Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2646
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2723
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2726 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
  -formView: Symfony\Component\Form\FormView {#2762 …}
  -form: Symfony\Component\Form\Form {#2912 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1891
    -id: 3040
    -nom: "Blues In My Bottle"
    -informationComplementaire: "Seul avec sa guitare, Lightnin' Hopkins transforme chaque note en confession, "Blues in My Bottle" du blues à l’état brut, sans filtre, sans compromis."
    -description: """
      L'album "Blues in My Bottle" de Lightnin' Hopkins est une plongée brute et sans artifice dans l’essence même du blues texan. Enregistré au début des années 1960 pour le label Bluesville, cet album capture Hopkins dans sa forme la plus pure, seul avec sa guitare, sa voix et son sens unique du récit.\r\n
      \r\n
      Ici, pas de groupe ni d’arrangements sophistiqués, seulement un homme et son instrument. Hopkins tisse simultanément lignes de basse, rythmiques et phrases mélodiques avec une liberté totale, accompagnant des paroles improvisées, souvent introspectives, parfois mordantes, toujours authentiques.\r\n
      \r\n
      Chaque morceau semble naître sur l’instant, porté par un groove souple et une voix habitée. Blues in My Bottle n’est pas seulement un album, c’est une expérience intime, presque confidentielle, qui place l’auditeur face à l’un des plus grands conteurs du blues.\r\n
      \r\n
      - Lightnin' Hopkins "Blues In My Bottle" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      This 1961 solo acoustic album by Lightnin' Hopkins features the legend at his finest. Showcasing Hopkins' guitar and vocals, Blues in My Bottle shines a spotlight on his blues mastery. The album contains Hopkins' performances of originals, traditional standards, and renditions of covers. This edition is pressed on 180 gram vinyl at QRP and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      Besides such blues standard as "Wine Spodee-O-Dee", "Business in the Bottle", and "Catfish Blues", the album contains several biographical originals, including "Beans, Beans, Beans", and "D-7".\r\n
      \r\n
      Samuel John "Lightnin'" Hopkins was a Texas Country bluesman of the highest caliber. In 2010, Rolling Stone magazine ranked him N° 71 on its list of the 100 greatest guitarists of all time. He influenced a generation of blues and country musicians from Stevie Ray Vaughan to Hank Williams Jr., while being coined "the embodiment of the jazz-and-poetry spirit" by musicologist Robert McCormick.\r\n
       \r\n
      His distinctive finger-style technique included playing bass, rhythm, lead, and percussion at the same time, tapping or slapping the body of his guitar for rhythmic accompaniment.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Lightnin' Hopkins (electric guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=4cIF6-kLrQs&list=PLKjjIa7cwTkKPL82ui2qIeMeVtf8qZQdl"
    -referenceProduit: "Acoustic Sounds Series (Bluesville) 0978"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Buddy Brown's Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Wine Spondee-O-Dee"
      ]
      [
        "ordre" => 3
        "nom" => "3. Sail On, Little Girl, Sail On"
      ]
      [
        "ordre" => 4
        "nom" => "4. DC-7 5. Death Bells "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Goin' To Dallas To See My Pony Run"
      ]
      [
        "ordre" => 7
        "nom" => "2. Jailhouse Blues"
      ]
      [
        "ordre" => 8
        "nom" => "3. Blues In The Bottle"
      ]
      [
        "ordre" => 9
        "nom" => "4. Beans, Beans, Beans"
      ]
      [
        "ordre" => 10
        "nom" => "5. Catfish Blues"
      ]
      [
        "ordre" => 11
        "nom" => "6. My Grandpa Is Old Too!"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1948 …}
    -label: Proxies\__CG__\App\Entity\Label {#1966 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2083 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1929 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2071 …}
    -enregistreLe: DateTime @1775219741 {#1887
      date: 2026-04-03 12:35:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803762 {#1932
      date: 2026-04-21 20:36:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2077 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blues-in-my-bottle-acoustic-sounds-series-bluesville-0978"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3183
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#1891
    -id: 3040
    -nom: "Blues In My Bottle"
    -informationComplementaire: "Seul avec sa guitare, Lightnin' Hopkins transforme chaque note en confession, "Blues in My Bottle" du blues à l’état brut, sans filtre, sans compromis."
    -description: """
      L'album "Blues in My Bottle" de Lightnin' Hopkins est une plongée brute et sans artifice dans l’essence même du blues texan. Enregistré au début des années 1960 pour le label Bluesville, cet album capture Hopkins dans sa forme la plus pure, seul avec sa guitare, sa voix et son sens unique du récit.\r\n
      \r\n
      Ici, pas de groupe ni d’arrangements sophistiqués, seulement un homme et son instrument. Hopkins tisse simultanément lignes de basse, rythmiques et phrases mélodiques avec une liberté totale, accompagnant des paroles improvisées, souvent introspectives, parfois mordantes, toujours authentiques.\r\n
      \r\n
      Chaque morceau semble naître sur l’instant, porté par un groove souple et une voix habitée. Blues in My Bottle n’est pas seulement un album, c’est une expérience intime, presque confidentielle, qui place l’auditeur face à l’un des plus grands conteurs du blues.\r\n
      \r\n
      - Lightnin' Hopkins "Blues In My Bottle" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      This 1961 solo acoustic album by Lightnin' Hopkins features the legend at his finest. Showcasing Hopkins' guitar and vocals, Blues in My Bottle shines a spotlight on his blues mastery. The album contains Hopkins' performances of originals, traditional standards, and renditions of covers. This edition is pressed on 180 gram vinyl at QRP and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      Besides such blues standard as "Wine Spodee-O-Dee", "Business in the Bottle", and "Catfish Blues", the album contains several biographical originals, including "Beans, Beans, Beans", and "D-7".\r\n
      \r\n
      Samuel John "Lightnin'" Hopkins was a Texas Country bluesman of the highest caliber. In 2010, Rolling Stone magazine ranked him N° 71 on its list of the 100 greatest guitarists of all time. He influenced a generation of blues and country musicians from Stevie Ray Vaughan to Hank Williams Jr., while being coined "the embodiment of the jazz-and-poetry spirit" by musicologist Robert McCormick.\r\n
       \r\n
      His distinctive finger-style technique included playing bass, rhythm, lead, and percussion at the same time, tapping or slapping the body of his guitar for rhythmic accompaniment.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Lightnin' Hopkins (electric guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=4cIF6-kLrQs&list=PLKjjIa7cwTkKPL82ui2qIeMeVtf8qZQdl"
    -referenceProduit: "Acoustic Sounds Series (Bluesville) 0978"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Buddy Brown's Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Wine Spondee-O-Dee"
      ]
      [
        "ordre" => 3
        "nom" => "3. Sail On, Little Girl, Sail On"
      ]
      [
        "ordre" => 4
        "nom" => "4. DC-7 5. Death Bells "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Goin' To Dallas To See My Pony Run"
      ]
      [
        "ordre" => 7
        "nom" => "2. Jailhouse Blues"
      ]
      [
        "ordre" => 8
        "nom" => "3. Blues In The Bottle"
      ]
      [
        "ordre" => 9
        "nom" => "4. Beans, Beans, Beans"
      ]
      [
        "ordre" => 10
        "nom" => "5. Catfish Blues"
      ]
      [
        "ordre" => 11
        "nom" => "6. My Grandpa Is Old Too!"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1948 …}
    -label: Proxies\__CG__\App\Entity\Label {#1966 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2083 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1929 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2071 …}
    -enregistreLe: DateTime @1775219741 {#1887
      date: 2026-04-03 12:35:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803762 {#1932
      date: 2026-04-21 20:36:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2077 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blues-in-my-bottle-acoustic-sounds-series-bluesville-0978"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2102
    -id: 3039
    -nom: "That's My Story - The Blues"
    -informationComplementaire: "Plongez dans l’essence du blues avec John Lee Hooker. Une guitare, une voix, et parfois juste ce qu’il faut de groove pour faire vibrer chaque note. That’s My Story, c’est le blues dans sa forme la plus pure… avec une touche de sophistication inattendue."
