Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2562
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2409 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2639
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2642 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2409 …}
  -formView: Symfony\Component\Form\FormView {#2678 …}
  -form: Symfony\Component\Form\Form {#2828 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 489
    -nom: "The Best Of Sam Cooke"
    -informationComplementaire: null
    -description: """
      A Groundbreaking Soul Pioneer and An Influence On Generations of Singers - Everyone Agrees Sam Cooke Is The MAN !\r\n
      \r\n
      "...He had an incomparable voice. Sam Cooke could sing anything and make it work. But when you're talking about his strength as a singer, range is not relevant. It was his power to deliver it was about his phrasing, the totality of his singing", - Van Morrison, for Rolling Stonemagazine's 100 Greatest Singers Of All Time, ranking Cooke at N° 4.\r\n
      \r\n
      This Best Of Sam Cooke album was the beacon that kept Cooke's most popular songs in the public eye. Between 1957 and his death seven years later, Cooke recorded an average of one Top Ten single every four months! And now on this single LP, you can relive the timeless best known and best-loved Sam Cooke classics.\r\n
      \r\n
      •\tYou Send Me\r\n
      •\tOnly Sixteen\r\n
      •\tWonderful World\r\n
      •\tChain Gang\r\n
      •\tCupid\r\n
      •\tHaving a Party\r\n
      \r\n
      And more !\r\n
      \r\n
      For a couple of generations this was the first and often only Sam Cooke album they owned. Although there are more ambitious collections that show Cooke's remarkable range and diversity, this is still the best starting place. These are Sam Cooke's biggest commercial hits. This is the message in a bottle that brought his gifts to millions of people. \r\n
      \r\n
      What is it that makes Cooke's music so irresistible ? Well, first the voice, of course. So good, in fact, was Cooke as a vocalist that Atlantic Records vice president Jerry Wexler said matter-of-factly, "Sam Cooke was the best singer who ever lived, no contest". But beyond just his voice, it's the phrasing that makes these songs so timeless and memorable. Cooke himself explained it this way : "You just talk the story. That's how you get people to come to you because it's not like a song, it's like two people rapping, only with a melody attached. But then when you come to the hook ('That's the sound of the men working on the chain gang'), then you're free, everybody's gonna sing that part, you want to get everybody to sing along". And they're still singing along. \r\n
      \r\n
      So we all know the songs. We all know they're great. But nobody's known not unless you were there when it was recorded just how incredible these recordings actually sound. Now, cut at 45 RPM with every detail tended to and no expense spared, we've got the best of The Best of Sam Cooke.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Qol952UDurQ&list=PLrnjdzaQwEaKn5ZW6yKVcHZw7aE5XXDZQ"
    -referenceProduit: "Analogue Productions AAPP 2625-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. You Send Me"
      ]
      [
        "ordre" => 2
        "nom" => "2. Only Sixteen"
      ]
      [
        "ordre" => 3
        "nom" => "3. Everybody Loves To Cha Cha Cha"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. (I Love You) For Sentimental Reasons"
      ]
      [
        "ordre" => 6
        "nom" => "2. (What A) Wonderful World"
      ]
      [
        "ordre" => 7
        "nom" => "3. Summertime"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Chain Gang"
      ]
      [
        "ordre" => 10
        "nom" => "2. Cupid"
      ]
      [
        "ordre" => 11
        "nom" => "3. Twistin' The Night Away"
      ]
      [
        "ordre" => 12
        "nom" => "4. Sad Mood"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Having A Party"
      ]
      [
        "ordre" => 15
        "nom" => "2. Bring It On Home To Me"
      ]
      [
        "ordre" => 16
        "nom" => "3. Another Saturday Night (Alternate Take)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1326123119 {#1876
      date: 2012-01-09 15:31:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765140034 {#1869
      date: 2025-12-07 20:40:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-best-of-sam-cooke-analogue-productions-aapp-2625-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3102
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 489
    -nom: "The Best Of Sam Cooke"
    -informationComplementaire: null
    -description: """
      A Groundbreaking Soul Pioneer and An Influence On Generations of Singers - Everyone Agrees Sam Cooke Is The MAN !\r\n
      \r\n
      "...He had an incomparable voice. Sam Cooke could sing anything and make it work. But when you're talking about his strength as a singer, range is not relevant. It was his power to deliver it was about his phrasing, the totality of his singing", - Van Morrison, for Rolling Stonemagazine's 100 Greatest Singers Of All Time, ranking Cooke at N° 4.\r\n
      \r\n
      This Best Of Sam Cooke album was the beacon that kept Cooke's most popular songs in the public eye. Between 1957 and his death seven years later, Cooke recorded an average of one Top Ten single every four months! And now on this single LP, you can relive the timeless best known and best-loved Sam Cooke classics.\r\n
      \r\n
      •\tYou Send Me\r\n
      •\tOnly Sixteen\r\n
      •\tWonderful World\r\n
      •\tChain Gang\r\n
      •\tCupid\r\n
      •\tHaving a Party\r\n
      \r\n
      And more !\r\n
      \r\n
      For a couple of generations this was the first and often only Sam Cooke album they owned. Although there are more ambitious collections that show Cooke's remarkable range and diversity, this is still the best starting place. These are Sam Cooke's biggest commercial hits. This is the message in a bottle that brought his gifts to millions of people. \r\n
      \r\n
      What is it that makes Cooke's music so irresistible ? Well, first the voice, of course. So good, in fact, was Cooke as a vocalist that Atlantic Records vice president Jerry Wexler said matter-of-factly, "Sam Cooke was the best singer who ever lived, no contest". But beyond just his voice, it's the phrasing that makes these songs so timeless and memorable. Cooke himself explained it this way : "You just talk the story. That's how you get people to come to you because it's not like a song, it's like two people rapping, only with a melody attached. But then when you come to the hook ('That's the sound of the men working on the chain gang'), then you're free, everybody's gonna sing that part, you want to get everybody to sing along". And they're still singing along. \r\n
      \r\n
      So we all know the songs. We all know they're great. But nobody's known not unless you were there when it was recorded just how incredible these recordings actually sound. Now, cut at 45 RPM with every detail tended to and no expense spared, we've got the best of The Best of Sam Cooke.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Qol952UDurQ&list=PLrnjdzaQwEaKn5ZW6yKVcHZw7aE5XXDZQ"
    -referenceProduit: "Analogue Productions AAPP 2625-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. You Send Me"
      ]
      [
        "ordre" => 2
        "nom" => "2. Only Sixteen"
      ]
      [
        "ordre" => 3
        "nom" => "3. Everybody Loves To Cha Cha Cha"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. (I Love You) For Sentimental Reasons"
      ]
      [
        "ordre" => 6
        "nom" => "2. (What A) Wonderful World"
      ]
      [
        "ordre" => 7
        "nom" => "3. Summertime"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Chain Gang"
