Components
4
Twig Components
15
Render Count
9
ms
Render Time
6.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
12 | 4.33ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 2.88ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.30ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.23ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 6.0 MiB | 2.88 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2553 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 6.0 MiB | 1.30 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2630 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2633 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} -formView: Symfony\Component\Form\FormView {#2669 …} -form: Symfony\Component\Form\Form {#2819 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.69 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#1820 -id: 2489 -nom: "In the Right Place" -informationComplementaire: null -description: """ Mac Rebennack (piano, organ, percussion, vocals), Allen Toussaint (piano & electric piano, acoustic guitar, congas, tambourine), Gary Brown (saxophone), David Spinozza (electric guitar), Ralph MacDonald (percussion), Leo Nocentelli (lead guitar), Art Neville (organ), George Porter Jr. (bass guitar), Joseph Modeliste (drums).\r\n \r\n - Analogue Productions (Atlantic 75 Series)\r\n - Celebrating the 75th Anniversary of Atlantic Records!\r\n - 180 gram 45 RPM double LP !\r\n - Mastered by Ryan K. Smith at Sterling Sound from the original analog master tape !\r\n - Pressed at Quality Record Pressings !\r\n - Gatefold jacket by Stoughton Printing !\r\n \r\n In The Right Place is the sixth, and biggest-selling album of the late iconic music legend, six-time Grammy-winner, and Rock And Roll Hall of Fame inductee, Dr. John. Dr. John, the stage name of Malcolm John Rebennack, Jr., was one of the most original, distinctive and influential voices to ever come out of New Orleans. His career spanned six decades as a songwriter, composer, producer and performer. His unique blend of music carried his hometown of New Orleans at its heart.\r\n \r\n His colorful musical career began in the 1950s when he wrote and played guitar on some of the greatest records to come out of the Crescent City, including recordings by Professor Longhair, Art Neville, Joe Tex, Frankie Ford and Allen Toussaint. Dr. John headed west in the 1960s, where he continued to be in demand as a session musician, playing keyboards on records by Sonny and Cher, Van Morrison, Aretha Franklin and The Rolling Stones' Exile On Main St. During that time he launched his solo career, developing the charismatic persona of Dr. John The Nite Tripper. A legend was born with his breakthrough 1968 album Gris-Gris, which introduced to the world his unique blend of voodoo mysticism, funk, rhythm & blues, psychedelic rock and Creole roots.\r\n \r\n 1973's In The Right Place contained the chart hits "Right Place Wrong Time" and "Such A Night". In addition to his six Grammy wins (1989, 1992, 1996, 2000, 2008 and 2013), he has received six other Grammy nominations over the years. In 2007 he was nominated for "Sippiana Hericane", his Hurricane Katrina benefit disc.\r\n \r\n AllMusic says that with In The Right Place, Dr. John struck mainstream paydirt, especially with his hit single "Right Place Wrong Time" bounding up the charts and initiating listeners into New Orleans-style rock (the song hit No. 9 in 1973 on the Billboard Hot 100 songs chart).\r\n \r\n Also including Allen Toussaint's "Life", and a funky little number entitled "Traveling Mood", which shows off the good doctor's fine piano styling, and with able help from the Meters as backup group, In the Right Place is still a fine collection to own.\r\n \r\n With mastering by Sterling Sound's Ryan K. Smith direct from the original tape, and two sides of premium 180-gram vinyl (pressed by the best Quality Record Pressings and RTI), our 45 RPM edition of In The Right Place emphasizes Dr. John's gravelly bayou drawl and sonically creates the hoodoo-infused stage persona he brought to his performances.\r\n \r\n After Hurricane Katrina Dr. John immediately stepped up to the plate with generous relief fund-raising concerts and recordings. In 2007 he was inducted into the Louisiana Music Hall of Fame and Blues Hall of Fame. In 2008 he released City That Care Forgot, winning him a Grammy for Best Contemporary Blues Album.\r\n \r\n His numerous other awards included the Louie Award from the Louis Armstrong House Museum and the Jazz Foundation of America's Hank Jones Award, presented in October 2016 at "A Great Night in Harlem" which pleged $1 million to help musicians recovering from the 2016 Louisiana flood.\r\n \r\n We are so pleased to bring you this deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic Series) reissue of the timeless Dr. John classic In The Right Place. Cue it up and prepare to be transported. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Mac Rebennack (piano, organ, percussion, vocals), Allen Toussaint (piano & electric piano, acoustic guitar, congas, tambourine), Gary Brown (saxophone), David Spinozza (electric guitar), Ralph MacDonald (percussion)..." -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=xdyNV9VhzF4" -referenceProduit: "Analogue Productions AAPA 006-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Right Place, Wrong Time" ] [ "ordre" => 2 "nom" => "2. Same Old Same Old" ] [ "ordre" => 3 "nom" => "3. Just The Same" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Qualified" ] [ "ordre" => 6 "nom" => "2. Traveling Mood" ] [ "ordre" => 7 "nom" => "3. Peace Brother Peace" ] [ "ordre" => 8 "nom" => "Side C : " ] [ "ordre" => 9 "nom" => "1. Life" ] [ "ordre" => 10 "nom" => "2. Such A Night" ] [ "ordre" => 11 "nom" => "3. Shoo Fly Marches On" ] [ "ordre" => 12 "nom" => "Side D : " ] [ "ordre" => 13 "nom" => "1. I Been Hoodood" ] [ "ordre" => 14 "nom" => "2. Cold Cold Cold" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …} -enregistreLe: DateTime @1704645405 {#1875 : 2024-01-07 16:36:45.0 UTC (+00:00) } -modifierLe: DateTime @1764833612 {#1868 : 2025-12-04 07:33:32.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-in-the-right-place-analogue-productions-aapa-006-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3094 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#1820 -id: 2489 -nom: "In the Right Place" -informationComplementaire: null -description: """ Mac Rebennack (piano, organ, percussion, vocals), Allen Toussaint (piano & electric piano, acoustic guitar, congas, tambourine), Gary Brown (saxophone), David Spinozza (electric guitar), Ralph MacDonald (percussion), Leo Nocentelli (lead guitar), Art Neville (organ), George Porter Jr. (bass guitar), Joseph Modeliste (drums).