    -description: """
      Sorti en 1960 sur le label Riverside, "That’s My Story : John Lee Hooker Sings the Blues" marque une rencontre unique entre le blues brut de John Lee Hooker et une section rythmique issue du jazz.\r\n
      \r\n
      Sur cet album, Hooker alterne entre performances en solo, fidèles à son style hypnotique et répétitif, et morceaux accompagnés par Sam Jones (contrebasse) et Louis Hayes (batterie), deux musiciens reconnus de la scène jazz.\r\n
      \r\n
      Le résultat est un disque à la fois intime et sophistiqué, où la voix grave et le jeu percussif de Hooker s’inscrivent dans un cadre plus structuré sans jamais perdre leur intensité. Des titres comme "I Need Some Money" ou "I’m Wanderin’" illustrent parfaitement la dualité de l’album, entre blues rural dépouillé et accompagnement subtil.\r\n
      \r\n
      Cet enregistrement capture un moment rare où le blues traditionnel dialogue avec le jazz moderne, offrant une écoute à la fois accessible et profondément authentique.\r\n
      \r\n
      - John Lee Hooker "That's My Story : John Lee Hooker Sings The Blues" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      That's My Story is the 1960 album from the blues icon, John Lee Hooker, originally released on Riverside Records. The album features a raw, stripped-down approach for a country blues sound. Hooker plays acoustic guitar on tracks like "I Need Some Money" and "No More Doggin'" to create a compelling collection that expertly showcases his mastery. This edition is pressed on 180 gram vinyl at Quality Record Pressings and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      John Lee Hooker (1917-2001), known fondly as "King of the Boogie", was born near Clarksdale, Mississippi. As a young man, Hooker worked his way up north to Detroit to pursue his passion of music. By 1948, the artist had a hit on his hands with one of his earliest recordings, "Boogie Chillun'". He became a leading figure in modern electric blues due to his distinct voice and hypnotic guitar style. Hooker would record over 100 albums throughout the course of his six-decade-long career. The Rolling Stones, Eric Clapton and Carlos Santana are among those who cite Hooker as a major influence.\r\n
      \r\n
      John Lee Hooker's work is widely recognized for its impact on modern music his simple, yet deeply effective songs transcend borders and languages around the globe.\r\n
      \r\n
      Hooker was inducted into the Rock & Roll Hall of Fame, Blues Hall of Fame and Memphis Music Hall of Fame; was honored with a star on the Hollywood Walk of Fame and took home four Grammy Awards, plus a coveted Lifetime Achievement award in 2000.\r\n
      \r\n
      The Hook continues to live on: His music can regularly be heard in TV shows, commercials and films, and many of his tracks have been sampled in new songs by the likes of Brandi, Chuck D and St Germain, among many others.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Sam Jones (bass), Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=qwt_5QM2Ncg&list=PLzGotn8LeP0fmoYJC8MMJ9Uwa23jIVI4w"
    -referenceProduit: "Acoustic Sounds Series (Bluesville) 0977"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Need Some Money"
      ]
      [
        "ordre" => 2
        "nom" => "2. Come On And See About Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. I'm Wanderin'"
      ]
      [
        "ordre" => 4
        "nom" => "4. Democrat Man"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Want To Talk About You"
      ]
      [
        "ordre" => 6
        "nom" => "6. Gonna Use My Rod "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Wednesday Evenin' Blues"
      ]
      [
        "ordre" => 9
        "nom" => "2. No More Doggin'"
      ]
      [
        "ordre" => 10
        "nom" => "3. One Of These Days"
      ]
      [
        "ordre" => 11
        "nom" => "4. You're Leavin' Me, Baby"
      ]
      [
        "ordre" => 12
        "nom" => "5. That's My Story"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2104 …}
    -label: Proxies\__CG__\App\Entity\Label {#1966 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2113 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2106 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2108 …}
    -enregistreLe: DateTime @1775199395 {#2098
      date: 2026-04-03 06:56:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803692 {#2097
      date: 2026-04-21 20:34:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2110 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-that-s-my-story-the-blues-acoustic-sounds-series-bluesville-0977"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3297
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2102
    -id: 3039
    -nom: "That's My Story - The Blues"
    -informationComplementaire: "Plongez dans l’essence du blues avec John Lee Hooker. Une guitare, une voix, et parfois juste ce qu’il faut de groove pour faire vibrer chaque note. That’s My Story, c’est le blues dans sa forme la plus pure… avec une touche de sophistication inattendue."
    -description: """
      Sorti en 1960 sur le label Riverside, "That’s My Story : John Lee Hooker Sings the Blues" marque une rencontre unique entre le blues brut de John Lee Hooker et une section rythmique issue du jazz.\r\n
      \r\n
      Sur cet album, Hooker alterne entre performances en solo, fidèles à son style hypnotique et répétitif, et morceaux accompagnés par Sam Jones (contrebasse) et Louis Hayes (batterie), deux musiciens reconnus de la scène jazz.\r\n
      \r\n
      Le résultat est un disque à la fois intime et sophistiqué, où la voix grave et le jeu percussif de Hooker s’inscrivent dans un cadre plus structuré sans jamais perdre leur intensité. Des titres comme "I Need Some Money" ou "I’m Wanderin’" illustrent parfaitement la dualité de l’album, entre blues rural dépouillé et accompagnement subtil.\r\n
      \r\n
      Cet enregistrement capture un moment rare où le blues traditionnel dialogue avec le jazz moderne, offrant une écoute à la fois accessible et profondément authentique.\r\n
      \r\n
      - John Lee Hooker "That's My Story : John Lee Hooker Sings The Blues" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      That's My Story is the 1960 album from the blues icon, John Lee Hooker, originally released on Riverside Records. The album features a raw, stripped-down approach for a country blues sound. Hooker plays acoustic guitar on tracks like "I Need Some Money" and "No More Doggin'" to create a compelling collection that expertly showcases his mastery. This edition is pressed on 180 gram vinyl at Quality Record Pressings and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      John Lee Hooker (1917-2001), known fondly as "King of the Boogie", was born near Clarksdale, Mississippi. As a young man, Hooker worked his way up north to Detroit to pursue his passion of music. By 1948, the artist had a hit on his hands with one of his earliest recordings, "Boogie Chillun'". He became a leading figure in modern electric blues due to his distinct voice and hypnotic guitar style. Hooker would record over 100 albums throughout the course of his six-decade-long career. The Rolling Stones, Eric Clapton and Carlos Santana are among those who cite Hooker as a major influence.\r\n
      \r\n
      John Lee Hooker's work is widely recognized for its impact on modern music his simple, yet deeply effective songs transcend borders and languages around the globe.\r\n
      \r\n
      Hooker was inducted into the Rock & Roll Hall of Fame, Blues Hall of Fame and Memphis Music Hall of Fame; was honored with a star on the Hollywood Walk of Fame and took home four Grammy Awards, plus a coveted Lifetime Achievement award in 2000.\r\n
      \r\n
      The Hook continues to live on: His music can regularly be heard in TV shows, commercials and films, and many of his tracks have been sampled in new songs by the likes of Brandi, Chuck D and St Germain, among many others.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Sam Jones (bass), Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=qwt_5QM2Ncg&list=PLzGotn8LeP0fmoYJC8MMJ9Uwa23jIVI4w"
    -referenceProduit: "Acoustic Sounds Series (Bluesville) 0977"
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      [
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        "nom" => "2. Come On And See About Me"
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        "nom" => "5. I Want To Talk About You"
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        "nom" => "1. Wednesday Evenin' Blues"
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        "nom" => "2. No More Doggin'"
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        "nom" => "4. You're Leavin' Me, Baby"
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        "nom" => "5. That's My Story"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2104 …}
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      date: 2026-04-21 20:34:52.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-that-s-my-story-the-blues-acoustic-sounds-series-bluesville-0977"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2120
    -id: 3049
    -nom: "Cannonball's Sharpshooters"
    -informationComplementaire: "Un tir en plein cœur du hard bop. Avec "Cannonball’s Sharpshooters", Cannonball Adderley réunit un quintet d’exception pour un jazz précis, vibrant et groove. Chaque morceau atteint sa cible avec une intensité irrésistible."
