Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2400
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2247 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2477
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2480 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2479 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2053 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2247 …}
  -formView: Symfony\Component\Form\FormView {#2516 …}
  -form: Symfony\Component\Form\Form {#2666 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1885
    -id: 868
    -nom: "Bill Withers' Greatest Hits"
    -informationComplementaire: null
    -description: """
      Bill Withers' Smooth Soul Voice, Mellow Grooves, and Gospel Accents Inform Beloved Work : Booker T. Jones, Al Jackson, and Stephen Stills Among Guests !\r\n
      \r\n
      Bill Withers created mellow, downhome-style soul for barely more than a decade before retreating from the industry to pursue craftsman interests. Yet over the course of the handful of albums he made for Sussex and CBS, the Appalachian native struck lasting emotional chords in legends ranging from Booker T. Jones to Stephen Stills – not to mention the millions of listeners that fell under the spell of now-standard tracks such as "Lean on Me", "Use Me", and "Ain't No Sunshine". The antithesis of the sweaty R&B shouter that prowled the edge of stages, Withers dealt in calm and vulnerability, qualities that come to fore on the seminal Bill Withers' Greatest Hits.\r\n
      \r\n
      Pressed at RTI, Mobile Fidelity's vinyl reissue of the 1981 compilation provides a transparent view of Withers' relaxing timbre and the subtle grooves underlining his arrangements. Characteristics ranging from the tension of the guitars, funky bends of the bass, whisper-soft coo of the formal strings, airiness of the backing harmonies, and sharpness of the snare drum emerge with utmost clarity and lifelike presence. Always prized for its naked honesty and pure conviction, Withers' music positively caresses the senses on this LP, the unadulterated production and beautiful soundscapes revealed anew with each listen.\r\n
      \r\n
      Incredibly, Withers almost never got a shot at recording. After receiving a deal from Sussex while laboring as a toilet-seat manufacturer, he landed in the care of Stax bandleader Booker T. Jones, who gathered most of his fellow MG members – along with Stills and Jim Keltner – to assist in Withers' debut. Two takes from those sessions, the Grammy-winning "Ain't No Sunshine" and devotional "Grandma's Hands", are included here, and showcase the vocalist's incredible breath control, folksy drawl, and restrained phrasing. They also indicate his penchant for converting biographical experience into eminently catchy combinations of pop, gospel, blues, and soul.\r\n
      \r\n
      Evidence of Withers' crossover appeal is found not only via his chart successes on both the pop and R&B charts, but in the DNA of his best work. There's not one forgettable moment on Greatest Hits. Covered by the likes of Fiona Apple, Mick Jagger, Isaac Hayes, Alicia Keys, and dozens more, "Use Me" rides a riveting clarinet riff and urban tempo to express the double-edged feelings associated with an edgy relationship. On the loping "Who Is He (And What Is He to You ?)", Withers again splits the bitter and sweet. For the Latin-tinged "Lovely Day", Withers holds a single note for 18 seconds and composed a song that's been sampled and rerecorded countless times by artists spanning Diana Ross to R. Kelly. And with "Lean on Me", the West Virginian devised a masterpiece that's been for more than four decades part of the classic American songbook, an updated hymn carried to immortality by members of the Charles Wright & 103rd Street Rhythm Band.\r\n
      \r\n
      A veritable template for British soul contemporaries like Sam Smith and an extension of the timeless fare explored by Van Morrison, Curtis Mayfield, and Al Green, Bill Withers' Greatest Hits belongs in every music lover's library.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …}
    -musicienOrchestre: "Bill\u{202F}Withers (guitar, keyboards, vocals), Benorce\u{202F}Blackmon (guitar), Ray\u{202F}Jackson (keyboards), Donald “Duck”\u{202F}Dunn, Melvin\u{202F}Dunlap (bass guitar), Stephen\u{202F}Stills (guitar), James\u{202F}Gadson (drums & percussion), Al\u{202F}Jackson\u{202F}Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Oo_opYPc_o&list=PLm4I8tP6UbWYABHG6b6AKGK0t9P5v3irF&index=2"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-445"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Just the Two of Us"
        "ordre" => 1
      ]
      [
        "nom" => "2. Use Me"
        "ordre" => 2
      ]
      [
        "nom" => "3. Ain't No Sunshine"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lovely Day"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Want to Spend the Night"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "6. Soul Shadows"
        "ordre" => 7
      ]
      [
        "nom" => "7. Lean on Me"
        "ordre" => 8
      ]
      [
        "nom" => "8. Grandma's Hands"
        "ordre" => 9
      ]
      [
        "nom" => "9. Hello Like Before"
        "ordre" => 10
      ]
      [
        "nom" => "10. Who Is He (And What Is He to You) ?"