\r\n \r\n - Analogue Productions (Atlantic 75 Series)\r\n - Celebrating the 75th Anniversary of Atlantic Records!\r\n - 180 gram 45 RPM double LP !\r\n - Mastered by Ryan K. Smith at Sterling Sound from the original analog master tape !\r\n - Pressed at Quality Record Pressings !\r\n - Gatefold jacket by Stoughton Printing !\r\n \r\n In The Right Place is the sixth, and biggest-selling album of the late iconic music legend, six-time Grammy-winner, and Rock And Roll Hall of Fame inductee, Dr. John. Dr. John, the stage name of Malcolm John Rebennack, Jr., was one of the most original, distinctive and influential voices to ever come out of New Orleans. His career spanned six decades as a songwriter, composer, producer and performer. His unique blend of music carried his hometown of New Orleans at its heart.\r\n \r\n His colorful musical career began in the 1950s when he wrote and played guitar on some of the greatest records to come out of the Crescent City, including recordings by Professor Longhair, Art Neville, Joe Tex, Frankie Ford and Allen Toussaint. Dr. John headed west in the 1960s, where he continued to be in demand as a session musician, playing keyboards on records by Sonny and Cher, Van Morrison, Aretha Franklin and The Rolling Stones' Exile On Main St. During that time he launched his solo career, developing the charismatic persona of Dr. John The Nite Tripper. A legend was born with his breakthrough 1968 album Gris-Gris, which introduced to the world his unique blend of voodoo mysticism, funk, rhythm & blues, psychedelic rock and Creole roots.\r\n \r\n 1973's In The Right Place contained the chart hits "Right Place Wrong Time" and "Such A Night". In addition to his six Grammy wins (1989, 1992, 1996, 2000, 2008 and 2013), he has received six other Grammy nominations over the years. In 2007 he was nominated for "Sippiana Hericane", his Hurricane Katrina benefit disc.\r\n \r\n AllMusic says that with In The Right Place, Dr. John struck mainstream paydirt, especially with his hit single "Right Place Wrong Time" bounding up the charts and initiating listeners into New Orleans-style rock (the song hit No. 9 in 1973 on the Billboard Hot 100 songs chart).\r\n \r\n Also including Allen Toussaint's "Life", and a funky little number entitled "Traveling Mood", which shows off the good doctor's fine piano styling, and with able help from the Meters as backup group, In the Right Place is still a fine collection to own.\r\n \r\n With mastering by Sterling Sound's Ryan K. Smith direct from the original tape, and two sides of premium 180-gram vinyl (pressed by the best Quality Record Pressings and RTI), our 45 RPM edition of In The Right Place emphasizes Dr. John's gravelly bayou drawl and sonically creates the hoodoo-infused stage persona he brought to his performances.\r\n \r\n After Hurricane Katrina Dr. John immediately stepped up to the plate with generous relief fund-raising concerts and recordings. In 2007 he was inducted into the Louisiana Music Hall of Fame and Blues Hall of Fame. In 2008 he released City That Care Forgot, winning him a Grammy for Best Contemporary Blues Album.\r\n \r\n His numerous other awards included the Louie Award from the Louis Armstrong House Museum and the Jazz Foundation of America's Hank Jones Award, presented in October 2016 at "A Great Night in Harlem" which pleged $1 million to help musicians recovering from the 2016 Louisiana flood.\r\n \r\n We are so pleased to bring you this deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic Series) reissue of the timeless Dr. John classic In The Right Place. Cue it up and prepare to be transported. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Mac Rebennack (piano, organ, percussion, vocals), Allen Toussaint (piano & electric piano, acoustic guitar, congas, tambourine), Gary Brown (saxophone), David Spinozza (electric guitar), Ralph MacDonald (percussion)..." -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=xdyNV9VhzF4" -referenceProduit: "Analogue Productions AAPA 006-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Right Place, Wrong Time" ] [ "ordre" => 2 "nom" => "2. Same Old Same Old" ] [ "ordre" => 3 "nom" => "3. Just The Same" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Qualified" ] [ "ordre" => 6 "nom" => "2. Traveling Mood" ] [ "ordre" => 7 "nom" => "3. Peace Brother Peace" ] [ "ordre" => 8 "nom" => "Side C : " ] [ "ordre" => 9 "nom" => "1. Life" ] [ "ordre" => 10 "nom" => "2. Such A Night" ] [ "ordre" => 11 "nom" => "3. Shoo Fly Marches On" ] [ "ordre" => 12 "nom" => "Side D : " ] [ "ordre" => 13 "nom" => "1. I Been Hoodood" ] [ "ordre" => 14 "nom" => "2. Cold Cold Cold" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …} -enregistreLe: DateTime @1704645405 {#1875 : 2024-01-07 16:36:45.0 UTC (+00:00) } -modifierLe: DateTime @1764833612 {#1868 : 2025-12-04 07:33:32.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-in-the-right-place-analogue-productions-aapa-006-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.44 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2044 -id: 2566 -nom: "Rock 'n Soul Part 1" -informationComplementaire: null -description: """ Musicians : \r\n Daryl Hall (keyboards, synthesizers, guitars, vibraphone, vocals), John Oates (keyboards, synthesizers, guitars, vocals), Charlie DeChant (keyboards, saxophones, backing vocals), Tom "T-Bone" Wolk (keyboards, guitars, bass guitar, backing vocals), G. E. Smith (lead guitars), Mickey Curry (drums), Robbie Kilgore (keyboards), Wells Christy, Clive Smith (synthesizers), Jimmy Bralower (drum programming).