Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2628
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2705
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2708 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
  -formView: Symfony\Component\Form\FormView {#2744 …}
  -form: Symfony\Component\Form\Form {#2894 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2403
    -nom: "Art Blakey Big Band"
    -informationComplementaire: "AVAILABILITY : 31/05/2023 (subject Bethlehem Records)"
    -description: """
      Musicians : \r\n
      Art Blakey (drums), Ray Copeland, Bill Hardman, Idrees Sulieman, Donald Byrd (trumpet), Frank Rehak, Jimmy Cleveland, Melba Liston (trombone), Bill Graham, Sahib Shihab (alto saxophone), Al Cohn, John Coltrane (tenor saxophone), Bill Slapin (baritone saxophone), Walter Bishop, Jr. (piano), Wendell Marshall (bass).\r\n
      \r\n
      The 1957 Bethlehem Records release Art Blakey Big Band finds the legendary drummer leading a 15-piece orchestra and quintet with appearances by the likes of Donald Byrd, John Coltrane, Ray Copeland, Bill Hardman and Walter Bishop Jr. among others. "In small combo work, you're free, you get to play. In a big band, nobody has freedom. And the drummer has to stay right with the rhythm section; he can't leave", Blakey said. "There are kicks though if you have the time to build a big band. The guys have to grow together. What makes a good big band drummer ? Aside from keeping time, all you can do is try to interpret the arrangements and fill in the holes." Remastered 180 gram vinyl LP.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Art Blakey (drums), Ray Copeland, Bill Hardman, Idrees Sulieman, Donald Byrd (trumpet), Frank Rehak, Jimmy Cleveland, Melba Liston (trombone), Bill Graham, Sahib Shihab (alto saxophone), Al Cohn, John Coltrane (tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=pjiLwmosQj8"
    -referenceProduit: "BMG Records "
    -titreMorceau: [
      [
        "nom" => "1. El Toro Valiente (2012 Remastered Version) "
        "ordre" => 6
      ]
      [
        "nom" => "1. Midriff (2012 Remastered Version) "
        "ordre" => 1
      ]
      [
        "nom" => "2. Ain't Life Grand (2012 Remastered Version) "
        "ordre" => 2
      ]
      [
        "nom" => "2. The Kiss of No Return (2012 Remastered Version) "
        "ordre" => 7
      ]
      [
        "nom" => "3. Late Date (2012 Remastered Version) "
        "ordre" => 8
      ]
      [
        "nom" => "3. Tippin' (2012 Remastered Version) "
        "ordre" => 3
      ]
      [
        "nom" => "4. Pristine (2012 Remastered Version)"
        "ordre" => 4
      ]
      [
        "nom" => "4. The Outer World (2012 Remastered Version)"
        "ordre" => 9
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1680813384 {#1929
      date: 2023-04-06 20:36:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1680848674 {#1922
      date: 2023-04-07 06:24:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-art-blakey-big-band-bmg-records"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3165
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2403
    -nom: "Art Blakey Big Band"
    -informationComplementaire: "AVAILABILITY : 31/05/2023 (subject Bethlehem Records)"
    -description: """
      Musicians : \r\n
      Art Blakey (drums), Ray Copeland, Bill Hardman, Idrees Sulieman, Donald Byrd (trumpet), Frank Rehak, Jimmy Cleveland, Melba Liston (trombone), Bill Graham, Sahib Shihab (alto saxophone), Al Cohn, John Coltrane (tenor saxophone), Bill Slapin (baritone saxophone), Walter Bishop, Jr. (piano), Wendell Marshall (bass).\r\n
      \r\n
      The 1957 Bethlehem Records release Art Blakey Big Band finds the legendary drummer leading a 15-piece orchestra and quintet with appearances by the likes of Donald Byrd, John Coltrane, Ray Copeland, Bill Hardman and Walter Bishop Jr. among others. "In small combo work, you're free, you get to play. In a big band, nobody has freedom. And the drummer has to stay right with the rhythm section; he can't leave", Blakey said. "There are kicks though if you have the time to build a big band. The guys have to grow together. What makes a good big band drummer ? Aside from keeping time, all you can do is try to interpret the arrangements and fill in the holes." Remastered 180 gram vinyl LP.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Art Blakey (drums), Ray Copeland, Bill Hardman, Idrees Sulieman, Donald Byrd (trumpet), Frank Rehak, Jimmy Cleveland, Melba Liston (trombone), Bill Graham, Sahib Shihab (alto saxophone), Al Cohn, John Coltrane (tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=pjiLwmosQj8"
    -referenceProduit: "BMG Records "
    -titreMorceau: [
      [
        "nom" => "1. El Toro Valiente (2012 Remastered Version) "
        "ordre" => 6
      ]
      [
        "nom" => "1. Midriff (2012 Remastered Version) "
        "ordre" => 1
      ]
      [
        "nom" => "2. Ain't Life Grand (2012 Remastered Version) "
        "ordre" => 2
      ]
      [
        "nom" => "2. The Kiss of No Return (2012 Remastered Version) "
        "ordre" => 7
      ]
      [
        "nom" => "3. Late Date (2012 Remastered Version) "
        "ordre" => 8
      ]
      [
        "nom" => "3. Tippin' (2012 Remastered Version) "
        "ordre" => 3
      ]
      [
        "nom" => "4. Pristine (2012 Remastered Version)"
        "ordre" => 4
      ]
      [
        "nom" => "4. The Outer World (2012 Remastered Version)"
        "ordre" => 9
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1680813384 {#1929
