Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2612
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#291 …}
  -entity: ContainerQ1Fx1C4\EntityManagerGhost614a58f {#157 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#241 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#136 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2378 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2689
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2692 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#291 …}
  -entityManager: ContainerQ1Fx1C4\EntityManagerGhost614a58f {#157 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#241 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#136 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#131 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2378 …}
  -formView: Symfony\Component\Form\FormView {#2728 …}
  -form: Symfony\Component\Form\Form {#2878 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1838
    -id: 3083
    -nom: "Morning Phase - (Edition One-Step)"
    -informationComplementaire: "Redécouvrez "Morning Phase" de Beck dans cette édition audiophile Limited Edition Numbered One-Step de la collection Capitol – Definitive Sound Series, offrant une restitution sonore d’une richesse et d’une profondeur remarquables."
    -description: """
      Avec "Morning Phase", Beck signe en 2014 l’un des albums les plus apaisés, élégants et émotionnellement riches de sa carrière. Véritable voyage sensoriel aux accents folk et psychédéliques, le disque s’inscrit dans la continuité spirituelle de "Sea Change", tout en développant une atmosphère encore plus lumineuse et contemplative. Porté par des arrangements somptueux, des harmonies aériennes et une production d’une finesse remarquable, Morning Phase déroule une succession de paysages sonores baignés de lumière californienne, entre mélancolie douce et sérénité presque méditative.\r\n
      \r\n
      Entouré de musiciens d’exception comme Joey Waronker, Roger Joseph Manning Jr., Justin Meldal-Johnsen ou encore Greg Leisz à la pedal steel, Beck construit ici un album organique et profondément immersif, où chaque détail instrumental trouve naturellement sa place. Les guitares acoustiques résonnent avec chaleur, les cordes enveloppent les compositions avec délicatesse et les textures analogiques donnent à l’ensemble une profondeur rare. Des titres comme "Morning, Blue Moon, Heart Is A Drum ou Wave" illustrent parfaitement cette capacité à mêler intimité, ampleur cinématographique et sophistication sonore.\r\n
      \r\n
      Cette édition Limited Edition Numbered One-Step, issue de la prestigieuse collection Capitol – Definitive Sound Series, sublime encore davantage l’expérience d’écoute. Grâce à un procédé de pressage audiophile haut de gamme réduisant les étapes intermédiaires de fabrication, ce vinyle offre une restitution sonore d’une précision exceptionnelle : "scène sonore ample, dynamique naturelle, silences plus profonds et richesse harmonique impressionnante". Chaque nuance des arrangements et chaque respiration de la production prennent ici une dimension particulièrement vivante et réaliste.\r\n
      \r\n
      Pressé en édition limitée numérotée à 3000 exemplaires, ce 33 tours constitue une pièce de choix pour les collectionneurs, les audiophiles et tous les amateurs de belles éditions vinyles. Une redécouverte magistrale d’un album devenu au fil du temps un classique moderne du folk contemporain.\r\n
      \r\n
      Musicians : \r\n
      Beck (acoustic & electric guitars, piano, bass, harmonica, organ, synthesizers, dulcimer, celeste, ukulele, charango, vocals), Roger Joseph Manning Jr. (keyboards, piano, clavinet, backing vocals), Justin Meldal-Johnsen (bass), Smokey Hormel, Jason Falkner, Cody Kilby (guitar), Greg Leisz (pedal steel guitar), Stanley Clarke (upright, electric bass), Joey Waronker (drums, percussion), Matt Mahaffey (organ),Bram Inscore (bass), Fats Kaplin (banjo), Stephanie Bennett (harp), James Gadson (drums), David Campbell (orchestral arrangements, conducting).\r\n
      \r\n
      - Beck "Morning Phase" !\r\n
      - Definitive Sound Series One-Step pressing !\r\n
      - Sourced from 96kHz / 24bit files transferred from analog flat masters !\r\n
      - Mastered by Levi Seitz at Black Belt Mastering !\r\n
      - Limited to 3000 numbered copies !\r\n
      - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n
      - Heavyweight tip-on double gatefold jacket inside a custom slipcase !\r\n
      - Album features "Blue Moon" "Say Goodbye" and "Wave" !\r\n
      \r\n
      The Definitive Sound Series (DSS) meticulous One-Step process creates the definitive sounding audiophile version of all-time classic albums.\r\n
      \r\n
      Beck Morning Phase was mastered from 96kHz / 24bit original vinyl files to ensure Morning Phase has never sounded better.\r\n
      \r\n
      Morning Phase is true to its title: the beginning of yet another amazing chapter in Beck's peerless career and catalogue. Featuring musicians who have backed him on many of his most acclaimed albums, as well as the current live shows widely hailed as the best of his career (Justin Meldal-Johnsen, Joey Waronker, Smokey Hormel, Roger Joseph Manning Jr., and Jason Falkner), Morning Phase harkens back to the stunning harmonies, song craft and staggering emotional impact of Beck's most classic ballads, all the while surging forward with undeniable optimism.\r\n
      \r\n
      One-Step vinyl is the ultimate vinyl pressing, meaning the vinyl is pressed from the stamper made directly from the lacquer, minimizing noises and loss of details.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Beck (acoustic & electric guitars, piano, bass, harmonica, organ, synthesizers, dulcimer, celeste, ukulele, charango, vocals), Roger Joseph Manning Jr. (keyboards, piano, clavinet, backing vocals), Justin Meldal-Johnsen (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=NBlfRGWb9Ew&list=RDNBlfRGWb9Ew&start_radio=1"
    -referenceProduit: "Capitol (Definitive Sound Series) 9817"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Cycle"
      ]
      [
        "ordre" => 2
        "nom" => "2. Morning"
      ]
      [
        "ordre" => 3
        "nom" => "3. Heart Is A Drum"
      ]
      [
        "ordre" => 4
        "nom" => "4. Say Goodbye"
      ]
      [
        "ordre" => 5
        "nom" => "5. Blue Moon"
      ]
      [
        "ordre" => 6
        "nom" => "6. Unforgiven "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Wave"
      ]
      [
        "ordre" => 9
        "nom" => "2. Don't Let It Go"
      ]
      [
        "ordre" => 10
        "nom" => "3. Blackbird Chain"
      ]
      [
        "ordre" => 11
        "nom" => "4. Phase"
      ]
      [
        "ordre" => 12
        "nom" => "5. Turn Away"
      ]
      [
        "ordre" => 13
        "nom" => "6. Country Down"
      ]
      [
        "ordre" => 14
        "nom" => "7. Waking Light"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1895 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2030 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1876 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2018 …}
    -enregistreLe: DateTime @1778657452 {#1834
      date: 2026-05-13 07:30:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778658268 {#1879
      date: 2026-05-13 07:44:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2024 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-morning-phase-edition-one-step-capitol-definitive-sound-series-9817"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3152
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#291 …}
  -entity: ContainerQ1Fx1C4\EntityManagerGhost614a58f {#157 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#241 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#136 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#1838
    -id: 3083
    -nom: "Morning Phase - (Edition One-Step)"
    -informationComplementaire: "Redécouvrez "Morning Phase" de Beck dans cette édition audiophile Limited Edition Numbered One-Step de la collection Capitol – Definitive Sound Series, offrant une restitution sonore d’une richesse et d’une profondeur remarquables."
    -description: """
      Avec "Morning Phase", Beck signe en 2014 l’un des albums les plus apaisés, élégants et émotionnellement riches de sa carrière. Véritable voyage sensoriel aux accents folk et psychédéliques, le disque s’inscrit dans la continuité spirituelle de "Sea Change", tout en développant une atmosphère encore plus lumineuse et contemplative. Porté par des arrangements somptueux, des harmonies aériennes et une production d’une finesse remarquable, Morning Phase déroule une succession de paysages sonores baignés de lumière californienne, entre mélancolie douce et sérénité presque méditative.\r\n
      \r\n
      Entouré de musiciens d’exception comme Joey Waronker, Roger Joseph Manning Jr., Justin Meldal-Johnsen ou encore Greg Leisz à la pedal steel, Beck construit ici un album organique et profondément immersif, où chaque détail instrumental trouve naturellement sa place. Les guitares acoustiques résonnent avec chaleur, les cordes enveloppent les compositions avec délicatesse et les textures analogiques donnent à l’ensemble une profondeur rare. Des titres comme "Morning, Blue Moon, Heart Is A Drum ou Wave" illustrent parfaitement cette capacité à mêler intimité, ampleur cinématographique et sophistication sonore.\r\n
      \r\n
      Cette édition Limited Edition Numbered One-Step, issue de la prestigieuse collection Capitol – Definitive Sound Series, sublime encore davantage l’expérience d’écoute. Grâce à un procédé de pressage audiophile haut de gamme réduisant les étapes intermédiaires de fabrication, ce vinyle offre une restitution sonore d’une précision exceptionnelle : "scène sonore ample, dynamique naturelle, silences plus profonds et richesse harmonique impressionnante". Chaque nuance des arrangements et chaque respiration de la production prennent ici une dimension particulièrement vivante et réaliste.\r\n
      \r\n
      Pressé en édition limitée numérotée à 3000 exemplaires, ce 33 tours constitue une pièce de choix pour les collectionneurs, les audiophiles et tous les amateurs de belles éditions vinyles. Une redécouverte magistrale d’un album devenu au fil du temps un classique moderne du folk contemporain.\r\n
      \r\n
      Musicians : \r\n
      Beck (acoustic & electric guitars, piano, bass, harmonica, organ, synthesizers, dulcimer, celeste, ukulele, charango, vocals), Roger Joseph Manning Jr. (keyboards, piano, clavinet, backing vocals), Justin Meldal-Johnsen (bass), Smokey Hormel, Jason Falkner, Cody Kilby (guitar), Greg Leisz (pedal steel guitar), Stanley Clarke (upright, electric bass), Joey Waronker (drums, percussion), Matt Mahaffey (organ),Bram Inscore (bass), Fats Kaplin (banjo), Stephanie Bennett (harp), James Gadson (drums), David Campbell (orchestral arrangements, conducting).\r\n
      \r\n
      - Beck "Morning Phase" !\r\n
      - Definitive Sound Series One-Step pressing !\r\n
      - Sourced from 96kHz / 24bit files transferred from analog flat masters !\r\n
      - Mastered by Levi Seitz at Black Belt Mastering !\r\n
      - Limited to 3000 numbered copies !\r\n
      - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n
      - Heavyweight tip-on double gatefold jacket inside a custom slipcase !\r\n
      - Album features "Blue Moon" "Say Goodbye" and "Wave" !\r\n
      \r\n
      The Definitive Sound Series (DSS) meticulous One-Step process creates the definitive sounding audiophile version of all-time classic albums.\r\n
      \r\n
      Beck Morning Phase was mastered from 96kHz / 24bit original vinyl files to ensure Morning Phase has never sounded better.\r\n
      \r\n
      Morning Phase is true to its title: the beginning of yet another amazing chapter in Beck's peerless career and catalogue. Featuring musicians who have backed him on many of his most acclaimed albums, as well as the current live shows widely hailed as the best of his career (Justin Meldal-Johnsen, Joey Waronker, Smokey Hormel, Roger Joseph Manning Jr., and Jason Falkner), Morning Phase harkens back to the stunning harmonies, song craft and staggering emotional impact of Beck's most classic ballads, all the while surging forward with undeniable optimism.\r\n
      \r\n
      One-Step vinyl is the ultimate vinyl pressing, meaning the vinyl is pressed from the stamper made directly from the lacquer, minimizing noises and loss of details.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Beck (acoustic & electric guitars, piano, bass, harmonica, organ, synthesizers, dulcimer, celeste, ukulele, charango, vocals), Roger Joseph Manning Jr. (keyboards, piano, clavinet, backing vocals), Justin Meldal-Johnsen (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=NBlfRGWb9Ew&list=RDNBlfRGWb9Ew&start_radio=1"
    -referenceProduit: "Capitol (Definitive Sound Series) 9817"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Cycle"
      ]
      [
        "ordre" => 2
        "nom" => "2. Morning"
      ]
      [
        "ordre" => 3
        "nom" => "3. Heart Is A Drum"
      ]
      [
        "ordre" => 4
        "nom" => "4. Say Goodbye"
      ]
      [
        "ordre" => 5
        "nom" => "5. Blue Moon"
      ]
      [
        "ordre" => 6
        "nom" => "6. Unforgiven "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Wave"
      ]
      [
        "ordre" => 9
        "nom" => "2. Don't Let It Go"
      ]
      [
        "ordre" => 10
        "nom" => "3. Blackbird Chain"
      ]
      [
        "ordre" => 11
        "nom" => "4. Phase"
      ]
      [
        "ordre" => 12
        "nom" => "5. Turn Away"
      ]
      [
        "ordre" => 13
        "nom" => "6. Country Down"
      ]
      [
        "ordre" => 14
        "nom" => "7. Waking Light"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1895 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2030 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1876 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2018 …}
    -enregistreLe: DateTime @1778657452 {#1834
      date: 2026-05-13 07:30:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778658268 {#1879
      date: 2026-05-13 07:44:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2024 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-morning-phase-edition-one-step-capitol-definitive-sound-series-9817"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2378 …}
}

[
  "produit" => App\Entity\Produit {#2051
    -id: 3082
    -nom: "Pet Sounds - (Edition One-Step Mono)"
    -informationComplementaire: "Redécouvrez "Pet Sounds" de The Beach Boys avec cette édition limitée numérotée One-Step Mono. Un pressage prestigieux offrant une restitution sonore remarquable du chef-d’œuvre intemporel de Brian Wilson."
