Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2567
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2644
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2647 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
  -formView: Symfony\Component\Form\FormView {#2683 …}
  -form: Symfony\Component\Form\Form {#2833 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 809
    -nom: "Liza With A "Z""
    -informationComplementaire: ""
    -description: """
      "Liza With A 'Z'" is a multi-media production that has been showered with superlatives. It won numerous awards, including those for Choreography and Direction. However, a further award for the music composed by John Kander and Fred Ebb is probably the main reason for the show being released on a record, i.e. just for the ears. But the plan bore fruit, and the LP rocketed onto the Billboard 200. It was to be Liza Minnelli’s best chart hit ever – and it could even be called the soundtrack of her life.\r\n
      \r\n
      Great favourites such as "Ring Them Bells" and "Bye Bye Blackbird" are set alongside sharp rhythm and blues numbers ("Son Of A Preacher Man", "I Gotcha"). Taking centre stage is a 10 minute medley from the film adaptation of the musical "Cabaret" that was shown in the cinemas also in 1972 and which brought Minnelli her international breakthrough.\r\n
      \r\n
      All that remains of this costly and glamorous television event, which was only broadcast a few times on US television after the premiere, is the original music on record. Here it is once again in all its glory and with a new freshness.\r\n
      \r\n
      Recording : 1972 at Lyceum Theater, New York, by Phil Ramone & Arthur Kendy.\r\n
      Production : Andrew Kazdin.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=el7pPVhrK6Y"
    -referenceProduit: "Columbia KC 31672"
    -titreMorceau: [
      [
        "nom" => "1. Son of a Preacher Man"
        "ordre" => 8
      ]
      [
        "nom" => "1. Yes"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bye Bye Blackbird"
        "ordre" => 9
      ]
      [
        "nom" => "2. God Bless the Child"
        "ordre" => 2
      ]
      [
        "nom" => "3. Say Liza (Liza With a “Z”)"
        "ordre" => 3
      ]
      [
        "nom" => "3. You’ve Let Yourself Go"
        "ordre" => 10
      ]
      [
        "nom" => "4. It Was a Good Time"
        "ordre" => 4
      ]
      [
        "nom" => "4. My Mammy"
        "ordre" => 11
      ]
      [
        "nom" => "5. I Gotcha"
        "ordre" => 5
      ]
      [
        "nom" => "5. Medley of Tunes from “Cabaret” :"
        "ordre" => 12
      ]
      [
        "nom" => "6. Ring Them Bells"
        "ordre" => 6
      ]
      [
        "nom" => "a) Willkommen"
        "ordre" => 13
      ]
      [
        "nom" => "b) Married"
        "ordre" => 14
      ]
      [
        "nom" => "c) Money, Money"
        "ordre" => 15
      ]
      [
        "nom" => "d) Maybe This Time"
        "ordre" => 16
      ]
      [
        "nom" => "e) Cabaret"
        "ordre" => 17
      ]
      [
        "nom" => "f) Bows (Liza)"
        "ordre" => 18
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1460 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1441028469 {#1876
      date: 2015-08-31 13:41:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1572858466 {#1869
      date: 2019-11-04 09:07:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-liza-with-a-z-columbia-kc-31672"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3107
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 809
    -nom: "Liza With A "Z""
    -informationComplementaire: ""
    -description: """
      "Liza With A 'Z'" is a multi-media production that has been showered with superlatives. It won numerous awards, including those for Choreography and Direction. However, a further award for the music composed by John Kander and Fred Ebb is probably the main reason for the show being released on a record, i.e. just for the ears. But the plan bore fruit, and the LP rocketed onto the Billboard 200. It was to be Liza Minnelli’s best chart hit ever – and it could even be called the soundtrack of her life.\r\n
      \r\n
      Great favourites such as "Ring Them Bells" and "Bye Bye Blackbird" are set alongside sharp rhythm and blues numbers ("Son Of A Preacher Man", "I Gotcha"). Taking centre stage is a 10 minute medley from the film adaptation of the musical "Cabaret" that was shown in the cinemas also in 1972 and which brought Minnelli her international breakthrough.\r\n
      \r\n
      All that remains of this costly and glamorous television event, which was only broadcast a few times on US television after the premiere, is the original music on record. Here it is once again in all its glory and with a new freshness.\r\n
      \r\n
      Recording : 1972 at Lyceum Theater, New York, by Phil Ramone & Arthur Kendy.\r\n
      Production : Andrew Kazdin.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=el7pPVhrK6Y"
    -referenceProduit: "Columbia KC 31672"
    -titreMorceau: [
      [
        "nom" => "1. Son of a Preacher Man"
        "ordre" => 8
      ]
      [
        "nom" => "1. Yes"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bye Bye Blackbird"
        "ordre" => 9
      ]
      [
        "nom" => "2. God Bless the Child"
        "ordre" => 2
      ]
      [
        "nom" => "3. Say Liza (Liza With a “Z”)"
        "ordre" => 3
      ]
      [
        "nom" => "3. You’ve Let Yourself Go"
        "ordre" => 10
      ]
      [
        "nom" => "4. It Was a Good Time"
        "ordre" => 4
      ]
      [
        "nom" => "4. My Mammy"
        "ordre" => 11
      ]
      [
        "nom" => "5. I Gotcha"
        "ordre" => 5
      ]
      [
        "nom" => "5. Medley of Tunes from “Cabaret” :"
        "ordre" => 12
      ]
      [
        "nom" => "6. Ring Them Bells"
        "ordre" => 6
      ]
      [
        "nom" => "a) Willkommen"
        "ordre" => 13
      ]
      [
        "nom" => "b) Married"
        "ordre" => 14
      ]
      [
        "nom" => "c) Money, Money"
        "ordre" => 15
      ]
      [
        "nom" => "d) Maybe This Time"
        "ordre" => 16
      ]
      [
        "nom" => "e) Cabaret"
        "ordre" => 17
      ]
      [
        "nom" => "f) Bows (Liza)"
        "ordre" => 18
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1460 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1441028469 {#1876
      date: 2015-08-31 13:41:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1572858466 {#1869
      date: 2019-11-04 09:07:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-liza-with-a-z-columbia-kc-31672"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 1598
    -nom: "Stand By Me - Original Soundtrack"
    -informationComplementaire: ""
    -description: """
      1986 was a big year for a huge blockbuster movie called Stand By Me. The Rob Reiner classic truly made way for the hit soundtrack companion LP, which sailed to the top of both the sales and airplay charts with the classic re-charting hit title track Stand By Me by the late great Ben E. King. The classic movie featured some of the biggest songs honoring the birth of rock and roll including Buddy Holly’s worldwide smash hit single Everyday as well as The Silhouettes smash #1 Get a Job and The Coasters’ rock champion Yakety Yak.\r\n
      \r\n