        "ordre" => 11
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1880 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2009 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1911 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1997 …}
    -enregistreLe: DateTime @1455055257 {#1890
      date: 2016-02-09 22:00:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761122955 {#1870
      date: 2025-10-22 08:49:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2003 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bill-withers-greatest-hits-mobile-fidelity-sound-lab-mfsl-1-445"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2953
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2479 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2053 …}
  +produit: App\Entity\Produit {#1885
    -id: 868
    -nom: "Bill Withers' Greatest Hits"
    -informationComplementaire: null
    -description: """
      Bill Withers' Smooth Soul Voice, Mellow Grooves, and Gospel Accents Inform Beloved Work : Booker T. Jones, Al Jackson, and Stephen Stills Among Guests !\r\n
      \r\n
      Bill Withers created mellow, downhome-style soul for barely more than a decade before retreating from the industry to pursue craftsman interests. Yet over the course of the handful of albums he made for Sussex and CBS, the Appalachian native struck lasting emotional chords in legends ranging from Booker T. Jones to Stephen Stills – not to mention the millions of listeners that fell under the spell of now-standard tracks such as "Lean on Me", "Use Me", and "Ain't No Sunshine". The antithesis of the sweaty R&B shouter that prowled the edge of stages, Withers dealt in calm and vulnerability, qualities that come to fore on the seminal Bill Withers' Greatest Hits.\r\n
      \r\n
      Pressed at RTI, Mobile Fidelity's vinyl reissue of the 1981 compilation provides a transparent view of Withers' relaxing timbre and the subtle grooves underlining his arrangements. Characteristics ranging from the tension of the guitars, funky bends of the bass, whisper-soft coo of the formal strings, airiness of the backing harmonies, and sharpness of the snare drum emerge with utmost clarity and lifelike presence. Always prized for its naked honesty and pure conviction, Withers' music positively caresses the senses on this LP, the unadulterated production and beautiful soundscapes revealed anew with each listen.\r\n
      \r\n
      Incredibly, Withers almost never got a shot at recording. After receiving a deal from Sussex while laboring as a toilet-seat manufacturer, he landed in the care of Stax bandleader Booker T. Jones, who gathered most of his fellow MG members – along with Stills and Jim Keltner – to assist in Withers' debut. Two takes from those sessions, the Grammy-winning "Ain't No Sunshine" and devotional "Grandma's Hands", are included here, and showcase the vocalist's incredible breath control, folksy drawl, and restrained phrasing. They also indicate his penchant for converting biographical experience into eminently catchy combinations of pop, gospel, blues, and soul.\r\n
      \r\n
      Evidence of Withers' crossover appeal is found not only via his chart successes on both the pop and R&B charts, but in the DNA of his best work. There's not one forgettable moment on Greatest Hits. Covered by the likes of Fiona Apple, Mick Jagger, Isaac Hayes, Alicia Keys, and dozens more, "Use Me" rides a riveting clarinet riff and urban tempo to express the double-edged feelings associated with an edgy relationship. On the loping "Who Is He (And What Is He to You ?)", Withers again splits the bitter and sweet. For the Latin-tinged "Lovely Day", Withers holds a single note for 18 seconds and composed a song that's been sampled and rerecorded countless times by artists spanning Diana Ross to R. Kelly. And with "Lean on Me", the West Virginian devised a masterpiece that's been for more than four decades part of the classic American songbook, an updated hymn carried to immortality by members of the Charles Wright & 103rd Street Rhythm Band.\r\n
      \r\n
      A veritable template for British soul contemporaries like Sam Smith and an extension of the timeless fare explored by Van Morrison, Curtis Mayfield, and Al Green, Bill Withers' Greatest Hits belongs in every music lover's library.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …}
    -musicienOrchestre: "Bill\u{202F}Withers (guitar, keyboards, vocals), Benorce\u{202F}Blackmon (guitar), Ray\u{202F}Jackson (keyboards), Donald “Duck”\u{202F}Dunn, Melvin\u{202F}Dunlap (bass guitar), Stephen\u{202F}Stills (guitar), James\u{202F}Gadson (drums & percussion), Al\u{202F}Jackson\u{202F}Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Oo_opYPc_o&list=PLm4I8tP6UbWYABHG6b6AKGK0t9P5v3irF&index=2"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-445"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Just the Two of Us"
        "ordre" => 1
      ]
      [
        "nom" => "2. Use Me"
        "ordre" => 2
      ]
      [
        "nom" => "3. Ain't No Sunshine"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lovely Day"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Want to Spend the Night"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "6. Soul Shadows"
        "ordre" => 7
      ]
      [
        "nom" => "7. Lean on Me"
        "ordre" => 8
      ]
      [
        "nom" => "8. Grandma's Hands"
        "ordre" => 9
      ]
      [
        "nom" => "9. Hello Like Before"
        "ordre" => 10
      ]
      [
        "nom" => "10. Who Is He (And What Is He to You) ?"
