Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2609
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2456 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2686
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2689 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2688 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2456 …}
  -formView: Symfony\Component\Form\FormView {#2725 …}
  -form: Symfony\Component\Form\Form {#2875 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 3052
    -nom: "The Cat Walk"
    -informationComplementaire: "New York, début des années 60. En pleine effervescence jazz, Donald Byrd enregistre "The Cat Walk", entouré de musiciens d’exception. Un album entre élégance et énergie, emblématique de l’âge d’or de Blue Note Records."
    -description: """
      Sorti en 1961 sur le mythique label Blue Note Records, "The Cat Walk" est un album emblématique du trompettiste Donald Byrd, figure majeure du hard bop.\r\n
      \r\n
      Entouré d’un quintet d’exception notamment Pepper Adams au saxophone baryton et Duke Pearson au piano, Donald Byrd propose ici un jazz élégant, énergique et profondément groove. L’alchimie entre les musiciens donne naissance à des compositions sophistiquées mais accessibles, portées par des lignes mélodiques accrocheuses et une section rythmique impeccable.\r\n
      \r\n
      Entre puissance et raffinement, "The Cat Walk" illustre parfaitement l’âge d’or du jazz Blue Note, un son chaleureux, une cohésion sans faille et une créativité toujours en mouvement.\r\n
      \r\n
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Master Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Donald Byrd was deep in a groove in 1961 as the trumpeter turned out one hard bop classic after another for Blue Note including The Cat Walk featuring Byrd's quintet with Pepper Adams on baritone saxophone, Duke Pearson on piano, Laymon Jackson on bass, and Philly Joe Jones on drums. The band struts their stuff on an engaging set of swinging originals including Pearson's alluring opener "Say You're Mine", Byrd's swaggering title track, and an up-tempo sprint through Neal Hefti's tune "Cute" featuring a commanding performance by Jones.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams (baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=D0MkfbtQBac&list=RDD0MkfbtQBac&start_radio=1"
    -referenceProduit: "Blue Note Records 1365"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Say You're Mine"
      ]
      [
        "ordre" => 2
        "nom" => "2. Duke's Mixture"
      ]
      [
        "ordre" => 3
        "nom" => "3. Each Time I Think of You "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. The Cat Walk"
      ]
      [
        "ordre" => 6
        "nom" => "2. Cute"
      ]
      [
        "ordre" => 7
        "nom" => "3. Hello Bright Sunflower"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1775479473 {#1875
      date: 2026-04-06 12:44:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775479473 {#1868
      date: 2026-04-06 12:44:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-cat-walk-blue-note-records-1365"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3150
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2688 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 3052
    -nom: "The Cat Walk"
    -informationComplementaire: "New York, début des années 60. En pleine effervescence jazz, Donald Byrd enregistre "The Cat Walk", entouré de musiciens d’exception. Un album entre élégance et énergie, emblématique de l’âge d’or de Blue Note Records."
    -description: """
      Sorti en 1961 sur le mythique label Blue Note Records, "The Cat Walk" est un album emblématique du trompettiste Donald Byrd, figure majeure du hard bop.\r\n
      \r\n
      Entouré d’un quintet d’exception notamment Pepper Adams au saxophone baryton et Duke Pearson au piano, Donald Byrd propose ici un jazz élégant, énergique et profondément groove. L’alchimie entre les musiciens donne naissance à des compositions sophistiquées mais accessibles, portées par des lignes mélodiques accrocheuses et une section rythmique impeccable.\r\n
      \r\n
      Entre puissance et raffinement, "The Cat Walk" illustre parfaitement l’âge d’or du jazz Blue Note, un son chaleureux, une cohésion sans faille et une créativité toujours en mouvement.\r\n
      \r\n
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Master Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Donald Byrd was deep in a groove in 1961 as the trumpeter turned out one hard bop classic after another for Blue Note including The Cat Walk featuring Byrd's quintet with Pepper Adams on baritone saxophone, Duke Pearson on piano, Laymon Jackson on bass, and Philly Joe Jones on drums. The band struts their stuff on an engaging set of swinging originals including Pearson's alluring opener "Say You're Mine", Byrd's swaggering title track, and an up-tempo sprint through Neal Hefti's tune "Cute" featuring a commanding performance by Jones.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams (baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=D0MkfbtQBac&list=RDD0MkfbtQBac&start_radio=1"
    -referenceProduit: "Blue Note Records 1365"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Say You're Mine"
      ]
      [
        "ordre" => 2
        "nom" => "2. Duke's Mixture"
      ]
      [
        "ordre" => 3
        "nom" => "3. Each Time I Think of You "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. The Cat Walk"
      ]
      [
        "ordre" => 6
        "nom" => "2. Cute"
      ]
      [
        "ordre" => 7
        "nom" => "3. Hello Bright Sunflower"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1775479473 {#1875
      date: 2026-04-06 12:44:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775479473 {#1868
      date: 2026-04-06 12:44:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-cat-walk-blue-note-records-1365"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2456 …}
}

[
  "produit" => App\Entity\Produit {#2046
    -id: 2914
    -nom: "Live In Helsinki 1963 & 1965"
    -informationComplementaire: "Plongez au cœur de la magie du live avec Ella Fitzgerald. À Helsinki, en 1963 et 1965, la First Lady of Song enflamme la scène et réinvente chaque note avec une élégance et une liberté inégalées. Une voix, un moment, une légende comme si vous y étiez."
    -description: """
      L’album "Live in Helsinki 1963 & 1965" de Ella Fitzgerald est une plongée rare et précieuse dans l’art de la scène de l’une des plus grandes voix du jazz. Enregistrées lors de deux concerts donnés en Finlande, ces performances capturent Ella Fitzgerald au sommet de son talent, dans toute la spontanéité et la virtuosité qui ont fait sa légende.\r\n
      \r\n
      Entre standards intemporels, improvisations audacieuses et scat époustouflant, Ella transforme chaque morceau en un moment unique. Son sens du swing, sa justesse parfaite et sa capacité à dialoguer avec les musiciens offrent une expérience live authentique et vibrante.\r\n
      \r\n
      Ces enregistrements révèlent une artiste libre, joueuse et profondément connectée à son public, un témoignage vivant de l’âge d’or du jazz et de la puissance de la performance en direct.\r\n
      \r\n
      - Ella Fitzgerald "Live In Helsinki 1963 & 1965" !\r\n
      - 180 gram mono (3 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      In 1960 Ella Fitzgerald bought a house in Copenhagen. It might seem surprising for someone born in Virginia to choose Denmark with its icy winters. There was indeed a part of folly in the decision, because she was once more in love. This time, the man was Swedish. But the chain of events had not been random. Norman Granz, her mentor, friend and producer had decided to leave the U.S. and move to Switzerland around the same time. He was weary of battling away in a country fraught with racism, bogged down in the Cold War and witch hunts.\r\n
      \r\n
      Ray Charles, Miles Davis and many other musicians were also victims of obnoxious prejudice and Europe became their new mecca. Granz had already led the way and Ella followed. However, she never definitively left the United States, where she continued to fight racism, supporting Martin Luther King and appearing with her blond "sister," Marilyn Monroe. Across the Atlantic, she made more and more European tours, speaking German in Berlin, French in Paris, and Italian in Rome. She used English in Helsinki, where she gave two memorable concerts in April 1963 and March 1965. She felt a close affinity to Copenhagen. One thing was sure, she was happy, and it showed.\r\n
      \r\n
      It took us at The Lost Recordings months of talks and two trips to Helsinki to unearth the tapes of these concerts, never before published as records. We were immediately struck by Ella's virtuosity - her vocal acrobatics - and the quality of her voice, whose very essence and tonal confidence still shine through. This imposing woman's stage presence is magnetic, masking her stage fright in the wings and the shyness she had retained since childhood.\r\n
      \r\n
      After listening to these concerts, it is clear that her musical legacy extends beyond the musical framework of jazz. Her repertoire included not only the composers of The Great American Songbook, such as Cole Porter, Irving Berlin and George Gershwin, but also popular Broadway numbers, songs by The Beatles and South American music. The last piece of the puzzle: she knew no boundaries. She swept up everything along her way. Her timbre, her style and her very presence are immediately recognisable. She was inimitable. Whether she was living in Harlem, London, Los Angeles, Copenhagen or Helsinki, she was the very embodiment of swing, of scat, and of jazz. Ella and music are one.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Tommy Flanagan (piano), Les Spann (guitar, flute), Jim Hughart, Ketter Betts (bass), Gus Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XFq4_h6Yz6E&list=RDXFq4_h6Yz6E&start_radio=1"
    -referenceProduit: "The Lost Recordings 4064"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "LP 1"
      ]
      [
        "ordre" => 1
        "nom" => "1. Just One of Those Things"
      ]
      [
        "ordre" => 2
        "nom" => "2. Like Someone in Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. Crazy He Calls Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. In a Mellow Tone"
      ]
      [
        "ordre" => 5
        "nom" => "5. No Moon at All"
      ]
      [
        "ordre" => 6
        "nom" => "6. Georgia on My Mind"
      ]
      [
        "ordre" => 7
        "nom" => "7. All of Me"
      ]
      [
        "ordre" => 8
        "nom" => "8. Moonlight in Vermont"
      ]
      [
        "ordre" => 9
        "nom" => "9. Misty"
      ]
      [
        "ordre" => 10
        "nom" => "10. Hallelujah, I Love Him So"
      ]
      [
        "ordre" => 11
        "nom" => "11. Mack the Knife"
      ]
      [
        "ordre" => 12
        "nom" => "LP 2"
      ]
      [
        "ordre" => 13
        "nom" => "1. Don't Get Around Much Anymore"
      ]
      [
        "ordre" => 14
        "nom" => "2. They Can't Take That Away From Me"
      ]
      [
        "ordre" => 15
        "nom" => "3. Summertime"
      ]
      [
        "ordre" => 16
        "nom" => "4. Lush Life"
      ]
      [
        "ordre" => 17
        "nom" => "5. Runnin' Wild"
      ]
      [
        "ordre" => 18
        "nom" => "6. Georgia On My Mind"
      ]
      [
        "ordre" => 19
        "nom" => "7. A Lot of Livin' to Do"
      ]
      [
        "ordre" => 20
        "nom" => "8. 'S Wonderful"
      ]
      [
        "ordre" => 21
        "nom" => "9. Desafinado"
      ]
      [
        "ordre" => 22
        "nom" => "10. Tenderly"
      ]
      [
        "ordre" => 23
        "nom" => "11. How High the Moon"
      ]
      [
        "ordre" => 24
        "nom" => "LP 3"
      ]
      [
        "ordre" => 25
        "nom" => "1. Walk Right In"
      ]
      [
        "ordre" => 26
        "nom" => "2. That Old Black Magic"
      ]
      [
        "ordre" => 27
        "nom" => "3. Body and Soul"
      ]
      [
        "ordre" => 28
        "nom" => "4. Here's That Rainy Day"
      ]
      [
        "ordre" => 29
        "nom" => "5. The Angels Sing"
      ]
      [
        "ordre" => 30
        "nom" => "6. A Hard Day's Night"
      ]
      [
        "ordre" => 31
        "nom" => "7. Medley :"
      ]
      [
        "ordre" => 32
        "nom" => "- Do Nothin' Till You Hear From Me"
      ]
      [
        "ordre" => 33
        "nom" => "- Mood Indigo"
      ]
      [
        "ordre" => 34
        "nom" => "- It Don't Mean a Thing"
      ]
      [
        "ordre" => 35
        "nom" => "8. The Boy from Ipanema"
      ]
      [
        "ordre" => 36
        "nom" => "9. Don't Rain on My Parade from 'Funny Girl'"
      ]
      [
        "ordre" => 37
        "nom" => "10. Mack the Knife"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#2051 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2060 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2053 …}
    -typeMasterTape: null
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    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2055 …}
    -enregistreLe: DateTime @1765732271 {#2042
      date: 2025-12-14 17:11:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775379346 {#2041
      date: 2026-04-05 08:55:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2057 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-helsinki-1963-1965-the-lost-recordings-4064"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3264
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2688 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2046
    -id: 2914
    -nom: "Live In Helsinki 1963 & 1965"
    -informationComplementaire: "Plongez au cœur de la magie du live avec Ella Fitzgerald. À Helsinki, en 1963 et 1965, la First Lady of Song enflamme la scène et réinvente chaque note avec une élégance et une liberté inégalées. Une voix, un moment, une légende comme si vous y étiez."