      ]
      [
        "ordre" => 10
        "nom" => "2. Cupid"
      ]
      [
        "ordre" => 11
        "nom" => "3. Twistin' The Night Away"
      ]
      [
        "ordre" => 12
        "nom" => "4. Sad Mood"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Having A Party"
      ]
      [
        "ordre" => 15
        "nom" => "2. Bring It On Home To Me"
      ]
      [
        "ordre" => 16
        "nom" => "3. Another Saturday Night (Alternate Take)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1326123119 {#1876
      date: 2012-01-09 15:31:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765140034 {#1869
      date: 2025-12-07 20:40:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-best-of-sam-cooke-analogue-productions-aapp-2625-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2409 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 364
    -nom: "Night Beat"
    -informationComplementaire: null
    -description: """
      "...Thanks to Analogue Productions' 45-rpm reissue of Cooke's 1963 RCA album Night Beat he still speaks to us - eloquently. The sound is opulent; the songs excellent; the singing nonpareil; the mood, oh-so nostalgic". Music = 4.5/5; Sonics = 4/5 - Jonathan Valin, The Absolute Sound, September 2010\r\n
      \r\n
      "...The recording by Dave Hassinger is a masterpiece of immediacy, transparency and harmonic complexity... This is a big, juicy, wet and intoxicating recording comprised of richly drawn instruments, particularly Billy Preston's shimmering Hammond organ and Hal Blaine's woody percussion... A knockout of a reissue and essential". Music = 10/11; Sound = 10/11 - Michael Fremer, Musicangle\r\n
      \r\n
      "Whenever I think of Night Beat, I wonder how many records as perfect have been made since 1963. Listen anew to Sam Cooke's vocal honey on this Soul Blues album and I doubt you will come up with any worthy contenders... This 45 RPM issue was remastered at Sterling Sound and brings out the backing musicians including organist Billy Preston and guitarist Barney Kessel better than the ABKCO release, and makes it sound more like Sam was in the same room with the band. The definitive Night Beat". Recording = 10/10; Music = 10/10 - Dennis Davis, Hi-Fi+, Issue 69\r\n
      \r\n
      Clearly Sam Cooke’s most intimate, most soulful and ultimately most real recording. This one has the feel of a private performance captured after hours when the audience had gone home and the singer was singing purely for the love of his songs. The performance put forth is simply straight from Cooke’s soul. His selection of songs include spiritual, bluesy ballads and gospel classics. Cooke owns these songs, making each interpretation all his own. This is warm music that’s easy to connect with. Mastered by George Marino at Sterling Sound from the original three-track masters.\r\n
      \r\n
      Originally released in 1963.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sam Cooke (vocals), René Hall, Clifton White, Barney Kessel (guitar), Cliff Hils (bass guitar), Ray Johnson (piano), Billy Preston (organ), Sharky Hall (drums, tambourine), Hal Blaine  (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YEx5pLLTTDo"
    -referenceProduit: "Analogue Productions AAPP 2709-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Nobody Knows the Trouble I've Seen"
      ]
      [
        "ordre" => 2
        "nom" => "2. Lost and Lookin'"
      ]
      [
        "ordre" => 3
        "nom" => "3. Mean Old World"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Please Don't Drive Me Away"
      ]
      [
        "ordre" => 6
        "nom" => "2. I Lost Everything"
      ]
      [
        "ordre" => 7
        "nom" => "3. Get Yourself a Another Fool"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Little Red Rooster"
      ]
      [
        "ordre" => 10
        "nom" => "2. Laughin' and Clownin'"
      ]
      [
        "ordre" => 11
        "nom" => "3. Trouble Blues"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. You Gotta Move"
      ]
      [
        "ordre" => 14
        "nom" => "2. Fool's Paradise"
      ]
      [
        "ordre" => 15
        "nom" => "3. Shake Rattle and Roll"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2053 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2046 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2048 …}
    -enregistreLe: DateTime @1278691206 {#2042
      date: 2010-07-09 16:00:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765139803 {#2043
      date: 2025-12-07 20:36:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2050 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-night-beat-analogue-productions-aapp-2709-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3218
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 364
    -nom: "Night Beat"
    -informationComplementaire: null
    -description: """
      "...Thanks to Analogue Productions' 45-rpm reissue of Cooke's 1963 RCA album Night Beat he still speaks to us - eloquently. The sound is opulent; the songs excellent; the singing nonpareil; the mood, oh-so nostalgic". Music = 4.5/5; Sonics = 4/5 - Jonathan Valin, The Absolute Sound, September 2010\r\n
      \r\n
      "...The recording by Dave Hassinger is a masterpiece of immediacy, transparency and harmonic complexity... This is a big, juicy, wet and intoxicating recording comprised of richly drawn instruments, particularly Billy Preston's shimmering Hammond organ and Hal Blaine's woody percussion... A knockout of a reissue and essential". Music = 10/11; Sound = 10/11 - Michael Fremer, Musicangle\r\n
      \r\n
      "Whenever I think of Night Beat, I wonder how many records as perfect have been made since 1963. Listen anew to Sam Cooke's vocal honey on this Soul Blues album and I doubt you will come up with any worthy contenders... This 45 RPM issue was remastered at Sterling Sound and brings out the backing musicians including organist Billy Preston and guitarist Barney Kessel better than the ABKCO release, and makes it sound more like Sam was in the same room with the band. The definitive Night Beat". Recording = 10/10; Music = 10/10 - Dennis Davis, Hi-Fi+, Issue 69\r\n
      \r\n
      Clearly Sam Cooke’s most intimate, most soulful and ultimately most real recording. This one has the feel of a private performance captured after hours when the audience had gone home and the singer was singing purely for the love of his songs. The performance put forth is simply straight from Cooke’s soul. His selection of songs include spiritual, bluesy ballads and gospel classics. Cooke owns these songs, making each interpretation all his own. This is warm music that’s easy to connect with. Mastered by George Marino at Sterling Sound from the original three-track masters.\r\n
      \r\n
      Originally released in 1963.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sam Cooke (vocals), René Hall, Clifton White, Barney Kessel (guitar), Cliff Hils (bass guitar), Ray Johnson (piano), Billy Preston (organ), Sharky Hall (drums, tambourine), Hal Blaine  (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YEx5pLLTTDo"
    -referenceProduit: "Analogue Productions AAPP 2709-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Nobody Knows the Trouble I've Seen"
      ]
      [
        "ordre" => 2
        "nom" => "2. Lost and Lookin'"
      ]
      [
        "ordre" => 3
        "nom" => "3. Mean Old World"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Please Don't Drive Me Away"
      ]
      [
        "ordre" => 6
        "nom" => "2. I Lost Everything"
      ]
      [
        "ordre" => 7
        "nom" => "3. Get Yourself a Another Fool"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Little Red Rooster"
      ]
      [
        "ordre" => 10
        "nom" => "2. Laughin' and Clownin'"
      ]
      [
        "ordre" => 11
