Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2630
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2707
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2710 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
  -formView: Symfony\Component\Form\FormView {#2746 …}
  -form: Symfony\Component\Form\Form {#2896 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 555
    -nom: "Exultation"
    -informationComplementaire: ""
    -description: """
      Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD !\r\n
      \r\n
      All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200 gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom !\r\n
      \r\n
      Deep groove label pressings, tip-on jackets on thick cardboard stock !\r\n
      \r\n
      First 250 LP copies of each title will be numbered editions and will only be available to series subscribers !\r\n
      \r\n
      "Both are gorgeous impressions of soul, jazz and blues, brought together through the legacy of standards and new compositions. The tonality of Gene Ammons in particular is transfixing and it is with the stereo reissues from Prestige that Gene will get a lot of love with multiple titles scheduled for release. Booker Ervin was another great tenor sax player and his contributions to the Prestige vaults are timeless with  Exultation !". - Erik Otis, Sound Colour Vibration, May 9, 2015.\r\n
      \r\n
      Intensity marked everything that Booker Ervin played. In his harmonic concept, slashing attack, and broad Texas sound, Ervin demanded attention and constantly built improvisations of searing drama and epic sweep. His primary legacy is a series of albums recorded for Prestige in the 1960s, of which this was his first, a riveting quintet recital where the alto saxophone of Frank Strozier supplies an urgent complement and the rhythm section is piloted by Horace Parlan, Ervin’s longtime compatriot from their days together in the Charles Mingus Jazz Workshop and in a cooperative quartet that worked at Minton’s Playhouse.\r\n
      \r\n
      In addition to four inspiring originals by Ervin and drummer Walter Perkins, the session features an eloquent reading of Fats Waller’s immortal "Black and Blue" and an exploration of the show tune "Just in Time". Both the latter and "No Land’s Man" are included in two versions, the shorter of which were cut for release as a 45 single.\r\n
      \r\n
      """
    -prixVente: "75.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Booker Ervin (tenor saxophone), Frank Strozier (alto saxophone), Horace Parlan (piano), Butch Warren (bass), Walter Perkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T3_W9msVNKg"
    -referenceProduit: "APRJ 7293"
    -titreMorceau: [
      [
        "nom" => "1. Black and Blue"
        "ordre" => 5
      ]
      [
        "nom" => "1. Mooche Mooche"
        "ordre" => 1
      ]
      [
        "nom" => "2. Just in Time"
        "ordre" => 6
      ]
      [
        "nom" => "2. Tune In"
        "ordre" => 2
      ]
      [
        "nom" => "3. Mour"
        "ordre" => 3
      ]
      [
        "nom" => "3. No Land's Man"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1351332218 {#1929
      date: 2012-10-27 10:03:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1592546987 {#1922
      date: 2020-06-19 06:09:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-exultation-aprj-7293"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3167
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 555
    -nom: "Exultation"
    -informationComplementaire: ""
    -description: """
      Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD !\r\n
      \r\n
      All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200 gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom !\r\n
      \r\n
      Deep groove label pressings, tip-on jackets on thick cardboard stock !\r\n
      \r\n
      First 250 LP copies of each title will be numbered editions and will only be available to series subscribers !\r\n
      \r\n
      "Both are gorgeous impressions of soul, jazz and blues, brought together through the legacy of standards and new compositions. The tonality of Gene Ammons in particular is transfixing and it is with the stereo reissues from Prestige that Gene will get a lot of love with multiple titles scheduled for release. Booker Ervin was another great tenor sax player and his contributions to the Prestige vaults are timeless with  Exultation !". - Erik Otis, Sound Colour Vibration, May 9, 2015.\r\n
      \r\n
      Intensity marked everything that Booker Ervin played. In his harmonic concept, slashing attack, and broad Texas sound, Ervin demanded attention and constantly built improvisations of searing drama and epic sweep. His primary legacy is a series of albums recorded for Prestige in the 1960s, of which this was his first, a riveting quintet recital where the alto saxophone of Frank Strozier supplies an urgent complement and the rhythm section is piloted by Horace Parlan, Ervin’s longtime compatriot from their days together in the Charles Mingus Jazz Workshop and in a cooperative quartet that worked at Minton’s Playhouse.\r\n
      \r\n
      In addition to four inspiring originals by Ervin and drummer Walter Perkins, the session features an eloquent reading of Fats Waller’s immortal "Black and Blue" and an exploration of the show tune "Just in Time". Both the latter and "No Land’s Man" are included in two versions, the shorter of which were cut for release as a 45 single.\r\n
      \r\n
      """
    -prixVente: "75.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Booker Ervin (tenor saxophone), Frank Strozier (alto saxophone), Horace Parlan (piano), Butch Warren (bass), Walter Perkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T3_W9msVNKg"
    -referenceProduit: "APRJ 7293"
    -titreMorceau: [
      [
        "nom" => "1. Black and Blue"
        "ordre" => 5
      ]
      [
        "nom" => "1. Mooche Mooche"
        "ordre" => 1
      ]
      [
        "nom" => "2. Just in Time"
        "ordre" => 6
      ]
      [
        "nom" => "2. Tune In"
        "ordre" => 2
      ]
      [
        "nom" => "3. Mour"
        "ordre" => 3
      ]
      [
        "nom" => "3. No Land's Man"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1351332218 {#1929
      date: 2012-10-27 10:03:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1592546987 {#1922
      date: 2020-06-19 06:09:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-exultation-aprj-7293"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 857
    -nom: "Louis Armstrong Plays W. C. Handy"
    -informationComplementaire: ""
    -description: """
      "The excellence of Louis' band is so high and so consistent that every man deserves commendation for his part in making this remarkably fine record. Trummy Young particularly should be singled out for his driving solos and for the way his 'boots' Louis in the final ensembles. The way I fell about this record can be summed up in this way. When I die, I want people to say, 'That's the guy that if it hadn't been for him and Louis Armstrong and W.C. Handy, there wouldn't have been that great record, Louis Armstrong Plays W.C. Handy". – excerpt from the sleeve notes by George Avakian\r\n
      \r\n
      "Pure Pleasure has remastered one of my desert island discs – my favorite Armstrong recording and one that shows him at his best musically and sonically…How does this new release stack up against the original maroon label Columbia vinyl ? Almost from the moment that the stylus first touched down, I heard subtle and not so subtle details that I had never noticed before, and I have listened to this recording in various incarnations hundreds of times. Add to that fact that the harmonic texture is captured spot on, and this new re-issue is an instant candidate for my Record of the Year…don't miss it !" Recording = 10/10; Music = 10/10 – Dennis D. Davis, Hi-Fi+, Issue 45
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Louis Armstrong (trumpet, vocals), Trummy Young (trombone), Barney Bigard (clarinet), Billy Kyle (piano), Arvell Shaw (bass), Velma Middleton (vocals), Barrett Deems (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uPEVmBOfiC8"
    -referenceProduit: "Pure Pleasure Records PPAN CL 591"
    -titreMorceau: [
      [
        "nom" => "1. Chantez Les Bas (Sing ‘Em Low)"
        "ordre" => 11
      ]
      [
        "nom" => "1. Long Gone (From Bowling Green)"
        "ordre" => 6
      ]
      [
        "nom" => "1. Loveless Love (rehearsal sequence)"
        "ordre" => 16
      ]
      [
        "nom" => "1. St Louis Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Hesitating Blues (rehearsal sequence)"
        "ordre" => 17
      ]
      [
        "nom" => "2. Hesitating Blues"
        "ordre" => 12
      ]
      [
        "nom" => "2. Memphis Blues"
        "ordre" => 7
      ]
      [
        "nom" => "2. Yellow Dog Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. Alligator Story"
        "ordre" => 18
      ]
      [
        "nom" => "3. Atlanta Blues (Make Me One Pallet On Your Floor)"
        "ordre" => 13
      ]
      [
        "nom" => "3. Beale Street Blues"
        "ordre" => 8
      ]
      [
        "nom" => "3. Loveless Love"
        "ordre" => 3
      ]
      [
        "nom" => "4. Aunt Hagar’s Blues"
        "ordre" => 4
      ]
      [
        "nom" => "4. George Avakian’s Interview With W.C. Handy"
        "ordre" => 14
      ]
      [
        "nom" => "4. Long Gone (From Bowling Green) (rehearsal sequence)"
        "ordre" => 19
      ]
      [
        "nom" => "4. Ole Miss"
        "ordre" => 9
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
      [
        "nom" => "Side C :"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1453365782 {#2095
      date: 2016-01-21 08:43:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1592292288 {#2096
      date: 2020-06-16 07:24:48.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-louis-armstrong-plays-w-c-handy-pure-pleasure-records-ppan-cl-591"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3281
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 857
    -nom: "Louis Armstrong Plays W. C. Handy"
    -informationComplementaire: ""
    -description: """
      "The excellence of Louis' band is so high and so consistent that every man deserves commendation for his part in making this remarkably fine record. Trummy Young particularly should be singled out for his driving solos and for the way his 'boots' Louis in the final ensembles. The way I fell about this record can be summed up in this way. When I die, I want people to say, 'That's the guy that if it hadn't been for him and Louis Armstrong and W.C. Handy, there wouldn't have been that great record, Louis Armstrong Plays W.C. Handy". – excerpt from the sleeve notes by George Avakian\r\n
      \r\n
      "Pure Pleasure has remastered one of my desert island discs – my favorite Armstrong recording and one that shows him at his best musically and sonically…How does this new release stack up against the original maroon label Columbia vinyl ? Almost from the moment that the stylus first touched down, I heard subtle and not so subtle details that I had never noticed before, and I have listened to this recording in various incarnations hundreds of times. Add to that fact that the harmonic texture is captured spot on, and this new re-issue is an instant candidate for my Record of the Year…don't miss it !" Recording = 10/10; Music = 10/10 – Dennis D. Davis, Hi-Fi+, Issue 45
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Louis Armstrong (trumpet, vocals), Trummy Young (trombone), Barney Bigard (clarinet), Billy Kyle (piano), Arvell Shaw (bass), Velma Middleton (vocals), Barrett Deems (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uPEVmBOfiC8"