    -description: """
      L’album "Live in Helsinki 1963 & 1965" de Ella Fitzgerald est une plongée rare et précieuse dans l’art de la scène de l’une des plus grandes voix du jazz. Enregistrées lors de deux concerts donnés en Finlande, ces performances capturent Ella Fitzgerald au sommet de son talent, dans toute la spontanéité et la virtuosité qui ont fait sa légende.\r\n
      \r\n
      Entre standards intemporels, improvisations audacieuses et scat époustouflant, Ella transforme chaque morceau en un moment unique. Son sens du swing, sa justesse parfaite et sa capacité à dialoguer avec les musiciens offrent une expérience live authentique et vibrante.\r\n
      \r\n
      Ces enregistrements révèlent une artiste libre, joueuse et profondément connectée à son public, un témoignage vivant de l’âge d’or du jazz et de la puissance de la performance en direct.\r\n
      \r\n
      - Ella Fitzgerald "Live In Helsinki 1963 & 1965" !\r\n
      - 180 gram mono (3 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      In 1960 Ella Fitzgerald bought a house in Copenhagen. It might seem surprising for someone born in Virginia to choose Denmark with its icy winters. There was indeed a part of folly in the decision, because she was once more in love. This time, the man was Swedish. But the chain of events had not been random. Norman Granz, her mentor, friend and producer had decided to leave the U.S. and move to Switzerland around the same time. He was weary of battling away in a country fraught with racism, bogged down in the Cold War and witch hunts.\r\n
      \r\n
      Ray Charles, Miles Davis and many other musicians were also victims of obnoxious prejudice and Europe became their new mecca. Granz had already led the way and Ella followed. However, she never definitively left the United States, where she continued to fight racism, supporting Martin Luther King and appearing with her blond "sister," Marilyn Monroe. Across the Atlantic, she made more and more European tours, speaking German in Berlin, French in Paris, and Italian in Rome. She used English in Helsinki, where she gave two memorable concerts in April 1963 and March 1965. She felt a close affinity to Copenhagen. One thing was sure, she was happy, and it showed.\r\n
      \r\n
      It took us at The Lost Recordings months of talks and two trips to Helsinki to unearth the tapes of these concerts, never before published as records. We were immediately struck by Ella's virtuosity - her vocal acrobatics - and the quality of her voice, whose very essence and tonal confidence still shine through. This imposing woman's stage presence is magnetic, masking her stage fright in the wings and the shyness she had retained since childhood.\r\n
      \r\n
      After listening to these concerts, it is clear that her musical legacy extends beyond the musical framework of jazz. Her repertoire included not only the composers of The Great American Songbook, such as Cole Porter, Irving Berlin and George Gershwin, but also popular Broadway numbers, songs by The Beatles and South American music. The last piece of the puzzle: she knew no boundaries. She swept up everything along her way. Her timbre, her style and her very presence are immediately recognisable. She was inimitable. Whether she was living in Harlem, London, Los Angeles, Copenhagen or Helsinki, she was the very embodiment of swing, of scat, and of jazz. Ella and music are one.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Tommy Flanagan (piano), Les Spann (guitar, flute), Jim Hughart, Ketter Betts (bass), Gus Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=XFq4_h6Yz6E&list=RDXFq4_h6Yz6E&start_radio=1"
    -referenceProduit: "The Lost Recordings 4064"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 1
        "nom" => "1. Just One of Those Things"
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        "nom" => "5. No Moon at All"
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    ]
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[
  "produit" => App\Entity\Produit {#2069
    -id: 2790
    -nom: "One Of These Nights Part 1  (Limited Edition Import DMM)"
    -informationComplementaire: "Plongez dans l’univers unique de "One Of These Nights Part 1", une odyssée musicale où la virtuosité rencontre l’émotion, et où chaque note raconte une histoire."
    -description: """
      L’album "One Of These Nights Part 1" de Al Di Meola est une œuvre vibrante qui illustre toute la richesse et la finesse du jeu du guitariste légendaire. Fidèle à son univers mêlant jazz fusion, influences latines et sonorités acoustiques sophistiquées, cet opus propose une expérience immersive où virtuosité technique et émotion pure se rencontrent.\r\n
      \r\n
      À travers des compositions à la fois intenses et contemplatives, Al Di Meola explore des paysages sonores cinématographiques, portés par des mélodies envoûtantes et des rythmes subtils. Chaque morceau révèle une maîtrise exceptionnelle de la guitare, mais aussi une sensibilité artistique qui transcende les genres.\r\n
      \r\n
      Cet album s’adresse autant aux amateurs de jazz qu’aux passionnés de musique instrumentale raffinée, offrant une écoute à la fois exigeante et profondément captivante.\r\n
      \r\n
      - Numbered, Limited Edition DMM 180 gram Audiophile Vinyl LP !\r\n
      - Strict One-Time Pressing !\r\n
      - New album mix produced from the original master multi-track recording mastered to analog tape !\r\n
      - Direct Metal Mastering cut directly from the analog tape master !\r\n
      \r\n
      Right from the start, Al Di Meola brilliantly displays his amazing guitar skills and appreciation of gorgeous melodies. Utilizing concentration and devotion to his craft rather than simply performing routines make this performance an extraordinary experience. His masterful skills combined with feelings of emotion create a spectrum of musical ideas. Al Di Meola assembled a thoroughly excellent group of musicians for this review of his career spanning almost three decades. It is a fantastic combination of romantic chamber music, traditional Latin American music and the freedom of jazz, constantly switching between off-the-cuff improvisation and intricate musical arrangements. Time and time again the musicians alter familiar music with surprising rhythmic changes to construct a marvelous soundscape. A truly magical concert.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=q7KbTZZg2hc&list=PLrrrLOu1whQw8JdXwi3NDiIhrFy4e91EB"
    -referenceProduit: "IN-AKUSTIK 0011"
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App\Twig\Components\GestionPanierFavoriComponents {#3315
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2688 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
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    -id: 2790
    -nom: "One Of These Nights Part 1  (Limited Edition Import DMM)"
    -informationComplementaire: "Plongez dans l’univers unique de "One Of These Nights Part 1", une odyssée musicale où la virtuosité rencontre l’émotion, et où chaque note raconte une histoire."
    -description: """
      L’album "One Of These Nights Part 1" de Al Di Meola est une œuvre vibrante qui illustre toute la richesse et la finesse du jeu du guitariste légendaire. Fidèle à son univers mêlant jazz fusion, influences latines et sonorités acoustiques sophistiquées, cet opus propose une expérience immersive où virtuosité technique et émotion pure se rencontrent.\r\n
      \r\n
      À travers des compositions à la fois intenses et contemplatives, Al Di Meola explore des paysages sonores cinématographiques, portés par des mélodies envoûtantes et des rythmes subtils. Chaque morceau révèle une maîtrise exceptionnelle de la guitare, mais aussi une sensibilité artistique qui transcende les genres.\r\n
      \r\n
      Cet album s’adresse autant aux amateurs de jazz qu’aux passionnés de musique instrumentale raffinée, offrant une écoute à la fois exigeante et profondément captivante.\r\n
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      - Numbered, Limited Edition DMM 180 gram Audiophile Vinyl LP !\r\n
      - Strict One-Time Pressing !\r\n
      - New album mix produced from the original master multi-track recording mastered to analog tape !\r\n
      - Direct Metal Mastering cut directly from the analog tape master !\r\n
      \r\n
      Right from the start, Al Di Meola brilliantly displays his amazing guitar skills and appreciation of gorgeous melodies. Utilizing concentration and devotion to his craft rather than simply performing routines make this performance an extraordinary experience. His masterful skills combined with feelings of emotion create a spectrum of musical ideas. Al Di Meola assembled a thoroughly excellent group of musicians for this review of his career spanning almost three decades. It is a fantastic combination of romantic chamber music, traditional Latin American music and the freedom of jazz, constantly switching between off-the-cuff improvisation and intricate musical arrangements. Time and time again the musicians alter familiar music with surprising rhythmic changes to construct a marvelous soundscape. A truly magical concert.
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2071 …}
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[
  "produit" => App\Entity\Produit {#2092
    -id: 2951
    -nom: "Live at P.J.'S Hollywood California"
    -informationComplementaire: "Plongez dans l’énergie brute de "Live at P.J.'s", où Kool & The Gang enflamment la scène avec un funk puissant, spontané et irrésistible. Un live vibrant, au plus près du groove."