        "nom" => "3. Trouble Blues"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. You Gotta Move"
      ]
      [
        "ordre" => 14
        "nom" => "2. Fool's Paradise"
      ]
      [
        "ordre" => 15
        "nom" => "3. Shake Rattle and Roll"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
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[
  "produit" => App\Entity\Produit {#2058
    -id: 1532
    -nom: "Contours"
    -informationComplementaire: null
    -description: """
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. \r\n
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      \r\n
      Saxophonist & flutist Sam Rivers followed-up his striking debut Fuchsia Swing Song with the tremendous album Contours, which was recorded at Rudy Van Gelder’s Englewood Cliffs, NJ studio in 1965 with a top flight band featuring Freddie Hubbard on trumpet, Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums. The quintet explored four of Rivers’ engaging original compositions “Point of Many Returns”, “Dance of the Tripedal”, “Euterpe” & “Mellifluous Cacophony".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sam Rivers (saxophone, flute), Ron Carter (bass), Herbie Hancock (piano), Freddie Hubbard (trumpet), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3264
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    -nom: "Contours"
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    -description: """
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. \r\n
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      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
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    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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[
  "produit" => App\Entity\Produit {#2077
    -id: 2393
    -nom: "Fuchsia Swing Swing"
    -informationComplementaire: null
    -description: """
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      \r\n
      A month later Rivers was in Rudy Van Gelder's studio recording his astonishing debut album Fuchsia Swing Song with an extraordinary quartet featuring Williams, bassist Ron Carter, and pianist Jaki Byard. Although a strong avant-garde undercurrent flowed through his music, Rivers kept a foot planted firmly in post-bop and the blues on this impressive set of his originals including the fleet-footed title track, the hard-charging "Downstairs Blues Upstairs", and the stunning ballad "Beatrice" which remains Rivers' most beloved composition.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sam Rivers (tenor saxophone), Jaki Byard (piano), Ron Carter (bass), Anthony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=bCpuaVe_pOU"
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App\Twig\Components\GestionPanierFavoriComponents {#3317
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2077
    -id: 2393
    -nom: "Fuchsia Swing Swing"
    -informationComplementaire: null
    -description: """
      A saxophonist of striking originality, Sam Rivers was born in Oklahoma and exposed to music from an early age by his pianist mother and gospel singer father. Rivers moved to Boston to study at the Boston Conservatory and eventually met, and began performing with, the drummer Tony Williams who was barely a teenager at the time. Williams would open several doors for Rivers including recommending him for what would be a short stint in the Miles Davis Quintet, but also bringing Rivers to the attention of Blue Note's Alfred Lion. Williams featured Rivers on his Blue Note debut Life Time in 1964, which led to Rivers' appearance on organist Larry Young's album Into Somethin' before the saxophonist was offered his own recording deal with Blue Note.\r\n
      \r\n
      A month later Rivers was in Rudy Van Gelder's studio recording his astonishing debut album Fuchsia Swing Song with an extraordinary quartet featuring Williams, bassist Ron Carter, and pianist Jaki Byard. Although a strong avant-garde undercurrent flowed through his music, Rivers kept a foot planted firmly in post-bop and the blues on this impressive set of his originals including the fleet-footed title track, the hard-charging "Downstairs Blues Upstairs", and the stunning ballad "Beatrice" which remains Rivers' most beloved composition.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
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    -musicienOrchestre: "Sam Rivers (tenor saxophone), Jaki Byard (piano), Ron Carter (bass), Anthony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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[
  "produit" => App\Entity\Produit {#2095
    -id: 2751
    -nom: "A New Conception"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After releasing two astonishing albums of original material with his remarkable debut Fuchsia Swing Song (1964) and the follow-up Contours (1965), multi-instrumentalist Sam Rivers went another direction on his third Blue Note album A New Conception (1966) by presenting a set of standards that were given riveting interpretations with a quartet featuring Hal Galper on piano, Herbert Lewis on bass, and Steve Ellington on drums. Despite the well-worn repertoire including the chestnuts "When I Fall In Love", "I'll Never Smile Again", "Detour Ahead", and "Secret Love" Rivers' striking originality is utterly apparent in each of these seven performances on which he's heard on tenor saxophone, soprano saxophone, and flute. Deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sam Rivers (tenor & soprano saxophone, flûte), Hal Galper (piano), Herbie (Herbert) Lewis (bass), Steve Ellington (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Nu7tES6whgU&list=PLRjTH8yq2L50iSSyk-42JkXnsDwvdv1yd"
    -referenceProduit: "Blue Note Tone Poet Series 4308"
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        "ordre" => 0
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        "nom" => "1. When I Fall In Love"
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        "ordre" => 2
        "nom" => "2. I'll Never Smile Again"
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      [
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        "nom" => "4. That's All"
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        "ordre" => 6
        "nom" => "1. What A Difference A Day Makes"
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        "ordre" => 7
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App\Twig\Components\GestionPanierFavoriComponents {#3365
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2095
    -id: 2751
    -nom: "A New Conception"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
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      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After releasing two astonishing albums of original material with his remarkable debut Fuchsia Swing Song (1964) and the follow-up Contours (1965), multi-instrumentalist Sam Rivers went another direction on his third Blue Note album A New Conception (1966) by presenting a set of standards that were given riveting interpretations with a quartet featuring Hal Galper on piano, Herbert Lewis on bass, and Steve Ellington on drums. Despite the well-worn repertoire including the chestnuts "When I Fall In Love", "I'll Never Smile Again", "Detour Ahead", and "Secret Love" Rivers' striking originality is utterly apparent in each of these seven performances on which he's heard on tenor saxophone, soprano saxophone, and flute. Deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sam Rivers (tenor & soprano saxophone, flûte), Hal Galper (piano), Herbie (Herbert) Lewis (bass), Steve Ellington (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2409 …}
}

[
  "produit" => App\Entity\Produit {#2110
    -id: 834
    -nom: "Mirrorball"