      Friday Music proudly announces the first time 180 Gram Audiophile Vinyl release of Stand By Me - The Original Motion Picture Soundtrack. This mega movie soundtrack rock classic comes with all of the great tunes you remember like Let the Good Times Roll by Shirley and Lee and Come Go With Me by The Del Vikings. This stunning album is mastered impeccably by Joe Reagoso (Elvis Presley / Sons of Anarchy / Brian Wilson) from the Atlantic Records tapes and includes the original LP sized artwork, not seen since its original 1986 release.\r\n
      \r\n
      Stand By Me... The Original Motion Picture Soundtrack... Another amazing rock soundtrack classic from your friends at Friday Music.\r\n
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w0Vl-iuphzQ"
    -referenceProduit: "Friday Music RFM 218167"
    -titreMorceau: [
      [
        "nom" => "1. Everyday (Buddy Holly)"
        "ordre" => 1
      ]
      [
        "nom" => "1. Lollipop (The Chordettes)"
        "ordre" => 7
      ]
      [
        "nom" => "2. Let the Good Times Roll (Shirley and Lee)"
        "ordre" => 2
      ]
      [
        "nom" => "2. Yakety Yak (The Coasters)"
        "ordre" => 8
      ]
      [
        "nom" => "3. Come Go With Me (The Del Vikings)"
        "ordre" => 3
      ]
      [
        "nom" => "3. Great Balls of Fire (Jerry Lee Lewis)"
        "ordre" => 9
      ]
      [
        "nom" => "4. Mr. Lee (The Bobbettes)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Whispering Bells (The Del Vikings)"
        "ordre" => 4
      ]
      [
        "nom" => "5. Get a Job (The Silhouettes)"
        "ordre" => 5
      ]
      [
        "nom" => "5. Stand By Me (Ben E. King)"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#2050 …}
    -style: App\Entity\Style {#1460 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1552642564 {#2042
      date: 2019-03-15 09:36:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1572857503 {#2043
      date: 2019-11-04 08:51:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stand-by-me-original-soundtrack-friday-music-rfm-218167"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3221
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 1598
    -nom: "Stand By Me - Original Soundtrack"
    -informationComplementaire: ""
    -description: """
      1986 was a big year for a huge blockbuster movie called Stand By Me. The Rob Reiner classic truly made way for the hit soundtrack companion LP, which sailed to the top of both the sales and airplay charts with the classic re-charting hit title track Stand By Me by the late great Ben E. King. The classic movie featured some of the biggest songs honoring the birth of rock and roll including Buddy Holly’s worldwide smash hit single Everyday as well as The Silhouettes smash #1 Get a Job and The Coasters’ rock champion Yakety Yak.\r\n
      \r\n
      Friday Music proudly announces the first time 180 Gram Audiophile Vinyl release of Stand By Me - The Original Motion Picture Soundtrack. This mega movie soundtrack rock classic comes with all of the great tunes you remember like Let the Good Times Roll by Shirley and Lee and Come Go With Me by The Del Vikings. This stunning album is mastered impeccably by Joe Reagoso (Elvis Presley / Sons of Anarchy / Brian Wilson) from the Atlantic Records tapes and includes the original LP sized artwork, not seen since its original 1986 release.\r\n
      \r\n
      Stand By Me... The Original Motion Picture Soundtrack... Another amazing rock soundtrack classic from your friends at Friday Music.\r\n
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w0Vl-iuphzQ"
    -referenceProduit: "Friday Music RFM 218167"
    -titreMorceau: [
      [
        "nom" => "1. Everyday (Buddy Holly)"
        "ordre" => 1
      ]
      [
        "nom" => "1. Lollipop (The Chordettes)"
        "ordre" => 7
      ]
      [
        "nom" => "2. Let the Good Times Roll (Shirley and Lee)"
        "ordre" => 2
      ]
      [
        "nom" => "2. Yakety Yak (The Coasters)"
        "ordre" => 8
      ]
      [
        "nom" => "3. Come Go With Me (The Del Vikings)"
        "ordre" => 3
      ]
      [
        "nom" => "3. Great Balls of Fire (Jerry Lee Lewis)"
        "ordre" => 9
      ]
      [
        "nom" => "4. Mr. Lee (The Bobbettes)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Whispering Bells (The Del Vikings)"
        "ordre" => 4
      ]
      [
        "nom" => "5. Get a Job (The Silhouettes)"
        "ordre" => 5
      ]
      [
        "nom" => "5. Stand By Me (Ben E. King)"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#2050 …}
    -style: App\Entity\Style {#1460 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1552642564 {#2042
      date: 2019-03-15 09:36:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1572857503 {#2043
      date: 2019-11-04 08:51:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stand-by-me-original-soundtrack-friday-music-rfm-218167"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "produit" => App\Entity\Produit {#2064
    -id: 1567
    -nom: "Birdy - Numbered Limited Edition Half-Speed Remastered"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Peter Gabriel (keyboards, vocals), Jon Hassell (trumpet), Larry Fast (keyboards), Tony Levin (bass guitar, double bass, backing vocals), David Rhodes (guitar, backing vocals), John Giblin (double bass, bass guitar), Jerry Marotta, Morris Pert  (drums, percussion), Ekome Dance Company, Manny Elias  (drums).\r\n
      \r\n
      Birdy is the music, composed by Peter, for the Alan Parker film of the same name. \r\n
      \r\n
      The vinyl was cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter’s main sound engineer Richard Chappell.\r\n
      \r\n
      The LP looks amazing with a gatefold sleeve utilizing imagery from the original LP + additional images from the film. Plain white inner bags. All images are newly re-scanned.\r\n
      \r\n
      Birdy marks the first occasion that Peter worked with producer Daniel Lanois who went onto co-produce both Peter’s So and US albums. The soundtrack to the Alan Parker movie of the same name it finds Peter flexing his creative muscles free of any commercial pressures and has a number of tracks built out of elements of existing tracks from Peter’s third and fourth solo albums.\r\n
      \r\n
      Recorded between October and December 1984 and originally released in 1985, Birdy marks the first occasion that Peter worked with French-Canadian producer and multi-instrumentalist Daniel Lanois who was fresh from working on The Unforgettable Fire with U2. The Alan Parker movie is the tale of a Vietnam vet who harbors Icarus-like ambitions to fly. The soundtrack finds Peter flexing his creative muscles free of any commercial pressures.\r\n
      \r\n
      "It has been heart warming to see the return of vinyl. Even though I loved being free of its limitations in the digital world, there is still a warmth and presence to vinyl that somehow makes it a more natural human companion. It is great to see a new generation learning the secrets of the grooves". - Peter Gabriel\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Peter Gabriel (keyboards, vocals), Jon Hassell (trumpet), Larry Fast (keyboards), Tony Levin (bass guitar, double bass, backing vocals), David Rhodes (guitar, backing vocals), John Giblin (double bass, bass guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yuYnC6l9dS0"