    -description: """
      Sorti en 1971, "Live at P.J.'s" est un témoignage authentique des débuts explosifs de Kool & The Gang. Enregistré dans un club de Los Angeles, cet album live capture toute la puissance et la spontanéité du groupe sur scène, bien avant leurs succès planétaires.\r\n
      \r\n
      À travers des morceaux dynamiques comme “N.T.” ou “Funky Man”, le collectif dévoile un son brut, porté par des cuivres percutants, des lignes de basse hypnotiques et des rythmes irrésistibles. Loin des productions plus lisses de leurs années suivantes, cet opus met en lumière leur ADN funk et jazz, nourri d’improvisation et d’interaction avec le public.\r\n
      \r\n
      Live at P.J.'s, c’est l’essence même d’un concert, une atmosphère électrique, une énergie contagieuse et un groupe en totale communion avec son audience. Un incontournable pour les amateurs de funk authentique et les passionnés de musique live.\r\n
      \r\n
      - The Record That Preceded the Soul-Jazz Movement : Kool and the Gang’s Funky Live at P.J.’S Thrills with Boundless Diversity, Virtuosic Interplay, and Contagious Grooves !\r\n
      - Experience the Exhilarating 1971 Album in Audiophile Sound for the First Time : Strictly - Limited to 2000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM LP Plays with Exceptional Definition and Clarity !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Make it funky. Kool and the Gang do that and much more on Live at P.J.’S, a freewheeling concert album that both preceded the resurgent soul-jazz movement by decades and demonstrated the boundless diversity, virtuosic skill, arrangement chops, and contagious energy of a band that over the course of its career refused to be hemmed in to any particular style or characteristic. Filled with then-new compositions, this wordless 1971 set comes on like one long, magnetic, ever-shifting groove. And it’s never been better. \r\n
      \r\n
      Sourced from the original analog master tapes, strictly limited to 2000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 33 RPM LP presents the incalculably influential record in audiophile sound for the very first time. Compared to prior editions, Live at P.J.’S plays with deeper, tauter bass, enhanced definition, and more realistic presence. Everything from the brassiness of the horns to the snap of the snare to the rattle of the congas comes across in full-range perspective. \r\n
      \r\n
      This collectible version of the monster LP also exhibits a combination of clarity, solidity, and imaging that helps bring to light every note Kool and the Gang committed to tape that late May 1971 Saturday night at a show that kicked off at 10:45 local time and came amidst another of the group’s busy tour schedules. Though augmented with strings later in the studio, the core of Live at P.J.’s remains what the septet of Robert “Kool” Bell, saxophonist Ronald Bell, drummer George Brown, guitarist Claydes Smith, trumpeter Robert Mickens, and multi-instrumentalists Dennis Thomas and Ricky West delivered onstage. \r\n
      \r\n
      That includes not only the standout musicianship but the inventive approaches, fearless attitudes, and immense creativity. Practically inconceivable today, Kool and the Gang entered the Hollywood, CA club with the intent of documenting seven new songs without concern of advance familiarity or the threat of getting ripped off by someone who happened to be in the audience. It’s just how the band operated since forming in New Jersey during the mid-60s. Namely, with a focus on crowd response, an emphasis on trial-by-fire song testing, and a worry-free outlook on being copied by others. \r\n
      \r\n
      Indeed, Bell once dismissed the latter issue as irrelevant, noting that “nobody could ever make it sound real but us anyway.” Cocky ? Perhaps. Truthful ? Absolutely. Bell and company walk the talk on Live at P.J.’S, further notable for being the band’s second consecutive live effort and second concert release of 1971. And remember, this is a group that had just one studio LP to its credit. Ignoring any preexisting conventions, the strategy simultaneously captured the vision of an ensemble that made its own rules and built its reputation by way of its live performances. \r\n
      \r\n
      No less of an authority than the Godfather of Soul himself, James Brown, said of Live at P.J.’s: “Don’t play this in the car when you drive. The groove is so funky, you’ll wreck”. And consider that the album-opening “N.T.” shorthand for “no title” includes one of the most famous drum breaks in history, one since sampled by the likes of Public Enemy, N.W.A, Nas, Q-Tip, and other prominent hip-hop artists. Or, just listen to how magic transpires from one cut to the next, the collective reflecting its symbiotic chemistry and knack for on-point rhythmic expressiveness.  \r\n
      \r\n
      The final LP of Kool and the Gang’s jazz-centric era, and the last set it released before the group gained a foothold on commercial radio, Live at P.J.’s cooks with excursions into tropical-flavored material “Ricksonata”, romantic fare (an inspired take of the pop evergreen’ “You’ve Lost That Lovin’ Feeling”, Latin-leaning work a cover of saxophone legend Charles Lloyd’s “Sombrero Sam”, and even pieces that could serve as film-score backdrops “Lucky for Me”. \r\n
      \r\n
      Throughout the journey, Kool and the Gang retain a crisp attack and clear sense of direction, its overall methodology best summed up on the aptly titled “Ronnie’s Groove”, penned by Ronnie Bell, who also functioned as the band’s defacto musical director. Of course, no moment here outshines another, with all of the songs including the Isaac Hayes tribute “Ike’s Mood” and upbeat, complex trip of “Dujii” reaching for and attaining space on a higher plane. \r\n
      \r\n
      Kool Jazz, all ‘around.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Robert "Kool" Bell (bass, vocals), Ronald Bell (keyboards, vocals),  Dennis "D.T." Thomas (alto saxophone, flute), Claydes Charles Smith (guitar), Ricky Westfield (trumpet), George Brown (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3366
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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    -id: 2951
    -nom: "Live at P.J.'S Hollywood California"
    -informationComplementaire: "Plongez dans l’énergie brute de "Live at P.J.'s", où Kool & The Gang enflamment la scène avec un funk puissant, spontané et irrésistible. Un live vibrant, au plus près du groove."
    -description: """
      Sorti en 1971, "Live at P.J.'s" est un témoignage authentique des débuts explosifs de Kool & The Gang. Enregistré dans un club de Los Angeles, cet album live capture toute la puissance et la spontanéité du groupe sur scène, bien avant leurs succès planétaires.\r\n
      \r\n
      À travers des morceaux dynamiques comme “N.T.” ou “Funky Man”, le collectif dévoile un son brut, porté par des cuivres percutants, des lignes de basse hypnotiques et des rythmes irrésistibles. Loin des productions plus lisses de leurs années suivantes, cet opus met en lumière leur ADN funk et jazz, nourri d’improvisation et d’interaction avec le public.\r\n
      \r\n
      Live at P.J.'s, c’est l’essence même d’un concert, une atmosphère électrique, une énergie contagieuse et un groupe en totale communion avec son audience. Un incontournable pour les amateurs de funk authentique et les passionnés de musique live.\r\n
      \r\n
      - The Record That Preceded the Soul-Jazz Movement : Kool and the Gang’s Funky Live at P.J.’S Thrills with Boundless Diversity, Virtuosic Interplay, and Contagious Grooves !\r\n
      - Experience the Exhilarating 1971 Album in Audiophile Sound for the First Time : Strictly - Limited to 2000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM LP Plays with Exceptional Definition and Clarity !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Make it funky. Kool and the Gang do that and much more on Live at P.J.’S, a freewheeling concert album that both preceded the resurgent soul-jazz movement by decades and demonstrated the boundless diversity, virtuosic skill, arrangement chops, and contagious energy of a band that over the course of its career refused to be hemmed in to any particular style or characteristic. Filled with then-new compositions, this wordless 1971 set comes on like one long, magnetic, ever-shifting groove. And it’s never been better. \r\n
      \r\n
      Sourced from the original analog master tapes, strictly limited to 2000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 33 RPM LP presents the incalculably influential record in audiophile sound for the very first time. Compared to prior editions, Live at P.J.’S plays with deeper, tauter bass, enhanced definition, and more realistic presence. Everything from the brassiness of the horns to the snap of the snare to the rattle of the congas comes across in full-range perspective. \r\n
      \r\n
      This collectible version of the monster LP also exhibits a combination of clarity, solidity, and imaging that helps bring to light every note Kool and the Gang committed to tape that late May 1971 Saturday night at a show that kicked off at 10:45 local time and came amidst another of the group’s busy tour schedules. Though augmented with strings later in the studio, the core of Live at P.J.’s remains what the septet of Robert “Kool” Bell, saxophonist Ronald Bell, drummer George Brown, guitarist Claydes Smith, trumpeter Robert Mickens, and multi-instrumentalists Dennis Thomas and Ricky West delivered onstage. \r\n
      \r\n
      That includes not only the standout musicianship but the inventive approaches, fearless attitudes, and immense creativity. Practically inconceivable today, Kool and the Gang entered the Hollywood, CA club with the intent of documenting seven new songs without concern of advance familiarity or the threat of getting ripped off by someone who happened to be in the audience. It’s just how the band operated since forming in New Jersey during the mid-60s. Namely, with a focus on crowd response, an emphasis on trial-by-fire song testing, and a worry-free outlook on being copied by others. \r\n
      \r\n
      Indeed, Bell once dismissed the latter issue as irrelevant, noting that “nobody could ever make it sound real but us anyway.” Cocky ? Perhaps. Truthful ? Absolutely. Bell and company walk the talk on Live at P.J.’S, further notable for being the band’s second consecutive live effort and second concert release of 1971. And remember, this is a group that had just one studio LP to its credit. Ignoring any preexisting conventions, the strategy simultaneously captured the vision of an ensemble that made its own rules and built its reputation by way of its live performances. \r\n
      \r\n
      No less of an authority than the Godfather of Soul himself, James Brown, said of Live at P.J.’s: “Don’t play this in the car when you drive. The groove is so funky, you’ll wreck”. And consider that the album-opening “N.T.” shorthand for “no title” includes one of the most famous drum breaks in history, one since sampled by the likes of Public Enemy, N.W.A, Nas, Q-Tip, and other prominent hip-hop artists. Or, just listen to how magic transpires from one cut to the next, the collective reflecting its symbiotic chemistry and knack for on-point rhythmic expressiveness.  \r\n
      \r\n
      The final LP of Kool and the Gang’s jazz-centric era, and the last set it released before the group gained a foothold on commercial radio, Live at P.J.’s cooks with excursions into tropical-flavored material “Ricksonata”, romantic fare (an inspired take of the pop evergreen’ “You’ve Lost That Lovin’ Feeling”, Latin-leaning work a cover of saxophone legend Charles Lloyd’s “Sombrero Sam”, and even pieces that could serve as film-score backdrops “Lucky for Me”. \r\n
      \r\n
      Throughout the journey, Kool and the Gang retain a crisp attack and clear sense of direction, its overall methodology best summed up on the aptly titled “Ronnie’s Groove”, penned by Ronnie Bell, who also functioned as the band’s defacto musical director. Of course, no moment here outshines another, with all of the songs including the Isaac Hayes tribute “Ike’s Mood” and upbeat, complex trip of “Dujii” reaching for and attaining space on a higher plane. \r\n
      \r\n
      Kool Jazz, all ‘around.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2111
    -id: 1662
    -nom: "The Tony Bennett & Bill Evans Album"
    -informationComplementaire: "Quand la voix de Tony Bennett effleure les notes sensibles de Bill Evans, le monde s’efface. Il ne reste que l’essentiel, deux âmes musicales qui se répondent, dans un murmure intime et hors du temps."
