Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2599
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2676
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2679 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
  -formView: Symfony\Component\Form\FormView {#2715 …}
  -form: Symfony\Component\Form\Form {#2865 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 1694
    -nom: "Sings The Cole Porter Song Book (Mono)"
    -informationComplementaire: "Une interprétation magistrale où la voix d’Ella Fitzgerald sublime l’œuvre de Cole Porter. Chaque morceau révèle un équilibre parfait entre raffinement, émotion et précision. Une version mono d’une rare authenticité, destinée aux véritables amateurs."
    -description: """
      Ella Fitzgerald "Sings The Cole Porter Songbook" est l’un des enregistrements les plus emblématiques de Ella Fitzgerald, souvent considérée comme la "First Lady of Song". Paru en 1956 chez Verve Records, cet album marque le début de la célèbre série des Songbooks, dédiée aux plus grands compositeurs américains.\r\n
      \r\n
      Dans ce volume consacré à Cole Porter, Ella Fitzgerald sublime avec élégance et précision les standards du Great American Songbook. Sa voix limpide, son sens du swing et sa maîtrise exceptionnelle du phrasé donnent une nouvelle dimension à des titres intemporels comme "Night and Day", "I’ve Got You Under My Skin" ou encore "Love for Sale".\r\n
      \r\n
      Présenté ici en version Mono, l’album restitue toute la chaleur et l’authenticité des enregistrements originaux, offrant une immersion fidèle dans l’atmosphère des studios des années 50. Les arrangements raffinés de Buddy Bregman accompagnent parfaitement la voix d’Ella, créant un équilibre parfait entre sophistication et émotion.\r\n
      \r\n
      Un incontournable du jazz vocal, aussi essentiel pour les amateurs que pour les collectionneurs.\r\n
      \r\n
      Musicians : \r\n
      Ella Fitzgerald (vocals), Paul Smith (piano, celeste), Herb Geller (alto saxophone, clarinet), Chuck Gentry (bass clarinet, baritone saxophone), Bud Shank (clarinet, flute, alto saxophone), Bob Cooper (clarinet, oboe, tenor saxophone), Ted Nash (clarinet, flute, tenor saxophone), Pete Candoli, Harry "Sweets" Edison, Maynard Ferguson, Conrad Gozzo (trumpet),  Milt Bernhart, Joe Howard, Lloyd Ulyate (trombone), George Roberts (bass, baritone trombone), Corky Hale( harp), Robert LaMarchina, Edgar Lustgarten (cello), Barney Kessel (guitar), Joe Mondragon (double bass), Alvin Stoller (drums, percussion).\r\n
      \r\n
      - Ella Fitzgerald "Ella Fitzgerald Sings The Cole Porter Songbook" (Mono) !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      One of the most enduring vocal jazz recordings ever committed to tape Ella Fitzgerald Sings the Cole Porter Songbook (Mono Version) stands as a defining artistic statement from Ella Fitzgerald and a crown jewel in the catalog of Verve Records.\r\n
      \r\n
      The album that launched Fitzgerald's legendary "Songbook" series finds her in sublime form, interpreting the urbane, witty compositions of Cole Porter with a grace, intelligence, and emotional clarity that remain unmatched. Here Fitzgerald leans into the lyric delivering some of the most refined, fully realized pop performances of her career.\r\n
      \r\n
      Recorded at Capitol Studios beginning February 7, 1956, these sessions were guided by producer Norman Granz, the visionary founder of Verve, and brought vividly to life through the remarkably sophisticated arrangements of a then-teenaged Buddy Bregman. Backed by an all-star roster of Los Angeles session musicians, Fitzgerald glides effortlessly across a three-octave range, equally commanding on buoyant up-tempo numbers and tender ballads alike.\r\n
      \r\n
      Completed over four sessions, concluding March 27, 1956, this landmark recording remains nothing short of essential. Its induction into the Grammy Hall of Fame in 2000 only affirms what listeners have known for decades: this is perfection, pressed into vinyl. In 2003, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Paul Smith (piano, celeste), Herb Geller (alto saxophone, clarinet), Chuck Gentry (bass clarinet, baritone saxophone), Bud Shank (clarinet, flute, alto saxophone), Bob Cooper (clarinet, oboe, tenor saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jAawm4OhQJU&list=PL4xcscYzGSrV2KmFlyBZS0l4DW7Hk46Om"
    -referenceProduit: "Acoustic Sounds Serie (Verve)) 0304"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. All Through The Night"
      ]
      [
        "ordre" => 2
        "nom" => "2. Anything Goes"
      ]
      [
        "ordre" => 3
        "nom" => "3. Miss Otis Regrets (She's Unable To Lunch Today)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Too Darn Hot"
      ]
      [
        "ordre" => 5
        "nom" => "5. In The Still Of The Night "
      ]
      [
        "ordre" => 6
        "nom" => "6. I Get A Kick Out Of You"
      ]
      [
        "ordre" => 7
        "nom" => "7. Do I Love You ?"
      ]
      [
        "ordre" => 8
        "nom" => "8. Always True To You In My Fashion"
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Let's Do It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Just One Of Those Things"
      ]
      [
        "ordre" => 12
        "nom" => "3. Ev'ry Time We Say Goodbye"
      ]
      [
        "ordre" => 13
        "nom" => "4. All Of You"
      ]
      [
        "ordre" => 14
        "nom" => "5. Being The Beguine"
      ]
      [
        "ordre" => 15
        "nom" => "6. Get Out Of Town"
      ]
      [
        "ordre" => 16
        "nom" => "7. I Am In Love"
      ]
      [
        "ordre" => 17
        "nom" => "8. From This Moment On"
      ]
      [
        "ordre" => 18
        "nom" => "Side C : "
      ]
      [
        "ordre" => 19
        "nom" => "1. I Love Paris"
      ]
      [
        "ordre" => 20
        "nom" => "2. You Do Something To Me"
      ]
      [
        "ordre" => 21
        "nom" => "3. Ridin' High"
      ]
      [
        "ordre" => 22
        "nom" => "4. Easy To Love"
      ]
      [
        "ordre" => 23
        "nom" => "5. It's All Right With Me"
      ]
      [
        "ordre" => 24
        "nom" => "6. Why Can't You Behave ?"
      ]
      [
        "ordre" => 25
        "nom" => "7. What Is This Thing Called Love ?"
      ]
      [
        "ordre" => 26
        "nom" => "8. You're The Top"
      ]
      [
        "ordre" => 27
        "nom" => "Side D :"
      ]
      [
        "ordre" => 28
        "nom" => "1. Love For Sale"
      ]
      [
        "ordre" => 29
        "nom" => "2. It's DeLovely"
      ]
      [
        "ordre" => 30
        "nom" => "3. Night And Day"
      ]
      [
        "ordre" => 31
        "nom" => "4. Ace In The Hole"
      ]
      [
        "ordre" => 32
        "nom" => "5. So In Love"
      ]
      [
        "ordre" => 33
        "nom" => "6. Ive Got You Under My Skin"
      ]
      [
        "ordre" => 34
        "nom" => "7. I Concentrate On You"
      ]
      [
        "ordre" => 35
        "nom" => "8. Don't Fence Me In"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1560097282 {#1876
      date: 2019-06-09 16:21:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775481033 {#1869
      date: 2026-04-06 13:10:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sings-the-cole-porter-song-book-mono-acoustic-sounds-serie-verve-0304"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3139
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 1694
    -nom: "Sings The Cole Porter Song Book (Mono)"
    -informationComplementaire: "Une interprétation magistrale où la voix d’Ella Fitzgerald sublime l’œuvre de Cole Porter. Chaque morceau révèle un équilibre parfait entre raffinement, émotion et précision. Une version mono d’une rare authenticité, destinée aux véritables amateurs."
    -description: """
      Ella Fitzgerald "Sings The Cole Porter Songbook" est l’un des enregistrements les plus emblématiques de Ella Fitzgerald, souvent considérée comme la "First Lady of Song". Paru en 1956 chez Verve Records, cet album marque le début de la célèbre série des Songbooks, dédiée aux plus grands compositeurs américains.\r\n
      \r\n
      Dans ce volume consacré à Cole Porter, Ella Fitzgerald sublime avec élégance et précision les standards du Great American Songbook. Sa voix limpide, son sens du swing et sa maîtrise exceptionnelle du phrasé donnent une nouvelle dimension à des titres intemporels comme "Night and Day", "I’ve Got You Under My Skin" ou encore "Love for Sale".\r\n
      \r\n
      Présenté ici en version Mono, l’album restitue toute la chaleur et l’authenticité des enregistrements originaux, offrant une immersion fidèle dans l’atmosphère des studios des années 50. Les arrangements raffinés de Buddy Bregman accompagnent parfaitement la voix d’Ella, créant un équilibre parfait entre sophistication et émotion.\r\n
      \r\n
      Un incontournable du jazz vocal, aussi essentiel pour les amateurs que pour les collectionneurs.\r\n
      \r\n
      Musicians : \r\n
      Ella Fitzgerald (vocals), Paul Smith (piano, celeste), Herb Geller (alto saxophone, clarinet), Chuck Gentry (bass clarinet, baritone saxophone), Bud Shank (clarinet, flute, alto saxophone), Bob Cooper (clarinet, oboe, tenor saxophone), Ted Nash (clarinet, flute, tenor saxophone), Pete Candoli, Harry "Sweets" Edison, Maynard Ferguson, Conrad Gozzo (trumpet),  Milt Bernhart, Joe Howard, Lloyd Ulyate (trombone), George Roberts (bass, baritone trombone), Corky Hale( harp), Robert LaMarchina, Edgar Lustgarten (cello), Barney Kessel (guitar), Joe Mondragon (double bass), Alvin Stoller (drums, percussion).\r\n
      \r\n
      - Ella Fitzgerald "Ella Fitzgerald Sings The Cole Porter Songbook" (Mono) !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      One of the most enduring vocal jazz recordings ever committed to tape Ella Fitzgerald Sings the Cole Porter Songbook (Mono Version) stands as a defining artistic statement from Ella Fitzgerald and a crown jewel in the catalog of Verve Records.\r\n
      \r\n
      The album that launched Fitzgerald's legendary "Songbook" series finds her in sublime form, interpreting the urbane, witty compositions of Cole Porter with a grace, intelligence, and emotional clarity that remain unmatched. Here Fitzgerald leans into the lyric delivering some of the most refined, fully realized pop performances of her career.\r\n
      \r\n
      Recorded at Capitol Studios beginning February 7, 1956, these sessions were guided by producer Norman Granz, the visionary founder of Verve, and brought vividly to life through the remarkably sophisticated arrangements of a then-teenaged Buddy Bregman. Backed by an all-star roster of Los Angeles session musicians, Fitzgerald glides effortlessly across a three-octave range, equally commanding on buoyant up-tempo numbers and tender ballads alike.\r\n
      \r\n
      Completed over four sessions, concluding March 27, 1956, this landmark recording remains nothing short of essential. Its induction into the Grammy Hall of Fame in 2000 only affirms what listeners have known for decades: this is perfection, pressed into vinyl. In 2003, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Paul Smith (piano, celeste), Herb Geller (alto saxophone, clarinet), Chuck Gentry (bass clarinet, baritone saxophone), Bud Shank (clarinet, flute, alto saxophone), Bob Cooper (clarinet, oboe, tenor saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jAawm4OhQJU&list=PL4xcscYzGSrV2KmFlyBZS0l4DW7Hk46Om"
    -referenceProduit: "Acoustic Sounds Serie (Verve)) 0304"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. All Through The Night"
      ]
      [
        "ordre" => 2
        "nom" => "2. Anything Goes"
      ]
      [
        "ordre" => 3
        "nom" => "3. Miss Otis Regrets (She's Unable To Lunch Today)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Too Darn Hot"
      ]
      [
        "ordre" => 5
        "nom" => "5. In The Still Of The Night "
      ]
      [
        "ordre" => 6
        "nom" => "6. I Get A Kick Out Of You"
      ]
      [
        "ordre" => 7
        "nom" => "7. Do I Love You ?"
      ]
      [
        "ordre" => 8
        "nom" => "8. Always True To You In My Fashion"
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Let's Do It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Just One Of Those Things"
      ]
      [
        "ordre" => 12
        "nom" => "3. Ev'ry Time We Say Goodbye"
      ]
      [
        "ordre" => 13
        "nom" => "4. All Of You"
      ]
      [
        "ordre" => 14
        "nom" => "5. Being The Beguine"
      ]
      [
        "ordre" => 15
        "nom" => "6. Get Out Of Town"
      ]
      [
        "ordre" => 16
        "nom" => "7. I Am In Love"
      ]
      [
        "ordre" => 17
        "nom" => "8. From This Moment On"
      ]
      [
        "ordre" => 18
        "nom" => "Side C : "
      ]
      [
        "ordre" => 19
        "nom" => "1. I Love Paris"
      ]
      [
        "ordre" => 20
        "nom" => "2. You Do Something To Me"
      ]
      [
        "ordre" => 21
        "nom" => "3. Ridin' High"
      ]
      [
        "ordre" => 22
        "nom" => "4. Easy To Love"
      ]
      [
        "ordre" => 23
        "nom" => "5. It's All Right With Me"
      ]
      [
        "ordre" => 24
        "nom" => "6. Why Can't You Behave ?"
      ]
      [
        "ordre" => 25
        "nom" => "7. What Is This Thing Called Love ?"