      date: 2023-04-06 20:36:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1680848674 {#1922
      date: 2023-04-07 06:24:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-art-blakey-big-band-bmg-records"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 662
    -nom: "E.S.P. "
    -informationComplementaire: ""
    -description: "Après plusieurs groupes intermédiaires (qui présentait des géants tels que Hank Mobley, Wynton Kelly, Victor Feldman, et George Coleman), Miles Davis a composé lentement son second grand quintet sur la période 1963-1964 et rassemblé  des musiciens tels que Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams (qui était âgé de 17 ans lorsqu’il a rejoint Miles Davis). Quand Miles Davis a assemblé Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams, il y avait un groupe à cheval sur les deux traditions du jazz et les challenges qui les attendaient. En 1965, l’album « E.S.P. » a été le premier enregistrement studio qui a capturé le jeu et le potentiel créatif que le groupe était en train de développer. Les cinq membres du quintette semblaient communiquer par télépathie, inspirant le titre « E.S.P. » (perception extra-sensorielle). Comportant le morceau de blues diablement génial « Eighty One » (en fait écrit par Ron Carter, mais probablement arrangé dans le studio par Miles Davis), sur lequel les rythmes binaires et tertiaires sont alternés (écoutez les improvisations et vous comprendrez). Bien que le concept mélodique de « Agitation » a souvent été utilisé pour ouvrir les concerts jusqu'en 1969, il a montré la manière et les options de « So What » et « Flamenco Sketches » pour trouver un nouveau débouché, six ans après Kind Of Blue. Mais le retour à l'inspiration des chefs-d'œuvre de 1959, est principalement attribuable à la composition de ses jeunes compagnons, qui étaient responsables de la composition de six des sept chansons sur l'album. Surtout remarquer le jeu brillant de Wayne Shorter avec Miles à la clôture du morceau « Mood », la ballade envoûtante écrite par le bassiste Ron Carter. C’est la première réédition audiophile de l’album « E.S.P. » de Miles Davis par Impex Records, remastérisé par Chris Bellman chez Bernie Grundman Mastering à partir des bandes masters originales. Cet album est strictement réédité à 3000 exemplaires numérotés. "
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (double bass), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=faW5IXgkMBQ"
    -referenceProduit: "IMP 6018"
    -titreMorceau: [
      [
        "nom" => "1. Agitation"
        "ordre" => 6
      ]
      [
        "nom" => "1. E.S.P."
        "ordre" => 1
      ]
      [
        "nom" => "2. Eighty-One"
        "ordre" => 2
      ]
      [
        "nom" => "2. Iris"
        "ordre" => 7
      ]
      [
        "nom" => "3. Little One"
        "ordre" => 3
      ]
      [
        "nom" => "3. Mood"
        "ordre" => 8
      ]
      [
        "nom" => "4. R.J. "
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1386935968 {#2095
      date: 2013-12-13 11:59:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1680034225 {#2096
      date: 2023-03-28 20:10:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-e-s-p-imp-6018"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3279
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 662
    -nom: "E.S.P. "
    -informationComplementaire: ""
    -description: "Après plusieurs groupes intermédiaires (qui présentait des géants tels que Hank Mobley, Wynton Kelly, Victor Feldman, et George Coleman), Miles Davis a composé lentement son second grand quintet sur la période 1963-1964 et rassemblé  des musiciens tels que Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams (qui était âgé de 17 ans lorsqu’il a rejoint Miles Davis). Quand Miles Davis a assemblé Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams, il y avait un groupe à cheval sur les deux traditions du jazz et les challenges qui les attendaient. En 1965, l’album « E.S.P. » a été le premier enregistrement studio qui a capturé le jeu et le potentiel créatif que le groupe était en train de développer. Les cinq membres du quintette semblaient communiquer par télépathie, inspirant le titre « E.S.P. » (perception extra-sensorielle). Comportant le morceau de blues diablement génial « Eighty One » (en fait écrit par Ron Carter, mais probablement arrangé dans le studio par Miles Davis), sur lequel les rythmes binaires et tertiaires sont alternés (écoutez les improvisations et vous comprendrez). Bien que le concept mélodique de « Agitation » a souvent été utilisé pour ouvrir les concerts jusqu'en 1969, il a montré la manière et les options de « So What » et « Flamenco Sketches » pour trouver un nouveau débouché, six ans après Kind Of Blue. Mais le retour à l'inspiration des chefs-d'œuvre de 1959, est principalement attribuable à la composition de ses jeunes compagnons, qui étaient responsables de la composition de six des sept chansons sur l'album. Surtout remarquer le jeu brillant de Wayne Shorter avec Miles à la clôture du morceau « Mood », la ballade envoûtante écrite par le bassiste Ron Carter. C’est la première réédition audiophile de l’album « E.S.P. » de Miles Davis par Impex Records, remastérisé par Chris Bellman chez Bernie Grundman Mastering à partir des bandes masters originales. Cet album est strictement réédité à 3000 exemplaires numérotés. "
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (double bass), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=faW5IXgkMBQ"
    -referenceProduit: "IMP 6018"
    -titreMorceau: [
      [
        "nom" => "1. Agitation"
        "ordre" => 6
      ]
      [
        "nom" => "1. E.S.P."
