Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2567
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2644
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2647 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
  -formView: Symfony\Component\Form\FormView {#2683 …}
  -form: Symfony\Component\Form\Form {#2833 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2443
    -nom: "Dixie Chicken (3 LP) - Deluxe Edition"
    -informationComplementaire: ""
    -description: """
      - The indomitable Little Feat !\r\n
      \r\n
      - 180 gram 3LP deluxe edition reissue !\r\n
      \r\n
      - Remastered & Recut from the Original Tapes !\r\n
      \r\n
      - A rich mix of rock, funk, folk, jazz, country, rockabilly, New Orleans swamp boogie and more !\r\n
      \r\n
      Two of Little Feat's best Sailin' Shoes and Dixie Chicken have been newly remastered for Deluxe Editions that will introduce unreleased live and studio recordings that capture peak Feat.\r\n
      \r\n
      Dixie Chicken, the band's third studio album, emerged in 1973 and introduced fans to Little Feat's evolving sound and new line-up. The group's shift toward New Orleans-style funk was accompanied by the arrival of three new members, guitarist Paul Barrere, percussionist Sam Clayton, and bassist Kenny Gradney (who replaced Estrada).\r\n
      \r\n
      Dixie Chicken (DELUXE EDITION) contains the newly remastered album, which features classics such as "Two Trains", "Fat Man In The Bathtub", and the title track. Several unreleased session recordings debut in the new set, including alternate versions of "Roll Um Easy", "On Your Way Down", and "Juliette". The unreleased live music was recorded at Paul's Mall in Boston on March 1, 1973. They feature songs from Dixie Chicken ("Two Trains", "Walkin' All Night") and the band's earlier albums ("Willin,," "Got No Shadow") The illustrated liner notes included in the collection were written\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yaHEfJApEVM"
    -referenceProduit: "Rhino Records 695370"
    -titreMorceau: [
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        "nom" => "1. Dixie Chicken "
        "ordre" => 2
      ]
      [
        "nom" => "1. Eldorado Slim "
        "ordre" => 21
      ]
      [
        "nom" => "1. Fool Yourself "
        "ordre" => 8
      ]
      [
        "nom" => "1. Two Trains "
        "ordre" => 27
      ]
      [
        "nom" => "1. Two Trains – Demo "
        "ordre" => 15
      ]
      [
        "nom" => "1. Walkin’ All Night "
        "ordre" => 31
      ]
      [
        "nom" => "2. Fat Man In The Bathtub "
        "ordre" => 32
      ]
      [
        "nom" => "2. Fat Man In The Bathtub – Demo "
        "ordre" => 16
      ]
      [
        "nom" => "2. Got No Shadow "
        "ordre" => 28
      ]
      [
        "nom" => "2. Juliette – Alternate Version "
        "ordre" => 22
      ]
      [
        "nom" => "2. Two Trains "
        "ordre" => 3
      ]
      [
        "nom" => "2. Walkin’ All Night "
        "ordre" => 9
      ]
      [
        "nom" => "3. Fat Man In The Bathtub "
        "ordre" => 10
      ]
      [
        "nom" => "3. Hi Roller (Ace In The Hole) "
        "ordre" => 23
      ]
      [
        "nom" => "3. On Your Way Down"
        "ordre" => 29
      ]
      [
        "nom" => "3. Roll Um Easy "
        "ordre" => 4
      ]
      [
        "nom" => "3. Walkin’ All Night – Alternate Version "
        "ordre" => 17
      ]
      [
        "nom" => "3. Willin "
        "ordre" => 33
      ]
      [
        "nom" => "4. A Apolitical Blues"
        "ordre" => 34
      ]
      [
        "nom" => "4. Dixie Chicken – Alternate Version"
        "ordre" => 24
      ]
      [
        "nom" => "4. Juliette "
        "ordre" => 11
      ]
      [
        "nom" => "4. On Your Way Down "
        "ordre" => 5
      ]
      [
        "nom" => "4. Roll Um Easy – Alternate Version "
        "ordre" => 18
      ]
      [
        "nom" => "5. Kiss It Off"
        "ordre" => 6
      ]
      [
        "nom" => "5. Lafayette Railroad"
        "ordre" => 12
      ]
      [
        "nom" => "5. On Your Way Down – Alternate Version"
        "ordre" => 19
      ]
      [
        "nom" => "LP 1 - Original Album (2023 Remaster)"
        "ordre" => 0
      ]
      [
        "nom" => "LP 2 - Hotcakes, Outtakes, Rarities"
        "ordre" => 13
      ]
      [
        "nom" => "LP 3 - Icepick Eldorado: Live At Paul’s Mall, Boston, MA (4/1/73)"
        "ordre" => 25
      ]
      [
        "nom" => "Side A : "
        "ordre" => 1
      ]
      [
        "nom" => "Side A : "
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      ]
      [
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      [
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      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1687592570 {#1875
      date: 2023-06-24 07:42:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1687592968 {#1868
      date: 2023-06-24 07:49:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dixie-chicken-3-lp-deluxe-edition-rhino-records-695370"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3108
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2443
    -nom: "Dixie Chicken (3 LP) - Deluxe Edition"
    -informationComplementaire: ""
    -description: """
      - The indomitable Little Feat !\r\n
      \r\n
      - 180 gram 3LP deluxe edition reissue !\r\n
      \r\n
      - Remastered & Recut from the Original Tapes !\r\n
      \r\n
      - A rich mix of rock, funk, folk, jazz, country, rockabilly, New Orleans swamp boogie and more !\r\n
      \r\n
      Two of Little Feat's best Sailin' Shoes and Dixie Chicken have been newly remastered for Deluxe Editions that will introduce unreleased live and studio recordings that capture peak Feat.\r\n
      \r\n
      Dixie Chicken, the band's third studio album, emerged in 1973 and introduced fans to Little Feat's evolving sound and new line-up. The group's shift toward New Orleans-style funk was accompanied by the arrival of three new members, guitarist Paul Barrere, percussionist Sam Clayton, and bassist Kenny Gradney (who replaced Estrada).\r\n
      \r\n
      Dixie Chicken (DELUXE EDITION) contains the newly remastered album, which features classics such as "Two Trains", "Fat Man In The Bathtub", and the title track. Several unreleased session recordings debut in the new set, including alternate versions of "Roll Um Easy", "On Your Way Down", and "Juliette". The unreleased live music was recorded at Paul's Mall in Boston on March 1, 1973. They feature songs from Dixie Chicken ("Two Trains", "Walkin' All Night") and the band's earlier albums ("Willin,," "Got No Shadow") The illustrated liner notes included in the collection were written\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yaHEfJApEVM"
    -referenceProduit: "Rhino Records 695370"
    -titreMorceau: [
      [
        "nom" => "1. Dixie Chicken "
        "ordre" => 2
      ]
      [
        "nom" => "1. Eldorado Slim "
        "ordre" => 21
      ]
      [
        "nom" => "1. Fool Yourself "
        "ordre" => 8
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      [
        "nom" => "1. Two Trains "
        "ordre" => 27
      ]
      [
        "nom" => "1. Two Trains – Demo "
        "ordre" => 15
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      [
        "nom" => "1. Walkin’ All Night "
        "ordre" => 31
      ]
      [
        "nom" => "2. Fat Man In The Bathtub "
        "ordre" => 32
      ]
      [
        "nom" => "2. Fat Man In The Bathtub – Demo "
        "ordre" => 16
      ]
      [
        "nom" => "2. Got No Shadow "
        "ordre" => 28
      ]
      [
        "nom" => "2. Juliette – Alternate Version "
        "ordre" => 22
      ]
      [
        "nom" => "2. Two Trains "
        "ordre" => 3
      ]
      [
        "nom" => "2. Walkin’ All Night "
        "ordre" => 9
      ]
      [
        "nom" => "3. Fat Man In The Bathtub "
        "ordre" => 10
      ]
      [
        "nom" => "3. Hi Roller (Ace In The Hole) "
        "ordre" => 23
      ]
      [
        "nom" => "3. On Your Way Down"
        "ordre" => 29
      ]
      [
        "nom" => "3. Roll Um Easy "
        "ordre" => 4
      ]
      [
        "nom" => "3. Walkin’ All Night – Alternate Version "
        "ordre" => 17
      ]
      [
        "nom" => "3. Willin "
        "ordre" => 33
      ]
      [
        "nom" => "4. A Apolitical Blues"
        "ordre" => 34
      ]
      [
        "nom" => "4. Dixie Chicken – Alternate Version"
        "ordre" => 24
      ]
      [
        "nom" => "4. Juliette "
        "ordre" => 11
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      [
        "nom" => "4. On Your Way Down "
        "ordre" => 5
      ]
      [
        "nom" => "4. Roll Um Easy – Alternate Version "
        "ordre" => 18
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      [
        "nom" => "5. On Your Way Down – Alternate Version"
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      ]
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        "ordre" => 7
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
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    }
    -modifierLe: DateTime @1687592968 {#1868
      date: 2023-06-24 07:49:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
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    -slug: "vinyles-dixie-chicken-3-lp-deluxe-edition-rhino-records-695370"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 2442
    -nom: "Sailin' Shoes (3 LP) - Deluxe Edition"
    -informationComplementaire: ""
    -description: """
      - The indomitable Little Feat !\r\n
      \r\n
      - 180 gram 3 LP deluxe edition reissue !\r\n
      \r\n
      - Remastered & Recut from the Original Tapes !\r\n
      \r\n
      - A rich mix of rock, funk, folk, jazz, country, rockabilly, New Orleans swamp boogie and more !\r\n
      \r\n
      Two of Little Feat's best Sailin' Shoes and Dixie Chicken have been newly remastered for Deluxe Editions that will introduce unreleased live and studio recordings that capture peak Feat.\r\n
      \r\n
      Sailin' Shoes (DELUXE EDITION) opens with a newly remastered version of the original album, which introduced signature tunes such as "Easy To Slip," the title track, and an updated version of "Willin'" a song that also appeared in 1971 on the band's eponymous debut. Several outtakes from the album's recording sessions make their debut on the Deluxe Edition, including alternate versions of "Cold, Cold, Cold", "A Apolitical Blues," and "Willin'".\r\n
      \r\n
      The magic that Little Feat conjured in concert takes center stage in the new set with a newly discovered and previously unreleased complete show recorded at the Palladium in Los Angeles on August 28, 1971. This live set marks the only multi-track recording in existence to feature the original lineup of the band. The performance features songs from both Sailin' Shoes ("Tripe Face Boogie", "Teenage Nervous Breakdown") and Little Feat ("Hamburger Midnight", "Snakes On Everything") The set also comes with illustrated liner notes written by acclaimed music journalist, David Fricke.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jHKFkLhr4_I"
    -referenceProduit: "Rhino Records 695371"
    -titreMorceau: [
      [
        "nom" => "1. A Apolitical Blues – Alternate Version "
        "ordre" => 22
      ]
      [
        "nom" => "1. Easy To Slip "
        "ordre" => 2
      ]
      [
        "nom" => "1. Got No Shadow "
        "ordre" => 36
      ]
      [
        "nom" => "1. Sailin’ Shoes "
        "ordre" => 9
      ]
      [
        "nom" => "1. Sailin’ Shoes – Demo "
        "ordre" => 16
      ]
      [
        "nom" => "1. Tripe Face Boogie "
        "ordre" => 30
      ]
      [
        "nom" => "2. Boogie (early version of Tripe Face Boogie) "
        "ordre" => 23
      ]
      [
        "nom" => "2. Cold, Cold Cold "
        "ordre" => 3
      ]
      [
        "nom" => "2. Easy To Fall (early version of Easy To Slip) – Demo For Doobie Bros. "
        "ordre" => 17
      ]
      [
        "nom" => "2. Hamburger Midnight "
        "ordre" => 31
      ]
      [
        "nom" => "2. Teenage Nervous Breakdown "
        "ordre" => 10
      ]
      [
        "nom" => "2. Texas Rose Café "
        "ordre" => 37
      ]
      [
        "nom" => "2. Texas Rose Café "
        "ordre" => 38
      ]
      [
        "nom" => "3. Cat Fever "
        "ordre" => 32
      ]
      [
        "nom" => "3. Got No Shadow "
        "ordre" => 11
      ]
      [
        "nom" => "3. Texas Rose Café – Demo For Doobie Bros. "
        "ordre" => 18
      ]
      [
        "nom" => "3. Trouble "
        "ordre" => 4
      ]
      [
        "nom" => "3. Trouble – Alternate Version "
        "ordre" => 24
      ]
      [
        "nom" => "4. Cat Fever "
        "ordre" => 12
      ]
      [
        "nom" => "4. Cold, Cold, Cold – Alternate Version "
        "ordre" => 19
      ]
      [
        "nom" => "4. Doriville "
        "ordre" => 25
      ]
      [
        "nom" => "4. Hot Rod "
        "ordre" => 39
      ]
      [
        "nom" => "4. Tripe Face Boogie "
        "ordre" => 5
      ]
      [
        "nom" => "4. Willin’ "
        "ordre" => 33
      ]
      [
        "nom" => "5. Roto / Tone"
        "ordre" => 20