    -referenceProduit: "Real World Records 5095-456"
    -titreMorceau: [
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    -nom: "Birdy - Numbered Limited Edition Half-Speed Remastered"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Peter Gabriel (keyboards, vocals), Jon Hassell (trumpet), Larry Fast (keyboards), Tony Levin (bass guitar, double bass, backing vocals), David Rhodes (guitar, backing vocals), John Giblin (double bass, bass guitar), Jerry Marotta, Morris Pert  (drums, percussion), Ekome Dance Company, Manny Elias  (drums).\r\n
      \r\n
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      \r\n
      The LP looks amazing with a gatefold sleeve utilizing imagery from the original LP + additional images from the film. Plain white inner bags. All images are newly re-scanned.\r\n
      \r\n
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      \r\n
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      \r\n
      "It has been heart warming to see the return of vinyl. Even though I loved being free of its limitations in the digital world, there is still a warmth and presence to vinyl that somehow makes it a more natural human companion. It is great to see a new generation learning the secrets of the grooves". - Peter Gabriel\r\n
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    -id: 300
    -nom: "Spartacus Gayaneh"
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    -description: """
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      \r\n
      That a slave uprising can not only be expressed in music but can also take place on an international dimension is admirably demonstrated by the maestro personally in this recording where Khachaturian takes on the role of leader of the Vienna Philharmonic Orchestra.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : March 1967 at Sofiensaal, Vienna by James Brown \r\n
      Production : Erik Smith\r\n
      """
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    -nom: "Spartacus Gayaneh"
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      Production : Erik Smith\r\n
      """
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[
  "produit" => App\Entity\Produit {#2099
    -id: 1173
    -nom: "Bloodlines (Box Set 8 LP + Booklet) - 45 RPM"
    -informationComplementaire: ""
    -description: """
      Blood, Sweat & Tears - Bloodlines\r\n
      \r\n
      Analogue Productions box set tells the story behind the groundbreaking horn band !\r\n
      \r\n
      Four album 45 RPM set includes :\r\n
      \r\n
      - Child Is Father To The Man \r\n
      - Blood, Sweat & Tears Self-Titled\r\n
      - Blood, Sweat & Tears 3 \r\n
      - Blood, Sweat & Tears 4\r\n
      \r\n
      In-depth essay by lead singer David Clayton-Thomas highlights booklet with rare photos.\r\n
      \r\n
      LPs mastered by Ryan K. Smith at Sterling Sound from the original master tapes.\r\n
      \r\n
      Quality Record Pressings plating by Gary Salstrom, pressed on 200 gram audiophile vinyl.\r\n
      \r\n
      Housed in a custom designed lift-off lid box.\r\n
      \r\n
      David Clayton-Thomas landed in New York City in 1966, drawn from his native Canada to appear on the NBC network TV show "Hullabaloo" as a guest of fellow Canadian Paul Anka. Anka wanted a Canadian band to feature on the show and Clayton-Thomas fronted a jazz/rock band called The Bossmen - "we had the number one record in Canada at the time".\r\n
      \r\n
      Clayton-Thomas returned to Toronto after the show but the creative scene in the Big Apple beckoned. He got a NYC gig playing guitar for John Lee Hooker - and in the funky clubs of Greenwich Village he met several founding members of what was to become a chart-dominating jazz fusion band with an utterly distinctive sound - Blood, Sweat & Tears.\r\n
      \r\n
      For a brief period at the end of the 1960s and the start of the 1970s, Blood, Sweat & Tears, which fused a rock 'n' roll rhythm section to a horn section, stormed the pop charts. Clayton-Thomas joined this stellar group of musicians in 1969, bringing a handful of new songs as they delivered the monumental Grammy Album of the Year Blood, Sweat & Tears.\r\n
      \r\n
      Now hear the music and read the complete story about how this legendary band succeeded, from the ultimate BS&T insider - David Clayton-Thomas himself! Bloodlines, from Analogue Productions captures the BS&T sound as never before, on four remastered LPs - Child Is Father To The Man, Blood, Sweat & Tears, Blood, Sweat & Tears 3 and Blood, Sweat & Tears 4. Each album was remastered from the original master tapes by Ryan K. Smith at Sterling Sound in New York, and each was plated and pressed on deluxe 200 gram heavyweight vinyl at our own Quality Record Pressings, maker of the world's finest-sounding LPs. The jackets - from Stoughton Printing - are top-of-the-line, old-style tip-on showcasing immaculately reproduced artwork. The whole set comes in a custom-designed deluxe slipcase.\r\n
      \r\n
      For this special box set, David Clayton-Thomas was gracious enough to contribute a wonderfully-written essay telling the whole history of the band and its origins. The eight-piece band signed to Columbia Records and recorded Blood, Sweat & Tears' debut album, Child Is Father to the Man, which was released in February 1968. Cofounder Al Kooper then departed, and the group was reorganized. Singer David Clayton-Thomas was added, trombonist Dick Halligan moved to the keyboards, and trumpeters Chuck Winfield and Lew Soloff replaced Randy Brecker and Jerry Weiss, with Jerry Hyman being added on trombone. This nine-piece unit, working with producer James William Guercio, made Blood, Sweat & Tears' self-titled second album, released in January 1969.\r\n
      \r\n
      Blood, Sweat & Tears was a runaway hit, spawning three gold-selling Top 10 singles, "You've Made Me So Very Happy", "Spinning Wheel", and "And When I Die", selling 3 million copies and winning the Grammy Award for Album of the Year.\r\n
      \r\n
      Guercio left afterward to work on a similar musical concept with Chicago Transit Authority, and Blood, Sweat & Tears increasingly became a backup group for Clayton-Thomas. Nevertheless, the third album, Blood, Sweat & Tears 3 (1970), and the fourth, Blood, Sweat & Tears 4 (1971), were substantial hits.\r\n
      \r\n
      This is a momentous box set presenting a historically-significant band in the deluxe fashion that it deserves. Like all of our Analogue Productions reissues, we've painstakingly sweated the details to bring you the utmost listening experience. Now you can listen to these cherished album favorites in the highest quality, as you gain insights into the band and its recordings from Clayton-Thomas' informative account of the band's history.\r\n
      \r\n
      """
    -prixVente: "449.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: ""
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=nMp4bedPF1o"
    -referenceProduit: "AAPP BST 45"
    -titreMorceau: [
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        "nom" => "1. Go Down Gamblin'"
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        "nom" => "1. Hi-De-Ho"
        "ordre" => 25
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        "nom" => "1. Overture"
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        "nom" => "10. For My Lady"