    -description: """
      Paru en 1958, "Cannonball’s Sharpshooters" capture l’essence du hard bop dans ce qu’il a de plus direct et percutant. À la tête d’un quintet remarquable, Cannonball Adderley déploie un jeu d’alto à la fois fluide, puissant et expressif, soutenu par une section rythmique solide et inspirée.\r\n
      \r\n
      À ses côtés, son frère Nat Adderley apporte une chaleur et une profondeur supplémentaires avec son cornet, tandis que Junior Mance insuffle une élégance bluesy au piano. La section rythmique, portée par Sam Jones à la contrebasse et Jimmy Cobb à la batterie, assure un swing constant et dynamique.\r\n
      \r\n
      L’album se distingue par son équilibre entre compositions originales et standards revisités, toujours servis par une interaction collective précise et inspirée. Le titre de l’album n’est pas usurpé, chaque musicien vise juste, avec une maîtrise technique et une sensibilité qui font mouche à chaque instant.\r\n
      \r\n
      - Cannonball Adderley "Cannonball's Sharpshooters" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Cannonball's Sharpshooters, originally released in 1958, documents alto saxophonist Julian "Cannonball" Adderley leading a quintet featuring cornetist Nat Adderley, pianist Junior Mance, bassist Sam Jones, and drummer Jimmy Cobb. Recorded on March 4 and 6, 1958, at Bell Sound in New York City, the session captures the group just days before Adderley's recording session for Somethin' Else with Miles Davis, placing the album at a pivotal moment in his late-1950s trajectory.\r\n
      \r\n
      The ensemble presents a compact hard-bop program reflecting Adderley's blues-inflected phrasing alongside the harmonic language of modern bebop. The repertoire balances standards, bop vehicles, and originals, including Tadd Dameron's "Our Delight" and Thelonious Monk's "Straight, No Chaser." Adderley's trademark exuberance while leading an all-star lineup of 1950s jazz defines the character of this session.\r\n
      \r\n
      The Verve Vault Series is always mastered from analog tapes and pressed on 180-gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Cannonball Adderley (alto saxophone), Nat Adderley (cornet), Junior Mance (piano), Sam Jones (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=O-7isGsg6Fs&list=PLEyxWPyoryRICqmDTstTsKRhjGm07nVoI"
    -referenceProduit: "Verve Records (Vault Series) 0852"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "4. Jubilation "
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        "nom" => "Side B : "
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        "ordre" => 6
        "nom" => "1. Stay On It"
      ]
      [
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        "nom" => "2. If I Love Again"
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        "nom" => "3. Straight, No Chaser"
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2122 …}
    -label: Proxies\__CG__\App\Entity\Label {#2125 …}
    -style: App\Entity\Style {#1502 …}
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    }
    -modifierLe: DateTime @1776803541 {#2115
      date: 2026-04-21 20:32:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2131 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cannonball-s-sharpshooters-verve-records-vault-series-0852"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3348
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2120
    -id: 3049
    -nom: "Cannonball's Sharpshooters"
    -informationComplementaire: "Un tir en plein cœur du hard bop. Avec "Cannonball’s Sharpshooters", Cannonball Adderley réunit un quintet d’exception pour un jazz précis, vibrant et groove. Chaque morceau atteint sa cible avec une intensité irrésistible."
    -description: """
      Paru en 1958, "Cannonball’s Sharpshooters" capture l’essence du hard bop dans ce qu’il a de plus direct et percutant. À la tête d’un quintet remarquable, Cannonball Adderley déploie un jeu d’alto à la fois fluide, puissant et expressif, soutenu par une section rythmique solide et inspirée.\r\n
      \r\n
      À ses côtés, son frère Nat Adderley apporte une chaleur et une profondeur supplémentaires avec son cornet, tandis que Junior Mance insuffle une élégance bluesy au piano. La section rythmique, portée par Sam Jones à la contrebasse et Jimmy Cobb à la batterie, assure un swing constant et dynamique.\r\n
      \r\n
      L’album se distingue par son équilibre entre compositions originales et standards revisités, toujours servis par une interaction collective précise et inspirée. Le titre de l’album n’est pas usurpé, chaque musicien vise juste, avec une maîtrise technique et une sensibilité qui font mouche à chaque instant.\r\n
      \r\n
      - Cannonball Adderley "Cannonball's Sharpshooters" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Cannonball's Sharpshooters, originally released in 1958, documents alto saxophonist Julian "Cannonball" Adderley leading a quintet featuring cornetist Nat Adderley, pianist Junior Mance, bassist Sam Jones, and drummer Jimmy Cobb. Recorded on March 4 and 6, 1958, at Bell Sound in New York City, the session captures the group just days before Adderley's recording session for Somethin' Else with Miles Davis, placing the album at a pivotal moment in his late-1950s trajectory.\r\n
      \r\n
      The ensemble presents a compact hard-bop program reflecting Adderley's blues-inflected phrasing alongside the harmonic language of modern bebop. The repertoire balances standards, bop vehicles, and originals, including Tadd Dameron's "Our Delight" and Thelonious Monk's "Straight, No Chaser." Adderley's trademark exuberance while leading an all-star lineup of 1950s jazz defines the character of this session.\r\n
      \r\n
      The Verve Vault Series is always mastered from analog tapes and pressed on 180-gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Cannonball Adderley (alto saxophone), Nat Adderley (cornet), Junior Mance (piano), Sam Jones (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=O-7isGsg6Fs&list=PLEyxWPyoryRICqmDTstTsKRhjGm07nVoI"
    -referenceProduit: "Verve Records (Vault Series) 0852"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 3
        "nom" => "3. Fuller Bop Man"
      ]
      [
        "ordre" => 4
        "nom" => "4. Jubilation "
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        "nom" => "2. If I Love Again"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2122 …}
    -label: Proxies\__CG__\App\Entity\Label {#2125 …}
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    }
    -modifierLe: DateTime @1776803541 {#2115
      date: 2026-04-21 20:32:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2141
    -id: 3042
    -nom: "'S Make It"
    -informationComplementaire: "Plongez dans l’énergie brute du hard bop avec "'S Make It", un album incandescent de Art Blakey & des The Jazz Messengers. Un jazz vibrant, nerveux et profondément groove, porté par une formation d’exception au sommet de son art."
    -description: """
      Sorti en 1965 sur le label Limelight Records, "'S Make It" capture une période charnière des Jazz Messengers, où le hard bop classique s’ouvre à des sonorités plus modernes et audacieuses.\r\n
      \r\n
      Autour du batteur légendaire Art Blakey, la formation réunit des musiciens de haut vol, dont Lee Morgan et Curtis Fuller, offrant un équilibre parfait entre puissance rythmique et sophistication harmonique. L’album se distingue par ses arrangements précis, ses cuivres incisifs et une section rythmique d’une intensité remarquable.\r\n
      \r\n
      Entre compositions dynamiques et improvisations inspirées, "'S Make It" incarne toute la vitalité du jazz des années 60, un son direct, expressif et résolument vivant. Une pièce incontournable pour les amateurs de hard bop et de jazz authentique.\r\n
      \r\n
      - Art Blakey & The Jazz Messengers "'S Make It" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      'S Make It, recorded in 1964 and released the following year on Limelight, captures drummer Art Blakey leading a transitional edition of his Jazz Messengers. At the time, Blakey was navigating the departure of several key members and searching for a new configuration, resulting in a distinctive short-lived lineup within the band's long history.\r\n
      \r\n
      The sextet featured Lee Morgan on trumpet, Curtis Fuller on trombone, John Gilmore on tenor saxophone, John Hicks on piano, and Victor Sproles on bass. Together, they delivered a hard-driving program that reflects both Blakey's established hard-bop intensity and the shifting personnel landscape of the mid-1960s Messengers. Blakey's drumming anchors the session throughout with the galvanic rhythmic command that defined his leadership across decades.\r\n
      \r\n
      The Verve Vault Series is always mastered from analog tapes and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), John Gilmore (tenor saxophone), Curtis Fuller (trombone), John Hicks (piano), Victor Sproles (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vvOTxH6lKLU&list=RDvvOTxH6lKLU&start_radio=1"
    -referenceProduit: "Verve Records (Vault Series) 0851"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Faith (From The Broadway Musical 'I Had A Ball')"
      ]
      [
        "ordre" => 2
        "nom" => "2. 'S Make It"
      ]
      [
        "ordre" => 3
        "nom" => "3. Waltz For Ruth"
      ]
      [
        "ordre" => 4
        "nom" => "4. One For Gamal "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Little Hughie"
      ]
      [
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        "nom" => "2. Olympia"
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        "nom" => "3. Lament For Stacy"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2143 …}
    -label: Proxies\__CG__\App\Entity\Label {#2146 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2155 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2148 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3399
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2141
    -id: 3042
    -nom: "'S Make It"
    -informationComplementaire: "Plongez dans l’énergie brute du hard bop avec "'S Make It", un album incandescent de Art Blakey & des The Jazz Messengers. Un jazz vibrant, nerveux et profondément groove, porté par une formation d’exception au sommet de son art."
    -description: """
      Sorti en 1965 sur le label Limelight Records, "'S Make It" capture une période charnière des Jazz Messengers, où le hard bop classique s’ouvre à des sonorités plus modernes et audacieuses.\r\n
      \r\n
      Autour du batteur légendaire Art Blakey, la formation réunit des musiciens de haut vol, dont Lee Morgan et Curtis Fuller, offrant un équilibre parfait entre puissance rythmique et sophistication harmonique. L’album se distingue par ses arrangements précis, ses cuivres incisifs et une section rythmique d’une intensité remarquable.\r\n
      \r\n
      Entre compositions dynamiques et improvisations inspirées, "'S Make It" incarne toute la vitalité du jazz des années 60, un son direct, expressif et résolument vivant. Une pièce incontournable pour les amateurs de hard bop et de jazz authentique.\r\n
      \r\n
      - Art Blakey & The Jazz Messengers "'S Make It" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      'S Make It, recorded in 1964 and released the following year on Limelight, captures drummer Art Blakey leading a transitional edition of his Jazz Messengers. At the time, Blakey was navigating the departure of several key members and searching for a new configuration, resulting in a distinctive short-lived lineup within the band's long history.\r\n
      \r\n
      The sextet featured Lee Morgan on trumpet, Curtis Fuller on trombone, John Gilmore on tenor saxophone, John Hicks on piano, and Victor Sproles on bass. Together, they delivered a hard-driving program that reflects both Blakey's established hard-bop intensity and the shifting personnel landscape of the mid-1960s Messengers. Blakey's drumming anchors the session throughout with the galvanic rhythmic command that defined his leadership across decades.\r\n
      \r\n
      The Verve Vault Series is always mastered from analog tapes and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), John Gilmore (tenor saxophone), Curtis Fuller (trombone), John Hicks (piano), Victor Sproles (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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      date: 2026-04-21 20:27:54.0 UTC (+00:00)
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2162
    -id: 3044
    -nom: "Easy Walker"
    -informationComplementaire: "Un groove souple, une chaleur immédiate et un casting d’exception. Porté par un quartet de légende, "Easy Walker" de Stanley Turrentine est l’un de ces albums où le jazz se fait à la fois profond et irrésistiblement accessible."