      ]
      [
        "nom" => "5. Strawberry Flats"
        "ordre" => 34
      ]
      [
        "nom" => "5. Teenage Nervous Breakdown"
        "ordre" => 40
      ]
      [
        "nom" => "5. Texas Rose Café"
        "ordre" => 13
      ]
      [
        "nom" => "5. Willin "
        "ordre" => 6
      ]
      [
        "nom" => "5. Willin’ – Alternate Version "
        "ordre" => 26
      ]
      [
        "nom" => "6. A Apolitical Blues"
        "ordre" => 7
      ]
      [
        "nom" => "6. Easy To Slip – Mono Single Version"
        "ordre" => 27
      ]
      [
        "nom" => "LP 1 - Original Album (2023 Remaster)"
        "ordre" => 0
      ]
      [
        "nom" => "LP 2 - Hotcakes, Outtakes, Rarities"
        "ordre" => 14
      ]
      [
        "nom" => "LP 3 - Thank You! I’ll Eat It Here: Live At The Palladium, Los Angeles, CA (8/28/71)"
        "ordre" => 28
      ]
      [
        "nom" => "Side A : "
        "ordre" => 15
      ]
      [
        "nom" => "Side A : "
        "ordre" => 1
      ]
      [
        "nom" => "Side A : "
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      [
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      ]
      [
        "nom" => "Side B : "
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      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2052 …}
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    -enregistreLe: DateTime @1687591404 {#2041
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    -modifierLe: DateTime @1687591951 {#2042
      date: 2023-06-24 07:32:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2049 …}
    -disponible: null
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    -slug: "vinyles-sailin-shoes-3-lp-deluxe-edition-rhino-records-695371"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3224
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 2442
    -nom: "Sailin' Shoes (3 LP) - Deluxe Edition"
    -informationComplementaire: ""
    -description: """
      - The indomitable Little Feat !\r\n
      \r\n
      - 180 gram 3 LP deluxe edition reissue !\r\n
      \r\n
      - Remastered & Recut from the Original Tapes !\r\n
      \r\n
      - A rich mix of rock, funk, folk, jazz, country, rockabilly, New Orleans swamp boogie and more !\r\n
      \r\n
      Two of Little Feat's best Sailin' Shoes and Dixie Chicken have been newly remastered for Deluxe Editions that will introduce unreleased live and studio recordings that capture peak Feat.\r\n
      \r\n
      Sailin' Shoes (DELUXE EDITION) opens with a newly remastered version of the original album, which introduced signature tunes such as "Easy To Slip," the title track, and an updated version of "Willin'" a song that also appeared in 1971 on the band's eponymous debut. Several outtakes from the album's recording sessions make their debut on the Deluxe Edition, including alternate versions of "Cold, Cold, Cold", "A Apolitical Blues," and "Willin'".\r\n
      \r\n
      The magic that Little Feat conjured in concert takes center stage in the new set with a newly discovered and previously unreleased complete show recorded at the Palladium in Los Angeles on August 28, 1971. This live set marks the only multi-track recording in existence to feature the original lineup of the band. The performance features songs from both Sailin' Shoes ("Tripe Face Boogie", "Teenage Nervous Breakdown") and Little Feat ("Hamburger Midnight", "Snakes On Everything") The set also comes with illustrated liner notes written by acclaimed music journalist, David Fricke.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jHKFkLhr4_I"
    -referenceProduit: "Rhino Records 695371"
    -titreMorceau: [
      [
        "nom" => "1. A Apolitical Blues – Alternate Version "
        "ordre" => 22
      ]
      [
        "nom" => "1. Easy To Slip "
        "ordre" => 2
      ]
      [
        "nom" => "1. Got No Shadow "
        "ordre" => 36
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      [
        "nom" => "1. Sailin’ Shoes "
        "ordre" => 9
      ]
      [
        "nom" => "1. Sailin’ Shoes – Demo "
        "ordre" => 16
      ]
      [
        "nom" => "1. Tripe Face Boogie "
        "ordre" => 30
      ]
      [
        "nom" => "2. Boogie (early version of Tripe Face Boogie) "
        "ordre" => 23
      ]
      [
        "nom" => "2. Cold, Cold Cold "
        "ordre" => 3
      ]
      [
        "nom" => "2. Easy To Fall (early version of Easy To Slip) – Demo For Doobie Bros. "
        "ordre" => 17
      ]
      [
        "nom" => "2. Hamburger Midnight "
        "ordre" => 31
      ]
      [
        "nom" => "2. Teenage Nervous Breakdown "
        "ordre" => 10
      ]
      [
        "nom" => "2. Texas Rose Café "
        "ordre" => 37
      ]
      [
        "nom" => "2. Texas Rose Café "
        "ordre" => 38
      ]
      [
        "nom" => "3. Cat Fever "
        "ordre" => 32
      ]
      [
        "nom" => "3. Got No Shadow "
        "ordre" => 11
      ]
      [
        "nom" => "3. Texas Rose Café – Demo For Doobie Bros. "
        "ordre" => 18
      ]
      [
        "nom" => "3. Trouble "
        "ordre" => 4
      ]
      [
        "nom" => "3. Trouble – Alternate Version "
        "ordre" => 24
      ]
      [
        "nom" => "4. Cat Fever "
        "ordre" => 12
      ]
      [
        "nom" => "4. Cold, Cold, Cold – Alternate Version "
        "ordre" => 19
      ]
      [
        "nom" => "4. Doriville "
        "ordre" => 25
      ]
      [
        "nom" => "4. Hot Rod "
        "ordre" => 39
      ]
      [
        "nom" => "4. Tripe Face Boogie "
        "ordre" => 5
      ]
      [
        "nom" => "4. Willin’ "
        "ordre" => 33
      ]
      [
        "nom" => "5. Roto / Tone"
        "ordre" => 20
      ]
      [
        "nom" => "5. Strawberry Flats"
        "ordre" => 34
      ]
      [
        "nom" => "5. Teenage Nervous Breakdown"
        "ordre" => 40
      ]
      [
        "nom" => "5. Texas Rose Café"
        "ordre" => 13
      ]
      [
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        "ordre" => 6
      ]
      [
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        "ordre" => 26
      ]
      [
        "nom" => "6. A Apolitical Blues"
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      ]
      [
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      [
        "nom" => "LP 1 - Original Album (2023 Remaster)"
        "ordre" => 0
      ]
      [
        "nom" => "LP 2 - Hotcakes, Outtakes, Rarities"
        "ordre" => 14
      ]
      [
        "nom" => "LP 3 - Thank You! I’ll Eat It Here: Live At The Palladium, Los Angeles, CA (8/28/71)"
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      [
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      [
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
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}

[
  "produit" => App\Entity\Produit {#2057
    -id: 1052
    -nom: "Bob Dylan"
    -informationComplementaire: "Reissue 2023"
    -description: """
      Bob Dylan "Bob Dylan" on Numbered Limited Edition 180 gram 45 RPM 2 LP (Mono and Stereo).\r\n
      \r\n
      Understated 1962 Debut Launched Immeasurably Influential Career.\r\n
      \r\n
      Bob Dylan’s self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.\r\n
      \r\n
      Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan’s name or music is to miss the forest for the trees. Distinguished from the era’s other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he’d soon trailblaze and everyone else would follow.\r\n
      \r\n
      By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson’s “See That My Grave Is Kept Clean”, Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.\r\n
      \r\n
      As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, “Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn’t, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer’s name as if it were already common coin”. It all starts here.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bob Dylan (acoustic guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ACla5QpZSyU"
    -referenceProduit: "MFSL 0420-45"
    -titreMorceau: [
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        "nom" => "1. Fixin' to Die"
        "ordre" => 6
      ]
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        "nom" => "1. Freight Train Blues"
        "ordre" => 14
      ]
      [
        "nom" => "1. Gospel Plow"
        "ordre" => 10
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      [
        "nom" => "1. You're No Good"
        "ordre" => 1
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        "ordre" => 11
      ]
      [
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        "ordre" => 7
      ]
      [
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        "ordre" => 15
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      [
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      [
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      [
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      [
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      [
        "nom" => "3. See That My Grave Is Kept Clean"
        "ordre" => 16
      ]
      [
        "nom" => "4. Man of Constant Sorrow"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2059 …}
    -label: Proxies\__CG__\App\Entity\Label {#2062 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2064 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2066 …}
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    }
    -modifierLe: DateTime @1685688449 {#2055
      date: 2023-06-02 06:47:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-bob-dylan-mfsl-0420-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3270
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2057
    -id: 1052
    -nom: "Bob Dylan"
    -informationComplementaire: "Reissue 2023"
    -description: """
      Bob Dylan "Bob Dylan" on Numbered Limited Edition 180 gram 45 RPM 2 LP (Mono and Stereo).\r\n
      \r\n
      Understated 1962 Debut Launched Immeasurably Influential Career.\r\n
      \r\n
      Bob Dylan’s self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.\r\n
      \r\n
      Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan’s name or music is to miss the forest for the trees. Distinguished from the era’s other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he’d soon trailblaze and everyone else would follow.\r\n
      \r\n
      By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson’s “See That My Grave Is Kept Clean”, Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.\r\n
      \r\n
      As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, “Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn’t, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer’s name as if it were already common coin”. It all starts here.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bob Dylan (acoustic guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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        "ordre" => 10
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        "ordre" => 1
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        "nom" => "2. Baby, Let Me Follow You Down"
        "ordre" => 11
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        "nom" => "2. Pretty Peggy-O"
        "ordre" => 7
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        "ordre" => 15
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        "nom" => "2. Talkin' New York"
        "ordre" => 2
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      [
        "nom" => "3. Highway 51"
        "ordre" => 8
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      [
        "nom" => "3. House of the Risin' Sun"
        "ordre" => 12
      ]
      [
        "nom" => "3. In My Time of Dyin'"
        "ordre" => 3
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      [
        "nom" => "3. See That My Grave Is Kept Clean"
        "ordre" => 16
      ]
      [
        "nom" => "4. Man of Constant Sorrow"
        "ordre" => 4
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        "nom" => "Side A : "
        "ordre" => 0
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2059 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2076
    -id: 1766
    -nom: "Friday Night In San Francisco"
    -informationComplementaire: ""
    -description: """
      Numbered Limited Edition 3000 Copies ! \r\n
      \r\n
      All-Analog 180 gram 45 RPM Vinyl Edition !\r\n
      \r\n
      Mastered by Bernie Grundman Mastering From Original Analog Master Tapes !\r\n
      \r\n
      Every note.\r\n
      Every lightning strum.\r\n
      Every impossibly perfect run.\r\n
      Every dynamic blast.\r\n
      Every tonal nuance.\r\n
      Every staccato reverberation.\r\n
      Every unexpected moment of towering virtuosity.\r\n
      Every caught breath.\r\n
      Every thunderous applause.\r\n
      \r\n
      Everything you’ve loved about this iconic, reference-defining recording is laid bare, reproduced with stunning fidelity and nuance. Featuring all-analog mastering by Bernie Grundman Mastering and an exclusive foil-stamped jacket for this very special release. This Di Meola-McLaughlin-De Lucia classic could only come from the LP fetishists at Impex Records.\r\n