    -description: """
      Redécouvrez l’un des albums les plus influents de l’histoire de la musique avec cette édition d’exception de "Pet Sounds" des The Beach Boys. Véritable chef-d’œuvre de la pop orchestrale imaginé par Brian Wilson, cet album mythique bénéficie ici d’un traitement audiophile haut de gamme grâce au procédé One-Step Mono de la série Capitol Definitive Sound Series.\r\n
      \r\n
      Pressé avec un soin extrême et proposé en édition limitée numérotée, ce vinyle restitue toute la richesse harmonique, la profondeur émotionnelle et les arrangements révolutionnaires qui ont fait de "Pet Sounds" une œuvre intemporelle. Des titres légendaires comme "Wouldn’t It Be Nice", "God Only Knows" ou "Sloop John B" retrouvent une présence et une chaleur sonore exceptionnelles dans ce mix mono fidèle à la vision originale de l’époque.\r\n
      \r\n
      Cette édition collector séduira aussi bien les audiophiles exigeants que les passionnés de rock et de pop des années 60, avec un packaging premium et une qualité de fabrication pensée pour les collectionneurs.\r\n
      \r\n
      Musicians : \r\n
      Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals), Carol Kaye (electric bass),Larry Knechtel (keyboards, bass), Don Randi (piano), Glen Campbell, Barney Kessel, Tommy Tedesco (guitar), Plas Johnson (saxophone), Steve Douglas (woodwinds), Julius Wechter (percussion), Lyle Ritz (upright bass), Hal Blaine (drums, percussion).\r\n
      \r\n
      - The Beach Boys "Pet Sounds" (Mono) !\r\n
      - Interscope-Capitol's Definitive Sound Series One-Step pressing !\r\n
      - Pressed in monophonic sound, the way Brian Wilson cut it !\r\n
      - Release inspired by the legendary 1972 Brother Records pressing !\r\n
      - Sourced from rare analog tapes discovered in the archive !\r\n
      - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n
      \r\n
      Sixty years after its release, The Beach Boys' Pet Sounds still ranks among the most revered and influential albums in music history. Cited among the greatest albums ever made, the 1966 masterpiece crafted by Brian Wilson pushed the boundaries of pop music.\r\n
      \r\n
      To mark the album's 60th anniversary, Interscope-Capitol's Definitive Sound Series (DSS) will release a limited-edition pressing of 6000 numbered copies presenting the album in the original monophonic mix Brian Wilson originally crafted in the studio. The all analog recording pressed on Neotech VR900 DS 180-gram high-definition vinyl compound at RTI, using the state-of-the-art One Step process, which eliminates multiple steps in the plating process and delivers the album's intricate arrangements and vocal harmonies with remarkable clarity. The Definitive Sound Series edition includes a certificate of authenticity detailing the mastering, plating, and pressing chain.\r\n
      \r\n
      Mastered by Chris Bellman at Bernie Grundman Mastering from rarely used circa-1972 original analog tapes, the new audiophile edition was inspired by the circa-1972 Brother Records' pressing, first issued as a two-fer with Carl and the Passions — "So Tough" and later released as a standalone LP. Long celebrated among collectors for its striking sonic clarity, the pressing became the blueprint for the Definitive Sound Series edition. With nearly 400 different variants circulating worldwide, debate over the best-sounding version of Pet Sounds has become legendary among collectors and audiophiles.\r\n
      \r\n
      While researching archival materials, the DSS team and producer Tom "grover" Biery discovered analog tapes labeled "Reprise Master" Reprise having distributed the Beach Boys' Brother Records releases. Further analysis by mastering engineer Chris Bellman confirmed that the tapes matched the revered early-'70s pressing, with identical running times and catalog references, indicating they were the source for the circa-1972 Artisan-cut lacquers.\r\n
      \r\n
      "For years I thought the versions I had were great, until I heard that early ‘70s Brother Records pressing," says Biery. "It felt like hearing Pet Sounds in three-dimensional mono sound for the first time. The balance, the arrangements, the emotional depth-everything came alive. Finding these tapes is like discovering a missing chapter of history".
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1804 …}
    -musicienOrchestre: "Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=f9keMETFIbk&list=RDf9keMETFIbk&start_radio=1"
    -referenceProduit: "Capitol (Definitive Sound Series) 4280"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Wouldn't It Be Nice"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Still Believe In Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. That's Not Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. Don't Talk (Put Your Head On My Shoulder)"
      ]
      [
        "ordre" => 5
        "nom" => "5. I'm Waiting For The Day"
      ]
      [
        "ordre" => 6
        "nom" => "6. Let's Go Away For Awhile"
      ]
      [
        "ordre" => 7
        "nom" => "7. Sloop John B"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. God Only Knows"
      ]
      [
        "ordre" => 10
        "nom" => "2. I Know There's An Answer"
      ]
      [
        "ordre" => 11
        "nom" => "3. Here Today"
      ]
      [
        "ordre" => 12
        "nom" => "4. I Just Wasn't Made For These Times"
      ]
      [
        "ordre" => 13
        "nom" => "5. Pet Sounds"
      ]
      [
        "ordre" => 14
        "nom" => "6. Caroline, No"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1453 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2055 …}
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    -modifierLe: DateTime @1778594679 {#2045
      date: 2026-05-12 14:04:39.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3266
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#291 …}
  -entity: ContainerQ1Fx1C4\EntityManagerGhost614a58f {#157 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#241 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#136 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2051
    -id: 3082
    -nom: "Pet Sounds - (Edition One-Step Mono)"
    -informationComplementaire: "Redécouvrez "Pet Sounds" de The Beach Boys avec cette édition limitée numérotée One-Step Mono. Un pressage prestigieux offrant une restitution sonore remarquable du chef-d’œuvre intemporel de Brian Wilson."
    -description: """
      Redécouvrez l’un des albums les plus influents de l’histoire de la musique avec cette édition d’exception de "Pet Sounds" des The Beach Boys. Véritable chef-d’œuvre de la pop orchestrale imaginé par Brian Wilson, cet album mythique bénéficie ici d’un traitement audiophile haut de gamme grâce au procédé One-Step Mono de la série Capitol Definitive Sound Series.\r\n
      \r\n
      Pressé avec un soin extrême et proposé en édition limitée numérotée, ce vinyle restitue toute la richesse harmonique, la profondeur émotionnelle et les arrangements révolutionnaires qui ont fait de "Pet Sounds" une œuvre intemporelle. Des titres légendaires comme "Wouldn’t It Be Nice", "God Only Knows" ou "Sloop John B" retrouvent une présence et une chaleur sonore exceptionnelles dans ce mix mono fidèle à la vision originale de l’époque.\r\n
      \r\n
      Cette édition collector séduira aussi bien les audiophiles exigeants que les passionnés de rock et de pop des années 60, avec un packaging premium et une qualité de fabrication pensée pour les collectionneurs.\r\n
      \r\n
      Musicians : \r\n
      Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals), Carol Kaye (electric bass),Larry Knechtel (keyboards, bass), Don Randi (piano), Glen Campbell, Barney Kessel, Tommy Tedesco (guitar), Plas Johnson (saxophone), Steve Douglas (woodwinds), Julius Wechter (percussion), Lyle Ritz (upright bass), Hal Blaine (drums, percussion).\r\n
      \r\n
      - The Beach Boys "Pet Sounds" (Mono) !\r\n
      - Interscope-Capitol's Definitive Sound Series One-Step pressing !\r\n
      - Pressed in monophonic sound, the way Brian Wilson cut it !\r\n
      - Release inspired by the legendary 1972 Brother Records pressing !\r\n
      - Sourced from rare analog tapes discovered in the archive !\r\n
      - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n
      \r\n
      Sixty years after its release, The Beach Boys' Pet Sounds still ranks among the most revered and influential albums in music history. Cited among the greatest albums ever made, the 1966 masterpiece crafted by Brian Wilson pushed the boundaries of pop music.\r\n
      \r\n
      To mark the album's 60th anniversary, Interscope-Capitol's Definitive Sound Series (DSS) will release a limited-edition pressing of 6000 numbered copies presenting the album in the original monophonic mix Brian Wilson originally crafted in the studio. The all analog recording pressed on Neotech VR900 DS 180-gram high-definition vinyl compound at RTI, using the state-of-the-art One Step process, which eliminates multiple steps in the plating process and delivers the album's intricate arrangements and vocal harmonies with remarkable clarity. The Definitive Sound Series edition includes a certificate of authenticity detailing the mastering, plating, and pressing chain.\r\n
      \r\n
      Mastered by Chris Bellman at Bernie Grundman Mastering from rarely used circa-1972 original analog tapes, the new audiophile edition was inspired by the circa-1972 Brother Records' pressing, first issued as a two-fer with Carl and the Passions — "So Tough" and later released as a standalone LP. Long celebrated among collectors for its striking sonic clarity, the pressing became the blueprint for the Definitive Sound Series edition. With nearly 400 different variants circulating worldwide, debate over the best-sounding version of Pet Sounds has become legendary among collectors and audiophiles.\r\n
      \r\n
      While researching archival materials, the DSS team and producer Tom "grover" Biery discovered analog tapes labeled "Reprise Master" Reprise having distributed the Beach Boys' Brother Records releases. Further analysis by mastering engineer Chris Bellman confirmed that the tapes matched the revered early-'70s pressing, with identical running times and catalog references, indicating they were the source for the circa-1972 Artisan-cut lacquers.\r\n
      \r\n
      "For years I thought the versions I had were great, until I heard that early ‘70s Brother Records pressing," says Biery. "It felt like hearing Pet Sounds in three-dimensional mono sound for the first time. The balance, the arrangements, the emotional depth-everything came alive. Finding these tapes is like discovering a missing chapter of history".