\r\n \r\n ALL OF HALL AND OATES' SIGNATURE SONGS : ROCK 'N SOUL PART 1 INCLUDES "SARA SMILE", "SHE'S GONE", "MANEATER", "PRIVATE EYES", AND MORE\r\n \r\n - "Say It Isn't So," "Adult Education," "Maneater," "One on One," "Wait for Me": 1/2" / 30 IPS analog master to DSD 64 to analog console to lathe\r\n - "Sara Smile," "Kiss on My List," "You Make My Dreams": 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe\r\n - "She's Gone": 1/2" / 30 IPS analog copy to DSD 64 to analog console to lathe\r\n - "Rich Girl": 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n - "Private Eyes," "I Can't Go For That (No Can Do)": 1/2" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n \r\n Other compilations have longer track lists and go farther back into their career, but no Hall and Oates greatest-hits collection surpasses Rock 'n Soul Part 1. Originally released at the height of the duo's career in fall 1983, the 12 song set functions as a time machine back into an era when Daryl Hall and John Oates dominated the charts with songs that have long since become standards. While a majority of the anthology draws from the group's trio of mammoth RCA albums spanning 1980 through 1982, it also includes the pair's only three Top 10 smashes from the 1970s : "Sara Smile", "She's Gone", and the chart-topping "Rich Girl". One-stop shopping for the absolute best of Hall and Oates doesn't come any easier. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Daryl Hall (keyboards, synthesizers, guitars, vibraphone, vocals), John Oates (keyboards, synthesizers, guitars, vocals), Charlie DeChant (keyboards, saxophones, backing vocals)..." -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=IfchioAP5Zo" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-447" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => " 1. Say It Ain't So" "ordre" => 1 ] [ "nom" => "2. Sara Smile" "ordre" => 2 ] [ "nom" => "3. She's Gone" "ordre" => 3 ] [ "nom" => "4. Rich Girl" "ordre" => 4 ] [ "nom" => "5. Kiss On My List" "ordre" => 5 ] [ "nom" => "6. You Make My Dreams" "ordre" => 6 ] [ "nom" => "Side B : " "ordre" => 7 ] [ "nom" => "7. Private Eyes" "ordre" => 8 ] [ "nom" => "8. Adult Education" "ordre" => 9 ] [ "nom" => "9. I Can't Go For That (No Can Do)" "ordre" => 10 ] [ "nom" => "10. Maneater" "ordre" => 11 ] [ "nom" => "11. One on One" "ordre" => 12 ] [ "nom" => "12. Wait for Me" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …} -enregistreLe: DateTime @1728114871 {#2041 : 2024-10-05 07:54:31.0 UTC (+00:00) } -modifierLe: DateTime @1763925090 {#2042 : 2025-11-23 19:11:30.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-rock-n-soul-part-1-mobile-fidelity-sound-lab-mfsl-1-447" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3208 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2044 -id: 2566 -nom: "Rock 'n Soul Part 1" -informationComplementaire: null -description: """ Musicians : \r\n Daryl Hall (keyboards, synthesizers, guitars, vibraphone, vocals), John Oates (keyboards, synthesizers, guitars, vocals), Charlie DeChant (keyboards, saxophones, backing vocals), Tom "T-Bone" Wolk (keyboards, guitars, bass guitar, backing vocals), G. E. Smith (lead guitars), Mickey Curry (drums), Robbie Kilgore (keyboards), Wells Christy, Clive Smith (synthesizers), Jimmy Bralower (drum programming).\r\n \r\n ALL OF HALL AND OATES' SIGNATURE SONGS : ROCK 'N SOUL PART 1 INCLUDES "SARA SMILE", "SHE'S GONE", "MANEATER", "PRIVATE EYES", AND MORE\r\n \r\n - "Say It Isn't So," "Adult Education," "Maneater," "One on One," "Wait for Me": 1/2" / 30 IPS analog master to DSD 64 to analog console to lathe\r\n - "Sara Smile," "Kiss on My List," "You Make My Dreams": 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe\r\n - "She's Gone": 1/2" / 30 IPS analog copy to DSD 64 to analog console to lathe\r\n - "Rich Girl": 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n - "Private Eyes," "I Can't Go For That (No Can Do)": 1/2" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n \r\n Other compilations have longer track lists and go farther back into their career, but no Hall and Oates greatest-hits collection surpasses Rock 'n Soul Part 1. Originally released at the height of the duo's career in fall 1983, the 12 song set functions as a time machine back into an era when Daryl Hall and John Oates dominated the charts with songs that have long since become standards. While a majority of the anthology draws from the group's trio of mammoth RCA albums spanning 1980 through 1982, it also includes the pair's only three Top 10 smashes from the 1970s : "Sara Smile", "She's Gone", and the chart-topping "Rich Girl". One-stop shopping for the absolute best of Hall and Oates doesn't come any easier. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Daryl Hall (keyboards, synthesizers, guitars, vibraphone, vocals), John Oates (keyboards, synthesizers, guitars, vocals), Charlie DeChant (keyboards, saxophones, backing vocals)..." -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=IfchioAP5Zo" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-447" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => " 1. Say It Ain't So" "ordre" => 1 ] [ "nom" => "2. Sara Smile" "ordre" => 2 ] [ "nom" => "3. She's Gone" "ordre" => 3 ] [ "nom" => "4. Rich Girl" "ordre" => 4 ] [ "nom" => "5. Kiss On My List" "ordre" => 5 ] [ "nom" => "6. You Make My Dreams" "ordre" => 6 ] [ "nom" => "Side B : " "ordre" => 7 ] [ "nom" => "7. Private Eyes" "ordre" => 8 ] [ "nom" => "8. Adult Education" "ordre" => 9 ] [ "nom" => "9. I Can't Go For That (No Can Do)" "ordre" => 10 ] [ "nom" => "10. Maneater" "ordre" => 11 ] [ "nom" => "11. One on One" "ordre" => 12 ] [ "nom" => "12. Wait for Me" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …} -enregistreLe: DateTime @1728114871 {#2041 : 2024-10-05 07:54:31.0 UTC (+00:00) } -modifierLe: DateTime @1763925090 {#2042 : 2025-11-23 19:11:30.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-rock-n-soul-part-1-mobile-fidelity-sound-lab-mfsl-1-447" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.39 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2063 -id: 1720 -nom: "She's So Unusual" -informationComplementaire: null -description: """ Musicians : \r\n Cyndi Lauper (lead & background vocals), Eric Bazilian (bass guitar, guitar, saxophone, backing vocals), Neil Jason (bass guitar, guitar), Richard Termini, Peter Wood (synthesizer), Rick DiFonzo, William "Rock Pygmy" Wittman (guitar), Rob Hyman (keyboards, synthesizers, Hooter melodica, backing vocals, arranger), Jules Shear, Ellie Greenwich, Krystal Davis, Maretha Stewart, Diane Wilson (backing vocals), Rick Chertoff (percussion), Anton Fig (drums, percussion).\r\n \r\n She Bop : 1984 Commercial Blockbuster Combines Mainstream Hooks, Self-Assertive Confidence, and Whimsical Attitude !