    -informationComplementaire: null
    -description: """
      - Sarah McLachlan "Mirrorball" 200 gram triple LP 45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      Features great McLachlan hits performed live : "Building A Mystery", "I Will Remember You", "Adia" and "Angel" !\r\n
      \r\n
      The Analogue Productions / QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Grafted from McLachlan's supremely satisfying 1998 performances, Mirrorball is drawn almost equally from the multiplatinum Surfacing and its superior predecessor, Fumbling Towards Ecstasy. (Included also is the lovely, hard-to-come-by 'I Will Remember You'). Live, a haunting ballad such as "Possession" becomes a fevered, aggressive bit of psychedelia. "Hold On" reveals new depths when performed behind the beat with morphing time signatures and driving piano.\r\n
      \r\n
      "McLachlan's warmly expressive voice is still at the epicenter of her performances. She roams through these 14 songs with agile ease, riding the rails between singing for dramatic arena effect - huskily growling, airily trilling - and knowing what to play down with her sensually controlled crooning (witness such gems as Fumbling's title song and 'Good Enough'). Overall, McLachlan's vocals match the heavily percussive intensity of her band and the build of her backing vocalists, producing a more spacious sound than the precise pitch rendered on her studio recordings. - Amazon.com
      """
    -prixVente: "169.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah McLachlan (piano, guitar, vocals), Brian Minato (bass), Vince Jones (keyboards, vocals), Camille Henderson (vocals), David Sinclair, Sean Ashby (guitar, vocals), Ashwin Sood (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jhftGMTqnAU"
    -referenceProduit: "Analogue Productions AAPP 053-45"
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        "nom" => "1. I Will Remember You"
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      [
        "ordre" => 6
        "nom" => "2. Adia"
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        "nom" => "Side C :"
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        "ordre" => 8
        "nom" => "1. I Love You"
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      [
        "ordre" => 9
        "nom" => "2. Do What You Have To Do"
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      [
        "ordre" => 10
        "nom" => "Side D :"
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        "nom" => "1. The Path of Thorns (Terms)"
      ]
      [
        "ordre" => 12
        "nom" => "2. Fear"
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      [
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        "nom" => "3. Possession"
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        "nom" => "Side E :"
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        "nom" => "1. Sweet Surrender"
      ]
      [
        "ordre" => 16
        "nom" => "2. Ice Cream"
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      [
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        "nom" => "Side F : "
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      [
        "ordre" => 18
        "nom" => "1. Fumbling Towards Ecstasy"
      ]
      [
        "ordre" => 19
        "nom" => "2. Angel"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3411
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2110
    -id: 834
    -nom: "Mirrorball"
    -informationComplementaire: null
    -description: """
      - Sarah McLachlan "Mirrorball" 200 gram triple LP 45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      Features great McLachlan hits performed live : "Building A Mystery", "I Will Remember You", "Adia" and "Angel" !\r\n
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      The Analogue Productions / QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Grafted from McLachlan's supremely satisfying 1998 performances, Mirrorball is drawn almost equally from the multiplatinum Surfacing and its superior predecessor, Fumbling Towards Ecstasy. (Included also is the lovely, hard-to-come-by 'I Will Remember You'). Live, a haunting ballad such as "Possession" becomes a fevered, aggressive bit of psychedelia. "Hold On" reveals new depths when performed behind the beat with morphing time signatures and driving piano.\r\n
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      """
    -prixVente: "169.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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}

[
  "produit" => App\Entity\Produit {#2126
    -id: 2758
    -nom: "Wonderland"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (piano, keyboards, ukulele, acoustic guitar, vocals), Emmylou Harris, Martha Wainwright (vocals), Michel Pepin (guitar), Yves Desrosiers (electric guitar, ukulele), Pierre Marchand (piano, keyboards), Philippe Leduc (upright bass), Conner Molander (bass, guitar, clapping, stomping, harmonium, vocals), Devon Portielje (guitar, vocals, clapping, stomping, acoustic guitar), Dylan Phillips (drums, vocals, clapping, stomping), Isaac Symonds (bass, drums, vocals, clapping, stomping), Jérôme Beaulieu (piano), Vince May (trumpet), Ashwin Sood (drums, percussion), William Cote (drums), Bulgarian Symphony Orchestra (orchestra on select tracks).\r\n
      \r\n
      Sarah McLachlan's new holiday album !\r\n
      \r\n
      Multi-platinum and Grammy Award-winning singer and songwriter Sarah McLachlan celebrates the most wonderful time of the year with the release of her new holiday album Wonderland, on Verve Records. Wonderland sparkles with fresh, inspired interpretations of 13 traditional and contemporary holiday classics.\r\n
      \r\n
      McLachlan, fresh off of a national summer concert tour with Josh Groban, has created a new holiday classic with Wonderland, her first holiday album since 2006's platinum Wintersong. Recorded last winter in Montreal and Vancouver with her longtime producer Pierre Marchand, Wonderland radiates the joy and magic of the holiday season with McLachlan's warm and vibrant soprano, a voice Rolling Stone praised for its "astonishing strength and clarity".\r\n
      \r\n
      "I love everything about Christmas and this record was a joy to make", said McLachlan\r\n
      \r\n
      The album features classics such as "Silver Bells" reimagined into a shimmering, orchestrated picturesque tale as well as "Angels We Have Heard On High", a percussive hymn of adoration and Randy Newman's forlorn "Snow" from the 1960s. Emmylou Harris contributes vocals on "Go Tell It On The Mountain", also featuring Martha Wainwright, and "Away In A Manager", a new holiday song reinvented as a country shuffle.\r\n
      \r\n
      Members of Canadian quartet, Half Moon Run, play on five tracks and helped McLachlan flesh out some of the arrangements, including "Huron Carol", Canada's oldest Christmas song. "They're all in their mid-to-late 20s. They're incredible musicians", McLachlan says. Rounding out the guests is the world famous Bulgarian Symphony Orchestra, who perform on three songs, including "Let It Snow", "Silver Bells", and "Huron Carol". McLachlan enlisted orchestral arranger Brian Byrne to handle the particulars. "We had decided early on that it would be great to have string arrangements", McLachlan says. "We left some space for that and sent the arrangements to him and said ‘Work your magic.' He did".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah McLachlan (piano, keyboards, ukulele, acoustic guitar, vocals), Emmylou Harris, Martha Wainwright (vocals), Michel Pepin (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=fgf4rZAd6pU&list=PLRqec2rdL6SByq1XryqHh08Nl2i9s-8Jd"
    -referenceProduit: "Verve Records 7301"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Christmas Song"