    -referenceProduit: "Pure Pleasure Records PPAN CL 591"
    -titreMorceau: [
      [
        "nom" => "1. Chantez Les Bas (Sing ‘Em Low)"
        "ordre" => 11
      ]
      [
        "nom" => "1. Long Gone (From Bowling Green)"
        "ordre" => 6
      ]
      [
        "nom" => "1. Loveless Love (rehearsal sequence)"
        "ordre" => 16
      ]
      [
        "nom" => "1. St Louis Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Hesitating Blues (rehearsal sequence)"
        "ordre" => 17
      ]
      [
        "nom" => "2. Hesitating Blues"
        "ordre" => 12
      ]
      [
        "nom" => "2. Memphis Blues"
        "ordre" => 7
      ]
      [
        "nom" => "2. Yellow Dog Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. Alligator Story"
        "ordre" => 18
      ]
      [
        "nom" => "3. Atlanta Blues (Make Me One Pallet On Your Floor)"
        "ordre" => 13
      ]
      [
        "nom" => "3. Beale Street Blues"
        "ordre" => 8
      ]
      [
        "nom" => "3. Loveless Love"
        "ordre" => 3
      ]
      [
        "nom" => "4. Aunt Hagar’s Blues"
        "ordre" => 4
      ]
      [
        "nom" => "4. George Avakian’s Interview With W.C. Handy"
        "ordre" => 14
      ]
      [
        "nom" => "4. Long Gone (From Bowling Green) (rehearsal sequence)"
        "ordre" => 19
      ]
      [
        "nom" => "4. Ole Miss"
        "ordre" => 9
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
      [
        "nom" => "Side C :"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1453365782 {#2095
      date: 2016-01-21 08:43:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1592292288 {#2096
      date: 2020-06-16 07:24:48.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-louis-armstrong-plays-w-c-handy-pure-pleasure-records-ppan-cl-591"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2117
    -id: 1818
    -nom: "Amos Lee"
    -informationComplementaire: ""
    -description: """
      Soundstage, sonic detail enhanced at 45 RPM 2 LP !\r\n
      \r\n
      Mastered by Bernie Grundman from the original master tapes !\r\n
      \r\n
      Plating and 200 gram pressing by Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing old-style tip-on jacket !\r\n
      \r\n
      Singer-songwriter Amos Lee draws inspiration from soul music, contemporary jazz and 1970s folk artists such as James Taylor. The Philadelphia native honed his songwriting skills while waiting tables and bartending after graduating from the University of South Carolina with a degree in English. He eventually landed some high-profile gigs as an opening act, including an extended tour with pianist/vocalist Norah Jones, whose bassist, Lee Alexander, agreed to produce Lee's first album.\r\n
      \r\n
      With Alexander's help, Amos Lee released his self-titled debut on Blue Note in 2005. The album won Lee a small following for his blend of acoustic funk, folk, and light jazz. Norah Jones herself plays the piano on two tracks; "Keep It Loose, Keep It Tight" and "Colors".\r\n
      \r\n
      A notable debut like Amos Lee deserves the Analogue Productions reissue treatment. This beauty was cut by Bernie Grundman in Los Angeles from the master tape, and is now pressed at 45 RPM on two glorious sides of 200 gram vinyl by Quality Record Pressings, makers of the world's finest-sounding LPs. QRP is noted for deep-black backgrounds and pristine clarity. If you're already familiar with Amos Lee, get ready you've never experienced it with such lifelike sonics and premium richness. This is how all vinyl should sound.\r\n
      \r\n
      The songs on the album incorporate themes of folk, soul, gospel and jazz. Amos's style is a mix of Bill Withers, Arthur Lee, and James Taylor. Amos has recently toured with Bob Dylan, Paul Simon, Elvis Costello, Van Morrison, Adele, Dave Matthews and many others.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Lee Alexander (pulp drum, bass), Fred Berman (drums, background vocals), Kevin Breit (acoustic guitar, mandolin) Adam Levy (electric guitar, background vocals), Norah Jones (piano, background vocals), Devin Greenwood (Organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ARIgMZkioVw"
    -referenceProduit: "Analogue Productions AAPP 125-45"
    -titreMorceau: [
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        "nom" => "1. Black River"
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        "nom" => "1. Keep It Loose, Keep It Tight "
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        "nom" => "1. Soul Suckers"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3332
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2117
    -id: 1818
    -nom: "Amos Lee"
    -informationComplementaire: ""
    -description: """
      Soundstage, sonic detail enhanced at 45 RPM 2 LP !\r\n
      \r\n
      Mastered by Bernie Grundman from the original master tapes !\r\n
      \r\n
      Plating and 200 gram pressing by Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing old-style tip-on jacket !\r\n
      \r\n
      Singer-songwriter Amos Lee draws inspiration from soul music, contemporary jazz and 1970s folk artists such as James Taylor. The Philadelphia native honed his songwriting skills while waiting tables and bartending after graduating from the University of South Carolina with a degree in English. He eventually landed some high-profile gigs as an opening act, including an extended tour with pianist/vocalist Norah Jones, whose bassist, Lee Alexander, agreed to produce Lee's first album.\r\n
      \r\n
      With Alexander's help, Amos Lee released his self-titled debut on Blue Note in 2005. The album won Lee a small following for his blend of acoustic funk, folk, and light jazz. Norah Jones herself plays the piano on two tracks; "Keep It Loose, Keep It Tight" and "Colors".\r\n
      \r\n
      A notable debut like Amos Lee deserves the Analogue Productions reissue treatment. This beauty was cut by Bernie Grundman in Los Angeles from the master tape, and is now pressed at 45 RPM on two glorious sides of 200 gram vinyl by Quality Record Pressings, makers of the world's finest-sounding LPs. QRP is noted for deep-black backgrounds and pristine clarity. If you're already familiar with Amos Lee, get ready you've never experienced it with such lifelike sonics and premium richness. This is how all vinyl should sound.\r\n
      \r\n
      The songs on the album incorporate themes of folk, soul, gospel and jazz. Amos's style is a mix of Bill Withers, Arthur Lee, and James Taylor. Amos has recently toured with Bob Dylan, Paul Simon, Elvis Costello, Van Morrison, Adele, Dave Matthews and many others.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Lee Alexander (pulp drum, bass), Fred Berman (drums, background vocals), Kevin Breit (acoustic guitar, mandolin) Adam Levy (electric guitar, background vocals), Norah Jones (piano, background vocals), Devin Greenwood (Organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ARIgMZkioVw"
    -referenceProduit: "Analogue Productions AAPP 125-45"
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        "nom" => "3. Bottom Of The Barrel"
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      ]
      [
        "nom" => "3. Dreamin’"
        "ordre" => 6
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        "nom" => "Side A :"
        "ordre" => 0
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      [
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      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2131 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2124 …}
    -typeMasterTape: null
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      date: 2020-06-12 15:00:38.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2128 …}
    -disponible: null
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    -infoMasterTape: null
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[
  "produit" => App\Entity\Produit {#2136
    -id: 1174
    -nom: "Masterpieces By Ellington"
    -informationComplementaire: ""
    -description: """
      A historic record recorded just four years removed from the dawn of the analog tape era !\r\n
      \r\n
      200 gram double LP set remastered by Ryan K. Smith at Sterling Sound from the original analog tapes and cut at 45 RPM !\r\n
      \r\n
      Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second.\r\n
      \r\n
      Gatefold old-style "tip-on" on jacket by Stoughton Printing.\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Remastered by Ryan Smith at Sterling Sound from the original analog tapes, the record was plated and pressed at Quality Record Pressings. The depth and space when those rich chromatic harmonies create a wide and well-defined soundscape, the timbre of the orchestra as a whole as well as individual instruments, and the thick, wooden sound of Wendell Marshall's bass are among the aural pleasures provided when you drop a needle on this platter; expect goose bumps". - Music = 5/5; Sonics = 4.5/5 - Jeff Wilson, The Absolute Sound, May-June 2015.\r\n
      \r\n
      "I chose the CD reissue of this album as one of my R2D4s for 2012, but now from Chad Kassem's Analogue Productions comes this QRP LP, and it's an occasion for popping corks. Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever. How about a 45 RPM pressing, Chad ?" - Fred Kaplan, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "Among the first recordings arranged and produced to take advantage of the LP's longer playing time, this album was released in 1950 on Columbia Records' classical imprint, Masterworks, with a whimsical cover by Stan Fraydas (author of Hoppy, the Curious Kangaroo) that's reproduced for this edition. (Columbia soon replaced it with an image more "modern" and more mundane.)... Freed from the 78 RPM single's three-minute constraint, Ellington could score and record concert-length arrangements similar to those enjoyed by his concert audiences. Three of the four selections, including 'Mood Indigo' and 'Sophisticated Lady,' are familiar Ellington classics stretched and elasticized to luxurious effect. The harmonically saturated, transparent mono sound is astonishing for any era of recording. It's sure to leave you swooning, and wondering how and why recorded sound has since gone so far south." - Michael Fremer, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "I have recently been obsessed with Masterpieces by Ellington, one of the best records I have ever heard in terms of music and production. I can now see Ellington in full technicolor glory !" - Colleen ‘Cosmo' Murphy, Classic Album Sundays.\r\n
      \r\n
      "Chad Kassem's Analogue Productions, in conjunction with Ryan Smith of Sterling Sound mastering studio have produced an LP that equals and in some way exceeds the sound of a pristine original pressing properly equalized. The perfectly quiet vinyl and exemplary packaging add up to one of the best reissues of the century". Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 120\r\n
      \r\n
      "This new re-issue slays my vintage copy in every way. Every dimension of the recording was much better...dynamics, harmonics, frequency response, detail, jump...all just leaped out at me! The recording sounded like it had been made that morning...absolutely fresh-sounding. No veiling. No roll-off. In fact, it's so good that it doesn't matter that this is a mono recording ! Listen to it on a great turntable...you'll hear mono that fools you into thinking that it's not mono. Just wait until you hear Yvonne Lanauze sing, "Mood Indigo" amigos, after a long instrumental build-up...she'll take you there !... The pressing itself was impeccable : flat, and free of noise, tics and pops... a genuine masterpiece of the pressing-plant arts. The Hyperion OCL, the finest cartridge that I've ever heard, revealed how superbly these grooves were carved! Commendable, reference-grade analog...very, very close to master tape sound. Very damned close ! Kissing cousins close ! Hell, maybe even closer than that. In fact, I now consider the Analogue Productions re-issue of Masterpieces by Ellington to be one of the very finest Jazz records ever released. (Sorry Miles! Move over, Kind of Blue!)". - David W. Robinson, editor-in-chief, Positive Feedback Online.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8heLkixbh9w"