\r\n \r\n Forget, for a moment, about the gypsy clothes, raspberry-pink hair, costume jewelry, and hyperactive behavior. No female artist's debut better epitomized MTV's vivid heyday and the smart intersection of self-reliant female politics, savvy hooks, and vibrant imagery than Cyndi Lauper's She's So Unusual. Long before Lady Gaga, and before Madonna embraced any traits resembling punk, the New York native ushered in a new wave of commercial pop while flaunting an exuberant confidence that, overnight, influenced a generation to dye their hair and embrace life with newfound vibrancy. Girls, indeed, just wanted to have fun.\r\n \r\n Mastered on Mobile Fidelity's internationally acclaimed mastering system and pressed at RTI, this Silver Label LP rescues the music from long-standing harshness and disadvantageous brittleness. Back on vinyl for the first time in decades, the multi-platinum 1984 blockbuster sounds completely anew, possessing crisper beats, a fleshed-out midrange, no artificial ceilings, and a clear alleyway to Lauper's girlish voice. Finally, the sonics possess the wide spectrum of colors that flavor the songs.\r\n \r\n Helmed by the anthem "Girls Just Want to Have Fun", She's So Unusual transformed pop culture by way of Lauper's charismatic personality, whimsical attitude, lively performances, unique timbre, witty humor, and unabated passion. Throughout, she's a whirlwind of emotion and cyclone of spirit, tackling insouciant party tracks with the same verve she sings arresting ballads. And while for most it would be a deterrent, Lauper sculpts her chirpy, bop-friendly voice to her advantage, underscoring each song's combination of sentimentality and seditiousness.\r\n "With a voice that combined the cartoon soul of Little Eva and the wink-wink naughtiness of Betty Boop, Lauper may have backed away from the depth or urgency of the writers whose work she mainstreamed, but her transformation of their power into sheer pop was ultimately subversive giggling all the way, she incited legions of mall rats into orange-hair rebellion and a measure of self-assertion", wrote Paul Evans for The New Rolling Stone Album Guide, hinting at the record's normally unseen depth.\r\n \r\n Whether viewed as a subversive new-wave crossover statement or simply as a celebratory declaration of individualism (or, both), She's So Unusual is an 80s landmark and influential harbinger of the role women would play in both rock and pop. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Cyndi Lauper (lead & background vocals), Eric Bazilian (bass guitar, guitar, saxophone, backing vocals), Neil Jason (bass guitar, guitar), Richard Termini, Peter Wood (synthesizer)…" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=PIb6AZdTr-A" -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-027" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Money Changes Everything" "ordre" => 1 ] [ "nom" => "2. Girls Just Want to Have Fun" "ordre" => 2 ] [ "nom" => "3. When You Were Mine" "ordre" => 3 ] [ "nom" => "4. Time After Time" "ordre" => 4 ] [ "nom" => "Side B :" "ordre" => 5 ] [ "nom" => "1. She Bop" "ordre" => 6 ] [ "nom" => "2. All Through The Night" "ordre" => 7 ] [ "nom" => "3. Witness" "ordre" => 8 ] [ "nom" => "4. I'll Kiss You" "ordre" => 9 ] [ "nom" => "5. He's So Unusual" "ordre" => 10 ] [ "nom" => "6. Yeah Yeah" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …} -enregistreLe: DateTime @1565162475 {#2060 : 2019-08-07 07:21:15.0 UTC (+00:00) } -modifierLe: DateTime @1763924856 {#2061 : 2025-11-23 19:07:36.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-she-s-so-unusual-mobile-fidelity-sound-lab-mofi-1-027" } "detaillePage" => false ] |
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| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3259 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2063 -id: 1720 -nom: "She's So Unusual" -informationComplementaire: null -description: """ Musicians : \r\n Cyndi Lauper (lead & background vocals), Eric Bazilian (bass guitar, guitar, saxophone, backing vocals), Neil Jason (bass guitar, guitar), Richard Termini, Peter Wood (synthesizer), Rick DiFonzo, William "Rock Pygmy" Wittman (guitar), Rob Hyman (keyboards, synthesizers, Hooter melodica, backing vocals, arranger), Jules Shear, Ellie Greenwich, Krystal Davis, Maretha Stewart, Diane Wilson (backing vocals), Rick Chertoff (percussion), Anton Fig (drums, percussion).\r\n \r\n She Bop : 1984 Commercial Blockbuster Combines Mainstream Hooks, Self-Assertive Confidence, and Whimsical Attitude !\r\n \r\n Forget, for a moment, about the gypsy clothes, raspberry-pink hair, costume jewelry, and hyperactive behavior. No female artist's debut better epitomized MTV's vivid heyday and the smart intersection of self-reliant female politics, savvy hooks, and vibrant imagery than Cyndi Lauper's She's So Unusual. Long before Lady Gaga, and before Madonna embraced any traits resembling punk, the New York native ushered in a new wave of commercial pop while flaunting an exuberant confidence that, overnight, influenced a generation to dye their hair and embrace life with newfound vibrancy. Girls, indeed, just wanted to have fun.\r\n \r\n Mastered on Mobile Fidelity's internationally acclaimed mastering system and pressed at RTI, this Silver Label LP rescues the music from long-standing harshness and disadvantageous brittleness. Back on vinyl for the first time in decades, the multi-platinum 1984 blockbuster sounds completely anew, possessing crisper beats, a fleshed-out midrange, no artificial ceilings, and a clear alleyway to Lauper's girlish voice. Finally, the sonics possess the wide spectrum of colors that flavor the songs.\r\n \r\n Helmed by the anthem "Girls Just Want to Have Fun", She's So Unusual transformed pop culture by way of Lauper's charismatic personality, whimsical attitude, lively performances, unique timbre, witty humor, and unabated passion. Throughout, she's a whirlwind of emotion and cyclone of spirit, tackling insouciant party tracks with the same verve she sings arresting ballads. And while for most it would be a deterrent, Lauper sculpts her chirpy, bop-friendly voice to her advantage, underscoring each song's combination of sentimentality and seditiousness.\r\n "With a voice that combined the cartoon soul of Little Eva and the wink-wink naughtiness of Betty Boop, Lauper may have backed away from the depth or urgency of the writers whose work she mainstreamed, but her transformation of their power into sheer pop was ultimately subversive giggling all the way, she incited legions of mall rats into orange-hair rebellion and a measure of self-assertion", wrote Paul Evans for The New Rolling Stone Album Guide, hinting at the record's normally unseen depth.