      ]
      [
        "ordre" => 2
        "nom" => "2. Angels We Have Heard On High"
      ]
      [
        "ordre" => 3
        "nom" => "3. Let It Snow"
      ]
      [
        "ordre" => 4
        "nom" => "4. White Christmas"
      ]
      [
        "ordre" => 5
        "nom" => "5. O Come All Ye Faithful"
      ]
      [
        "ordre" => 6
        "nom" => "6. Go Tell It On The Mountain"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Away In A Manger"
      ]
      [
        "ordre" => 9
        "nom" => "2. Winter Wonderland"
      ]
      [
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        "nom" => "3. Huron Carol"
      ]
      [
        "ordre" => 11
        "nom" => "4. Silver Bells"
      ]
      [
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        "nom" => "5. O Holy Night"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
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      date: 2025-12-07 16:22:10.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3464
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2126
    -id: 2758
    -nom: "Wonderland"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (piano, keyboards, ukulele, acoustic guitar, vocals), Emmylou Harris, Martha Wainwright (vocals), Michel Pepin (guitar), Yves Desrosiers (electric guitar, ukulele), Pierre Marchand (piano, keyboards), Philippe Leduc (upright bass), Conner Molander (bass, guitar, clapping, stomping, harmonium, vocals), Devon Portielje (guitar, vocals, clapping, stomping, acoustic guitar), Dylan Phillips (drums, vocals, clapping, stomping), Isaac Symonds (bass, drums, vocals, clapping, stomping), Jérôme Beaulieu (piano), Vince May (trumpet), Ashwin Sood (drums, percussion), William Cote (drums), Bulgarian Symphony Orchestra (orchestra on select tracks).\r\n
      \r\n
      Sarah McLachlan's new holiday album !\r\n
      \r\n
      Multi-platinum and Grammy Award-winning singer and songwriter Sarah McLachlan celebrates the most wonderful time of the year with the release of her new holiday album Wonderland, on Verve Records. Wonderland sparkles with fresh, inspired interpretations of 13 traditional and contemporary holiday classics.\r\n
      \r\n
      McLachlan, fresh off of a national summer concert tour with Josh Groban, has created a new holiday classic with Wonderland, her first holiday album since 2006's platinum Wintersong. Recorded last winter in Montreal and Vancouver with her longtime producer Pierre Marchand, Wonderland radiates the joy and magic of the holiday season with McLachlan's warm and vibrant soprano, a voice Rolling Stone praised for its "astonishing strength and clarity".\r\n
      \r\n
      "I love everything about Christmas and this record was a joy to make", said McLachlan\r\n
      \r\n
      The album features classics such as "Silver Bells" reimagined into a shimmering, orchestrated picturesque tale as well as "Angels We Have Heard On High", a percussive hymn of adoration and Randy Newman's forlorn "Snow" from the 1960s. Emmylou Harris contributes vocals on "Go Tell It On The Mountain", also featuring Martha Wainwright, and "Away In A Manager", a new holiday song reinvented as a country shuffle.\r\n
      \r\n
      Members of Canadian quartet, Half Moon Run, play on five tracks and helped McLachlan flesh out some of the arrangements, including "Huron Carol", Canada's oldest Christmas song. "They're all in their mid-to-late 20s. They're incredible musicians", McLachlan says. Rounding out the guests is the world famous Bulgarian Symphony Orchestra, who perform on three songs, including "Let It Snow", "Silver Bells", and "Huron Carol". McLachlan enlisted orchestral arranger Brian Byrne to handle the particulars. "We had decided early on that it would be great to have string arrangements", McLachlan says. "We left some space for that and sent the arrangements to him and said ‘Work your magic.' He did".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah McLachlan (piano, keyboards, ukulele, acoustic guitar, vocals), Emmylou Harris, Martha Wainwright (vocals), Michel Pepin (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=fgf4rZAd6pU&list=PLRqec2rdL6SByq1XryqHh08Nl2i9s-8Jd"
    -referenceProduit: "Verve Records 7301"
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[
  "produit" => App\Entity\Produit {#2142
    -id: 2755
    -nom: "Solace"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion), Bill Dillon (acoustic & electric guitars, mandolin, pedal steel guitar, guitorgan, billatron), Leo Nocentelli (electric guitar), \r\n
      Daryl Exnicious (bass, backing vocals), Hugh McMillan, Jocelyne Lanois, Alan Gevaert (bass), Deni Bonet (violin, viola), Peter “Harpy” Conway (harmonica), Michel Dupirre (percussion), Ronald Jones (drums, tambourine), Paul Brennan, Ashwin Sood (drums).\r\n
      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Into The Fire" and "Path Of Thorns" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Solace, McLachlan's second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited Touch. In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, Fumbling Towards Ecstasy and Surfacing.\r\n
      \r\n
      "The opening track, 'Drawn to the Rhythm', is a habit-forming gem of a song that soars on her smooth and heady soprano and Ronald Jones's addictive drums (though the drone of the billatron in the chorus seems incongruous). The rumbling, electric 'Into the Fire' grooves with a funky bass line; the lovelorn 'Path of Thorns' and 'I Will Not Forget You' are straight-ahead and bluesy. Always wise beyond her years, McLachlan displays a new awakening with introspective songs such as the Sinead O'Connor-esque 'Lost" and "Shelter'. The hymnlike 'Mercy' is the least interesting song spare in comparison to the others but it is a wondrous showcase of her multifaceted voice. Without a doubt, Solace is a testament to McLachlan's ever-swelling talent". - Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=yFUR1VSVX-E&list=OLAK5uy_nKAZpxQ6xzoKWxlrGhMYx_NaXUwTKnmdw"
    -referenceProduit: "Analogue Productions AAPP 052-45"
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        "nom" => "3. The Paths of Thorns (Terms)"
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        "nom" => "2. Lost"
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        "nom" => "1. Back Door Man"
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        "nom" => "3. Black"
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        "nom" => "Side D : "
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        "nom" => "1. Home"
      ]
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        "nom" => "3. Wear Your Love Like Heaven"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
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    -modifierLe: DateTime @1765124362 {#2140
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App\Twig\Components\GestionPanierFavoriComponents {#3512
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2142
    -id: 2755
    -nom: "Solace"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion), Bill Dillon (acoustic & electric guitars, mandolin, pedal steel guitar, guitorgan, billatron), Leo Nocentelli (electric guitar), \r\n
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      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Into The Fire" and "Path Of Thorns" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Solace, McLachlan's second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited Touch. In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, Fumbling Towards Ecstasy and Surfacing.\r\n
      \r\n