    -referenceProduit: "AAPJ 4418-45"
    -titreMorceau: [
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        "nom" => "1. Mood Indigo"
        "ordre" => 1
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      [
        "nom" => "1. Solitude"
        "ordre" => 7
      ]
      [
        "nom" => "1. Sophisticated Lady"
        "ordre" => 3
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      [
        "nom" => "1. The Tattooed Bride"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
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      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C :"
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2147 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2140 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2142 …}
    -enregistreLe: DateTime @1493831845 {#2133
      date: 2017-05-03 17:17:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1591342784 {#2134
      date: 2020-06-05 07:39:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2144 …}
    -disponible: null
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    -slug: "vinyles-masterpieces-by-ellington-aapj-4418-45"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3383
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2136
    -id: 1174
    -nom: "Masterpieces By Ellington"
    -informationComplementaire: ""
    -description: """
      A historic record recorded just four years removed from the dawn of the analog tape era !\r\n
      \r\n
      200 gram double LP set remastered by Ryan K. Smith at Sterling Sound from the original analog tapes and cut at 45 RPM !\r\n
      \r\n
      Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second.\r\n
      \r\n
      Gatefold old-style "tip-on" on jacket by Stoughton Printing.\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Remastered by Ryan Smith at Sterling Sound from the original analog tapes, the record was plated and pressed at Quality Record Pressings. The depth and space when those rich chromatic harmonies create a wide and well-defined soundscape, the timbre of the orchestra as a whole as well as individual instruments, and the thick, wooden sound of Wendell Marshall's bass are among the aural pleasures provided when you drop a needle on this platter; expect goose bumps". - Music = 5/5; Sonics = 4.5/5 - Jeff Wilson, The Absolute Sound, May-June 2015.\r\n
      \r\n
      "I chose the CD reissue of this album as one of my R2D4s for 2012, but now from Chad Kassem's Analogue Productions comes this QRP LP, and it's an occasion for popping corks. Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever. How about a 45 RPM pressing, Chad ?" - Fred Kaplan, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "Among the first recordings arranged and produced to take advantage of the LP's longer playing time, this album was released in 1950 on Columbia Records' classical imprint, Masterworks, with a whimsical cover by Stan Fraydas (author of Hoppy, the Curious Kangaroo) that's reproduced for this edition. (Columbia soon replaced it with an image more "modern" and more mundane.)... Freed from the 78 RPM single's three-minute constraint, Ellington could score and record concert-length arrangements similar to those enjoyed by his concert audiences. Three of the four selections, including 'Mood Indigo' and 'Sophisticated Lady,' are familiar Ellington classics stretched and elasticized to luxurious effect. The harmonically saturated, transparent mono sound is astonishing for any era of recording. It's sure to leave you swooning, and wondering how and why recorded sound has since gone so far south." - Michael Fremer, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "I have recently been obsessed with Masterpieces by Ellington, one of the best records I have ever heard in terms of music and production. I can now see Ellington in full technicolor glory !" - Colleen ‘Cosmo' Murphy, Classic Album Sundays.\r\n
      \r\n
      "Chad Kassem's Analogue Productions, in conjunction with Ryan Smith of Sterling Sound mastering studio have produced an LP that equals and in some way exceeds the sound of a pristine original pressing properly equalized. The perfectly quiet vinyl and exemplary packaging add up to one of the best reissues of the century". Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 120\r\n
      \r\n
      "This new re-issue slays my vintage copy in every way. Every dimension of the recording was much better...dynamics, harmonics, frequency response, detail, jump...all just leaped out at me! The recording sounded like it had been made that morning...absolutely fresh-sounding. No veiling. No roll-off. In fact, it's so good that it doesn't matter that this is a mono recording ! Listen to it on a great turntable...you'll hear mono that fools you into thinking that it's not mono. Just wait until you hear Yvonne Lanauze sing, "Mood Indigo" amigos, after a long instrumental build-up...she'll take you there !... The pressing itself was impeccable : flat, and free of noise, tics and pops... a genuine masterpiece of the pressing-plant arts. The Hyperion OCL, the finest cartridge that I've ever heard, revealed how superbly these grooves were carved! Commendable, reference-grade analog...very, very close to master tape sound. Very damned close ! Kissing cousins close ! Hell, maybe even closer than that. In fact, I now consider the Analogue Productions re-issue of Masterpieces by Ellington to be one of the very finest Jazz records ever released. (Sorry Miles! Move over, Kind of Blue!)". - David W. Robinson, editor-in-chief, Positive Feedback Online.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=8heLkixbh9w"
    -referenceProduit: "AAPJ 4418-45"
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        "nom" => "Side A :"
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        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2147 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2140 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2142 …}
    -enregistreLe: DateTime @1493831845 {#2133
      date: 2017-05-03 17:17:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1591342784 {#2134
      date: 2020-06-05 07:39:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2144 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-masterpieces-by-ellington-aapj-4418-45"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2152
    -id: 1134
    -nom: "The Wildest"
    -informationComplementaire: "Out of Print ! 1 copie"
    -description: "A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Normally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock and roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat. His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence. A veritable greatest-hits album, The Wildest! is a gem of Louis Prima's catalog. \r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Louis Prima (trumpet, vocals), Keely Smith (vocals), Amato Rodriguez (bass), Jack Marshall (guitar), Willie McCumber Jr. (piano), Sam Butera (tenor saxophone), James Blount (trombone), Bobby Morris (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Kkrb4h4weW4"
    -referenceProduit: "Pure Pleasure Records PPAN T755"
    -titreMorceau: [
      [
        "nom" => "1. Basin Street Blues "
        "ordre" => 8
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      [
        "nom" => "1. Just A Gigolo "
        "ordre" => 1
      ]
      [
        "nom" => "2. I Ain’t Got Nobody "
        "ordre" => 2
      ]
      [
        "nom" => "2. When It’s Sleepy Time Down South"
        "ordre" => 9
      ]
      [
        "nom" => "3. (Nothing’s Too Good) For My Baby "
        "ordre" => 3
      ]
      [
        "nom" => "3. Jump, Jive And Wail "
        "ordre" => 10
      ]
      [
        "nom" => "4. Buona Sera "
        "ordre" => 11
      ]
      [
        "nom" => "4. The Lip "
        "ordre" => 4
      ]
      [
        "nom" => "5. Body And Soul "
        "ordre" => 5
      ]
      [
        "nom" => "5. Night Train "
        "ordre" => 12
      ]
      [
        "nom" => "6. Oh Marie"
        "ordre" => 6
      ]
      [
        "nom" => "6. You Rascal You"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2163 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2156 …}
    -typeMasterTape: null
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    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2158 …}
    -enregistreLe: DateTime @1488871301 {#2149
      date: 2017-03-07 07:21:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1590823442 {#2150
      date: 2020-05-30 07:24:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2160 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-wildest-pure-pleasure-records-ppan-t755"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3434
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2152
    -id: 1134
    -nom: "The Wildest"
    -informationComplementaire: "Out of Print ! 1 copie"
    -description: "A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Normally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock and roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat. His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence. A veritable greatest-hits album, The Wildest! is a gem of Louis Prima's catalog. \r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Louis Prima (trumpet, vocals), Keely Smith (vocals), Amato Rodriguez (bass), Jack Marshall (guitar), Willie McCumber Jr. (piano), Sam Butera (tenor saxophone), James Blount (trombone), Bobby Morris (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Kkrb4h4weW4"
    -referenceProduit: "Pure Pleasure Records PPAN T755"
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        "nom" => "2. When It’s Sleepy Time Down South"
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        "nom" => "5. Night Train "
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      ]
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        "nom" => "6. Oh Marie"
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        "nom" => "6. You Rascal You"
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        "nom" => "Side A : "
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        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2163 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2156 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2158 …}
    -enregistreLe: DateTime @1488871301 {#2149
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    }
    -modifierLe: DateTime @1590823442 {#2150
      date: 2020-05-30 07:24:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2160 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-wildest-pure-pleasure-records-ppan-t755"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2168
    -id: 1842
    -nom: "Le Cid - Ballet Music "
    -informationComplementaire: ""
    -description: """
      The City Of Birmingham Symphony Orchestra perform Le Cid by Jules Massenet conducted by Louis Frémaux.\r\n
      \r\n