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        "nom" => "10. House In the Country"
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        "nom" => "10. Variation On a Theme by Erik Satie (1st Movement)"
        "ordre" => 23
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        "nom" => "11. Mama Gets High"
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        "nom" => "11. The Modern Adventures of Plato, Diogenes and Freud"
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        "nom" => "12. A Look To My Heart"
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        "nom" => "12. So Much Love / Underture"
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    -informationComplementaire: ""
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      \r\n
      Analogue Productions box set tells the story behind the groundbreaking horn band !\r\n
      \r\n
      Four album 45 RPM set includes :\r\n
      \r\n
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      - Blood, Sweat & Tears Self-Titled\r\n
      - Blood, Sweat & Tears 3 \r\n
      - Blood, Sweat & Tears 4\r\n
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[
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    -id: 1151
    -nom: "Bloodlines (box Set 4 LP) 33 RPM"
    -informationComplementaire: ""
    -description: """
      Blood, Sweat & Tears "Bloodlines"\r\n
      \r\n
      Analogue Productions box set tells the story behind the groundbreaking horn band !\r\n
      \r\n
      Four album 33 RPM set includes : \r\n
      \r\n
      - Child Is Father To The Man \r\n
      - Blood, Sweat & Tears Self-Titled\r\n
      - Blood, Sweat & Tears 3 \r\n
      - Blood, Sweat & Tears 4\r\n
      \r\n
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      \r\n
      LPs mastered by Ryan K. Smith at Sterling Sound from the original master tapes.\r\n
      \r\n
      Quality Record Pressings plating by Gary Salstrom, pressed on 200 gram audiophile vinyl.\r\n
      \r\n
      Housed in a custom designed lift-off lid box.\r\n
      \r\n
      David Clayton-Thomas landed in New York City in 1966, drawn from his native Canada to appear on the NBC network TV show "Hullabaloo" as a guest of fellow Canadian Paul Anka. Anka wanted a Canadian band to feature on the show and Clayton-Thomas fronted a jazz/rock band called The Bossmen - "we had the number one record in Canada at the time."\r\n
      \r\n
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      \r\n
      For a brief period at the end of the 1960s and the start of the 1970s, Blood, Sweat & Tears, which fused a rock 'n' roll rhythm section to a horn section, stormed the pop charts. Clayton-Thomas joined this stellar group of musicians in 1969, bringing a handful of new songs as they delivered the monumental Grammy Album of the Year Blood, Sweat & Tears.\r\n
      \r\n
      Now hear the music and read the complete story about how this legendary band succeeded, from the ultimate BS&T insider - David Clayton - Thomas himself ! Bloodlines, from Analogue Productions captures the BS&T sound as never before, on four remastered LPs - Child Is Father To The Man, Blood, Sweat & Tears, Blood, Sweat & Tears 3 and Blood, Sweat & Tears 4. Each album was remastered from the original master tapes by Ryan K. Smith at Sterling Sound in New York, and each was plated and pressed on deluxe 200 gram heavyweight vinyl at our own Quality Record Pressings, maker of the world's finest-sounding LPs. The jackets - from Stoughton Printing - are top-of-the-line, old-style tip-on showcasing immaculately reproduced artwork. The whole set comes in a custom-designed deluxe slipcase.\r\n
      \r\n
      For this special box set, David Clayton-Thomas was gracious enough to contribute a wonderfully-written essay telling the whole history of the band and its origins. The eight-piece band signed to Columbia Records and recorded Blood, Sweat & Tears' debut album, Child Is Father to the Man, which was released in February 1968. Cofounder Al Kooper then departed, and the group was reorganized. Singer David Clayton - Thomas was added, trombonist Dick Halligan moved to the keyboards, and trumpeters Chuck Winfield and Lew Soloff replaced Randy Brecker and Jerry Weiss, with Jerry Hyman being added on trombone. This nine-piece unit, working with producer James William Guercio, made Blood, Sweat & Tears' self-titled second album, released in January 1969.\r\n
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      Guercio left afterward to work on a similar musical concept with Chicago Transit Authority, and Blood, Sweat & Tears increasingly became a backup group for Clayton-Thomas. Nevertheless, the third album, Blood, Sweat & Tears 3 (1970), and the fourth, Blood, Sweat & Tears 4 (1971), were substantial hits.\r\n
      \r\n
      This is a momentous box set presenting a historically-significant band in the deluxe fashion that it deserves. Like all of our Analogue Productions reissues, we've painstakingly sweated the details to bring you the utmost listening experience. Now you can listen to these cherished album favorites in the highest quality, as you gain insights into the band and its recordings from Clayton Thomas' informative account of the band's history.\r\n
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    -nom: "Bloodlines (box Set 4 LP) 33 RPM"
    -informationComplementaire: ""
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      Blood, Sweat & Tears "Bloodlines"\r\n
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      Four album 33 RPM set includes : \r\n
      \r\n
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      \r\n
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      \r\n
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      Guercio left afterward to work on a similar musical concept with Chicago Transit Authority, and Blood, Sweat & Tears increasingly became a backup group for Clayton-Thomas. Nevertheless, the third album, Blood, Sweat & Tears 3 (1970), and the fourth, Blood, Sweat & Tears 4 (1971), were substantial hits.\r\n
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      This is a momentous box set presenting a historically-significant band in the deluxe fashion that it deserves. Like all of our Analogue Productions reissues, we've painstakingly sweated the details to bring you the utmost listening experience. Now you can listen to these cherished album favorites in the highest quality, as you gain insights into the band and its recordings from Clayton Thomas' informative account of the band's history.\r\n
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    -nom: "Symphonies N° 40 and N° 41 “Jupiter“"
    -informationComplementaire: ""
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      \r\n
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    -nom: "Symphonies N° 40 and N° 41 “Jupiter“"
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    -description: """
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      \r\n
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[
  "produit" => App\Entity\Produit {#2147
    -id: 298
    -nom: " “Eine kleine Nachtmusik”, Divertimento N° 1 in D"
    -informationComplementaire: ""
    -description: """
      Mozart wrote the Divertimento No. 1 at the age of six, while A Musical Joke and Eine kleine Nachtmusik were composed shortly before his death.\r\n