    -description: """
      Paru en 1967 sur le mythique label Blue Note, "Easy Walker" réunit autour du saxophoniste Stanley Turrentine un quartet d’exception, McCoy Tyner au piano, Ron Carter à la contrebasse et Elvin Jones à la batterie. Trois musiciens majeurs qui, chacun à leur manière, ont marqué l’histoire du jazz moderne.\r\n
      \r\n
      Dès les premières mesures, l’album installe une ambiance à la fois détendue et intensément musicale. Le jeu de Stanley Turrentine, reconnaissable entre mille, mêle rondeur, blues et expressivité, tandis que McCoy Tyner apporte ses harmonies puissantes et ouvertes. La section rythmique Ron Carter et Elvin Jones offre un socle souple mais toujours en mouvement, donnant à l’ensemble une dynamique organique et vivante.\r\n
      \r\n
      Easy Walker se distingue par sa capacité à séduire immédiatement tout en révélant, à chaque écoute, une richesse subtile. Entre groove feutré et envolées plus exploratoires, l’album incarne parfaitement l’esthétique Blue Note de la fin des années 60,  élégante, moderne et profondément ancrée dans le feeling.\r\n
      \r\n
      Un disque essentiel, aussi bien pour les amateurs de jazz que pour les curieux en quête d’une porte d’entrée idéale vers ce univers.\r\n
      \r\n
      - Stanley Turrentine "Easy Walker" !\r\n
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      Stanley Turrentine's 1966 album "Easy Walker" was right in the soulful tenor saxophonist's sweet spot with Mr. T fronting a versatile quartet with McCoy Tyner on piano, Bob Cranshaw on bass, and Mickey Roker on drums. The engaging set featured hard-grooving numbers like the album opener "Meat Wave", sultry ballads including "They All Say I'm The Biggest Fool", the laid-back easy-swinging title track, and even an interpretation of a current pop hit with Turrentine's sublime version of Burt Bacharach and Hal David's "What The World Needs Now Is Love".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Stanley Turrentine (tenor saxophone), McCoy Tyner (piano), Ron Carter (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=h6V40wLYkZc&list=PLy__jGMuske8Xf6mfUqeesagel00glAYM"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: Proxies\__CG__\App\Entity\Label {#2167 …}
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    -modifierLe: DateTime @1776803021 {#2157
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2173 …}
    -disponible: null
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3450
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2162
    -id: 3044
    -nom: "Easy Walker"
    -informationComplementaire: "Un groove souple, une chaleur immédiate et un casting d’exception. Porté par un quartet de légende, "Easy Walker" de Stanley Turrentine est l’un de ces albums où le jazz se fait à la fois profond et irrésistiblement accessible."
    -description: """
      Paru en 1967 sur le mythique label Blue Note, "Easy Walker" réunit autour du saxophoniste Stanley Turrentine un quartet d’exception, McCoy Tyner au piano, Ron Carter à la contrebasse et Elvin Jones à la batterie. Trois musiciens majeurs qui, chacun à leur manière, ont marqué l’histoire du jazz moderne.\r\n
      \r\n
      Dès les premières mesures, l’album installe une ambiance à la fois détendue et intensément musicale. Le jeu de Stanley Turrentine, reconnaissable entre mille, mêle rondeur, blues et expressivité, tandis que McCoy Tyner apporte ses harmonies puissantes et ouvertes. La section rythmique Ron Carter et Elvin Jones offre un socle souple mais toujours en mouvement, donnant à l’ensemble une dynamique organique et vivante.\r\n
      \r\n
      Easy Walker se distingue par sa capacité à séduire immédiatement tout en révélant, à chaque écoute, une richesse subtile. Entre groove feutré et envolées plus exploratoires, l’album incarne parfaitement l’esthétique Blue Note de la fin des années 60,  élégante, moderne et profondément ancrée dans le feeling.\r\n
      \r\n
      Un disque essentiel, aussi bien pour les amateurs de jazz que pour les curieux en quête d’une porte d’entrée idéale vers ce univers.\r\n
      \r\n
      - Stanley Turrentine "Easy Walker" !\r\n
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      Stanley Turrentine's 1966 album "Easy Walker" was right in the soulful tenor saxophonist's sweet spot with Mr. T fronting a versatile quartet with McCoy Tyner on piano, Bob Cranshaw on bass, and Mickey Roker on drums. The engaging set featured hard-grooving numbers like the album opener "Meat Wave", sultry ballads including "They All Say I'm The Biggest Fool", the laid-back easy-swinging title track, and even an interpretation of a current pop hit with Turrentine's sublime version of Burt Bacharach and Hal David's "What The World Needs Now Is Love".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Stanley Turrentine (tenor saxophone), McCoy Tyner (piano), Ron Carter (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -limitedEdition: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=h6V40wLYkZc&list=PLy__jGMuske8Xf6mfUqeesagel00glAYM"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
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    }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2183
    -id: 3043
    -nom: "The Thing To Do"
    -informationComplementaire: "Plongez dans l’élégance du hard bop avec "The Thing to Do" de Blue Mitchell. Entre groove raffiné et mélodies intemporelles, ce classique du label Blue Note Records capture toute la chaleur et la modernité du jazz des années 60."
    -description: """
      Sorti en 1965 sur le légendaire label Blue Note Records, "The Thing to Do" est l’un des albums les plus élégants et accessibles du trompettiste Blue Mitchell. Enregistré en 1964 au célèbre studio de Rudy Van Gelder, ce disque s’inscrit pleinement dans la tradition du hard bop tout en affichant une fraîcheur et une modernité remarquables.\r\n
      \r\n
      Porté par une formation compacte et inspirée, avec notamment Junior Cook au saxophone ténor et un jeune Chick Corea au piano l’album se distingue par son équilibre entre groove, sophistication harmonique et sens mélodique immédiat. Les compositions, principalement signées Mitchell, oscillent entre morceaux dynamiques “Fungii Mama” et ambiances plus feutrées et introspectives.\r\n
      \r\n
      Le jeu de Blue Mitchell est au cœur du projet, précis, chaleureux, sans ostentation, il privilégie l’expressivité à la virtuosité démonstrative. Le groupe, soudé et réactif, insuffle une énergie fluide, typique des grandes sessions Blue Note des années 60.\r\n
      \r\n
      The Thing to Do est ainsi un disque à la fois accessible aux néophytes et riche pour les amateurs de jazz, incarnant parfaitement l’esthétique hard bop, un jazz enraciné dans le blues, le gospel et le swing, mais tourné vers une modernité élégante.\r\n
      \r\n
      - Blue Mitchell "The Thing To Do" !\r\n
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      Miami-born trumpeter Blue Mitchell had a soulful, swinging style that was a deep embodiment of the Blue Note ethos. Mitchell had been a sideman on sessions led by Lou Donaldson, Jimmy Smith, Jackie McLean and appeared on numerous classics as a member of the Horace Silver Quintet before he signed with Blue Note as a leader. Equally at home in a variety of settings, Mitchell's 1964 label debut "The Thing To Do" showcased his sound across a diverse set of tunes from the irrepressible Calypso "Fungii Mama" to the stunning ballad "Mona's Mood" to swinging numbers like "Step Lightly", "Chick's Tune", and the grooving title track. Pianist Chick Corea makes one of his earliest appearances on record here along with drummer Al Foster, bassist Gene Taylor, and tenor saxophonist Junior Cook.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Blue Mitchell (trumpet), Junior Cook (tenor saxophone), Chick Corea (piano), Gene Taylor (bass), Al Foster (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GFVQyGThImE&list=RDGFVQyGThImE&start_radio=1"
    -referenceProduit: "Blue Note Records"
    -titreMorceau: [
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        "nom" => "1. Fungii Mama"
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        "nom" => "2. Mona's Mood"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2185 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3501
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2183
    -id: 3043
    -nom: "The Thing To Do"
    -informationComplementaire: "Plongez dans l’élégance du hard bop avec "The Thing to Do" de Blue Mitchell. Entre groove raffiné et mélodies intemporelles, ce classique du label Blue Note Records capture toute la chaleur et la modernité du jazz des années 60."