      One often looks in vain for the name Jules Massenet in the more popular concert guides. But once you have listened to these enchanting miniatures, you will doubtless agree that the French composer should not be absent from any musical guide. The ballet suite to the four-act opera "Le Cid" from 1885, which lauds the Spanish heroes in the war against the Moors, consists of a series of traditional dances from various regions of the Iberian Peninsula. Scintillating melodies sparkle with lively motion right from the very first in the series of dances, "Castillane". This is followed by a series of highly contrasted little movements whose characteristics cover a wide range of expression from crashing and robust in the "Aragonaise", via bright, warbling and whistling in the "Aubade", and on to the symphonic and lyrical "Catalane". The suite is brought to an end with the fresh and joyous "Navarraise" in a short and vibrant Finale.\r\n
      \r\n
      Massenet's perfected art of orchestration is well demonstrated in the "Scènes pittoresques", which begins with a march-like, processional dance, followed by an "Air de Ballet", a gently swirling movement filled with strains of interweaving woodwinds. After the bell-like, pastoral "Angélus" we hear the rich sound of bold fanfares in a lively final dance entitled "Fête bohème", which is certainly worthy of its name.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "The City Of Birmingham Symphony Orchestra conducted by Louis Frémaux"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "EMI Columbia TWO 350"
    -titreMorceau: [
      [
        "nom" => "1. Castillane"
        "ordre" => 2
      ]
      [
        "nom" => "1. Marche"
        "ordre" => 11
      ]
      [
        "nom" => "2. Air De Ballet"
        "ordre" => 12
      ]
      [
        "nom" => "2. Andalouse"
        "ordre" => 3
      ]
      [
        "nom" => "3. Angelus"
        "ordre" => 13
      ]
      [
        "nom" => "3. Aragonaise"
        "ordre" => 4
      ]
      [
        "nom" => "4. Aubade"
        "ordre" => 5
      ]
      [
        "nom" => "4. Fete Boheme"
        "ordre" => 14
      ]
      [
        "nom" => "5. Catalane"
        "ordre" => 6
      ]
      [
        "nom" => "5. The Last Sleep Of The Virgin From "La Vierge""
        "ordre" => 15
      ]
      [
        "nom" => "6. Madriene"
        "ordre" => 7
      ]
      [
        "nom" => "7. Navarraise"
        "ordre" => 8
      ]
      [
        "nom" => "LE CID - BALLET MUSIC"
        "ordre" => 1
      ]
      [
        "nom" => "SCENES PITTORESQUES"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: Proxies\__CG__\App\Entity\Label {#2173 …}
    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2182 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2175 …}
    -typeMasterTape: null
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    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2177 …}
    -enregistreLe: DateTime @1586248917 {#2165
      date: 2020-04-07 08:41:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1590128976 {#2166
      date: 2020-05-22 06:29:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2179 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-le-cid-ballet-music-emi-columbia-two-350"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3485
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2168
    -id: 1842
    -nom: "Le Cid - Ballet Music "
    -informationComplementaire: ""
    -description: """
      The City Of Birmingham Symphony Orchestra perform Le Cid by Jules Massenet conducted by Louis Frémaux.\r\n
      \r\n
      One often looks in vain for the name Jules Massenet in the more popular concert guides. But once you have listened to these enchanting miniatures, you will doubtless agree that the French composer should not be absent from any musical guide. The ballet suite to the four-act opera "Le Cid" from 1885, which lauds the Spanish heroes in the war against the Moors, consists of a series of traditional dances from various regions of the Iberian Peninsula. Scintillating melodies sparkle with lively motion right from the very first in the series of dances, "Castillane". This is followed by a series of highly contrasted little movements whose characteristics cover a wide range of expression from crashing and robust in the "Aragonaise", via bright, warbling and whistling in the "Aubade", and on to the symphonic and lyrical "Catalane". The suite is brought to an end with the fresh and joyous "Navarraise" in a short and vibrant Finale.\r\n
      \r\n
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      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "The City Of Birmingham Symphony Orchestra conducted by Louis Frémaux"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -preCommande: false
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    -extraitYoutube: ""
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    -titreMorceau: [
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      [
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        "nom" => "5. The Last Sleep Of The Virgin From "La Vierge""
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      [
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        "ordre" => 7
      ]
      [
        "nom" => "7. Navarraise"
        "ordre" => 8
      ]
      [
        "nom" => "LE CID - BALLET MUSIC"
        "ordre" => 1
      ]
      [
        "nom" => "SCENES PITTORESQUES"
        "ordre" => 10
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      [
        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
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    -modifierLe: DateTime @1590128976 {#2166
      date: 2020-05-22 06:29:36.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-le-cid-ballet-music-emi-columbia-two-350"
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[
  "produit" => App\Entity\Produit {#2187
    -id: 1347
    -nom: "What’s Going On - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Marvin Gaye (piano, keyboards, drums, vocals), Angelo Carlisi, Eli Fountain (alto saxophone), Tate Houston (baritone saxophone), Bob Babbit, James Jamerson (bass), Earl DeRouen, Eddie Brown (bongos), John Trudell, Maurice Davis (trumpet), Larry Nozero (soprano saxophone), Earl DeRouen, Eddie Brown (congas), Dayna Hartwick, William Perich (flute), Joe Messina, Robert White, Earl Van Dyke (guitar), Max Janowsky (string bass), William "Wild Bill" Moore, George Benson (tenor saxophone), Jack Ashford (tambourine), Carl Raetz (trombone), Jack Brokensha (vibraphone), Johnny Griffith (celesta), Carole Crosby (harp), Elgie Stover, Lem Barney, Mel Farr, Bobby Rodgers, The Andantes (backing vocals), David Ireland, Edouard Kesner, Meyer Shapiro, Nathan Gordon (viola), Alvin Score, Beatriz Budinszky, Felix Resnick, Gordon Staples, James Waring, Lillian Downs, Richard Margitza, Virginia Halfmann, Zinovi Bistritzky (violin), Edward Korkigian, Italo Babini, Thaddeus Markiewicz (cello), Jack Ashford (percussion), Chet Forest (drums).\r\n
      \r\n
      Mastered from the Original Master Tapes and Pressed on MoFi SuperVinyl: What's Going On Mobile Fidelity UD1S 45 RPM 2 LP Box Set Is the Ultimate Version of Marvin Gaye's Groundbreaking Album. \r\n
      \r\n
      Lavish Packaging Includes Opulent Box, Foil-Stamped Jackets, and World's First MoFi SuperVinyl LPs : Deluxe Audiophile Set Strictly Limited to 7500 Numbered Copies (Limit Two Per Customer). \r\n
      \r\n
      Pure Soul Genius That Redefined Pop Music and Motown: Socially Relevant What's Going On Pulses with Vitality and Urgency, Named the Sixth Greatest Album of All Time by Rolling Stone.\r\n
      \r\n
      Named the 6th best album in music history by Rolling Stone, Marvin Gaye's staggeringly influential What's Going On is pure soul genius and an ageless document about urban ills, employment issues, environmental concerns, and social responsibilities that's as relevant today as it was upon release in 1971. At once, the singer both revolutionized Motown's cache and upped the ante for his fellow artists. And now, the song cycle that toes the line between optimism, dismay, healing, futility, and urgency features sound and packaging that matches the groundbreaking arrangements, singing, and lyrical content within.\r\n
      \r\n
      Gaye's definitive statement reaches three-dimensional sonic and emotional heights never before attained on Mobile Fidelity's opulent UD1S (UltraDisc One-Step) box set. Strictly limited to 7500 numbered copies and pressed on MoFi SuperVinyl featuring the world's quietest surfaces and accurately cut grooves, this ultra-hi-fi collector's edition literally and figuratively brings you closer to music that redefined pop. You'll enjoy deep-black backgrounds, boundless soundstaging, pointillist details, staggering dynamics, and arguably, the most lifelike tonalities and nuances ever committed to vinyl. Experienced via UD1S, What's Going On places Gaye and his cadre of session pros in your listening room. Every note, breath, and movement is reproduced with exquisite accuracy, wowing clarity, and impeccable balance. Consider this edition your new go-to reference.\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.\r\n
      \r\n
      The lavish packaging, beautiful presentation, and pressing treatment of Mobile Fidelity's What's Going On UD1S pressing befit its extremely select status. Housed in a deluxe box, the collectible version contains special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this reissue of What's Going On exists a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound quality and creativity, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the textures and liner notes.\r\n
      \r\n
      Incredibly, the record almost didn't get made. Motown head honcho Barry Gordy detested the iconic title track but soon realized Gaye's ultimatum to issue it as a single had merit. After selling 100000 copies in its first days on the market, the release allowed Gaye carte blanche to make the remainder of the album on his terms and to serve as its producer, effectively signaling his split from the Detroit label's iron-clad hit-factory approach. The results forever changed soul, Motown, and Gaye, turning him from a crooner and sex symbol into someone far more complex, vital, and relatable on a human level.\r\n
      \r\n
      The societal themes coursing through What's Going On largely concerning the American Dream and what it really meant, and if it could still be attained, and if so, by whom and for what cost were largely informed by events of the time. Civil Rights riots, the assassination of Martin Luther King Jr., the Kent State shootings, as well as Gaye's own losses the death of his duet partner Tammi Terrell, the unraveling of his marriage, the pressures he faced from the IRS for unpaid taxes all prominently figured in the songwriting. Yet no subject mattered more than the Vietnam war and its returning veterans, one of whom was his brother. "I was very much affected by letters my brother was sending me from Vietnam, as well as the social situation here at home", the singer told Rolling Stone in an interview. "I realized that I had to put my own fantasies behind me if I wanted to write songs that would reach the souls of people. I wanted them to take a look at what was happening in the world".\r\n
      \r\n
      No less of an authority than "Sound Opinions" co-host, longtime Chicago Tribune critic, and award-winning author Greg Kot smartly observed that with What's Going On, Gaye "created soul music's first ‘art' album, an inner-city response to the Celtic mysticism of Van Morrison's Astral Weeks, the psychedelic pop of the Beatles' Sgt. Pepper's Lonely Hearts Club Band, the rewired blues of Bob Dylan's Highway 61 Revisited". And that's honestly just scratching the surface of this singular record.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior :\r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