      ]
      [
        "ordre" => 26
        "nom" => "8. You're The Top"
      ]
      [
        "ordre" => 27
        "nom" => "Side D :"
      ]
      [
        "ordre" => 28
        "nom" => "1. Love For Sale"
      ]
      [
        "ordre" => 29
        "nom" => "2. It's DeLovely"
      ]
      [
        "ordre" => 30
        "nom" => "3. Night And Day"
      ]
      [
        "ordre" => 31
        "nom" => "4. Ace In The Hole"
      ]
      [
        "ordre" => 32
        "nom" => "5. So In Love"
      ]
      [
        "ordre" => 33
        "nom" => "6. Ive Got You Under My Skin"
      ]
      [
        "ordre" => 34
        "nom" => "7. I Concentrate On You"
      ]
      [
        "ordre" => 35
        "nom" => "8. Don't Fence Me In"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1560097282 {#1876
      date: 2019-06-09 16:21:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775481033 {#1869
      date: 2026-04-06 13:10:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sings-the-cole-porter-song-book-mono-acoustic-sounds-serie-verve-0304"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 3052
    -nom: "The Cat Walk"
    -informationComplementaire: "New York, début des années 60. En pleine effervescence jazz, Donald Byrd enregistre "The Cat Walk", entouré de musiciens d’exception. Un album entre élégance et énergie, emblématique de l’âge d’or de Blue Note Records."
    -description: """
      Sorti en 1961 sur le mythique label Blue Note Records, "The Cat Walk" est un album emblématique du trompettiste Donald Byrd, figure majeure du hard bop.\r\n
      \r\n
      Entouré d’un quintet d’exception notamment Pepper Adams au saxophone baryton et Duke Pearson au piano, Donald Byrd propose ici un jazz élégant, énergique et profondément groove. L’alchimie entre les musiciens donne naissance à des compositions sophistiquées mais accessibles, portées par des lignes mélodiques accrocheuses et une section rythmique impeccable.\r\n
      \r\n
      Entre puissance et raffinement, "The Cat Walk" illustre parfaitement l’âge d’or du jazz Blue Note, un son chaleureux, une cohésion sans faille et une créativité toujours en mouvement.\r\n
      \r\n
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Master Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Donald Byrd was deep in a groove in 1961 as the trumpeter turned out one hard bop classic after another for Blue Note including The Cat Walk featuring Byrd's quintet with Pepper Adams on baritone saxophone, Duke Pearson on piano, Laymon Jackson on bass, and Philly Joe Jones on drums. The band struts their stuff on an engaging set of swinging originals including Pearson's alluring opener "Say You're Mine", Byrd's swaggering title track, and an up-tempo sprint through Neal Hefti's tune "Cute" featuring a commanding performance by Jones.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams (baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=D0MkfbtQBac&list=RDD0MkfbtQBac&start_radio=1"
    -referenceProduit: "Blue Note Records 1365"
    -titreMorceau: [
      [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3253
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 3052
    -nom: "The Cat Walk"
    -informationComplementaire: "New York, début des années 60. En pleine effervescence jazz, Donald Byrd enregistre "The Cat Walk", entouré de musiciens d’exception. Un album entre élégance et énergie, emblématique de l’âge d’or de Blue Note Records."
    -description: """
      Sorti en 1961 sur le mythique label Blue Note Records, "The Cat Walk" est un album emblématique du trompettiste Donald Byrd, figure majeure du hard bop.\r\n
      \r\n
      Entouré d’un quintet d’exception notamment Pepper Adams au saxophone baryton et Duke Pearson au piano, Donald Byrd propose ici un jazz élégant, énergique et profondément groove. L’alchimie entre les musiciens donne naissance à des compositions sophistiquées mais accessibles, portées par des lignes mélodiques accrocheuses et une section rythmique impeccable.\r\n
      \r\n
      Entre puissance et raffinement, "The Cat Walk" illustre parfaitement l’âge d’or du jazz Blue Note, un son chaleureux, une cohésion sans faille et une créativité toujours en mouvement.\r\n
      \r\n
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Master Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Donald Byrd was deep in a groove in 1961 as the trumpeter turned out one hard bop classic after another for Blue Note including The Cat Walk featuring Byrd's quintet with Pepper Adams on baritone saxophone, Duke Pearson on piano, Laymon Jackson on bass, and Philly Joe Jones on drums. The band struts their stuff on an engaging set of swinging originals including Pearson's alluring opener "Say You're Mine", Byrd's swaggering title track, and an up-tempo sprint through Neal Hefti's tune "Cute" featuring a commanding performance by Jones.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams (baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -referenceProduit: "Blue Note Records 1365"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
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[
  "produit" => App\Entity\Produit {#2066
    -id: 3051
    -nom: "The Pet Sounds Sessions Highlights"
    -informationComplementaire: "Plongez au cœur de "Pet Sounds", l’album mythique qui a redéfini la pop moderne. Harmonies envoûtantes, arrangements audacieux et innovations sonores au service d’une œuvre unique."
    -description: """
      The Pet Sounds Sessions Highlights de The Beach Boys offre une plongée captivante dans l’un des albums les plus influents de l’histoire de la musique. Porté par la vision créative de Brian Wilson, à la fois compositeur, producteur et chanteur, ce projet met en lumière la richesse des harmonies vocales et l’innovation sonore qui ont redéfini la pop des années 1960.\r\n
      \r\n
      Entouré des membres du groupe, Carl Wilson, Dennis Wilson, Mike Love, Al Jardine et Bruce Johnston et soutenu par les talentueux musiciens de The Wrecking Crew, "Pet Sounds" se distingue par des arrangements audacieux, des textures inédites et une sensibilité émotionnelle rare.\r\n
      \r\n
      Cette sélection de moments forts révèle les coulisses d’un chef-d’œuvre intemporel, entre expérimentations en studio et perfectionnisme artistique.\r\n
      \r\n
      Musicians : \r\n
      Brian Wilson (bass, keyboards, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (drums, vocals), Mike Love (lead vocals), Al Jardine (rhythm guitar, vocals), Bruce Johnston (keyboards, vocals), The Wrecking Crew : Hal Blaine (drums), Carol Kaye (bass), Glen Campbell (guitar).\r\n
      \r\n
      - The Beach Boys "Pet Sounds" 60th Anniversary !\r\n
      - Double LP 180 gram Vinyl  !\r\n
      - All Tracks on Vinyl for the First Time !\r\n
      - New Liner Notes !\r\n
      - "I'm Waiting for the Day (Vocals Only)" Appears on Both LP 1 & LP 2 !\r\n
      \r\n
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      """
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    -musicienOrchestre: "Brian Wilson (bass, keyboards, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (drums, vocals), Mike Love (lead vocals), Al Jardine (rhythm guitar, vocals), Bruce Johnston (keyboards, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -referenceProduit: "Capitol Records 0141"
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      [
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      [
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        "nom" => "4. Sloop John B. (Vocals Only)"
      ]
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      [
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      [
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        "nom" => "7. I Just Wasn’t Made for These Times (Vocals Only)"
      ]
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        "nom" => "Side B : "
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      [
        "ordre" => 9
        "nom" => "1. Wouldn’t It Be Nice (Stereo Track and Backing Vocals)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Don't Talk (Put Your Head on My Shoulder) (Brian Wilson’s"
      ]
      [
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        "nom" => " Instrumental Demo)"
      ]
      [
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        "nom" => "3. I'm Waiting for the Day (Mike Sings Lead)"
      ]
      [
        "ordre" => 13
        "nom" => "4. Sloop John B. (Carl Sings First Verse)"
      ]
      [
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        "nom" => "5. God Only Knows (Sax Solo, Alternate Version)"
      ]
      [
        "ordre" => 15
        "nom" => "6. Hang on to Your Ego (Alternate Mix)"
      ]
      [
        "ordre" => 16
        "nom" => "7. Here Today (Alternate Version)"
      ]
      [
        "ordre" => 17
        "nom" => "Side C :"
      ]
      [
        "ordre" => 18
        "nom" => "1. Wouldn't It Be Nice (Highlights from Tracking Date)"
      ]
      [
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        "nom" => "2. Trombone Dixie (Highlights from Tracking Date)"
      ]
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        "nom" => "3. Don't Talk (Put Your Head on My Shoulder) (Vocal Snippet)"
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        "nom" => "4. Don't Talk (Put Your Head on My Shoulder) (Vocals Only)"
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      [
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        "nom" => "6. Here Today (Stereo Backing Track)"
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2068 …}
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      date: 2026-04-06 08:02:52.0 UTC (+00:00)
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    -slug: "vinyles-the-pet-sounds-sessions-highlights-capitol-records-0141"
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App\Twig\Components\GestionPanierFavoriComponents {#3304
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2066
    -id: 3051
    -nom: "The Pet Sounds Sessions Highlights"
    -informationComplementaire: "Plongez au cœur de "Pet Sounds", l’album mythique qui a redéfini la pop moderne. Harmonies envoûtantes, arrangements audacieux et innovations sonores au service d’une œuvre unique."
    -description: """
      The Pet Sounds Sessions Highlights de The Beach Boys offre une plongée captivante dans l’un des albums les plus influents de l’histoire de la musique. Porté par la vision créative de Brian Wilson, à la fois compositeur, producteur et chanteur, ce projet met en lumière la richesse des harmonies vocales et l’innovation sonore qui ont redéfini la pop des années 1960.\r\n
      \r\n
      Entouré des membres du groupe, Carl Wilson, Dennis Wilson, Mike Love, Al Jardine et Bruce Johnston et soutenu par les talentueux musiciens de The Wrecking Crew, "Pet Sounds" se distingue par des arrangements audacieux, des textures inédites et une sensibilité émotionnelle rare.\r\n
      \r\n
      Cette sélection de moments forts révèle les coulisses d’un chef-d’œuvre intemporel, entre expérimentations en studio et perfectionnisme artistique.\r\n
      \r\n
      Musicians : \r\n
      Brian Wilson (bass, keyboards, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (drums, vocals), Mike Love (lead vocals), Al Jardine (rhythm guitar, vocals), Bruce Johnston (keyboards, vocals), The Wrecking Crew : Hal Blaine (drums), Carol Kaye (bass), Glen Campbell (guitar).\r\n
      \r\n
      - The Beach Boys "Pet Sounds" 60th Anniversary !\r\n
      - Double LP 180 gram Vinyl  !\r\n
      - All Tracks on Vinyl for the First Time !\r\n
      - New Liner Notes !\r\n
      - "I'm Waiting for the Day (Vocals Only)" Appears on Both LP 1 & LP 2 !\r\n
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      Celebrating the 60th anniversary of the Beach Boys' legendary masterpiece, The Pet Sounds Sessions Highlights (2 LP) 180 gram features selections from the 1997 Grammy®-nominated 4CD box set The Pet Sounds Sessions. It includes 25 Pet Sounds a cappellas, alternate versions and tracking sessions (all on vinyl for the first time), along with new liner notes. Released on May 16, 1966, Pet Sounds was produced and primarily composed by Brian Wilson and is considered a masterpiece of pop music and one of the most influential albums in history. It features the classic singles "God Only Knows," "Sloop John B," and "Wouldn't It Be Nice." Note: "I'm Waiting for the Day (Vocals Only)" is included on both LP1 and LP2.
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    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_pO1xeRh0Ro&list=PLndw0FTo-j_Tt6mTAvSXcD36XgBZvZdyV"
    -referenceProduit: "Capitol Records 0141"
    -titreMorceau: [
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        "nom" => "Side B : "
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        "ordre" => 9
        "nom" => "1. Wouldn’t It Be Nice (Stereo Track and Backing Vocals)"
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        "nom" => "2. Don't Talk (Put Your Head on My Shoulder) (Brian Wilson’s"
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        "nom" => " Instrumental Demo)"
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        "ordre" => 12
        "nom" => "3. I'm Waiting for the Day (Mike Sings Lead)"
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        "nom" => "6. Hang on to Your Ego (Alternate Mix)"
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        "nom" => "7. Here Today (Alternate Version)"
      ]
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        "nom" => "Side C :"
      ]
      [
        "ordre" => 18
        "nom" => "1. Wouldn't It Be Nice (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 19
        "nom" => "2. Trombone Dixie (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 20
        "nom" => "3. Don't Talk (Put Your Head on My Shoulder) (Vocal Snippet)"
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        "ordre" => 21
        "nom" => "4. Don't Talk (Put Your Head on My Shoulder) (Vocals Only)"
      ]
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        "nom" => "1. I'm Waiting for the Day (Vocals Only)"
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      [
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        "nom" => "2. Caroline, No (Stereo Mix, Original Speed)"
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        "nom" => "5. Good Vibrations (Stereo Backing Track)"
      ]
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2068 …}
    -label: Proxies\__CG__\App\Entity\Label {#2071 …}
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      date: 2026-04-06 08:02:52.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2087
    -id: 3047
    -nom: "The Unreleased Berlin Recordings  (Numbered Limited Edition)"
    -informationComplementaire: "Un enregistrement rare des années 60. Lorin Maazel dirige le Radio-Symphonie-Orchester Berlin dans un programme puissant réunissant Ludwig van Beethoven, Claude Debussy et Béla Bartók. Un témoignage orchestral intense, entre précision, énergie et poésie."