    -description: """
      Sorti en 1975, "The Tony Bennett & Bill Evans Album" est une œuvre d’une sobriété et d’une élégance exceptionnelles. Loin des grandes orchestrations habituelles, cet enregistrement repose sur une formule minimaliste, une voix et un piano. Mais entre les mains de Tony Bennett et Bill Evans, cette simplicité devient pure magie.\r\n
      \r\n
      Le chant de Tony Bennett, profondément expressif et nuancé, trouve dans le jeu de Bill Evans un écrin d’une délicatesse rare. Le pianiste, connu pour son toucher impressionniste et ses harmonies raffinées, accompagne sans jamais dominer, laissant respirer chaque mot, chaque silence.\r\n
      \r\n
      Le répertoire mêle standards du jazz et ballades intemporelles, revisitées avec une sensibilité presque introspective. Chaque morceau semble capturer un moment fragile, comme suspendu, où l’émotion prime sur la performance.\r\n
      \r\n
      Cet album n’est pas seulement une collaboration, c’est une conversation musicale, intime et sincère, entre deux artistes au sommet de leur art. Une œuvre essentielle pour les amateurs de jazz vocal et de piano, et une invitation à redécouvrir la beauté de l’épure.\r\n
      \r\n
      - Tony Bennett & Bill Evans "The Tony Bennett & Bill Evans Album" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Step right up, jazz aficionados, and feast your ears on The Tony Bennett & Bill Evans Album (1975), a jazz gem that's as smooth as a martini and twice as intoxicating! This isn't just any album it's a legendary collaboration between the velvet-voiced crooner Tony Bennett and the piano wizard Bill Evans, two titans who decided to waltz into a studio and create pure magic. Spoiler alert: they nailed it.\r\n
      \r\n
      This album was a critical darling, earning rave reviews for its intimate, stripped-down vibe. It charted respectably, but its real triumph lies in its enduring legacy decades later, it's still a go-to for jazz lovers who crave soulful authenticity. Bennett's warm, storytelling vocals paired with Evans' lyrical, impressionistic piano work made this a standout in both their discographies.\r\n
      \r\n
      The Personnel :\r\n
      \r\n
      Tony Bennett : The man with a voice like buttered velvet, turning standards into heartfelt confessions.\r\n
      Bill Evans : The piano poet, whose delicate touch and harmonic genius could make a metronome weep.\r\n
      \r\n
      Recorded in a cozy, no-frills session at Fantasy Studios, with just the two of them (and a trusty engineer, Helen Keane, keeping the vibes pristine). No big band, no overdubs-just raw, unfiltered artistry.\r\n
      \r\n
      This album is a masterclass in less-is-more. Recorded live in the studio with minimal takes, it captures the spontaneity of two masters riffing off each other like old friends at a late-night jam. The production is crystal-clear, letting Bennett's nuanced phrasing and Evans' shimmering chords breathe. Evans' harmonic choices-think lush, unexpected chord voicings-add a layer of sophistication, while Bennett's impeccable timing keeps it grounded. The balance between voice and piano is so perfect, you'd think they shared a telepathic link. Plus, the song selection standards like "My Foolish Heart" and "The Touch of Your Lips" is a love letter to the Great American Songbook.\r\n
      \r\n
      Why Jazz Fans Need This in Their Collection\r\n
      \r\n
      If your record shelf is craving a dose of elegance, this album is your ticket. It's intimate enough to feel like a private concert but profound enough to reveal new layers with every spin. For fans of vocal jazz, Bennett's delivery is a masterclass in emotion without excess. For piano nerds, Evans' introspective solos are practically a spiritual experience.\r\n
      \r\n
      Grab The Tony Bennett & Bill Evans Album and let these two charmers remind you why jazz is the coolest kid on the musical block. Your turntable (and your soul) will thank you !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Tony Bennett (vocals), Bill Evans (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e-vzGxp8388"
    -referenceProduit: "Analogue Productions AAPJ 207-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Young and Foolish"
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      [
        "ordre" => 2
        "nom" => "2. The Touch of Your Lips"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
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        "ordre" => 4
        "nom" => "1. Some Other Time"
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        "nom" => "2. When in Rome"
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        "nom" => "3. We'll Be Together Again"
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        "nom" => "Side C :"
      ]
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        "nom" => "1. My Foolish Heart"
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        "nom" => "2. Waltz for Debby"
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        "ordre" => 11
        "nom" => "1. But Beautiful"
      ]
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        "nom" => "2. Days of Wine and Roses"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
    -label: Proxies\__CG__\App\Entity\Label {#2116 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3417
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2688 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2111
    -id: 1662
    -nom: "The Tony Bennett & Bill Evans Album"
    -informationComplementaire: "Quand la voix de Tony Bennett effleure les notes sensibles de Bill Evans, le monde s’efface. Il ne reste que l’essentiel, deux âmes musicales qui se répondent, dans un murmure intime et hors du temps."
    -description: """
      Sorti en 1975, "The Tony Bennett & Bill Evans Album" est une œuvre d’une sobriété et d’une élégance exceptionnelles. Loin des grandes orchestrations habituelles, cet enregistrement repose sur une formule minimaliste, une voix et un piano. Mais entre les mains de Tony Bennett et Bill Evans, cette simplicité devient pure magie.\r\n
      \r\n
      Le chant de Tony Bennett, profondément expressif et nuancé, trouve dans le jeu de Bill Evans un écrin d’une délicatesse rare. Le pianiste, connu pour son toucher impressionniste et ses harmonies raffinées, accompagne sans jamais dominer, laissant respirer chaque mot, chaque silence.\r\n
      \r\n
      Le répertoire mêle standards du jazz et ballades intemporelles, revisitées avec une sensibilité presque introspective. Chaque morceau semble capturer un moment fragile, comme suspendu, où l’émotion prime sur la performance.\r\n
      \r\n
      Cet album n’est pas seulement une collaboration, c’est une conversation musicale, intime et sincère, entre deux artistes au sommet de leur art. Une œuvre essentielle pour les amateurs de jazz vocal et de piano, et une invitation à redécouvrir la beauté de l’épure.\r\n
      \r\n
      - Tony Bennett & Bill Evans "The Tony Bennett & Bill Evans Album" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Step right up, jazz aficionados, and feast your ears on The Tony Bennett & Bill Evans Album (1975), a jazz gem that's as smooth as a martini and twice as intoxicating! This isn't just any album it's a legendary collaboration between the velvet-voiced crooner Tony Bennett and the piano wizard Bill Evans, two titans who decided to waltz into a studio and create pure magic. Spoiler alert: they nailed it.\r\n
      \r\n
      This album was a critical darling, earning rave reviews for its intimate, stripped-down vibe. It charted respectably, but its real triumph lies in its enduring legacy decades later, it's still a go-to for jazz lovers who crave soulful authenticity. Bennett's warm, storytelling vocals paired with Evans' lyrical, impressionistic piano work made this a standout in both their discographies.\r\n
      \r\n
      The Personnel :\r\n
      \r\n
      Tony Bennett : The man with a voice like buttered velvet, turning standards into heartfelt confessions.\r\n
      Bill Evans : The piano poet, whose delicate touch and harmonic genius could make a metronome weep.\r\n
      \r\n
      Recorded in a cozy, no-frills session at Fantasy Studios, with just the two of them (and a trusty engineer, Helen Keane, keeping the vibes pristine). No big band, no overdubs-just raw, unfiltered artistry.\r\n
      \r\n
      This album is a masterclass in less-is-more. Recorded live in the studio with minimal takes, it captures the spontaneity of two masters riffing off each other like old friends at a late-night jam. The production is crystal-clear, letting Bennett's nuanced phrasing and Evans' shimmering chords breathe. Evans' harmonic choices-think lush, unexpected chord voicings-add a layer of sophistication, while Bennett's impeccable timing keeps it grounded. The balance between voice and piano is so perfect, you'd think they shared a telepathic link. Plus, the song selection standards like "My Foolish Heart" and "The Touch of Your Lips" is a love letter to the Great American Songbook.\r\n
      \r\n
      Why Jazz Fans Need This in Their Collection\r\n
      \r\n
      If your record shelf is craving a dose of elegance, this album is your ticket. It's intimate enough to feel like a private concert but profound enough to reveal new layers with every spin. For fans of vocal jazz, Bennett's delivery is a masterclass in emotion without excess. For piano nerds, Evans' introspective solos are practically a spiritual experience.\r\n
      \r\n
      Grab The Tony Bennett & Bill Evans Album and let these two charmers remind you why jazz is the coolest kid on the musical block. Your turntable (and your soul) will thank you !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Tony Bennett (vocals), Bill Evans (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Young and Foolish"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Touch of Your Lips"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Some Other Time"
      ]
      [
        "ordre" => 5
        "nom" => "2. When in Rome"
      ]
      [
        "ordre" => 6
        "nom" => "3. We'll Be Together Again"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
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        "ordre" => 8
        "nom" => "1. My Foolish Heart"
      ]
      [
        "ordre" => 9
        "nom" => "2. Waltz for Debby"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. But Beautiful"
      ]
      [
        "ordre" => 12
        "nom" => "2. Days of Wine and Roses"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
    -label: Proxies\__CG__\App\Entity\Label {#2116 …}
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    -slug: "vinyles-the-tony-bennett-bill-evans-album-analogue-productions-aapj-207-45"
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[
  "produit" => App\Entity\Produit {#2130
    -id: 2943
    -nom: "Quintessence"
    -informationComplementaire: "Avec "Quintessence", Bill Evans quitte l’intimité du trio pour une exploration sonore plus ample, sans jamais perdre la poésie qui le caractérise. Porté par un quintette d’exception, cet album dévoile un jazz lumineux, sensible et profondément humain."
