical lustre he brought to jazz, is priceless.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
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    -extraitYoutube: "https://www.youtube.com/watch?v=VHVHlWfsZBU"
    -referenceProduit: "The Lost Recordings 4053"
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    -id: 1474
    -nom: "Live at the Concertgebouw 1961"
    -informationComplementaire: null
    -description: """
      - Oscar Peterson Trio "Live In Bremen 1961" !\r\n
      - First-ever release! Live concert featuring jazz greats Oscar Peterson, Ray Brown and Ed Thigpen !\r\n
      - Numbered edition on 180 gram vinyl 45 RPM (2 LP) limited to 3000 copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Simon Garcia, Marciac, France !\r\n
      - Gatefold tip-on jackets printed in Italy !\r\n
      \r\n
      The Glocke was one of Herbert von Karajan's favorite concert halls in Europe. Located in the Hanseatic city of Bremen, a capital of commerce that gained its riches from the coffee business, it is an unusual place. The hall itself has been at the confluence of all the arts for decades. It was designed on an octagonal plan in 1737 and despite several fires, it has retained some of the finest acoustics on the continent.\r\n
      \r\n
      On that evening in April 1961, before an audience of 1400, the imposing figure of Oscar Peterson sat down at his piano with his two acolytes. There was Ray Brown, known to his admirers as "the handsome bassist", and Ed Thigpen, one of the most sought-after drummers on the New York scene.\r\n
      \r\n
      Some 15 years earlier, in the mid-1940s, the Canadian pianist was on the path to becoming a classical performer. Then, influenced by popular pianists such as Nat King Cole and the prodigious Art Tatum, whom he would idolize, he suddenly changed direction. In September 1949, Norman Granz discovered Peterson at Carnegie Hall and launched his career as a jazz legend. By 1958, with some ten years of success behind him, the man his fans nicknamed "the man with four hands" and the "Bomber of Boogie Woogie" began to feel that the structure of his repertoire and interpretations needed to evolve.\r\n
      \r\n
      Peterson had been performing chiefly with guitarist Herb Ellis (with whom he never stopped playing), but now he decided to try out working with a trio. This marked an important turning point in his artistic development. The counterpoint of the guitar gave way to the functional and rhythmic backing of the drums and bass, enabling the musical magician to give freer rein to his creativity. In the words of Quebecois novelist Claude Vaillancourt in April 2008, his concerts were imbued with the magic of "hidden pleasure". At a time when jazz, influenced by the new sounds of rock, was in the throes of deconstruction, Peterson responded by grounding his music in the deep roots of the blues, in his classical training and in popular trends. To quote Vaillancourt again, he gave a "grounded earthiness" to the flights of virtuosity that made him so famous. And with spectacular results, as this Bremen concert proves : Peterson, instead of sacrificing swing, imbues it with constant refinement and elegance, and at times even seriousness.\r\n
      \r\n
      The concert kicks off with "Les Filles de Cadix", using the theme of Léo Delibes' famous 1874 composition, revisited by Miles Davis in 1957 on his Miles Ahead album. Initially barely perceptible, the trio ornaments and develops the theme with restraint and elegance up until the central section, where an enchanting swing takes over, before vanishing as discreetly as it had appeared. There are few tunes more popular than "I Could Have Danced all Night" from My Fair Lady, the Broadway musical that premiered in 1956. The rhythm builds up gradually, punctuated by Peterson's occasional humming, growing and amplifying before ending in a soft murmur of the piano.\r\n
      \r\n
      "The Golden Striker" opens with a choral-like melody reminiscent of Bach. Peterson's solo part is solemn; his delicacy nevertheless has forcefulness. His inspiration is drawn from a musical phrase and here, his classical training is evident. A variation follows on from a sudden stop: a wild swing with responses first from Brown and then Thigpen, and Peterson's flourishes on the piano. In only four minutes, the trio propels us into a vortex with the intensity of their performance. A few calm words introduce "Where Do We Go From Here ?", a springtime ballad, which, in contrast with the preceding piece, is light and carefree; we could imagine ourselves on the the banks of a cool, undulating stream. The virtuosity of the piano is so subtle as to be almost imperceptible, and time stands still until the very last chord, delicately played in arpeggio.\r\n
      \r\n