        "ordre" => 11
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1880 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2009 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1911 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1997 …}
    -enregistreLe: DateTime @1455055257 {#1890
      date: 2016-02-09 22:00:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761122955 {#1870
      date: 2025-10-22 08:49:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2003 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bill-withers-greatest-hits-mobile-fidelity-sound-lab-mfsl-1-445"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2247 …}
}

[
  "produit" => App\Entity\Produit {#2026
    -id: 2567
    -nom: "Live at Carnegie Hall"
    -informationComplementaire: ""
    -description: """
      BILL WITHERS' LIVE AT CARNEGIE HALL IS AN EASYGOING PORTRAIT OF DOWN-HOME SOUL SINGER COMING INTO HIS OWN AND ESTABLISHING AN INDELIBLE BOND BETWEEN PERFORMER AND AUDIENCE.\r\n
      \r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      On par with the most treasured concert albums of the 60s and 70s, Bill Withers' transformative Live at Carnegie Hall is a forgotten classic an easygoing portrait of a down-home soul artist coming into his own in front of an audience eager to share every moment of his brilliance. Soothing with subtlety, charming with calmness, and healing with a vocal timbre as relaxing as his grooves, Withers uses the stage to expand the range of favorites and engage in dialog with the crowd. Distinguished with sonics that restore the performances' balance and improve the soundstaging, this reissue takes you inside the venue.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Bill Withers (guitar, piano, vocals), Benorce Blackmon (guitar), Melvin Dunlap (bass), Ray Jackson (piano, string and horn arrangements), Bobbye Hall (percussion), James Gadson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QTflhlwFZIw"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-446"
    -titreMorceau: [
      [
        "nom" => "1. I Can’t Write Left Handed"
        "ordre" => 11
      ]
      [
        "nom" => "1. Let Us Love"
        "ordre" => 16
      ]
      [
        "nom" => "1. Use Me"
        "ordre" => 1
      ]
      [
        "nom" => "1. World Keeps Going Around"
        "ordre" => 6
      ]
      [
        "nom" => "2. Friend of Mine"
        "ordre" => 2
      ]
      [
        "nom" => "2. Harlem / Cold Baloney"
        "ordre" => 17
      ]
      [
        "nom" => "2. Lean on Me"
        "ordre" => 12
      ]
      [
        "nom" => "2. Let Me In Your Life"
        "ordre" => 7
      ]
      [
        "nom" => "3. Ain’t No Sunshine"
        "ordre" => 3
      ]
      [
        "nom" => "3. Better Off Dead"
        "ordre" => 8
      ]
      [
        "nom" => "3. Lonely Town, Lonely Street"
        "ordre" => 13
      ]
      [
        "nom" => "4. For My Friend"
        "ordre" => 9
      ]
      [
        "nom" => "4. Grandma’s Hands"
        "ordre" => 4
      ]
      [
        "nom" => "4. Hope She’ll Be Happier"
        "ordre" => 14
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 15
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1880 …}
    -style: null
    -photoProduit: Doctrine\ORM\PersistentCollection {#2034 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2027 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2029 …}
    -enregistreLe: DateTime @1728136056 {#2023
      date: 2024-10-05 13:47:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1728136673 {#2024
      date: 2024-10-05 13:57:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2031 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-carnegie-hall-mobile-fidelity-sound-lab-mfsl-2-446"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3044
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2479 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2053 …}
  +produit: App\Entity\Produit {#2026
    -id: 2567
    -nom: "Live at Carnegie Hall"
    -informationComplementaire: ""
    -description: """
      BILL WITHERS' LIVE AT CARNEGIE HALL IS AN EASYGOING PORTRAIT OF DOWN-HOME SOUL SINGER COMING INTO HIS OWN AND ESTABLISHING AN INDELIBLE BOND BETWEEN PERFORMER AND AUDIENCE.\r\n