    -description: """
      Sorti en 1965 sur le légendaire label Blue Note Records, "The Thing to Do" est l’un des albums les plus élégants et accessibles du trompettiste Blue Mitchell. Enregistré en 1964 au célèbre studio de Rudy Van Gelder, ce disque s’inscrit pleinement dans la tradition du hard bop tout en affichant une fraîcheur et une modernité remarquables.\r\n
      \r\n
      Porté par une formation compacte et inspirée, avec notamment Junior Cook au saxophone ténor et un jeune Chick Corea au piano l’album se distingue par son équilibre entre groove, sophistication harmonique et sens mélodique immédiat. Les compositions, principalement signées Mitchell, oscillent entre morceaux dynamiques “Fungii Mama” et ambiances plus feutrées et introspectives.\r\n
      \r\n
      Le jeu de Blue Mitchell est au cœur du projet, précis, chaleureux, sans ostentation, il privilégie l’expressivité à la virtuosité démonstrative. Le groupe, soudé et réactif, insuffle une énergie fluide, typique des grandes sessions Blue Note des années 60.\r\n
      \r\n
      The Thing to Do est ainsi un disque à la fois accessible aux néophytes et riche pour les amateurs de jazz, incarnant parfaitement l’esthétique hard bop, un jazz enraciné dans le blues, le gospel et le swing, mais tourné vers une modernité élégante.\r\n
      \r\n
      - Blue Mitchell "The Thing To Do" !\r\n
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      Miami-born trumpeter Blue Mitchell had a soulful, swinging style that was a deep embodiment of the Blue Note ethos. Mitchell had been a sideman on sessions led by Lou Donaldson, Jimmy Smith, Jackie McLean and appeared on numerous classics as a member of the Horace Silver Quintet before he signed with Blue Note as a leader. Equally at home in a variety of settings, Mitchell's 1964 label debut "The Thing To Do" showcased his sound across a diverse set of tunes from the irrepressible Calypso "Fungii Mama" to the stunning ballad "Mona's Mood" to swinging numbers like "Step Lightly", "Chick's Tune", and the grooving title track. Pianist Chick Corea makes one of his earliest appearances on record here along with drummer Al Foster, bassist Gene Taylor, and tenor saxophonist Junior Cook.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
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[
  "produit" => App\Entity\Produit {#2201
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    -nom: "At Baker's Keyboard Lounge"
    -informationComplementaire: "Plongez dans l’intimité d’un club mythique et laissez-vous emporter par le génie d’un des plus grands pianistes de jazz. Avec "At Baker’s Keyboard Lounge", chaque note résonne comme un instant suspendu, entre virtuosité, émotion et pure magie musicale."
    -description: """
      The Oscar Peterson Trio "At Baker’s Keyboard Lounge" est un enregistrement live emblématique capturant toute la virtuosité et l’élégance du légendaire pianiste Oscar Peterson, accompagné de son trio. Enregistré dans l’atmosphère feutrée du mythique club Baker’s Keyboard Lounge à Detroit, cet album plonge l’auditeur au cœur d’une performance jazz authentique, vibrante et spontanée.\r\n
      \r\n
      Porté par un swing irrésistible, des improvisations raffinées et une complicité musicale remarquable entre les musiciens, ce concert témoigne du génie d’Oscar Peterson, reconnu pour sa technique exceptionnelle et son sens mélodique inégalé. Chaque morceau révèle une énergie unique, oscillant entre douceur, virtuosité et intensité rythmique.\r\n
      \r\n
      Cet album est une véritable immersion dans l’âge d’or du jazz live, offrant une expérience sonore chaleureuse et intemporelle qui séduira aussi bien les amateurs que les passionnés.\r\n
      \r\n
      - Oscar Peterson "At Baker's Keyboard Lounge : The Complete Recordings" !\r\n
      - Previously Unreleased Performances !\r\n
      - Recorded at Baker's Keyboard Lounge in Detroit, MI, August 19, 1960 !\r\n
      \r\n
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      \r\n
      Intended at the time as a live album for Verve but never released, the music on At Baker's Keyboard Lounge features remarkable, previously unissued performances, all taped on a single Friday night.\r\n
      \r\n
      No matter the tempo, rhythm, or complexity of the arrangement, the three players breathe as one on these recordings, phrasing as if controlled by a single heartbeat.\r\n
      \r\n
      These new-to-the-world recordings, made in Peterson's prime at the longest continuously-operating jazz club in the U.S., remind you that there will never be anyone else like Oscar Peterson.\r\n
      \r\n
      These Complete Recordings include all five sets, in the order they were performed.
      """
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    -nom: "At Baker's Keyboard Lounge"
    -informationComplementaire: "Plongez dans l’intimité d’un club mythique et laissez-vous emporter par le génie d’un des plus grands pianistes de jazz. Avec "At Baker’s Keyboard Lounge", chaque note résonne comme un instant suspendu, entre virtuosité, émotion et pure magie musicale."
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      Porté par un swing irrésistible, des improvisations raffinées et une complicité musicale remarquable entre les musiciens, ce concert témoigne du génie d’Oscar Peterson, reconnu pour sa technique exceptionnelle et son sens mélodique inégalé. Chaque morceau révèle une énergie unique, oscillant entre douceur, virtuosité et intensité rythmique.\r\n
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      \r\n
      - Oscar Peterson "At Baker's Keyboard Lounge : The Complete Recordings" !\r\n
      - Previously Unreleased Performances !\r\n
      - Recorded at Baker's Keyboard Lounge in Detroit, MI, August 19, 1960 !\r\n
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      When Oscar Peterson arrived at Baker's Keyboard Lounge in Detroit in early August 1960 for a two-week engagement, the pianist's year-old trio, featuring bassist Ray Brown and drummer Ed Thigpen, was ascending to new artistic peaks.\r\n
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      Intended at the time as a live album for Verve but never released, the music on At Baker's Keyboard Lounge features remarkable, previously unissued performances, all taped on a single Friday night.\r\n
      \r\n
      No matter the tempo, rhythm, or complexity of the arrangement, the three players breathe as one on these recordings, phrasing as if controlled by a single heartbeat.\r\n
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[
  "produit" => App\Entity\Produit {#2220
    -id: 3069
    -nom: "Affinity"
    -informationComplementaire: "Un jazz d’exception, où chaque note respire l’élégance. Avec "Affinity", The Oscar Peterson Trio vous invite à un voyage musical feutré et virtuose, entre swing maîtrisé et émotions délicates. Un classique intemporel pour les amateurs de jazz pur."
    -description: """
      L’album "Affinity" du The Oscar Peterson Trio est une œuvre élégante et raffinée qui met en lumière toute la virtuosité du pianiste Oscar Peterson, accompagné de ses complices habituels. Enregistré à la fin des années 1960, cet album s’inscrit dans la grande tradition du jazz en trio, un équilibre subtil entre technique irréprochable, swing naturel et sensibilité mélodique.\r\n
      \r\n
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      \r\n
      Les morceaux, qu’ils soient standards revisités ou compositions originales, témoignent d’une complicité musicale rare et d’un goût prononcé pour l’élégance sonore.\r\n
      \r\n
      - The Oscar Peterson Trio "Affinity" !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Recorded in late September 1962 in Chicago and released on Verve the same year, the Norman Granz-produced Affinity captures the Oscar Peterson Trio,  Oscar Peterson on piano, Ray Brown on bass, and Ed Thigpen on drums, at a moment of deep cohesion, refining its blend of rhythmic poise, melodic clarity, and conversational interplay across a focused program of standards and contemporary works.\r\n
      \r\n
      Highlights include Peterson's first recorded version of Bill Evans's "Waltz for Debby", shaped with lyricism and quiet structural control, and Brown's buoyant "Gravy Waltz", co-written with Steve Allen, which showcases the ensemble's rhythmic intuition and later won the 1963 Grammy Award for Best Original Jazz Composition. Often considered one of Peterson's more understated early-1960s statements, Affinity endures as an essential Verve recording, reflecting a trio moving with confidence, curiosity, and unity of purpose during a period of intense artistic growth.