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1804 …}
    -musicienOrchestre: "Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=f9keMETFIbk&list=RDf9keMETFIbk&start_radio=1"
    -referenceProduit: "Capitol (Definitive Sound Series) 4280"
    -titreMorceau: [
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        "nom" => "1. Wouldn't It Be Nice"
      ]
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        "ordre" => 2
        "nom" => "2. You Still Believe In Me"
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        "ordre" => 3
        "nom" => "3. That's Not Me"
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        "nom" => "4. Don't Talk (Put Your Head On My Shoulder)"
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        "nom" => "5. I'm Waiting For The Day"
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        "nom" => "6. Let's Go Away For Awhile"
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        "nom" => "7. Sloop John B"
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        "nom" => "Side B : "
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        "nom" => "1. God Only Knows"
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        "nom" => "2. I Know There's An Answer"
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        "nom" => "3. Here Today"
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        "ordre" => 12
        "nom" => "4. I Just Wasn't Made For These Times"
      ]
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        "ordre" => 13
        "nom" => "5. Pet Sounds"
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        "ordre" => 14
        "nom" => "6. Caroline, No"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
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    -slug: "vinyles-pet-sounds-edition-one-step-mono-capitol-definitive-sound-series-4280"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2378 …}
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[
  "produit" => App\Entity\Produit {#2073
    -id: 3081
    -nom: "Whistle Stop"
    -informationComplementaire: "Élégant, subtil et intensément inspiré, "Whistle Stop" de Kenny Dorham incarne toute la finesse du hard bop des années 60. Un album incontournable signé Blue Note Records, entre swing raffiné, mélodies lumineuses et atmosphère intemporelle."
    -description: """
      Avec Whistle Stop, Kenny Dorham signe l’un des albums majeurs du jazz hard bop des années 60. Enregistré pour Blue Note Records, ce disque réunit autour du trompettiste un casting prestigieux, Hank Mobley au saxophone ténor, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie.\r\n
      \r\n
      L’album se distingue par l’élégance de ses arrangements, la finesse de ses compositions originales et l’équilibre parfait entre virtuosité et retenue. Le morceau-titre “Whistle Stop” ouvre le voyage avec une énergie maîtrisée, tandis que des titres comme “Sunrise in Mexico” ou “Windmill” révèlent toute la richesse harmonique et mélodique de Dorham.\r\n
      \r\n
      À la fois accessible et profondément sophistiqué, "Whistle Stop" demeure une référence incontournable pour les amateurs de jazz moderne et de l’esthétique Blue Note. Un album intemporel où chaque note semble raconter une histoire, entre tension urbaine et chaleur mélodique.\r\n
      \r\n
      - Kenny Dorham "Whistle Stop" !\r\n
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      After having recorded early bop classics such as Afro-Cuban and ‘Round About Midnight At The Café Bohemia for Blue Note in the mid-1950s, trumpeter Kenny Dorham made an invigorating return to the label in 1961 with Whistle Stop. The album is a seven-song set of Dorham originals performed by a top-shelf hard bop quintet with Hank Mobley on tenor saxophone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Inventive compositions like "Philly Twist", "Sunset", and "Sunrise In Mexico" provide ample grist for the mill, leading the musicians down inspired paths.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1804 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=RHuBSAeTC3E&list=RDRHuBSAeTC3E&start_radio=1"
    -referenceProduit: "Blue Note Records 1366"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 1
        "nom" => "1. 'Philly' Twist"
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        "ordre" => 2
        "nom" => "2. Buffalo"
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        "ordre" => 3
        "nom" => "3. Sunset "
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      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Whistle Stop"
      ]
      [
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        "nom" => "2. Sunrise In Mexico"
      ]
      [
        "ordre" => 7
        "nom" => "3. Windmill"
      ]
      [
        "ordre" => 8
        "nom" => "4. Dorham's Epitaph"
      ]
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        "nom" => ""
      ]
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        "nom" => ""
      ]
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        "nom" => ""
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        "nom" => ""
      ]
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2075 …}
    -label: Proxies\__CG__\App\Entity\Label {#2078 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …}
    -enregistreLe: DateTime @1778398047 {#2065
      date: 2026-05-10 07:27:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778399685 {#2064
      date: 2026-05-10 07:54:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-whistle-stop-blue-note-records-1366"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3317
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#291 …}
  -entity: ContainerQ1Fx1C4\EntityManagerGhost614a58f {#157 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#241 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#136 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2073
    -id: 3081
    -nom: "Whistle Stop"
    -informationComplementaire: "Élégant, subtil et intensément inspiré, "Whistle Stop" de Kenny Dorham incarne toute la finesse du hard bop des années 60. Un album incontournable signé Blue Note Records, entre swing raffiné, mélodies lumineuses et atmosphère intemporelle."
    -description: """
      Avec Whistle Stop, Kenny Dorham signe l’un des albums majeurs du jazz hard bop des années 60. Enregistré pour Blue Note Records, ce disque réunit autour du trompettiste un casting prestigieux, Hank Mobley au saxophone ténor, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie.\r\n
      \r\n
      L’album se distingue par l’élégance de ses arrangements, la finesse de ses compositions originales et l’équilibre parfait entre virtuosité et retenue. Le morceau-titre “Whistle Stop” ouvre le voyage avec une énergie maîtrisée, tandis que des titres comme “Sunrise in Mexico” ou “Windmill” révèlent toute la richesse harmonique et mélodique de Dorham.\r\n
      \r\n
      À la fois accessible et profondément sophistiqué, "Whistle Stop" demeure une référence incontournable pour les amateurs de jazz moderne et de l’esthétique Blue Note. Un album intemporel où chaque note semble raconter une histoire, entre tension urbaine et chaleur mélodique.\r\n
      \r\n
      - Kenny Dorham "Whistle Stop" !\r\n
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      After having recorded early bop classics such as Afro-Cuban and ‘Round About Midnight At The Café Bohemia for Blue Note in the mid-1950s, trumpeter Kenny Dorham made an invigorating return to the label in 1961 with Whistle Stop. The album is a seven-song set of Dorham originals performed by a top-shelf hard bop quintet with Hank Mobley on tenor saxophone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Inventive compositions like "Philly Twist", "Sunset", and "Sunrise In Mexico" provide ample grist for the mill, leading the musicians down inspired paths.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1804 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RHuBSAeTC3E&list=RDRHuBSAeTC3E&start_radio=1"
    -referenceProduit: "Blue Note Records 1366"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. 'Philly' Twist"
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      [
        "ordre" => 2
        "nom" => "2. Buffalo"
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      [
        "ordre" => 3
        "nom" => "3. Sunset "
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      [
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        "nom" => "Side B : "
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        "ordre" => 5
        "nom" => "1. Whistle Stop"
      ]
      [
        "ordre" => 6
        "nom" => "2. Sunrise In Mexico"
      ]
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        "ordre" => 7
        "nom" => "3. Windmill"
      ]
      [
        "ordre" => 8
        "nom" => "4. Dorham's Epitaph"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
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        "nom" => ""
      ]
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      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2075 …}
    -label: Proxies\__CG__\App\Entity\Label {#2078 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2080 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …}
    -enregistreLe: DateTime @1778398047 {#2065
      date: 2026-05-10 07:27:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778399685 {#2064
      date: 2026-05-10 07:54:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-whistle-stop-blue-note-records-1366"
  }
  +optionPrix: null
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}

[
  "produit" => App\Entity\Produit {#2094
    -id: 3080
    -nom: "One Of These Nights - Box Set (3 LP)"
    -informationComplementaire: null
    -description: """
      - Eagles "One Of These Nights" !\r\n
      - Deluxe Edition (3 LP) Box Set + booklet !- \r\n
      - Expanded set includes an unreleased live show from Sept. 28, 1975 !\r\n
      \r\n
      The Eagle's fourth album was their commercial breakthrough, propelling them to become worldwide superstars. Produced by Bill Szymczyk, it was the Eagles first N° 1 album on the Billboard charts and includes the Top 10 singles "One of These Nights", "Lyin' Eyes", and "Take It To The Limit".\r\n
      \r\n
      The album is now being expanded to include an unreleased live show from Anaheim Stadium, September 28, 1975, featuring a guest appearance from Joe Walsh before he joined the band the following year after Bernie Leadon's departure.\r\n
      \r\n
      The set will include photos and ephemera, with the packaging designed by Grammy-Award winning Art Director Jeri Heiden.\r\n
      \r\n
      One Of These Nights was nominated for four Grammys and won the award for Best Pop Performance By A Duo or Group With Vocal for "Lyin' Eyes". The album is 4 x platinum-selling in the US, 2 x platinum-selling in Australia and platinum-selling in the U.K and Canada.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Don Felder (guitar, slide guitar, vocals), Randy Meisner (bass, vocals), Glenn Frey, Joe Walsh (guitar, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=1QZJVB6pAP4&list=RD1QZJVB6pAP4&start_radio=1"
    -referenceProduit: "Rhino Records 7158"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "Original Album (2025 Mix)"
      ]
      [
        "ordre" => 2
        "nom" => "1. One of These Nights"
      ]
      [
        "ordre" => 3
        "nom" => "2. Too Many Hands"
      ]
      [
        "ordre" => 4
        "nom" => "3. Hollywood Waltz"
      ]
      [
        "ordre" => 5
        "nom" => "4. Journey of the Sorcerer"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Lyin' Eyes"
      ]
      [
        "ordre" => 8
        "nom" => "2. Take It to the Limit"
      ]
      [
        "ordre" => 9
        "nom" => "3. Visions"
      ]
      [
        "ordre" => 10
        "nom" => "4. After The Thrill Is Gone"
      ]
      [
        "ordre" => 11
        "nom" => "5. I Wish You Peace"
      ]
      [
        "ordre" => 12
        "nom" => "Side C :"
      ]
      [
        "ordre" => 13
        "nom" => "Live at Anaheim Stadium, Sept. 28, 1975"
      ]
      [
        "ordre" => 14
        "nom" => "1. Take It Easy"
      ]
      [
        "ordre" => 15
        "nom" => "2. Outlaw Man"
      ]
      [
        "ordre" => 16
        "nom" => "3. Doolin - Dalton / Desperado "
      ]
      [
        "ordre" => 17
        "nom" => "Side D : "
      ]
      [
        "ordre" => 18
        "nom" => "1. One of These Nights"
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        "nom" => "2. Ol' 55"
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        "nom" => "3. Lyin' Eyes"
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        "nom" => "4. Take It to the Limit"
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        "nom" => "Side E :"
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        "nom" => "Live at Anaheim Stadium, Sept. 28, 1975"
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        "nom" => "1. Blackberry Blossom"
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        "nom" => "2. Midnight Flyer"
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        "nom" => "3. Already Gone"
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        "nom" => "4. Too Many Hands"
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        "ordre" => 28
        "nom" => "5. James Dean "
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        "nom" => "Side F : "
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        "nom" => "1. Witchy Woman"
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        "nom" => "2. Rocky Mountain Way (with Joe Walsh)"
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      [
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        "nom" => "3. Carol"
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        "nom" => "4. The Best of My Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2096 …}
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    -description: """
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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[
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    -id: 3079
    -nom: "Live At Knoxville Civic Auditorium - Box Set (3 LP)"
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    -description: """
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      Yes "Live At Knoxville Civic Auditorium" !\r\n
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      Yes "Live At Knoxville Civic Auditorium" is a (3 LP) vinyl release documenting the landmark November 15, 1972 concert by the British prog rockers. Featuring Yes with their classic lineup, Yes was at the top of its game here. Jon Anderson was in prime voice, and Steve Howe (guitar), Chris Squire (bass), Rick Wakeman (keyboards), and Alan White (drums) were absolute masters of prog musicianship and instrumental interplay.\r\n
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    -nom: "Live At Knoxville Civic Auditorium - Box Set (3 LP)"
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      \r\n
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-knoxville-civic-auditorium-box-set-3-lp-atlantic-records-5047"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2378 …}
}

[
  "produit" => App\Entity\Produit {#2136
    -id: 3078
    -nom: "Stable Mable"
    -informationComplementaire: "Une session de jazz nocturne, libre et profondément vivante. Avec "Stable Mable", Dexter Gordon réunit un quartet d’exception pour un enregistrement incandescent entre swing, élégance et improvisation magistrale."