      """
    -prixVente: "499.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Marvin Gaye (piano, keyboards, drums, vocals), Angelo Carlisi, Eli Fountain (alto saxophone), Tate Houston (baritone saxophone), Bob Babbit, James Jamerson (bass), Earl DeRouen, Eddie Brown (bongos), John Trudell, Maurice Davis (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=H-kA3UtBj4M"
    -referenceProduit: "MFSL UD1S 008"
    -titreMorceau: [
      [
        "nom" => "1. Right On"
        "ordre" => 9
      ]
      [
        "nom" => "1. Save the Children"
        "ordre" => 5
      ]
      [
        "nom" => "1. What's Going On"
        "ordre" => 1
      ]
      [
        "nom" => "1. Wholy Holy"
        "ordre" => 11
      ]
      [
        "nom" => "2. God Is Love"
        "ordre" => 6
      ]
      [
        "nom" => "2. Inner City Blues (Make Me Wanna Holler)"
        "ordre" => 12
      ]
      [
        "nom" => "2. What's Happening Brother"
        "ordre" => 2
      ]
      [
        "nom" => "3. Flyin' High (In the Friendly Sky)"
        "ordre" => 3
      ]
      [
        "nom" => "3. Mercy Mercy Me (The Ecology)"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#2192 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2201 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2194 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2196 …}
    -enregistreLe: DateTime @1538375570 {#2184
      date: 2018-10-01 06:32:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1588313311 {#2185
      date: 2020-05-01 06:08:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2198 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-what-s-going-on-ultradisc-one-step-2-lp-45-rpm-box-set-mfsl-ud1s-008"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3536
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2187
    -id: 1347
    -nom: "What’s Going On - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Marvin Gaye (piano, keyboards, drums, vocals), Angelo Carlisi, Eli Fountain (alto saxophone), Tate Houston (baritone saxophone), Bob Babbit, James Jamerson (bass), Earl DeRouen, Eddie Brown (bongos), John Trudell, Maurice Davis (trumpet), Larry Nozero (soprano saxophone), Earl DeRouen, Eddie Brown (congas), Dayna Hartwick, William Perich (flute), Joe Messina, Robert White, Earl Van Dyke (guitar), Max Janowsky (string bass), William "Wild Bill" Moore, George Benson (tenor saxophone), Jack Ashford (tambourine), Carl Raetz (trombone), Jack Brokensha (vibraphone), Johnny Griffith (celesta), Carole Crosby (harp), Elgie Stover, Lem Barney, Mel Farr, Bobby Rodgers, The Andantes (backing vocals), David Ireland, Edouard Kesner, Meyer Shapiro, Nathan Gordon (viola), Alvin Score, Beatriz Budinszky, Felix Resnick, Gordon Staples, James Waring, Lillian Downs, Richard Margitza, Virginia Halfmann, Zinovi Bistritzky (violin), Edward Korkigian, Italo Babini, Thaddeus Markiewicz (cello), Jack Ashford (percussion), Chet Forest (drums).\r\n
      \r\n
      Mastered from the Original Master Tapes and Pressed on MoFi SuperVinyl: What's Going On Mobile Fidelity UD1S 45 RPM 2 LP Box Set Is the Ultimate Version of Marvin Gaye's Groundbreaking Album. \r\n
      \r\n
      Lavish Packaging Includes Opulent Box, Foil-Stamped Jackets, and World's First MoFi SuperVinyl LPs : Deluxe Audiophile Set Strictly Limited to 7500 Numbered Copies (Limit Two Per Customer). \r\n
      \r\n
      Pure Soul Genius That Redefined Pop Music and Motown: Socially Relevant What's Going On Pulses with Vitality and Urgency, Named the Sixth Greatest Album of All Time by Rolling Stone.\r\n
      \r\n
      Named the 6th best album in music history by Rolling Stone, Marvin Gaye's staggeringly influential What's Going On is pure soul genius and an ageless document about urban ills, employment issues, environmental concerns, and social responsibilities that's as relevant today as it was upon release in 1971. At once, the singer both revolutionized Motown's cache and upped the ante for his fellow artists. And now, the song cycle that toes the line between optimism, dismay, healing, futility, and urgency features sound and packaging that matches the groundbreaking arrangements, singing, and lyrical content within.\r\n
      \r\n
      Gaye's definitive statement reaches three-dimensional sonic and emotional heights never before attained on Mobile Fidelity's opulent UD1S (UltraDisc One-Step) box set. Strictly limited to 7500 numbered copies and pressed on MoFi SuperVinyl featuring the world's quietest surfaces and accurately cut grooves, this ultra-hi-fi collector's edition literally and figuratively brings you closer to music that redefined pop. You'll enjoy deep-black backgrounds, boundless soundstaging, pointillist details, staggering dynamics, and arguably, the most lifelike tonalities and nuances ever committed to vinyl. Experienced via UD1S, What's Going On places Gaye and his cadre of session pros in your listening room. Every note, breath, and movement is reproduced with exquisite accuracy, wowing clarity, and impeccable balance. Consider this edition your new go-to reference.\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.\r\n
      \r\n
      The lavish packaging, beautiful presentation, and pressing treatment of Mobile Fidelity's What's Going On UD1S pressing befit its extremely select status. Housed in a deluxe box, the collectible version contains special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this reissue of What's Going On exists a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound quality and creativity, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the textures and liner notes.\r\n
      \r\n
      Incredibly, the record almost didn't get made. Motown head honcho Barry Gordy detested the iconic title track but soon realized Gaye's ultimatum to issue it as a single had merit. After selling 100000 copies in its first days on the market, the release allowed Gaye carte blanche to make the remainder of the album on his terms and to serve as its producer, effectively signaling his split from the Detroit label's iron-clad hit-factory approach. The results forever changed soul, Motown, and Gaye, turning him from a crooner and sex symbol into someone far more complex, vital, and relatable on a human level.\r\n
      \r\n
      The societal themes coursing through What's Going On largely concerning the American Dream and what it really meant, and if it could still be attained, and if so, by whom and for what cost were largely informed by events of the time. Civil Rights riots, the assassination of Martin Luther King Jr., the Kent State shootings, as well as Gaye's own losses the death of his duet partner Tammi Terrell, the unraveling of his marriage, the pressures he faced from the IRS for unpaid taxes all prominently figured in the songwriting. Yet no subject mattered more than the Vietnam war and its returning veterans, one of whom was his brother. "I was very much affected by letters my brother was sending me from Vietnam, as well as the social situation here at home", the singer told Rolling Stone in an interview. "I realized that I had to put my own fantasies behind me if I wanted to write songs that would reach the souls of people. I wanted them to take a look at what was happening in the world".\r\n
      \r\n
      No less of an authority than "Sound Opinions" co-host, longtime Chicago Tribune critic, and award-winning author Greg Kot smartly observed that with What's Going On, Gaye "created soul music's first ‘art' album, an inner-city response to the Celtic mysticism of Van Morrison's Astral Weeks, the psychedelic pop of the Beatles' Sgt. Pepper's Lonely Hearts Club Band, the rewired blues of Bob Dylan's Highway 61 Revisited". And that's honestly just scratching the surface of this singular record.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior :\r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
      """
    -prixVente: "499.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Marvin Gaye (piano, keyboards, drums, vocals), Angelo Carlisi, Eli Fountain (alto saxophone), Tate Houston (baritone saxophone), Bob Babbit, James Jamerson (bass), Earl DeRouen, Eddie Brown (bongos), John Trudell, Maurice Davis (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=H-kA3UtBj4M"
    -referenceProduit: "MFSL UD1S 008"
    -titreMorceau: [
      [
        "nom" => "1. Right On"
        "ordre" => 9
      ]
      [
        "nom" => "1. Save the Children"
        "ordre" => 5
      ]
      [
        "nom" => "1. What's Going On"
        "ordre" => 1
      ]
      [
        "nom" => "1. Wholy Holy"
        "ordre" => 11
      ]
      [
        "nom" => "2. God Is Love"
        "ordre" => 6
      ]
      [
        "nom" => "2. Inner City Blues (Make Me Wanna Holler)"
        "ordre" => 12
      ]
      [
        "nom" => "2. What's Happening Brother"
        "ordre" => 2
      ]
      [
        "nom" => "3. Flyin' High (In the Friendly Sky)"
        "ordre" => 3
      ]
      [
        "nom" => "3. Mercy Mercy Me (The Ecology)"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#2192 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2201 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2194 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2196 …}
    -enregistreLe: DateTime @1538375570 {#2184
      date: 2018-10-01 06:32:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1588313311 {#2185
      date: 2020-05-01 06:08:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2198 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-what-s-going-on-ultradisc-one-step-2-lp-45-rpm-box-set-mfsl-ud1s-008"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2210
    -id: 1310
    -nom: "Concerto for Piano and Orchestra"
    -informationComplementaire: ""
    -description: """
      The exceptional sound of Everest 35 mm Magnetic Film Recordings returns !\r\n
      \r\n
      Ten Everest titles, each a 2 LP 45 RPM release ! 45 RPM versions have never been issued !\r\n
      \r\n
      Mastered directly from the original 35 mm magnetic film using an "all tube" cutting system !\r\n
      \r\n
      Pressed on Classic's 200 gram Super Vinyl Flat Profile at Quality Record Pressings\r\n
      \r\n
      Sets come with Stoughton Printing tip-on old style original jacket artwork and Everest Records-branded jacket\r\n
      \r\n
      Two LPs are packaged in a protective clear sleeve\r\n
      \r\n
      Among Classic Records' highlight accomplishments before the label sold in 2010 to Acoustic Sounds was unlocking the audio majesty of the Everest 35 mm magnetic film recordings on a groundbreaking reissue series. Now, return with us, as Classic Records by Analogue Productions returns this vintage audiophile collection to its rightful glory.\r\n
      \r\n
      Everest LPs through the early 1960s were recorded on 3 channel 35 mm magnetic film recording equipment. 35 mm magnetic film yielded greater fidelity and less noise than standard 1/4" recording tape. The Westrex Corporation built special equipment to Everest's specifications to accomplish these advantages.\r\n
      \r\n
      Fast forward to today: Classic Records by Analogue Productions is resurrecting this collection through an initial 10-title reissue series. Bernie Grundman cut the Classic Records reissues at both 33 and 45 RPM the 45 RPM versions have never been reissued !\r\n
      \r\n
      Quality Record Pressings 200 gram flat profile LPs. These records are pressed with a flat-edge, no groove-guard flat profile, like the originals. The flat edge refers to the absence of a raised, beaded lip on the outer edge of the record, providing a flat playing surface - and no incline on your turntable.\r\n
      \r\n