\r\n \r\n Whether viewed as a subversive new-wave crossover statement or simply as a celebratory declaration of individualism (or, both), She's So Unusual is an 80s landmark and influential harbinger of the role women would play in both rock and pop. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Cyndi Lauper (lead & background vocals), Eric Bazilian (bass guitar, guitar, saxophone, backing vocals), Neil Jason (bass guitar, guitar), Richard Termini, Peter Wood (synthesizer)…" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=PIb6AZdTr-A" -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-027" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Money Changes Everything" "ordre" => 1 ] [ "nom" => "2. Girls Just Want to Have Fun" "ordre" => 2 ] [ "nom" => "3. When You Were Mine" "ordre" => 3 ] [ "nom" => "4. Time After Time" "ordre" => 4 ] [ "nom" => "Side B :" "ordre" => 5 ] [ "nom" => "1. She Bop" "ordre" => 6 ] [ "nom" => "2. All Through The Night" "ordre" => 7 ] [ "nom" => "3. Witness" "ordre" => 8 ] [ "nom" => "4. I'll Kiss You" "ordre" => 9 ] [ "nom" => "5. He's So Unusual" "ordre" => 10 ] [ "nom" => "6. Yeah Yeah" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …} -enregistreLe: DateTime @1565162475 {#2060 : 2019-08-07 07:21:15.0 UTC (+00:00) } -modifierLe: DateTime @1763924856 {#2061 : 2025-11-23 19:07:36.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-she-s-so-unusual-mobile-fidelity-sound-lab-mofi-1-027" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2079 -id: 1722 -nom: "True Colors" -informationComplementaire: null -description: """ - A Vocal Tour de Force - Cyndi Lauper's True Colors Features Big-Name Guests and Ambitious Arrangements, Includes "What's Going On" and "Change of Heart" !\r\n - Grammy-Nominated Double-Platinum Set Includes Internationally Recognized Title Track Plus Top 10 Singles "What's Going On" and "Change of Heart" !\r\n - Illuminating Sonics : Silver Label Series 33 RPM (1 LP) Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at Fidelity Record Pressing !\r\n - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n \r\n Cyndi Lauper could've easily played up the independent wild-child pop persona she established on her breakthrough debut until the trend faded. Instead, on her superb sophomore effort, the charismatic artist opts for a more mature and creatively ambitious program, inviting big-name guests and pursuing deeper instrumental textures on a set that goes far beyond the well-known title track. True Colors is a vocal tour de force, an expressive statement on which Lauper showcases singing steeped in emotion, phrasing, and earnestness.\r\n \r\n An all-star cast aids Lauper in shaping what remains a colossally underrated record. Billy Joel (vocals), Adrian Belew (guitar), the Bangles (vocals), Aimee Mann (vocals), Nile Rodgers (guitar), and Rick Derringer (guitar) are among the guests. So is Pee Wee Herman, whose telephone operator role at the conclusion of "911" speaks to the fact that Lauper didn't abandon her whimsical nature even as she pressed forward. Cajun accents, soulful motifs "What's Going On", and joyous covers of traditional fare "Iko Iko" keep the album pleasantly varied and accessibly offbeat.\r\n \r\n Of course, Lauper also turns in, with "True Colors", what's arguably her career-defining moment, the chart-topping single radiating with gorgeous elegance and graceful phrasing that forced audiences to regard the performer in a different light. For her boldness, Lauper was rewarded with two Grammy nominations and a song that has since been covered by artists such as Phil Collins and appeared as the theme for the 1988 Olympic Games and 2003 Rugby World Cup. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Cyndi Lauper (vocals), Neil Jason (bass), Jeff Bova, Peter Wood (keyboards), John McCurry (guitar), Jimmy Bralower (drums), Billy Joel, the Bangles, Aimee Mann (vocals), Adrian Belew, Nile Rodgers, Rick Derringer (guitar)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=LPn0KFlbqX8" -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-028" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Change of Heart" "ordre" => 1 ] [ "nom" => "2. Maybe He’ll Know" "ordre" => 2 ] [ "nom" => "3. Boy Blue" "ordre" => 3 ] [ "nom" => "4. True Colors" "ordre" => 4 ] [ "nom" => "5. Calm Inside the Storm" "ordre" => 5 ] [ "nom" => "Side B :" "ordre" => 6 ] [ "nom" => "1. What’s Going On" "ordre" => 7 ] [ "nom" => "2. Iko Iko" "ordre" => 8 ] [ "nom" => "3. The Faraway Nearby" "ordre" => 9 ] [ "nom" => "4. 911" "ordre" => 10 ] [ "nom" => "5. One Track Mind" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2080 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …} -enregistreLe: DateTime @1565250297 {#2076 : 2019-08-08 07:44:57.0 UTC (+00:00) } -modifierLe: DateTime @1763924714 {#2077 : 2025-11-23 19:05:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-true-colors-mobile-fidelity-sound-lab-mofi-1-028" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3312 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2079 -id: 1722 -nom: "True Colors" -informationComplementaire: null -description: """ - A Vocal Tour de Force - Cyndi Lauper's True Colors Features Big-Name Guests and Ambitious Arrangements, Includes "What's Going On" and "Change of Heart" !\r\n - Grammy-Nominated Double-Platinum Set Includes Internationally Recognized Title Track Plus Top 10 Singles "What's Going On" and "Change of Heart" !\r\n - Illuminating Sonics : Silver Label Series 33 RPM (1 LP) Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at Fidelity Record Pressing !\r\n - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n \r\n Cyndi Lauper could've easily played up the independent wild-child pop persona she established on her breakthrough debut until the trend faded. Instead, on her superb sophomore effort, the charismatic artist opts for a more mature and creatively ambitious program, inviting big-name guests and pursuing deeper instrumental textures on a set that goes far beyond the well-known title track. True Colors is a vocal tour de force, an expressive statement on which Lauper showcases singing steeped in emotion, phrasing, and earnestness.