    -description: """
      Enregistré à Copenhague en 1975 pour le label SteepleChase, "Stable Mable" capture toute la maturité artistique du saxophoniste américain Dexter Gordon. Entouré du pianiste Horace Parlan, du contrebassiste Niels-Henning Ørsted Pedersen et du batteur Tony Inzalaco, Gordon livre un jazz ample, chaleureux et intensément expressif.\r\n
      \r\n
      Entre standards revisités et longues envolées improvisées, l’album révèle une complicité rare entre les musiciens. Le son est fluide, profond, habité par cette élégance décontractée qui caractérise les grandes sessions européennes du jazz des années 70.\r\n
      \r\n
      Stable Mable est une œuvre incontournable pour les amateurs de hard bop et de jazz moderne, portée par le souffle immense et la présence magnétique de Dexter Gordon.\r\n
      \r\n
      - Dexter Gordon Quartet "Stable Mable" !\r\n
      - Newly remastered from the original master tapes !\r\n
      - 180 gram audiophile edition !\r\n
      \r\n
      "...Dexter plays brilliantly on every track... beautifully recorded..." - Jazz Journal, 1976\r\n
      \r\n
      Celebrating its legacy from the 1976 LP and 1990 CD release, Stable Mable returns in May 2026 as a newly remastered 180 gram audiophile edition. Captured in Copenhagen just weeks after Dexter Gordon's ambitious orchestral project More Than You Know, this session strips the setting back to its purest form : a no-frills blowing date where Gordon's imagination, authority, and melodic wit shine without disguise. Joined by Horace Parlan, Niels Henning Ørsted Pedersen, and Tony Inzalaco, Gordon navigates standards like "Just Friends", "Misty", "Red Cross", and "So What" with a mix of relaxed confidence and fiery invention.\r\n
      \r\n
      His soprano reading of "In a Sentimental Mood" adds a rare, reflective touch. Remastered from the original tapes, this edition highlights the quartet's clarity, swing, and interplay an essential snapshot of Gordon's Copenhagen years and a definitive statement of his enduring mastery.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Dexter Gordon (tenor & soprano saxophone), Horace Parlan (piano), Niels-Henning Ørsted Pedersen (bass), Tony Inzalaco (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wJiw8Ee00cI&list=RDwJiw8Ee00cI&start_radio=1"
    -referenceProduit: "SteepleChase Records 4017"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. Just Friends"
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      [
        "ordre" => 2
        "nom" => "2. Misty"
      ]
      [
        "ordre" => 3
        "nom" => "3. Red Cross "
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      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. So What"
      ]
      [
        "ordre" => 6
        "nom" => "2. In A Sentimemental Mood"
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      [
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        "nom" => "3. Stablemates"
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      [
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2141 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2150 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2143 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2145 …}
    -enregistreLe: DateTime @1778244534 {#2132
      date: 2026-05-08 12:48:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778244745 {#2131
      date: 2026-05-08 12:52:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2147 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-stable-mable-steeplechase-records-4017"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3470
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#291 …}
  -entity: ContainerQ1Fx1C4\EntityManagerGhost614a58f {#157 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#241 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#136 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2136
    -id: 3078
    -nom: "Stable Mable"
    -informationComplementaire: "Une session de jazz nocturne, libre et profondément vivante. Avec "Stable Mable", Dexter Gordon réunit un quartet d’exception pour un enregistrement incandescent entre swing, élégance et improvisation magistrale."
    -description: """
      Enregistré à Copenhague en 1975 pour le label SteepleChase, "Stable Mable" capture toute la maturité artistique du saxophoniste américain Dexter Gordon. Entouré du pianiste Horace Parlan, du contrebassiste Niels-Henning Ørsted Pedersen et du batteur Tony Inzalaco, Gordon livre un jazz ample, chaleureux et intensément expressif.\r\n
      \r\n
      Entre standards revisités et longues envolées improvisées, l’album révèle une complicité rare entre les musiciens. Le son est fluide, profond, habité par cette élégance décontractée qui caractérise les grandes sessions européennes du jazz des années 70.\r\n
      \r\n
      Stable Mable est une œuvre incontournable pour les amateurs de hard bop et de jazz moderne, portée par le souffle immense et la présence magnétique de Dexter Gordon.\r\n
      \r\n
      - Dexter Gordon Quartet "Stable Mable" !\r\n
      - Newly remastered from the original master tapes !\r\n
      - 180 gram audiophile edition !\r\n
      \r\n
      "...Dexter plays brilliantly on every track... beautifully recorded..." - Jazz Journal, 1976\r\n
      \r\n
      Celebrating its legacy from the 1976 LP and 1990 CD release, Stable Mable returns in May 2026 as a newly remastered 180 gram audiophile edition. Captured in Copenhagen just weeks after Dexter Gordon's ambitious orchestral project More Than You Know, this session strips the setting back to its purest form : a no-frills blowing date where Gordon's imagination, authority, and melodic wit shine without disguise. Joined by Horace Parlan, Niels Henning Ørsted Pedersen, and Tony Inzalaco, Gordon navigates standards like "Just Friends", "Misty", "Red Cross", and "So What" with a mix of relaxed confidence and fiery invention.\r\n
      \r\n
      His soprano reading of "In a Sentimental Mood" adds a rare, reflective touch. Remastered from the original tapes, this edition highlights the quartet's clarity, swing, and interplay an essential snapshot of Gordon's Copenhagen years and a definitive statement of his enduring mastery.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Dexter Gordon (tenor & soprano saxophone), Horace Parlan (piano), Niels-Henning Ørsted Pedersen (bass), Tony Inzalaco (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wJiw8Ee00cI&list=RDwJiw8Ee00cI&start_radio=1"
    -referenceProduit: "SteepleChase Records 4017"
    -titreMorceau: [
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        "nom" => "1. Just Friends"
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        "nom" => "3. Red Cross "
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      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. So What"
      ]
      [
        "ordre" => 6
        "nom" => "2. In A Sentimemental Mood"
      ]
      [
        "ordre" => 7
        "nom" => "3. Stablemates"
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      [
        "ordre" => 8
        "nom" => ""
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        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2141 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2150 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2143 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2145 …}
    -enregistreLe: DateTime @1778244534 {#2132
      date: 2026-05-08 12:48:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778244745 {#2131
      date: 2026-05-08 12:52:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2147 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stable-mable-steeplechase-records-4017"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2378 …}
}

[
  "produit" => App\Entity\Produit {#2155
    -id: 3077
    -nom: "Yale Bowl '71"
    -informationComplementaire: "Revivez l’intensité du concert de Yes au Yale Bowl en 1971, une performance brute et visionnaire qui capture l’essor d’un groupe devenu légendaire. Un rendez-vous incontournable pour les amateurs de rock progressif."
    -description: """
      Le concert de Yes au Yale Bowl en 1971 capture un moment charnière dans l’histoire du rock progressif. À cette époque, le groupe est en pleine ascension et affine un son unique mêlant virtuosité instrumentale et ambition artistique. Porté par la voix cristalline de Jon Anderson, les lignes de basse puissantes de Chris Squire et la guitare inventive de Steve Howe, le groupe propose une performance intense et déjà très aboutie.\r\n
      \r\n
      Avec Tony Kaye aux claviers et Bill Bruford à la batterie, cette formation emblématique délivre un concert énergique, oscillant entre envolées mélodiques et passages complexes. Ce live témoigne d’une période où Yes s’impose progressivement comme une référence incontournable du rock progressif mondial.\r\n
      \r\n
      Previously unreleased in full performance of Yes from The Yes Album tour in 1971. Recorded at Yale Bowl in New Haven, CT on July 24, 1971, this limited edition 1LP features raw performances of classic tracks "I've Seen All Good People", "Yours is No Disgrace" and more.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Jon Anderson (vocals), Steve Howe (guitar), Chris Squire ( bass), Tony Kaye (keyboards), Bill Bruford (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=1VgUqPloEOE&list=RD1VgUqPloEOE&start_radio=1"
    -referenceProduit: "Rhino Records 6093"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Yours Is No Disgrace (Live at The Yale Bowl, New Haven, CT, 7/24/1971)"
      ]
      [
        "ordre" => 2
        "nom" => "- 2023 Remaster"
      ]
      [
        "ordre" => 3
        "nom" => "2. I've Seen All Good People : Your Move / All Good People"
      ]
      [
        "ordre" => 4
        "nom" => "(Live at The Yale Bowl, New Haven, CT, 7/24/1971)"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Clap / Classical Gas (Live at The Yale Bowl, New Haven, CT, 7/24/1971)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Perpetual Change (Live at The Yale Bowl, New Haven, CT, 7/24/1971)"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2163 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2156 …}
    -typeMasterTape: null
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    -produitTestePar: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2158 …}
    -enregistreLe: DateTime @1778013780 {#2152
      date: 2026-05-05 20:43:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778014232 {#2153
      date: 2026-05-05 20:50:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2160 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-yale-bowl-71-rhino-records-6093"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3523
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#291 …}
  -entity: ContainerQ1Fx1C4\EntityManagerGhost614a58f {#157 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#241 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#136 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2155
    -id: 3077
    -nom: "Yale Bowl '71"
    -informationComplementaire: "Revivez l’intensité du concert de Yes au Yale Bowl en 1971, une performance brute et visionnaire qui capture l’essor d’un groupe devenu légendaire. Un rendez-vous incontournable pour les amateurs de rock progressif."
    -description: """
      Le concert de Yes au Yale Bowl en 1971 capture un moment charnière dans l’histoire du rock progressif. À cette époque, le groupe est en pleine ascension et affine un son unique mêlant virtuosité instrumentale et ambition artistique. Porté par la voix cristalline de Jon Anderson, les lignes de basse puissantes de Chris Squire et la guitare inventive de Steve Howe, le groupe propose une performance intense et déjà très aboutie.\r\n
      \r\n
      Avec Tony Kaye aux claviers et Bill Bruford à la batterie, cette formation emblématique délivre un concert énergique, oscillant entre envolées mélodiques et passages complexes. Ce live témoigne d’une période où Yes s’impose progressivement comme une référence incontournable du rock progressif mondial.\r\n
      \r\n
      Previously unreleased in full performance of Yes from The Yes Album tour in 1971. Recorded at Yale Bowl in New Haven, CT on July 24, 1971, this limited edition 1LP features raw performances of classic tracks "I've Seen All Good People", "Yours is No Disgrace" and more.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Jon Anderson (vocals), Steve Howe (guitar), Chris Squire ( bass), Tony Kaye (keyboards), Bill Bruford (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=1VgUqPloEOE&list=RD1VgUqPloEOE&start_radio=1"
    -referenceProduit: "Rhino Records 6093"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. Yours Is No Disgrace (Live at The Yale Bowl, New Haven, CT, 7/24/1971)"
      ]
      [
        "ordre" => 2
        "nom" => "- 2023 Remaster"
      ]
      [
        "ordre" => 3
        "nom" => "2. I've Seen All Good People : Your Move / All Good People"
      ]
      [
        "ordre" => 4
        "nom" => "(Live at The Yale Bowl, New Haven, CT, 7/24/1971)"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Clap / Classical Gas (Live at The Yale Bowl, New Haven, CT, 7/24/1971)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Perpetual Change (Live at The Yale Bowl, New Haven, CT, 7/24/1971)"
      ]
      [
        "ordre" => 8
        "nom" => ""
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      [
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        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2163 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2156 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2158 …}
    -enregistreLe: DateTime @1778013780 {#2152
      date: 2026-05-05 20:43:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778014232 {#2153
      date: 2026-05-05 20:50:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2160 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-yale-bowl-71-rhino-records-6093"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2378 …}
}

[
  "produit" => App\Entity\Produit {#2170
    -id: 3076
    -nom: "Lost And Found"
    -informationComplementaire: "Avec "Lost and Found", le Buena Vista Social Club révèle des trésors cachés, portés par des voix légendaires et des rythmes envoûtants. Une invitation à voyager, à ressentir, et à vibrer au son d’une musique intemporelle."