      """
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    -extraitYoutube: "https://www.youtube.com/watch?v=gzvAGdBST_w&list=PLyqAz2idXOaXgme6RNwS3HHP0QjeSTyZa"
    -referenceProduit: "Acoustic Sounds Serie (Verve) 9544"
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        "nom" => "1. Baubles, Bangles And Beads"
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App\Twig\Components\GestionPanierFavoriComponents {#3605
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  +produit: App\Entity\Produit {#2220
    -id: 3069
    -nom: "Affinity"
    -informationComplementaire: "Un jazz d’exception, où chaque note respire l’élégance. Avec "Affinity", The Oscar Peterson Trio vous invite à un voyage musical feutré et virtuose, entre swing maîtrisé et émotions délicates. Un classique intemporel pour les amateurs de jazz pur."
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      L’album "Affinity" du The Oscar Peterson Trio est une œuvre élégante et raffinée qui met en lumière toute la virtuosité du pianiste Oscar Peterson, accompagné de ses complices habituels. Enregistré à la fin des années 1960, cet album s’inscrit dans la grande tradition du jazz en trio, un équilibre subtil entre technique irréprochable, swing naturel et sensibilité mélodique.\r\n
      \r\n
      Le jeu de Peterson y est à la fois fluide et incisif, oscillant entre improvisations lumineuses et interprétations pleines de finesse. La section rythmique, d’une précision remarquable, offre un écrin idéal à son piano, créant une atmosphère à la fois intime et sophistiquée.\r\n
      \r\n
      Les morceaux, qu’ils soient standards revisités ou compositions originales, témoignent d’une complicité musicale rare et d’un goût prononcé pour l’élégance sonore.\r\n
      \r\n
      - The Oscar Peterson Trio "Affinity" !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      Recorded in late September 1962 in Chicago and released on Verve the same year, the Norman Granz-produced Affinity captures the Oscar Peterson Trio,  Oscar Peterson on piano, Ray Brown on bass, and Ed Thigpen on drums, at a moment of deep cohesion, refining its blend of rhythmic poise, melodic clarity, and conversational interplay across a focused program of standards and contemporary works.\r\n
      \r\n
      Highlights include Peterson's first recorded version of Bill Evans's "Waltz for Debby", shaped with lyricism and quiet structural control, and Brown's buoyant "Gravy Waltz", co-written with Steve Allen, which showcases the ensemble's rhythmic intuition and later won the 1963 Grammy Award for Best Original Jazz Composition. Often considered one of Peterson's more understated early-1960s statements, Affinity endures as an essential Verve recording, reflecting a trio moving with confidence, curiosity, and unity of purpose during a period of intense artistic growth.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gzvAGdBST_w&list=PLyqAz2idXOaXgme6RNwS3HHP0QjeSTyZa"
    -referenceProduit: "Acoustic Sounds Serie (Verve) 9544"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. Waltz For Debbie"
      ]
      [
        "ordre" => 2
        "nom" => "2. Tangerine"
      ]
      [
        "ordre" => 3
        "nom" => "3. Gravy Waltz"
      ]
      [
        "ordre" => 4
        "nom" => "4. This Could Be The Start Of Something "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Baubles, Bangles And Beads"
      ]
      [
        "ordre" => 7
        "nom" => "2. Six And Four"
      ]
      [
        "ordre" => 8
        "nom" => "3. I'm A Fool To Want You"
      ]
      [
        "ordre" => 9
        "nom" => "4. Yours Is My Heart Alone"
      ]
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        "nom" => ""
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      ]
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      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2203 …}
    -label: Proxies\__CG__\App\Entity\Label {#2222 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2231 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2224 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2226 …}
    -enregistreLe: DateTime @1776667080 {#2217
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    }
    -modifierLe: DateTime @1776667160 {#2218
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2228 …}
    -disponible: null
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    -slug: "vinyles-affinity-acoustic-sounds-serie-verve-9544"
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}

[
  "produit" => App\Entity\Produit {#2238
    -id: 3066
    -nom: "N° 4"
    -informationComplementaire: "Plongez dans l’intensité brute de "N° 4", l’un des albums les plus puissants de Stone Temple Pilots. Entre riffs tranchants, mélodies envoûtantes et énergie alternative des années 90, ce disque incarne toute la tension et le génie du groupe à son apogée."
    -description: """
      Sorti en 1999, "N° 4" de Stone Temple Pilots marque un retour aux racines rock du groupe après des expérimentations plus psychédéliques. Porté par la voix charismatique de Scott Weiland, l’album mêle habilement puissance grunge, influences hard rock et touches mélodiques plus subtiles.\r\n
      \r\n
      La section rythmique solide formée par Robert DeLeo et Eric Kretz soutient les guitares incisives et créatives de Dean DeLeo, donnant naissance à des titres emblématiques comme “Down”, “Heaven & Hot Rods” ou encore la ballade sombre “Atlanta”.\r\n
      \r\n
      Entre rage contenue et moments de fragilité, "N° 4" reflète aussi une période turbulente pour le groupe, ce qui confère à l’album une authenticité et une intensité rares. C’est un disque à la fois brut, mélodique et profondément humain, devenu incontournable dans la discographie du rock alternatif.\r\n
      \r\n
      Musicians :\r\n
      Scott Weiland (vocals, organ), Dean DeLeo (electric & acoustic guitars,  lap steel and six-string bass), Robert DeLeo (bass, percussion, guitar, fuzz bass, and zither, backing vocals), Eric Kretz (drums, percussion), Brendan O’Brien (keyboards, piano, percussion, backing vocals), David Campbell (string arrangement), Suzie Katayama, Larry Corbett (cello), Joel Derouin (concertmaster), Evan Wilson (violin, strings), Barrett Martin (bass marimba). \r\n
      \r\n
      - Stone Temple Pilots Return to Their Hard-Rock Roots on the Heavy "N° 4" : Brendan O’Brien-Produced Album Explores Dark Themes, Includes the Hit Single “Sour Girl” !\r\n
      \r\n
      - Hear the 1999 Record in Audiophile Sound : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Plays with Stellar Dynamics, Comes Housed in a Stoughton Gatefold Jacket !\r\n
      \r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Vengeance is sweet. Dismissed by some insiders due to vocalist Scott Weiland’s legal issues, and viewed by many critics as a band that rode the coattails of its predecessors, Stone Temple Pilots fired a loud shot across the bow in 1999 in the form of N° 4. Blending the strengths of the quartet’s three prior LPs while marking a return to its hard-rock roots, the platinum-certified record stands as the heaviest and edgiest of the California ensemble’s career. That it succeeded while flying in the face of prevailing trends underlines its historic significance and appeal.\r\n
      \r\n
      Sourced from the original analog tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set presents N° 4. in audiophile sound for the first time on vinyl. With exceptional groove definition, quiet surfaces, and black backgrounds, this collectible edition plays with enhanced liveliness, balance, and solidity that raise the profile of an album that doubled down on rock during a time when most of the style’s practitioners abandoned it in favor of electronic elements or quit the scene entirely. \r\n
      \r\n
      Helmed by the band’s go-to producer, Brendan O’Brien, "N° 4" makes a big noise. The thick crunch of the guitars, bang and crash of the drums, fluid textures of the bass, and lingering echo of the studio space: All are conveyed with newly revealed immediacy, presence, and scope on this reissue, which also delivers the music’s punch and power with visceral impact. Other aspects that tremendously benefit from the restoration: The tenor, attitude, grain, and pitch of Weiland’s versatile voice. While partially obscured or collapsed on prior pressings, imaging and separation come into full view on this version.\r\n
      \r\n
      Despite its general back-to-basics nature, "N° 4" contains a wealth of colors, dynamics, and subtle accents that demand careful unpacking and transparent resolution. Nothing more so than the wide-spanning sounds and sizable footprints of the guitars and percussion. Massive riffs drive sledgehammer tracks such as the grinding “Down”, stormy “Heaven & Hot Rods”, stomping “No Way Out”, and vitriolic “Sex & Violence”. The latter is as close as Stone Temple Pilots ever came to garage-rock territory. The aforementioned cuts and several others bulldoze and plow, their muscular arrangements caked with rich sludge and aluminum tones, their sinister moods draped in distortion. \r\n
      \r\n
      Even as they embrace aggression and toughness, Stone Temple Pilots don’t overlook the importance of sticky hooks and accessible melodies. The springboard motions of the pop-streaked “Church on Sunday” and shuffling patterns of the dreamy “Sour Girl”, the group’s biggest-ever Billboard single, spotlight the ace songwriting chemistry between Weiland and guitarist Robert DeLeo. Ditto the lush “Glide”, a spacy nod to the ‘70s glam movement. It features Weiland singing at the top of his range and, for good measure, a folksy outro steered by an otherworldly zither. And let’s not forget the closing “Atlanta”, a mini-epic complete with a formal string section and spry tunefulness that echoes the Rodgers and Hammerstein standard “My Favorite Things”. \r\n
      \r\n
      Stone Temple Pilots also briefly dial it back and hint at optimism on “I Got You”, a country-tinged ditty sent up with pedal-steel guitar, six-string bass, and piano. Yet N° 4 unmistakably remains a creation of its circumstances. While the album’s edgy sonic character speaks to the gaping holes left by artists who abandoned rock to chase the latest crazes, the lyrical themes relate to Weiland’s problems and addictions. \r\n