    -description: """
      - Enregistrements rares issus d’archives berlinoises !\r\n
      - Un Lorin Maazel au sommet de sa jeunesse artistique !\r\n
      - Un témoignage sonore du Berlin musical des années 60 !\r\n
      - Un programme riche : Beethoven, Debussy, Bartók !\r\n
      \r\n
      Ce double enregistrement issu des archives berlinoises des années 1960 met en lumière un Lorin Maazel jeune mais déjà magistral, dirigeant avec une autorité impressionnante et une sensibilité remarquable.\r\n
      \r\n
      La Symphonie N° 4 en si bémol majeur, Op. 60 de Ludwig van Beethoven y déploie toute son élégance classique, entre énergie vive et lyrisme maîtrisé. Maazel y révèle une lecture claire et incisive, soulignant la modernité de cette œuvre souvent sous-estimée.\r\n
      \r\n
      Avec La Mer, L. 109 de Claude Debussy, l’orchestre berlinois explore une palette sonore d’une richesse exceptionnelle. Les textures orchestrales évoquent tour à tour la lumière, le mouvement et la puissance des éléments naturels.\r\n
      \r\n
      L’album se conclut par la Danse Suite, SZ. 77 de Béla Bartók, œuvre rythmique et colorée, où se mêlent influences folkloriques et modernité orchestrale.\r\n
      \r\n
      - Lorin Maazel "The Unreleased Berlin Recordings" !\r\n
      - Recorded at the Concertgebouw, Amsterdam on Apri 15, 1980 !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 3000 copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      "When I first discovered Maazel's recordings conducting the Berlin Radio Symphony Orchestra, I was completely captivated by his singular artistic choices, particularly in Beethoven's 4th Symphony. It is only at the end of the Finale, that the listener has the feeling of having experienced a unique reading, truthful and as inspired as it is organic. The version of La Mer sparkles with a thousand lights and one could not imagine more authentic Bartók. Maazel is definitely a conductor of the highest range and these recordings are simply fascinating". - Frédéric D'ORIA-NICOLAS, Musical Treasure Hunter\r\n
      \r\n
      Many musicians feared Maazel's chilly authoritarianism, his inability to make concessions. Unfailingly demanding, he insisted that the orchestras show him blind obedience and that the boards in charge run operations smoothly. His temper was legendary.\r\n
      \r\n
      But if he was demanding, it was first and foremost of himself. "Little Lorin", as the former child prodigy was known then, was first asked to lead a professional orchestra when he was nine years old and already a violin virtuoso. When he was eleven, Toscanini invited him to take the baton of the NBC orchestra in New York.\r\n
      \r\n
      Maazel had phenomenal gifts. These, coupled with his sheer hard work and exceptional resilience, resulted in a career of 72 years that encompassed more than 7000 performances with the most prestigious orchestras worldwide. His repertoire was seemingly boundless. During the 1960s and 1970s, when he was at the helm of the Sinfonie Orchester Berlin, Maazel proved himself to be a maestro of style, a magician of sound gifted with not only a perfect sense of line and color, but also infallible technique.\r\n
      \r\n
      The Lost Recordings found these hitherto unpublished recordings, made in October 1969 in Studio 1 of Berlin Radio. Here Maazel's inspiration takes him to the very summit of refinement and expressive intensity.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Lorin Maazel conducts the Berlin Radio Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2cCLuN3coro&t=195s"
    -referenceProduit: "The Lost Recordings 3063"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Ludwig Van Beethoven : Symphony N° 4 in B-flat major, Op. 60"
      ]
      [
        "ordre" => 2
        "nom" => "I. Adagio - Allegro vivace"
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        "ordre" => 3
        "nom" => "II. Adagio"
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      [
        "ordre" => 4
        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "III. Allegro vivace - Trio"
      ]
      [
        "ordre" => 6
        "nom" => "IV. Allegro ma non troppo"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
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      [
        "ordre" => 8
        "nom" => "1. Claude Debussy : La Mer, Trois Esquisses Symphoniques pour"
      ]
      [
        "ordre" => 9
        "nom" => "Orchestre, L 109"
      ]
      [
        "ordre" => 10
        "nom" => "I. De l'aube à midi sur la mer (From Dawn till Noon on the Sea)"
      ]
      [
        "ordre" => 11
        "nom" => "II. Jeux de vagues (Play of the Waves)"
      ]
      [
        "ordre" => 12
        "nom" => "III. Dialogue du vent et de la mer (Dialogue of the Wind and the Sea)"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "2. Bela Bartók : Danse Suite, SZ. 77"
      ]
      [
        "ordre" => 15
        "nom" => "I. Moderato"
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        "nom" => "II. Allegro molto"
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        "nom" => "III. Allegro vivace"
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        "nom" => "IV. Molto tranquillo"
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        "nom" => "V. Comodo"
      ]
      [
        "ordre" => 20
        "nom" => "VI. Finale"
      ]
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        "ordre" => 21
        "nom" => ""
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      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2089 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3355
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2087
    -id: 3047
    -nom: "The Unreleased Berlin Recordings  (Numbered Limited Edition)"
    -informationComplementaire: "Un enregistrement rare des années 60. Lorin Maazel dirige le Radio-Symphonie-Orchester Berlin dans un programme puissant réunissant Ludwig van Beethoven, Claude Debussy et Béla Bartók. Un témoignage orchestral intense, entre précision, énergie et poésie."
    -description: """
      - Enregistrements rares issus d’archives berlinoises !\r\n
      - Un Lorin Maazel au sommet de sa jeunesse artistique !\r\n
      - Un témoignage sonore du Berlin musical des années 60 !\r\n
      - Un programme riche : Beethoven, Debussy, Bartók !\r\n
      \r\n
      Ce double enregistrement issu des archives berlinoises des années 1960 met en lumière un Lorin Maazel jeune mais déjà magistral, dirigeant avec une autorité impressionnante et une sensibilité remarquable.\r\n
      \r\n
      La Symphonie N° 4 en si bémol majeur, Op. 60 de Ludwig van Beethoven y déploie toute son élégance classique, entre énergie vive et lyrisme maîtrisé. Maazel y révèle une lecture claire et incisive, soulignant la modernité de cette œuvre souvent sous-estimée.\r\n
      \r\n
      Avec La Mer, L. 109 de Claude Debussy, l’orchestre berlinois explore une palette sonore d’une richesse exceptionnelle. Les textures orchestrales évoquent tour à tour la lumière, le mouvement et la puissance des éléments naturels.\r\n
      \r\n
      L’album se conclut par la Danse Suite, SZ. 77 de Béla Bartók, œuvre rythmique et colorée, où se mêlent influences folkloriques et modernité orchestrale.\r\n
      \r\n
      - Lorin Maazel "The Unreleased Berlin Recordings" !\r\n
      - Recorded at the Concertgebouw, Amsterdam on Apri 15, 1980 !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 3000 copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      "When I first discovered Maazel's recordings conducting the Berlin Radio Symphony Orchestra, I was completely captivated by his singular artistic choices, particularly in Beethoven's 4th Symphony. It is only at the end of the Finale, that the listener has the feeling of having experienced a unique reading, truthful and as inspired as it is organic. The version of La Mer sparkles with a thousand lights and one could not imagine more authentic Bartók. Maazel is definitely a conductor of the highest range and these recordings are simply fascinating". - Frédéric D'ORIA-NICOLAS, Musical Treasure Hunter\r\n
      \r\n
      Many musicians feared Maazel's chilly authoritarianism, his inability to make concessions. Unfailingly demanding, he insisted that the orchestras show him blind obedience and that the boards in charge run operations smoothly. His temper was legendary.\r\n
      \r\n
      But if he was demanding, it was first and foremost of himself. "Little Lorin", as the former child prodigy was known then, was first asked to lead a professional orchestra when he was nine years old and already a violin virtuoso. When he was eleven, Toscanini invited him to take the baton of the NBC orchestra in New York.\r\n
      \r\n
      Maazel had phenomenal gifts. These, coupled with his sheer hard work and exceptional resilience, resulted in a career of 72 years that encompassed more than 7000 performances with the most prestigious orchestras worldwide. His repertoire was seemingly boundless. During the 1960s and 1970s, when he was at the helm of the Sinfonie Orchester Berlin, Maazel proved himself to be a maestro of style, a magician of sound gifted with not only a perfect sense of line and color, but also infallible technique.\r\n
      \r\n
      The Lost Recordings found these hitherto unpublished recordings, made in October 1969 in Studio 1 of Berlin Radio. Here Maazel's inspiration takes him to the very summit of refinement and expressive intensity.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Lorin Maazel conducts the Berlin Radio Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2cCLuN3coro&t=195s"
    -referenceProduit: "The Lost Recordings 3063"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. Ludwig Van Beethoven : Symphony N° 4 in B-flat major, Op. 60"
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        "ordre" => 2
        "nom" => "I. Adagio - Allegro vivace"
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        "nom" => "Side B : "
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        "nom" => "III. Allegro vivace - Trio"
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        "nom" => "IV. Allegro ma non troppo"
      ]
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        "ordre" => 7
        "nom" => "Side C :"
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        "ordre" => 8
        "nom" => "1. Claude Debussy : La Mer, Trois Esquisses Symphoniques pour"
      ]
      [
        "ordre" => 9
        "nom" => "Orchestre, L 109"
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      [
        "ordre" => 10
        "nom" => "I. De l'aube à midi sur la mer (From Dawn till Noon on the Sea)"
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      [
        "ordre" => 11
        "nom" => "II. Jeux de vagues (Play of the Waves)"
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        "ordre" => 12
        "nom" => "III. Dialogue du vent et de la mer (Dialogue of the Wind and the Sea)"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
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        "nom" => "2. Bela Bartók : Danse Suite, SZ. 77"
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        "nom" => "VI. Finale"
      ]
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        "nom" => ""
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2089 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
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[
  "produit" => App\Entity\Produit {#2112
    -id: 2914
    -nom: "Live In Helsinki 1963 & 1965"
    -informationComplementaire: "Plongez au cœur de la magie du live avec Ella Fitzgerald. À Helsinki, en 1963 et 1965, la First Lady of Song enflamme la scène et réinvente chaque note avec une élégance et une liberté inégalées. Une voix, un moment, une légende comme si vous y étiez."