      "The opening track, 'Drawn to the Rhythm', is a habit-forming gem of a song that soars on her smooth and heady soprano and Ronald Jones's addictive drums (though the drone of the billatron in the chorus seems incongruous). The rumbling, electric 'Into the Fire' grooves with a funky bass line; the lovelorn 'Path of Thorns' and 'I Will Not Forget You' are straight-ahead and bluesy. Always wise beyond her years, McLachlan displays a new awakening with introspective songs such as the Sinead O'Connor-esque 'Lost" and "Shelter'. The hymnlike 'Mercy' is the least interesting song spare in comparison to the others but it is a wondrous showcase of her multifaceted voice. Without a doubt, Solace is a testament to McLachlan's ever-swelling talent". - Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=yFUR1VSVX-E&list=OLAK5uy_nKAZpxQ6xzoKWxlrGhMYx_NaXUwTKnmdw"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
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}

[
  "produit" => App\Entity\Produit {#2155
    -id: 2757
    -nom: "Afterglow"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass), Sean Ashby, Michel Pépin, Yves Desrosiers, Mark Jowett, Ethan Johns (guitar), Tony Levin, Daryl Johnson (bass guitar),  \r\n
      Jim Creeggan (acoustic bass), David Kershaw (Hammond organ), Jorane (cello, background vocals), Jerry Marotta (percussion ), Ashwin Sood (drums, percussion, loops, keyboard bass).\r\n
      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Fallen", "Stupid" and "World on Fire" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits: Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      McLachlan's rebellion is hushed on Afterglow, her first studio album since 1997's Surfacing. "At times even the piano chords at the heart of the sound are tucked neatly beneath layer upon layer of strings and overdubbed voices. Listen to what’s being sung within this soothing aural bed, though, and hear the just-before-sleep murmurings of the quietest riot grrl : "I’m a train wreck waiting to happen... a wildfire born of frustration", "How stupid could I be.... you’re no good for me, but you’re the only one I see", "I have to push just to see how far you’ll go." The latter song "Push" resolves itself with the assurance, "You complete me". Ultimately, McLachlan fans will be comforted again by what turns out to be her reliably untroubled aesthetic". -Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=cpxZim7joMs&list=PLPaztBWnatcjLvllJJKTj4NdsuEpoqQMh"
    -referenceProduit: "Analogue Productions AAPP 054-45"
    -titreMorceau: [
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App\Twig\Components\GestionPanierFavoriComponents {#3560
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2155
    -id: 2757
    -nom: "Afterglow"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass), Sean Ashby, Michel Pépin, Yves Desrosiers, Mark Jowett, Ethan Johns (guitar), Tony Levin, Daryl Johnson (bass guitar),  \r\n
      Jim Creeggan (acoustic bass), David Kershaw (Hammond organ), Jorane (cello, background vocals), Jerry Marotta (percussion ), Ashwin Sood (drums, percussion, loops, keyboard bass).\r\n
      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Fallen", "Stupid" and "World on Fire" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits: Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      McLachlan's rebellion is hushed on Afterglow, her first studio album since 1997's Surfacing. "At times even the piano chords at the heart of the sound are tucked neatly beneath layer upon layer of strings and overdubbed voices. Listen to what’s being sung within this soothing aural bed, though, and hear the just-before-sleep murmurings of the quietest riot grrl : "I’m a train wreck waiting to happen... a wildfire born of frustration", "How stupid could I be.... you’re no good for me, but you’re the only one I see", "I have to push just to see how far you’ll go." The latter song "Push" resolves itself with the assurance, "You complete me". Ultimately, McLachlan fans will be comforted again by what turns out to be her reliably untroubled aesthetic". -Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cpxZim7joMs&list=PLPaztBWnatcjLvllJJKTj4NdsuEpoqQMh"
    -referenceProduit: "Analogue Productions AAPP 054-45"
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        "nom" => "2. World On Fire"
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        "nom" => "Side B : "
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        "nom" => "1. Stupid"
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        "nom" => "2. Drifting"
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        "nom" => "3. Train Wreck"
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        "nom" => "Side C :"
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        "nom" => "1. Push"
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        "nom" => "2. Answer"
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        "nom" => "3. Time"
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        "nom" => "1. Perfect Girl"
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        "nom" => "2. Dirty Little Secret"
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        "nom" => ""
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        "nom" => ""
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
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    -style: App\Entity\Style {#1453 …}
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    -modifierLe: DateTime @1765124138 {#2153
      date: 2025-12-07 16:15:38.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-afterglow-analogue-productions-aapp-054-45"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2409 …}
}

[
  "produit" => App\Entity\Produit {#2168
    -id: 2128
    -nom: "Live At The Laren Jazz Festival 1975"
    -informationComplementaire: null
    -description: """
      Meet one of jazz music's most enchanting voices. Sarah Vaughan, brought back to life for one night only. A previously unreleased live concert, remastered for the very first time. The "Divine" like you've never heard her before: playful, provocative, seductive. An intimate moment of rare emotional power.\r\n
      \r\n
      More than 40 years have passed since the Divine Sarah Vaughan gave this concert, one of her finest. At 10 pm,  August 5, 1975. Sarah Vaughan entered the stage of the Singer Hall in Laren, the Netherlands. With her were pianist Carl Schroeder, her accompanist for more than 20 years, bassist Bob Magnusson, a highly sought-after sideman with over 150 albums to his credit and one of the most sensitive drummers in the history of jazz, Jimmy Cobb. Need we remind you that from 1958 to 1962 he was Miles Davis' drummer, the one who recorded Kind of Blue (1959), a masterpiece ?\r\n
      \r\n
      The woman who was known throughout her career as "The Divine Sarah" was 51 years old and at the peak of her talent, the apex of her energy. Her vocal range remained exceptional. Provocative, seductive and often plain funny, she conquered her audience with a succession of songs, exuding potency with "Round Midnight", tenderness with "There Will Never Be Another You", vigour with "Everything Must Change". She wound up her medley with the touching "Moonlight in Vermont", and ended with "Tenderly".\r\n
      \r\n
      And she slipped off the stage as discretely as she had entered. The audience was up on its feet, clapping wildly. From the fast paced opening number, "The Man I Love" through her incomparable version of "Lover Man", never since bettered by any other singer, to "Tenderly", the finale, the Divine Sarah was in a state of grace, sending shivers down the spines of all listening.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Sarah Vaughan (vocals), Carl Schroeder (piano), Bob Magnusson (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -preCommande: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=e3aN0oLvgz0"
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      [