    -description: """
      Lost and Found du Buena Vista Social Club est une plongée vibrante au cœur de l’âge d’or de la musique cubaine. Sorti en 2015, cet album rassemble des enregistrements inédits et des prises alternatives capturés lors des sessions historiques qui ont donné naissance au phénomène mondial des années 1990.\r\n
      \r\n
      On y retrouve les voix inoubliables de Ibrahim Ferrer et Omara Portuondo, la guitare et le tres de Eliades Ochoa et Compay Segundo, ainsi que le piano élégant de Rubén González. Entre son cubain, boléro et danzón, chaque morceau restitue l’authenticité et la chaleur d’un collectif de musiciens d’exception.\r\n
      \r\n
      Plus qu’une simple compilation, "Lost and Found" est un témoignage précieux, celui d’une rencontre entre tradition, mémoire et virtuosité, capturée dans toute sa spontanéité.\r\n
      \r\n
      Musicians : \r\n
      Ibrahim Ferrer, Omara Portuondo (vocals), Compay Segundo (Cuban guitar, vocals), Eliades Ochoa (guitar, vocals), Rubén González (piano), Orlando "Cachaíto" López (double bass), Manuel Galbán (electric guitar), Demetrio Muñiz, Adolfo Pichardo (trumpet), Barbarito Torres (laúd Cuban lute), Miguel "Angá" Díaz (congas), Carlos González "Carlos “Calunga" (bongos), Amadito Valdés (timbales, drums), Roberto Fonseca (piano), Ángel Terry Domech (violin), Enrique Lazaga (trombone), Alberto "Virgilio" Valdés (percussion)...\r\n
      \r\n
      Buena Vista Social Club "Lost And Found" 180 gram vinyl LP !\r\n
      \r\n
      Lost and Found (2015) is a posthumous compilation album by the Buena Vista Social Club, released nearly two decades after their landmark 1997 debut. Features core members such as Ibrahim Ferrer, Compay Segundo, Omara Portuondo, Rubén González, and Eliades Ochoa. This new lacquer cut is pressed on 180 gram vinyl.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Ibrahim Ferrer, Omara Portuondo (vocals), Compay Segundo (Cuban guitar, vocals), Eliades Ochoa (guitar, vocals), Rubén González (piano), Orlando "Cachaíto" López (double bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=epvl7kdLbv4&list=RDepvl7kdLbv4&start_radio=1"
    -referenceProduit: "BMG Records 0136"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Macusa"
      ]
      [
        "ordre" => 2
        "nom" => "2. Bruca Maniguá"
      ]
      [
        "ordre" => 3
        "nom" => "3. Tiene Sabor"
      ]
      [
        "ordre" => 4
        "nom" => "4. Black Chicken 37"
      ]
      [
        "ordre" => 5
        "nom" => "5. Habanera"
      ]
      [
        "ordre" => 6
        "nom" => "6. Bodas de Oro "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Como Fue"
      ]
      [
        "ordre" => 9
        "nom" => "2. Guajira en F"
      ]
      [
        "ordre" => 10
        "nom" => "3. Quiéreme Mucho"
      ]
      [
        "ordre" => 11
        "nom" => "4. Pedacito de Papel"
      ]
      [
        "ordre" => 12
        "nom" => "5. MamàMe Gustó"
      ]
      [
        "ordre" => 13
        "nom" => "6. Lágrimas Negras"
      ]
      [
        "ordre" => 14
        "nom" => "7. Como Siento Yo"
      ]
      [
        "ordre" => 15
        "nom" => "8. Rubén Sings !"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …}
    -label: Proxies\__CG__\App\Entity\Label {#2175 …}
    -style: App\Entity\Style {#1450 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2184 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2177 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2179 …}
    -enregistreLe: DateTime @1777965162 {#2166
      date: 2026-05-05 07:12:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777965881 {#2165
      date: 2026-05-05 07:24:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2181 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lost-and-found-bmg-records-0136"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3569
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#291 …}
  -entity: ContainerQ1Fx1C4\EntityManagerGhost614a58f {#157 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#241 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#136 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2170
    -id: 3076
    -nom: "Lost And Found"
    -informationComplementaire: "Avec "Lost and Found", le Buena Vista Social Club révèle des trésors cachés, portés par des voix légendaires et des rythmes envoûtants. Une invitation à voyager, à ressentir, et à vibrer au son d’une musique intemporelle."
    -description: """
      Lost and Found du Buena Vista Social Club est une plongée vibrante au cœur de l’âge d’or de la musique cubaine. Sorti en 2015, cet album rassemble des enregistrements inédits et des prises alternatives capturés lors des sessions historiques qui ont donné naissance au phénomène mondial des années 1990.\r\n
      \r\n
      On y retrouve les voix inoubliables de Ibrahim Ferrer et Omara Portuondo, la guitare et le tres de Eliades Ochoa et Compay Segundo, ainsi que le piano élégant de Rubén González. Entre son cubain, boléro et danzón, chaque morceau restitue l’authenticité et la chaleur d’un collectif de musiciens d’exception.\r\n
      \r\n
      Plus qu’une simple compilation, "Lost and Found" est un témoignage précieux, celui d’une rencontre entre tradition, mémoire et virtuosité, capturée dans toute sa spontanéité.\r\n
      \r\n
      Musicians : \r\n
      Ibrahim Ferrer, Omara Portuondo (vocals), Compay Segundo (Cuban guitar, vocals), Eliades Ochoa (guitar, vocals), Rubén González (piano), Orlando "Cachaíto" López (double bass), Manuel Galbán (electric guitar), Demetrio Muñiz, Adolfo Pichardo (trumpet), Barbarito Torres (laúd Cuban lute), Miguel "Angá" Díaz (congas), Carlos González "Carlos “Calunga" (bongos), Amadito Valdés (timbales, drums), Roberto Fonseca (piano), Ángel Terry Domech (violin), Enrique Lazaga (trombone), Alberto "Virgilio" Valdés (percussion)...\r\n
      \r\n
      Buena Vista Social Club "Lost And Found" 180 gram vinyl LP !\r\n
      \r\n
      Lost and Found (2015) is a posthumous compilation album by the Buena Vista Social Club, released nearly two decades after their landmark 1997 debut. Features core members such as Ibrahim Ferrer, Compay Segundo, Omara Portuondo, Rubén González, and Eliades Ochoa. This new lacquer cut is pressed on 180 gram vinyl.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Ibrahim Ferrer, Omara Portuondo (vocals), Compay Segundo (Cuban guitar, vocals), Eliades Ochoa (guitar, vocals), Rubén González (piano), Orlando "Cachaíto" López (double bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=epvl7kdLbv4&list=RDepvl7kdLbv4&start_radio=1"
    -referenceProduit: "BMG Records 0136"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Macusa"
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      [
        "ordre" => 2
        "nom" => "2. Bruca Maniguá"
      ]
      [
        "ordre" => 3
        "nom" => "3. Tiene Sabor"
      ]
      [
        "ordre" => 4
        "nom" => "4. Black Chicken 37"
      ]
      [
        "ordre" => 5
        "nom" => "5. Habanera"
      ]
      [
        "ordre" => 6
        "nom" => "6. Bodas de Oro "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Como Fue"
      ]
      [
        "ordre" => 9
        "nom" => "2. Guajira en F"
      ]
      [
        "ordre" => 10
        "nom" => "3. Quiéreme Mucho"
      ]
      [
        "ordre" => 11
        "nom" => "4. Pedacito de Papel"
      ]
      [
        "ordre" => 12
        "nom" => "5. MamàMe Gustó"
      ]
      [
        "ordre" => 13
        "nom" => "6. Lágrimas Negras"
      ]
      [
        "ordre" => 14
        "nom" => "7. Como Siento Yo"
      ]
      [
        "ordre" => 15
        "nom" => "8. Rubén Sings !"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …}
    -label: Proxies\__CG__\App\Entity\Label {#2175 …}
    -style: App\Entity\Style {#1450 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2184 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2177 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2179 …}
    -enregistreLe: DateTime @1777965162 {#2166
      date: 2026-05-05 07:12:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777965881 {#2165
      date: 2026-05-05 07:24:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2181 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lost-and-found-bmg-records-0136"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2378 …}
}

[
  "produit" => App\Entity\Produit {#2189
    -id: 3075
    -nom: "Fun House"
    -informationComplementaire: "Avec Iggy Pop au sommet de son intensité, "Fun House" vous plonge dans un rock sauvage, sans compromis. Riffs puissants, rythme hypnotique, et une touche de folie apportée par Steve Mackay au saxophone, tout est réuni pour une écoute inoubliable."