      \r\n
      Recorded after the singer spent time in jail for drug violations, N° 4 doesn’t shy from dark desires or wallowing despair. Most narratives seemingly read as confessions and pleas. They concern personal loss, chemical abuse, toxic impulses, and desperate struggles. Weiland addresses everything head on without gloss or protective shielding, the painful disclosures “I used to love me but I hate me now”; “troubled times, when my mind begins to wander to the spoon”; “ I got the message but I lost the race”; “son of a bitch, I know what the itch is like”; “keep it away now, motherfucker, keep it away” - jibing with the band’s omnipresent snarl. \r\n
      \r\n
      Having climbed to N° 6 on the charts amid a de-fanged mainstream era that rewarded boy bands and pin-up pop stars, "N° 4" may not be Stone Temple Pilots’ most commercially successful effort. But it remains their most uncompromising. And that status that arguably carries more weight than any other.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Scott Weiland (vocals, organ), Dean DeLeo (electric & acoustic guitars,  lap steel and six-string bass), Robert DeLeo (bass, percussion, guitar, fuzz bass, and zither, backing vocals), Eric Kretz (drums, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zDQr4cPahXo&list=RDzDQr4cPahXo&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-595"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Down"
      ]
      [
        "ordre" => 2
        "nom" => "2. Heaven & Hot Rods"
      ]
      [
        "ordre" => 3
        "nom" => "3. Pruno "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Church on Tuesday"
      ]
      [
        "ordre" => 6
        "nom" => "2. Sour Girl "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. No Way Out"
      ]
      [
        "ordre" => 9
        "nom" => "2. Sex & Violence"
      ]
      [
        "ordre" => 10
        "nom" => "3. Glide "
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. I Got You"
      ]
      [
        "ordre" => 13
        "nom" => "2. MC5"
      ]
      [
        "ordre" => 14
        "nom" => "3. Atlanta"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2240 …}
    -label: Proxies\__CG__\App\Entity\Label {#2243 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2252 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2245 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2247 …}
    -enregistreLe: DateTime @1776114274 {#2234
      date: 2026-04-13 21:04:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776114514 {#2233
      date: 2026-04-13 21:08:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2249 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-n-4-mobile-fidelity-sound-lab-2-595"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3651
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2238
    -id: 3066
    -nom: "N° 4"
    -informationComplementaire: "Plongez dans l’intensité brute de "N° 4", l’un des albums les plus puissants de Stone Temple Pilots. Entre riffs tranchants, mélodies envoûtantes et énergie alternative des années 90, ce disque incarne toute la tension et le génie du groupe à son apogée."
    -description: """
      Sorti en 1999, "N° 4" de Stone Temple Pilots marque un retour aux racines rock du groupe après des expérimentations plus psychédéliques. Porté par la voix charismatique de Scott Weiland, l’album mêle habilement puissance grunge, influences hard rock et touches mélodiques plus subtiles.\r\n
      \r\n
      La section rythmique solide formée par Robert DeLeo et Eric Kretz soutient les guitares incisives et créatives de Dean DeLeo, donnant naissance à des titres emblématiques comme “Down”, “Heaven & Hot Rods” ou encore la ballade sombre “Atlanta”.\r\n
      \r\n
      Entre rage contenue et moments de fragilité, "N° 4" reflète aussi une période turbulente pour le groupe, ce qui confère à l’album une authenticité et une intensité rares. C’est un disque à la fois brut, mélodique et profondément humain, devenu incontournable dans la discographie du rock alternatif.\r\n
      \r\n
      Musicians :\r\n
      Scott Weiland (vocals, organ), Dean DeLeo (electric & acoustic guitars,  lap steel and six-string bass), Robert DeLeo (bass, percussion, guitar, fuzz bass, and zither, backing vocals), Eric Kretz (drums, percussion), Brendan O’Brien (keyboards, piano, percussion, backing vocals), David Campbell (string arrangement), Suzie Katayama, Larry Corbett (cello), Joel Derouin (concertmaster), Evan Wilson (violin, strings), Barrett Martin (bass marimba). \r\n
      \r\n
      - Stone Temple Pilots Return to Their Hard-Rock Roots on the Heavy "N° 4" : Brendan O’Brien-Produced Album Explores Dark Themes, Includes the Hit Single “Sour Girl” !\r\n
      \r\n
      - Hear the 1999 Record in Audiophile Sound : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Plays with Stellar Dynamics, Comes Housed in a Stoughton Gatefold Jacket !\r\n
      \r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Vengeance is sweet. Dismissed by some insiders due to vocalist Scott Weiland’s legal issues, and viewed by many critics as a band that rode the coattails of its predecessors, Stone Temple Pilots fired a loud shot across the bow in 1999 in the form of N° 4. Blending the strengths of the quartet’s three prior LPs while marking a return to its hard-rock roots, the platinum-certified record stands as the heaviest and edgiest of the California ensemble’s career. That it succeeded while flying in the face of prevailing trends underlines its historic significance and appeal.\r\n
      \r\n
      Sourced from the original analog tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set presents N° 4. in audiophile sound for the first time on vinyl. With exceptional groove definition, quiet surfaces, and black backgrounds, this collectible edition plays with enhanced liveliness, balance, and solidity that raise the profile of an album that doubled down on rock during a time when most of the style’s practitioners abandoned it in favor of electronic elements or quit the scene entirely. \r\n
      \r\n
      Helmed by the band’s go-to producer, Brendan O’Brien, "N° 4" makes a big noise. The thick crunch of the guitars, bang and crash of the drums, fluid textures of the bass, and lingering echo of the studio space: All are conveyed with newly revealed immediacy, presence, and scope on this reissue, which also delivers the music’s punch and power with visceral impact. Other aspects that tremendously benefit from the restoration: The tenor, attitude, grain, and pitch of Weiland’s versatile voice. While partially obscured or collapsed on prior pressings, imaging and separation come into full view on this version.\r\n
      \r\n
      Despite its general back-to-basics nature, "N° 4" contains a wealth of colors, dynamics, and subtle accents that demand careful unpacking and transparent resolution. Nothing more so than the wide-spanning sounds and sizable footprints of the guitars and percussion. Massive riffs drive sledgehammer tracks such as the grinding “Down”, stormy “Heaven & Hot Rods”, stomping “No Way Out”, and vitriolic “Sex & Violence”. The latter is as close as Stone Temple Pilots ever came to garage-rock territory. The aforementioned cuts and several others bulldoze and plow, their muscular arrangements caked with rich sludge and aluminum tones, their sinister moods draped in distortion. \r\n
      \r\n
      Even as they embrace aggression and toughness, Stone Temple Pilots don’t overlook the importance of sticky hooks and accessible melodies. The springboard motions of the pop-streaked “Church on Sunday” and shuffling patterns of the dreamy “Sour Girl”, the group’s biggest-ever Billboard single, spotlight the ace songwriting chemistry between Weiland and guitarist Robert DeLeo. Ditto the lush “Glide”, a spacy nod to the ‘70s glam movement. It features Weiland singing at the top of his range and, for good measure, a folksy outro steered by an otherworldly zither. And let’s not forget the closing “Atlanta”, a mini-epic complete with a formal string section and spry tunefulness that echoes the Rodgers and Hammerstein standard “My Favorite Things”. \r\n
      \r\n
      Stone Temple Pilots also briefly dial it back and hint at optimism on “I Got You”, a country-tinged ditty sent up with pedal-steel guitar, six-string bass, and piano. Yet N° 4 unmistakably remains a creation of its circumstances. While the album’s edgy sonic character speaks to the gaping holes left by artists who abandoned rock to chase the latest crazes, the lyrical themes relate to Weiland’s problems and addictions. \r\n
      \r\n
      Recorded after the singer spent time in jail for drug violations, N° 4 doesn’t shy from dark desires or wallowing despair. Most narratives seemingly read as confessions and pleas. They concern personal loss, chemical abuse, toxic impulses, and desperate struggles. Weiland addresses everything head on without gloss or protective shielding, the painful disclosures “I used to love me but I hate me now”; “troubled times, when my mind begins to wander to the spoon”; “ I got the message but I lost the race”; “son of a bitch, I know what the itch is like”; “keep it away now, motherfucker, keep it away” - jibing with the band’s omnipresent snarl. \r\n
      \r\n
      Having climbed to N° 6 on the charts amid a de-fanged mainstream era that rewarded boy bands and pin-up pop stars, "N° 4" may not be Stone Temple Pilots’ most commercially successful effort. But it remains their most uncompromising. And that status that arguably carries more weight than any other.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Scott Weiland (vocals, organ), Dean DeLeo (electric & acoustic guitars,  lap steel and six-string bass), Robert DeLeo (bass, percussion, guitar, fuzz bass, and zither, backing vocals), Eric Kretz (drums, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zDQr4cPahXo&list=RDzDQr4cPahXo&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-595"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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      ]