      \r\n
      Listen as Impex’s 180 gram vinyl, spinning at 45 revolutions per minute, reveals everything to your hungry, deep-listening ears. Ready to redefine definitive again.\r\n
      \r\n
      Listen as Impex’s 180 gram vinyl, spinning at 45 revolutions per minute, reveals everything to your hungry, deep-listening ears. Ready to redefine definitive again.\r\n
      \r\n
      Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as “a musical event that could be compared to the Benny Goodman Band’s performance at Carnegie Hall in 1938…[it] may be considered the most influential of all live acoustic guitar albums. All the tracks except Guardian Angel were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.\r\n
      This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.\r\n
      \r\n
      Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.\r\n
      \r\n
      Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.\r\n
      \r\n
      John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him “the best guitarist alive”. In 2003, McLaughlin was ranked 49th in Rolling Stone’s “100 Greatest Guitarists of All Time”. After contributing to several key British groups of the early sixties and making his first solo record, he moved to the US where he played with Tony Williams’ group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums: In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.\r\n
      \r\n
      “Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers”. – www.allmusic.com\r\n
      Features:\r\n
      \r\n
      • Mastered by Bernie Grundman from the Original Analog Master Tapes !\r\n
      • Numbered Limited Edition 100 % Analog 180 gram Vinyl LP !\r\n
      • Limited To Only 3000 Numbered Copies !\r\n
      • Plated and pressed at RTI, supervised by Rick Hashimoto\r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco de Lucía (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oGbLEco2Ezc"
    -referenceProduit: "Impex Records 6031-45"
    -titreMorceau: [
      [
        "nom" => "1. Fantasia Suite"
        "ordre" => 7
      ]
      [
        "nom" => "1. Frevo Rasgado"
        "ordre" => 5
      ]
      [
        "nom" => "1. Mediterranean Sundance / Rio Ancho"
        "ordre" => 1
      ]
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        "nom" => "1. Short Tales of the Black Forest"
        "ordre" => 3
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        "nom" => "2. Guardian Angel"
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        "nom" => "Side A : "
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        "ordre" => 2
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        "nom" => "Side C : "
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      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …}
    -label: Proxies\__CG__\App\Entity\Label {#2081 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2090 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2083 …}
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    -modifierLe: DateTime @1673079879 {#2074
      date: 2023-01-07 08:24:39.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2087 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-friday-night-in-san-francisco-impex-records-6031-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3321
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2076
    -id: 1766
    -nom: "Friday Night In San Francisco"
    -informationComplementaire: ""
    -description: """
      Numbered Limited Edition 3000 Copies ! \r\n
      \r\n
      All-Analog 180 gram 45 RPM Vinyl Edition !\r\n
      \r\n
      Mastered by Bernie Grundman Mastering From Original Analog Master Tapes !\r\n
      \r\n
      Every note.\r\n
      Every lightning strum.\r\n
      Every impossibly perfect run.\r\n
      Every dynamic blast.\r\n
      Every tonal nuance.\r\n
      Every staccato reverberation.\r\n
      Every unexpected moment of towering virtuosity.\r\n
      Every caught breath.\r\n
      Every thunderous applause.\r\n
      \r\n
      Everything you’ve loved about this iconic, reference-defining recording is laid bare, reproduced with stunning fidelity and nuance. Featuring all-analog mastering by Bernie Grundman Mastering and an exclusive foil-stamped jacket for this very special release. This Di Meola-McLaughlin-De Lucia classic could only come from the LP fetishists at Impex Records.\r\n
      \r\n
      Listen as Impex’s 180 gram vinyl, spinning at 45 revolutions per minute, reveals everything to your hungry, deep-listening ears. Ready to redefine definitive again.\r\n
      \r\n
      Listen as Impex’s 180 gram vinyl, spinning at 45 revolutions per minute, reveals everything to your hungry, deep-listening ears. Ready to redefine definitive again.\r\n
      \r\n
      Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as “a musical event that could be compared to the Benny Goodman Band’s performance at Carnegie Hall in 1938…[it] may be considered the most influential of all live acoustic guitar albums. All the tracks except Guardian Angel were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.\r\n
      This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.\r\n
      \r\n
      Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.\r\n
      \r\n
      Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.\r\n
      \r\n
      John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him “the best guitarist alive”. In 2003, McLaughlin was ranked 49th in Rolling Stone’s “100 Greatest Guitarists of All Time”. After contributing to several key British groups of the early sixties and making his first solo record, he moved to the US where he played with Tony Williams’ group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums: In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.\r\n
      \r\n
      “Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers”. – www.allmusic.com\r\n
      Features:\r\n
      \r\n
      • Mastered by Bernie Grundman from the Original Analog Master Tapes !\r\n
      • Numbered Limited Edition 100 % Analog 180 gram Vinyl LP !\r\n
      • Limited To Only 3000 Numbered Copies !\r\n
      • Plated and pressed at RTI, supervised by Rick Hashimoto\r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco de Lucía (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oGbLEco2Ezc"
    -referenceProduit: "Impex Records 6031-45"
    -titreMorceau: [
      [
        "nom" => "1. Fantasia Suite"
        "ordre" => 7
      ]
      [
        "nom" => "1. Frevo Rasgado"
        "ordre" => 5
      ]
      [
        "nom" => "1. Mediterranean Sundance / Rio Ancho"
        "ordre" => 1
      ]
      [
        "nom" => "1. Short Tales of the Black Forest"
        "ordre" => 3
      ]
      [
        "nom" => "2. Guardian Angel"
        "ordre" => 8
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      [
        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C : "
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …}
    -label: Proxies\__CG__\App\Entity\Label {#2081 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2090 …}
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    -enregistreLe: DateTime @1572937235 {#2073
      date: 2019-11-05 07:00:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1673079879 {#2074
      date: 2023-01-07 08:24:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2087 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-friday-night-in-san-francisco-impex-records-6031-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 2300
    -nom: "Live At Red Rocks With The Colorado Symphony "
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Amos Lee (guitar, vocals), Silver Alnomae, Susan Bowies, Judith Galecki, Danielle Guideri, Thomas Helnrich, Margaret Mulliken, Matthew Switzer, Susan Yun (cello), Ann Marie Hoffman, Jerry Chiu, Larisa Fesmire, Thomas Hanulik, Wyn Hart, John Hilton, Yumi Hwang Williams, Myroslava Ivanchenko, Boram Kangm, Dorian Kincald, Karen Kinzle, Mark Lamprey, Ben Odhner, Miroslaw Pastusiak, Erik Peterson, Felix Petit, Paul Primus, Robert Stoyanov, Stirling Trent, Amy Tyson, Bradley Watson, Allegra Wermuth, Tena White (violin), John Arnesen, Susan Cahill, James Carroll, Karl Fenner, Jeremy Kincald, Nicholas Recuber, May Reed (bass), Justyn Bartels, Daniel Kuehn, Patrick Tillery (trumpet), Courtney Hershey Bress (harp), David Brussel, Cara Kizer, Carolyn Kunicki, Kollo Plachkov, Michael Thornton (horn), Charlyn Campbell, Mary Cowell, Marsha Holmes, Helen McDermott, Philip Stevens, Basil Vendryes (viola), Annie Clements (bass, vocals), Chad Cognata (basson), Colorado Symphony Orchestra (guest artist), Peter Cooper, Monica Hanulk (oboe), Zach Djanikian (guitar, mandolin, saxophone, vocals), Stephen Dombrowski (tuba), Brook Ferguson, Catherine Peterson (flute), Gregory Harper, Paul Naslund (trombone bass), William Hill (timpani), Andy Keenan (pedal steel guitar, saxophone, vocals), Jasob Lichtenwalter (horn English, oboe), Jaron Olevsky (accordion, keyboards, vocals), Abby Raymond (clarinet, E flat clarinet), Tristan Rennie (bassoon), Jason shafer (clarinet), Julie Duncan Thornton (flute, piccolo), John Kinzie, Terry Smith, Lee Vinson (percussion), Fred Berman (drums).\r\n
      \r\n
      When Amos Lee rolled into Red Rocks in August 2014, he had been on tour for almost a year in support of his fifth studio album Mountains of Sorrow, Rivers of Song but this concert in particular was something special. It was his first headlining date at the legendary venue, and he was backed by the Colorado Symphony with arrangements composed just for that evening. Lucky for us, the experience was captured in this 14 track career-spanning 2 LP set. 2022 pressing on splatter vinyl.\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Silver Alnomae, Susan Bowies, Judith Galecki, Danielle Guideri, Thomas Helnrich, Margaret Mulliken, Matthew Switzer, Susan Yun (cello)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jPMy01lS5as"
    -referenceProduit: "ATO Records 1891"
    -titreMorceau: [
      [
        "nom" => "1. El Camino \t"
        "ordre" => 5
      ]
      [
        "nom" => "1. Street Corner Preacher \t"
        "ordre" => 14
      ]
      [
        "nom" => "1. Trickers, Hucksters, And Scamps \t"
        "ordre" => 9
      ]
      [
        "nom" => "1. Windows Are Rolled Down \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. Flower \t"
        "ordre" => 10
      ]
      [
        "nom" => "2. Game Of Thrones Theme \t"
        "ordre" => 15
      ]
      [
        "nom" => "2. Jesus \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. Violin \t"
        "ordre" => 6
      ]
      [
        "nom" => "3. Black River \t"
        "ordre" => 16
      ]
      [
        "nom" => "3. Colors "
        "ordre" => 7
      ]
      [
        "nom" => "3. Keep It Loose, Keep It Tight "
        "ordre" => 3
      ]
      [
        "nom" => "3. Won't Let Me Go \t"
        "ordre" => 11
      ]
      [
        "nom" => "4. Arms Of A Woman "
        "ordre" => 17
      ]
      [
        "nom" => "4. Sweet Pea "
        "ordre" => 12
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2102 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2111 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2104 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2106 …}
    -enregistreLe: DateTime @1665903946 {#2093
      date: 2022-10-16 07:05:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1670401607 {#2092
      date: 2022-12-07 08:26:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2108 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-red-rocks-with-the-colorado-symphony-ato-records-1891"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3372
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2097
    -id: 2300
    -nom: "Live At Red Rocks With The Colorado Symphony "
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Amos Lee (guitar, vocals), Silver Alnomae, Susan Bowies, Judith Galecki, Danielle Guideri, Thomas Helnrich, Margaret Mulliken, Matthew Switzer, Susan Yun (cello), Ann Marie Hoffman, Jerry Chiu, Larisa Fesmire, Thomas Hanulik, Wyn Hart, John Hilton, Yumi Hwang Williams, Myroslava Ivanchenko, Boram Kangm, Dorian Kincald, Karen Kinzle, Mark Lamprey, Ben Odhner, Miroslaw Pastusiak, Erik Peterson, Felix Petit, Paul Primus, Robert Stoyanov, Stirling Trent, Amy Tyson, Bradley Watson, Allegra Wermuth, Tena White (violin), John Arnesen, Susan Cahill, James Carroll, Karl Fenner, Jeremy Kincald, Nicholas Recuber, May Reed (bass), Justyn Bartels, Daniel Kuehn, Patrick Tillery (trumpet), Courtney Hershey Bress (harp), David Brussel, Cara Kizer, Carolyn Kunicki, Kollo Plachkov, Michael Thornton (horn), Charlyn Campbell, Mary Cowell, Marsha Holmes, Helen McDermott, Philip Stevens, Basil Vendryes (viola), Annie Clements (bass, vocals), Chad Cognata (basson), Colorado Symphony Orchestra (guest artist), Peter Cooper, Monica Hanulk (oboe), Zach Djanikian (guitar, mandolin, saxophone, vocals), Stephen Dombrowski (tuba), Brook Ferguson, Catherine Peterson (flute), Gregory Harper, Paul Naslund (trombone bass), William Hill (timpani), Andy Keenan (pedal steel guitar, saxophone, vocals), Jasob Lichtenwalter (horn English, oboe), Jaron Olevsky (accordion, keyboards, vocals), Abby Raymond (clarinet, E flat clarinet), Tristan Rennie (bassoon), Jason shafer (clarinet), Julie Duncan Thornton (flute, piccolo), John Kinzie, Terry Smith, Lee Vinson (percussion), Fred Berman (drums).\r\n