    -description: """
      Sorti en 1976, "Quintessence" marque une parenthèse singulière dans la carrière du pianiste Bill Evans. Connu pour ses trios intimistes, Evans explore ici une formation élargie en quintette, enrichissant son univers harmonique d’une palette sonore plus dense et expressive.\r\n
      \r\n
      Entouré de musiciens d’exception comme Harold Land, Kenny Burrell, Ray Brown et Philly Joe Jones, Evans signe un album à la fois subtil et vibrant. L’interaction entre les instruments y est particulièrement riche, oscillant entre lyrisme, swing maîtrisé et improvisations élégantes.\r\n
      \r\n
      Chaque morceau révèle une écriture raffinée et une écoute collective remarquable, faisant de "Quintessence" une œuvre à part dans sa discographie, où la délicatesse du piano dialogue avec la chaleur du saxophone et la finesse de la guitare.\r\n
      \r\n
      - Bill Evans "Quintessence" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Ready yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans "Quintessence", has the maestro diving headfirst into a lush, melodic hornscape an elegant, smoky surprise.\r\n
      \r\n
      Let's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right not just his beloved trio format, but a quintet, people.\r\n
      \r\n
      No safety net. No piano bench to hide behind. Just sheer harmonic magic.\r\n
      \r\n
      The Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown The anchor of jazz itself. You want groove ? He'll give you groove. You want soul ? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat.\r\n
      \r\n
      Together, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill they're expanding him !\r\n
      \r\n
      What's On the Menu ?\r\n
      \r\n
      "Sweet Dulcinea" A tune that proves you don't need to play fast to say something profound.\r\n
      \r\n
      "Bass Face" Ray Brown gets the spotlight, and boy does he shine.\r\n
      \r\n
      "Martina" A waltz so beautiful it should come with a warning label: may cause reflective gazing into middle distance.\r\n
      \r\n
      "Second Time Around" A standard for an album that's all about elegance, subtle swing, and refined musicianship.\r\n
      \r\n
      "A Child Is Born" The kind of rendition that makes you think maybe the world isn't so bad after all.\r\n
      \r\n
      So why add Quintessence to your collection ?\r\n
      \r\n
      Because this is Bill Evans unplugged from the trio comfort zone, letting his lush harmonic sensibilities dance with top-tier horn players and rhythm gods. This album is meditative but never sleepy, introspective but never self-indulgent. It's rich, warm, and brimming with the quiet confidence of a master stretching his wings just because he can.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Bottom line, if your jazz collection is missing Quintessence, it's like owning a Picasso with a blank corner. This is the kind of record that sneaks up on you not flashy, but unforgettable. Go ahead. You deserve this kind of quintet magic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bill Evans (piano), Harold Land (tenor saxophone), Kenny Burrell (guitar), Ray Brown (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hZzt_bhpHIM&list=RDhZzt_bhpHIM&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 208-45"
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        "nom" => "Side C :"
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        "nom" => "1. A Child Is Born"
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
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        "ordre" => 8
        "nom" => "1. Bass Face"
      ]
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
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    -id: 2943
    -nom: "Quintessence"
    -informationComplementaire: "Avec "Quintessence", Bill Evans quitte l’intimité du trio pour une exploration sonore plus ample, sans jamais perdre la poésie qui le caractérise. Porté par un quintette d’exception, cet album dévoile un jazz lumineux, sensible et profondément humain."
    -description: """
      Sorti en 1976, "Quintessence" marque une parenthèse singulière dans la carrière du pianiste Bill Evans. Connu pour ses trios intimistes, Evans explore ici une formation élargie en quintette, enrichissant son univers harmonique d’une palette sonore plus dense et expressive.\r\n
      \r\n
      Entouré de musiciens d’exception comme Harold Land, Kenny Burrell, Ray Brown et Philly Joe Jones, Evans signe un album à la fois subtil et vibrant. L’interaction entre les instruments y est particulièrement riche, oscillant entre lyrisme, swing maîtrisé et improvisations élégantes.\r\n
      \r\n
      Chaque morceau révèle une écriture raffinée et une écoute collective remarquable, faisant de "Quintessence" une œuvre à part dans sa discographie, où la délicatesse du piano dialogue avec la chaleur du saxophone et la finesse de la guitare.\r\n
      \r\n
      - Bill Evans "Quintessence" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Ready yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans "Quintessence", has the maestro diving headfirst into a lush, melodic hornscape an elegant, smoky surprise.\r\n
      \r\n
      Let's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right not just his beloved trio format, but a quintet, people.\r\n
      \r\n
      No safety net. No piano bench to hide behind. Just sheer harmonic magic.\r\n
      \r\n
      The Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown The anchor of jazz itself. You want groove ? He'll give you groove. You want soul ? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat.\r\n
      \r\n
      Together, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill they're expanding him !\r\n
      \r\n
      What's On the Menu ?\r\n
      \r\n
      "Sweet Dulcinea" A tune that proves you don't need to play fast to say something profound.\r\n
      \r\n
      "Bass Face" Ray Brown gets the spotlight, and boy does he shine.\r\n
      \r\n
      "Martina" A waltz so beautiful it should come with a warning label: may cause reflective gazing into middle distance.\r\n
      \r\n
      "Second Time Around" A standard for an album that's all about elegance, subtle swing, and refined musicianship.\r\n
      \r\n
      "A Child Is Born" The kind of rendition that makes you think maybe the world isn't so bad after all.\r\n
      \r\n
      So why add Quintessence to your collection ?\r\n
      \r\n
      Because this is Bill Evans unplugged from the trio comfort zone, letting his lush harmonic sensibilities dance with top-tier horn players and rhythm gods. This album is meditative but never sleepy, introspective but never self-indulgent. It's rich, warm, and brimming with the quiet confidence of a master stretching his wings just because he can.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Bottom line, if your jazz collection is missing Quintessence, it's like owning a Picasso with a blank corner. This is the kind of record that sneaks up on you not flashy, but unforgettable. Go ahead. You deserve this kind of quintet magic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bill Evans (piano), Harold Land (tenor saxophone), Kenny Burrell (guitar), Ray Brown (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=hZzt_bhpHIM&list=RDhZzt_bhpHIM&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 208-45"
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[
  "produit" => App\Entity\Produit {#2146
    -id: 2964
    -nom: "Breezin' (2 LP) 45 RPM"
    -informationComplementaire: "Avec "Breezin’", George Benson redéfinit les codes du jazz en y insufflant une élégance soul et une modernité irrésistible. Entre virtuosité et légèreté, chaque note glisse avec fluidité pour créer une ambiance à la fois chic, apaisante et intemporelle."
    -description: """
      Sorti en 1976, "Breezin'" marque un tournant majeur dans la carrière de George Benson, guitariste virtuose issu du jazz traditionnel. Avec cet album, il franchit une étape décisive en mêlant habilement jazz, funk et soul, tout en s’ouvrant à un public plus large.\r\n
      \r\n
      Produit par Tommy LiPuma et porté par une production soignée, "Breezin’" séduit par son atmosphère fluide, chaleureuse et accessible. L’album se distingue notamment par des morceaux emblématiques comme "This Masquerade", où la voix douce de Benson accompagne son jeu de guitare d’une précision remarquable.\r\n
      \r\n
      Loin des démonstrations techniques parfois austères du jazz pur, "Breezin’" privilégie la musicalité, le groove et l’émotion, offrant une expérience d’écoute à la fois raffinée et détendue. Ce subtil équilibre en fait un classique incontournable du jazz fusion et du smooth jazz.\r\n
      \r\n
      Récompensé par plusieurs Grammy Awards, dont celui de l’enregistrement de l’année, l’album a contribué à populariser le jazz auprès du grand public et reste aujourd’hui une référence absolue du genre.\r\n
      \r\n
      - George Benson "Breezin'" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      George Benson's 1976 classic album Breezin' redefined what jazz guitar could sound like. Effortless, melodic, and irresistibly smooth, Breezin' became the soundtrack to an era and the album that launched Benson into crossover superstardom.\r\n
      \r\n
      With timeless hits such as "This Masquerade" and the sunlit title track, Breezin', Benson's 15th album, bridges the worlds of jazz, pop, and R&B with rare grace.  It not only was a Billboard Jazz Albums chart-topper but also went to N° 1 on the pop and R&B charts. It was certified triple platinum-selling, making it one of the best-selling jazz albums of all time.\r\n
      \r\n
      The record took home Grammy Awards for Best Pop Instrumental Performance and Record of the Year for "This Masquerade", while earning multiple nominations, including for Album and Song of the Year an unprecedented feat for a jazz guitarist.\r\n
      \r\n
      Now, this classic shines brighter than ever. Mastered at 45 RPM by Matthew Lutthans at The Mastering Lab and pressed on flat, ultra-quiet vinyl by Quality Record Pressings, this edition reveals new layers of warmth, depth, and presence in Benson's silky tone and fellow rhythm and bass guitarist Phil Upchurch's signature groove.\r\n
      \r\n
      Breezin' isn't just a smooth jazz cornerstone it's one of the most impeccably crafted and influential albums of its time. For collectors, audiophiles, and anyone who loves music that feels like pure sunlight, this definitive 45 RPM reissue is essential listening.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "George Benson (guitar, vocals), Phil Upchurch (rhythm guitar), Ronnie Foster (keyboards & synthesizers), Stanley Banks (bass), Ralph MacDonald (percussion), Harvey Mason (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3DDi5GKdTBo&list=RD3DDi5GKdTBo&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 006-45"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. Breezin' "
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        "nom" => "Side B : "
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        "ordre" => 3
        "nom" => "1. This Masquerade"
      ]
      [
        "ordre" => 4
        "nom" => "2. Six To Four "
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. Affirmation "
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
      ]
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        "ordre" => 8
        "nom" => "1. So This Is Love ? "
      ]
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        "nom" => "2. Lady"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
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    -modifierLe: DateTime @1775119341 {#2144
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2157 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-breezin-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-006-45"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3519
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2688 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2146
    -id: 2964
    -nom: "Breezin' (2 LP) 45 RPM"
    -informationComplementaire: "Avec "Breezin’", George Benson redéfinit les codes du jazz en y insufflant une élégance soul et une modernité irrésistible. Entre virtuosité et légèreté, chaque note glisse avec fluidité pour créer une ambiance à la fois chic, apaisante et intemporelle."