    -description: """
      L’album "Live in Helsinki 1963 & 1965" de Ella Fitzgerald est une plongée rare et précieuse dans l’art de la scène de l’une des plus grandes voix du jazz. Enregistrées lors de deux concerts donnés en Finlande, ces performances capturent Ella Fitzgerald au sommet de son talent, dans toute la spontanéité et la virtuosité qui ont fait sa légende.\r\n
      \r\n
      Entre standards intemporels, improvisations audacieuses et scat époustouflant, Ella transforme chaque morceau en un moment unique. Son sens du swing, sa justesse parfaite et sa capacité à dialoguer avec les musiciens offrent une expérience live authentique et vibrante.\r\n
      \r\n
      Ces enregistrements révèlent une artiste libre, joueuse et profondément connectée à son public, un témoignage vivant de l’âge d’or du jazz et de la puissance de la performance en direct.\r\n
      \r\n
      - Ella Fitzgerald "Live In Helsinki 1963 & 1965" !\r\n
      - 180 gram mono (3 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      In 1960 Ella Fitzgerald bought a house in Copenhagen. It might seem surprising for someone born in Virginia to choose Denmark with its icy winters. There was indeed a part of folly in the decision, because she was once more in love. This time, the man was Swedish. But the chain of events had not been random. Norman Granz, her mentor, friend and producer had decided to leave the U.S. and move to Switzerland around the same time. He was weary of battling away in a country fraught with racism, bogged down in the Cold War and witch hunts.\r\n
      \r\n
      Ray Charles, Miles Davis and many other musicians were also victims of obnoxious prejudice and Europe became their new mecca. Granz had already led the way and Ella followed. However, she never definitively left the United States, where she continued to fight racism, supporting Martin Luther King and appearing with her blond "sister," Marilyn Monroe. Across the Atlantic, she made more and more European tours, speaking German in Berlin, French in Paris, and Italian in Rome. She used English in Helsinki, where she gave two memorable concerts in April 1963 and March 1965. She felt a close affinity to Copenhagen. One thing was sure, she was happy, and it showed.\r\n
      \r\n
      It took us at The Lost Recordings months of talks and two trips to Helsinki to unearth the tapes of these concerts, never before published as records. We were immediately struck by Ella's virtuosity - her vocal acrobatics - and the quality of her voice, whose very essence and tonal confidence still shine through. This imposing woman's stage presence is magnetic, masking her stage fright in the wings and the shyness she had retained since childhood.\r\n
      \r\n
      After listening to these concerts, it is clear that her musical legacy extends beyond the musical framework of jazz. Her repertoire included not only the composers of The Great American Songbook, such as Cole Porter, Irving Berlin and George Gershwin, but also popular Broadway numbers, songs by The Beatles and South American music. The last piece of the puzzle: she knew no boundaries. She swept up everything along her way. Her timbre, her style and her very presence are immediately recognisable. She was inimitable. Whether she was living in Harlem, London, Los Angeles, Copenhagen or Helsinki, she was the very embodiment of swing, of scat, and of jazz. Ella and music are one.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Tommy Flanagan (piano), Les Spann (guitar, flute), Jim Hughart, Ketter Betts (bass), Gus Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XFq4_h6Yz6E&list=RDXFq4_h6Yz6E&start_radio=1"
    -referenceProduit: "The Lost Recordings 4064"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "LP 1"
      ]
      [
        "ordre" => 1
        "nom" => "1. Just One of Those Things"
      ]
      [
        "ordre" => 2
        "nom" => "2. Like Someone in Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. Crazy He Calls Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. In a Mellow Tone"
      ]
      [
        "ordre" => 5
        "nom" => "5. No Moon at All"
      ]
      [
        "ordre" => 6
        "nom" => "6. Georgia on My Mind"
      ]
      [
        "ordre" => 7
        "nom" => "7. All of Me"
      ]
      [
        "ordre" => 8
        "nom" => "8. Moonlight in Vermont"
      ]
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        "ordre" => 9
        "nom" => "9. Misty"
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        "ordre" => 10
        "nom" => "10. Hallelujah, I Love Him So"
      ]
      [
        "ordre" => 11
        "nom" => "11. Mack the Knife"
      ]
      [
        "ordre" => 12
        "nom" => "LP 2"
      ]
      [
        "ordre" => 13
        "nom" => "1. Don't Get Around Much Anymore"
      ]
      [
        "ordre" => 14
        "nom" => "2. They Can't Take That Away From Me"
      ]
      [
        "ordre" => 15
        "nom" => "3. Summertime"
      ]
      [
        "ordre" => 16
        "nom" => "4. Lush Life"
      ]
      [
        "ordre" => 17
        "nom" => "5. Runnin' Wild"
      ]
      [
        "ordre" => 18
        "nom" => "6. Georgia On My Mind"
      ]
      [
        "ordre" => 19
        "nom" => "7. A Lot of Livin' to Do"
      ]
      [
        "ordre" => 20
        "nom" => "8. 'S Wonderful"
      ]
      [
        "ordre" => 21
        "nom" => "9. Desafinado"
      ]
      [
        "ordre" => 22
        "nom" => "10. Tenderly"
      ]
      [
        "ordre" => 23
        "nom" => "11. How High the Moon"
      ]
      [
        "ordre" => 24
        "nom" => "LP 3"
      ]
      [
        "ordre" => 25
        "nom" => "1. Walk Right In"
      ]
      [
        "ordre" => 26
        "nom" => "2. That Old Black Magic"
      ]
      [
        "ordre" => 27
        "nom" => "3. Body and Soul"
      ]
      [
        "ordre" => 28
        "nom" => "4. Here's That Rainy Day"
      ]
      [
        "ordre" => 29
        "nom" => "5. The Angels Sing"
      ]
      [
        "ordre" => 30
        "nom" => "6. A Hard Day's Night"
      ]
      [
        "ordre" => 31
        "nom" => "7. Medley :"
      ]
      [
        "ordre" => 32
        "nom" => "- Do Nothin' Till You Hear From Me"
      ]
      [
        "ordre" => 33
        "nom" => "- Mood Indigo"
      ]
      [
        "ordre" => 34
        "nom" => "- It Don't Mean a Thing"
      ]
      [
        "ordre" => 35
        "nom" => "8. The Boy from Ipanema"
      ]
      [
        "ordre" => 36
        "nom" => "9. Don't Rain on My Parade from 'Funny Girl'"
      ]
      [
        "ordre" => 37
        "nom" => "10. Mack the Knife"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#2092 …}
    -style: App\Entity\Style {#1449 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-live-in-helsinki-1963-1965-the-lost-recordings-4064"
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3408
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2112
    -id: 2914
    -nom: "Live In Helsinki 1963 & 1965"
    -informationComplementaire: "Plongez au cœur de la magie du live avec Ella Fitzgerald. À Helsinki, en 1963 et 1965, la First Lady of Song enflamme la scène et réinvente chaque note avec une élégance et une liberté inégalées. Une voix, un moment, une légende comme si vous y étiez."
    -description: """
      L’album "Live in Helsinki 1963 & 1965" de Ella Fitzgerald est une plongée rare et précieuse dans l’art de la scène de l’une des plus grandes voix du jazz. Enregistrées lors de deux concerts donnés en Finlande, ces performances capturent Ella Fitzgerald au sommet de son talent, dans toute la spontanéité et la virtuosité qui ont fait sa légende.\r\n
      \r\n
      Entre standards intemporels, improvisations audacieuses et scat époustouflant, Ella transforme chaque morceau en un moment unique. Son sens du swing, sa justesse parfaite et sa capacité à dialoguer avec les musiciens offrent une expérience live authentique et vibrante.\r\n
      \r\n
      Ces enregistrements révèlent une artiste libre, joueuse et profondément connectée à son public, un témoignage vivant de l’âge d’or du jazz et de la puissance de la performance en direct.\r\n
      \r\n
      - Ella Fitzgerald "Live In Helsinki 1963 & 1965" !\r\n
      - 180 gram mono (3 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      In 1960 Ella Fitzgerald bought a house in Copenhagen. It might seem surprising for someone born in Virginia to choose Denmark with its icy winters. There was indeed a part of folly in the decision, because she was once more in love. This time, the man was Swedish. But the chain of events had not been random. Norman Granz, her mentor, friend and producer had decided to leave the U.S. and move to Switzerland around the same time. He was weary of battling away in a country fraught with racism, bogged down in the Cold War and witch hunts.\r\n
      \r\n
      Ray Charles, Miles Davis and many other musicians were also victims of obnoxious prejudice and Europe became their new mecca. Granz had already led the way and Ella followed. However, she never definitively left the United States, where she continued to fight racism, supporting Martin Luther King and appearing with her blond "sister," Marilyn Monroe. Across the Atlantic, she made more and more European tours, speaking German in Berlin, French in Paris, and Italian in Rome. She used English in Helsinki, where she gave two memorable concerts in April 1963 and March 1965. She felt a close affinity to Copenhagen. One thing was sure, she was happy, and it showed.\r\n
      \r\n
      It took us at The Lost Recordings months of talks and two trips to Helsinki to unearth the tapes of these concerts, never before published as records. We were immediately struck by Ella's virtuosity - her vocal acrobatics - and the quality of her voice, whose very essence and tonal confidence still shine through. This imposing woman's stage presence is magnetic, masking her stage fright in the wings and the shyness she had retained since childhood.\r\n
      \r\n
      After listening to these concerts, it is clear that her musical legacy extends beyond the musical framework of jazz. Her repertoire included not only the composers of The Great American Songbook, such as Cole Porter, Irving Berlin and George Gershwin, but also popular Broadway numbers, songs by The Beatles and South American music. The last piece of the puzzle: she knew no boundaries. She swept up everything along her way. Her timbre, her style and her very presence are immediately recognisable. She was inimitable. Whether she was living in Harlem, London, Los Angeles, Copenhagen or Helsinki, she was the very embodiment of swing, of scat, and of jazz. Ella and music are one.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Tommy Flanagan (piano), Les Spann (guitar, flute), Jim Hughart, Ketter Betts (bass), Gus Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XFq4_h6Yz6E&list=RDXFq4_h6Yz6E&start_radio=1"
    -referenceProduit: "The Lost Recordings 4064"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "LP 1"
      ]
      [
        "ordre" => 1
        "nom" => "1. Just One of Those Things"
      ]
      [
        "ordre" => 2
        "nom" => "2. Like Someone in Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. Crazy He Calls Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. In a Mellow Tone"
      ]
      [
        "ordre" => 5
        "nom" => "5. No Moon at All"
      ]
      [
        "ordre" => 6
        "nom" => "6. Georgia on My Mind"
      ]
      [
        "ordre" => 7
        "nom" => "7. All of Me"
      ]
      [
        "ordre" => 8
        "nom" => "8. Moonlight in Vermont"
      ]
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        "ordre" => 9
        "nom" => "9. Misty"
      ]
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        "ordre" => 10
        "nom" => "10. Hallelujah, I Love Him So"
      ]
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        "ordre" => 11
        "nom" => "11. Mack the Knife"
      ]
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        "nom" => "LP 2"
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      [
        "ordre" => 13
        "nom" => "1. Don't Get Around Much Anymore"
      ]
      [
        "ordre" => 14
        "nom" => "2. They Can't Take That Away From Me"
      ]
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        "nom" => "3. Summertime"
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        "nom" => "4. Lush Life"
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        "nom" => "5. Runnin' Wild"
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        "nom" => "6. Georgia On My Mind"
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        "nom" => "7. A Lot of Livin' to Do"
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        "nom" => "8. 'S Wonderful"
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        "nom" => "9. Desafinado"
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        "nom" => "10. Tenderly"
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        "ordre" => 23
        "nom" => "11. How High the Moon"
      ]
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        "nom" => "LP 3"
      ]
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        "nom" => "1. Walk Right In"
      ]
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        "nom" => "2. That Old Black Magic"
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        "nom" => "3. Body and Soul"
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        "nom" => "4. Here's That Rainy Day"
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        "nom" => "5. The Angels Sing"
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        "nom" => "6. A Hard Day's Night"
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        "nom" => "7. Medley :"
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        "nom" => "- Do Nothin' Till You Hear From Me"
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        "nom" => "- Mood Indigo"
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      [
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        "nom" => "- It Don't Mean a Thing"
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        "nom" => "8. The Boy from Ipanema"
      ]
      [
        "ordre" => 36
        "nom" => "9. Don't Rain on My Parade from 'Funny Girl'"
      ]
      [
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        "nom" => "10. Mack the Knife"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-live-in-helsinki-1963-1965-the-lost-recordings-4064"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
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[
  "produit" => App\Entity\Produit {#2129
    -id: 2790
    -nom: "One Of These Nights Part 1  (Limited Edition Import DMM)"
    -informationComplementaire: "Plongez dans l’univers unique de "One Of These Nights Part 1", une odyssée musicale où la virtuosité rencontre l’émotion, et où chaque note raconte une histoire."
    -description: """
      L’album "One Of These Nights Part 1" de Al Di Meola est une œuvre vibrante qui illustre toute la richesse et la finesse du jeu du guitariste légendaire. Fidèle à son univers mêlant jazz fusion, influences latines et sonorités acoustiques sophistiquées, cet opus propose une expérience immersive où virtuosité technique et émotion pure se rencontrent.\r\n
      \r\n
      À travers des compositions à la fois intenses et contemplatives, Al Di Meola explore des paysages sonores cinématographiques, portés par des mélodies envoûtantes et des rythmes subtils. Chaque morceau révèle une maîtrise exceptionnelle de la guitare, mais aussi une sensibilité artistique qui transcende les genres.\r\n
      \r\n
      Cet album s’adresse autant aux amateurs de jazz qu’aux passionnés de musique instrumentale raffinée, offrant une écoute à la fois exigeante et profondément captivante.\r\n
      \r\n
      - Numbered, Limited Edition DMM 180 gram Audiophile Vinyl LP !\r\n
      - Strict One-Time Pressing !\r\n
      - New album mix produced from the original master multi-track recording mastered to analog tape !\r\n
      - Direct Metal Mastering cut directly from the analog tape master !\r\n
      \r\n
      Right from the start, Al Di Meola brilliantly displays his amazing guitar skills and appreciation of gorgeous melodies. Utilizing concentration and devotion to his craft rather than simply performing routines make this performance an extraordinary experience. His masterful skills combined with feelings of emotion create a spectrum of musical ideas. Al Di Meola assembled a thoroughly excellent group of musicians for this review of his career spanning almost three decades. It is a fantastic combination of romantic chamber music, traditional Latin American music and the freedom of jazz, constantly switching between off-the-cuff improvisation and intricate musical arrangements. Time and time again the musicians alter familiar music with surprising rhythmic changes to construct a marvelous soundscape. A truly magical concert.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Al Di Meola (guitar, synthesizer), Mario Parmisano (acoustic piano, synthesizer), András Sturcz (cello), Gyula Benkö (viola), Gábor Gsonka (1st violin), Victor Uhzik (2nd violin), Gumbi Ortiz (percussion), Ernie Adams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=q7KbTZZg2hc&list=PLrrrLOu1whQw8JdXwi3NDiIhrFy4e91EB"
    -referenceProduit: "IN-AKUSTIK 0011"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 4
        "nom" => "1. Azzura"
      ]
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        "ordre" => 5
        "nom" => "2. Orient Blue"
      ]
      [
        "ordre" => 6
        "nom" => "3. Rhapsody Of Fire"
      ]
      [
        "ordre" => 7
        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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      [
        "ordre" => 10
        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
    -label: Proxies\__CG__\App\Entity\Label {#2134 …}
    -style: App\Entity\Style {#1449 …}
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    -enregistreLe: DateTime @1756238585 {#2122
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -slug: "vinyles-one-of-these-nights-part-1-limited-edition-import-dmm-in-akustik-0011"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3454
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2129
    -id: 2790
    -nom: "One Of These Nights Part 1  (Limited Edition Import DMM)"
    -informationComplementaire: "Plongez dans l’univers unique de "One Of These Nights Part 1", une odyssée musicale où la virtuosité rencontre l’émotion, et où chaque note raconte une histoire."