      \r\n
      When Amos Lee rolled into Red Rocks in August 2014, he had been on tour for almost a year in support of his fifth studio album Mountains of Sorrow, Rivers of Song but this concert in particular was something special. It was his first headlining date at the legendary venue, and he was backed by the Colorado Symphony with arrangements composed just for that evening. Lucky for us, the experience was captured in this 14 track career-spanning 2 LP set. 2022 pressing on splatter vinyl.\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Silver Alnomae, Susan Bowies, Judith Galecki, Danielle Guideri, Thomas Helnrich, Margaret Mulliken, Matthew Switzer, Susan Yun (cello)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jPMy01lS5as"
    -referenceProduit: "ATO Records 1891"
    -titreMorceau: [
      [
        "nom" => "1. El Camino \t"
        "ordre" => 5
      ]
      [
        "nom" => "1. Street Corner Preacher \t"
        "ordre" => 14
      ]
      [
        "nom" => "1. Trickers, Hucksters, And Scamps \t"
        "ordre" => 9
      ]
      [
        "nom" => "1. Windows Are Rolled Down \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. Flower \t"
        "ordre" => 10
      ]
      [
        "nom" => "2. Game Of Thrones Theme \t"
        "ordre" => 15
      ]
      [
        "nom" => "2. Jesus \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. Violin \t"
        "ordre" => 6
      ]
      [
        "nom" => "3. Black River \t"
        "ordre" => 16
      ]
      [
        "nom" => "3. Colors "
        "ordre" => 7
      ]
      [
        "nom" => "3. Keep It Loose, Keep It Tight "
        "ordre" => 3
      ]
      [
        "nom" => "3. Won't Let Me Go \t"
        "ordre" => 11
      ]
      [
        "nom" => "4. Arms Of A Woman "
        "ordre" => 17
      ]
      [
        "nom" => "4. Sweet Pea "
        "ordre" => 12
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2102 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2111 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2104 …}
    -typeMasterTape: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2106 …}
    -enregistreLe: DateTime @1665903946 {#2093
      date: 2022-10-16 07:05:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1670401607 {#2092
      date: 2022-12-07 08:26:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2108 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-red-rocks-with-the-colorado-symphony-ato-records-1891"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "produit" => App\Entity\Produit {#2116
    -id: 2322
    -nom: "Flash Gordon - Half-Speed "
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Freddie Mercury (synthesizers, lead & backing vocals), Brian May (lead guitar, synthesizers, piano, organ,  backing vocals),  John Deacon (bass guitar, guitar, synthesizers), Roger Taylor  (drums, timpani, synthesizers, backing vocals), Howard Blake (orchestral arrangements).\r\n
      \r\n
      - Queen's Soundtrack to the 1980 Film on Half-Speed Mastered 180 gram Vinyl LP !\r\n
      \r\n
      Reissue of Queen's soundtrack to the 1980 film Flash Gordon using the 2011 masters and pressed on 180 gram vinyl.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Freddie Mercury (synthesizers, lead & backing vocals), Brian May (lead guitar, synthesizers, piano, organ,  backing vocals),  John Deacon (bass guitar, guitar, synthesizers), Roger Taylor  (drums, timpani, synthesizers, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qEkKdKi902k"
    -referenceProduit: "Hollywood Records 6501"
    -titreMorceau: [
      [
        "nom" => "1. Arboria (Planet of the Tree Men)"
        "ordre" => 10
      ]
      [
        "nom" => "1. Flash's Theme"
        "ordre" => 1
      ]
      [
        "nom" => "10. The Hero"
        "ordre" => 19
      ]
      [
        "nom" => "2. Escape from the Swamp"
        "ordre" => 11
      ]
      [
        "nom" => "2. In the Space Capsule (The Love Theme)"
        "ordre" => 2
      ]
      [
        "nom" => "3. Flash to the Rescue"
        "ordre" => 12
      ]
      [
        "nom" => "3. Ming's Theme (in the Court of Ming the Merciless)"
        "ordre" => 3
      ]
      [
        "nom" => "4. The Ring (hypnotic seduction of Dale)"
        "ordre" => 4
      ]
      [
        "nom" => "4. Vultan's Theme (Attack of the Hawk Men)"
        "ordre" => 13
      ]
      [
        "nom" => "5. Battle Theme"
        "ordre" => 14
      ]
      [
        "nom" => "5. Football Fight"
        "ordre" => 5
      ]
      [
        "nom" => "6. In the Death Cell (Love Theme reprise)"
        "ordre" => 6
      ]
      [
        "nom" => "6. The Wedding March"
        "ordre" => 15
      ]
      [
        "nom" => "7. Execution of Flash"
        "ordre" => 7
      ]
      [
        "nom" => "7. Marriage of Dale and Ming (and Flash approaching)"
        "ordre" => 16
      ]
      [
        "nom" => "8. Crash Dive on Mingo City"
        "ordre" => 17
      ]
      [
        "nom" => "8. The Kiss (Aura resurrects Flash)"
        "ordre" => 8
      ]
      [
        "nom" => "9. Flash's Theme Reprise (Victory celebrations)"
        "ordre" => 18
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2118 …}
    -label: Proxies\__CG__\App\Entity\Label {#2121 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2130 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2123 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2125 …}
    -enregistreLe: DateTime @1668242301 {#2113
      date: 2022-11-12 08:38:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1668243611 {#2114
      date: 2022-11-12 09:00:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2127 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-flash-gordon-half-speed-hollywood-records-6501"
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App\Twig\Components\GestionPanierFavoriComponents {#3423
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2116
    -id: 2322
    -nom: "Flash Gordon - Half-Speed "
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Freddie Mercury (synthesizers, lead & backing vocals), Brian May (lead guitar, synthesizers, piano, organ,  backing vocals),  John Deacon (bass guitar, guitar, synthesizers), Roger Taylor  (drums, timpani, synthesizers, backing vocals), Howard Blake (orchestral arrangements).\r\n
      \r\n
      - Queen's Soundtrack to the 1980 Film on Half-Speed Mastered 180 gram Vinyl LP !\r\n
      \r\n
      Reissue of Queen's soundtrack to the 1980 film Flash Gordon using the 2011 masters and pressed on 180 gram vinyl.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Freddie Mercury (synthesizers, lead & backing vocals), Brian May (lead guitar, synthesizers, piano, organ,  backing vocals),  John Deacon (bass guitar, guitar, synthesizers), Roger Taylor  (drums, timpani, synthesizers, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qEkKdKi902k"
    -referenceProduit: "Hollywood Records 6501"
    -titreMorceau: [
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        "nom" => "1. Arboria (Planet of the Tree Men)"
        "ordre" => 10
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      [
        "nom" => "1. Flash's Theme"
        "ordre" => 1
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      [
        "nom" => "10. The Hero"
        "ordre" => 19
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        "nom" => "2. Escape from the Swamp"
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        "nom" => "2. In the Space Capsule (The Love Theme)"
        "ordre" => 2
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      [
        "nom" => "3. Flash to the Rescue"
        "ordre" => 12
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      [
        "nom" => "3. Ming's Theme (in the Court of Ming the Merciless)"
        "ordre" => 3
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      [
        "nom" => "4. The Ring (hypnotic seduction of Dale)"
        "ordre" => 4
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      [
        "nom" => "4. Vultan's Theme (Attack of the Hawk Men)"
        "ordre" => 13
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        "nom" => "5. Battle Theme"
        "ordre" => 14
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      [
        "nom" => "5. Football Fight"
        "ordre" => 5
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      [
        "nom" => "6. In the Death Cell (Love Theme reprise)"
        "ordre" => 6
      ]
      [
        "nom" => "6. The Wedding March"
        "ordre" => 15
      ]
      [
        "nom" => "7. Execution of Flash"
        "ordre" => 7
      ]
      [
        "nom" => "7. Marriage of Dale and Ming (and Flash approaching)"
        "ordre" => 16
      ]
      [
        "nom" => "8. Crash Dive on Mingo City"
        "ordre" => 17
      ]
      [
        "nom" => "8. The Kiss (Aura resurrects Flash)"
        "ordre" => 8
      ]
      [
        "nom" => "9. Flash's Theme Reprise (Victory celebrations)"
        "ordre" => 18
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2118 …}
    -label: Proxies\__CG__\App\Entity\Label {#2121 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2130 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2123 …}
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    -enregistreLe: DateTime @1668242301 {#2113
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    }
    -modifierLe: DateTime @1668243611 {#2114
      date: 2022-11-12 09:00:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2127 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-flash-gordon-half-speed-hollywood-records-6501"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "produit" => App\Entity\Produit {#2135
    -id: 2321
    -nom: "Innuendo - Half-Speed "
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Freddie Mercury (keyboards, vocals), Brian May (electric & acoustic guitar, keyboards, backing vocals),  John Deacon (bass, keyboards), Roger Taylor (drums, percussion, keyboards, backing vocals), Steve Howe (Spanish guitar), Mike Moran (keyboards).\r\n
      \r\n
      - Queen's 14th studio album on 180 gram double LP !\r\n
      \r\n
      - Sourced from the 2011 masters ! \r\n
      \r\n
      Reissue of Queen's 14th studio album, Innuendo, using the 2011 masters and pressed on 180 gram 2 LP. Originally released in 1991, it was the band's debut on Hollywood Records and features the singles "I'm Going Slightly Mad", "Headlong", "The Show Must Go On", and the title track which went N° 1 on the U.K. charts.\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Freddie Mercury (keyboards, vocals), Brian May (electric & acoustic guitar, keyboards, backing vocals),  John Deacon (bass, keyboards), Roger Taylor (drums, percussion, keyboards, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Uib0FHnf0FQ"
    -referenceProduit: "Hollywood Records 1067"
    -titreMorceau: [
      [
        "nom" => "1. All God's People "
        "ordre" => 9
      ]
      [
        "nom" => "1. Innuendo "
        "ordre" => 1
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      [
        "nom" => "1. The Hitman "
        "ordre" => 13
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        "ordre" => 2
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        "ordre" => 3
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        "nom" => "3. Ride the Wild Wind "
        "ordre" => 7
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      [
        "nom" => "3. The Show Must Go On"
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      ]
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        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "Side B : "
        "ordre" => 4
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      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2118 …}
    -label: Proxies\__CG__\App\Entity\Label {#2121 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2143 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2138 …}
    -enregistreLe: DateTime @1668240895 {#2132
      date: 2022-11-12 08:14:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1668242054 {#2133
      date: 2022-11-12 08:34:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2140 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-innuendo-half-speed-hollywood-records-1067"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3476
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2135
    -id: 2321
    -nom: "Innuendo - Half-Speed "
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Freddie Mercury (keyboards, vocals), Brian May (electric & acoustic guitar, keyboards, backing vocals),  John Deacon (bass, keyboards), Roger Taylor (drums, percussion, keyboards, backing vocals), Steve Howe (Spanish guitar), Mike Moran (keyboards).\r\n
      \r\n
      - Queen's 14th studio album on 180 gram double LP !\r\n
      \r\n
      - Sourced from the 2011 masters ! \r\n
      \r\n