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        "nom" => "Side B : "
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        "nom" => "1. The Lamp Is Low "
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      [
        "ordre" => 7
        "nom" => "2. "Introduction" Body Heat "
      ]
      [
        "ordre" => 8
        "nom" => "3. Everything Must Change "
      ]
      [
        "ordre" => 9
        "nom" => "4. On a Clear Day (You Can See Forever)"
      ]
      [
        "ordre" => 10
        "nom" => "Side C : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Lover Man "
      ]
      [
        "ordre" => 12
        "nom" => "2. Sarah's Blues "
      ]
      [
        "ordre" => 13
        "nom" => "3. What Are You Doing the Rest of Your Life "
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. There Will Never Be Another You "
      ]
      [
        "ordre" => 16
        "nom" => "2. Medley : It's Magic, My Reverie, Body and Soul, Moonlight in Vermont "
      ]
      [
        "ordre" => 17
        "nom" => "3. Tenderly"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: Proxies\__CG__\App\Entity\Label {#2173 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2182 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2175 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2177 …}
    -enregistreLe: DateTime @1631346997 {#2165
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    }
    -modifierLe: DateTime @1765123941 {#2166
      date: 2025-12-07 16:12:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2179 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-live-at-the-laren-jazz-festival-1975-the-lost-recordings-4022"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3606
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2168
    -id: 2128
    -nom: "Live At The Laren Jazz Festival 1975"
    -informationComplementaire: null
    -description: """
      Meet one of jazz music's most enchanting voices. Sarah Vaughan, brought back to life for one night only. A previously unreleased live concert, remastered for the very first time. The "Divine" like you've never heard her before: playful, provocative, seductive. An intimate moment of rare emotional power.\r\n
      \r\n
      More than 40 years have passed since the Divine Sarah Vaughan gave this concert, one of her finest. At 10 pm,  August 5, 1975. Sarah Vaughan entered the stage of the Singer Hall in Laren, the Netherlands. With her were pianist Carl Schroeder, her accompanist for more than 20 years, bassist Bob Magnusson, a highly sought-after sideman with over 150 albums to his credit and one of the most sensitive drummers in the history of jazz, Jimmy Cobb. Need we remind you that from 1958 to 1962 he was Miles Davis' drummer, the one who recorded Kind of Blue (1959), a masterpiece ?\r\n
      \r\n
      The woman who was known throughout her career as "The Divine Sarah" was 51 years old and at the peak of her talent, the apex of her energy. Her vocal range remained exceptional. Provocative, seductive and often plain funny, she conquered her audience with a succession of songs, exuding potency with "Round Midnight", tenderness with "There Will Never Be Another You", vigour with "Everything Must Change". She wound up her medley with the touching "Moonlight in Vermont", and ended with "Tenderly".\r\n
      \r\n
      And she slipped off the stage as discretely as she had entered. The audience was up on its feet, clapping wildly. From the fast paced opening number, "The Man I Love" through her incomparable version of "Lover Man", never since bettered by any other singer, to "Tenderly", the finale, the Divine Sarah was in a state of grace, sending shivers down the spines of all listening.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Sarah Vaughan (vocals), Carl Schroeder (piano), Bob Magnusson (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e3aN0oLvgz0"
    -referenceProduit: "The Lost Recordings 4022"
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        "nom" => "4. Round Midnight "
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        "nom" => "Side B : "
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        "nom" => "1. The Lamp Is Low "
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        "nom" => "2. "Introduction" Body Heat "
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        "nom" => "3. Everything Must Change "
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      [
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        "nom" => "4. On a Clear Day (You Can See Forever)"
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      [
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      [
        "ordre" => 11
        "nom" => "1. Lover Man "
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      [
        "ordre" => 12
        "nom" => "2. Sarah's Blues "
      ]
      [
        "ordre" => 13
        "nom" => "3. What Are You Doing the Rest of Your Life "
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      [
        "ordre" => 16
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        "nom" => "3. Tenderly"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: Proxies\__CG__\App\Entity\Label {#2173 …}
    -style: App\Entity\Style {#1449 …}
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    -modifierLe: DateTime @1765123941 {#2166
      date: 2025-12-07 16:12:21.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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}

[
  "produit" => App\Entity\Produit {#2187
    -id: 2594
    -nom: "A Celebration of Duke"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan, Clark Terry, Zoot Sims, Quadrant "A Celebration of Duke" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on jacket !\r\n
      \r\n
      Producer Norman Granz was an associate of Duke Ellington's for many years, and it is not surprising that his labels have frequently hosted Ellington tributes that bring out the best in the participating world-class musicians. Although Clark Terry is the only participant in the present celebration to have logged significant time as an Ellingtonian, all hands draw sustenance from the unbeatable material here.\r\n
      \r\n
      Of special interest are the tracks on which Zoot Sims plays soprano sax, especially the neglected "Tonight I Shall Sleep", and Sarah Vaughan's pair of urbane and intense vocals, accompanied only by the guitar of album-MVP Joe Pass and pianist Mike Wofford.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah Vaughan (vocals), Clark Terry (trumpet), Zoot Sims (soprano saxophone), Milt Jackson (vibraphone), Jack Wilson, Jimmy Rowles, Mike Wofford (piano), Joe Pass (guitar), Michael Moore, Ray Brown (bass), Frank Severino, John Clay, Mickey Roker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=62qaoQZN2oo"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 162"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Caravan (Quadrant)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Happy Go Lucky Local (Clark Terry)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Tonight I Shall Sleep (Zoot Sims)"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Ain't Got Nothin But The Blues (Sarah Vaughan)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Come Sunday (Clark Terry)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Everything But You (Sarah Vaughan)"
      ]
      [
        "ordre" => 8
        "nom" => "2. Take The '''A''' Train (Quadrant)"
      ]
      [
        "ordre" => 9
        "nom" => "3. Rockin In Rhythm (Zoot Sims)"
      ]
      [
        "ordre" => 10
        "nom" => "4. Echoes Of Harlem (Clark Terry)"
      ]
      [
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        "nom" => "5. Main Stem (Quadrant)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