    -description: """
      Fun House, l’album culte de The Stooges !\r\n
      \r\n
      Sorti en 1970, "Fun House" est un album incontournable du rock proto-punk. Mené par Iggy Pop, The Stooges livrent une performance brute et intense, marquée par les riffs saturés de Ron Asheton et une rythmique puissante.\r\n
      \r\n
      L’apport du saxophoniste Steve Mackay confère à l’album une dimension expérimentale unique. Véritable référence du rock alternatif et du punk, Fun House influence encore aujourd’hui de nombreux artistes.\r\n
      \r\n
      - The Stooges Make the Ultimate Rock ‘n’ Roll Statement on "Fun House" : Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling Stone !\r\n
      \r\n
      - Experience the Band’s 1970 Effort in Definitive Sound on Vinyl : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Explodes with Energy, Immediacy, and Force !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Do you feel it ?” Iggy Pop asks on “Dirt”. The answer is patently obvious for anyone who encounters the Stooges’ Fun House. \r\n
      \r\n
      This is a record on which unabandoned feeling takes precedence, primal energy surges to the fore, outsider attitude snarls with destructive force, electrifying chaos assumes the form of wild joyousness all of which might very well be impossible to put into words. Legendary Village Voice journalist Robert Christgau even admitted “language wasn’t designed for the job” of conveying what many critics and artists believe to be the ultimate rock ‘n’ roll statement. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time this 1970 landmark is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater emotionalism, and more realistic ambience than prior versions. \r\n
      \r\n
      From beginning to end, the live-in-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci’s esteemed production the unrelenting sense of groove; the sheer impact of the rhythms; the bleed of the unmuted volumes; the ferocity of Pop’s heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension emerge with gripping presence, body, and power. The Stooges’ most controlled, focused, and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb or hydroelectric plant to which Christgau thought of comparing it.\r\n
      \r\n
      Intense, cohesive, and aggressive, Fun House differs from and improves upon the Stooges’ groundbreaking debut in several ways. For starters, the quartet developed nearly all of the songs that ended up on the record over the course of several months of shows they performed on the weekends. They weren’t under pressure to write additional material once the sessions commenced a circumstance that led to on-the-spot songs such as “Not Right” and “Little Doll” on their self-titled set. Just as importantly, they were matched with Gallucci, whose pedigree as an organist on the Kingsmen’s “Louie Louie” and television credits as a member of Dick Clark’s house band in Don and the Good Times immediately endeared him to the band.\r\n
      \r\n
      The Stooges’ instinctive faith in Gallucci paid immediate dividends. In tune with the fact the Stooges’ managed the equivalent of bottling lightning at their distinctive shows, Gallucci sought to capture their concert vibe. He thwarted convention and removed all the drapes, carpeting, and other vibration-deadening accoutrements from Elektra Sound Recorders the studio just a short stroll away from the group’s temporary digs at Tropicana Motel. He also let Pop sing, grunt, shout, and bark in live fashion via a hand-held microphone sent through two Marshall amplifiers that served as his personal PA system. Engineer Brian Ross-Myring was the final piece to what became a recording for the ages. \r\n
      \r\n
      Gallucci and Ross-Myring had another brilliant idea when they planned to have the Stooges knock out one tune in the studio per day in an order that would mirror the sequence on the record. First, they invited the band to run through the songs on what essentially functioned as a preparation day during which levels, baffles, and positions would be dialed in. Then, they got down to business, achieving the goal of nailing down a song each day and providing Gallucci roughly between 15 and 25 takes of each to choose for the official version. Reportedly, aside from two guitar overdubs, every note of Fun House transpired as you hear it today. \r\n
      \r\n
      That goes for the relentless riffing of guitarist Ron Asheton, corrosive pounding of drummer Scott Asheton, sinewy swaying of bassist Dave Alexander, blustery howling of Pop, and untamed, nearly stream-of-conscious blaring of Mackay. Plucked from his job at a record store in Michigan just two days before the sessions began, the young saxophonist helped push the Stooges to avant galaxies no artist ever visited on “1970”, the title track, and “L.A. Blues”, the latter an attempt by Gallucci to chronicle the Stooges’ famed concert-ending freak-outs. To get in the proper frame of mind, the band dropped acid and let fly. \r\n
      \r\n
      Often imitated and never duplicated, the results continue to melt minds more than 50 years after Pop and company got loose. Ranked the 94th greatest album of all time by Rolling Stone, said to be “the greatest rock ‘n’ roll album ever made” by Jack White, and championed by everyone from vaunted critics such as Lester Bangs and Ben Edmonds to musicians like Henry Rollins and Steve Albini, Fun House feels alright. It’s gonna stick you deep inside.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1804 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Steve Mackay (saxophone), Scott Asheton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=B9Q5luXFkAI&list=RDB9Q5luXFkAI&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-606"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Down on the Street"
      ]
      [
        "ordre" => 2
        "nom" => "2. Loose "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. T.V. Eye"
      ]
      [
        "ordre" => 5
        "nom" => "2. Dirt "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. 1970 "
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Fun House"
      ]
      [
        "ordre" => 10
        "nom" => "2. L.A. Blues"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2191 …}
    -label: Proxies\__CG__\App\Entity\Label {#2194 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1777926616 {#2186
      date: 2026-05-04 20:30:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777927181 {#2187
      date: 2026-05-04 20:39:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fun-house-mobile-fidelity-sound-lab-mfsl-2-606"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3620
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#291 …}
  -entity: ContainerQ1Fx1C4\EntityManagerGhost614a58f {#157 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#241 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#136 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2189
    -id: 3075
    -nom: "Fun House"
    -informationComplementaire: "Avec Iggy Pop au sommet de son intensité, "Fun House" vous plonge dans un rock sauvage, sans compromis. Riffs puissants, rythme hypnotique, et une touche de folie apportée par Steve Mackay au saxophone, tout est réuni pour une écoute inoubliable."
    -description: """
      Fun House, l’album culte de The Stooges !\r\n
      \r\n
      Sorti en 1970, "Fun House" est un album incontournable du rock proto-punk. Mené par Iggy Pop, The Stooges livrent une performance brute et intense, marquée par les riffs saturés de Ron Asheton et une rythmique puissante.\r\n
      \r\n
      L’apport du saxophoniste Steve Mackay confère à l’album une dimension expérimentale unique. Véritable référence du rock alternatif et du punk, Fun House influence encore aujourd’hui de nombreux artistes.\r\n
      \r\n
      - The Stooges Make the Ultimate Rock ‘n’ Roll Statement on "Fun House" : Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling Stone !\r\n
      \r\n
      - Experience the Band’s 1970 Effort in Definitive Sound on Vinyl : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Explodes with Energy, Immediacy, and Force !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Do you feel it ?” Iggy Pop asks on “Dirt”. The answer is patently obvious for anyone who encounters the Stooges’ Fun House. \r\n
      \r\n
      This is a record on which unabandoned feeling takes precedence, primal energy surges to the fore, outsider attitude snarls with destructive force, electrifying chaos assumes the form of wild joyousness all of which might very well be impossible to put into words. Legendary Village Voice journalist Robert Christgau even admitted “language wasn’t designed for the job” of conveying what many critics and artists believe to be the ultimate rock ‘n’ roll statement. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time this 1970 landmark is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater emotionalism, and more realistic ambience than prior versions. \r\n
      \r\n
      From beginning to end, the live-in-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci’s esteemed production the unrelenting sense of groove; the sheer impact of the rhythms; the bleed of the unmuted volumes; the ferocity of Pop’s heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension emerge with gripping presence, body, and power. The Stooges’ most controlled, focused, and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb or hydroelectric plant to which Christgau thought of comparing it.\r\n
      \r\n
      Intense, cohesive, and aggressive, Fun House differs from and improves upon the Stooges’ groundbreaking debut in several ways. For starters, the quartet developed nearly all of the songs that ended up on the record over the course of several months of shows they performed on the weekends. They weren’t under pressure to write additional material once the sessions commenced a circumstance that led to on-the-spot songs such as “Not Right” and “Little Doll” on their self-titled set. Just as importantly, they were matched with Gallucci, whose pedigree as an organist on the Kingsmen’s “Louie Louie” and television credits as a member of Dick Clark’s house band in Don and the Good Times immediately endeared him to the band.\r\n
      \r\n
      The Stooges’ instinctive faith in Gallucci paid immediate dividends. In tune with the fact the Stooges’ managed the equivalent of bottling lightning at their distinctive shows, Gallucci sought to capture their concert vibe. He thwarted convention and removed all the drapes, carpeting, and other vibration-deadening accoutrements from Elektra Sound Recorders the studio just a short stroll away from the group’s temporary digs at Tropicana Motel. He also let Pop sing, grunt, shout, and bark in live fashion via a hand-held microphone sent through two Marshall amplifiers that served as his personal PA system. Engineer Brian Ross-Myring was the final piece to what became a recording for the ages. \r\n
      \r\n
      Gallucci and Ross-Myring had another brilliant idea when they planned to have the Stooges knock out one tune in the studio per day in an order that would mirror the sequence on the record. First, they invited the band to run through the songs on what essentially functioned as a preparation day during which levels, baffles, and positions would be dialed in. Then, they got down to business, achieving the goal of nailing down a song each day and providing Gallucci roughly between 15 and 25 takes of each to choose for the official version. Reportedly, aside from two guitar overdubs, every note of Fun House transpired as you hear it today. \r\n
      \r\n
      That goes for the relentless riffing of guitarist Ron Asheton, corrosive pounding of drummer Scott Asheton, sinewy swaying of bassist Dave Alexander, blustery howling of Pop, and untamed, nearly stream-of-conscious blaring of Mackay. Plucked from his job at a record store in Michigan just two days before the sessions began, the young saxophonist helped push the Stooges to avant galaxies no artist ever visited on “1970”, the title track, and “L.A. Blues”, the latter an attempt by Gallucci to chronicle the Stooges’ famed concert-ending freak-outs. To get in the proper frame of mind, the band dropped acid and let fly. \r\n
      \r\n
      Often imitated and never duplicated, the results continue to melt minds more than 50 years after Pop and company got loose. Ranked the 94th greatest album of all time by Rolling Stone, said to be “the greatest rock ‘n’ roll album ever made” by Jack White, and championed by everyone from vaunted critics such as Lester Bangs and Ben Edmonds to musicians like Henry Rollins and Steve Albini, Fun House feels alright. It’s gonna stick you deep inside.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1804 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Steve Mackay (saxophone), Scott Asheton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=B9Q5luXFkAI&list=RDB9Q5luXFkAI&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-606"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Down on the Street"
      ]
      [
        "ordre" => 2
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2191 …}
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[
  "produit" => App\Entity\Produit {#2208
    -id: 3074
    -nom: "Richard Wagner - Das Rheingold"
    -informationComplementaire: "Avec "Das Rheingold", Herbert von Karajan et le Berliner Philharmoniker livrent une interprétation précise et intense de l’œuvre de Richard Wagner, révélant toute la richesse du langage wagnérien."
    -description: """
      L’enregistrement de "Das Rheingold" par Herbert Von Karajan à la tête des Berliner Philharmoniker est une interprétation magistrale du prologue du cycle monumental Der Ring des Nibelungen de Richard Wagner.\r\n
      \r\n
      Réalisée dans les années 1960–70, cette version se distingue par sa précision orchestrale, sa richesse sonore et son sens dramatique exceptionnel. Karajan y déploie une vision à la fois fluide et immersive, mettant en valeur chaque détail de l’orchestration wagnérienne tout en maintenant une tension narrative constante.\r\n
      \r\n
      Les voix soigneusement sélectionnées s’intègrent parfaitement à la texture orchestrale, créant une expérience presque cinématographique. L’auditeur est transporté des profondeurs du Rhin aux sommets du Walhalla, dans un voyage sonore d’une intensité rare.\r\n
      \r\n
      Cet enregistrement est aujourd’hui considéré comme une référence incontournable pour les amateurs d’opéra et de musique classique.\r\n
      \r\n
      - Herbert von Karajan "Richard Wagner - Das Rheingold" 180 gram Virgin Vinyl  (3 LP Box Set) !\r\n
      - Hand Numbered, Limited Edition 2500 Copies !\r\n
      - The Original Source Series !\r\n
      - 100 % Pure Analogue !\r\n
      - Mastered by Rainer Maillard & Cut by Sidney C. Meyer Directly from the Original ¼ inch 2 Track Tapes at Emil Berliner Studios !\r\n
      - Original Cover & Lyrics !\r\n
      - Photos & Facsimiles of the Original Recording Logs & Tape Boxes !\r\n
      - Box with Lift-Off Lid !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Herbert von Karajan and the Berliner Philharmoniker's Wagner: Das Rheingold is set to be reissued as a (3 LP) release via Deutsche Grammophon's Original Source Series.\r\n
      \r\n
      The deluxe limited and numbered box set, which features the original covers and lyrics, additional photos, and facsimiles of the original recording logs and tape boxes, will be released on April 3.\r\n
      \r\n
      Karajan's historic performance as a conductor first came to him in a vision in the summer of 1965 while working on a Boris Godunov opera. "I suddenly sensed a burning desire to stage and conduct Wagner in Salzburg", he explained, before adding : "My baton shall teach future ages which road they have to take ".\r\n
      \r\n
      Regarding Das Rheingold, Karajan once explained : "When we did the ‘Ring', people said it was 'chamber music', but I would deny that. It was the full Wagner orchestra, with full sonority but played with real subtlety and the full range of dynamics".\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original multitrack tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berliner Philharmoniker"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jKwtxP1P2BM&list=PLyPTjSogIU3kAgwsr6mHwRoRw_ITYbTDw"
    -referenceProduit: "Deutsche Grammophon"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. Prelude"
      ]
      [
        "ordre" => 2
        "nom" => "Scene 1 :"
      ]
      [
        "ordre" => 3
        "nom" => "2. Weia ! Waga ! Woge du Welle !"
      ]
      [
        "ordre" => 4
        "nom" => "3. He he! Ihr Nicker!"
      ]
      [
        "ordre" => 5
        "nom" => "4. Garstig glatter glitschriger Glimmer !"