    -description: """
      Sorti en 1976, "Breezin'" marque un tournant majeur dans la carrière de George Benson, guitariste virtuose issu du jazz traditionnel. Avec cet album, il franchit une étape décisive en mêlant habilement jazz, funk et soul, tout en s’ouvrant à un public plus large.\r\n
      \r\n
      Produit par Tommy LiPuma et porté par une production soignée, "Breezin’" séduit par son atmosphère fluide, chaleureuse et accessible. L’album se distingue notamment par des morceaux emblématiques comme "This Masquerade", où la voix douce de Benson accompagne son jeu de guitare d’une précision remarquable.\r\n
      \r\n
      Loin des démonstrations techniques parfois austères du jazz pur, "Breezin’" privilégie la musicalité, le groove et l’émotion, offrant une expérience d’écoute à la fois raffinée et détendue. Ce subtil équilibre en fait un classique incontournable du jazz fusion et du smooth jazz.\r\n
      \r\n
      Récompensé par plusieurs Grammy Awards, dont celui de l’enregistrement de l’année, l’album a contribué à populariser le jazz auprès du grand public et reste aujourd’hui une référence absolue du genre.\r\n
      \r\n
      - George Benson "Breezin'" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      George Benson's 1976 classic album Breezin' redefined what jazz guitar could sound like. Effortless, melodic, and irresistibly smooth, Breezin' became the soundtrack to an era and the album that launched Benson into crossover superstardom.\r\n
      \r\n
      With timeless hits such as "This Masquerade" and the sunlit title track, Breezin', Benson's 15th album, bridges the worlds of jazz, pop, and R&B with rare grace.  It not only was a Billboard Jazz Albums chart-topper but also went to N° 1 on the pop and R&B charts. It was certified triple platinum-selling, making it one of the best-selling jazz albums of all time.\r\n
      \r\n
      The record took home Grammy Awards for Best Pop Instrumental Performance and Record of the Year for "This Masquerade", while earning multiple nominations, including for Album and Song of the Year an unprecedented feat for a jazz guitarist.\r\n
      \r\n
      Now, this classic shines brighter than ever. Mastered at 45 RPM by Matthew Lutthans at The Mastering Lab and pressed on flat, ultra-quiet vinyl by Quality Record Pressings, this edition reveals new layers of warmth, depth, and presence in Benson's silky tone and fellow rhythm and bass guitarist Phil Upchurch's signature groove.\r\n
      \r\n
      Breezin' isn't just a smooth jazz cornerstone it's one of the most impeccably crafted and influential albums of its time. For collectors, audiophiles, and anyone who loves music that feels like pure sunlight, this definitive 45 RPM reissue is essential listening.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "George Benson (guitar, vocals), Phil Upchurch (rhythm guitar), Ronnie Foster (keyboards & synthesizers), Stanley Banks (bass), Ralph MacDonald (percussion), Harvey Mason (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3DDi5GKdTBo&list=RD3DDi5GKdTBo&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 006-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. Breezin' "
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      [
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        "nom" => "Side B : "
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        "nom" => "1. This Masquerade"
      ]
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        "ordre" => 4
        "nom" => "2. Six To Four "
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        "nom" => "Side C :"
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        "nom" => "1. Affirmation "
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        "nom" => "Side D : "
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        "nom" => "1. So This Is Love ? "
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        "nom" => "2. Lady"
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        "nom" => ""
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        "nom" => ""
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      date: 2026-02-03 20:20:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775119341 {#2144
      date: 2026-04-02 08:42:21.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-breezin-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-006-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2456 …}
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[
  "produit" => App\Entity\Produit {#2167
    -id: 3006
    -nom: "Mother Ship"
    -informationComplementaire: "Un vaisseau sonore en orbite entre tradition et exploration, "Mother Ship" embarque l’auditeur dans un voyage cosmique où l’orgue de Larry Young défie les lois du jazz classique, porté par une énergie mystique et une liberté rare."
    -description: """
      Sorti en 1969 sur le mythique label Blue Note Records, "Mother Ship" de Larry Young est une œuvre fascinante à la croisée du jazz modal, du hard bop et des premières explorations électriques. L’organiste, déjà reconnu pour son approche novatrice du Hammond B-3, s’éloigne ici des formats traditionnels pour proposer un son plus libre, presque cosmique.\r\n
      \r\n
      Entouré de musiciens d’exception comme Lee Morgan à la trompette et Herbie Hancock au piano, Larry Young construit un univers dense et spirituel. Les compositions, telles que "Mother Ship" ou "Street Scene", oscillent entre grooves hypnotiques, harmonies audacieuses et élans improvisés d’une grande intensité.\r\n
      \r\n
      L’album se distingue par :\r\n
      \r\n
      - Une utilisation inventive de l’orgue, loin des clichés soul-jazz\r\n
      - Des structures ouvertes inspirées du jazz modal\r\n
      - Une ambiance presque spatiale, annonçant certaines tendances du jazz fusion\r\n
      \r\n
      "Mother Ship" est souvent considéré comme l’un des disques les plus ambitieux de Larry Young, capturant un moment charnière où le jazz regarde résolument vers l’avenir.\r\n
      \r\n
      - Larry Young "Mother Ship" 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      1969's Mother Ship, the final Blue Note album by visionary organist Larry Young, was the culmination of a tremendous run of records albums that redefined the sonic possibilities of the Hammond B3 organ. On his highly regarded 1965 album Unity, Young pushed the limits of his instrument into the far reaches of post-bop exploration. First released in 1980 as part of the LT Series, Mother Ship featured Lee Morgan on trumpet, Herbert Morgan on tenor saxophone, and Eddie Gladden on drums. The album bristles with unbridled kinetic energy while still delivering soulful grooves on a set of Young originals from the avant-garde tinged excursions of the title track and "Trip Merchant" to the in-the-pocket soul jazz of "Street Scene", "Visions", and "Love Drops".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Larry Young (organ), Herbert Morgan (tenor saxophone), Lee Morgan (trumpet), Eddie Gladden (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KgfQVgGmlEA&list=RDKgfQVgGmlEA&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 9547"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Mother Ship"
      ]
      [
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        "nom" => "2. Street Scene"
      ]
      [
        "ordre" => 3
        "nom" => "3. Visions "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Trip Merchant"
      ]
      [
        "ordre" => 6
        "nom" => "2. Love Drops"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …}
    -enregistreLe: DateTime @1771778468 {#2163
      date: 2026-02-22 16:41:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775115455 {#2162
      date: 2026-04-02 07:37:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
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    -slug: "vinyles-mother-ship-blue-note-tone-poet-series-9547"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3570
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2688 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2167
    -id: 3006
    -nom: "Mother Ship"
    -informationComplementaire: "Un vaisseau sonore en orbite entre tradition et exploration, "Mother Ship" embarque l’auditeur dans un voyage cosmique où l’orgue de Larry Young défie les lois du jazz classique, porté par une énergie mystique et une liberté rare."
    -description: """
      Sorti en 1969 sur le mythique label Blue Note Records, "Mother Ship" de Larry Young est une œuvre fascinante à la croisée du jazz modal, du hard bop et des premières explorations électriques. L’organiste, déjà reconnu pour son approche novatrice du Hammond B-3, s’éloigne ici des formats traditionnels pour proposer un son plus libre, presque cosmique.\r\n
      \r\n
      Entouré de musiciens d’exception comme Lee Morgan à la trompette et Herbie Hancock au piano, Larry Young construit un univers dense et spirituel. Les compositions, telles que "Mother Ship" ou "Street Scene", oscillent entre grooves hypnotiques, harmonies audacieuses et élans improvisés d’une grande intensité.\r\n
      \r\n
      L’album se distingue par :\r\n
      \r\n
      - Une utilisation inventive de l’orgue, loin des clichés soul-jazz\r\n
      - Des structures ouvertes inspirées du jazz modal\r\n
      - Une ambiance presque spatiale, annonçant certaines tendances du jazz fusion\r\n
      \r\n
      "Mother Ship" est souvent considéré comme l’un des disques les plus ambitieux de Larry Young, capturant un moment charnière où le jazz regarde résolument vers l’avenir.\r\n
      \r\n
      - Larry Young "Mother Ship" 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      1969's Mother Ship, the final Blue Note album by visionary organist Larry Young, was the culmination of a tremendous run of records albums that redefined the sonic possibilities of the Hammond B3 organ. On his highly regarded 1965 album Unity, Young pushed the limits of his instrument into the far reaches of post-bop exploration. First released in 1980 as part of the LT Series, Mother Ship featured Lee Morgan on trumpet, Herbert Morgan on tenor saxophone, and Eddie Gladden on drums. The album bristles with unbridled kinetic energy while still delivering soulful grooves on a set of Young originals from the avant-garde tinged excursions of the title track and "Trip Merchant" to the in-the-pocket soul jazz of "Street Scene", "Visions", and "Love Drops".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Larry Young (organ), Herbert Morgan (tenor saxophone), Lee Morgan (trumpet), Eddie Gladden (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KgfQVgGmlEA&list=RDKgfQVgGmlEA&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 9547"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. Mother Ship"
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        "nom" => "3. Visions "
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      [
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        "nom" => "1. Trip Merchant"
      ]
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        "nom" => ""
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
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    }
    -modifierLe: DateTime @1775115455 {#2162
      date: 2026-04-02 07:37:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
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    -slug: "vinyles-mother-ship-blue-note-tone-poet-series-9547"
  }
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}

[
  "produit" => App\Entity\Produit {#2190
    -id: 3005
    -nom: "Hootin' N' Tootin'"
    -informationComplementaire: "Un groove brûlant, un saxophone habité, "Hootin’ N’ Tootin’" de Fred Jackson capture toute l’énergie du jazz soul des sixties en quelques notes inoubliables."
    -description: """
      Sorti en 1962 sur le prestigieux label Blue Note Records, "Hootin’ N’ Tootin’" est l’unique album en leader du saxophoniste ténor Fred Jackson, une figure discrète mais remarquable de la scène jazz soul des années 60.\r\n
      \r\n
      Porté par une énergie brute et une approche résolument ancrée dans le groove, l’album navigue entre hard bop et soul jazz avec une spontanéité contagieuse. Entouré d’un casting solide de musiciens issus de l’écurie Blue Note, Jackson privilégie une expression directe : "riffs accrocheurs, phrasés chaleureux et improvisations pleines de caractère".\r\n
      \r\n
      L’ambiance générale est à la fois festive et organique,  un jazz qui se vit autant qu’il s’écoute. Les compositions, souvent construites autour de motifs simples et efficaces, laissent toute la place à l’interaction entre les instruments, notamment l’orgue et les cuivres, qui renforcent cette couleur typiquement "club" du début des sixties.\r\n
      \r\n
      "Hootin’ N’ Tootin’" est aujourd’hui considéré comme un petit trésor caché du catalogue Blue Note, un disque authentique, sans prétention, mais profondément sincère et vibrant.\r\n
      \r\n
      - Fred Jackson "Hootin' N' Tootin'" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The brawny tenor saxophonist Fred Jackson first appeared on a Blue Note record with his standout sideman performance on organist Baby Face Willette's Face To Face in 1961 and would later add his full-throttled sound to Big John Patton's Blue Note albums Along Came John and The Way I Feel. In 1962, Jackson recorded his own leader debut for the label with Hootin' ‘N Tootin', a deeply soulful set of hot-blooded originals performed by a muscular 4 piece band with guitarist Willie Jones, drummer Wilbert Hogan, and organist Earl Van Dyke, who would later become part of Motown house band the Funk Brothers.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Fred Jackson (tenor saxophone), Willie Jones (guitar), Earl Vandyke (organ), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rtqv8ATAEZI"
    -referenceProduit: "Blue Note Tone Poet Series 9685"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Dippin' In The Bag"
      ]
      [
        "ordre" => 2
        "nom" => "2. Southern Exposure"
      ]
      [
        "ordre" => 3
        "nom" => "3. Preach Brother "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Hootin' 'N Tootin'"
      ]
      [
        "ordre" => 6
        "nom" => "2. Easin' On Down"
      ]
      [
        "ordre" => 7
        "nom" => "3. That's Where It's At"
      ]
      [
        "ordre" => 8
        "nom" => "4. Way Down Home"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2201 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2194 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2196 …}
    -enregistreLe: DateTime @1771749615 {#2183
      date: 2026-02-22 08:40:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775114936 {#2184
      date: 2026-04-02 07:28:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2198 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hootin-n-tootin-blue-note-tone-poet-series-9685"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3621
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2688 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2190
    -id: 3005
    -nom: "Hootin' N' Tootin'"
    -informationComplementaire: "Un groove brûlant, un saxophone habité, "Hootin’ N’ Tootin’" de Fred Jackson capture toute l’énergie du jazz soul des sixties en quelques notes inoubliables."