        "ordre" => 1
      ]
      [
        "nom" => "2. Eighty-One"
        "ordre" => 2
      ]
      [
        "nom" => "2. Iris"
        "ordre" => 7
      ]
      [
        "nom" => "3. Little One"
        "ordre" => 3
      ]
      [
        "nom" => "3. Mood"
        "ordre" => 8
      ]
      [
        "nom" => "4. R.J. "
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1386935968 {#2095
      date: 2013-12-13 11:59:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1680034225 {#2096
      date: 2023-03-28 20:10:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-e-s-p-imp-6018"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2117
    -id: 2351
    -nom: "Dance with Death "
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe gatefold tip-on jacket !\r\n
      \r\n
      Blue Note Records has announced the 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the "Tone Poet" Joe Harley and features all-analog, 180 gram audiophile vinyl reissues that are mastered directly from the original master tapes by Kevin Gray of Cohearent Audio.\r\n
      \r\n
      Tone Poet vinyl is manufactured at RTI in Camarillo, California, and packaged in deluxe gatefold tip-on jackets. The titles were once again handpicked by Harley and include acknowledged treasures of the Blue Note catalog as well as underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz.\r\n
      \r\n
      Pianist Andrew Hill's excellent 1968 session Dance With Death featured his singular compositions performed by a versatile quintet with trumpeter Charles Tolliver, saxophonist Joe Farrell, bassist Victor Sproles, and drummer Billy Higgins.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Andrew Hill (piano), Joe Farrell (tenor & soprano saxophone), Victor Sproles (bass), Charles Tolliver (trumpet), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JCcsn_7uPV0"
    -referenceProduit: "Blue Note Tone Poet Series 73160"
    -titreMorceau: [
      [
        "nom" => "1. Dance With Death "
        "ordre" => 5
      ]
      [
        "nom" => "1. Yellow Violet "
        "ordre" => 1
      ]
      [
        "nom" => "2. Love Nocturne "
        "ordre" => 6
      ]
      [
        "nom" => "2. Partitions "
        "ordre" => 2
      ]
      [
        "nom" => "3. Black Sabbath"
        "ordre" => 7
      ]
      [
        "nom" => "3. Fish 'N Rice"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2131 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2124 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2126 …}
    -enregistreLe: DateTime @1674548415 {#2114
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    }
    -modifierLe: DateTime @1679736308 {#2115
      date: 2023-03-25 09:25:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2128 …}
    -disponible: null
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    -slug: "vinyles-dance-with-death-blue-note-tone-poet-series-73160"
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App\Twig\Components\GestionPanierFavoriComponents {#3330
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2117
    -id: 2351
    -nom: "Dance with Death "
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe gatefold tip-on jacket !\r\n
      \r\n
      Blue Note Records has announced the 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the "Tone Poet" Joe Harley and features all-analog, 180 gram audiophile vinyl reissues that are mastered directly from the original master tapes by Kevin Gray of Cohearent Audio.\r\n
      \r\n
      Tone Poet vinyl is manufactured at RTI in Camarillo, California, and packaged in deluxe gatefold tip-on jackets. The titles were once again handpicked by Harley and include acknowledged treasures of the Blue Note catalog as well as underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz.\r\n
      \r\n
      Pianist Andrew Hill's excellent 1968 session Dance With Death featured his singular compositions performed by a versatile quintet with trumpeter Charles Tolliver, saxophonist Joe Farrell, bassist Victor Sproles, and drummer Billy Higgins.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Andrew Hill (piano), Joe Farrell (tenor & soprano saxophone), Victor Sproles (bass), Charles Tolliver (trumpet), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=JCcsn_7uPV0"
    -referenceProduit: "Blue Note Tone Poet Series 73160"
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        "nom" => "3. Black Sabbath"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
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    -modifierLe: DateTime @1679736308 {#2115
      date: 2023-03-25 09:25:08.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -infoMasterTape: null
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  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2138
    -id: 2297
    -nom: "George Coleman At Yoshi's"
    -informationComplementaire: ""
    -description: """
      - 180 gram double LP !\r\n
      \r\n
      - Remastering by Cicely Baston at Air Mastering, London ! \r\n
      \r\n
      "When any recording made by George Coleman is issued, it's an instant event. Though Coleman has always been busy performing, writing, and especially teaching, scant few LPs or CDs have come listeners' way. It is especially thrilling to hear him live in concert performance at the initial site of the then newly minted Yoshi's in Oakland, CA, as his extended techniques and heightened sense of tonal ideas come fully to the fore.\r\n
      \r\n
      "Coleman and pianist Harold Mabern, both originally from the fertile jazz scene in Memphis, make the perfect tandem, ably supported by super pros in expatriate drummer Alvin Queen and veteran New York bassist Ray Drummond, both of whom Coleman played with when he was in Europe. There are many solemn, laid-back, and reflective moments from Coleman, as both of the opening tracks, 'They Say It's Wonderful' and 'Good Morning Heartache', warm slowly and simmer at their easily swinging maximum, with the tenor man progressively squeezing out more and more notes in refined fashion. Never far from the soul of his homeland, 'Laig Gobblin' Blues' is a refreshing modal original by the leader, a 5/4 beat in a 12-bar idea, with 7/4 tossed in cleverly. The dignity and class of Coleman cannot be overemphasized, as he further displays on his neat and clean composition 'Father'. A lovely and loping 'Soul Eyes' is a perfect closer over its nearly 17 minutes, giving pause to the thought that it was in fact Coleman who influenced John Coltrane.\r\n