      ]
      [
        "ordre" => 6
        "nom" => "5. Lugt, Schwestern! Die Weckerin lacht in den Grund"
      ]
      [
        "ordre" => 7
        "nom" => "6. Nur wer der Minne Macht entsagt"
      ]
      [
        "ordre" => 8
        "nom" => "7. Der Welt Erbe gewänn' ich zu eigen durch dich ?"
      ]
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        "ordre" => 9
        "nom" => "8. Haltet den Räuber !"
      ]
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        "nom" => "Scene 2 :"
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        "nom" => "9. Introduction"
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        "nom" => "10. Wotan ! Gemahl ! Erwache !"
      ]
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        "nom" => "Side B : "
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      [
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        "nom" => "1. So schirme sie jetzt"
      ]
      [
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        "nom" => "2. Sanft schloß Schlaf dein Aug'"
      ]
      [
        "ordre" => 17
        "nom" => "3. Was sagst du ? Ha, sinnst du Verrat ?"
      ]
      [
        "ordre" => 18
        "nom" => "4. Du da, folge uns !"
      ]
      [
        "ordre" => 19
        "nom" => "5. Endlich, Loge !"
      ]
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        "nom" => "Side C :"
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        "nom" => "Scene 2 :"
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      [
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        "nom" => "1. Immer ist Undank Loges Lohn !"
      ]
      [
        "ordre" => 23
        "nom" => "2. Ein Runenzauber zwingt das Gold zum Reif"
      ]
      [
        "ordre" => 24
        "nom" => "3. Hör', Wotan, der Harrenden Wort !"
      ]
      [
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        "nom" => "4. Schwester ! Brüder ! Rettet ! Helft !"
      ]
      [
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        "nom" => "5. Wotan, Gemahl, unsel'ger Mann !"
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        "nom" => "6. Transformation Scene"
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        "nom" => "Side D : "
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        "nom" => "Scene 3 :"
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        "nom" => "1. Hehe! hieher ! Tückischer Zwerg ! – Schau, du Schelm !"
      ]
      [
        "ordre" => 31
        "nom" => "2. Nibelheim hier"
      ]
      [
        "ordre" => 32
        "nom" => "3. Nehmt euch in acht !"
      ]
      [
        "ordre" => 33
        "nom" => "4. Die in linder Lüfte Wehn da oben ihr lebt"
      ]
      [
        "ordre" => 34
        "nom" => "5. Ohe ! Ohe ! Schreckliche Schlange"
      ]
      [
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        "nom" => "6. Dort die Kröte ! Greife sie rasch !"
      ]
      [
        "ordre" => 36
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 37
        "nom" => "7. Da, Vetter, sitze du fest !"
      ]
      [
        "ordre" => 38
        "nom" => "8. Wohlan, die Nibelungen rief ich mir nah"
      ]
      [
        "ordre" => 39
        "nom" => "Side E :"
      ]
      [
        "ordre" => 40
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 41
        "nom" => "1. Gezahlt hab' ich; nun lasst mich zieh'n !"
      ]
      [
        "ordre" => 42
        "nom" => "2. Ist er gelöst ?"
      ]
      [
        "ordre" => 43
        "nom" => "3. Lauschtest du seinem Liebesgruß ?"
      ]
      [
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        "nom" => "4. Lieblichste Schwester, süsseste Lust !"
      ]
      [
        "ordre" => 45
        "nom" => "5. Gepflanzt sind die Pfähle nach Pfandes Maß"
      ]
      [
        "ordre" => 46
        "nom" => "6. Weiche, Wotan, weiche !"
      ]
      [
        "ordre" => 47
        "nom" => "7. Soll ich sorgen und fürchten"
      ]
      [
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        "nom" => "Side F : "
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      [
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        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 50
        "nom" => "1. Halt, du Gieriger ! Gönne mir auch was !"
      ]
      [
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        "nom" => "2. Nun blinzle nach Freias Blick"
      ]
      [
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        "nom" => "3. He da! He do! Zu mir, du Gedüft !"
      ]
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        "nom" => "4. Bruder, hieher ! Weise der Brücke den Weg ! – Zur Burg führt die Brücke"
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        "nom" => "5. Abendlich strahlt der Sonne Auge"
      ]
      [
        "ordre" => 55
        "nom" => "6. So grüss' ich die Burg"
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      [
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        "nom" => "7. Rheingold ! Rheingold ! Reines Gold !"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2210 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3671
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#291 …}
  -entity: ContainerQ1Fx1C4\EntityManagerGhost614a58f {#157 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#241 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#136 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2208
    -id: 3074
    -nom: "Richard Wagner - Das Rheingold"
    -informationComplementaire: "Avec "Das Rheingold", Herbert von Karajan et le Berliner Philharmoniker livrent une interprétation précise et intense de l’œuvre de Richard Wagner, révélant toute la richesse du langage wagnérien."
    -description: """
      L’enregistrement de "Das Rheingold" par Herbert Von Karajan à la tête des Berliner Philharmoniker est une interprétation magistrale du prologue du cycle monumental Der Ring des Nibelungen de Richard Wagner.\r\n
      \r\n
      Réalisée dans les années 1960–70, cette version se distingue par sa précision orchestrale, sa richesse sonore et son sens dramatique exceptionnel. Karajan y déploie une vision à la fois fluide et immersive, mettant en valeur chaque détail de l’orchestration wagnérienne tout en maintenant une tension narrative constante.\r\n
      \r\n
      Les voix soigneusement sélectionnées s’intègrent parfaitement à la texture orchestrale, créant une expérience presque cinématographique. L’auditeur est transporté des profondeurs du Rhin aux sommets du Walhalla, dans un voyage sonore d’une intensité rare.\r\n
      \r\n
      Cet enregistrement est aujourd’hui considéré comme une référence incontournable pour les amateurs d’opéra et de musique classique.\r\n
      \r\n
      - Herbert von Karajan "Richard Wagner - Das Rheingold" 180 gram Virgin Vinyl  (3 LP Box Set) !\r\n
      - Hand Numbered, Limited Edition 2500 Copies !\r\n
      - The Original Source Series !\r\n
      - 100 % Pure Analogue !\r\n
      - Mastered by Rainer Maillard & Cut by Sidney C. Meyer Directly from the Original ¼ inch 2 Track Tapes at Emil Berliner Studios !\r\n
      - Original Cover & Lyrics !\r\n
      - Photos & Facsimiles of the Original Recording Logs & Tape Boxes !\r\n
      - Box with Lift-Off Lid !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Herbert von Karajan and the Berliner Philharmoniker's Wagner: Das Rheingold is set to be reissued as a (3 LP) release via Deutsche Grammophon's Original Source Series.\r\n
      \r\n
      The deluxe limited and numbered box set, which features the original covers and lyrics, additional photos, and facsimiles of the original recording logs and tape boxes, will be released on April 3.\r\n
      \r\n
      Karajan's historic performance as a conductor first came to him in a vision in the summer of 1965 while working on a Boris Godunov opera. "I suddenly sensed a burning desire to stage and conduct Wagner in Salzburg", he explained, before adding : "My baton shall teach future ages which road they have to take ".\r\n
      \r\n
      Regarding Das Rheingold, Karajan once explained : "When we did the ‘Ring', people said it was 'chamber music', but I would deny that. It was the full Wagner orchestra, with full sonority but played with real subtlety and the full range of dynamics".\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original multitrack tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berliner Philharmoniker"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jKwtxP1P2BM&list=PLyPTjSogIU3kAgwsr6mHwRoRw_ITYbTDw"
    -referenceProduit: "Deutsche Grammophon"
    -titreMorceau: [
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      [
        "ordre" => 1
        "nom" => "1. Prelude"
      ]
      [
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        "nom" => "Scene 1 :"
      ]
      [
        "ordre" => 3
        "nom" => "2. Weia ! Waga ! Woge du Welle !"
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      [
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        "nom" => "3. He he! Ihr Nicker!"
      ]
      [
        "ordre" => 5
        "nom" => "4. Garstig glatter glitschriger Glimmer !"
      ]
      [
        "ordre" => 6
        "nom" => "5. Lugt, Schwestern! Die Weckerin lacht in den Grund"
      ]
      [
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        "nom" => "6. Nur wer der Minne Macht entsagt"
      ]
      [
        "ordre" => 8
        "nom" => "7. Der Welt Erbe gewänn' ich zu eigen durch dich ?"
      ]
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        "nom" => "8. Haltet den Räuber !"
      ]
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      ]
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        "nom" => "10. Wotan ! Gemahl ! Erwache !"
      ]
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        "ordre" => 13
        "nom" => "Side B : "
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      [
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        "nom" => "Scene 2 :"
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      [
        "ordre" => 15
        "nom" => "1. So schirme sie jetzt"
      ]
      [
        "ordre" => 16
        "nom" => "2. Sanft schloß Schlaf dein Aug'"
      ]
      [
        "ordre" => 17
        "nom" => "3. Was sagst du ? Ha, sinnst du Verrat ?"
      ]
      [
        "ordre" => 18
        "nom" => "4. Du da, folge uns !"
      ]
      [
        "ordre" => 19
        "nom" => "5. Endlich, Loge !"
      ]
      [
        "ordre" => 20
        "nom" => "Side C :"
      ]
      [
        "ordre" => 21
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 22
        "nom" => "1. Immer ist Undank Loges Lohn !"
      ]
      [
        "ordre" => 23
        "nom" => "2. Ein Runenzauber zwingt das Gold zum Reif"
      ]
      [
        "ordre" => 24
        "nom" => "3. Hör', Wotan, der Harrenden Wort !"
      ]
      [
        "ordre" => 25
        "nom" => "4. Schwester ! Brüder ! Rettet ! Helft !"
      ]
      [
        "ordre" => 26
        "nom" => "5. Wotan, Gemahl, unsel'ger Mann !"
      ]
      [
        "ordre" => 27
        "nom" => "6. Transformation Scene"
      ]
      [
        "ordre" => 28
        "nom" => "Side D : "
      ]
      [
        "ordre" => 29
        "nom" => "Scene 3 :"
      ]
      [
        "ordre" => 30
        "nom" => "1. Hehe! hieher ! Tückischer Zwerg ! – Schau, du Schelm !"
      ]
      [
        "ordre" => 31
        "nom" => "2. Nibelheim hier"
      ]
      [
        "ordre" => 32
        "nom" => "3. Nehmt euch in acht !"
      ]
      [
        "ordre" => 33
        "nom" => "4. Die in linder Lüfte Wehn da oben ihr lebt"
      ]
      [
        "ordre" => 34
        "nom" => "5. Ohe ! Ohe ! Schreckliche Schlange"
      ]
      [
        "ordre" => 35
        "nom" => "6. Dort die Kröte ! Greife sie rasch !"
      ]
      [
        "ordre" => 36
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 37
        "nom" => "7. Da, Vetter, sitze du fest !"
      ]
      [
        "ordre" => 38
        "nom" => "8. Wohlan, die Nibelungen rief ich mir nah"
      ]
      [
        "ordre" => 39
        "nom" => "Side E :"
      ]
      [
        "ordre" => 40
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 41
        "nom" => "1. Gezahlt hab' ich; nun lasst mich zieh'n !"
      ]
      [
        "ordre" => 42
        "nom" => "2. Ist er gelöst ?"
      ]
      [
        "ordre" => 43
        "nom" => "3. Lauschtest du seinem Liebesgruß ?"
      ]
      [
        "ordre" => 44
        "nom" => "4. Lieblichste Schwester, süsseste Lust !"
      ]
      [
        "ordre" => 45
        "nom" => "5. Gepflanzt sind die Pfähle nach Pfandes Maß"
      ]
      [
        "ordre" => 46
        "nom" => "6. Weiche, Wotan, weiche !"