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        "ordre" => 2
        "nom" => "2. Heaven & Hot Rods"
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      [
        "ordre" => 3
        "nom" => "3. Pruno "
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      [
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        "nom" => "Side B : "
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        "nom" => "1. Church on Tuesday"
      ]
      [
        "ordre" => 6
        "nom" => "2. Sour Girl "
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      [
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        "nom" => "Side C :"
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        "nom" => "1. No Way Out"
      ]
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        "nom" => "2. Sex & Violence"
      ]
      [
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        "nom" => "3. Glide "
      ]
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        "nom" => "Side D : "
      ]
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        "nom" => "1. I Got You"
      ]
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        "nom" => "3. Atlanta"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2240 …}
    -label: Proxies\__CG__\App\Entity\Label {#2243 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2252 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2245 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2247 …}
    -enregistreLe: DateTime @1776114274 {#2234
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    }
    -modifierLe: DateTime @1776114514 {#2233
      date: 2026-04-13 21:08:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2249 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-n-4-mobile-fidelity-sound-lab-2-595"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2257
    -id: 3063
    -nom: "Faure, Debussy, Szymanowski, Chopin"
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      Dans cet enregistrement raffiné, le pianiste Rafał Blechacz et la violoniste Bomsori Kim unissent leurs sensibilités pour explorer un répertoire d’une grande richesse poétique.\r\n
      \r\n
      Le programme traverse les univers de Gabriel Fauré, Claude Debussy, Karol Szymanowski et Frédéric Chopin, offrant un dialogue subtil entre les esthétiques française et polonaise du tournant des XIXe et XXe siècles.\r\n
      \r\n
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      \r\n
      - Rafal Blechacz & Bomsori Kim "Faure, Debussy, Szymanowski, Chopin" 180 gram Audiophile Virgin Vinyl Double LP !\r\n
      - Mastered from the Original Masters of Universal Music by Rainer Maillard at Emil Berliner Studios !\r\n
      - Pressed at Optimal in Germany !\r\n
      - First Time Ever on Vinyl !\r\n
      \r\n
      It seems that Blechacz has done well to find Kim, too, because there's an audible meeting of musical minds across their exploration of French lyricism and Polish melancholy, heard right from the start of the opening Fauré Violin Sonata N° 1. First, Blechacz's picked-out melody sings out brightly with passionate amour from within lucid-textured cascading figures. Then in comes Kim, counterfoiling her equal romance with a clean, supple sound. Engineering-wise, as well, there's a nicely egalitarian balance between the two of them. What does remain constant, is the sheer energy and drive, aided by Kim's sound itself : direct and ardent, with mahogany-hued lower registers contrasting with sweetly ringing, singing upper ones. This all combines to especial effect with the Debussy, in an unusually driven, emotional-ly strong reading of this autumnal work. One of Kim's most effective gifts here is her spotlighting of Debussy's linguistic debt to the Orient; listen in the first movement to how grace-note inflections and sur la touche playing is so very husky and languorous that the parallels with Asian voice flute are unmissable. (Gramophone)
      """
    -prixVente: "89.50"
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    -informationComplementaire: "Deux sensibilités, une même poésie. Rafał Blechacz et Bomsori Kim tissent un dialogue délicat entre rêve et émotion, dans un voyage musical d’une élégance lumineuse."
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      \r\n
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      \r\n
      Entre impressionnisme vaporeux, lyrisme romantique et modernité naissante, les deux interprètes façonnent un univers sonore d’une grande délicatesse. Le jeu limpide et introspectif de Blechacz se mêle à la sonorité chaleureuse et expressive de Bomsori Kim, révélant toute la profondeur émotionnelle de ces œuvres pour violon et piano.\r\n
      \r\n
      - Rafal Blechacz & Bomsori Kim "Faure, Debussy, Szymanowski, Chopin" 180 gram Audiophile Virgin Vinyl Double LP !\r\n
      - Mastered from the Original Masters of Universal Music by Rainer Maillard at Emil Berliner Studios !\r\n
      - Pressed at Optimal in Germany !\r\n
      - First Time Ever on Vinyl !\r\n
      \r\n
      It seems that Blechacz has done well to find Kim, too, because there's an audible meeting of musical minds across their exploration of French lyricism and Polish melancholy, heard right from the start of the opening Fauré Violin Sonata N° 1. First, Blechacz's picked-out melody sings out brightly with passionate amour from within lucid-textured cascading figures. Then in comes Kim, counterfoiling her equal romance with a clean, supple sound. Engineering-wise, as well, there's a nicely egalitarian balance between the two of them. What does remain constant, is the sheer energy and drive, aided by Kim's sound itself : direct and ardent, with mahogany-hued lower registers contrasting with sweetly ringing, singing upper ones. This all combines to especial effect with the Debussy, in an unusually driven, emotional-ly strong reading of this autumnal work. One of Kim's most effective gifts here is her spotlighting of Debussy's linguistic debt to the Orient; listen in the first movement to how grace-note inflections and sur la touche playing is so very husky and languorous that the parallels with Asian voice flute are unmissable. (Gramophone)
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[
  "produit" => App\Entity\Produit {#2276
    -id: 3062
    -nom: "Rachmaninoff : Piano Concerto N° 3"
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    -description: """
      Cet enregistrement live du Concerto pour piano N° 3 en ré mineur, op. 30 de Sergei Rachmaninoff réunit des interprètes d’exception, la pianiste Martha Argerich, le chef d’orchestre Riccardo Chailly et le RSO Berlin.\r\n
      \r\n
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      \r\n
      Sous la direction précise et engagée de Riccardo Chailly, l’orchestre berlinois accompagne avec puissance et finesse, mettant en valeur les contrastes dramatiques et les élans lyriques de la partition.\r\n
      \r\n
      Un enregistrement de référence, où la tension du live sublime chaque instant de cette œuvre monumentale.\r\n
      \r\n
      - Martha Argerich "Rachmaninoff : Piano Concerto N° 3" 180 gram Audiophile Virgin Vinyl LP !\r\n
      - From the Original Master of Universal Music !\r\n
      - Audiophile Analog Mastering by Sidney Claire Meyer at Emil Berliner Studios !\r\n
      - Pressed at Optimal in Germany !\r\n
      - First Time Ever on Vinyl !\r\n
      \r\n
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      """
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App\Twig\Components\GestionPanierFavoriComponents {#3753
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    -description: """
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      \r\n
      Œuvre mythique du répertoire romantique, ce concerto est réputé pour sa redoutable difficulté technique et sa profondeur expressive. Dans cette version captée en concert, Martha Argerich livre une interprétation électrisante, mêlant virtuosité fulgurante, liberté rythmique et intensité émotionnelle.\r\n
      \r\n
      Sous la direction précise et engagée de Riccardo Chailly, l’orchestre berlinois accompagne avec puissance et finesse, mettant en valeur les contrastes dramatiques et les élans lyriques de la partition.\r\n
      \r\n
      Un enregistrement de référence, où la tension du live sublime chaque instant de cette œuvre monumentale.\r\n
      \r\n
      - Martha Argerich "Rachmaninoff : Piano Concerto N° 3" 180 gram Audiophile Virgin Vinyl LP !\r\n
      - From the Original Master of Universal Music !\r\n
      - Audiophile Analog Mastering by Sidney Claire Meyer at Emil Berliner Studios !\r\n
      - Pressed at Optimal in Germany !\r\n
      - First Time Ever on Vinyl !\r\n
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      To describe both performances as 'live' is to deal in understatement, for rarely in her entire and extraordinary career has Argerich sounded more exhaustingly restless and quixotic, her mind and fingers flashing with reflexes merely dreamt of by other less phenomenally endowed pianists. Yet her Rachmaninov is full of surprises, her opening Allegro almost convivial until she meets directions such as più vivo or veloce, where the tigress in her shows her claws and the music is made to seethe and boil at a white-hot temperature. The cadenza rises to the sort of climax that will make all pianists' hearts beat faster and her first entry in the "Intermezzo" interrupts the orchestra's musing with the impatience of a hurricane. But throughout these pages it is almost as if she is searching for music that will allow her virtuosity its fullest scope. In the finale she finds it, accelerating out of the second movement with a sky-rocketing propulsion. Here the music races like wildfire, with a truly death-defying turn of speed at 7:20 and an explosive energy throughout that must have left audience, conductor and orchestra feeling as if hit by some seismic shock-wave. (Gramophone)
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      - Mastered from the original masters of Universal Music by Rainer Maillard at Emil Berliner Studios !\r\n
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