\r\n \r\n An all-star cast aids Lauper in shaping what remains a colossally underrated record. Billy Joel (vocals), Adrian Belew (guitar), the Bangles (vocals), Aimee Mann (vocals), Nile Rodgers (guitar), and Rick Derringer (guitar) are among the guests. So is Pee Wee Herman, whose telephone operator role at the conclusion of "911" speaks to the fact that Lauper didn't abandon her whimsical nature even as she pressed forward. Cajun accents, soulful motifs "What's Going On", and joyous covers of traditional fare "Iko Iko" keep the album pleasantly varied and accessibly offbeat.\r\n \r\n Of course, Lauper also turns in, with "True Colors", what's arguably her career-defining moment, the chart-topping single radiating with gorgeous elegance and graceful phrasing that forced audiences to regard the performer in a different light. For her boldness, Lauper was rewarded with two Grammy nominations and a song that has since been covered by artists such as Phil Collins and appeared as the theme for the 1988 Olympic Games and 2003 Rugby World Cup. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Cyndi Lauper (vocals), Neil Jason (bass), Jeff Bova, Peter Wood (keyboards), John McCurry (guitar), Jimmy Bralower (drums), Billy Joel, the Bangles, Aimee Mann (vocals), Adrian Belew, Nile Rodgers, Rick Derringer (guitar)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=LPn0KFlbqX8" -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-028" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Change of Heart" "ordre" => 1 ] [ "nom" => "2. Maybe He’ll Know" "ordre" => 2 ] [ "nom" => "3. Boy Blue" "ordre" => 3 ] [ "nom" => "4. True Colors" "ordre" => 4 ] [ "nom" => "5. Calm Inside the Storm" "ordre" => 5 ] [ "nom" => "Side B :" "ordre" => 6 ] [ "nom" => "1. What’s Going On" "ordre" => 7 ] [ "nom" => "2. Iko Iko" "ordre" => 8 ] [ "nom" => "3. The Faraway Nearby" "ordre" => 9 ] [ "nom" => "4. 911" "ordre" => 10 ] [ "nom" => "5. One Track Mind" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2080 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …} -enregistreLe: DateTime @1565250297 {#2076 : 2019-08-08 07:44:57.0 UTC (+00:00) } -modifierLe: DateTime @1763924714 {#2077 : 2025-11-23 19:05:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-true-colors-mobile-fidelity-sound-lab-mofi-1-028" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2092 -id: 506 -nom: "Crosby, Stills & Nash - UltraDisc One-Step (Box Set 2 LP) 45 RPM" -informationComplementaire: null -description: """ ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES !\r\n \r\n The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.\r\n \r\n Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.\r\n \r\n The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n \r\n The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.\r\n \r\n From the opening of the lead track, the multi-part "Suite : Judy Blue Eyes", written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.\r\n \r\n More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express", protesting "Long Time Gone", poignant "Helplessly Hoping", and poetic "Wooden Ships". No wonder the trio's chemistry as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo. """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "David Crosby (guitar, vocals), Stephen Stills (guitar, bass, keyboards, percussion, vocals), Graham Nash (rhythm & acoustic guitar, vocals), Dallas Taylor, Jim Gordon (drums), Cass Elliot (backing vocals)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=OvGfQCsfzUo" -referenceProduit: "Mobile Fidelity Sound Lab UD1S-021" -titreMorceau: [ [ "nom" => "1. Suite : Judy Blue Eyes" "ordre" => 0 ] [ "nom" => "2. Marrakesh Express" "ordre" => 1 ] [ "nom" => "3. Guinnevere" "ordre" => 2 ] [ "nom" => "4. You Don't Have To Cry" "ordre" => 3 ] [ "nom" => "5. Pre-Road Downs" "ordre" => 4 ] [ "nom" => "6. Wooden Ships" "ordre" => 5 ] [ "nom" => "7. Lady of the Island" "ordre" => 6 ] [ "nom" => "8. Helplessly Hoping" "ordre" => 7 ] [ "nom" => "9. Long Time Gone" "ordre" => 8 ] [ "nom" => "10. 49 Bye-Byes" "ordre" => 9 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2103 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2096 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2098 …} -enregistreLe: DateTime @1332187643 {#2089 : 2012-03-19 20:07:23.0 UTC (+00:00) } -modifierLe: DateTime @1763923236 {#2090 : 2025-11-23 18:40:36.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2100 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-crosby-stills-nash-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-021" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3358 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2092 -id: 506 -nom: "Crosby, Stills & Nash - UltraDisc One-Step (Box Set 2 LP) 45 RPM" -informationComplementaire: null -description: """ ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES !\r\n \r\n The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.\r\n \r\n Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.\r\n \r\n The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n \r\n The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.\r\n \r\n From the opening of the lead track, the multi-part "Suite : Judy Blue Eyes", written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.\r\n \r\n More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express", protesting "Long Time Gone", poignant "Helplessly Hoping", and poetic "Wooden Ships". No wonder the trio's chemistry as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo. """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "David Crosby (guitar, vocals), Stephen Stills (guitar, bass, keyboards, percussion, vocals), Graham Nash (rhythm & acoustic guitar, vocals), Dallas Taylor, Jim Gordon (drums), Cass Elliot (backing vocals)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=OvGfQCsfzUo" -referenceProduit: "Mobile Fidelity Sound Lab UD1S-021" -titreMorceau: [ [ "nom" => "1. Suite : Judy Blue Eyes" "ordre" => 0 ] [ "nom" => "2. Marrakesh Express" "ordre" => 1 ] [ "nom" => "3. Guinnevere" "ordre" => 2 ] [ "nom" => "4. You Don't Have To Cry" "ordre" => 3 ] [ "nom" => "5. Pre-Road Downs" "ordre" => 4 ] [ "nom" => "6. Wooden Ships" "ordre" => 5 ] [ "nom" => "7. Lady of the Island" "ordre" => 6 ] [ "nom" => "8. Helplessly Hoping" "ordre" => 7 ] [ "nom" => "9. Long Time Gone" "ordre" => 8 ] [ "nom" => "10. 49 Bye-Byes" "ordre" => 9 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2103 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2096 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2098 …} -enregistreLe: DateTime @1332187643 {#2089 : 2012-03-19 20:07:23.0 UTC (+00:00) } -modifierLe: DateTime @1763923236 {#2090 : 2025-11-23 18:40:36.