    -description: """
      Sorti en 1962 sur le prestigieux label Blue Note Records, "Hootin’ N’ Tootin’" est l’unique album en leader du saxophoniste ténor Fred Jackson, une figure discrète mais remarquable de la scène jazz soul des années 60.\r\n
      \r\n
      Porté par une énergie brute et une approche résolument ancrée dans le groove, l’album navigue entre hard bop et soul jazz avec une spontanéité contagieuse. Entouré d’un casting solide de musiciens issus de l’écurie Blue Note, Jackson privilégie une expression directe : "riffs accrocheurs, phrasés chaleureux et improvisations pleines de caractère".\r\n
      \r\n
      L’ambiance générale est à la fois festive et organique,  un jazz qui se vit autant qu’il s’écoute. Les compositions, souvent construites autour de motifs simples et efficaces, laissent toute la place à l’interaction entre les instruments, notamment l’orgue et les cuivres, qui renforcent cette couleur typiquement "club" du début des sixties.\r\n
      \r\n
      "Hootin’ N’ Tootin’" est aujourd’hui considéré comme un petit trésor caché du catalogue Blue Note, un disque authentique, sans prétention, mais profondément sincère et vibrant.\r\n
      \r\n
      - Fred Jackson "Hootin' N' Tootin'" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The brawny tenor saxophonist Fred Jackson first appeared on a Blue Note record with his standout sideman performance on organist Baby Face Willette's Face To Face in 1961 and would later add his full-throttled sound to Big John Patton's Blue Note albums Along Came John and The Way I Feel. In 1962, Jackson recorded his own leader debut for the label with Hootin' ‘N Tootin', a deeply soulful set of hot-blooded originals performed by a muscular 4 piece band with guitarist Willie Jones, drummer Wilbert Hogan, and organist Earl Van Dyke, who would later become part of Motown house band the Funk Brothers.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Fred Jackson (tenor saxophone), Willie Jones (guitar), Earl Vandyke (organ), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rtqv8ATAEZI"
    -referenceProduit: "Blue Note Tone Poet Series 9685"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Dippin' In The Bag"
      ]
      [
        "ordre" => 2
        "nom" => "2. Southern Exposure"
      ]
      [
        "ordre" => 3
        "nom" => "3. Preach Brother "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Hootin' 'N Tootin'"
      ]
      [
        "ordre" => 6
        "nom" => "2. Easin' On Down"
      ]
      [
        "ordre" => 7
        "nom" => "3. That's Where It's At"
      ]
      [
        "ordre" => 8
        "nom" => "4. Way Down Home"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2201 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2194 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2196 …}
    -enregistreLe: DateTime @1771749615 {#2183
      date: 2026-02-22 08:40:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775114936 {#2184
      date: 2026-04-02 07:28:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2198 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hootin-n-tootin-blue-note-tone-poet-series-9685"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2456 …}
}

[
  "produit" => App\Entity\Produit {#2208
    -id: 3038
    -nom: "Thelonious Alone In San Francisco"
    -informationComplementaire: "Seul au piano, Thelonious Monk réinvente le silence et transforme chaque note en émotion brute. "Thelonious Alone in San Francisco", c’est le jazz à l’état pur,  intime, audacieux, inoubliable."
    -description: """
      Thelonious Alone in San Francisco est un album emblématique du pianiste et compositeur Thelonious Monk, enregistré en 1959. Entièrement en solo, cet enregistrement capture Monk dans sa forme la plus pure, seul face au piano, sans accompagnement, laissant pleinement s’exprimer son univers singulier.\r\n
      \r\n
      À travers des interprétations dépouillées de ses propres compositions comme "’Round Midnight, Blue Monk ou Ruby, My Dear" l’artiste explore les silences, les dissonances et les rythmes inattendus qui définissent son style. Chaque note semble suspendue, chaque pause devient un élément musical à part entière.\r\n
      \r\n
      Cet album offre une plongée intime dans l’esprit de Monk, révélant à la fois sa rigueur, sa liberté et son génie créatif. Une œuvre essentielle pour comprendre l’essence du jazz moderne.\r\n
      \r\n
      - Thelonious Monk "Thelonious Alone In San Francisco" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      Thelonious Alone In San Francisco is the third solo album from legendary jazz pianist Thelonious Monk, following Piano Solo and Thelonious Himself. Recorded at Fugazi Hall without a live audience the album was recorded in October 1959. This new edition of the album is released as part of the Original Jazz Classics Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Thelonious Monk (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0eGALf5Rp1M&list=RD0eGALf5Rp1M&start_radio=1"
    -referenceProduit: "Concord Craft Recording CR 00948"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Blue Monk"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ruby, My Dear"
      ]
      [
        "ordre" => 3
        "nom" => "3. Round Lights"
      ]
      [
        "ordre" => 4
        "nom" => "4. Everything Happens To Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. You Took The Words Right Out Of My Heart "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Bluehawk"
      ]
      [
        "ordre" => 8
        "nom" => "2. Pannonica"
      ]
      [
        "ordre" => 9
        "nom" => "3. Remember"
      ]
      [
        "ordre" => 10
        "nom" => "4. There's Danger In Your Eyes, Cherie"
      ]
      [
        "ordre" => 11
        "nom" => "5. Reflections"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2210 …}
    -label: Proxies\__CG__\App\Entity\Label {#2213 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2222 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2215 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2217 …}
    -enregistreLe: DateTime @1775114076 {#2204
      date: 2026-04-02 07:14:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775114466 {#2203
      date: 2026-04-02 07:21:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2219 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-thelonious-alone-in-san-francisco-concord-craft-recording-cr-00948"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3672
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2688 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2208
    -id: 3038
    -nom: "Thelonious Alone In San Francisco"
    -informationComplementaire: "Seul au piano, Thelonious Monk réinvente le silence et transforme chaque note en émotion brute. "Thelonious Alone in San Francisco", c’est le jazz à l’état pur,  intime, audacieux, inoubliable."
    -description: """
      Thelonious Alone in San Francisco est un album emblématique du pianiste et compositeur Thelonious Monk, enregistré en 1959. Entièrement en solo, cet enregistrement capture Monk dans sa forme la plus pure, seul face au piano, sans accompagnement, laissant pleinement s’exprimer son univers singulier.\r\n
      \r\n
      À travers des interprétations dépouillées de ses propres compositions comme "’Round Midnight, Blue Monk ou Ruby, My Dear" l’artiste explore les silences, les dissonances et les rythmes inattendus qui définissent son style. Chaque note semble suspendue, chaque pause devient un élément musical à part entière.\r\n
      \r\n
      Cet album offre une plongée intime dans l’esprit de Monk, révélant à la fois sa rigueur, sa liberté et son génie créatif. Une œuvre essentielle pour comprendre l’essence du jazz moderne.\r\n
      \r\n
      - Thelonious Monk "Thelonious Alone In San Francisco" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      Thelonious Alone In San Francisco is the third solo album from legendary jazz pianist Thelonious Monk, following Piano Solo and Thelonious Himself. Recorded at Fugazi Hall without a live audience the album was recorded in October 1959. This new edition of the album is released as part of the Original Jazz Classics Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Thelonious Monk (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0eGALf5Rp1M&list=RD0eGALf5Rp1M&start_radio=1"
    -referenceProduit: "Concord Craft Recording CR 00948"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Blue Monk"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ruby, My Dear"
      ]
      [
        "ordre" => 3
        "nom" => "3. Round Lights"
      ]
      [
        "ordre" => 4
        "nom" => "4. Everything Happens To Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. You Took The Words Right Out Of My Heart "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Bluehawk"
      ]
      [
        "ordre" => 8
        "nom" => "2. Pannonica"
      ]
      [
        "ordre" => 9
        "nom" => "3. Remember"
      ]
      [
        "ordre" => 10
        "nom" => "4. There's Danger In Your Eyes, Cherie"
      ]
      [
        "ordre" => 11
        "nom" => "5. Reflections"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2210 …}
    -label: Proxies\__CG__\App\Entity\Label {#2213 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2222 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2215 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2217 …}
    -enregistreLe: DateTime @1775114076 {#2204
      date: 2026-04-02 07:14:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775114466 {#2203
      date: 2026-04-02 07:21:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2219 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thelonious-alone-in-san-francisco-concord-craft-recording-cr-00948"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2456 …}
}

[
  "produit" => App\Entity\Produit {#2231
    -id: 3007
    -nom: "Songs For Swingin'"
    -informationComplementaire: "Frank Sinatra au sommet de son art, entre charme irrésistible, orchestre scintillant et énergie contagieuse. Un classique absolu qui transforme chaque instant en soirée jazzy inoubliable."