      \r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      On par with the most treasured concert albums of the 60s and 70s, Bill Withers' transformative Live at Carnegie Hall is a forgotten classic an easygoing portrait of a down-home soul artist coming into his own in front of an audience eager to share every moment of his brilliance. Soothing with subtlety, charming with calmness, and healing with a vocal timbre as relaxing as his grooves, Withers uses the stage to expand the range of favorites and engage in dialog with the crowd. Distinguished with sonics that restore the performances' balance and improve the soundstaging, this reissue takes you inside the venue.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Bill Withers (guitar, piano, vocals), Benorce Blackmon (guitar), Melvin Dunlap (bass), Ray Jackson (piano, string and horn arrangements), Bobbye Hall (percussion), James Gadson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QTflhlwFZIw"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-446"
    -titreMorceau: [
      [
        "nom" => "1. I Can’t Write Left Handed"
        "ordre" => 11
      ]
      [
        "nom" => "1. Let Us Love"
        "ordre" => 16
      ]
      [
        "nom" => "1. Use Me"
        "ordre" => 1
      ]
      [
        "nom" => "1. World Keeps Going Around"
        "ordre" => 6
      ]
      [
        "nom" => "2. Friend of Mine"
        "ordre" => 2
      ]
      [
        "nom" => "2. Harlem / Cold Baloney"
        "ordre" => 17
      ]
      [
        "nom" => "2. Lean on Me"
        "ordre" => 12
      ]
      [
        "nom" => "2. Let Me In Your Life"
        "ordre" => 7
      ]
      [
        "nom" => "3. Ain’t No Sunshine"
        "ordre" => 3
      ]
      [
        "nom" => "3. Better Off Dead"
        "ordre" => 8
      ]
      [
        "nom" => "3. Lonely Town, Lonely Street"
        "ordre" => 13
      ]
      [
        "nom" => "4. For My Friend"
        "ordre" => 9
      ]
      [
        "nom" => "4. Grandma’s Hands"
        "ordre" => 4
      ]
      [
        "nom" => "4. Hope She’ll Be Happier"
        "ordre" => 14
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 15
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1880 …}
    -style: null
    -photoProduit: Doctrine\ORM\PersistentCollection {#2034 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2027 …}
    -typeMasterTape: null
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[
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    -id: 2341
    -nom: "Still Bill"
    -informationComplementaire: "AVAILABILITY : 31/01/2023 (subject Mobile Fidelity Sound Lab)"
    -description: """
      - MASTERED ON MOBILE FIDELITY'S RENOWNED MASTERING SYSTEM AND PRESSED AT RTI FOR DEFINITIVE SOUND !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
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      As it celebrates its 50th anniversary, Bill Withers' Still Bill remains true to its title and stands as the greatest male-fronted soul album not made by a singer named Marvin, Al, Sam, James, or Ray. Though the saying "keeping it real" did not exist in popular parlance when Withers released his sophomore effort on Sussex Records, no words better capture the music's approach, mindset, and value. Every facet of Still Bill radiates honesty, truth, and emotion. These characteristics along with Withers' strong singing, hybrid arrangements, and deceptively simple songwriting have allowed the album to endure to the point where it sounds as fresh today as in 1972.\r\n
      \r\n
      Mastered on Mobile Fidelity's renowned mastering system and pressed on 180 gram vinyl at RTI, Mobile Fidelity's numbered-edition LP of Still Bill gives this lush classic the luxe treatment it has always deserved. Replete with intoxicating detail and depth, the collectible reissue zeroes in on the music's crux Withers' unique, rich, West Virginia-accented voice while clearing a true-to-the-source path to the extraordinary backing he receives from members of the Watts 103rd Street Rhythm Band. The diverse spectrum of colors, textures, and tones Withers captured at the Record Plant can now be experienced for the first time outside the L.A. studio. And the lifelike presence and directness of his singing, as well as the smooth glide of his phrasing, further elevate the magnificence of the music and underscore why the record Rolling Stone named the 303rd Greatest Album of All Time continues to escalate in stature.\r\n
      \r\n
      After rising into the Top 5 of the Billboard Album charts and attaining gold status within a year of release, Still Bill has long been evaluated not by sales but according to its merit, spirit, and agelessness. Included by The Guardian on its "1,000 Albums to Hear Before You Die" list (2007) as well as in Tom Moon's 1000 Recordings to Hear Before You Die book (2008), its contemporary standing as one of history's most venerated soul efforts eclipses the positive reception it enjoyed in the early ‘70s. Still Bill walks the same hallowed ground as What's Going On, Call Me, Night Beat, and Genius + Soul = Jazz. Like those landmarks, Still Bill plays with a mix of consistency, effortlessness, and complexity that rewards repeat listening and transcends categorization.\r\n