      \r\n
      "The quick, constantly forward-moving Freddie Hubbard standard waltz 'Up Jumped Spring' further shows a relationship between the tenor titans, with the band quoting Trane's 'Olé'. The talent of Mabern is formidable, tasteful, and exciting, as showcased during his rumbling chords during 'Io', a killer modal track written by Paul Arslanian, as Coleman inserts a memorable singsong line and Queen injects some calypso. This one is as definitive a track as Coleman has in his repertoire. Frankly, the whole LP from top to bottom has Coleman and his band inspired to the hilt and playing their best, and At Yoshi's is a highly recommended effort that deserves a space on each and every jazz lover's shelf". - Michael G. Nastos\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "George Coleman (tenor saxophone), Harold Mabern (piano), Ray Drummond (bass), Alvin Queen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yWmvRexpPzI"
    -referenceProduit: "Pure Pleasure Records APPR 0126"
    -titreMorceau: [
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        "nom" => "1. Laig Gobblin’ Blues \t"
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        "nom" => "Side A : "
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      [
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      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …}
    -label: Proxies\__CG__\App\Entity\Label {#2143 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2152 …}
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    -enregistreLe: DateTime @1664896048 {#2134
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    }
    -modifierLe: DateTime @1679736210 {#2133
      date: 2023-03-25 09:23:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2149 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-george-coleman-at-yoshi-s-pure-pleasure-records-appr-0126"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3381
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2138
    -id: 2297
    -nom: "George Coleman At Yoshi's"
    -informationComplementaire: ""
    -description: """
      - 180 gram double LP !\r\n
      \r\n
      - Remastering by Cicely Baston at Air Mastering, London ! \r\n
      \r\n
      "When any recording made by George Coleman is issued, it's an instant event. Though Coleman has always been busy performing, writing, and especially teaching, scant few LPs or CDs have come listeners' way. It is especially thrilling to hear him live in concert performance at the initial site of the then newly minted Yoshi's in Oakland, CA, as his extended techniques and heightened sense of tonal ideas come fully to the fore.\r\n
      \r\n
      "Coleman and pianist Harold Mabern, both originally from the fertile jazz scene in Memphis, make the perfect tandem, ably supported by super pros in expatriate drummer Alvin Queen and veteran New York bassist Ray Drummond, both of whom Coleman played with when he was in Europe. There are many solemn, laid-back, and reflective moments from Coleman, as both of the opening tracks, 'They Say It's Wonderful' and 'Good Morning Heartache', warm slowly and simmer at their easily swinging maximum, with the tenor man progressively squeezing out more and more notes in refined fashion. Never far from the soul of his homeland, 'Laig Gobblin' Blues' is a refreshing modal original by the leader, a 5/4 beat in a 12-bar idea, with 7/4 tossed in cleverly. The dignity and class of Coleman cannot be overemphasized, as he further displays on his neat and clean composition 'Father'. A lovely and loping 'Soul Eyes' is a perfect closer over its nearly 17 minutes, giving pause to the thought that it was in fact Coleman who influenced John Coltrane.\r\n
      \r\n
      "The quick, constantly forward-moving Freddie Hubbard standard waltz 'Up Jumped Spring' further shows a relationship between the tenor titans, with the band quoting Trane's 'Olé'. The talent of Mabern is formidable, tasteful, and exciting, as showcased during his rumbling chords during 'Io', a killer modal track written by Paul Arslanian, as Coleman inserts a memorable singsong line and Queen injects some calypso. This one is as definitive a track as Coleman has in his repertoire. Frankly, the whole LP from top to bottom has Coleman and his band inspired to the hilt and playing their best, and At Yoshi's is a highly recommended effort that deserves a space on each and every jazz lover's shelf". - Michael G. Nastos\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "George Coleman (tenor saxophone), Harold Mabern (piano), Ray Drummond (bass), Alvin Queen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=yWmvRexpPzI"
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        "ordre" => 3
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      [
        "nom" => "Side B : "
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      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …}
    -label: Proxies\__CG__\App\Entity\Label {#2143 …}
    -style: App\Entity\Style {#1502 …}
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    -modifierLe: DateTime @1679736210 {#2133
      date: 2023-03-25 09:23:30.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-george-coleman-at-yoshi-s-pure-pleasure-records-appr-0126"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2157
    -id: 2379
    -nom: "Suites N° 2 & 5 for Solo Cello - (Half-Speed Master)"
    -informationComplementaire: "AVAILABILITY : 31/05/2023 (subject Mercury Records)"
    -description: """
      - Part of the Mercury Living Presence Audiophile Series !\r\n
      \r\n
      - Half-Speed Mastered Vinyl LP !\r\n
      \r\n
      - Precision HD Transfers of the Original First-Generation Tapes !\r\n
      \r\n