    -description: """
      Sorti en 1956, "Songs for Swingin’ Lovers !" est l’un des albums les plus emblématiques de Frank Sinatra et un pilier du jazz vocal et du swing orchestral. Arrangé et dirigé par Nelson Riddle, cet album marque une évolution majeure dans la carrière de Sinatra, qui adopte ici un ton plus léger, enjoué et irrésistiblement séduisant.\r\n
      \r\n
      L’album rassemble des standards américains revisités avec élégance, mêlant sophistication musicale et décontraction. Sinatra y incarne un personnage charmant et espiègle, porté par des orchestrations dynamiques et raffinées. Chaque morceau respire l’énergie du swing tout en conservant une grande précision émotionnelle.\r\n
      \r\n
      Des titres comme “You Make Me Feel So Young”, “I’ve Got You Under My Skin” ou “Love Is Here to Stay” illustrent parfaitement cet équilibre entre virtuosité et accessibilité. L’album est souvent considéré comme l’un des premiers grands “concept albums”, avec une cohérence d’ambiance et de style tout au long de l’écoute.\r\n
      \r\n
      Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone), George Seabright, Vincent DeRosa (Frenh Horns), Buddy Collette, Babe Russin, Jules Jacob, Skeets Herfurt, Joe Koch (saxophones, woodwinds), Bill Miller (piano), Barney Kessel (guitar), Joe Comfort (bass), Alvin Stoller (drums), Felix Slatkin Capitol’s studio string players (violin,viola,cello).\r\n
      \r\n
      - Frank Sinatra "Songs For Swingin' Lovers" (Mono) 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After his melancholy masterpiece In The Wee Small Hours, the legendary vocalist Frank Sinatra brightened the mood considerably with his exuberant album Songs For Swingin' Lovers! released on Capitol Records in 1956. Together, the two albums presented an enthralling duality with the brokenhearted lover of the former relishing the joys of newfound romance on the latter. Recorded at Capitol's KHJ Studios in Hollywood, the album was once again produced by Voyle Gilmore and presented delightful Nelson Riddle arrangements of Great American Songbook standards including "You Make Me Feel So Young", "Too Marvelous For Words", "Love Is Here To Stay", "I've Got You Under My Skin", and more.\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8XuL5xSVL7s&list=PLL-NbN8uTOihE8pVvExgTDTS5ZJ8hJH2i"
    -referenceProduit: "Blue Note Tone Poet Series 9867"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. You Make Me Feel So Young"
      ]
      [
        "ordre" => 2
        "nom" => "2. It Happened In Monterey"
      ]
      [
        "ordre" => 3
        "nom" => "3. You're Getting To Be A Habit With Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. You Brought A New Kind Of Love To Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. Too Marvelous For Words"
      ]
      [
        "ordre" => 6
        "nom" => "6. Old Devil Moon"
      ]
      [
        "ordre" => 7
        "nom" => "7. Pennies From Heaven"
      ]
      [
        "ordre" => 8
        "nom" => "8. Love Is Here to Stay "
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. I've Got You Under My Skin"
      ]
      [
        "ordre" => 11
        "nom" => "2. I Thought About You"
      ]
      [
        "ordre" => 12
        "nom" => "3. We'll Be Together Again"
      ]
      [
        "ordre" => 13
        "nom" => "4. Makin' Whoopee"
      ]
      [
        "ordre" => 14
        "nom" => "5. Swingin' Down The Lane"
      ]
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        "nom" => "7. How About You ?"
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App\Twig\Components\GestionPanierFavoriComponents {#3723
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  +produit: App\Entity\Produit {#2231
    -id: 3007
    -nom: "Songs For Swingin'"
    -informationComplementaire: "Frank Sinatra au sommet de son art, entre charme irrésistible, orchestre scintillant et énergie contagieuse. Un classique absolu qui transforme chaque instant en soirée jazzy inoubliable."
    -description: """
      Sorti en 1956, "Songs for Swingin’ Lovers !" est l’un des albums les plus emblématiques de Frank Sinatra et un pilier du jazz vocal et du swing orchestral. Arrangé et dirigé par Nelson Riddle, cet album marque une évolution majeure dans la carrière de Sinatra, qui adopte ici un ton plus léger, enjoué et irrésistiblement séduisant.\r\n
      \r\n
      L’album rassemble des standards américains revisités avec élégance, mêlant sophistication musicale et décontraction. Sinatra y incarne un personnage charmant et espiègle, porté par des orchestrations dynamiques et raffinées. Chaque morceau respire l’énergie du swing tout en conservant une grande précision émotionnelle.\r\n
      \r\n
      Des titres comme “You Make Me Feel So Young”, “I’ve Got You Under My Skin” ou “Love Is Here to Stay” illustrent parfaitement cet équilibre entre virtuosité et accessibilité. L’album est souvent considéré comme l’un des premiers grands “concept albums”, avec une cohérence d’ambiance et de style tout au long de l’écoute.\r\n
      \r\n
      Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone), George Seabright, Vincent DeRosa (Frenh Horns), Buddy Collette, Babe Russin, Jules Jacob, Skeets Herfurt, Joe Koch (saxophones, woodwinds), Bill Miller (piano), Barney Kessel (guitar), Joe Comfort (bass), Alvin Stoller (drums), Felix Slatkin Capitol’s studio string players (violin,viola,cello).\r\n
      \r\n
      - Frank Sinatra "Songs For Swingin' Lovers" (Mono) 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After his melancholy masterpiece In The Wee Small Hours, the legendary vocalist Frank Sinatra brightened the mood considerably with his exuberant album Songs For Swingin' Lovers! released on Capitol Records in 1956. Together, the two albums presented an enthralling duality with the brokenhearted lover of the former relishing the joys of newfound romance on the latter. Recorded at Capitol's KHJ Studios in Hollywood, the album was once again produced by Voyle Gilmore and presented delightful Nelson Riddle arrangements of Great American Songbook standards including "You Make Me Feel So Young", "Too Marvelous For Words", "Love Is Here To Stay", "I've Got You Under My Skin", and more.\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=8XuL5xSVL7s&list=PLL-NbN8uTOihE8pVvExgTDTS5ZJ8hJH2i"
    -referenceProduit: "Blue Note Tone Poet Series 9867"
    -titreMorceau: [
      [
        "ordre" => 0
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        "ordre" => 2
        "nom" => "2. It Happened In Monterey"
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        "nom" => "5. Too Marvelous For Words"
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        "nom" => "6. Old Devil Moon"
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        "nom" => "7. Pennies From Heaven"
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        "nom" => "8. Love Is Here to Stay "
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[
  "produit" => App\Entity\Produit {#2251
    -id: 3036
    -nom: "Jazz Samba Encore !"
    -informationComplementaire: null
    -description: """
      Sorti en 1963, Jazz Samba Encore! s’inscrit dans la vague bossa nova qui déferle alors sur les États-Unis après le succès de Jazz Samba (1962). Cet album réunit le saxophoniste américain Stan Getz et le guitariste brésilien Luiz Bonfá, deux artistes aux sensibilités différentes mais parfaitement complémentaires.\r\n
      \r\n
      Là où les précédents projets étaient parfois plus orchestrés, Jazz Samba Encore! propose une approche plus épurée et intime. La guitare de Bonfá tisse une trame rythmique souple et chaleureuse, profondément ancrée dans la tradition brésilienne, tandis que le saxophone de Getz apporte cette sonorité douce, fluide et presque chantante qui a fait sa signature.\r\n
      \r\n
      L’album alterne entre standards de bossa nova, compositions brésiliennes et morceaux aux accents jazz, créant un équilibre subtil entre sophistication harmonique et simplicité mélodique. La présence vocale de Maria Toledo renforce encore cette atmosphère feutrée, presque nocturne.\r\n
      \r\n
      Plus qu’un simple disque de fusion, Jazz Samba Encore! est une conversation musicale transatlantique, où chaque note semble respirer, laissant place au silence autant qu’à la mélodie.\r\n
      \r\n
      - Stan Getz & Luiz Bonfa "Jazz Samba Encore !" !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      A jewel of the bossa nova wave, Jazz Samba Encore! reunites tenor saxophone master Stan Getz with guitarist-composer Luiz Bonfá for a follow-up worthy of the original Jazz Samba phenomenon. Released in 1963 on Verve, this lush, irresistibly melodic set deepens the partnership between American jazz sophistication and Brazilian lyricism.\r\n
      \r\n
      Joined by Antônio Carlos Jobim and vocalist Maria Toledo, Bonfá's wife, Getz and Bonfá craft an intimate, slow-burning collection of Brazilian standards and fresh compositions. Tracks such as "Sambalero" and "Insensatez" radiate with warm, understated grooves the kind of spacious, sunlit arrangements that helped make bossa nova a global sensation.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=O9kpHHbURQw&list=RDO9kpHHbURQw&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 5067"
    -titreMorceau: [
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        "nom" => "2. So Dance Samba"
      ]
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        "nom" => "3. Insensatez"
      ]
      [
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        "nom" => "4. O Morro Nao Tem Vez"
      ]
      [
        "ordre" => 5
        "nom" => "5. Samba De Duas Notas (Two Note Samba) "
      ]
      [
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        "nom" => "Side B : "
      ]
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        "nom" => "1. Menina Flor"
      ]
      [
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        "nom" => "2. Mania De Maria"
      ]
      [
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        "nom" => "3. Saudade Vem Correndo"
      ]
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        "nom" => "4. Um Abraco No Getz (A Tribute To Getz)"
      ]
      [
        "ordre" => 11
        "nom" => "5. Ebony Samba"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2253 …}
    -label: Proxies\__CG__\App\Entity\Label {#2256 …}
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    -modifierLe: DateTime @1774600813 {#2245
      date: 2026-03-27 08:40:13.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-jazz-samba-encore-acoustic-sounds-series-5067"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3774
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2688 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2251
    -id: 3036
    -nom: "Jazz Samba Encore !"
    -informationComplementaire: null
    -description: """
      Sorti en 1963, Jazz Samba Encore! s’inscrit dans la vague bossa nova qui déferle alors sur les États-Unis après le succès de Jazz Samba (1962). Cet album réunit le saxophoniste américain Stan Getz et le guitariste brésilien Luiz Bonfá, deux artistes aux sensibilités différentes mais parfaitement complémentaires.\r\n
      \r\n
      Là où les précédents projets étaient parfois plus orchestrés, Jazz Samba Encore! propose une approche plus épurée et intime. La guitare de Bonfá tisse une trame rythmique souple et chaleureuse, profondément ancrée dans la tradition brésilienne, tandis que le saxophone de Getz apporte cette sonorité douce, fluide et presque chantante qui a fait sa signature.\r\n
      \r\n
      L’album alterne entre standards de bossa nova, compositions brésiliennes et morceaux aux accents jazz, créant un équilibre subtil entre sophistication harmonique et simplicité mélodique. La présence vocale de Maria Toledo renforce encore cette atmosphère feutrée, presque nocturne.\r\n
      \r\n
      Plus qu’un simple disque de fusion, Jazz Samba Encore! est une conversation musicale transatlantique, où chaque note semble respirer, laissant place au silence autant qu’à la mélodie.\r\n
      \r\n
      - Stan Getz & Luiz Bonfa "Jazz Samba Encore !" !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      A jewel of the bossa nova wave, Jazz Samba Encore! reunites tenor saxophone master Stan Getz with guitarist-composer Luiz Bonfá for a follow-up worthy of the original Jazz Samba phenomenon. Released in 1963 on Verve, this lush, irresistibly melodic set deepens the partnership between American jazz sophistication and Brazilian lyricism.\r\n
      \r\n
      Joined by Antônio Carlos Jobim and vocalist Maria Toledo, Bonfá's wife, Getz and Bonfá craft an intimate, slow-burning collection of Brazilian standards and fresh compositions. Tracks such as "Sambalero" and "Insensatez" radiate with warm, understated grooves the kind of spacious, sunlit arrangements that helped make bossa nova a global sensation.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=O9kpHHbURQw&list=RDO9kpHHbURQw&start_radio=1"
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      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2253 …}
    -label: Proxies\__CG__\App\Entity\Label {#2256 …}
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      date: 2026-03-27 08:40:13.0 UTC (+00:00)
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2456 …}
}