      \r\n
      In combining four of the era's predominant styles – Philly soul, sweaty funk, Southern-reared blues, acoustic-based folk and melding them with standout production borrowed from both minimalist affairs and sophisticated singer-songwriter albums, Still Bill occupies a distinct universe. Its rhythmic fare is equally laidback and invigorating; relaxing and rollicking; eloquent and muscular; soft and tough. Withers' calm, self-assured voice hovers above it all, doubling as a warm blanket that adds comfort and grace to lyrics steeped in maturity, perspective, and compassion. Withers' balanced outlook on human desires, needs, and situations stem from his own existence as a former blue-collar employee who believed his time as a musician would soon end. That grounding forever separates Withers from other contemporary soul greats and stamps Still Bill with a conversational nature and egoless approachability.\r\n
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      "I mean look, I'm really a factory worker," said Withers in 1972. "That's a real job". There's that word again : real. The songs on Still Bill are tethered to modesty and actuality, wedded to a belief in simplicity, and connected to universal truths that link us all independent of our economic or social standing. No track better exemplifies those principles than "Lean on Me," a feel-good paean to brotherhood and community that hit No. 1 on the pop and R&B charts en route to becoming a mainstream staple. Withers approaches the plainspoken insight on "Lonely Town, Lonely Street" and heartbreaking vulnerability of "I Don't Want You on My Mind" with similar sincerity and straightforwardness. His proclivity for authenticity extends to the record's other big hit: the sexual, funk-laden "Use Me", which reached N° 2 and reflects the singer's everyman persona. It's an identity couched in keeping it real, the very inclination that ultimately led Withers to retire in the mid-'80s rather than bend to industry pressures or risk credibility.\r\n
      \r\n
      That commitment to truthfulness and realism helps make Still Bill feel as unaffected as the air we breathe. Looking back on "Lean on Me" years later, Withers said it seemed like "something that was there before I got here" the kind of song that could be 100 or 10 years old, or one we encounter anew 10 years into the future. The same can be said for every note on Still Bill.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1809 …}
    -musicienOrchestre: ""
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=h-UT7nnX4c4"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL1-525"
    -titreMorceau: [
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        "ordre" => 0
      ]
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        "nom" => "10. Take It All in and Check It Out"
        "ordre" => 9
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        "nom" => "2. Let Me in Your Life "
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        "ordre" => 7
      ]
      [
        "nom" => "9. I Don't Want You on My Mind"
        "ordre" => 8
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3092
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    -id: 2341
    -nom: "Still Bill"
    -informationComplementaire: "AVAILABILITY : 31/01/2023 (subject Mobile Fidelity Sound Lab)"
    -description: """
      - MASTERED ON MOBILE FIDELITY'S RENOWNED MASTERING SYSTEM AND PRESSED AT RTI FOR DEFINITIVE SOUND !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      As it celebrates its 50th anniversary, Bill Withers' Still Bill remains true to its title and stands as the greatest male-fronted soul album not made by a singer named Marvin, Al, Sam, James, or Ray. Though the saying "keeping it real" did not exist in popular parlance when Withers released his sophomore effort on Sussex Records, no words better capture the music's approach, mindset, and value. Every facet of Still Bill radiates honesty, truth, and emotion. These characteristics along with Withers' strong singing, hybrid arrangements, and deceptively simple songwriting have allowed the album to endure to the point where it sounds as fresh today as in 1972.\r\n
      \r\n