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2100 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-crosby-stills-nash-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-021" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2108 -id: 2470 -nom: "Crosby, Stills & Nash" -informationComplementaire: null -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n - Crosby, Stills & Nash The debut studio album from the rock supergroup !\r\n - 180 gram 45 RPM double LP !\r\n - Mastered directly from the original master tape by Bernie Grundman !\r\n - Pressed at Quality Record Pressings !\r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n Several unique features set the debut studio album by folk rock supergroup Crosby, Stills & Nash, released in 1969 by Atlantic Records, apart. It's the only album by the band before adding Neil Young to their lineup. The album spawned two Top 40 singles, "Marrakesh Express" and "Suite : Judy Blue Eyes", which peaked respectively at N° 28 during the week of August 23, 1969, and at N° 21 during the week of December 6, 1969, on the U.S. Billboard Hot 100. The album itself peaked at N° 6 on the U.S. Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales in excess of 4 million copies.\r\n \r\n Instantly lifting the group to stardom, along with the Byrds' Sweetheart of the Rodeo and the Band's Music from Big Pink, the previous year, the album is cited by music reviewers for initiating sweeping changes in popular music. In 2021 the album held the rank of N° 161 on Rolling Stone's 500 Greatest Albums of All Time list.\r\n \r\n Crosby, Stills & Nash was "the perfect blend of David Crosby's social conscience, Stephen Stills's virtuoso musicianship and Graham Nash's ability to craft the perfect pop melody for radio", writes Rolling Stone, in its review. \r\n \r\n The band was brought together after Crosby was fired from The Byrds, Stills's band, Buffalo Springfield had broken up (a band which also featured later member, Neil Young) and Nash's departure from The Hollies. The three decided to form a band after an informal jam led them to discover how well their voices harmonized. Released in May 1969, the band would perform nine of the album's 10 songs at Woodstock, which was the second time they ever did, in August of the same year.\r\n \r\n The album features some of CSN's most well known and iconic songs; "Suite : Judy Blue Eyes", "Marrakesh Express", "Guinnevere", "Wooden Ships", "Helplessly Hoping" and "Long Time Gone". This album saw a shift in sound to what was popular at the time blues based rock, opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the ‘70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.\r\n \r\n All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "David Crosby (guitar, vocals), Stephen Stills (guitar, bass, keyboards, percussion, vocals), Graham Nash (rhythm & acoustic guitar, vocals), Dallas Taylor, Jim Gordon (drums), Cass Elliot (backing vocals)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Hm0sishe02U" -referenceProduit: "Analogue Productions AAPA 018-45" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Suite : Judy Blue Eyes" "ordre" => 1 ] [ "nom" => "2. Marrakesh Express" "ordre" => 2 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "1. Guinnevere" "ordre" => 4 ] [ "nom" => "2. You Don't Have To Cry" "ordre" => 5 ] [ "nom" => "3. Pre-Road Downs" "ordre" => 6 ] [ "nom" => "Side C : " "ordre" => 7 ] [ "nom" => "1. Wooden Ships" "ordre" => 8 ] [ "nom" => "2. Lady of the Island" "ordre" => 9 ] [ "nom" => "3. Helplessly Hoping" "ordre" => 10 ] [ "nom" => "Side D : " "ordre" => 11 ] [ "nom" => "1. Long Time Gone" "ordre" => 12 ] [ "nom" => "2. 49 Bye-Byes" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2116 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2109 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2111 …} -enregistreLe: DateTime @1699863849 {#2105 : 2023-11-13 08:24:09.0 UTC (+00:00) } -modifierLe: DateTime @1763922853 {#2106 : 2025-11-23 18:34:13.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2113 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-crosby-stills-nash-analogue-productions-aapa-018-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3411 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2108 -id: 2470 -nom: "Crosby, Stills & Nash" -informationComplementaire: null -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n - Crosby, Stills & Nash The debut studio album from the rock supergroup !\r\n - 180 gram 45 RPM double LP !\r\n - Mastered directly from the original master tape by Bernie Grundman !\r\n - Pressed at Quality Record Pressings !\r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n Several unique features set the debut studio album by folk rock supergroup Crosby, Stills & Nash, released in 1969 by Atlantic Records, apart. It's the only album by the band before adding Neil Young to their lineup. The album spawned two Top 40 singles, "Marrakesh Express" and "Suite : Judy Blue Eyes", which peaked respectively at N° 28 during the week of August 23, 1969, and at N° 21 during the week of December 6, 1969, on the U.S. Billboard Hot 100. The album itself peaked at N° 6 on the U.S. Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales in excess of 4 million copies.\r\n \r\n Instantly lifting the group to stardom, along with the Byrds' Sweetheart of the Rodeo and the Band's Music from Big Pink, the previous year, the album is cited by music reviewers for initiating sweeping changes in popular music. In 2021 the album held the rank of N° 161 on Rolling Stone's 500 Greatest Albums of All Time list.\r\n \r\n Crosby, Stills & Nash was "the perfect blend of David Crosby's social conscience, Stephen Stills's virtuoso musicianship and Graham Nash's ability to craft the perfect pop melody for radio", writes Rolling Stone, in its review. \r\n \r\n The band was brought together after Crosby was fired from The Byrds, Stills's band, Buffalo Springfield had broken up (a band which also featured later member, Neil Young) and Nash's departure from The Hollies. The three decided to form a band after an informal jam led them to discover how well their voices harmonized. Released in May 1969, the band would perform nine of the album's 10 songs at Woodstock, which was the second time they ever did, in August of the same year.