      ]
      [
        "ordre" => 47
        "nom" => "7. Soll ich sorgen und fürchten"
      ]
      [
        "ordre" => 48
        "nom" => "Side F : "
      ]
      [
        "ordre" => 49
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 50
        "nom" => "1. Halt, du Gieriger ! Gönne mir auch was !"
      ]
      [
        "ordre" => 51
        "nom" => "2. Nun blinzle nach Freias Blick"
      ]
      [
        "ordre" => 52
        "nom" => "3. He da! He do! Zu mir, du Gedüft !"
      ]
      [
        "ordre" => 53
        "nom" => "4. Bruder, hieher ! Weise der Brücke den Weg ! – Zur Burg führt die Brücke"
      ]
      [
        "ordre" => 54
        "nom" => "5. Abendlich strahlt der Sonne Auge"
      ]
      [
        "ordre" => 55
        "nom" => "6. So grüss' ich die Burg"
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        "nom" => "7. Rheingold ! Rheingold ! Reines Gold !"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2210 …}
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    -modifierLe: DateTime @1777882280 {#2206
      date: 2026-05-04 08:11:20.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -slug: "vinyles-richard-wagner-das-rheingold-deutsche-grammophon"
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[
  "produit" => App\Entity\Produit {#2231
    -id: 3073
    -nom: "In Times Of Dragons"
    -informationComplementaire: "Plongez dans "In Times of Dragons", une odyssée musicale envoûtante signée Tori Amos, là où émotions brutes et élégance sonore se rencontrent pour donner vie à un monde aussi fragile que puissant."
    -description: """
      In Times of Dragons de Tori Amos est une œuvre à la fois intime et cinématographique, où l’artiste explore des paysages émotionnels profonds à travers une instrumentation riche et organique. Porté par le piano signature d’Amos, l’album mêle textures électroniques, arrangements de cordes et rythmiques subtiles pour créer une atmosphère à la fois mystique et contemporaine.\r\n
      \r\n
      Entourée de musiciens fidèles comme Matt Chamberlain (batterie), Jon Evans (basse) et Mark Hawley (guitare), Tori Amos tisse un univers sonore dense où chaque morceau agit comme un chapitre d’un récit plus vaste. Les thèmes abordés oscillent entre introspection, résilience et imaginaire mythologique, donnant à l’album une profondeur narrative rare.\r\n
      \r\n
      - Tori Amos "In Times Of Dragons" !\r\n
      - 18 -gram double LP !\r\n
      \r\n
      Tori Amos is returning for spring 2026 with a new album called In Times of Dragons. The album is a "metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non-accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons' in their usurpation of America", Amos shared in a press release.\r\n
      \r\n
      Amos has also shared an extensive list of tour dates for 35 shows in the United States this summer, kicking off in July in Florida and wrapping up at the beginning of September in Seattle.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Tori Amos (piano, keyboards, harpsichord, synthesizer, vocals), Mark Hawley (guitar, ukulele), Jon Evans (bass), Matt Chamberlain (drums, percussion), Natashya “Tash” Hawley (vocals), John Philip Shenale (keyboards, synthesizer, string arrangement)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=O8LPsY5HBp4&list=RDO8LPsY5HBp4&start_radio=1"
    -referenceProduit: "Decca Records"
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        "nom" => "2. Gasoline Girls"
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        "nom" => "6. Strawberry Moon "
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        "nom" => "4. Tempest "
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        "nom" => "Side D : "
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        "nom" => "1. Angelshark"
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        "nom" => "2. Blue Lotus"
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        "nom" => "3. Stronger Together"
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        "nom" => "4. 23 Peaks"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2233 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3722
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#291 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#241 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2231
    -id: 3073
    -nom: "In Times Of Dragons"
    -informationComplementaire: "Plongez dans "In Times of Dragons", une odyssée musicale envoûtante signée Tori Amos, là où émotions brutes et élégance sonore se rencontrent pour donner vie à un monde aussi fragile que puissant."
    -description: """
      In Times of Dragons de Tori Amos est une œuvre à la fois intime et cinématographique, où l’artiste explore des paysages émotionnels profonds à travers une instrumentation riche et organique. Porté par le piano signature d’Amos, l’album mêle textures électroniques, arrangements de cordes et rythmiques subtiles pour créer une atmosphère à la fois mystique et contemporaine.\r\n
      \r\n
      Entourée de musiciens fidèles comme Matt Chamberlain (batterie), Jon Evans (basse) et Mark Hawley (guitare), Tori Amos tisse un univers sonore dense où chaque morceau agit comme un chapitre d’un récit plus vaste. Les thèmes abordés oscillent entre introspection, résilience et imaginaire mythologique, donnant à l’album une profondeur narrative rare.\r\n
      \r\n
      - Tori Amos "In Times Of Dragons" !\r\n
      - 18 -gram double LP !\r\n
      \r\n
      Tori Amos is returning for spring 2026 with a new album called In Times of Dragons. The album is a "metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non-accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons' in their usurpation of America", Amos shared in a press release.\r\n
      \r\n
      Amos has also shared an extensive list of tour dates for 35 shows in the United States this summer, kicking off in July in Florida and wrapping up at the beginning of September in Seattle.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=O8LPsY5HBp4&list=RDO8LPsY5HBp4&start_radio=1"
    -referenceProduit: "Decca Records"
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        "nom" => "Side B : "
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        "nom" => "1. St. Teresa"
      ]
      [
        "ordre" => 6
        "nom" => "2. Gasoline Girls"
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      [
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        "nom" => "3. Ode to Minnesota"
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      [
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        "nom" => "4. Fanny Faudrey"
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        "nom" => "5. Veins"
      ]
      [
        "ordre" => 10
        "nom" => "6. Strawberry Moon "
      ]
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        "nom" => "2. Flood"
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        "nom" => "1. Angelshark"
      ]
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        "nom" => "2. Blue Lotus"
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        "nom" => "3. Stronger Together"
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      [
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        "nom" => "4. 23 Peaks"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2233 …}
    -label: Proxies\__CG__\App\Entity\Label {#2236 …}
    -style: App\Entity\Style {#1453 …}
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      date: 2026-05-02 07:29:55.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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}

[
  "produit" => App\Entity\Produit {#2252
    -id: 3072
    -nom: "Baz Luhrmann's EPiC : Elvis Presley In Concert  (Original Motion Picture Soundtrack)"
    -informationComplementaire: "Le King comme vous ne l’avez jamais entendu. Une icône, une voix, une renaissance. Un son puissant, une émotion brute, une légende revisitée. Elvis Presley revient en force. Plongez dans son univers intemporel, sublimé par une production d’exception."
    -description: """
      Baz Luhrmann's EPiC : Elvis Presley In Concert (Original Motion Picture Soundtrack) est bien plus qu’une simple bande originale, c’est une célébration vibrante de l’héritage musical de Elvis Presley.\r\n
      \r\n
      Construit à partir de performances live emblématiques des années 1970, cet album restitue toute l’intensité et le charisme du King sur scène. Sa voix, capturée dans des moments d’une rare authenticité, est ici magnifiée par une production contemporaine qui mêle subtilement orchestrations modernes, remasterisation de haute précision et arrangements inédits.\r\n
      \r\n
      On y retrouve l’énergie incomparable de son groupe historique, guitares incisives, section rythmique puissante, chœurs gospel envoûtants, enrichie par un travail sonore actuel qui donne une nouvelle dimension à ces enregistrements légendaires.\r\n
      \r\n
      Supervisé dans l’esprit du cinéma spectaculaire par Baz Luhrmann, ce projet offre une immersion totale entre passé et présent. Le résultat, une expérience musicale à la fois nostalgique et résolument moderne, capable de séduire aussi bien les fans de toujours que les nouvelles générations.\r\n
      \r\n
      Musicians : \r\n
      Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums), The Sweet Inspirations, J.D. Sumner & the Stamps Quartet (backing vocals), Kathy Westmoreland (soprano vocals), Joe Guercio (orchestra conductor).\r\n
      \r\n
      - Elvis Presley "Baz Luhrmann's EPiC : Elvis Presley In Concert" !\r\n
      - Original Motion Picture Soundtrack !\r\n
      \r\n
      Discover Elvis like never before with the Original Motion Picture Soundtrack to "Baz Luhrmann's EPiC : Elvis Presley in Concert". Executive produced by Baz Luhrmann, this collection features the showstopping performances featured in the film, including new mixes and fresh remixes of classic Elvis hits, along with two exclusive new tracks that blend and reimagine iconic Elvis performances, delivering bold, innovative interpretations that celebrate the King in an entirely new way.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i5yJ7iSfFUo&list=PLLRIXAxtV8zybiPlnoWJEssZmC-4Hi-F2&index=7"
    -referenceProduit: "Legacy Records 3117"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Can’t Help Falling In Love (EPiC Intro)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Also Sprach Zarathustra / An American Trilogy (EPiC Version)"
      ]
      [
        "ordre" => 3
        "nom" => "3. That’s All Right (EPiC Version)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Tiger Man (EPiC Version)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Wearin’ That Night Life Look"
      ]
      [
        "ordre" => 6
        "nom" => "6. Hound Dog (EPiC Version)"
      ]
      [
        "ordre" => 7
        "nom" => "7. Polk Salad Annie (EPiC Version)"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. You’ve Lost That Loving Feeling (EPiC Version)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Little Sister / Get Back (EPiC Version)"
      ]
      [
        "ordre" => 11
        "nom" => "3. Burning Love (EPiC Version)"
      ]
      [
        "ordre" => 12
        "nom" => "4. Never Been To Spain (EPiC Version)"
      ]
      [
        "ordre" => 13
        "nom" => "5. Love Me (Jamieson Shaw Remix)"
      ]
      [
        "ordre" => 14
        "nom" => "Side C :"
      ]
      [
        "ordre" => 15
        "nom" => "1. I Can’t Stop Loving You (EPiC Version)"
      ]
      [
        "ordre" => 16
        "nom" => "2. Are You Lonesome Tonight (EPiC Version)"
      ]
      [
        "ordre" => 17
        "nom" => "3. Always On My Mind (EPiC Version)"
      ]
      [
        "ordre" => 18
        "nom" => "4. How Great Thou Art (EPiC Version)"
      ]
      [
        "ordre" => 19
        "nom" => "5. Oh Happy Day (EPiC Version)"
      ]
      [
        "ordre" => 20
        "nom" => "6. Big Hunk O’ Love (EPiC Version)"
      ]
      [
        "ordre" => 21
        "nom" => "7. Bridge Over Troubled Water (EPiC Version)"
      ]
      [
        "ordre" => 22
        "nom" => "Side D : "
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      [
        "ordre" => 23
        "nom" => "1. I Can’t Stop Loving You (EPiC Version)"
      ]
      [
        "ordre" => 24
        "nom" => "2. Are You Lonesome Tonight (EPiC Version)"
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        "nom" => "4. How Great Thou Art (EPiC Version)"
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        "nom" => "5. Oh Happy Day (EPiC Version)"
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        "nom" => "6. Big Hunk O’ Love (EPiC Version)"
      ]
      [
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        "nom" => "7. Bridge Over Troubled Water (EPiC Version)"
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      [
        "ordre" => 30
        "nom" => ""
      ]
      [
        "ordre" => 31
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …}
    -label: Proxies\__CG__\App\Entity\Label {#2257 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2266 …}
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    -enregistreLe: DateTime @1777322564 {#2248
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    -modifierLe: DateTime @1777323478 {#2247
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2263 …}
    -disponible: null
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    -slug: "vinyles-baz-luhrmann-s-epic-elvis-presley-in-concert-original-motion-picture-soundtrack-legacy-records-3117"
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