      "My Funny Valentine" is a standard that needs no introduction, but only after a few minutes does the solo piano, still leaving a role for the bass and drums, finally unveil the theme. Peterson drives his fellow musicians to increase the rhythm, the substance, the power. Brown responds with a solo that is just as enchanting. The last piano notes restore the lightness that Frank Sinatra had imparted to the song. Peterson gently introduces "I've Grown Accustomed to her Face", another song from My Fair Lady. Although the melody is less well known, the swirls of the piano in this interpretation transport the listeners into a thrilling whirlwind of delight. With "Blues for Big Scotia", the concert comes to an end in a different register: the trio gives us a version that is truly original. Dazzling arpeggios lead into a series of chords, , reminiscent of Peterson's experiences touring in the Deep South.\r\n
      \r\n
      The Lost Recordings retrieved the tapes of this landmark concert from the archives of the Bremen Radio, and many long weeks were spent on their restoration. As the trio leaves the stage to the thunderous applause of the German audience that we can hear here, it is clear that Oscar Peterson is an alchemist of genius, and in a certain sense, his very own Pygmalion who sees his transformations through to end. Already a master of swing, Peterson surpassed himself in every way. He broadened his repertoire and constantly reinvented himself, all the while remaining faithful to his innermost self. His legacy, the magical lustre he brought to jazz, is priceless.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
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    -informationComplementaire: null
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
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      Originally released in 1962
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -nom: "West Side Story"
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    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
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      \r\n
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      """
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=K9V3V_rKMWg"
    -referenceProduit: "Analogue Productions AAPP 8454-45"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
      ]
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        "nom" => "1. Something's Coming"
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        "nom" => "2. Somewhere"
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        "nom" => "Side B :"
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        "nom" => "1. Jet Song"
        "ordre" => 4
      ]
      [
        "nom" => "2. Tonight"
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        "nom" => "Side C :"
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      [
        "nom" => "1. Maria"
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      ]
      [
        "nom" => "2. I Feel Pretty"
        "ordre" => 8
      ]
      [
        "nom" => "Side D :"
        "ordre" => 9
      ]
      [
        "nom" => "1. Reprise"
        "ordre" => 10
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2072 …}
    -style: App\Entity\Style {#1468 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2078 …}
    -disponible: null
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    -slug: "vinyles-west-side-story-analogue-productions-aapp-8454-45"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2319 …}
}

[
  "produit" => App\Entity\Produit {#2086
    -id: 2040
    -nom: "We Get Requests"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      -  180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      When Jim Davis started producing records at Verve, he changed the company's recording philosophy toward its most prolific instrumentalist. Where Norman Granz had produced countless Oscar Peterson albums dedicated to the popular song, Davis was more interested in making albums closer to how the Peterson trio sounded live.\r\n
      \r\n
      By then the Peterson trio with bassist Ray Brown and drummer Ed Thigpen had been together for five years and performed like a well-oiled machine. Listeners here are treated to mostly pop songs of the day, including bossa nova tunes and film themes, and the treatments are fairly brief, with emphasis placed squarely on the melodies.\r\n
      \r\n
      Originally released in 1964.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WDUpyTVAKCg&list=RDWDUpyTVAKCg&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 79701"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 1
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        "nom" => "2. The Days Of Wine & Roses "
        "ordre" => 2
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        "nom" => "3. My One And Only Love "
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        "nom" => "4. People "
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        "nom" => "5. Have you Met Miss Jones ?"
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        "ordre" => 10
      ]
      [
        "nom" => "5. Goodbye J.D."