      \r\n
      From what one hears, apparently only a few music lovers enjoy listening to Eine kleine Nachtmusik. Far too often has it been performed routinely rather than being filled with life. This recording is quite different: living up to his reputation, Karl Münchinger proves that this favourite can be imbued with significance. \r\n
      \r\n
      The historical roote of the serenade lie in the suite which consists of varied contrasting dance movements. In the spirit of this tradition, Münchinger offers a clear and unfussed interpretation which is absolutely credible and has a freshness rarely heard. The ensemble plays both cheerfully and and wittily. In A Musical Joke, Mozart parodies amateurish composers of his own era, and the orchestra quite obviously participates in the fun.\r\n
      \r\n
      This LP is distinguished by its musical and tonal balance and is one of DECCA’s best sound recordings.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : November 1960, Victoria Hall at Geneva by Roy Wallace Production : James Walker\r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Stuttgart Chamber Orchestra conducted by Karl Münchinger"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: ""
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        "nom" => "1. Allegro"
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      [
        "nom" => "Divertimento N° 1 in D Major K.136, A Musical Joke K522"
        "ordre" => 7
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      [
        "nom" => "Eine Kleine Nachtmusik"
        "ordre" => 1
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3526
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    -nom: " “Eine kleine Nachtmusik”, Divertimento N° 1 in D"
    -informationComplementaire: ""
    -description: """
      Mozart wrote the Divertimento No. 1 at the age of six, while A Musical Joke and Eine kleine Nachtmusik were composed shortly before his death.\r\n
      \r\n
      From what one hears, apparently only a few music lovers enjoy listening to Eine kleine Nachtmusik. Far too often has it been performed routinely rather than being filled with life. This recording is quite different: living up to his reputation, Karl Münchinger proves that this favourite can be imbued with significance. \r\n
      \r\n
      The historical roote of the serenade lie in the suite which consists of varied contrasting dance movements. In the spirit of this tradition, Münchinger offers a clear and unfussed interpretation which is absolutely credible and has a freshness rarely heard. The ensemble plays both cheerfully and and wittily. In A Musical Joke, Mozart parodies amateurish composers of his own era, and the orchestra quite obviously participates in the fun.\r\n
      \r\n
      This LP is distinguished by its musical and tonal balance and is one of DECCA’s best sound recordings.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
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        "nom" => "Divertimento N° 1 in D Major K.136, A Musical Joke K522"
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        "nom" => "Eine Kleine Nachtmusik"
        "ordre" => 1
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[
  "produit" => App\Entity\Produit {#2160
    -id: 534
    -nom: "Seductive Reasoning"
    -informationComplementaire: ""
    -description: """
      Thanks to their undeniable musical talent, which allowed them to be taken seriously in the folk scene, the industrious Roche sisters’ career began when they were young. The duo began by singing Christmas carols, doo-wop song syllable puzzles, and tricky barbershop harmonies. They finally caught the attention of Paul Simon, who brought the gifted girls in as backup singers on his LP "There Goes Rhymin’ Simon", and was primarily responsible for the birth of their first recording. The lavishly produced album achieved high critical acclaim. Although it was a worthy professional debut, the public was hesitant to buy the album. The specialist magazine Rolling Stone commented drily and somewhat at a loss that the Roches weren’t everyone’s cup of tea.\r\n
      \r\n
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      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : 1973 in the Morgan Studios, London, and 1974 in the Muscle Shoals Studios, Sheffield, Alabama\r\n
      Production : Paul Simon, Paul Samwell-Smith, David Hood and Jimmy Johnson\r\n
      \r\n
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=QbehOxVL4ic"
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App\Twig\Components\GestionPanierFavoriComponents {#3572
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2160
    -id: 534
    -nom: "Seductive Reasoning"
    -informationComplementaire: ""
    -description: """
      Thanks to their undeniable musical talent, which allowed them to be taken seriously in the folk scene, the industrious Roche sisters’ career began when they were young. The duo began by singing Christmas carols, doo-wop song syllable puzzles, and tricky barbershop harmonies. They finally caught the attention of Paul Simon, who brought the gifted girls in as backup singers on his LP "There Goes Rhymin’ Simon", and was primarily responsible for the birth of their first recording. The lavishly produced album achieved high critical acclaim. Although it was a worthy professional debut, the public was hesitant to buy the album. The specialist magazine Rolling Stone commented drily and somewhat at a loss that the Roches weren’t everyone’s cup of tea.\r\n
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      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : 1973 in the Morgan Studios, London, and 1974 in the Muscle Shoals Studios, Sheffield, Alabama\r\n
      Production : Paul Simon, Paul Samwell-Smith, David Hood and Jimmy Johnson\r\n
      \r\n
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    -prixVente: "32.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2162 …}
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[
  "produit" => App\Entity\Produit {#2176
    -id: 767
    -nom: "Newport Uproar"
    -informationComplementaire: ""
    -description: """
      The 1967 Newport Jazz Festival, fourteenth in a world-famous series, was inexplicably the first at which Lionel Hampton had ever appeared. Better late than never, the great vibist and bandleader came, played and conquered. As the crowd roars ecstatically at the end of this record, the awed but happy voice of producer George Wein is heard: “This hasn’t happened since Duke...” he begins, casting back in his mind to 1956 and the nearest comparable triumph.\r\n
      \r\n
      There is nothing quite so effective as a big band at an outdoor jazz festival. So the 1967 Newport programme included those of Count Basie, Buddy Rich, Woody Herman, Don Ellis and Lionel Hampton. Lionel knew the competition he had to face, and knew that in the festival’s climatic spot—the last act on the last night--- his performance would be compared with those of all the others. He prepared accordingly.\r\n
      \r\n