      Quality Record Pressings' quality is legendary and these flat profile 200 gram platters will look and sound exceptional !\r\n
      \r\n
      Each 2 LP set comes with a Stoughton Printing tip-on original jacket and an Everest Records branded jacket showing photos of each reissue title. The two LPs are packaged in a protective clear sleeve.\r\n
      \r\n
      A Hugo Rignold / LSO performance of this brilliant showpiece for orchestra with piano accompaniment performed superlatively by Peter Katin. The recording, another of the great Bert Whyte efforts, was staged in 1959 at London’s famous Walthamstow Hall, the site of many famous Decca recordings.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "The London Symphony Orchestra conducted by Hugo Rignold, Peter Katin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=d9mZR1CmXRU"
    -referenceProduit: "AEVC 3055-45"
    -titreMorceau: [
      [
        "nom" => "1. 1st Movement - Allegro Maestoso"
        "ordre" => 1
      ]
      [
        "nom" => "1. 1st Movement - Allegro Maestoso"
        "ordre" => 7
      ]
      [
        "nom" => "1. 2nd Movement - Andante con anime"
        "ordre" => 3
      ]
      [
        "nom" => "3. 3rd Movement - Allegro Brillante"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 2
      ]
      [
        "nom" => "Side C :"
        "ordre" => 4
      ]
      [
        "nom" => "Side D :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
    -label: Proxies\__CG__\App\Entity\Label {#2215 …}
    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2224 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2217 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2219 …}
    -enregistreLe: DateTime @1527494313 {#2203
      date: 2018-05-28 07:58:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1587969119 {#2204
      date: 2020-04-27 06:31:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2221 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-concerto-for-piano-and-orchestra-aevc-3055-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3587
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2210
    -id: 1310
    -nom: "Concerto for Piano and Orchestra"
    -informationComplementaire: ""
    -description: """
      The exceptional sound of Everest 35 mm Magnetic Film Recordings returns !\r\n
      \r\n
      Ten Everest titles, each a 2 LP 45 RPM release ! 45 RPM versions have never been issued !\r\n
      \r\n
      Mastered directly from the original 35 mm magnetic film using an "all tube" cutting system !\r\n
      \r\n
      Pressed on Classic's 200 gram Super Vinyl Flat Profile at Quality Record Pressings\r\n
      \r\n
      Sets come with Stoughton Printing tip-on old style original jacket artwork and Everest Records-branded jacket\r\n
      \r\n
      Two LPs are packaged in a protective clear sleeve\r\n
      \r\n
      Among Classic Records' highlight accomplishments before the label sold in 2010 to Acoustic Sounds was unlocking the audio majesty of the Everest 35 mm magnetic film recordings on a groundbreaking reissue series. Now, return with us, as Classic Records by Analogue Productions returns this vintage audiophile collection to its rightful glory.\r\n
      \r\n
      Everest LPs through the early 1960s were recorded on 3 channel 35 mm magnetic film recording equipment. 35 mm magnetic film yielded greater fidelity and less noise than standard 1/4" recording tape. The Westrex Corporation built special equipment to Everest's specifications to accomplish these advantages.\r\n
      \r\n
      Fast forward to today: Classic Records by Analogue Productions is resurrecting this collection through an initial 10-title reissue series. Bernie Grundman cut the Classic Records reissues at both 33 and 45 RPM the 45 RPM versions have never been reissued !\r\n
      \r\n
      Quality Record Pressings 200 gram flat profile LPs. These records are pressed with a flat-edge, no groove-guard flat profile, like the originals. The flat edge refers to the absence of a raised, beaded lip on the outer edge of the record, providing a flat playing surface - and no incline on your turntable.\r\n
      \r\n
      Quality Record Pressings' quality is legendary and these flat profile 200 gram platters will look and sound exceptional !\r\n
      \r\n
      Each 2 LP set comes with a Stoughton Printing tip-on original jacket and an Everest Records branded jacket showing photos of each reissue title. The two LPs are packaged in a protective clear sleeve.\r\n
      \r\n
      A Hugo Rignold / LSO performance of this brilliant showpiece for orchestra with piano accompaniment performed superlatively by Peter Katin. The recording, another of the great Bert Whyte efforts, was staged in 1959 at London’s famous Walthamstow Hall, the site of many famous Decca recordings.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "The London Symphony Orchestra conducted by Hugo Rignold, Peter Katin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=d9mZR1CmXRU"
    -referenceProduit: "AEVC 3055-45"
    -titreMorceau: [
      [
        "nom" => "1. 1st Movement - Allegro Maestoso"
        "ordre" => 1
      ]
      [
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    ]
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-concerto-for-piano-and-orchestra-aevc-3055-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2229
    -id: 1309
    -nom: "Concerto for Orchestra"
    -informationComplementaire: ""
    -description: """
      The exceptional sound of Everest 35 mm Magnetic Film Recordings returns !\r\n
      \r\n
      Ten Everest titles, each a 2 LP 45 RPM release! 45 RPM versions have never been issued !\r\n
      \r\n
      Mastered directly from the original 35mm magnetic film using an "all tube" cutting system !\r\n
      \r\n
      Pressed on Classic's 200 gram Super Vinyl Flat Profile at Quality Record Pressings\r\n
      \r\n
      Sets come with Stoughton Printing tip-on old style original jacket artwork and Everest Records-branded jacket\r\n
      \r\n
      Two LPs are packaged in a protective clear sleeve\r\n
      \r\n
      Among Classic Records' highlight accomplishments before the label sold in 2010 to Acoustic Sounds was unlocking the audio majesty of the Everest 35 mm magnetic film recordings on a groundbreaking reissue series. Now, return with us, as Classic Records by Analogue Productions returns this vintage audiophile collection to its rightful glory.\r\n
      \r\n
      Everest LPs through the early 1960s were recorded on 3 channel 35 mm magnetic film recording equipment. 35 mm magnetic film yielded greater fidelity and less noise than standard 1/4" recording tape. The Westrex Corporation built special equipment to Everest's specifications to accomplish these advantages.\r\n
      \r\n
      Fast forward to today: Classic Records by Analogue Productions is resurrecting this collection through an initial 10-title reissue series. Bernie Grundman cut the Classic Records reissues at both 33 and 45 RPM the 45 RPM versions have never been reissued !\r\n
      \r\n
      Quality Record Pressings 200 gram flat profile LPs. These records are pressed with a flat-edge, no groove-guard flat profile, like the originals. The flat edge refers to the absence of a raised, beaded lip on the outer edge of the record, providing a flat playing surface - and no incline on your turntable.\r\n
      \r\n
      Quality Record Pressings' quality is legendary and these flat profile 200 gram platters will look and sound exceptional !\r\n
      \r\n
      Each 2 LP set comes with a Stoughton Printing tip-on original jacket and an Everest Records branded jacket showing photos of each reissue title. The two LPs are packaged in a protective clear sleeve.\r\n
      \r\n
      Bartok's Concerto for Orchestra derives its name from the approach taken in treating instrument groups within the orchestra in a ‘concertante' or soloist manner throughout the piece. This virtuoso treatment, for example, is notable in the fugato section of the first movement where the brass are highlighted as well as in the second movement where pairs of instruments appear consecutively creating a brilliant passage. Stokowski's interpretation of this popular Bartok composition was recorded at the Houston Civic Center by Bert Whyte and team and originally released in March of 1961.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "The Houston Symphony Orchestra conducted by Leopold Stokowski"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2231 …}
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    }
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    -disponible: null
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    -slug: "vinyles-concerto-for-orchestra-aevc-3069-45"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3638
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2229
    -id: 1309
    -nom: "Concerto for Orchestra"
    -informationComplementaire: ""
    -description: """
      The exceptional sound of Everest 35 mm Magnetic Film Recordings returns !\r\n
      \r\n
      Ten Everest titles, each a 2 LP 45 RPM release! 45 RPM versions have never been issued !\r\n
      \r\n
      Mastered directly from the original 35mm magnetic film using an "all tube" cutting system !\r\n
      \r\n
      Pressed on Classic's 200 gram Super Vinyl Flat Profile at Quality Record Pressings\r\n
      \r\n
      Sets come with Stoughton Printing tip-on old style original jacket artwork and Everest Records-branded jacket\r\n
      \r\n
      Two LPs are packaged in a protective clear sleeve\r\n
      \r\n
      Among Classic Records' highlight accomplishments before the label sold in 2010 to Acoustic Sounds was unlocking the audio majesty of the Everest 35 mm magnetic film recordings on a groundbreaking reissue series. Now, return with us, as Classic Records by Analogue Productions returns this vintage audiophile collection to its rightful glory.\r\n
      \r\n
      Everest LPs through the early 1960s were recorded on 3 channel 35 mm magnetic film recording equipment. 35 mm magnetic film yielded greater fidelity and less noise than standard 1/4" recording tape. The Westrex Corporation built special equipment to Everest's specifications to accomplish these advantages.\r\n
      \r\n
      Fast forward to today: Classic Records by Analogue Productions is resurrecting this collection through an initial 10-title reissue series. Bernie Grundman cut the Classic Records reissues at both 33 and 45 RPM the 45 RPM versions have never been reissued !\r\n
      \r\n
      Quality Record Pressings 200 gram flat profile LPs. These records are pressed with a flat-edge, no groove-guard flat profile, like the originals. The flat edge refers to the absence of a raised, beaded lip on the outer edge of the record, providing a flat playing surface - and no incline on your turntable.\r\n
      \r\n
      Quality Record Pressings' quality is legendary and these flat profile 200 gram platters will look and sound exceptional !\r\n
      \r\n
      Each 2 LP set comes with a Stoughton Printing tip-on original jacket and an Everest Records branded jacket showing photos of each reissue title. The two LPs are packaged in a protective clear sleeve.\r\n
      \r\n
      Bartok's Concerto for Orchestra derives its name from the approach taken in treating instrument groups within the orchestra in a ‘concertante' or soloist manner throughout the piece. This virtuoso treatment, for example, is notable in the fugato section of the first movement where the brass are highlighted as well as in the second movement where pairs of instruments appear consecutively creating a brilliant passage. Stokowski's interpretation of this popular Bartok composition was recorded at the Houston Civic Center by Bert Whyte and team and originally released in March of 1961.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "The Houston Symphony Orchestra conducted by Leopold Stokowski"