      Long hailed as the audiophile's label, Mercury Living Presence represents an important milestone in the history of classical recording. Since they were first released, Mercury Living Presence LP records have been collected and coveted. 70 years after the label's first release - Mussorgsky's Pictures at an Exhibition, with Rafael Kubelík conducting the Chicago Symphony Orchestra - Mercury continues to be admired for the quality of its artistry and recordings: all celebrated for their sheer vividness of sound. This audiophile series sources the original first-generation master tapes. New HD transfers were made at Abbey Road Studios. Master files, including new 3-to-2 mixes for stereo titles, were produced by Thomas Fine, son of the original producer and recording engineer for the majority of Mercury Living Presence titles.\r\n
      \r\n
      Originally released in 1964, this first LP of Starker's legendary Bach Suites recordings for Mercury met immediate acclaim and encouraged Starker and the recording team to wax the other four Suites. All six Suites were released together in a 1966 box set. Recorded April 15 and 17, 1963, in Fine Recording Ballroom Studio A, New York City, using three Schoeps M201 microphones.\r\n
      \r\n
      A Note About Listening Levels\r\n
      \r\n
      Mercury Living Presence recordings are highly dynamic, pushing the technical capabilities of the original recording equipment to the limit. In a modern setting, especially in the context of a Half-Speed Mastered LP, the full dynamic range on the tapes makes its way to the grooves.\r\n
      \r\n
      This may require the listener to turn up the system volume to a higher level than they may be accustomed to.\r\n
      \r\n
      All efforts were made to present these discs on quiet, high-quality vinyl, so listening at "concert hall levels" should not include an objectionable increase in background surface noise.\r\n
      \r\n
      Turn it up, experience the 3D sound field, and enjoy the lifelike dynamics; put yourself in the Living Presence of the music !\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Janos Starker (cello)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Mercury Records SR 90370"
    -titreMorceau: [
      [
        "nom" => "1. Allemande "
        "ordre" => 2
      ]
      [
        "nom" => "1. Praeludium "
        "ordre" => 10
      ]
      [
        "nom" => "2. Allemande "
        "ordre" => 11
      ]
      [
        "nom" => "2. Courante "
        "ordre" => 3
      ]
      [
        "nom" => "3. Courante "
        "ordre" => 12
      ]
      [
        "nom" => "3. Sarabande "
        "ordre" => 4
      ]
      [
        "nom" => "4. Menuettos I And II "
        "ordre" => 5
      ]
      [
        "nom" => "4. Sarabande "
        "ordre" => 13
      ]
      [
        "nom" => "5. Gavottes I And II "
        "ordre" => 14
      ]
      [
        "nom" => "5. Gigue "
        "ordre" => 6
      ]
      [
        "nom" => "6. Gigue"
        "ordre" => 15
      ]
      [
        "nom" => "6. Praeludium"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "Suites For Solo Cello N° 2 In D Minor"
        "ordre" => 1
      ]
      [
        "nom" => "Suites For Solo Cello N° 5 In C Minor"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2159 …}
    -label: Proxies\__CG__\App\Entity\Label {#2162 …}
    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2171 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2164 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2166 …}
    -enregistreLe: DateTime @1679305690 {#2154
      date: 2023-03-20 09:48:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1679306174 {#2155
      date: 2023-03-20 09:56:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2168 …}
    -disponible: null
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    -slug: "vinyles-suites-n-2-5-for-solo-cello-half-speed-master-mercury-records-sr-90370"
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App\Twig\Components\GestionPanierFavoriComponents {#3432
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2157
    -id: 2379
    -nom: "Suites N° 2 & 5 for Solo Cello - (Half-Speed Master)"
    -informationComplementaire: "AVAILABILITY : 31/05/2023 (subject Mercury Records)"
    -description: """
      - Part of the Mercury Living Presence Audiophile Series !\r\n
      \r\n
      - Half-Speed Mastered Vinyl LP !\r\n
      \r\n
      - Precision HD Transfers of the Original First-Generation Tapes !\r\n
      \r\n
      Long hailed as the audiophile's label, Mercury Living Presence represents an important milestone in the history of classical recording. Since they were first released, Mercury Living Presence LP records have been collected and coveted. 70 years after the label's first release - Mussorgsky's Pictures at an Exhibition, with Rafael Kubelík conducting the Chicago Symphony Orchestra - Mercury continues to be admired for the quality of its artistry and recordings: all celebrated for their sheer vividness of sound. This audiophile series sources the original first-generation master tapes. New HD transfers were made at Abbey Road Studios. Master files, including new 3-to-2 mixes for stereo titles, were produced by Thomas Fine, son of the original producer and recording engineer for the majority of Mercury Living Presence titles.\r\n
      \r\n
      Originally released in 1964, this first LP of Starker's legendary Bach Suites recordings for Mercury met immediate acclaim and encouraged Starker and the recording team to wax the other four Suites. All six Suites were released together in a 1966 box set. Recorded April 15 and 17, 1963, in Fine Recording Ballroom Studio A, New York City, using three Schoeps M201 microphones.\r\n
      \r\n
      A Note About Listening Levels\r\n
      \r\n
      Mercury Living Presence recordings are highly dynamic, pushing the technical capabilities of the original recording equipment to the limit. In a modern setting, especially in the context of a Half-Speed Mastered LP, the full dynamic range on the tapes makes its way to the grooves.\r\n
      \r\n
      This may require the listener to turn up the system volume to a higher level than they may be accustomed to.\r\n
      \r\n