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      date: 2025-12-07 15:41:32.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3657
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2187
    -id: 2594
    -nom: "A Celebration of Duke"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan, Clark Terry, Zoot Sims, Quadrant "A Celebration of Duke" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on jacket !\r\n
      \r\n
      Producer Norman Granz was an associate of Duke Ellington's for many years, and it is not surprising that his labels have frequently hosted Ellington tributes that bring out the best in the participating world-class musicians. Although Clark Terry is the only participant in the present celebration to have logged significant time as an Ellingtonian, all hands draw sustenance from the unbeatable material here.\r\n
      \r\n
      Of special interest are the tracks on which Zoot Sims plays soprano sax, especially the neglected "Tonight I Shall Sleep", and Sarah Vaughan's pair of urbane and intense vocals, accompanied only by the guitar of album-MVP Joe Pass and pianist Mike Wofford.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah Vaughan (vocals), Clark Terry (trumpet), Zoot Sims (soprano saxophone), Milt Jackson (vibraphone), Jack Wilson, Jimmy Rowles, Mike Wofford (piano), Joe Pass (guitar), Michael Moore, Ray Brown (bass), Frank Severino, John Clay, Mickey Roker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=62qaoQZN2oo"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 162"
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      [
        "ordre" => 2
        "nom" => "2. Happy Go Lucky Local (Clark Terry)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Tonight I Shall Sleep (Zoot Sims)"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Ain't Got Nothin But The Blues (Sarah Vaughan)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Come Sunday (Clark Terry)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Everything But You (Sarah Vaughan)"
      ]
      [
        "ordre" => 8
        "nom" => "2. Take The '''A''' Train (Quadrant)"
      ]
      [
        "ordre" => 9
        "nom" => "3. Rockin In Rhythm (Zoot Sims)"
      ]
      [
        "ordre" => 10
        "nom" => "4. Echoes Of Harlem (Clark Terry)"
      ]
      [
        "ordre" => 11
        "nom" => "5. Main Stem (Quadrant)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#2192 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2201 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2194 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2196 …}
    -enregistreLe: DateTime @1732093986 {#2184
      date: 2024-11-20 09:13:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765122092 {#2185
      date: 2025-12-07 15:41:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2198 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-celebration-of-duke-analogue-productions-pablo-aapj-162"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2409 …}
}

[
  "produit" => App\Entity\Produit {#2206
    -id: 1902
    -nom: "Sarah Vaughan"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan "Sarah Vaughan" Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark).\r\n
      \r\n
      AllMusic says Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards "April in Paris", "Jim", and "Lullaby of Birdland". As touching as Vaughan is, however, Brown almost equals her with his solos on "Lullaby of Birdland", "Jim", and "September Song", displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah Vaughan (vocals), Clifford Brown (trumpet), Paul Quinichette (tenor saxophone), Herbie Mann (flute), Jimmy Jones, John Malachi (piano), Joe Benjamin (bass), Roy Haynes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tTsV56J16iU"
    -referenceProduit: "Acoustic Sounds Series 1301"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Lullaby of Birdland \t"
      ]
      [
        "ordre" => 2
        "nom" => "2. April in Paris \t"
      ]
      [
        "ordre" => 3
        "nom" => "3. He's My Guy \t"
      ]
      [
        "ordre" => 4
        "nom" => "4. Jim \t"
      ]
      [
        "ordre" => 5
        "nom" => "5. You're Not The Kind "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Embraceable You "
      ]
      [
        "ordre" => 8
        "nom" => "2. I'm Glad There Is You "
      ]
      [
        "ordre" => 9
        "nom" => "3. September Song "
      ]
      [
        "ordre" => 10
        "nom" => "4. It's Crazy "
      ]
      [
        "ordre" => 11
        "nom" => "5. Lullaby Of Birdland"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: Proxies\__CG__\App\Entity\Label {#2208 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2217 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2210 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2212 …}
    -enregistreLe: DateTime @1597155835 {#2203
      date: 2020-08-11 14:23:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765121058 {#2204
      date: 2025-12-07 15:24:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2214 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sarah-vaughan-acoustic-sounds-series-1301"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3710
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2641 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2206
    -id: 1902
    -nom: "Sarah Vaughan"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan "Sarah Vaughan" Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark).\r\n
      \r\n
      AllMusic says Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards "April in Paris", "Jim", and "Lullaby of Birdland". As touching as Vaughan is, however, Brown almost equals her with his solos on "Lullaby of Birdland", "Jim", and "September Song", displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah Vaughan (vocals), Clifford Brown (trumpet), Paul Quinichette (tenor saxophone), Herbie Mann (flute), Jimmy Jones, John Malachi (piano), Joe Benjamin (bass), Roy Haynes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tTsV56J16iU"
    -referenceProduit: "Acoustic Sounds Series 1301"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Lullaby of Birdland \t"
      ]
      [
        "ordre" => 2
        "nom" => "2. April in Paris \t"
      ]
      [
        "ordre" => 3
        "nom" => "3. He's My Guy \t"
      ]
      [
        "ordre" => 4
        "nom" => "4. Jim \t"
      ]
      [
        "ordre" => 5
        "nom" => "5. You're Not The Kind "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Embraceable You "
      ]
      [
        "ordre" => 8
        "nom" => "2. I'm Glad There Is You "
      ]
      [
        "ordre" => 9
        "nom" => "3. September Song "
      ]
      [
        "ordre" => 10
        "nom" => "4. It's Crazy "
      ]
      [
        "ordre" => 11
        "nom" => "5. Lullaby Of Birdland"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: Proxies\__CG__\App\Entity\Label {#2208 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2217 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2210 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2212 …}
    -enregistreLe: DateTime @1597155835 {#2203
      date: 2020-08-11 14:23:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765121058 {#2204
      date: 2025-12-07 15:24:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2214 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sarah-vaughan-acoustic-sounds-series-1301"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2409 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3906
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2409 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3907 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3955 …}
  +isValidated: false
  +validatedFields: []
}