      Mastered on Mobile Fidelity's renowned mastering system and pressed on 180 gram vinyl at RTI, Mobile Fidelity's numbered-edition LP of Still Bill gives this lush classic the luxe treatment it has always deserved. Replete with intoxicating detail and depth, the collectible reissue zeroes in on the music's crux Withers' unique, rich, West Virginia-accented voice while clearing a true-to-the-source path to the extraordinary backing he receives from members of the Watts 103rd Street Rhythm Band. The diverse spectrum of colors, textures, and tones Withers captured at the Record Plant can now be experienced for the first time outside the L.A. studio. And the lifelike presence and directness of his singing, as well as the smooth glide of his phrasing, further elevate the magnificence of the music and underscore why the record Rolling Stone named the 303rd Greatest Album of All Time continues to escalate in stature.\r\n
      \r\n
      After rising into the Top 5 of the Billboard Album charts and attaining gold status within a year of release, Still Bill has long been evaluated not by sales but according to its merit, spirit, and agelessness. Included by The Guardian on its "1,000 Albums to Hear Before You Die" list (2007) as well as in Tom Moon's 1000 Recordings to Hear Before You Die book (2008), its contemporary standing as one of history's most venerated soul efforts eclipses the positive reception it enjoyed in the early ‘70s. Still Bill walks the same hallowed ground as What's Going On, Call Me, Night Beat, and Genius + Soul = Jazz. Like those landmarks, Still Bill plays with a mix of consistency, effortlessness, and complexity that rewards repeat listening and transcends categorization.\r\n
      \r\n
      In combining four of the era's predominant styles – Philly soul, sweaty funk, Southern-reared blues, acoustic-based folk and melding them with standout production borrowed from both minimalist affairs and sophisticated singer-songwriter albums, Still Bill occupies a distinct universe. Its rhythmic fare is equally laidback and invigorating; relaxing and rollicking; eloquent and muscular; soft and tough. Withers' calm, self-assured voice hovers above it all, doubling as a warm blanket that adds comfort and grace to lyrics steeped in maturity, perspective, and compassion. Withers' balanced outlook on human desires, needs, and situations stem from his own existence as a former blue-collar employee who believed his time as a musician would soon end. That grounding forever separates Withers from other contemporary soul greats and stamps Still Bill with a conversational nature and egoless approachability.\r\n
      \r\n
      "I mean look, I'm really a factory worker," said Withers in 1972. "That's a real job". There's that word again : real. The songs on Still Bill are tethered to modesty and actuality, wedded to a belief in simplicity, and connected to universal truths that link us all independent of our economic or social standing. No track better exemplifies those principles than "Lean on Me," a feel-good paean to brotherhood and community that hit No. 1 on the pop and R&B charts en route to becoming a mainstream staple. Withers approaches the plainspoken insight on "Lonely Town, Lonely Street" and heartbreaking vulnerability of "I Don't Want You on My Mind" with similar sincerity and straightforwardness. His proclivity for authenticity extends to the record's other big hit: the sexual, funk-laden "Use Me", which reached N° 2 and reflects the singer's everyman persona. It's an identity couched in keeping it real, the very inclination that ultimately led Withers to retire in the mid-'80s rather than bend to industry pressures or risk credibility.\r\n
      \r\n
      That commitment to truthfulness and realism helps make Still Bill feel as unaffected as the air we breathe. Looking back on "Lean on Me" years later, Withers said it seemed like "something that was there before I got here" the kind of song that could be 100 or 10 years old, or one we encounter anew 10 years into the future. The same can be said for every note on Still Bill.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1809 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=h-UT7nnX4c4"
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      ]
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App\Twig\Components\AjoutMailNewsletterComponent {#3284
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2247 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3285 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3333 …}
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  +validatedFields: []
}