      All efforts were made to present these discs on quiet, high-quality vinyl, so listening at "concert hall levels" should not include an objectionable increase in background surface noise.\r\n
      \r\n
      Turn it up, experience the 3D sound field, and enjoy the lifelike dynamics; put yourself in the Living Presence of the music !\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Janos Starker (cello)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -nom: "Bitches Brew"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      Musicians : \r\n
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[
  "produit" => App\Entity\Produit {#2192
    -id: 784
    -nom: "Miles in the Sky (2 LP) 45 RPM"
    -informationComplementaire: "Re-edition 2023"
    -description: """
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      \r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
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      \r\n
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      \r\n
      Granted enhanced production and a greater field of audible information, Miles in the Sky can finally be perceived as belonging to the same upper echelon as Davis' ubiquitously acclaimed Nefertiti and Filles de Kilimanjaro--the albums that precede and follow, respectively, this watershed title. Commonly branded a "transitional" work, Miles in the Sky showcases Davis already at ease with electric instruments and eager to venture into uncharted territories. Doubling as organized jams and bridges between jazz and rock, both the rhythmically challenging "Stuff" and frisky "Paraphernalia" glancing toward the future while keeping solid footing in the past.\r\n
      \r\n
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      \r\n
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2205
    -id: 1642
    -nom: "Nefertiti - (2 LP) 45 RPM"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      - STEEPED IN INQUISITIVE INTERPLAY AND SUBCONSCIOUS IMPRESSIONISM !\r\n
      \r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Nefertit will always be known as the final all-acoustic record made by Miles Davis' classic second quintet. A thematic bookend to the preceding Sorcerer, the 1967 set shares much in common with its equally nuanced predecessor yet deviates by way of its focus on rhythm and exploratory soundscapes. The low-key music blooms with colorful bouquets of shadings, gradations, and overtones that on Mobile Fidelity's edition bring listeners to closer to the creative passions than ever before.\r\n
      \r\n
      As he does on Sorcerer, Davis again cedes all compositional duties to his all-star band mates and focuses on his trumpet. Familiar albeit slightly dissonant, rooted in hard bop yet signaling the onset of fusion, the songs are grounded in inquisitive interplay and subconscious impressionism. Nefertiti reveals fresh devices and new directions every time you visit its cerebral worlds. And while each musician is given ample room to solo, the effort stands as an example of groupthink in that no individual stands out or shows off. The groundbreaking title track during which the horn section recurrently repeats the melody as drummer Tony Williams and bassist Ron Carter improvise, thus inverting the conventional sense of a rhythm section shines as a textbook example of such chemistry and unity.\r\n
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      \r\n
      Indeed, the thrilling sense of interplay and inclination of the ensemble to keep searching, moving forward in a concerted manner to uncover then-unheard jazz discoveries, marks Nefertiti as one of Davis' quintessential efforts. For historians, it's the signpost to the pioneering fusion the leader would begin to pursue with greater commitment on the record's follow-up, Miles in the Sky. For the rest of us, the album is music and music-making at its intriguing best.\r\n
      \r\n
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    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Iu0IfC_IUaA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-436 "
    -titreMorceau: [
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        "nom" => "2. Pinocchio"
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        "nom" => "Side A : "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
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    -disponible: null
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    -slug: "vinyles-nefertiti-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-436"
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App\Twig\Components\GestionPanierFavoriComponents {#3581
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
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    -id: 1642
    -nom: "Nefertiti - (2 LP) 45 RPM"
    -informationComplementaire: "Re-edition 2023"
    -description: """
      - STEEPED IN INQUISITIVE INTERPLAY AND SUBCONSCIOUS IMPRESSIONISM !\r\n
      \r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Nefertit will always be known as the final all-acoustic record made by Miles Davis' classic second quintet. A thematic bookend to the preceding Sorcerer, the 1967 set shares much in common with its equally nuanced predecessor yet deviates by way of its focus on rhythm and exploratory soundscapes. The low-key music blooms with colorful bouquets of shadings, gradations, and overtones that on Mobile Fidelity's edition bring listeners to closer to the creative passions than ever before.\r\n
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      As he does on Sorcerer, Davis again cedes all compositional duties to his all-star band mates and focuses on his trumpet. Familiar albeit slightly dissonant, rooted in hard bop yet signaling the onset of fusion, the songs are grounded in inquisitive interplay and subconscious impressionism. Nefertiti reveals fresh devices and new directions every time you visit its cerebral worlds. And while each musician is given ample room to solo, the effort stands as an example of groupthink in that no individual stands out or shows off. The groundbreaking title track during which the horn section recurrently repeats the melody as drummer Tony Williams and bassist Ron Carter improvise, thus inverting the conventional sense of a rhythm section shines as a textbook example of such chemistry and unity.\r\n