      Members of his Inner Circle, the octet with which he normally works, would provide the nucleus for an orchestra largely composed of alumni from his earlier bands. When the call went out to the Old Guard, the response was magnificent, as a glance at the personnel will show. Top names in the profession came back to join him, to form one of the great all-star bands of all time. A two week engagement at The Metropole in New York, immediately before the festival, served as a prolonged dress rehearsal, where the ensembles were polished and new arrangements familiarized. Enthusiasm mounted night by night in the Seventh Avenue club, among musicians and public alike, until Newport and the evening of 3rd July were reached. Then, as you will hear, the spirit was willing and the flesh far, far from weak.\r\n
      \r\n
      All these preparations ensured a good performance, but the spark, the magic necessary to make it a great one, had to come from the leader. Everybody knows that he is a kind of rhythmic dynamo—driving, full of energy, unsparing of himself. His commitment and conviction communicate rapidly with any audience, so that it is soon won over to his side. Yet in the long, ninety minute program, errors in pacing would have been easy, forgivable, but extremely damaging. A climax reached too soon would have led to anti-climax, and a flat feeling as the crowd left the ground. As it was, Lionel’s long professional experience served him superbly, so that his program rose steadily and inexorably to the all-out, emotional frenzy of Flying Home. Like a good general, he never lost his grasp on the situation. He inspired his men by personal example on the vibes, reinforced the beat on a second set of drums, and finally brought up the reserves---Alan Dawson, Milt Buckner and Illinois Jacquet—at just the right time, and in the right spot, to secure an unforgettable triumph and a tumultuous ovation.\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -referenceProduit: "LSP 3891"
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        "nom" => "1. Turn Me Loose"
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        "nom" => "2. Thai Silk"
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        "nom" => "3. Misunderstood Blues"
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        "nom" => "3. Tempo's Birthday"
        "ordre" => 3
      ]
      [
        "nom" => "4. Flying Home"
        "ordre" => 10
      ]
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        "nom" => "4. Greasy Greens"
        "ordre" => 4
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        "nom" => "5. Greasy Greens (encore)"
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        "ordre" => 0
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2187 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-newport-uproar-lsp-3891"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3623
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2176
    -id: 767
    -nom: "Newport Uproar"
    -informationComplementaire: ""
    -description: """
      The 1967 Newport Jazz Festival, fourteenth in a world-famous series, was inexplicably the first at which Lionel Hampton had ever appeared. Better late than never, the great vibist and bandleader came, played and conquered. As the crowd roars ecstatically at the end of this record, the awed but happy voice of producer George Wein is heard: “This hasn’t happened since Duke...” he begins, casting back in his mind to 1956 and the nearest comparable triumph.\r\n
      \r\n
      There is nothing quite so effective as a big band at an outdoor jazz festival. So the 1967 Newport programme included those of Count Basie, Buddy Rich, Woody Herman, Don Ellis and Lionel Hampton. Lionel knew the competition he had to face, and knew that in the festival’s climatic spot—the last act on the last night--- his performance would be compared with those of all the others. He prepared accordingly.\r\n
      \r\n
      Members of his Inner Circle, the octet with which he normally works, would provide the nucleus for an orchestra largely composed of alumni from his earlier bands. When the call went out to the Old Guard, the response was magnificent, as a glance at the personnel will show. Top names in the profession came back to join him, to form one of the great all-star bands of all time. A two week engagement at The Metropole in New York, immediately before the festival, served as a prolonged dress rehearsal, where the ensembles were polished and new arrangements familiarized. Enthusiasm mounted night by night in the Seventh Avenue club, among musicians and public alike, until Newport and the evening of 3rd July were reached. Then, as you will hear, the spirit was willing and the flesh far, far from weak.\r\n
      \r\n
      All these preparations ensured a good performance, but the spark, the magic necessary to make it a great one, had to come from the leader. Everybody knows that he is a kind of rhythmic dynamo—driving, full of energy, unsparing of himself. His commitment and conviction communicate rapidly with any audience, so that it is soon won over to his side. Yet in the long, ninety minute program, errors in pacing would have been easy, forgivable, but extremely damaging. A climax reached too soon would have led to anti-climax, and a flat feeling as the crowd left the ground. As it was, Lionel’s long professional experience served him superbly, so that his program rose steadily and inexorably to the all-out, emotional frenzy of Flying Home. Like a good general, he never lost his grasp on the situation. He inspired his men by personal example on the vibes, reinforced the beat on a second set of drums, and finally brought up the reserves---Alan Dawson, Milt Buckner and Illinois Jacquet—at just the right time, and in the right spot, to secure an unforgettable triumph and a tumultuous ovation.\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lionel Hampton (vibes, piano, drums), Snooky Young, Jimmy Nottingham, Joe Newman, Wallace Davenport (trumpet) Al Grey, Garnett Brown, Britt Woodman, Benny Powell (trombone), John Spruill,  Milt Buckner (piano), Billy Mackel (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Nqf5BfmhhJU"
    -referenceProduit: "LSP 3891"
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        "nom" => "1. Meet Benny Bailey"
        "ordre" => 7
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        "nom" => "1. Turn Me Loose"
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        "nom" => "2. Medley : Hey ! Ba-Ba-Re-Bop / Hamp's Boogie Woogie"
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        "nom" => "2. Thai Silk"
        "ordre" => 2
      ]
      [
        "nom" => "3. Misunderstood Blues"
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      [
        "nom" => "3. Tempo's Birthday"
        "ordre" => 3
      ]
      [
        "nom" => "4. Flying Home"
        "ordre" => 10
      ]
      [
        "nom" => "4. Greasy Greens"
        "ordre" => 4
      ]
      [
        "nom" => "5. Greasy Greens (encore)"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2178 …}
    -label: Proxies\__CG__\App\Entity\Label {#2181 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2190 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2183 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2185 …}
    -enregistreLe: DateTime @1428046738 {#2173
      date: 2015-04-03 07:38:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1571555092 {#2174
      date: 2019-10-20 07:04:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2187 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-newport-uproar-lsp-3891"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "produit" => App\Entity\Produit {#2195