        "ordre" => 11
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    ]
    -artiste: App\Entity\Artiste {#1063 …}
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    }
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2091 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-we-get-requests-acoustic-sounds-series-79701"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3260
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2551 …}
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  +produit: App\Entity\Produit {#2086
    -id: 2040
    -nom: "We Get Requests"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      -  180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      When Jim Davis started producing records at Verve, he changed the company's recording philosophy toward its most prolific instrumentalist. Where Norman Granz had produced countless Oscar Peterson albums dedicated to the popular song, Davis was more interested in making albums closer to how the Peterson trio sounded live.\r\n
      \r\n
      By then the Peterson trio with bassist Ray Brown and drummer Ed Thigpen had been together for five years and performed like a well-oiled machine. Listeners here are treated to mostly pop songs of the day, including bossa nova tunes and film themes, and the treatments are fairly brief, with emphasis placed squarely on the melodies.\r\n
      \r\n
      Originally released in 1964.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=WDUpyTVAKCg&list=RDWDUpyTVAKCg&start_radio=1"
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      ]
      [
        "nom" => "5. Goodbye J.D."
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      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
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    -style: App\Entity\Style {#1468 …}
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    -modifierLe: DateTime @1762467114 {#2084
      date: 2025-11-06 22:11:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2091 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-we-get-requests-acoustic-sounds-series-79701"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2319 …}
}

[
  "produit" => App\Entity\Produit {#2099
    -id: 1005
    -nom: "Walking The Line"
    -informationComplementaire: null
    -description: """
      The newest package from the MPS Reforest the Legend series embraces the decade of 1970-1980, and covers a wide diversity of styles. Piano lovers can look forward to Oscar Peterson's trio classic Walking the Line, which finds the Canadian keyboard giant and partners bassist Georg Mraz and drummer Ray Price in top form.\r\n
      \r\n
      This, another trio album and one with Peterson solo, were recorded at the Hans Georg Brunner-Schwer Studio in Villingen, Germany on November 10 through 13, 1970.\r\n
      \r\n
      Once again sound engineers Christoph Stickel and Dirk Sommer have scrupulously remastered the original recordings. The resulting releases are high quality 180 gram vinyl pressings enclosed in record jackets containing the original artwork.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson (piano), Jiri Mraz (bass), Ray Price (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j3h5F-xnlYY"
    -referenceProduit: "MPS Records 210989"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I Love You "
        "ordre" => 1
      ]
      [
        "nom" => "2. Rock Of Ages "
        "ordre" => 2
      ]
      [
        "nom" => "3. Once Upon A Summertime "
        "ordre" => 3
      ]
      [
        "nom" => "4. Just Friends"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Teach Me Tonight  "
        "ordre" => 6
      ]
      [
        "nom" => "2. The Windmills Of Your Mind"
        "ordre" => 7
      ]
      [
        "nom" => "3. I Didn't Know What Time It Was "
        "ordre" => 8
      ]
      [
        "nom" => "4. All Of You"
        "ordre" => 9
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2101 …}
    -style: App\Entity\Style {#1468 …}
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    }
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      date: 2025-11-06 22:10:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2107 …}
    -disponible: null
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    -slug: "vinyles-walking-the-line-mps-records-210989"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3308
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2551 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2125 …}
  +produit: App\Entity\Produit {#2099
    -id: 1005
    -nom: "Walking The Line"
    -informationComplementaire: null
    -description: """
      The newest package from the MPS Reforest the Legend series embraces the decade of 1970-1980, and covers a wide diversity of styles. Piano lovers can look forward to Oscar Peterson's trio classic Walking the Line, which finds the Canadian keyboard giant and partners bassist Georg Mraz and drummer Ray Price in top form.\r\n
      \r\n
      This, another trio album and one with Peterson solo, were recorded at the Hans Georg Brunner-Schwer Studio in Villingen, Germany on November 10 through 13, 1970.\r\n
      \r\n
      Once again sound engineers Christoph Stickel and Dirk Sommer have scrupulously remastered the original recordings. The resulting releases are high quality 180 gram vinyl pressings enclosed in record jackets containing the original artwork.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson (piano), Jiri Mraz (bass), Ray Price (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j3h5F-xnlYY"