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      Indeed, the thrilling sense of interplay and inclination of the ensemble to keep searching, moving forward in a concerted manner to uncover then-unheard jazz discoveries, marks Nefertiti as one of Davis' quintessential efforts. For historians, it's the signpost to the pioneering fusion the leader would begin to pursue with greater commitment on the record's follow-up, Miles in the Sky. For the rest of us, the album is music and music-making at its intriguing best.\r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2218
    -id: 2374
    -nom: "The Lost Sessions From The Netherlands"
    -informationComplementaire: ""
    -description: """
      - 180 gram vinyl !\r\n
      \r\n
      - Remastered from the original analog tapes !\r\n
      \r\n
      - Lacquers cut by André Perriat !\r\n
      \r\n
      - Manufactured in Germany !\r\n
      \r\n
      Among the great moments in the career of Blossom Dearie, an exceptional singer and pianist, are the concerts she gave and recorded in the Netherlands between 1968 and 1989, of which we have a faithful reflection here, thanks in particular to a fine recording. She dominates all instrumental formats, from solo to the large Metropole Orchestra, and all repertoires, from the film song "Raindrops Keep Falling On My Head", which she magnifies, to Joni Mitchell's "Both Sides Now", which she renews with intelligence, not forgetting a masterpiece for which she is responsible, "Winchester in Apple Blossom Time". Not forgetting her other personal works, as well as "Bring All Your Love Along", of which we hear the first recorded version here. Blossom's sublime farewell, eternal spring, in the form of a delicate reverence.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Blossom Dearie (piano, vocals), Jim Hughart (bass), John Morrell (guitar), Colin Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=n_0v3VQMVhA"
    -referenceProduit: "The Lost Recordings 4033"
    -titreMorceau: [
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        "nom" => "1. Discover Who I Am "
        "ordre" => 1
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        "nom" => "1. Raindrops Keep Falling on My Head "
        "ordre" => 8
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2220 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3627
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2218
    -id: 2374
    -nom: "The Lost Sessions From The Netherlands"
    -informationComplementaire: ""
    -description: """
      - 180 gram vinyl !\r\n
      \r\n
      - Remastered from the original analog tapes !\r\n
      \r\n
      - Lacquers cut by André Perriat !\r\n
      \r\n
      - Manufactured in Germany !\r\n
      \r\n
      Among the great moments in the career of Blossom Dearie, an exceptional singer and pianist, are the concerts she gave and recorded in the Netherlands between 1968 and 1989, of which we have a faithful reflection here, thanks in particular to a fine recording. She dominates all instrumental formats, from solo to the large Metropole Orchestra, and all repertoires, from the film song "Raindrops Keep Falling On My Head", which she magnifies, to Joni Mitchell's "Both Sides Now", which she renews with intelligence, not forgetting a masterpiece for which she is responsible, "Winchester in Apple Blossom Time". Not forgetting her other personal works, as well as "Bring All Your Love Along", of which we hear the first recorded version here. Blossom's sublime farewell, eternal spring, in the form of a delicate reverence.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Blossom Dearie (piano, vocals), Jim Hughart (bass), John Morrell (guitar), Colin Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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        "nom" => "Side A : "
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        "ordre" => 7
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2220 …}
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      date: 2023-03-05 07:14:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-the-lost-sessions-from-the-netherlands-the-lost-recordings-4033"
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[
  "produit" => App\Entity\Produit {#2237
    -id: 2372
    -nom: "Emerald City Nights - Live at the Penthouse 1963-1964 "
    -informationComplementaire: ""
    -description: """
      - Limited Edition 180 gram Double LP !\r\n
      \r\n
      - Official Release Supervised by Ahmad Jamal !\r\n
      \r\n
      - Remastered Audio Transferred from the Original Tape Reels !\r\n
      \r\n
      - Mastered by Bernie Grundman !\r\n
      \r\n
      - Previously unreleased recordings capture live from 1963-1964 at the hallowed Seattle jazz club !\r\n
      \r\n
      - Booklet included featuring rare photos, liner notes, interviews and more !\r\n
      \r\n
      Emerald City Nights : Live At The Penthouse (1963-1964) brings forth a collection of previously unreleased recordings of the iconic pianist Ahmad Jamal captured live at the hallowed Seattle jazz club. Featuring trios with bassists Richard Evans and Jamil Nasser, drummers Chuck Lampkin, Vernel Fournier and Frank Grant. Limited Edition 2 LP set on 180 gram vinyl with audio transferred from the original tape reels and mastered by the legendary Bernie Grundman. Includes booklet with rare photos, liner notes, interviews, and more.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ahmad Jamal (piano), Rechard Evans, Jamil Nasser (bass), Chuck Lampkin (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sUr5eb4yyis"
    -referenceProduit: "Anagram Music 3539"
    -titreMorceau: [
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        "nom" => "1. All Of You "
        "ordre" => 6
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        "nom" => "1. Bogota "
        "ordre" => 10
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        "nom" => "1. Johnny One Note "
        "ordre" => 2