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    -preCommande: false
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      [
        "nom" => "Side A :"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2231 …}
    -label: Proxies\__CG__\App\Entity\Label {#2215 …}
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    -modifierLe: DateTime @1587969039 {#2227
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2245
    -id: 1312
    -nom: "Gayne Ballet Suite "
    -informationComplementaire: ""
    -description: """
      The exceptional sound of Everest 35 mm Magnetic Film Recordings returns !\r\n
      \r\n
      Ten Everest titles, each a 2 LP 45 RPM release ! 45 RPM versions have never been issued !\r\n
      \r\n
      Mastered directly from the original 35 mm magnetic film using an "all tube" cutting system !\r\n
      \r\n
      Pressed on Classic's 200 gram Super Vinyl Flat Profile at Quality Record Pressings\r\n
      \r\n
      Sets come with Stoughton Printing tip-on old style original jacket artwork and Everest Records-branded jacket\r\n
      \r\n
      Two LPs are packaged in a protective clear sleeve\r\n
      \r\n
      Among Classic Records' highlight accomplishments before the label sold in 2010 to Acoustic Sounds was unlocking the audio majesty of the Everest 35 mm magnetic film recordings on a groundbreaking reissue series. Now, return with us, as Classic Records by Analogue Productions returns this vintage audiophile collection to its rightful glory.\r\n
      \r\n
      Everest LPs through the early 1960s were recorded on 3 channel 35mm magnetic film recording equipment. 35 mm magnetic film yielded greater fidelity and less noise than standard 1/4" recording tape. The Westrex Corporation built special equipment to Everest's specifications to accomplish these advantages.\r\n
      \r\n
      Fast forward to today : Classic Records by Analogue Productions is resurrecting this collection through an initial 10-title reissue series. Bernie Grundman cut the Classic Records reissues at both 33 and 45 RPM the 45 RPM versions have never been reissued !\r\n
      \r\n
      Quality Record Pressings 200 gram flat profile LPs. These records are pressed with a flat-edge, no groove-guard flat profile, like the originals. The flat edge refers to the absence of a raised, beaded lip on the outer edge of the record, providing a flat playing surface and no incline on your turntable.\r\n
      \r\n
      Quality Record Pressings' quality is legendary and these flat profile 200 gram platters will look and sound exceptional !\r\n
      \r\n
      Each 2 LP set comes with a Stoughton Printing tip-on original jacket and an Everest Records branded jacket showing photos of each reissue title. The two LPs are packaged in a protective clear sleeve.\r\n
      \r\n
      Khatchaturian : Gayne (Ballet Suite) by London Symphony Orchestra, Anatole Fistoulari conductor. Anatole Fistoulari learned most of his technique and repertory from his father, Gregor Fistoulari, a student of Nikolay Rimsky-Korsakov and Anton Rubinstein. Anatole Fistoulari built a substantial recorded discography.\r\n
      \r\n
      As with his Decca recordings of Ballet Music, Fistoulari again delivers a lively reading of Khachaturian's famous ballet piece. Is this performance the equal of the HP acclaimed Mercury no, ITS BETTER ! Add to that earth shattering bass power and spacious detail especially in ambient high frequency range and you have a winner that is both delightful and revealing to listen to over and over again. Bert Whyte is again at the controls for another outstanding Everest 35 mm recording at London's famed Walthamstow Assembly Hall the same hall used extensively by the Decca and Kenneth Wilkinson.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "The London Symphony Orchestra conducted by Anatole Fistoulari"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=B5sDVISr7w0"
    -referenceProduit: "AEVC 3052-45"
    -titreMorceau: [
      [
        "nom" => "1. Dance Of The Old Man"
        "ordre" => 13
      ]
      [
        "nom" => "1. Gopak"
        "ordre" => 5
      ]
      [
        "nom" => "1. Russian Dance"
        "ordre" => 9
      ]
      [
        "nom" => "1. Sabre Dance"
        "ordre" => 1
      ]
      [
        "nom" => "2. Fire"
        "ordre" => 14
      ]
      [
        "nom" => "2. Gayne's Adagio"
        "ordre" => 10
      ]
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      ]
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      ]
      [
        "nom" => "3. Dance Of The Rose Maidens"
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      ]
      [
        "nom" => "3. Dance Of The Young Kurds"
        "ordre" => 11
      ]
      [
        "nom" => "3. Lezghinka"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D :"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
    -label: Proxies\__CG__\App\Entity\Label {#2215 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3691
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2245
    -id: 1312
    -nom: "Gayne Ballet Suite "
    -informationComplementaire: ""
    -description: """
      The exceptional sound of Everest 35 mm Magnetic Film Recordings returns !\r\n
      \r\n
      Ten Everest titles, each a 2 LP 45 RPM release ! 45 RPM versions have never been issued !\r\n
      \r\n
      Mastered directly from the original 35 mm magnetic film using an "all tube" cutting system !\r\n
      \r\n
      Pressed on Classic's 200 gram Super Vinyl Flat Profile at Quality Record Pressings\r\n
      \r\n
      Sets come with Stoughton Printing tip-on old style original jacket artwork and Everest Records-branded jacket\r\n
      \r\n
      Two LPs are packaged in a protective clear sleeve\r\n
      \r\n
      Among Classic Records' highlight accomplishments before the label sold in 2010 to Acoustic Sounds was unlocking the audio majesty of the Everest 35 mm magnetic film recordings on a groundbreaking reissue series. Now, return with us, as Classic Records by Analogue Productions returns this vintage audiophile collection to its rightful glory.\r\n
      \r\n
      Everest LPs through the early 1960s were recorded on 3 channel 35mm magnetic film recording equipment. 35 mm magnetic film yielded greater fidelity and less noise than standard 1/4" recording tape. The Westrex Corporation built special equipment to Everest's specifications to accomplish these advantages.\r\n
      \r\n
      Fast forward to today : Classic Records by Analogue Productions is resurrecting this collection through an initial 10-title reissue series. Bernie Grundman cut the Classic Records reissues at both 33 and 45 RPM the 45 RPM versions have never been reissued !\r\n
      \r\n
      Quality Record Pressings 200 gram flat profile LPs. These records are pressed with a flat-edge, no groove-guard flat profile, like the originals. The flat edge refers to the absence of a raised, beaded lip on the outer edge of the record, providing a flat playing surface and no incline on your turntable.\r\n
      \r\n
      Quality Record Pressings' quality is legendary and these flat profile 200 gram platters will look and sound exceptional !\r\n
      \r\n
      Each 2 LP set comes with a Stoughton Printing tip-on original jacket and an Everest Records branded jacket showing photos of each reissue title. The two LPs are packaged in a protective clear sleeve.\r\n
      \r\n
      Khatchaturian : Gayne (Ballet Suite) by London Symphony Orchestra, Anatole Fistoulari conductor. Anatole Fistoulari learned most of his technique and repertory from his father, Gregor Fistoulari, a student of Nikolay Rimsky-Korsakov and Anton Rubinstein. Anatole Fistoulari built a substantial recorded discography.\r\n
      \r\n
      As with his Decca recordings of Ballet Music, Fistoulari again delivers a lively reading of Khachaturian's famous ballet piece. Is this performance the equal of the HP acclaimed Mercury no, ITS BETTER ! Add to that earth shattering bass power and spacious detail especially in ambient high frequency range and you have a winner that is both delightful and revealing to listen to over and over again. Bert Whyte is again at the controls for another outstanding Everest 35 mm recording at London's famed Walthamstow Assembly Hall the same hall used extensively by the Decca and Kenneth Wilkinson.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "The London Symphony Orchestra conducted by Anatole Fistoulari"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=B5sDVISr7w0"
    -referenceProduit: "AEVC 3052-45"
    -titreMorceau: [
      [
        "nom" => "1. Dance Of The Old Man"
        "ordre" => 13
      ]
      [
        "nom" => "1. Gopak"
        "ordre" => 5
      ]
      [
        "nom" => "1. Russian Dance"
        "ordre" => 9
      ]
      [
        "nom" => "1. Sabre Dance"
        "ordre" => 1
      ]
      [
        "nom" => "2. Fire"
        "ordre" => 14
      ]
      [
        "nom" => "2. Gayne's Adagio"
        "ordre" => 10
      ]
      [
        "nom" => "2. Lullaby"
        "ordre" => 6
      ]
      [
        "nom" => "2. Lyrical Duet"
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      ]
      [
        "nom" => "3. Dance Of The Rose Maidens"
        "ordre" => 3
      ]
      [
        "nom" => "3. Dance Of The Young Kurds"
        "ordre" => 11
      ]
      [
        "nom" => "3. Lezghinka"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
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      - 4 Newly Discovered Performances\r\n
      - Pressed on Virgin Vinyl\r\n
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      - Imported from Japan\r\n
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      This beautiful blue box set (which contains 10 LPs) was unbeatable in documenting the second half of Billie Holiday's career. Its packaging actually tops its CD counterpart with a booklet that has a complete discography of Lady Day's entire career and cardboard reproductions of Holiday's rare 10-inch Verve LPs. The music consists of all of her 1952-57 jazz-oriented studio sessions, her 1946 and 1947 appearances at Jazz at the Philharmonic affairs, her Carnegie Hall concert of 1956, two live cuts from 1958 and Holiday's final studio album, an overproduced and rather sad affair from 1959.
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        "nom" => "LP 1 :"
        "ordre" => 1
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        "nom" => "LP 10 : "
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  +produit: App\Entity\Produit {#2271
    -id: 450
    -nom: "The Complete Billie Holiday On Verve 1946-1959 -  (Box Set 10 LP +  Booklet 36 pages)"
    -informationComplementaire: "VERY RARE : THE COMPLETE BILLIE HOLIDAY ON VERVE 1946-1959 - SEALED"
    -description: """
      - BILLIE HOLIDAY – THE COMPLETE BILLIE HOLIDAY ON VERVE 1946-1959\r\n
      - Deluxe 10 LP Box Set\r\n
      - 4 Newly Discovered Performances\r\n
      - Pressed on Virgin Vinyl\r\n
      - 36 Page Booklet Including Complete Billie Holiday Discography\r\n
      - Imported from Japan\r\n
      \r\n
      This beautiful blue box set (which contains 10 LPs) was unbeatable in documenting the second half of Billie Holiday's career. Its packaging actually tops its CD counterpart with a booklet that has a complete discography of Lady Day's entire career and cardboard reproductions of Holiday's rare 10-inch Verve LPs. The music consists of all of her 1952-57 jazz-oriented studio sessions, her 1946 and 1947 appearances at Jazz at the Philharmonic affairs, her Carnegie Hall concert of 1956, two live cuts from 1958 and Holiday's final studio album, an overproduced and rather sad affair from 1959.