    -description: """
      L’album "One Of These Nights Part 1" de Al Di Meola est une œuvre vibrante qui illustre toute la richesse et la finesse du jeu du guitariste légendaire. Fidèle à son univers mêlant jazz fusion, influences latines et sonorités acoustiques sophistiquées, cet opus propose une expérience immersive où virtuosité technique et émotion pure se rencontrent.\r\n
      \r\n
      À travers des compositions à la fois intenses et contemplatives, Al Di Meola explore des paysages sonores cinématographiques, portés par des mélodies envoûtantes et des rythmes subtils. Chaque morceau révèle une maîtrise exceptionnelle de la guitare, mais aussi une sensibilité artistique qui transcende les genres.\r\n
      \r\n
      Cet album s’adresse autant aux amateurs de jazz qu’aux passionnés de musique instrumentale raffinée, offrant une écoute à la fois exigeante et profondément captivante.\r\n
      \r\n
      - Numbered, Limited Edition DMM 180 gram Audiophile Vinyl LP !\r\n
      - Strict One-Time Pressing !\r\n
      - New album mix produced from the original master multi-track recording mastered to analog tape !\r\n
      - Direct Metal Mastering cut directly from the analog tape master !\r\n
      \r\n
      Right from the start, Al Di Meola brilliantly displays his amazing guitar skills and appreciation of gorgeous melodies. Utilizing concentration and devotion to his craft rather than simply performing routines make this performance an extraordinary experience. His masterful skills combined with feelings of emotion create a spectrum of musical ideas. Al Di Meola assembled a thoroughly excellent group of musicians for this review of his career spanning almost three decades. It is a fantastic combination of romantic chamber music, traditional Latin American music and the freedom of jazz, constantly switching between off-the-cuff improvisation and intricate musical arrangements. Time and time again the musicians alter familiar music with surprising rhythmic changes to construct a marvelous soundscape. A truly magical concert.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Al Di Meola (guitar, synthesizer), Mario Parmisano (acoustic piano, synthesizer), András Sturcz (cello), Gyula Benkö (viola), Gábor Gsonka (1st violin), Victor Uhzik (2nd violin), Gumbi Ortiz (percussion), Ernie Adams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=q7KbTZZg2hc&list=PLrrrLOu1whQw8JdXwi3NDiIhrFy4e91EB"
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        "nom" => "Side A :"
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        "nom" => "1. Azzura"
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        "ordre" => 5
        "nom" => "2. Orient Blue"
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        "nom" => "3. Rhapsody Of Fire"
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        "nom" => ""
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        "nom" => ""
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        "ordre" => 10
        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
    -label: Proxies\__CG__\App\Entity\Label {#2134 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2143 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2136 …}
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      date: 2026-04-05 07:52:12.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2140 …}
    -disponible: null
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    -slug: "vinyles-one-of-these-nights-part-1-limited-edition-import-dmm-in-akustik-0011"
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[
  "produit" => App\Entity\Produit {#2152
    -id: 2951
    -nom: "Live at P.J.'S Hollywood California"
    -informationComplementaire: "Plongez dans l’énergie brute de "Live at P.J.'s", où Kool & The Gang enflamment la scène avec un funk puissant, spontané et irrésistible. Un live vibrant, au plus près du groove."
    -description: """
      Sorti en 1971, "Live at P.J.'s" est un témoignage authentique des débuts explosifs de Kool & The Gang. Enregistré dans un club de Los Angeles, cet album live capture toute la puissance et la spontanéité du groupe sur scène, bien avant leurs succès planétaires.\r\n
      \r\n
      À travers des morceaux dynamiques comme “N.T.” ou “Funky Man”, le collectif dévoile un son brut, porté par des cuivres percutants, des lignes de basse hypnotiques et des rythmes irrésistibles. Loin des productions plus lisses de leurs années suivantes, cet opus met en lumière leur ADN funk et jazz, nourri d’improvisation et d’interaction avec le public.\r\n
      \r\n
      Live at P.J.'s, c’est l’essence même d’un concert, une atmosphère électrique, une énergie contagieuse et un groupe en totale communion avec son audience. Un incontournable pour les amateurs de funk authentique et les passionnés de musique live.\r\n
      \r\n
      - The Record That Preceded the Soul-Jazz Movement : Kool and the Gang’s Funky Live at P.J.’S Thrills with Boundless Diversity, Virtuosic Interplay, and Contagious Grooves !\r\n
      - Experience the Exhilarating 1971 Album in Audiophile Sound for the First Time : Strictly - Limited to 2000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM LP Plays with Exceptional Definition and Clarity !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Make it funky. Kool and the Gang do that and much more on Live at P.J.’S, a freewheeling concert album that both preceded the resurgent soul-jazz movement by decades and demonstrated the boundless diversity, virtuosic skill, arrangement chops, and contagious energy of a band that over the course of its career refused to be hemmed in to any particular style or characteristic. Filled with then-new compositions, this wordless 1971 set comes on like one long, magnetic, ever-shifting groove. And it’s never been better. \r\n
      \r\n
      Sourced from the original analog master tapes, strictly limited to 2000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 33 RPM LP presents the incalculably influential record in audiophile sound for the very first time. Compared to prior editions, Live at P.J.’S plays with deeper, tauter bass, enhanced definition, and more realistic presence. Everything from the brassiness of the horns to the snap of the snare to the rattle of the congas comes across in full-range perspective. \r\n
      \r\n
      This collectible version of the monster LP also exhibits a combination of clarity, solidity, and imaging that helps bring to light every note Kool and the Gang committed to tape that late May 1971 Saturday night at a show that kicked off at 10:45 local time and came amidst another of the group’s busy tour schedules. Though augmented with strings later in the studio, the core of Live at P.J.’s remains what the septet of Robert “Kool” Bell, saxophonist Ronald Bell, drummer George Brown, guitarist Claydes Smith, trumpeter Robert Mickens, and multi-instrumentalists Dennis Thomas and Ricky West delivered onstage. \r\n
      \r\n
      That includes not only the standout musicianship but the inventive approaches, fearless attitudes, and immense creativity. Practically inconceivable today, Kool and the Gang entered the Hollywood, CA club with the intent of documenting seven new songs without concern of advance familiarity or the threat of getting ripped off by someone who happened to be in the audience. It’s just how the band operated since forming in New Jersey during the mid-60s. Namely, with a focus on crowd response, an emphasis on trial-by-fire song testing, and a worry-free outlook on being copied by others. \r\n
      \r\n
      Indeed, Bell once dismissed the latter issue as irrelevant, noting that “nobody could ever make it sound real but us anyway.” Cocky ? Perhaps. Truthful ? Absolutely. Bell and company walk the talk on Live at P.J.’S, further notable for being the band’s second consecutive live effort and second concert release of 1971. And remember, this is a group that had just one studio LP to its credit. Ignoring any preexisting conventions, the strategy simultaneously captured the vision of an ensemble that made its own rules and built its reputation by way of its live performances. \r\n
      \r\n
      No less of an authority than the Godfather of Soul himself, James Brown, said of Live at P.J.’s: “Don’t play this in the car when you drive. The groove is so funky, you’ll wreck”. And consider that the album-opening “N.T.” shorthand for “no title” includes one of the most famous drum breaks in history, one since sampled by the likes of Public Enemy, N.W.A, Nas, Q-Tip, and other prominent hip-hop artists. Or, just listen to how magic transpires from one cut to the next, the collective reflecting its symbiotic chemistry and knack for on-point rhythmic expressiveness.  \r\n
      \r\n
      The final LP of Kool and the Gang’s jazz-centric era, and the last set it released before the group gained a foothold on commercial radio, Live at P.J.’s cooks with excursions into tropical-flavored material “Ricksonata”, romantic fare (an inspired take of the pop evergreen’ “You’ve Lost That Lovin’ Feeling”, Latin-leaning work a cover of saxophone legend Charles Lloyd’s “Sombrero Sam”, and even pieces that could serve as film-score backdrops “Lucky for Me”. \r\n
      \r\n
      Throughout the journey, Kool and the Gang retain a crisp attack and clear sense of direction, its overall methodology best summed up on the aptly titled “Ronnie’s Groove”, penned by Ronnie Bell, who also functioned as the band’s defacto musical director. Of course, no moment here outshines another, with all of the songs including the Isaac Hayes tribute “Ike’s Mood” and upbeat, complex trip of “Dujii” reaching for and attaining space on a higher plane. \r\n
      \r\n
      Kool Jazz, all ‘around.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=blYEu4rYrhk&list=PLEBBBFcAycEi2Qi7kFyYTW6KGo0qLOGmT&index=6"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-579"
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  +produit: App\Entity\Produit {#2152
    -id: 2951
    -nom: "Live at P.J.'S Hollywood California"
    -informationComplementaire: "Plongez dans l’énergie brute de "Live at P.J.'s", où Kool & The Gang enflamment la scène avec un funk puissant, spontané et irrésistible. Un live vibrant, au plus près du groove."
    -description: """
      Sorti en 1971, "Live at P.J.'s" est un témoignage authentique des débuts explosifs de Kool & The Gang. Enregistré dans un club de Los Angeles, cet album live capture toute la puissance et la spontanéité du groupe sur scène, bien avant leurs succès planétaires.\r\n
      \r\n
      À travers des morceaux dynamiques comme “N.T.” ou “Funky Man”, le collectif dévoile un son brut, porté par des cuivres percutants, des lignes de basse hypnotiques et des rythmes irrésistibles. Loin des productions plus lisses de leurs années suivantes, cet opus met en lumière leur ADN funk et jazz, nourri d’improvisation et d’interaction avec le public.\r\n
      \r\n
      Live at P.J.'s, c’est l’essence même d’un concert, une atmosphère électrique, une énergie contagieuse et un groupe en totale communion avec son audience. Un incontournable pour les amateurs de funk authentique et les passionnés de musique live.\r\n
      \r\n
      - The Record That Preceded the Soul-Jazz Movement : Kool and the Gang’s Funky Live at P.J.’S Thrills with Boundless Diversity, Virtuosic Interplay, and Contagious Grooves !\r\n
      - Experience the Exhilarating 1971 Album in Audiophile Sound for the First Time : Strictly - Limited to 2000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM LP Plays with Exceptional Definition and Clarity !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Make it funky. Kool and the Gang do that and much more on Live at P.J.’S, a freewheeling concert album that both preceded the resurgent soul-jazz movement by decades and demonstrated the boundless diversity, virtuosic skill, arrangement chops, and contagious energy of a band that over the course of its career refused to be hemmed in to any particular style or characteristic. Filled with then-new compositions, this wordless 1971 set comes on like one long, magnetic, ever-shifting groove. And it’s never been better. \r\n
      \r\n
      Sourced from the original analog master tapes, strictly limited to 2000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 33 RPM LP presents the incalculably influential record in audiophile sound for the very first time. Compared to prior editions, Live at P.J.’S plays with deeper, tauter bass, enhanced definition, and more realistic presence. Everything from the brassiness of the horns to the snap of the snare to the rattle of the congas comes across in full-range perspective. \r\n
      \r\n
      This collectible version of the monster LP also exhibits a combination of clarity, solidity, and imaging that helps bring to light every note Kool and the Gang committed to tape that late May 1971 Saturday night at a show that kicked off at 10:45 local time and came amidst another of the group’s busy tour schedules. Though augmented with strings later in the studio, the core of Live at P.J.’s remains what the septet of Robert “Kool” Bell, saxophonist Ronald Bell, drummer George Brown, guitarist Claydes Smith, trumpeter Robert Mickens, and multi-instrumentalists Dennis Thomas and Ricky West delivered onstage. \r\n
      \r\n
      That includes not only the standout musicianship but the inventive approaches, fearless attitudes, and immense creativity. Practically inconceivable today, Kool and the Gang entered the Hollywood, CA club with the intent of documenting seven new songs without concern of advance familiarity or the threat of getting ripped off by someone who happened to be in the audience. It’s just how the band operated since forming in New Jersey during the mid-60s. Namely, with a focus on crowd response, an emphasis on trial-by-fire song testing, and a worry-free outlook on being copied by others. \r\n
      \r\n
      Indeed, Bell once dismissed the latter issue as irrelevant, noting that “nobody could ever make it sound real but us anyway.” Cocky ? Perhaps. Truthful ? Absolutely. Bell and company walk the talk on Live at P.J.’S, further notable for being the band’s second consecutive live effort and second concert release of 1971. And remember, this is a group that had just one studio LP to its credit. Ignoring any preexisting conventions, the strategy simultaneously captured the vision of an ensemble that made its own rules and built its reputation by way of its live performances. \r\n
      \r\n
      No less of an authority than the Godfather of Soul himself, James Brown, said of Live at P.J.’s: “Don’t play this in the car when you drive. The groove is so funky, you’ll wreck”. And consider that the album-opening “N.T.” shorthand for “no title” includes one of the most famous drum breaks in history, one since sampled by the likes of Public Enemy, N.W.A, Nas, Q-Tip, and other prominent hip-hop artists. Or, just listen to how magic transpires from one cut to the next, the collective reflecting its symbiotic chemistry and knack for on-point rhythmic expressiveness.  \r\n
      \r\n
      The final LP of Kool and the Gang’s jazz-centric era, and the last set it released before the group gained a foothold on commercial radio, Live at P.J.’s cooks with excursions into tropical-flavored material “Ricksonata”, romantic fare (an inspired take of the pop evergreen’ “You’ve Lost That Lovin’ Feeling”, Latin-leaning work a cover of saxophone legend Charles Lloyd’s “Sombrero Sam”, and even pieces that could serve as film-score backdrops “Lucky for Me”. \r\n
      \r\n
      Throughout the journey, Kool and the Gang retain a crisp attack and clear sense of direction, its overall methodology best summed up on the aptly titled “Ronnie’s Groove”, penned by Ronnie Bell, who also functioned as the band’s defacto musical director. Of course, no moment here outshines another, with all of the songs including the Isaac Hayes tribute “Ike’s Mood” and upbeat, complex trip of “Dujii” reaching for and attaining space on a higher plane. \r\n
      \r\n
      Kool Jazz, all ‘around.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Robert "Kool" Bell (bass, vocals), Ronald Bell (keyboards, vocals),  Dennis "D.T." Thomas (alto saxophone, flute), Claydes Charles Smith (guitar), Ricky Westfield (trumpet), George Brown (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=blYEu4rYrhk&list=PLEBBBFcAycEi2Qi7kFyYTW6KGo0qLOGmT&index=6"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-579"
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[
  "produit" => App\Entity\Produit {#2171
    -id: 2916
    -nom: "Cloud Nine (2 LP) 45 RPM"
    -informationComplementaire: "Plongez dans "Cloud Nine", l’album qui a bouleversé la soul. Entre rythmes psychédéliques et messages percutants, les Temptations réinventent leur son et capturent l’esprit d’une époque en pleine mutation."