      Reissue of Queen's 14th studio album, Innuendo, using the 2011 masters and pressed on 180 gram 2 LP. Originally released in 1991, it was the band's debut on Hollywood Records and features the singles "I'm Going Slightly Mad", "Headlong", "The Show Must Go On", and the title track which went N° 1 on the U.K. charts.\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Freddie Mercury (keyboards, vocals), Brian May (electric & acoustic guitar, keyboards, backing vocals),  John Deacon (bass, keyboards), Roger Taylor (drums, percussion, keyboards, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Uib0FHnf0FQ"
    -referenceProduit: "Hollywood Records 1067"
    -titreMorceau: [
      [
        "nom" => "1. All God's People "
        "ordre" => 9
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        "nom" => "1. Innuendo "
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      [
        "nom" => "1. The Hitman "
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      [
        "nom" => "1. These Are the Days Of Our Lives "
        "ordre" => 5
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      [
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        "ordre" => 10
      ]
      [
        "nom" => "2. I'm Going Slightly Mad "
        "ordre" => 2
      ]
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        "nom" => "3. Delilah "
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      ]
      [
        "nom" => "3. Headlong "
        "ordre" => 3
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      [
        "nom" => "3. Ride the Wild Wind "
        "ordre" => 7
      ]
      [
        "nom" => "3. The Show Must Go On"
        "ordre" => 15
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2118 …}
    -label: Proxies\__CG__\App\Entity\Label {#2121 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2143 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2136 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2138 …}
    -enregistreLe: DateTime @1668240895 {#2132
      date: 2022-11-12 08:14:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1668242054 {#2133
      date: 2022-11-12 08:34:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2140 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-innuendo-half-speed-hollywood-records-1067"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "produit" => App\Entity\Produit {#2148
    -id: 2260
    -nom: "Forever Changes"
    -informationComplementaire: ""
    -description: """
      #40 ON ROLLING STONE'S 500 GREATEST ALBUMS OF ALL TIME : ANTICIPATES LATE 1960S TURBULENCE VIA PROPHETIC SONGS AND DARK THEMES\r\n
      1/4" / 15 IPS analog master to DSD 256 to analog console to lathe.\r\n
      \r\n
      Any discussion about the finest psychedelic rock record ever recorded is incomplete if it doesn't grant consideration to Love's Forever Changes. Ranked by Rolling Stone as the 40th greatest album ever made, and named by Mojo the second-greatest psychedelic set in history, the effort is an internationally recognized seminal work of art. Transcending language and convention, its magnitude and magnificence need to be heard again and again. For here is an effort whose mind-boggling acoustic complexities and kaleidoscopic nuances are tailored for high-fidelity playback.\r\n
      \r\n
      Nearly unlimited headroom, vast instrumental separation, transparent clarity, artifact-free atmospherics, and faithful balances appear out of jet-black backgrounds. Turn it up as loud as you want; the sole limitation will be your system's potential.\r\n
      \r\n
      Commercially ignored upon release in November 1967, Forever Changes confronts the alienation, paranoia, violence, and strife that would soon plague the countercultural movement and send the Summer of Love into a tailspin. Apart from its lyrical themes and prescient malaise, the record's enduring nature equally owes to intertwined arrangements sewn together with Latin guitar-picked lines, finessed folk harmonies, mariachi-inspired horn charts, and subdued strings.\r\n
      \r\n
      The seemingly opposing combination ominous, dark reflections situated amidst lush, light melodic beds affords Forever Changes a distinguished tension of claustrophobia and openness, dourness and ecstasy, ugliness and elegance enjoyed by no other record in the rock canon. Much of the contrast owes to leader Arthur Lee's mental state and pertinent observations. Lee, whose suppressed romanticism often surfaces even amidst the blackest shadows and most cynical moments, believed he would soon die, and hence channeled everything from lasting hopes to acid-addled decay to the chilling testimony of a Vietnam veteran in his narratives.\r\n
      \r\n
      Alternatively sad and beautiful, the album-opening and flamenco-inspired "Alone Again Or" establishes the mood for what follows. Vocals overlap and soar; tempos rise and fall; surrealism trades places with reality.Forever Changes thrives both because of and in spite of a surfeit of labyrinthine chords and difficult notes that never repeat. Its ambitious construction almost forced the already fractured band to cede responsibilities to session musicians, which appear on two tracks. The quintet's resolve to not only complete the album, but to do so with such poignancy and curiosity, further enhances Forever Changes' standing.\r\n
      \r\n
      No wonder that, in the twilight of his troubled career, Lee performed the record in its entirely during concerts met with overwhelming critical acclaim. It was, and will always be, a personal manifesto of timeless relevance and appeal.\r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Arthur Lee, Bryan Maclean (guitar, vocals), Ken Forssi (bass),  John Echols (guitar), Michael Stuart (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cPbNpIG8x_s"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-402"
    -titreMorceau: [
      [
        "nom" => "1. Alone Again Or"
        "ordre" => 1
      ]
      [
        "nom" => "1. Bummer in the Summer"
        "ordre" => 13
      ]
      [
        "nom" => "1. Maybe the People Would Be the Times or Between Clark and Hilldale"
        "ordre" => 9
      ]
      [
        "nom" => "1. The Daily Planet"
        "ordre" => 5
      ]
      [
        "nom" => "2.  Old Man"
        "ordre" => 6
      ]
      [
        "nom" => "2. A House Is Not a Motel"
        "ordre" => 2
      ]
      [
        "nom" => "2. Live and Let Live"
        "ordre" => 10
      ]
      [
        "nom" => "2. You Set the Scene"
        "ordre" => 14
      ]
      [
        "nom" => "3. Andmoreagain"
        "ordre" => 3
      ]
      [
        "nom" => "3. The Good Humor Man He Sees Everything Like This"
        "ordre" => 11
      ]
      [
        "nom" => "3. The Red Telephone"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: Proxies\__CG__\App\Entity\Label {#2062 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2159 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2152 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2154 …}
    -enregistreLe: DateTime @1660980006 {#2145
      date: 2022-08-20 07:20:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1660980470 {#2146
      date: 2022-08-20 07:27:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2156 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3522
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2148
    -id: 2260
    -nom: "Forever Changes"
    -informationComplementaire: ""
    -description: """
      #40 ON ROLLING STONE'S 500 GREATEST ALBUMS OF ALL TIME : ANTICIPATES LATE 1960S TURBULENCE VIA PROPHETIC SONGS AND DARK THEMES\r\n
      1/4" / 15 IPS analog master to DSD 256 to analog console to lathe.\r\n
      \r\n
      Any discussion about the finest psychedelic rock record ever recorded is incomplete if it doesn't grant consideration to Love's Forever Changes. Ranked by Rolling Stone as the 40th greatest album ever made, and named by Mojo the second-greatest psychedelic set in history, the effort is an internationally recognized seminal work of art. Transcending language and convention, its magnitude and magnificence need to be heard again and again. For here is an effort whose mind-boggling acoustic complexities and kaleidoscopic nuances are tailored for high-fidelity playback.\r\n
      \r\n
      Nearly unlimited headroom, vast instrumental separation, transparent clarity, artifact-free atmospherics, and faithful balances appear out of jet-black backgrounds. Turn it up as loud as you want; the sole limitation will be your system's potential.\r\n
      \r\n
      Commercially ignored upon release in November 1967, Forever Changes confronts the alienation, paranoia, violence, and strife that would soon plague the countercultural movement and send the Summer of Love into a tailspin. Apart from its lyrical themes and prescient malaise, the record's enduring nature equally owes to intertwined arrangements sewn together with Latin guitar-picked lines, finessed folk harmonies, mariachi-inspired horn charts, and subdued strings.\r\n
      \r\n
      The seemingly opposing combination ominous, dark reflections situated amidst lush, light melodic beds affords Forever Changes a distinguished tension of claustrophobia and openness, dourness and ecstasy, ugliness and elegance enjoyed by no other record in the rock canon. Much of the contrast owes to leader Arthur Lee's mental state and pertinent observations. Lee, whose suppressed romanticism often surfaces even amidst the blackest shadows and most cynical moments, believed he would soon die, and hence channeled everything from lasting hopes to acid-addled decay to the chilling testimony of a Vietnam veteran in his narratives.\r\n
      \r\n
      Alternatively sad and beautiful, the album-opening and flamenco-inspired "Alone Again Or" establishes the mood for what follows. Vocals overlap and soar; tempos rise and fall; surrealism trades places with reality.Forever Changes thrives both because of and in spite of a surfeit of labyrinthine chords and difficult notes that never repeat. Its ambitious construction almost forced the already fractured band to cede responsibilities to session musicians, which appear on two tracks. The quintet's resolve to not only complete the album, but to do so with such poignancy and curiosity, further enhances Forever Changes' standing.\r\n
      \r\n
      No wonder that, in the twilight of his troubled career, Lee performed the record in its entirely during concerts met with overwhelming critical acclaim. It was, and will always be, a personal manifesto of timeless relevance and appeal.\r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Arthur Lee, Bryan Maclean (guitar, vocals), Ken Forssi (bass),  John Echols (guitar), Michael Stuart (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cPbNpIG8x_s"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-402"
    -titreMorceau: [
      [
        "nom" => "1. Alone Again Or"
        "ordre" => 1
      ]
      [
        "nom" => "1. Bummer in the Summer"
        "ordre" => 13
      ]
      [
        "nom" => "1. Maybe the People Would Be the Times or Between Clark and Hilldale"
        "ordre" => 9
      ]
      [
        "nom" => "1. The Daily Planet"
        "ordre" => 5
      ]
      [
        "nom" => "2.  Old Man"
        "ordre" => 6
      ]
      [
        "nom" => "2. A House Is Not a Motel"
        "ordre" => 2
      ]
      [
        "nom" => "2. Live and Let Live"
        "ordre" => 10
      ]
      [
        "nom" => "2. You Set the Scene"
        "ordre" => 14
      ]
      [
        "nom" => "3. Andmoreagain"
        "ordre" => 3
      ]
      [
        "nom" => "3. The Good Humor Man He Sees Everything Like This"
        "ordre" => 11
      ]
      [
        "nom" => "3. The Red Telephone"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 4
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      [
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        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
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      date: 2022-08-20 07:27:50.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2156 …}
    -disponible: null
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    -slug: "vinyles-forever-changes-mobile-fidelity-sound-lab-mfsl-2-402"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
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[
  "produit" => App\Entity\Produit {#2164
    -id: 1715
    -nom: "Kiko"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Steve Berlin (baritone, soprano & tenor saxophone, flute, melodica, harmonica, organ, piano, synthesizer, percussion), David Hidalgo (guitar, accordion, violin, banjo, piano, percussion, vocals), Conrad R. Lozano (bass "Fender 5-string jazz bass, 4-string precision, godin Fretless", guitar "Ron", backing vocals),  Cesar Rosas (acoustic & electric guitar, vocals), Louie Pérez (drums, guitar, percussion, other "couch & phone", vocals), Pete Thomas (drums).\r\n
      \r\n
      Distinguished Band's Ambitious 1992 Album Stands as Peak Moment in a Career Filled With High-Water Marks !\r\n
      \r\n
      Only a few years removed from breaking through with their cover of Ritchie Valens' "La Bamba", Los Lobos turned even more heads with Kiko, a beautifully textured and flawlessly executed musical statement that reveals the group taking on ambitious musical challenges and surmounting every one. In pairing with producer Mitchell Froom, the band yielded this critically acclaimed 1992 set that remains the apex of its distinguished career.\r\n