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    -titreMorceau: [
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        "ordre" => 8
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      [
        "nom" => "4. All Of You"
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    ]
    -artiste: App\Entity\Artiste {#1063 …}
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    -style: App\Entity\Style {#1468 …}
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      date: 2025-11-06 22:10:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-walking-the-line-mps-records-210989"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2319 …}
}

[
  "produit" => App\Entity\Produit {#2115
    -id: 2035
    -nom: "Night Train"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      - 5 stars Downbeat Magazine ! - 4.5 stars AllMusic !\r\n
      \r\n
      This release presents the complete original album Night Train (Verve V6-538), one of the many masterpieces recorded by the classic Oscar Peterson Trio with Ray Brown and Ed Thigpen. Particularly focused on Duke Ellington compositions, this LP also features the earliest version of Peterson's own "Hymn to Freedom".\r\n
      \r\n
      Recorded Radio Recorders Studio, Hollywood, December 16, 1962
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UEPna_EwGgo"
    -referenceProduit: "Acoustic Sounds Series 79601"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Night Train "
        "ordre" => 1
      ]
      [
        "nom" => "2. C Jam Blues "
        "ordre" => 2
      ]
      [
        "nom" => "3. Georgia On My Mind "
        "ordre" => 3
      ]
      [
        "nom" => "4. Bags' Groove "
        "ordre" => 4
      ]
      [
        "nom" => "5. Moten Swing "
        "ordre" => 5
      ]
      [
        "nom" => "6. Easy Does It"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Honey Dripper "
        "ordre" => 8
      ]
      [
        "nom" => "2. Thigns Ain't What They Used To Be "
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      [
        "nom" => "3. I Got It Bad And That Ain't Good "
        "ordre" => 10
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      [
        "nom" => "4. Band Call "
        "ordre" => 11
      ]
      [
        "nom" => "5. Hymn To Freedom"
        "ordre" => 12
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2032 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2123 …}
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    -modifierLe: DateTime @1762419878 {#2113
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2120 …}
    -disponible: null
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    -slug: "vinyles-night-train-acoustic-sounds-series-79601"
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App\Twig\Components\GestionPanierFavoriComponents {#3356
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2551 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2125 …}
  +produit: App\Entity\Produit {#2115
    -id: 2035
    -nom: "Night Train"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      - 5 stars Downbeat Magazine ! - 4.5 stars AllMusic !\r\n
      \r\n
      This release presents the complete original album Night Train (Verve V6-538), one of the many masterpieces recorded by the classic Oscar Peterson Trio with Ray Brown and Ed Thigpen. Particularly focused on Duke Ellington compositions, this LP also features the earliest version of Peterson's own "Hymn to Freedom".\r\n
      \r\n
      Recorded Radio Recorders Studio, Hollywood, December 16, 1962
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UEPna_EwGgo"
    -referenceProduit: "Acoustic Sounds Series 79601"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Night Train "
        "ordre" => 1
      ]
      [
        "nom" => "2. C Jam Blues "
        "ordre" => 2
      ]
      [
        "nom" => "3. Georgia On My Mind "
        "ordre" => 3
      ]
      [
        "nom" => "4. Bags' Groove "
        "ordre" => 4
      ]
      [
        "nom" => "5. Moten Swing "
        "ordre" => 5
      ]
      [
        "nom" => "6. Easy Does It"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Honey Dripper "
        "ordre" => 8
      ]
      [
        "nom" => "2. Thigns Ain't What They Used To Be "
        "ordre" => 9
      ]
      [
        "nom" => "3. I Got It Bad And That Ain't Good "
        "ordre" => 10
      ]
      [
        "nom" => "4. Band Call "
        "ordre" => 11
      ]
      [
        "nom" => "5. Hymn To Freedom"
        "ordre" => 12
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2032 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2123 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2116 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2118 …}
    -enregistreLe: DateTime @1620982119 {#2112
      date: 2021-05-14 08:48:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762419878 {#2113
      date: 2025-11-06 09:04:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2120 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-night-train-acoustic-sounds-series-79601"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2319 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3548
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2319 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3549 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3597 …}
  +isValidated: false
  +validatedFields: []
}