    -description: """
      Sorti en 1969, "Cloud Nine" marque un tournant décisif dans la carrière des Temptations. Sous l’impulsion du producteur visionnaire Norman Whitfield, le groupe abandonne progressivement la soul romantique qui a fait son succès pour explorer un son plus audacieux : le psychedelic soul.\r\n
      \r\n
      Porté par des orchestrations innovantes, des grooves hypnotiques et des textes plus engagés, l’album aborde des thématiques sociales fortes comme la pression urbaine, l’aliénation et l’évasion. Le titre éponyme "Cloud Nine" devient un immense succès et vaut au groupe son premier Grammy Award.\r\n
      \r\n
      Avec cet album, les Temptations redéfinissent leur identité artistique et participent à l’évolution de la musique soul vers des territoires plus expérimentaux, ouvrant la voie à une nouvelle ère sonore chez Motown.\r\n
      \r\n
      - The Temptations Get High on Psychedelic Soul: Cloud Nine Soars with Ambitious Arrangements and Production, Features Standout Vocal Performances and Instrumentation by the Funk Brothers !\r\n
      - Experience Motown’s First Grammy-Winning Album in Audiophile Sound: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 45 RPM (2 LP) Reissue of 1969 Effort Plays with Remarkable Clarity, Separation, and Openness !\r\n
      - ¼” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The Temptations’ Cloud Nine announced that Motown and “The Sound of Young America” would never be the same. Influenced by the emergence of cutting-edge rock and pop currents, as well as increasing sociopolitical turmoil, the album broke down barriers between rock, psychedelia, and soul while heralding the arrival of visionary arrangements and production techniques. Bookended by traditional R&B numbers, the 1969 record sent the Temptations in bold new directions and signaled the advent of psychedelic soul.\r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 3000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 PM (2 LP) set presents Cloud Nine in audiophile sound for the first time on a domestic pressing. This collectible reissue bestows Norman Whitfield’s extraordinary production with the grand-scale dynamics, natural tonality, expansive openness, and low-end weight it deserves. The timbre of each of the five members’ voices is readily identifiable even within the group harmonies bestowing a realism never experienced outside the recording studio. \r\n
      \r\n
      Making its debut on 45 RPM, the album further benefits from the wide groove space by playing with greater separation and more realistic presence than prior editions. Everything from the brassiness of the horns to the dry snap of the snare comes across with reference-grade clarity and positioning. And since Motown’s renowned Funk Brothers backing band plays on many of the cuts, you’ll want to savor every note. The imaging, soundstaging, and organic bloom-and-decay of the notes make that possible. \r\n
      \r\n
      Amid Cloud Nine, the instrumentation and architecture stand out as much as any element. Never before had a Motown album contained such ambitious patterns and complex passages. Seemingly conscientious of the departure from their past methods, the Temptations and Whitfield bunched together the tracks that mark a deep dive into psychedelic territory and counterbalance them with seven sterling soul cuts that dovetail with Motown tradition drenched with heartfelt vocals, swelling strings, and finger-snapping beats. \r\n
      \r\n
      On the original 33 RPM release, traditional Motown soul laden with heartfelt vocals, swelling strings, and finger-snapping beats occupies Side Two. These songs reveal an ensemble still very much on top of delivering pristine pop-soul material graced with romantic sweetness, persuasive insistent, and soaring highs. Re-energized after the departure of lead singer David Ruffin, who was fired for a variety of reasons in June 1968, the Temptations seamlessly meld with his replacement, Dennis Edwards, on one melodic gem after another. \r\n
      \r\n
      The collective tackles five songs co-written by the legendary Motown team of Barrett Strong and Whitfield. Not the least of which are the smooth, shuffling “Why Did She Have to Leave Me (Why Did She Have to Go)” and deceptively simple, horn-spiked “Gonna Keep on Tryin’ till I Win Your Love.” On these tracks, as well as on a lush rendition of the ballad “Love Is a Hurtin’ Thing” and pleading, tender send-up of the Gerry Goffin-Carole King classic “Hey Girl,” Edwards and Paul Williams take turns on the lead with the estimable Eddie Kendricks, Melvin Franklin, and Otis Williams providing backing support. \r\n
      \r\n
      All five vocalists trade-off leads on the simmering title track, a groundbreaking composition shot through with wah-wah-pedal effects, liquid funk, deep bass lines, Cuban percussion, saturated reverb, and gang choruses. Whitfield mines each member’s natural vocal range with spectacular results, keeps time with cymbals, and channels both the heated temperatures and escapist desires of a society embroiled in war, conflict, and experimental drugs. \r\n
      \r\n
      Amazingly, the Temptations top themselves on the similarly revealing “Run Away Child, Running Wild.” Nearly 10 minutes in length, the song explodes R&B parameters and harbors a cinematic scope. Urgent pianos, distorted guitars, stripped-down percussion, steamy Hammond organs, minimal bass motifs, five distinct voices narrating the tale of a boy who fled home and now finds himself amid the scary, unforgiving external world: They combine to give the urgent tune a walls-closing-in atmosphere where fear and desperation reign. Bolstered by an extended instrumental section that precedes a climactic return of the singers’ voices, “Run Away Child, Running Wild” equaled the success of the record’s title track, with both reaching No. 6 on the pop charts. \r\n
      \r\n
      As for the Temptations and Whitfield? More than five decades after it streeted, Cloud Nine proves they went even higher.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Dennis Edwards (lead vocals), Eddie Kendricks (tenor vocals), Paul Williams, Otis Williams (baritone vocals), Melvin Franklin (bass vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=SkLq8qKpk6g&list=RDSkLq8qKpk6g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-621"
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    -disponible: null
    -terminer: null
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    -slug: "vinyles-cloud-nine-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-621"
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App\Twig\Components\GestionPanierFavoriComponents {#3556
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2171
    -id: 2916
    -nom: "Cloud Nine (2 LP) 45 RPM"
    -informationComplementaire: "Plongez dans "Cloud Nine", l’album qui a bouleversé la soul. Entre rythmes psychédéliques et messages percutants, les Temptations réinventent leur son et capturent l’esprit d’une époque en pleine mutation."
    -description: """
      Sorti en 1969, "Cloud Nine" marque un tournant décisif dans la carrière des Temptations. Sous l’impulsion du producteur visionnaire Norman Whitfield, le groupe abandonne progressivement la soul romantique qui a fait son succès pour explorer un son plus audacieux : le psychedelic soul.\r\n
      \r\n
      Porté par des orchestrations innovantes, des grooves hypnotiques et des textes plus engagés, l’album aborde des thématiques sociales fortes comme la pression urbaine, l’aliénation et l’évasion. Le titre éponyme "Cloud Nine" devient un immense succès et vaut au groupe son premier Grammy Award.\r\n
      \r\n
      Avec cet album, les Temptations redéfinissent leur identité artistique et participent à l’évolution de la musique soul vers des territoires plus expérimentaux, ouvrant la voie à une nouvelle ère sonore chez Motown.\r\n
      \r\n
      - The Temptations Get High on Psychedelic Soul: Cloud Nine Soars with Ambitious Arrangements and Production, Features Standout Vocal Performances and Instrumentation by the Funk Brothers !\r\n
      - Experience Motown’s First Grammy-Winning Album in Audiophile Sound: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 45 RPM (2 LP) Reissue of 1969 Effort Plays with Remarkable Clarity, Separation, and Openness !\r\n
      - ¼” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The Temptations’ Cloud Nine announced that Motown and “The Sound of Young America” would never be the same. Influenced by the emergence of cutting-edge rock and pop currents, as well as increasing sociopolitical turmoil, the album broke down barriers between rock, psychedelia, and soul while heralding the arrival of visionary arrangements and production techniques. Bookended by traditional R&B numbers, the 1969 record sent the Temptations in bold new directions and signaled the advent of psychedelic soul.\r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 3000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 PM (2 LP) set presents Cloud Nine in audiophile sound for the first time on a domestic pressing. This collectible reissue bestows Norman Whitfield’s extraordinary production with the grand-scale dynamics, natural tonality, expansive openness, and low-end weight it deserves. The timbre of each of the five members’ voices is readily identifiable even within the group harmonies bestowing a realism never experienced outside the recording studio. \r\n
      \r\n
      Making its debut on 45 RPM, the album further benefits from the wide groove space by playing with greater separation and more realistic presence than prior editions. Everything from the brassiness of the horns to the dry snap of the snare comes across with reference-grade clarity and positioning. And since Motown’s renowned Funk Brothers backing band plays on many of the cuts, you’ll want to savor every note. The imaging, soundstaging, and organic bloom-and-decay of the notes make that possible. \r\n
      \r\n
      Amid Cloud Nine, the instrumentation and architecture stand out as much as any element. Never before had a Motown album contained such ambitious patterns and complex passages. Seemingly conscientious of the departure from their past methods, the Temptations and Whitfield bunched together the tracks that mark a deep dive into psychedelic territory and counterbalance them with seven sterling soul cuts that dovetail with Motown tradition drenched with heartfelt vocals, swelling strings, and finger-snapping beats. \r\n
      \r\n
      On the original 33 RPM release, traditional Motown soul laden with heartfelt vocals, swelling strings, and finger-snapping beats occupies Side Two. These songs reveal an ensemble still very much on top of delivering pristine pop-soul material graced with romantic sweetness, persuasive insistent, and soaring highs. Re-energized after the departure of lead singer David Ruffin, who was fired for a variety of reasons in June 1968, the Temptations seamlessly meld with his replacement, Dennis Edwards, on one melodic gem after another. \r\n
      \r\n
      The collective tackles five songs co-written by the legendary Motown team of Barrett Strong and Whitfield. Not the least of which are the smooth, shuffling “Why Did She Have to Leave Me (Why Did She Have to Go)” and deceptively simple, horn-spiked “Gonna Keep on Tryin’ till I Win Your Love.” On these tracks, as well as on a lush rendition of the ballad “Love Is a Hurtin’ Thing” and pleading, tender send-up of the Gerry Goffin-Carole King classic “Hey Girl,” Edwards and Paul Williams take turns on the lead with the estimable Eddie Kendricks, Melvin Franklin, and Otis Williams providing backing support. \r\n
      \r\n
      All five vocalists trade-off leads on the simmering title track, a groundbreaking composition shot through with wah-wah-pedal effects, liquid funk, deep bass lines, Cuban percussion, saturated reverb, and gang choruses. Whitfield mines each member’s natural vocal range with spectacular results, keeps time with cymbals, and channels both the heated temperatures and escapist desires of a society embroiled in war, conflict, and experimental drugs. \r\n
      \r\n
      Amazingly, the Temptations top themselves on the similarly revealing “Run Away Child, Running Wild.” Nearly 10 minutes in length, the song explodes R&B parameters and harbors a cinematic scope. Urgent pianos, distorted guitars, stripped-down percussion, steamy Hammond organs, minimal bass motifs, five distinct voices narrating the tale of a boy who fled home and now finds himself amid the scary, unforgiving external world: They combine to give the urgent tune a walls-closing-in atmosphere where fear and desperation reign. Bolstered by an extended instrumental section that precedes a climactic return of the singers’ voices, “Run Away Child, Running Wild” equaled the success of the record’s title track, with both reaching No. 6 on the pop charts. \r\n
      \r\n
      As for the Temptations and Whitfield? More than five decades after it streeted, Cloud Nine proves they went even higher.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Dennis Edwards (lead vocals), Eddie Kendricks (tenor vocals), Paul Williams, Otis Williams (baritone vocals), Melvin Franklin (bass vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=SkLq8qKpk6g&list=RDSkLq8qKpk6g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-621"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2173 …}
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[
  "produit" => App\Entity\Produit {#2187
    -id: 1662
    -nom: "The Tony Bennett & Bill Evans Album"
    -informationComplementaire: "Quand la voix de Tony Bennett effleure les notes sensibles de Bill Evans, le monde s’efface. Il ne reste que l’essentiel, deux âmes musicales qui se répondent, dans un murmure intime et hors du temps."