      """
    -prixVente: "750.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 10
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ntDnwBiORu8"
    -referenceProduit: "Verve Records OOMJ 3480/9"
    -titreMorceau: [
      [
        "nom" => "(Remind Me Of You), 7. I Only Have Eyes For You, 8. Solitude"
        "ordre" => 5
      ]
      [
        "nom" => "1. All The Way, 2. It's Not For Me To Say, 3. I'll Never Smile Again,"
        "ordre" => 59
      ]
      [
        "nom" => "1. Body And Soul, 2. Stars Fell On Alabama, 3. Say It Isn't So,"
        "ordre" => 52
      ]
      [
        "nom" => "1. Body And Soul, 2. Strange Fruit, 3. Trav'lin Light, 4. He's Funny That Way, \t"
        "ordre" => 68
      ]
      [
        "nom" => "1. Do Nothin' Till You Hear From Me, 2. Cheek To Cheek, 3. Ill Wind, 4. Speak Low,"
        "ordre" => 41
      ]
      [
        "nom" => "1. Do Nothing Till You Hear From Me, 2. Ain't Misbehavin' (I'm Savin' My Love"
        "ordre" => 24
      ]
      [
        "nom" => "1. East Of The Sun (West Of The Moon), 2. Blue Moon\t, 3. You Go To My Head, \t"
        "ordre" => 3
      ]
      [
        "nom" => "1. Everything I Have Is Yours, 2. Love For Sale, 3. Moonglow, 4. Tenderly, \t"
        "ordre" => 7
      ]
      [
        "nom" => "1. Gone With The Wind, 2. Please Don't Talk About Me When I'm Gone, 3. It Had To "
        "ordre" => 29
      ]
      [
        "nom" => "1. How Deep Is The Ocean (How High Is The Sky), 2. What A Little Moonlight Can Do,"
        "ordre" => 15
      ]
      [
        "nom" => "1. Just One Of Those Things, 2. Comes Love, 3. Day In, Day Out,"
        "ordre" => 48
      ]
      [
        "nom" => "1. My Man, 2. Lover Come Back To Me, 3. Stormy Weather, 4. Yesterdays, "
        "ordre" => 12
      ]
      [
        "nom" => "1. Nice Work If You Can Get It, 2. Willow Weep For Me, 3. My Man, "
        "ordre" => 80
      ]
      [
        "nom" => "1. Say It Isn't So, 2. I've Got My Love To Keep Me Warm, 3. I Wished On The Moon, "
        "ordre" => 21
      ]
      [
        "nom" => "1. Sometimes I'm Happy, 2. You Took Advantage Of Me, 3. There'll Be Some"
        "ordre" => 63
      ]
      [
        "nom" => "1. Sophisticated Lady, 2. April In Paris, 3. I Wished On The Moon,"
        "ordre" => 45
      ]
      [
        "nom" => "1. They Can't Take That Away From Me, 2. Embraceable You,"
        "ordre" => 55
      ]
      [
        "nom" => "1. Trav'lin' Light, 2. I Must Have That Man, 3. Some Other Spring,"
        "ordre" => 37
      ]
      [
        "nom" => "1. What's New, 2. A Fine Romance, 3. I Hadn't Anyone Till You, 4. I Get A Kick Out"
        "ordre" => 33
      ]
      [
        "nom" => "1. Yesterday's, 2. Please Don't Talk About Me When I'm Gone, 3. I'll Be Seeing You, "
        "ordre" => 76
      ]
      [
        "nom" => "1. You Better Go Now, 2. You're Driving Me Crazy, 3. There Is No Greater Love,"
        "ordre" => 71
      ]
      [
        "nom" => "10. Stormy Blues"
        "ordre" => 18
      ]
      [
        "nom" => "3. I Cried For You, 4. Love Me Or Leave Me, 5. P.S. I Love You, 6. Too Marvelous"
        "ordre" => 16
      ]
      [
        "nom" => "3. Let's Call The Whole Thing Off, 4. Gee Baby Ain't I Good To You"
        "ordre" => 56
      ]
      [
        "nom" => "4. Always, 5. Everything Happens To Me"
        "ordre" => 22
      ]
      [
        "nom" => "4. Darn That Dream, 5. But Not For Me"
        "ordre" => 49
      ]
      [
        "nom" => "4. I Cover The Waterfront, 5. Lady Sings The Blues, 6. It Ain't Nobody's Business,"
        "ordre" => 72
      ]
      [
        "nom" => "4. Just One More Chance, 5. When It's Sleepy Time Down South,"
        "ordre" => 60
      ]
      [
        "nom" => "4. Lady Sings The Blues, 5. Strange Fruit, 6. God Bless The Child,"
        "ordre" => 38
      ]
      [
        "nom" => "4. Love Is Here To Stay, 5. One For My Baby (And One More For The Road)"
        "ordre" => 53
      ]
      [
        "nom" => "4. Lover Come Back To Me, 5. Lady Sings The Blues, 6. What A Little Moonlight"
        "ordre" => 81
      ]
      [
        "nom" => "4. Moonlight In Vermont, 5. A Foggy Day, 6. I Didn't Know What Time It Was"
        "ordre" => 46
      ]
      [
        "nom" => "4. My Man, 5. I Cried For You, 6. Fine And Mellow, 7. I Cover The Waterfront, "
        "ordre" => 77
      ]
      [
        "nom" => "4. You Turned The Tables On Me, 5. Easy To Love, 6. These Foolish Things"
        "ordre" => 4
      ]
      [
        "nom" => "5. He's Funny That Way, 6. I Can't Face The Music"
        "ordre" => 13
      ]
      [
        "nom" => "5. If The Moon Turns Green, 6. Remember, 7. Autumn In New York (Alternate Take), \t"
        "ordre" => 8
      ]
      [
        "nom" => "5. The Man I Love, 6. Gee, Baby Ain't I Good To You, 7. All Of Me, 8. Billie's Blues"
        "ordre" => 69
      ]
      [
        "nom" => "5. We'll Be Together Again, 6. All Or Nothing At All"
        "ordre" => 42
      ]
      [
        "nom" => "6. Don't Worry About Me"
        "ordre" => 61
      ]
      [
        "nom" => "7. Good Morning Heartache, 8. No Good Man"
        "ordre" => 39
      ]
      [
        "nom" => "7. I Love My Man (Billie's Blues), 8. Body And Soul, 9. Don't Explain"
        "ordre" => 73
      ]
      [
        "nom" => "8. Autumn In New York (Original Take, Take 7)"
        "ordre" => 9
      ]
      [
        "nom" => "8. What A Little Moonlight Can Do"
        "ordre" => 78
      ]
      [
        "nom" => "Be You, 4. Nice Work If You Can Get It, 5. Come Rain Or Come Shine, 6. I Gotta"
        "ordre" => 30
      ]
      [
        "nom" => "BILLIE HOLIDAY - FROM LIVE SESSIONS"
        "ordre" => 65
      ]
      [
        "nom" => "BILLIE HOLIDAY - FROM STUDIO SESSION"
        "ordre" => 0
      ]
      [
        "nom" => "Can Do, 7. I Wished On The Moon, 8. Lover Man (Oh Where Can You Be)"
        "ordre" => 82
      ]
      [
        "nom" => "Changes Made, 4. 'Deed I Do, 5. All Of You,  6. Baby Won't You Please Come Home"
        "ordre" => 64
      ]
      [
        "nom" => "For Words, 7. Softly, 8. I Thought About You, 9. Willow Weep For Me,"
        "ordre" => 17
      ]
      [
        "nom" => "For You),\t3. I Don't Want To Cry Anymore, 4. Prelude To A Kiss, 5. I Don't Stand A"
        "ordre" => 25
      ]
      [
        "nom" => "Ghost Of A Chance, 6. When Your Lover Has Gone"
        "ordre" => 26
      ]
      [
        "nom" => "LP 1 :"
        "ordre" => 1
      ]
      [
        "nom" => "LP 10 : "
        "ordre" => 74
      ]
      [
        "nom" => "LP 2 :"
        "ordre" => 10
      ]
      [
        "nom" => "LP 3 : "
        "ordre" => 19
      ]
      [
        "nom" => "LP 4 : "
        "ordre" => 27
      ]
      [
        "nom" => "LP 5 :"
        "ordre" => 35
      ]
      [
        "nom" => "LP 6 : "
        "ordre" => 43
      ]
      [
        "nom" => "LP 7 :"
        "ordre" => 50
      ]
      [
        "nom" => "LP 8 : "
        "ordre" => 57
      ]
      [
        "nom" => "LP 9 : "
        "ordre" => 66
      ]
      [
        "nom" => "Of You, 5. Everything I Have Is Yours, 6. Isn't This A Lovely Day"
        "ordre" => 34
      ]
      [
        "nom" => "Right To Sing The Blues"
        "ordre" => 31
      ]
      [
        "nom" => "Side A : "
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 20
      ]
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        "nom" => "Side A : "
        "ordre" => 28
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        "ordre" => 2
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        "nom" => "Side B : "
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        "nom" => "Side B :"
        "ordre" => 70
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2273 …}
    -label: Proxies\__CG__\App\Entity\Label {#2276 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2285 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2278 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2280 …}
    -enregistreLe: DateTime @1312907571 {#2268
      date: 2011-08-09 16:32:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1587884716 {#2269
      date: 2020-04-26 07:05:16.0 UTC (+00:00)
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    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-complete-billie-holiday-on-verve-1946-1959-box-set-10-lp-booklet-36-pages-verve-records-oomj-3480-9"
  }
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  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}