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        "nom" => "1. Keep On Keeping On "
        "ordre" => 15
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        "nom" => "2. Lollipops & Roses "
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        "nom" => "2. Minor Adjustments"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2239 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3678
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
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    -id: 2372
    -nom: "Emerald City Nights - Live at the Penthouse 1963-1964 "
    -informationComplementaire: ""
    -description: """
      - Limited Edition 180 gram Double LP !\r\n
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      - Official Release Supervised by Ahmad Jamal !\r\n
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      - Remastered Audio Transferred from the Original Tape Reels !\r\n
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[
  "produit" => App\Entity\Produit {#2256
    -id: 2371
    -nom: "Emerald City Nights - Live at the Penthouse 1965-1966 "
    -informationComplementaire: ""
    -description: """
      - Limited Edition 180 gram Double LP !\r\n
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      - Official Release Supervised by Ahmad Jamal !\r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3731
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    -id: 2371
    -nom: "Emerald City Nights - Live at the Penthouse 1965-1966 "
    -informationComplementaire: ""
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      - Official Release Supervised by Ahmad Jamal !\r\n
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      - Remastered Audio Transferred from the Original Tape Reels !\r\n
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2239 …}
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[
  "produit" => App\Entity\Produit {#2269
    -id: 2364
    -nom: "True Analogue : The Best of Groove Note Records (25th Anniversary)"
    -informationComplementaire: ""
    -description: """
      - Numbered, Limited Edition AAA One-Step 45 RPM 180 gram Double LP !\r\n
      \r\n
      - Cut from the Original 30 ips Analogue Master Tapes by Bernie Grundman !\r\n
      \r\n
      - Plated One Step by RTI !\r\n
      \r\n
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      \r\n
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      \r\n
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      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3777
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
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    -id: 2364
    -nom: "True Analogue : The Best of Groove Note Records (25th Anniversary)"
    -informationComplementaire: ""
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      - Plated One Step by RTI !\r\n
      \r\n
      Announcing the very first Groove Note Best Of One Step LP True Analogue : The Best of Groove Note Records (25th Anniversary Edition). The program is similar to Groove Note's existing True Audiophile series of SACDs but features more tracks from the recent releases by Vanessa Fernandez and Jacintha. The program contains 12 tracks spread over 4 x 45 RPM sides and is plated One Step by RTI.\r\n
      \r\n
      All 12 tracks are cut from the original 30 ips analogue master tapes by Bernie Grundman, who assembled all the separate tracks from the different masters before cutting. Groove Note did not use an intermediate production dub as the master as is the usual practice when releasing a "Best Of" compilation album.\r\n
      \r\n
      This album was cut by Bernie Grundman using a recently installed and upgraded diamond cutting tool which has resulted in a lower noise floor.\r\n
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Groove Note Records 13001S-45"
    -titreMorceau: [
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        "nom" => "1. Anthony Wilson - Theme from Chinatown "
        "ordre" => 9
      ]
      [
        "nom" => "1. Roy Gaines - Stormy Monday Blues "
        "ordre" => 5
      ]
      [
        "nom" => "1. Vanessa Fernandez - Here But I'm Gone "
        "ordre" => 13
      ]
      [
        "nom" => "1. Vanessa Fernandez - I Want You "
        "ordre" => 1
      ]
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        "nom" => "2. Jacintha - Here's to Life (Soundtrack Mix) "
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      ]
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        "nom" => "2. Jacintha - Light My Fire "
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      ]
      [
        "nom" => "2. Vanessa Fernandez - Be Thankful for What You Got "
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      ]
      [
        "nom" => "2. Vanessa Fernandez - When the Levee Breaks "
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      ]
      [
        "nom" => "3. Bennie Wallace - I'll Never Smile Again"
        "ordre" => 3
      ]
      [
        "nom" => "3. Jacintha - Fire & Rain"
        "ordre" => 7
      ]
      [
        "nom" => "3. Jacintha - The Look of Love"
        "ordre" => 11
      ]
      [
        "nom" => "3. Vanessa Fernandez - Whole Lotta Love (Full Rock Mix)"
        "ordre" => 15
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2271 …}
    -label: Proxies\__CG__\App\Entity\Label {#2274 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2283 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2276 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2278 …}
    -enregistreLe: DateTime @1677135628 {#2266
      date: 2023-02-23 07:00:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1677135837 {#2267
      date: 2023-02-23 07:03:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2280 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-true-analogue-the-best-of-groove-note-records-25th-anniversary-groove-note-records-13001s-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3978
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3979 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4027 …}
  +isValidated: false
  +validatedFields: []
}