      \r\n
      The material, too, ravishes the senses. In Rolling Stone's original review of Kiko, David Okamoto remarks "the music sounds more created than contrived, thanks to the compassionate touch of the group's main songwriters, singer-guitarist David Hidalgo and drummer Louis Pérez". Indeed, the Los Angeles ensemble tackles tough-minded social issues such as alcoholism, suicide, abuse, homelessness, death, and rape without coming across as preachy or melodramatic. The record's power relates to that possessed by the most timeless albums the emotional and metaphysical capacities to transcend problems, overcome adversity, and deliver catharsis.\r\n
      \r\n
      Spanning rollicking blues and dreamy pop balladry to snarling rock and traditional Mexican-inspired waltzes, Kiko seemingly knows no bounds. Lullabies such as "Saint Behind the Glass" claim mellifluous elegance while the cabaret-laced jazz of work like "Kiko and the Lavender Moon" glows with a dark majesty, thanks to both the skilled performance and Froom's illuminating production. Los Lobos seldom, if ever, drifted so far outside of the roots-rock box as they do on Kiko. And yet, the collective's binding connection to folklore remains in tact. Native American, Hispanic, and Catholic elements surface in the lyrics and arrangements, the characteristics expressing a multicultural reach that parallels the songs' multidimensional construction.\r\n
      \r\n
      And still, it remains impossible to ignore the use of the studio as the record's secret-weapon instrument. Imaginative tricks such as noise gates, filters, and psychedelic devices help establish a surrealism that never lets up. Neither does Kiko.\r\n
       \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Steve Berlin (baritone, soprano & tenor saxophone, flute, melodica, harmonica, organ, piano, synthesizer, percussion), David Hidalgo (guitar, accordion, violin, banjo, piano, percussion, vocals)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GOPRDIGD_A0"
    -referenceProduit: "MFSL 1-371"
    -titreMorceau: [
      [
        "nom" => "1. Arizona Skies"
        "ordre" => 9
      ]
      [
        "nom" => "1. Dream In Blue"
        "ordre" => 1
      ]
      [
        "nom" => "2. Short Side of Nothing"
        "ordre" => 10
      ]
      [
        "nom" => "2. Wake Up Dolores"
        "ordre" => 2
      ]
      [
        "nom" => "3. Angels with Dirty Faces"
        "ordre" => 3
      ]
      [
        "nom" => "3. Two Janes"
        "ordre" => 11
      ]
      [
        "nom" => "4. That Train Don't Stop Here"
        "ordre" => 4
      ]
      [
        "nom" => "4. Wicked Rain"
        "ordre" => 12
      ]
      [
        "nom" => "5. Kiko and the Lavender Moon"
        "ordre" => 5
      ]
      [
        "nom" => "5. Whiskey Trail"
        "ordre" => 13
      ]
      [
        "nom" => "6. Just a Man"
        "ordre" => 14
      ]
      [
        "nom" => "6. Saint Behind The Glass"
        "ordre" => 6
      ]
      [
        "nom" => "7. Peace"
        "ordre" => 15
      ]
      [
        "nom" => "7. Reva's House 8. When the Circus Comes"
        "ordre" => 7
      ]
      [
        "nom" => "8. Rio De Tenampa"
        "ordre" => 16
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2166 …}
    -label: Proxies\__CG__\App\Entity\Label {#2062 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …}
    -enregistreLe: DateTime @1563952115 {#2161
      date: 2019-07-24 07:08:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1660979321 {#2162
      date: 2022-08-20 07:08:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kiko-mfsl-1-371"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3573
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2164
    -id: 1715
    -nom: "Kiko"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Steve Berlin (baritone, soprano & tenor saxophone, flute, melodica, harmonica, organ, piano, synthesizer, percussion), David Hidalgo (guitar, accordion, violin, banjo, piano, percussion, vocals), Conrad R. Lozano (bass "Fender 5-string jazz bass, 4-string precision, godin Fretless", guitar "Ron", backing vocals),  Cesar Rosas (acoustic & electric guitar, vocals), Louie Pérez (drums, guitar, percussion, other "couch & phone", vocals), Pete Thomas (drums).\r\n
      \r\n
      Distinguished Band's Ambitious 1992 Album Stands as Peak Moment in a Career Filled With High-Water Marks !\r\n
      \r\n
      Only a few years removed from breaking through with their cover of Ritchie Valens' "La Bamba", Los Lobos turned even more heads with Kiko, a beautifully textured and flawlessly executed musical statement that reveals the group taking on ambitious musical challenges and surmounting every one. In pairing with producer Mitchell Froom, the band yielded this critically acclaimed 1992 set that remains the apex of its distinguished career.\r\n
      \r\n
      The material, too, ravishes the senses. In Rolling Stone's original review of Kiko, David Okamoto remarks "the music sounds more created than contrived, thanks to the compassionate touch of the group's main songwriters, singer-guitarist David Hidalgo and drummer Louis Pérez". Indeed, the Los Angeles ensemble tackles tough-minded social issues such as alcoholism, suicide, abuse, homelessness, death, and rape without coming across as preachy or melodramatic. The record's power relates to that possessed by the most timeless albums the emotional and metaphysical capacities to transcend problems, overcome adversity, and deliver catharsis.\r\n
      \r\n
      Spanning rollicking blues and dreamy pop balladry to snarling rock and traditional Mexican-inspired waltzes, Kiko seemingly knows no bounds. Lullabies such as "Saint Behind the Glass" claim mellifluous elegance while the cabaret-laced jazz of work like "Kiko and the Lavender Moon" glows with a dark majesty, thanks to both the skilled performance and Froom's illuminating production. Los Lobos seldom, if ever, drifted so far outside of the roots-rock box as they do on Kiko. And yet, the collective's binding connection to folklore remains in tact. Native American, Hispanic, and Catholic elements surface in the lyrics and arrangements, the characteristics expressing a multicultural reach that parallels the songs' multidimensional construction.\r\n
      \r\n
      And still, it remains impossible to ignore the use of the studio as the record's secret-weapon instrument. Imaginative tricks such as noise gates, filters, and psychedelic devices help establish a surrealism that never lets up. Neither does Kiko.\r\n
       \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Steve Berlin (baritone, soprano & tenor saxophone, flute, melodica, harmonica, organ, piano, synthesizer, percussion), David Hidalgo (guitar, accordion, violin, banjo, piano, percussion, vocals)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GOPRDIGD_A0"
    -referenceProduit: "MFSL 1-371"
    -titreMorceau: [
      [
        "nom" => "1. Arizona Skies"
        "ordre" => 9
      ]
      [
        "nom" => "1. Dream In Blue"
        "ordre" => 1
      ]
      [
        "nom" => "2. Short Side of Nothing"
        "ordre" => 10
      ]
      [
        "nom" => "2. Wake Up Dolores"
        "ordre" => 2
      ]
      [
        "nom" => "3. Angels with Dirty Faces"
        "ordre" => 3
      ]
      [
        "nom" => "3. Two Janes"
        "ordre" => 11
      ]
      [
        "nom" => "4. That Train Don't Stop Here"
        "ordre" => 4
      ]
      [
        "nom" => "4. Wicked Rain"
        "ordre" => 12
      ]
      [
        "nom" => "5. Kiko and the Lavender Moon"
        "ordre" => 5
      ]
      [
        "nom" => "5. Whiskey Trail"
        "ordre" => 13
      ]
      [
        "nom" => "6. Just a Man"
        "ordre" => 14
      ]
      [
        "nom" => "6. Saint Behind The Glass"
        "ordre" => 6
      ]
      [
        "nom" => "7. Peace"
        "ordre" => 15
      ]
      [
        "nom" => "7. Reva's House 8. When the Circus Comes"
        "ordre" => 7
      ]
      [
        "nom" => "8. Rio De Tenampa"
        "ordre" => 16
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2166 …}
    -label: Proxies\__CG__\App\Entity\Label {#2062 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …}
    -enregistreLe: DateTime @1563952115 {#2161
      date: 2019-07-24 07:08:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1660979321 {#2162
      date: 2022-08-20 07:08:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kiko-mfsl-1-371"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}

[
  "produit" => App\Entity\Produit {#2180
    -id: 1523
    -nom: "Girlfriend"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Matthew Sweet (guitar, bass, piano,vocals), Lloyd Cole, Robert Quine, Richard Lloyd, Ivan Julian, Andy McCulla (guitar), Greg Leisz (pedal steel guitar), Amy Ray (guitar, vocals), Emily Saliers (acoustic guitar), Jane Scarpantoni (cello), Paul Chastain (bass, vocals), Fred Maher (drums, guitar), Ric Menck, Ron Pangborn (drums).\r\n
      \r\n
      Intervention Records and Matthew Sweet are proud to introduce an amazing Artist-Approved reissue series, Matthew Sweet 1991-1995 !\r\n
      \r\n
      In 2018 Intervention releases Double LP Artist Approved Expanded Editions of Sweet’s Trilogy of 90's Power-Pop classics, Girlfriend, Altered Beast and 100% Fun, plus the Son of Altered Beast 7 song EP, which appears on vinyl for the very first time ! \r\n
      \r\n
      Each Expanded Edition Double-LP set of the three classic studio albums is loaded with extra tracks not included on the original LPs 6 extra tracks each on Girlfriend and Altered Beast, and 7 on 100% Fun. So many of these songs are either appearing on vinyl for the very first time or seeing official release for the very first time. And for Sweet completists, these LPs are the most extensive collection of extra tracks compiled and packaged with the studio albums the songs were recorded for !\r\n
      \r\n
      All four LPs are 100% analog mastered from the ORIGINAL ANALOG MASTER TAPES by Ryan K. Smith at Sterling Sound. The original 15 song repertoires for Girlfriend and Altered Beast are for the first time spread across three LPs sides for maximum sound quality and the ability to PLAY LOUD ! \r\n
      \r\n
      The ultra-quiet 180 gram LPs are pressed at boutique press, R.T.I. in Camarillo, CA.\r\n
      \r\n
      The jacket art for Matthew Sweet 1991-1995 has been faithfully restored by IR’s art director Tom Vadakan. The three Expanded Editions feature beautiful "Old Style" gatefolds printed onto heavy blanks and film laminated by the wizards at Stoughton Printing. Son of Altered Beast features a single-pocket "Old Style" gatefold by Stoughton as well.\r\n
      \r\n
      This is the vinyl release Matthew Sweet's 1991 classic has always deserved and the best Girlfriend you'll ever have... Matthew Sweet's essential 1991 power-pop tour-de-force gets its analog due on Intervention's Expanded Edition 180 Gram Double LP release !\r\n
      \r\n
      Girlfriend's original 1991 LP release was a single LP that simply excised the last three songs that were included on the original 15 track CD release. Those three tracks were a tremendous loss as the song's final, elegiac track "Nothing Lasts" was considered as the title track.\r\n
      \r\n
      Intervention's amazing Double LP Expanded Edition restores the original 15 song repertoire to three vinyl sides for maximum bass and dynamics. Side D includes three demo tracks  "Good Friend", "Superdeformed" and "Teenage Female".\r\n
      \r\n
      Girlfriend's album art was lovingly restored by Intervention's Art Director Tom Vadakan, and printed as a gorgeous "Old Style" gatefold by Stoughton printing in LA. It's printed on heavy stock and film laminated for superior color depth, beauty and durability. The center labels were printed by Dorado.\r\n
      \r\n
      "Matthew Sweet's third album is a remarkable artistic breakthrough ... thanks to his exceptional songwriting, the album is a fresh, original interpretation of a classic sound". - Stephen Thomas Erlewine, AllMusic.com\r\n
      \r\n
      "... the holy grail of power pop". -Tiny Mix Tapes\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Matthew Sweet (guitar, bass, piano,vocals), Lloyd Cole, Robert Quine, Richard Lloyd, Ivan Julian, Andy McCulla (guitar), Greg Leisz (pedal steel guitar), Amy Ray (guitar, vocals), Emily Saliers (acoustic guitar), Jane Scarpantoni (cello)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Qz7qj3MteS0"
    -referenceProduit: "Intervention Records 021"
    -titreMorceau: [
      [
        "nom" => "1. Day For Night"
        "ordre" => 8
      ]
      [
        "nom" => "1. Divine Intervention"
        "ordre" => 1
      ]
      [
        "nom" => "1. Don't Go"
        "ordre" => 15
      ]
      [
        "nom" => "1. Good Friend (demo)"
        "ordre" => 21
      ]
      [
        "nom" => "2. I've Been Waiting"
        "ordre" => 2
      ]
      [
        "nom" => "2. Superdeformed (demo)"
        "ordre" => 22
      ]
      [
        "nom" => "2. Thought I Knew You"
        "ordre" => 9
      ]
      [
        "nom" => "2. Your Sweet Voice"
        "ordre" => 16
      ]
      [
        "nom" => "3. Does She Talk ?"