    -id: 1492
    -nom: "Tobacco Road"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Jack McDuff (organ, arranger), Fred Berry, King Kolax (trumpet), John Watson (trombone), Red Holloway (tenor saxophone), Danny Turner (tenor saxophone, flute), Lonnie Simmons (baritone saxophone), Bobby Christian (vibraphone, percussion), Roland Faulkner), Calvin Green (guitar), Loyal J. Gresham (electric bass), Joe Dukes, Bob Guthrie (drums), J. J. Jackson (conductor, arranger).\r\n
      \r\n
      With these three words the great Clark Terry summed up the art of leaning musical improvisation. Salvador Dalí, the artist who melted time in his colorful and bizarre works, stated radically that a person who didn't want to copy others would never manage to accomplish anything at all.\r\n
       \r\n
      Brother Jack McDuff did plenty of copying and refined the good old standards on his Tobacco Road and made them blossom anew. Jack taught himself to play the organ and went on to transform the popular melody "Alexander's Ragtime Band" into what one might call roughened up ball house jazz, were it not for the contrary saxophone, which soars over rasping organ clusters. For Brother Jack such spiritual sounds as in "And The Angels Sing" and his somewhat slanted version of the musing, dreamy "Wade In The Water" were an absolute must. It really rocks in "Can't Get Satisfied", a gospel-like and delicately instrumentalised version of the blues evergreen. The organ does not necessarily always have the last word in this colorful mixture, but it is always very present as regards the sound and the distribution of the parts. And just once does McDuff let the instrument sing out on its glassy top register in "The Shadow Of Your Smile".\r\n
       \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. \r\n
      All royalties and mechanical rights have been paid.\r\n
       \r\n
      Recording : August 1966 at Chess Studios, Chicago\r\n
      Production : Lew Futterman\r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Jack McDuff (organ, arranger), Fred Berry, King Kolax (trumpet), John Watson (trombone), Red Holloway (tenor saxophone), Danny Turner (tenor saxophone, flute), Lonnie Simmons (baritone saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CSdoJ6C9K-g"
    -referenceProduit: "Atlantic SD 1472"
    -titreMorceau: [
      [
        "nom" => "1. And The Angels Sing"
        "ordre" => 7
      ]
      [
        "nom" => "1. Teardrops From My Eyes"
        "ordre" => 1
      ]
      [
        "nom" => "2. This Bitter Earth"
        "ordre" => 8
      ]
      [
        "nom" => "2. Tobacco Road"
        "ordre" => 2
      ]
      [
        "nom" => "3. Alexander's Ragtime Band"
        "ordre" => 9
      ]
      [
        "nom" => "3. The Shadow of Your Smile"
        "ordre" => 3
      ]
      [
        "nom" => "4. Can't Get Satisfied"
        "ordre" => 4
      ]
      [
        "nom" => "4. Wade In The Water"
        "ordre" => 10
      ]
      [
        "nom" => "5. Blowin' In The Wind"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1459 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2206 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2199 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2201 …}
    -enregistreLe: DateTime @1546168647 {#2192
      date: 2018-12-30 11:17:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570438599 {#2193
      date: 2019-10-07 08:56:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2203 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tobacco-road-atlantic-sd-1472"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3674
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2195
    -id: 1492
    -nom: "Tobacco Road"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Jack McDuff (organ, arranger), Fred Berry, King Kolax (trumpet), John Watson (trombone), Red Holloway (tenor saxophone), Danny Turner (tenor saxophone, flute), Lonnie Simmons (baritone saxophone), Bobby Christian (vibraphone, percussion), Roland Faulkner), Calvin Green (guitar), Loyal J. Gresham (electric bass), Joe Dukes, Bob Guthrie (drums), J. J. Jackson (conductor, arranger).\r\n
      \r\n
      With these three words the great Clark Terry summed up the art of leaning musical improvisation. Salvador Dalí, the artist who melted time in his colorful and bizarre works, stated radically that a person who didn't want to copy others would never manage to accomplish anything at all.\r\n
       \r\n
      Brother Jack McDuff did plenty of copying and refined the good old standards on his Tobacco Road and made them blossom anew. Jack taught himself to play the organ and went on to transform the popular melody "Alexander's Ragtime Band" into what one might call roughened up ball house jazz, were it not for the contrary saxophone, which soars over rasping organ clusters. For Brother Jack such spiritual sounds as in "And The Angels Sing" and his somewhat slanted version of the musing, dreamy "Wade In The Water" were an absolute must. It really rocks in "Can't Get Satisfied", a gospel-like and delicately instrumentalised version of the blues evergreen. The organ does not necessarily always have the last word in this colorful mixture, but it is always very present as regards the sound and the distribution of the parts. And just once does McDuff let the instrument sing out on its glassy top register in "The Shadow Of Your Smile".\r\n
       \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. \r\n
      All royalties and mechanical rights have been paid.\r\n
       \r\n
      Recording : August 1966 at Chess Studios, Chicago\r\n
      Production : Lew Futterman\r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Jack McDuff (organ, arranger), Fred Berry, King Kolax (trumpet), John Watson (trombone), Red Holloway (tenor saxophone), Danny Turner (tenor saxophone, flute), Lonnie Simmons (baritone saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CSdoJ6C9K-g"
    -referenceProduit: "Atlantic SD 1472"
    -titreMorceau: [
      [
        "nom" => "1. And The Angels Sing"
        "ordre" => 7
      ]
      [
        "nom" => "1. Teardrops From My Eyes"
        "ordre" => 1
      ]
      [
        "nom" => "2. This Bitter Earth"
        "ordre" => 8
      ]
      [
        "nom" => "2. Tobacco Road"
        "ordre" => 2
      ]
      [
        "nom" => "3. Alexander's Ragtime Band"
        "ordre" => 9
      ]
      [
        "nom" => "3. The Shadow of Your Smile"
        "ordre" => 3
      ]
      [
        "nom" => "4. Can't Get Satisfied"
        "ordre" => 4
      ]
      [
        "nom" => "4. Wade In The Water"
        "ordre" => 10
      ]
      [
        "nom" => "5. Blowin' In The Wind"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1459 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2206 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2199 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2201 …}
    -enregistreLe: DateTime @1546168647 {#2192
      date: 2018-12-30 11:17:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570438599 {#2193
      date: 2019-10-07 08:56:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2203 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tobacco-road-atlantic-sd-1472"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "produit" => App\Entity\Produit {#2211