    -description: """
      Sorti en 1975, "The Tony Bennett & Bill Evans Album" est une œuvre d’une sobriété et d’une élégance exceptionnelles. Loin des grandes orchestrations habituelles, cet enregistrement repose sur une formule minimaliste, une voix et un piano. Mais entre les mains de Tony Bennett et Bill Evans, cette simplicité devient pure magie.\r\n
      \r\n
      Le chant de Tony Bennett, profondément expressif et nuancé, trouve dans le jeu de Bill Evans un écrin d’une délicatesse rare. Le pianiste, connu pour son toucher impressionniste et ses harmonies raffinées, accompagne sans jamais dominer, laissant respirer chaque mot, chaque silence.\r\n
      \r\n
      Le répertoire mêle standards du jazz et ballades intemporelles, revisitées avec une sensibilité presque introspective. Chaque morceau semble capturer un moment fragile, comme suspendu, où l’émotion prime sur la performance.\r\n
      \r\n
      Cet album n’est pas seulement une collaboration, c’est une conversation musicale, intime et sincère, entre deux artistes au sommet de leur art. Une œuvre essentielle pour les amateurs de jazz vocal et de piano, et une invitation à redécouvrir la beauté de l’épure.\r\n
      \r\n
      - Tony Bennett & Bill Evans "The Tony Bennett & Bill Evans Album" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Step right up, jazz aficionados, and feast your ears on The Tony Bennett & Bill Evans Album (1975), a jazz gem that's as smooth as a martini and twice as intoxicating! This isn't just any album it's a legendary collaboration between the velvet-voiced crooner Tony Bennett and the piano wizard Bill Evans, two titans who decided to waltz into a studio and create pure magic. Spoiler alert: they nailed it.\r\n
      \r\n
      This album was a critical darling, earning rave reviews for its intimate, stripped-down vibe. It charted respectably, but its real triumph lies in its enduring legacy decades later, it's still a go-to for jazz lovers who crave soulful authenticity. Bennett's warm, storytelling vocals paired with Evans' lyrical, impressionistic piano work made this a standout in both their discographies.\r\n
      \r\n
      The Personnel :\r\n
      \r\n
      Tony Bennett : The man with a voice like buttered velvet, turning standards into heartfelt confessions.\r\n
      Bill Evans : The piano poet, whose delicate touch and harmonic genius could make a metronome weep.\r\n
      \r\n
      Recorded in a cozy, no-frills session at Fantasy Studios, with just the two of them (and a trusty engineer, Helen Keane, keeping the vibes pristine). No big band, no overdubs-just raw, unfiltered artistry.\r\n
      \r\n
      This album is a masterclass in less-is-more. Recorded live in the studio with minimal takes, it captures the spontaneity of two masters riffing off each other like old friends at a late-night jam. The production is crystal-clear, letting Bennett's nuanced phrasing and Evans' shimmering chords breathe. Evans' harmonic choices-think lush, unexpected chord voicings-add a layer of sophistication, while Bennett's impeccable timing keeps it grounded. The balance between voice and piano is so perfect, you'd think they shared a telepathic link. Plus, the song selection standards like "My Foolish Heart" and "The Touch of Your Lips" is a love letter to the Great American Songbook.\r\n
      \r\n
      Why Jazz Fans Need This in Their Collection\r\n
      \r\n
      If your record shelf is craving a dose of elegance, this album is your ticket. It's intimate enough to feel like a private concert but profound enough to reveal new layers with every spin. For fans of vocal jazz, Bennett's delivery is a masterclass in emotion without excess. For piano nerds, Evans' introspective solos are practically a spiritual experience.\r\n
      \r\n
      Grab The Tony Bennett & Bill Evans Album and let these two charmers remind you why jazz is the coolest kid on the musical block. Your turntable (and your soul) will thank you !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Tony Bennett (vocals), Bill Evans (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e-vzGxp8388"
    -referenceProduit: "Analogue Productions AAPJ 207-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Young and Foolish"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Touch of Your Lips"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
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        "nom" => "1. Some Other Time"
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        "nom" => "2. When in Rome"
      ]
      [
        "ordre" => 6
        "nom" => "3. We'll Be Together Again"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. My Foolish Heart"
      ]
      [
        "ordre" => 9
        "nom" => "2. Waltz for Debby"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. But Beautiful"
      ]
      [
        "ordre" => 12
        "nom" => "2. Days of Wine and Roses"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#2192 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2201 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -slug: "vinyles-the-tony-bennett-bill-evans-album-analogue-productions-aapj-207-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3607
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2187
    -id: 1662
    -nom: "The Tony Bennett & Bill Evans Album"
    -informationComplementaire: "Quand la voix de Tony Bennett effleure les notes sensibles de Bill Evans, le monde s’efface. Il ne reste que l’essentiel, deux âmes musicales qui se répondent, dans un murmure intime et hors du temps."
    -description: """
      Sorti en 1975, "The Tony Bennett & Bill Evans Album" est une œuvre d’une sobriété et d’une élégance exceptionnelles. Loin des grandes orchestrations habituelles, cet enregistrement repose sur une formule minimaliste, une voix et un piano. Mais entre les mains de Tony Bennett et Bill Evans, cette simplicité devient pure magie.\r\n
      \r\n
      Le chant de Tony Bennett, profondément expressif et nuancé, trouve dans le jeu de Bill Evans un écrin d’une délicatesse rare. Le pianiste, connu pour son toucher impressionniste et ses harmonies raffinées, accompagne sans jamais dominer, laissant respirer chaque mot, chaque silence.\r\n
      \r\n
      Le répertoire mêle standards du jazz et ballades intemporelles, revisitées avec une sensibilité presque introspective. Chaque morceau semble capturer un moment fragile, comme suspendu, où l’émotion prime sur la performance.\r\n
      \r\n
      Cet album n’est pas seulement une collaboration, c’est une conversation musicale, intime et sincère, entre deux artistes au sommet de leur art. Une œuvre essentielle pour les amateurs de jazz vocal et de piano, et une invitation à redécouvrir la beauté de l’épure.\r\n
      \r\n
      - Tony Bennett & Bill Evans "The Tony Bennett & Bill Evans Album" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Step right up, jazz aficionados, and feast your ears on The Tony Bennett & Bill Evans Album (1975), a jazz gem that's as smooth as a martini and twice as intoxicating! This isn't just any album it's a legendary collaboration between the velvet-voiced crooner Tony Bennett and the piano wizard Bill Evans, two titans who decided to waltz into a studio and create pure magic. Spoiler alert: they nailed it.\r\n
      \r\n
      This album was a critical darling, earning rave reviews for its intimate, stripped-down vibe. It charted respectably, but its real triumph lies in its enduring legacy decades later, it's still a go-to for jazz lovers who crave soulful authenticity. Bennett's warm, storytelling vocals paired with Evans' lyrical, impressionistic piano work made this a standout in both their discographies.\r\n
      \r\n
      The Personnel :\r\n
      \r\n
      Tony Bennett : The man with a voice like buttered velvet, turning standards into heartfelt confessions.\r\n
      Bill Evans : The piano poet, whose delicate touch and harmonic genius could make a metronome weep.\r\n
      \r\n
      Recorded in a cozy, no-frills session at Fantasy Studios, with just the two of them (and a trusty engineer, Helen Keane, keeping the vibes pristine). No big band, no overdubs-just raw, unfiltered artistry.\r\n
      \r\n
      This album is a masterclass in less-is-more. Recorded live in the studio with minimal takes, it captures the spontaneity of two masters riffing off each other like old friends at a late-night jam. The production is crystal-clear, letting Bennett's nuanced phrasing and Evans' shimmering chords breathe. Evans' harmonic choices-think lush, unexpected chord voicings-add a layer of sophistication, while Bennett's impeccable timing keeps it grounded. The balance between voice and piano is so perfect, you'd think they shared a telepathic link. Plus, the song selection standards like "My Foolish Heart" and "The Touch of Your Lips" is a love letter to the Great American Songbook.\r\n
      \r\n
      Why Jazz Fans Need This in Their Collection\r\n
      \r\n
      If your record shelf is craving a dose of elegance, this album is your ticket. It's intimate enough to feel like a private concert but profound enough to reveal new layers with every spin. For fans of vocal jazz, Bennett's delivery is a masterclass in emotion without excess. For piano nerds, Evans' introspective solos are practically a spiritual experience.\r\n
      \r\n
      Grab The Tony Bennett & Bill Evans Album and let these two charmers remind you why jazz is the coolest kid on the musical block. Your turntable (and your soul) will thank you !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Tony Bennett (vocals), Bill Evans (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e-vzGxp8388"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#2192 …}
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      date: 2026-04-02 14:17:05.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2198 …}
    -disponible: null
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  }
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[
  "produit" => App\Entity\Produit {#2206
    -id: 2943
    -nom: "Quintessence"
    -informationComplementaire: "Avec "Quintessence", Bill Evans quitte l’intimité du trio pour une exploration sonore plus ample, sans jamais perdre la poésie qui le caractérise. Porté par un quintette d’exception, cet album dévoile un jazz lumineux, sensible et profondément humain."
    -description: """
      Sorti en 1976, "Quintessence" marque une parenthèse singulière dans la carrière du pianiste Bill Evans. Connu pour ses trios intimistes, Evans explore ici une formation élargie en quintette, enrichissant son univers harmonique d’une palette sonore plus dense et expressive.\r\n
      \r\n
      Entouré de musiciens d’exception comme Harold Land, Kenny Burrell, Ray Brown et Philly Joe Jones, Evans signe un album à la fois subtil et vibrant. L’interaction entre les instruments y est particulièrement riche, oscillant entre lyrisme, swing maîtrisé et improvisations élégantes.\r\n
      \r\n
      Chaque morceau révèle une écriture raffinée et une écoute collective remarquable, faisant de "Quintessence" une œuvre à part dans sa discographie, où la délicatesse du piano dialogue avec la chaleur du saxophone et la finesse de la guitare.\r\n
      \r\n
      - Bill Evans "Quintessence" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Ready yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans "Quintessence", has the maestro diving headfirst into a lush, melodic hornscape an elegant, smoky surprise.\r\n
      \r\n
      Let's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right not just his beloved trio format, but a quintet, people.\r\n
      \r\n
      No safety net. No piano bench to hide behind. Just sheer harmonic magic.\r\n
      \r\n
      The Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown The anchor of jazz itself. You want groove ? He'll give you groove. You want soul ? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat.\r\n
      \r\n
      Together, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill they're expanding him !\r\n
      \r\n
      What's On the Menu ?\r\n
      \r\n
      "Sweet Dulcinea" A tune that proves you don't need to play fast to say something profound.\r\n
      \r\n
      "Bass Face" Ray Brown gets the spotlight, and boy does he shine.\r\n
      \r\n
      "Martina" A waltz so beautiful it should come with a warning label: may cause reflective gazing into middle distance.\r\n
      \r\n
      "Second Time Around" A standard for an album that's all about elegance, subtle swing, and refined musicianship.\r\n
      \r\n
      "A Child Is Born" The kind of rendition that makes you think maybe the world isn't so bad after all.\r\n
      \r\n
      So why add Quintessence to your collection ?\r\n
      \r\n
      Because this is Bill Evans unplugged from the trio comfort zone, letting his lush harmonic sensibilities dance with top-tier horn players and rhythm gods. This album is meditative but never sleepy, introspective but never self-indulgent. It's rich, warm, and brimming with the quiet confidence of a master stretching his wings just because he can.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Bottom line, if your jazz collection is missing Quintessence, it's like owning a Picasso with a blank corner. This is the kind of record that sneaks up on you not flashy, but unforgettable. Go ahead. You deserve this kind of quintet magic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bill Evans (piano), Harold Land (tenor saxophone), Kenny Burrell (guitar), Ray Brown (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hZzt_bhpHIM&list=RDhZzt_bhpHIM&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 208-45"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2208 …}
    -label: Proxies\__CG__\App\Entity\Label {#2192 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3658
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2206
    -id: 2943
    -nom: "Quintessence"
    -informationComplementaire: "Avec "Quintessence", Bill Evans quitte l’intimité du trio pour une exploration sonore plus ample, sans jamais perdre la poésie qui le caractérise. Porté par un quintette d’exception, cet album dévoile un jazz lumineux, sensible et profondément humain."