        "ordre" => 17
      ]
      [
        "nom" => "3. Girlfriend"
        "ordre" => 3
      ]
      [
        "nom" => "3. Teenage Female (demo)"
        "ordre" => 23
      ]
      [
        "nom" => "3. You Don't Love Me"
        "ordre" => 10
      ]
      [
        "nom" => "4. Holy War"
        "ordre" => 18
      ]
      [
        "nom" => "4. I Wanted To Tell You"
        "ordre" => 11
      ]
      [
        "nom" => "4. Looking At The Sun"
        "ordre" => 4
      ]
      [
        "nom" => "5. Don't Go"
        "ordre" => 12
      ]
      [
        "nom" => "5. Nothing Lasts"
        "ordre" => 19
      ]
      [
        "nom" => "5. Winona"
        "ordre" => 5
      ]
      [
        "nom" => "6. Evangeline"
        "ordre" => 6
      ]
      [
        "nom" => "6. Your Sweet Voice"
        "ordre" => 13
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 14
      ]
      [
        "nom" => "Side D"
        "ordre" => 20
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: Proxies\__CG__\App\Entity\Label {#2185 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2194 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2187 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2189 …}
    -enregistreLe: DateTime @1547719298 {#2177
      date: 2019-01-17 10:01:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1660816583 {#2178
      date: 2022-08-18 09:56:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2191 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-girlfriend-intervention-records-021"
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  +produit: App\Entity\Produit {#2180
    -id: 1523
    -nom: "Girlfriend"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Matthew Sweet (guitar, bass, piano,vocals), Lloyd Cole, Robert Quine, Richard Lloyd, Ivan Julian, Andy McCulla (guitar), Greg Leisz (pedal steel guitar), Amy Ray (guitar, vocals), Emily Saliers (acoustic guitar), Jane Scarpantoni (cello), Paul Chastain (bass, vocals), Fred Maher (drums, guitar), Ric Menck, Ron Pangborn (drums).\r\n
      \r\n
      Intervention Records and Matthew Sweet are proud to introduce an amazing Artist-Approved reissue series, Matthew Sweet 1991-1995 !\r\n
      \r\n
      In 2018 Intervention releases Double LP Artist Approved Expanded Editions of Sweet’s Trilogy of 90's Power-Pop classics, Girlfriend, Altered Beast and 100% Fun, plus the Son of Altered Beast 7 song EP, which appears on vinyl for the very first time ! \r\n
      \r\n
      Each Expanded Edition Double-LP set of the three classic studio albums is loaded with extra tracks not included on the original LPs 6 extra tracks each on Girlfriend and Altered Beast, and 7 on 100% Fun. So many of these songs are either appearing on vinyl for the very first time or seeing official release for the very first time. And for Sweet completists, these LPs are the most extensive collection of extra tracks compiled and packaged with the studio albums the songs were recorded for !\r\n
      \r\n
      All four LPs are 100% analog mastered from the ORIGINAL ANALOG MASTER TAPES by Ryan K. Smith at Sterling Sound. The original 15 song repertoires for Girlfriend and Altered Beast are for the first time spread across three LPs sides for maximum sound quality and the ability to PLAY LOUD ! \r\n
      \r\n
      The ultra-quiet 180 gram LPs are pressed at boutique press, R.T.I. in Camarillo, CA.\r\n
      \r\n
      The jacket art for Matthew Sweet 1991-1995 has been faithfully restored by IR’s art director Tom Vadakan. The three Expanded Editions feature beautiful "Old Style" gatefolds printed onto heavy blanks and film laminated by the wizards at Stoughton Printing. Son of Altered Beast features a single-pocket "Old Style" gatefold by Stoughton as well.\r\n
      \r\n
      This is the vinyl release Matthew Sweet's 1991 classic has always deserved and the best Girlfriend you'll ever have... Matthew Sweet's essential 1991 power-pop tour-de-force gets its analog due on Intervention's Expanded Edition 180 Gram Double LP release !\r\n
      \r\n
      Girlfriend's original 1991 LP release was a single LP that simply excised the last three songs that were included on the original 15 track CD release. Those three tracks were a tremendous loss as the song's final, elegiac track "Nothing Lasts" was considered as the title track.\r\n
      \r\n
      Intervention's amazing Double LP Expanded Edition restores the original 15 song repertoire to three vinyl sides for maximum bass and dynamics. Side D includes three demo tracks  "Good Friend", "Superdeformed" and "Teenage Female".\r\n
      \r\n
      Girlfriend's album art was lovingly restored by Intervention's Art Director Tom Vadakan, and printed as a gorgeous "Old Style" gatefold by Stoughton printing in LA. It's printed on heavy stock and film laminated for superior color depth, beauty and durability. The center labels were printed by Dorado.\r\n
      \r\n
      "Matthew Sweet's third album is a remarkable artistic breakthrough ... thanks to his exceptional songwriting, the album is a fresh, original interpretation of a classic sound". - Stephen Thomas Erlewine, AllMusic.com\r\n
      \r\n
      "... the holy grail of power pop". -Tiny Mix Tapes\r\n
      """
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    -musicienOrchestre: "Matthew Sweet (guitar, bass, piano,vocals), Lloyd Cole, Robert Quine, Richard Lloyd, Ivan Julian, Andy McCulla (guitar), Greg Leisz (pedal steel guitar), Amy Ray (guitar, vocals), Emily Saliers (acoustic guitar), Jane Scarpantoni (cello)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Qz7qj3MteS0"
    -referenceProduit: "Intervention Records 021"
    -titreMorceau: [
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        "nom" => "1. Day For Night"
        "ordre" => 8
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      [
        "nom" => "1. Divine Intervention"
        "ordre" => 1
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        "nom" => "1. Don't Go"
        "ordre" => 15
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        "nom" => "1. Good Friend (demo)"
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        "nom" => "2. I've Been Waiting"
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        "nom" => "Side A :"
        "ordre" => 0
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        "nom" => "Side C : "
        "ordre" => 14
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      [
        "nom" => "Side D"
        "ordre" => 20
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
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      date: 2022-08-18 09:56:23.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2199
    -id: 988
    -nom: "The Times They are a Changin' "
    -informationComplementaire: ""
    -description: """
      Bob Dylan The Times They Are A-Changin' on Numbered Limited Edition 180 gram  45 RPM 2 LP.\n
      \n
      Stark, Austere, Acoustic Record Dylan's First With All-Original Material.\n
      \n
      Immediately distinguished by the you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are A Changin' sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner unlike few albums before or since.\n
      \n
      Marking a shift from the looseness and comedy that pepper the preceding The Freewheelin’ Bob Dylan, The Times They Are A-Changin’ skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy’s assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.\n
      \n
      In doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They Are A Changin' is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction “The Lonesome Death of Hattie Carroll”, assertive “Restless Farewell”, and semi-autobiographical “North Country Blues”, Dylan casts hardships, greed, and victimization in such relatable terms it’s impossible to turn away and ignore their implications.\n
      \n
      As correctly relayed by Dylan expert and cultural critic Greil Marcus, “[The record] forever fixed Bob Dylan in the popular imagination: the protest singer, the young man ‘able to see through metal’ (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break”.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Bob Dylan (acoustic guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mYQZSDOWwww"
    -referenceProduit: "MFSL 2-421 M/S"
    -titreMorceau: [
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        "nom" => "1. The Times They Are A-Changin'"
        "ordre" => 1
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      [
        "nom" => "10. Restless Farewell"
        "ordre" => 13
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        "nom" => "2. Ballad of Hollis Brown"
        "ordre" => 2
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        "ordre" => 4
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      [
        "nom" => "6. Only a Pawn in Their Game"
        "ordre" => 8
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      [
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        "ordre" => 9
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      [
        "nom" => "8. When the Ship Comes In"
        "ordre" => 10
      ]
      [
        "nom" => "9. The Lonesome Death of Hattie Carroll"
        "ordre" => 12
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
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      [
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        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2059 …}
    -label: Proxies\__CG__\App\Entity\Label {#2062 …}
    -style: App\Entity\Style {#1063 …}
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    -modifierLe: DateTime @1654181492 {#2197
      date: 2022-06-02 14:51:32.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2204 …}
    -disponible: null
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    -slug: "vinyles-the-times-they-are-a-changin-mfsl-2-421-m-s"
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App\Twig\Components\GestionPanierFavoriComponents {#3677
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2199
    -id: 988
    -nom: "The Times They are a Changin' "
    -informationComplementaire: ""
    -description: """
      Bob Dylan The Times They Are A-Changin' on Numbered Limited Edition 180 gram  45 RPM 2 LP.\n
      \n
      Stark, Austere, Acoustic Record Dylan's First With All-Original Material.\n
      \n
      Immediately distinguished by the you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are A Changin' sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner unlike few albums before or since.\n
      \n
      Marking a shift from the looseness and comedy that pepper the preceding The Freewheelin’ Bob Dylan, The Times They Are A-Changin’ skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy’s assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.\n
      \n
      In doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They Are A Changin' is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction “The Lonesome Death of Hattie Carroll”, assertive “Restless Farewell”, and semi-autobiographical “North Country Blues”, Dylan casts hardships, greed, and victimization in such relatable terms it’s impossible to turn away and ignore their implications.\n
      \n
      As correctly relayed by Dylan expert and cultural critic Greil Marcus, “[The record] forever fixed Bob Dylan in the popular imagination: the protest singer, the young man ‘able to see through metal’ (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break”.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Bob Dylan (acoustic guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -titreMorceau: [
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        "ordre" => 5
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      [
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        "ordre" => 6
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      [
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      ]
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        "ordre" => 9
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      [
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      ]
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        "nom" => "9. The Lonesome Death of Hattie Carroll"
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        "ordre" => 11
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2059 …}
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      date: 2022-06-02 14:51:32.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2212
    -id: 839
    -nom: "Heart Like a Wheel "
    -informationComplementaire: ""
    -description: """
      Musicians : \n