    -id: 1275
    -nom: "LaVern Baker Sings Bessie Smith "
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      LaVern Baker (vocals), Buck Clayton (trumpet), Vic Dickenson, Jimmy Cleveland, Urbie Green (trombone), Paul Quinichette (tenor saxophone), Sahib Shihab, Jerome Richardson (baritone saxophone), Nat Pierce (piano), Danny Barker (guitar), Wendell Marshall (bass), Joe Marshall (drums).\r\n
      \r\n
      It was 1958 when a passably successful R&B singer entered the recording studio with an all-star band to tape a dozen songs from the global repertoire of a legendary blues vocalist. The old-fashioned style in LaVern Baker’s tribute to Bessie Smith might seem somewhat strange in the midst of popular R&B numbers and the growing productivity of the Motown hit machines, but it certainly found favour with the public. And for a very good reason too ! Right from the very first number, "Gimme A Pigfoot", the snappy bass line conjures up the ballroom atmosphere of the Twenties. A bluesy dialogue with the trumpet ("Baby Doll", "I Ain’t Gonna Play No Second Fiddle"), alternating with robustly orchestrated swing rhythms ("On Revival Day"), and time and again cool, faltering blues ("Black Water Blues") guarantee great listening and entertainment. The great names in the band read like a Who Is Who of outstanding musicians Nat Pierce, Buck Clayton, Paul Quinichette, Urbie Green and Jimmy Cleveland, all who crown the fantastic sound of their performance with relaxed and easy-going solos and finely balanced background playing that would hardly be more authentic on a live stage. Fans of traditional big-band swing will love this album too. \r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "LaVern Baker (vocals), Buck Clayton (trumpet), Vic Dickenson, Jimmy Cleveland, Urbie Green (trombone), Paul Quinichette (tenor saxophone), Sahib Shihab, Jerome Richardson (baritone saxophone), Nat Pierce (piano), Danny Barker (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K19BW-tM904"
    -referenceProduit: "Speakers Corner Records 1281"
    -titreMorceau: [
      [
        "nom" => "1. Empty Bed Blues"
        "ordre" => 8
      ]
      [
        "nom" => "1. Gimme A Pigfoot"
        "ordre" => 1
      ]
      [
        "nom" => "2. Baby Doll"
        "ordre" => 2
      ]
      [
        "nom" => "2. There'll Be A Hot Time In the Old Town Tonight"
        "ordre" => 9
      ]
      [
        "nom" => "3. Nobody Knows You When You're Down and Out"
        "ordre" => 10
      ]
      [
        "nom" => "3. On Revival Day"
        "ordre" => 3
      ]
      [
        "nom" => "4. After You've Gone"
        "ordre" => 11
      ]
      [
        "nom" => "4. Money Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Ain't Gonna Play No Second Fiddle"
        "ordre" => 5
      ]
      [
        "nom" => "5. Young Woman's Blues"
        "ordre" => 12
      ]
      [
        "nom" => "6. Backwater Blues"
        "ordre" => 6
      ]
      [
        "nom" => "6. Preaching the Blues"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2213 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2222 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2215 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2217 …}
    -enregistreLe: DateTime @1517123660 {#2208
      date: 2018-01-28 07:14:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570438338 {#2209
      date: 2019-10-07 08:52:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2219 …}
    -disponible: null
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    -slug: "vinyles-lavern-baker-sings-bessie-smith-speakers-corner-records-1281"
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3725
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2211
    -id: 1275
    -nom: "LaVern Baker Sings Bessie Smith "
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      LaVern Baker (vocals), Buck Clayton (trumpet), Vic Dickenson, Jimmy Cleveland, Urbie Green (trombone), Paul Quinichette (tenor saxophone), Sahib Shihab, Jerome Richardson (baritone saxophone), Nat Pierce (piano), Danny Barker (guitar), Wendell Marshall (bass), Joe Marshall (drums).\r\n
      \r\n
      It was 1958 when a passably successful R&B singer entered the recording studio with an all-star band to tape a dozen songs from the global repertoire of a legendary blues vocalist. The old-fashioned style in LaVern Baker’s tribute to Bessie Smith might seem somewhat strange in the midst of popular R&B numbers and the growing productivity of the Motown hit machines, but it certainly found favour with the public. And for a very good reason too ! Right from the very first number, "Gimme A Pigfoot", the snappy bass line conjures up the ballroom atmosphere of the Twenties. A bluesy dialogue with the trumpet ("Baby Doll", "I Ain’t Gonna Play No Second Fiddle"), alternating with robustly orchestrated swing rhythms ("On Revival Day"), and time and again cool, faltering blues ("Black Water Blues") guarantee great listening and entertainment. The great names in the band read like a Who Is Who of outstanding musicians Nat Pierce, Buck Clayton, Paul Quinichette, Urbie Green and Jimmy Cleveland, all who crown the fantastic sound of their performance with relaxed and easy-going solos and finely balanced background playing that would hardly be more authentic on a live stage. Fans of traditional big-band swing will love this album too. \r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "LaVern Baker (vocals), Buck Clayton (trumpet), Vic Dickenson, Jimmy Cleveland, Urbie Green (trombone), Paul Quinichette (tenor saxophone), Sahib Shihab, Jerome Richardson (baritone saxophone), Nat Pierce (piano), Danny Barker (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K19BW-tM904"
    -referenceProduit: "Speakers Corner Records 1281"
    -titreMorceau: [
      [
        "nom" => "1. Empty Bed Blues"
        "ordre" => 8
      ]
      [
        "nom" => "1. Gimme A Pigfoot"
        "ordre" => 1
      ]
      [
        "nom" => "2. Baby Doll"
        "ordre" => 2
      ]
      [
        "nom" => "2. There'll Be A Hot Time In the Old Town Tonight"
        "ordre" => 9
      ]
      [
        "nom" => "3. Nobody Knows You When You're Down and Out"
        "ordre" => 10
      ]
      [
        "nom" => "3. On Revival Day"
        "ordre" => 3
      ]
      [
        "nom" => "4. After You've Gone"
        "ordre" => 11
      ]
      [
        "nom" => "4. Money Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Ain't Gonna Play No Second Fiddle"
        "ordre" => 5
      ]
      [
        "nom" => "5. Young Woman's Blues"
        "ordre" => 12
      ]
      [
        "nom" => "6. Backwater Blues"
        "ordre" => 6
      ]
      [
        "nom" => "6. Preaching the Blues"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2213 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2222 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2215 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2217 …}
    -enregistreLe: DateTime @1517123660 {#2208
      date: 2018-01-28 07:14:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570438338 {#2209
      date: 2019-10-07 08:52:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2219 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lavern-baker-sings-bessie-smith-speakers-corner-records-1281"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}