    -description: """
      Sorti en 1976, "Quintessence" marque une parenthèse singulière dans la carrière du pianiste Bill Evans. Connu pour ses trios intimistes, Evans explore ici une formation élargie en quintette, enrichissant son univers harmonique d’une palette sonore plus dense et expressive.\r\n
      \r\n
      Entouré de musiciens d’exception comme Harold Land, Kenny Burrell, Ray Brown et Philly Joe Jones, Evans signe un album à la fois subtil et vibrant. L’interaction entre les instruments y est particulièrement riche, oscillant entre lyrisme, swing maîtrisé et improvisations élégantes.\r\n
      \r\n
      Chaque morceau révèle une écriture raffinée et une écoute collective remarquable, faisant de "Quintessence" une œuvre à part dans sa discographie, où la délicatesse du piano dialogue avec la chaleur du saxophone et la finesse de la guitare.\r\n
      \r\n
      - Bill Evans "Quintessence" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Ready yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans "Quintessence", has the maestro diving headfirst into a lush, melodic hornscape an elegant, smoky surprise.\r\n
      \r\n
      Let's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right not just his beloved trio format, but a quintet, people.\r\n
      \r\n
      No safety net. No piano bench to hide behind. Just sheer harmonic magic.\r\n
      \r\n
      The Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown The anchor of jazz itself. You want groove ? He'll give you groove. You want soul ? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat.\r\n
      \r\n
      Together, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill they're expanding him !\r\n
      \r\n
      What's On the Menu ?\r\n
      \r\n
      "Sweet Dulcinea" A tune that proves you don't need to play fast to say something profound.\r\n
      \r\n
      "Bass Face" Ray Brown gets the spotlight, and boy does he shine.\r\n
      \r\n
      "Martina" A waltz so beautiful it should come with a warning label: may cause reflective gazing into middle distance.\r\n
      \r\n
      "Second Time Around" A standard for an album that's all about elegance, subtle swing, and refined musicianship.\r\n
      \r\n
      "A Child Is Born" The kind of rendition that makes you think maybe the world isn't so bad after all.\r\n
      \r\n
      So why add Quintessence to your collection ?\r\n
      \r\n
      Because this is Bill Evans unplugged from the trio comfort zone, letting his lush harmonic sensibilities dance with top-tier horn players and rhythm gods. This album is meditative but never sleepy, introspective but never self-indulgent. It's rich, warm, and brimming with the quiet confidence of a master stretching his wings just because he can.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Bottom line, if your jazz collection is missing Quintessence, it's like owning a Picasso with a blank corner. This is the kind of record that sneaks up on you not flashy, but unforgettable. Go ahead. You deserve this kind of quintet magic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bill Evans (piano), Harold Land (tenor saxophone), Kenny Burrell (guitar), Ray Brown (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hZzt_bhpHIM&list=RDhZzt_bhpHIM&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 208-45"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2208 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2222
    -id: 2904
    -nom: "No Secrets"
    -informationComplementaire: "Plongez dans l’univers intime de Carly Simon avec "No Secrets", un album culte où se mêlent émotions à vif, élégance musicale et chansons devenues légendaires."
    -description: """
      Sorti en 1972, "No Secrets" marque un tournant majeur dans la carrière de Carly Simon et s’impose comme l’un des albums emblématiques du singer-songwriter américain des années 70. Porté par le succès phénoménal du titre "You're So Vain", l’album mêle introspection, ironie et élégance musicale.\r\n
      \r\n
      À travers des arrangements raffinés et une écriture profondément personnelle, Carly Simon explore les thèmes de l’amour, de la désillusion, de la célébrité et de l’identité. Sa voix, à la fois douce et affirmée, donne vie à des compositions sensibles où chaque mot semble pesé avec justesse.\r\n
      \r\n
      Produit par Richard Perry, "No Secrets" bénéficie d’une production chaleureuse et organique, typique de son époque, tout en conservant une modernité qui le rend toujours pertinent aujourd’hui.\r\n
      \r\n
      Cet album est bien plus qu’un simple succès commercial, c’est une œuvre introspective qui a marqué toute une génération et continue d’influencer les artistes contemporains. Une pièce essentielle pour tous les amateurs de musique authentique et intemporelle.\r\n
      \r\n
      Musicians : \r\n
      Carly Simon (piano, vocals), James Taylor (acoustic guitar, backing vocals), Paul McCartney (vocals), Lowell George (electric guitar), Klaus Voormann, Lee Sklar, Klaus Voormann (bass), Nicky Hopkins (piano, keyboards), Andrew Gold (guitar, backing vocals), Jimmy Ryan, Danny Kortchmar (guitar), Ben Taylor, Jacob Brackman (handclaps), Bobby Keys (saxophone), Jim Price (trumpet, trombone), Mick Jagger (backing vocals), Nicky Hopkins (piano), Jim Gordon, Russ Kunkel, (drums).\r\n
      \r\n
      - Carly Simon Turns Candid : Platinum-Certified No Secrets Features an All-Star Cast and the N° 1 Hit “You’re So Vain”, Ranked by Rolling Stone Among the 500 Greatest Songs of All Time !\r\n
      - 1972 Album Available on 180 graù 45 RPM (2 LP) for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity's Reissue Plays with Wide Soundstages and Balanced Tones !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carly Simon’s N° 1 smash “You’re So Vain” lingers as one of the most clever and famous songs ever recorded. The subject of mass speculation ever since its release, soon after which it occupied the top spot on multiple Billboard charts for weeks, the anthem kept a captive public guessing at the identity of its smug subject for decades. The question surrounding the protagonist’s identity remained perhaps the only mystery on the otherwise sexually open and autobiographically daring No Secrets, Simon’s commercial breakthrough and ‘70s singer-songwriter staple. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, strictly limited to 3,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set affords the platinum-certified 1972 effort the finest sonic treatment it’s received on vinyl. Helmed by Richard Perry and recorded at London’s Trident Studios where Beatles, David Bowie, and Elton John captured landmark LPs No Secrets touts exceptional production qualities highlighted by this restorative reissue.\r\n
      \r\n
      Audiophiles and record collectors, take note: This is the first time No Secrets has been available on 45 RPM. The wider grooves and dead-quiet surfaces pay instant dividends. Simple, elegant, and disarming, songs seemingly float amid wide, deep soundstages. Simon’s voice takes on a confident, assertive tenor that emerges with accurate imaging, balanced tonality, and palpable presence. String arrangements and backing vocals come through with similar realism. \r\n
      \r\n
      Enhanced by an all-star cast Simon’s then-husband James Taylor, Paul and Linda McCartney, Mick Jagger, Lowell George, Klaus Voorman, Bobby Keys, Jim Keltner, Nicky Hopkins, and Bonnie Bramlett are among the renowned musicians who lend a hand No Secrets advances Simon’s themes of personal introspectiveness, no-holds-barred reflectiveness, and feminist-inspired boldness. She makes every moment of No Secrets worth savoring. Simon invests her all in the songs, handling beautiful ballads, sassy folk-rock numbers, and bluesy fare with calm, composure, and candor. \r\n
      \r\n
      While acknowledging her own regrets “You’re So Vain” and loss “The Carter Family”, Simon champions the highs “The Right Thing to Do” and pains “His Friends Are More Than Fond of Robin” of love in a sincere manner indicative of her maturity as both an artist and singer. The New York native distinguishes “When You Close Your Eyes” with deep-rooted spirituality, recalls childhood joys via charming sentimentality on “It Was So Easy”, and and takes ownership of her persona on a cover of Taylor’s “Night Owl”.\r\n
      \r\n
      “We have no secrets
We tell each other everything”, Simon sings at the record’s midpoint, encapsulating both the themes and bravura of an effort that was nominated for four Grammy Awards and saw her write or co-write every song but one. Combined with Perry’s savvy instrumental arrangements, her self-assured performances and forthright lyrics grant No Secrets an edginess and relevance immune to the ravages of time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carly Simon (piano, vocals), James Taylor (acoustic guitar, backing vocals), Paul McCartney (vocals), Lowell George (electric guitar), Klaus Voormann, Lee Sklar, Klaus Voormann (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4aMGK19UlmA&list=RD4aMGK19UlmA&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-607"
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        "nom" => "Side A :"
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        "nom" => "1. You're So Vain"
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        "nom" => "2. His Friends Are More Than Fond Of Robin"
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        "nom" => "3. We Have No Secrets "
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        "nom" => "Side C :"
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        "nom" => "1. Embrace Me, You Child"
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        "nom" => "2. Waited So Long"
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App\Twig\Components\GestionPanierFavoriComponents {#3709
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  +produit: App\Entity\Produit {#2222
    -id: 2904
    -nom: "No Secrets"
    -informationComplementaire: "Plongez dans l’univers intime de Carly Simon avec "No Secrets", un album culte où se mêlent émotions à vif, élégance musicale et chansons devenues légendaires."
    -description: """
      Sorti en 1972, "No Secrets" marque un tournant majeur dans la carrière de Carly Simon et s’impose comme l’un des albums emblématiques du singer-songwriter américain des années 70. Porté par le succès phénoménal du titre "You're So Vain", l’album mêle introspection, ironie et élégance musicale.\r\n
      \r\n
      À travers des arrangements raffinés et une écriture profondément personnelle, Carly Simon explore les thèmes de l’amour, de la désillusion, de la célébrité et de l’identité. Sa voix, à la fois douce et affirmée, donne vie à des compositions sensibles où chaque mot semble pesé avec justesse.\r\n
      \r\n
      Produit par Richard Perry, "No Secrets" bénéficie d’une production chaleureuse et organique, typique de son époque, tout en conservant une modernité qui le rend toujours pertinent aujourd’hui.\r\n
      \r\n
      Cet album est bien plus qu’un simple succès commercial, c’est une œuvre introspective qui a marqué toute une génération et continue d’influencer les artistes contemporains. Une pièce essentielle pour tous les amateurs de musique authentique et intemporelle.\r\n
      \r\n
      Musicians : \r\n
      Carly Simon (piano, vocals), James Taylor (acoustic guitar, backing vocals), Paul McCartney (vocals), Lowell George (electric guitar), Klaus Voormann, Lee Sklar, Klaus Voormann (bass), Nicky Hopkins (piano, keyboards), Andrew Gold (guitar, backing vocals), Jimmy Ryan, Danny Kortchmar (guitar), Ben Taylor, Jacob Brackman (handclaps), Bobby Keys (saxophone), Jim Price (trumpet, trombone), Mick Jagger (backing vocals), Nicky Hopkins (piano), Jim Gordon, Russ Kunkel, (drums).\r\n
      \r\n
      - Carly Simon Turns Candid : Platinum-Certified No Secrets Features an All-Star Cast and the N° 1 Hit “You’re So Vain”, Ranked by Rolling Stone Among the 500 Greatest Songs of All Time !\r\n
      - 1972 Album Available on 180 graù 45 RPM (2 LP) for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity's Reissue Plays with Wide Soundstages and Balanced Tones !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carly Simon’s N° 1 smash “You’re So Vain” lingers as one of the most clever and famous songs ever recorded. The subject of mass speculation ever since its release, soon after which it occupied the top spot on multiple Billboard charts for weeks, the anthem kept a captive public guessing at the identity of its smug subject for decades. The question surrounding the protagonist’s identity remained perhaps the only mystery on the otherwise sexually open and autobiographically daring No Secrets, Simon’s commercial breakthrough and ‘70s singer-songwriter staple. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, strictly limited to 3,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set affords the platinum-certified 1972 effort the finest sonic treatment it’s received on vinyl. Helmed by Richard Perry and recorded at London’s Trident Studios where Beatles, David Bowie, and Elton John captured landmark LPs No Secrets touts exceptional production qualities highlighted by this restorative reissue.\r\n
      \r\n
      Audiophiles and record collectors, take note: This is the first time No Secrets has been available on 45 RPM. The wider grooves and dead-quiet surfaces pay instant dividends. Simple, elegant, and disarming, songs seemingly float amid wide, deep soundstages. Simon’s voice takes on a confident, assertive tenor that emerges with accurate imaging, balanced tonality, and palpable presence. String arrangements and backing vocals come through with similar realism. \r\n
      \r\n
      Enhanced by an all-star cast Simon’s then-husband James Taylor, Paul and Linda McCartney, Mick Jagger, Lowell George, Klaus Voorman, Bobby Keys, Jim Keltner, Nicky Hopkins, and Bonnie Bramlett are among the renowned musicians who lend a hand No Secrets advances Simon’s themes of personal introspectiveness, no-holds-barred reflectiveness, and feminist-inspired boldness. She makes every moment of No Secrets worth savoring. Simon invests her all in the songs, handling beautiful ballads, sassy folk-rock numbers, and bluesy fare with calm, composure, and candor. \r\n
      \r\n
      While acknowledging her own regrets “You’re So Vain” and loss “The Carter Family”, Simon champions the highs “The Right Thing to Do” and pains “His Friends Are More Than Fond of Robin” of love in a sincere manner indicative of her maturity as both an artist and singer. The New York native distinguishes “When You Close Your Eyes” with deep-rooted spirituality, recalls childhood joys via charming sentimentality on “It Was So Easy”, and and takes ownership of her persona on a cover of Taylor’s “Night Owl”.\r\n
      \r\n
      “We have no secrets
We tell each other everything”, Simon sings at the record’s midpoint, encapsulating both the themes and bravura of an effort that was nominated for four Grammy Awards and saw her write or co-write every song but one. Combined with Perry’s savvy instrumental arrangements, her self-assured performances and forthright lyrics grant No Secrets an edginess and relevance immune to the ravages of time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carly Simon (piano, vocals), James Taylor (acoustic guitar, backing vocals), Paul McCartney (vocals), Lowell George (electric guitar), Klaus Voormann, Lee Sklar, Klaus Voormann (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4aMGK19UlmA&list=RD4aMGK19UlmA&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-607"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Right Thing To Do"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Carter Family"
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      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. You're So Vain"
      ]
      [
        "ordre" => 5
        "nom" => "2. His Friends Are More Than Fond Of Robin"
      ]
      [
        "ordre" => 6
        "nom" => "3. We Have No Secrets "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Embrace Me, You Child"
      ]
      [
        "ordre" => 9
        "nom" => "2. Waited So Long"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. It Was So Easy"
      ]
      [
        "ordre" => 12
        "nom" => "2. Night Owl"
      ]
      [
        "ordre" => 13
        "nom" => "3. When You Close Your Eyes"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1453 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2226 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2228 …}
    -enregistreLe: DateTime @1763406434 {#2219
      date: 2025-11-17 19:07:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775121522 {#2220
      date: 2026-04-02 09:18:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2230 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-no-secrets-mobile-fidelity-sound-lab-mfsl-2-607"
  }
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  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
}