      Linda Ronstadt (lead & backing vocals), Andrew Gold (guitar, percussion, piano, drums, keyboards, electric piano, tambourine, ukulele, background vocals), Peter Asher (guitar, percussion, background vocals, cowbell), Ed Black, John Boylan, Paul Craft, Glenn Frey, ohn Starling, Bob Warford (guitar), David Campbell (viola, string arrangements), Kenny Edwards (bass guitar, background vocals), Chris Ethridge, Richard Feves, Emory Gordy, Tom Guidera, Timothy B. Schmit (bass guitar), Jimmie Fadden (harmonica), Emmylou Harris (harmony vocals), Sneaky Pete Kleinow, Danny Pendleton (pedal steel guitar), Dennis Karmazyn (cello), David Lindley (fiddle), J. D. Souther (guitar, lead & background vocals), Herb Pedersen (banjo, background vocals), Cissy Houston, Sherlie Matthews, Maria Muldaur, Clydie King, Wendy Waldman, Joyce Nesbitt (background vocals), Don Henley (drums, background vocals), Russ Kunkel, Lloyd Myers, Fred White, Dennis St. John (drums).\n
      \n
      1974 Breakthrough Remains a Paragon of Extraordinary Performance, Arranging, and Songwriting : Features an All-Star Instrumental Cast and Singer at Her Best.\n
      \n
      How to put the ageless appeal, artistic splendor, and imaginative instrumental variety of Linda Ronstadt's Heart Like a Wheel in proper perspective more than four decades after its original release ? For starters, the 1974 landmark earned three major Grammy nominations and won for Best Country Vocal Performance Female. But that feat pales in comparison to what the record did for Ronstadt, who became the decade's most in-demand, multifaceted, and cherished female singer soon after it captured the public's attention. Or the fact that it remains a paragon of songwriting, arrangement, and performance a trifecta that still holds sway in this era or any. Mobile Fidelity's reissue puts it over the top to stay.\n
      \n
      Mastered on Mobile Fidelity's world-renowned mastering system and pressed on dead-quiet 180 gram vinyl at RTI, this LP reissue presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.\n
      \n
      Yet the advantages of this numbered-edition audiophile version extend far beyond the intimacy afforded Ronstadt's singing. Specifically, the majesty of Peter Asher's crafty arrangements now come to life like never before. Free of the fatiguing high frequencies and flat, dull responsiveness inherent on previous remasters and the original Capitol issue, respectively, this 180 gram LP sets the sonic standard and lets the extraordinary instrumental blends blossom with openness, airiness, and organic textures.\n
      \n
      While Ronstadt's interpretive skills and stunning vocals remain front and center, the all-star cast of California-based musicians that helped transform Heart Like a Wheel into a 1970s mainstream pop-rock staple and a lasting example of the period's laid-back West Coast sound cannot be forgotten. Glenn Frey, Don Henley, Emmylou Harris, Maria Muldaur, Herb Pedersen, David Lindley, J.D. Souther, and Andrew Gold are just a few of the luminaries that ensure the Billboard chart-topping set rests on an unassailable foundation. Asher puts everything in the right place and, in concert with the headliner, chooses a repertoire of standards that both shakes up traditions and pays homage to them.\n
      \n
      The other secrets to the record's distinctiveness lie with Ronstadt's versatility and passion, her uncanny ability to inhabit every lyric with conviction and believability, and her graceful technique. As Stephen Holden stated in his rave review of the album for Rolling Stone in early 1975, "No other pop singer so perfectly embodies the Western mythical girl/woman, heartbroken yet resilient and entirely feminine in the traditional sense. There is a throbbing edge to Ronstadt's honey-colored soprano that no other singer quite possesses the edge between vulnerability and willfulness that I find totally, irresistibly sexy".\n
      \n
      Ronstadt indeed proves seductive and inviting throughout, whether on the bluesy reading of Clint Ballad Jr.'s "You're No Good", harmony-rich treatment of Hank Williams' "I Can't Help It (If I'm Still in Love with You)", folk-rock lilt of Lowell George's "Willin'", or soulful send-up of Phil Everly's "When Will I Be Loved ?" Complete with piano, double bass, cello, viola, and fiddle, as well as support vocals from Muldaur, the cover of Anna McGarrigle's title track reinforces the one-of-a-kind expanse and all-for-one chemistry evident throughout the double-platinum effort the kind of record they just don't make anymore.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Linda Ronstadt (lead & backing vocals), Andrew Gold (guitar, percussion, piano, drums, keyboards, electric piano, tambourine, ukulele, background vocals), Peter Asher (guitar, percussion, background vocals, cowbell)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=qDk6j0aXQnQ"
    -referenceProduit: "MFSL 1-472"
    -titreMorceau: [
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        "nom" => "1. When Will I Be Loved"
        "ordre" => 7
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      [
        "nom" => "1. You're No Good"
        "ordre" => 1
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      [
        "nom" => "2. It Doesn't Matter Anymore"
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        "ordre" => 8
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        "nom" => "3. Faithless Love"
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        "ordre" => 9
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      [
        "nom" => "4. Dark End Of The Street"
        "ordre" => 4
      ]
      [
        "nom" => "4. Keep Me From Blowing Away"
        "ordre" => 10
      ]
      [
        "nom" => "5. Heart Like A Wheel"
        "ordre" => 5
      ]
      [
        "nom" => "5. You Can Close Your Eyes"
        "ordre" => 11
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2214 …}
    -label: Proxies\__CG__\App\Entity\Label {#2062 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2223 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2216 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2218 …}
    -enregistreLe: DateTime @1446813986 {#2209
      date: 2015-11-06 12:46:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1654180775 {#2210
      date: 2022-06-02 14:39:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2220 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-heart-like-a-wheel-mfsl-1-472"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3723
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2646 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2212
    -id: 839
    -nom: "Heart Like a Wheel "
    -informationComplementaire: ""
    -description: """
      Musicians : \n
      Linda Ronstadt (lead & backing vocals), Andrew Gold (guitar, percussion, piano, drums, keyboards, electric piano, tambourine, ukulele, background vocals), Peter Asher (guitar, percussion, background vocals, cowbell), Ed Black, John Boylan, Paul Craft, Glenn Frey, ohn Starling, Bob Warford (guitar), David Campbell (viola, string arrangements), Kenny Edwards (bass guitar, background vocals), Chris Ethridge, Richard Feves, Emory Gordy, Tom Guidera, Timothy B. Schmit (bass guitar), Jimmie Fadden (harmonica), Emmylou Harris (harmony vocals), Sneaky Pete Kleinow, Danny Pendleton (pedal steel guitar), Dennis Karmazyn (cello), David Lindley (fiddle), J. D. Souther (guitar, lead & background vocals), Herb Pedersen (banjo, background vocals), Cissy Houston, Sherlie Matthews, Maria Muldaur, Clydie King, Wendy Waldman, Joyce Nesbitt (background vocals), Don Henley (drums, background vocals), Russ Kunkel, Lloyd Myers, Fred White, Dennis St. John (drums).\n
      \n
      1974 Breakthrough Remains a Paragon of Extraordinary Performance, Arranging, and Songwriting : Features an All-Star Instrumental Cast and Singer at Her Best.\n
      \n
      How to put the ageless appeal, artistic splendor, and imaginative instrumental variety of Linda Ronstadt's Heart Like a Wheel in proper perspective more than four decades after its original release ? For starters, the 1974 landmark earned three major Grammy nominations and won for Best Country Vocal Performance Female. But that feat pales in comparison to what the record did for Ronstadt, who became the decade's most in-demand, multifaceted, and cherished female singer soon after it captured the public's attention. Or the fact that it remains a paragon of songwriting, arrangement, and performance a trifecta that still holds sway in this era or any. Mobile Fidelity's reissue puts it over the top to stay.\n
      \n
      Mastered on Mobile Fidelity's world-renowned mastering system and pressed on dead-quiet 180 gram vinyl at RTI, this LP reissue presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.\n
      \n
      Yet the advantages of this numbered-edition audiophile version extend far beyond the intimacy afforded Ronstadt's singing. Specifically, the majesty of Peter Asher's crafty arrangements now come to life like never before. Free of the fatiguing high frequencies and flat, dull responsiveness inherent on previous remasters and the original Capitol issue, respectively, this 180 gram LP sets the sonic standard and lets the extraordinary instrumental blends blossom with openness, airiness, and organic textures.\n
      \n
      While Ronstadt's interpretive skills and stunning vocals remain front and center, the all-star cast of California-based musicians that helped transform Heart Like a Wheel into a 1970s mainstream pop-rock staple and a lasting example of the period's laid-back West Coast sound cannot be forgotten. Glenn Frey, Don Henley, Emmylou Harris, Maria Muldaur, Herb Pedersen, David Lindley, J.D. Souther, and Andrew Gold are just a few of the luminaries that ensure the Billboard chart-topping set rests on an unassailable foundation. Asher puts everything in the right place and, in concert with the headliner, chooses a repertoire of standards that both shakes up traditions and pays homage to them.\n
      \n
      The other secrets to the record's distinctiveness lie with Ronstadt's versatility and passion, her uncanny ability to inhabit every lyric with conviction and believability, and her graceful technique. As Stephen Holden stated in his rave review of the album for Rolling Stone in early 1975, "No other pop singer so perfectly embodies the Western mythical girl/woman, heartbroken yet resilient and entirely feminine in the traditional sense. There is a throbbing edge to Ronstadt's honey-colored soprano that no other singer quite possesses the edge between vulnerability and willfulness that I find totally, irresistibly sexy".\n
      \n
      Ronstadt indeed proves seductive and inviting throughout, whether on the bluesy reading of Clint Ballad Jr.'s "You're No Good", harmony-rich treatment of Hank Williams' "I Can't Help It (If I'm Still in Love with You)", folk-rock lilt of Lowell George's "Willin'", or soulful send-up of Phil Everly's "When Will I Be Loved ?" Complete with piano, double bass, cello, viola, and fiddle, as well as support vocals from Muldaur, the cover of Anna McGarrigle's title track reinforces the one-of-a-kind expanse and all-for-one chemistry evident throughout the double-platinum effort the kind of record they just don't make anymore.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Linda Ronstadt (lead & backing vocals), Andrew Gold (guitar, percussion, piano, drums, keyboards, electric piano, tambourine, ukulele, background vocals), Peter Asher (guitar, percussion, background vocals, cowbell)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qDk6j0aXQnQ"
    -referenceProduit: "MFSL 1-472"
    -titreMorceau: [
      [
        "nom" => "1. When Will I Be Loved"
        "ordre" => 7
      ]
      [
        "nom" => "1. You're No Good"
        "ordre" => 1
      ]
      [
        "nom" => "2. It Doesn't Matter Anymore"
        "ordre" => 2
      ]
      [
        "nom" => "2. Willin'"
        "ordre" => 8
      ]
      [
        "nom" => "3. Faithless Love"
        "ordre" => 3
      ]
      [
        "nom" => "3. I Can't Help It If I'm Still In Love With You"
        "ordre" => 9
      ]
      [
        "nom" => "4. Dark End Of The Street"
        "ordre" => 4
      ]
      [
        "nom" => "4. Keep Me From Blowing Away"
        "ordre" => 10
      ]
      [
        "nom" => "5. Heart Like A Wheel"
        "ordre" => 5
      ]
      [
        "nom" => "5. You Can Close Your Eyes"
        "ordre" => 11
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2214 …}
    -label: Proxies\__CG__\App\Entity\Label {#2062 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2223 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2216 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2218 …}
    -enregistreLe: DateTime @1446813986 {#2209
      date: 2015-11-06 12:46:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1654180775 {#2210
      date: 2022-06-02 14:39:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2220 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-heart-like-a-wheel-mfsl-1-472"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2414 …}
}