\r\n \r\n The album features some of CSN's most well known and iconic songs; "Suite : Judy Blue Eyes", "Marrakesh Express", "Guinnevere", "Wooden Ships", "Helplessly Hoping" and "Long Time Gone". This album saw a shift in sound to what was popular at the time blues based rock, opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the ‘70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.\r\n \r\n All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "David Crosby (guitar, vocals), Stephen Stills (guitar, bass, keyboards, percussion, vocals), Graham Nash (rhythm & acoustic guitar, vocals), Dallas Taylor, Jim Gordon (drums), Cass Elliot (backing vocals)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Hm0sishe02U" -referenceProduit: "Analogue Productions AAPA 018-45" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Suite : Judy Blue Eyes" "ordre" => 1 ] [ "nom" => "2. Marrakesh Express" "ordre" => 2 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "1. Guinnevere" "ordre" => 4 ] [ "nom" => "2. You Don't Have To Cry" "ordre" => 5 ] [ "nom" => "3. Pre-Road Downs" "ordre" => 6 ] [ "nom" => "Side C : " "ordre" => 7 ] [ "nom" => "1. Wooden Ships" "ordre" => 8 ] [ "nom" => "2. Lady of the Island" "ordre" => 9 ] [ "nom" => "3. Helplessly Hoping" "ordre" => 10 ] [ "nom" => "Side D : " "ordre" => 11 ] [ "nom" => "1. Long Time Gone" "ordre" => 12 ] [ "nom" => "2. 49 Bye-Byes" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2116 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2109 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2111 …} -enregistreLe: DateTime @1699863849 {#2105 : 2023-11-13 08:24:09.0 UTC (+00:00) } -modifierLe: DateTime @1763922853 {#2106 : 2025-11-23 18:34:13.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2113 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-crosby-stills-nash-analogue-productions-aapa-018-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2121 -id: 2469 -nom: "Deja Vu" -informationComplementaire: "AVAILABILITY : 31/12/2025 (subject Analogue Productions)" -description: """ Musicians : \r\n David Crosby (rhythm guitar, vocals), Graham Nash (rhythm guitar, organ, piano, harpsichord, percussion, tambourine, vocals), Neil Young (guitars, pipe organ, harmonica, vibraphone, organ, vocals), Stephen Stills (guitars, keyboards, piano, percussion, vocals).\r\n \r\n - Analogue Productions (Atlantic 75 Series) !\r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n - Déjà Vu CSNY's first album as a quartet, N° 1 on the Billboard 200 !\r\n - 180 gram 45 RPM double LP !\r\n - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n - Pressed at Quality Record Pressings !\r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n "Déjà Vu" is the title track to Crosby, Stills, Nash & Young's first album as a quartet. With Neil Young now in the mix, the album reached N° 1 on the Billboard 200 after its release in March 1970. The album remains a high point for the supergroup, having sold more than 7 million copies. Also on the record are hit singles "Teach Your Children", "Our House", and a cover of Joni Mitchell's "Woodstock".\r\n \r\n The late David Crosby penned "Déjà Vu" for the group. Though it wasn't released as a single, it gave that iconic album its name and has subsequently received its fair share of love from CSNY fans.\r\n \r\n "I'm one of those people who thinks we go round again", said Crosby back in 2008. "The Buddhists have got it right. It's a wheel and we get on and get off. I think life energy gets recycled. That's why I wrote ‘Déjà Vu'".\r\n \r\n CSNY took a while to craft the album-which is largely considered their magnum opus. "Getting that second album out of us was like pulling teeth, there was song after song that didn't make it," Stephen Stills once said. "The track 'Déjà Vu' must have meant 100 takes in the studio. But ‘Carry On' happened in a grand total of eight hours from conception to finished master. So you never know".\r\n \r\n All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor : Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …} -musicienOrchestre: "David Crosby (rhythm guitar, vocals), Graham Nash (rhythm guitar, organ, piano, harpsichord, percussion, tambourine, vocals), Neil Young (guitars, pipe organ, harmonica, vibraphone, organ, vocals)..." -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=mup1xIAwyKo" -referenceProduit: "Analogue Productions AAPA 020-45" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Carry On" "ordre" => 1 ] [ "nom" => "2. Teach Your Children" "ordre" => 2 ] [ "nom" => "3. Almost Cut My Hair" "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. Helpless" "ordre" => 5 ] [ "nom" => "2. Woodstock" "ordre" => 6 ] [ "nom" => "Side C : " "ordre" => 7 ] [ "nom" => "1. Deja Vu" "ordre" => 8 ] [ "nom" => "2. Our House" "ordre" => 9 ] [ "nom" => "Side D : " "ordre" => 10 ] [ "nom" => "1. Country Girl :" "ordre" => 11 ] [ "nom" => "- Whiskey Boot Hill" "ordre" => 12 ] [ "nom" => "- Down, Down, Down" "ordre" => 13 ] [ "nom" => "- "Country Girl" (I Think You're Pretty)" "ordre" => 14 ] [ "nom" => "2. Everybody I Love You" "ordre" => 15 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2123 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2132 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2125 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2127 …} -enregistreLe: DateTime @1698825414 {#2118 : 2023-11-01 07:56:54.0 UTC (+00:00) } -modifierLe: DateTime @1763922480 {#2119 : 2025-11-23 18:28:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2129 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-deja-vu-analogue-productions-aapa-020-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3457 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2121 -id: 2469 -nom: "Deja Vu" -informationComplementaire: "AVAILABILITY : 31/12/2025 (subject Analogue Productions)" -description: """ Musicians : \r\n David Crosby (rhythm guitar, vocals), Graham Nash (rhythm guitar, organ, piano, harpsichord, percussion, tambourine, vocals), Neil Young (guitars, pipe organ, harmonica, vibraphone, organ, vocals), Stephen Stills (guitars, keyboards, piano, percussion, vocals).\r\n \r\n - Analogue Productions (Atlantic 75 Series) !\r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n - Déjà Vu CSNY's first album as a quartet, N° 1 on the Billboard 200 !\r\n - 180 gram 45 RPM double LP !\r\n - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n - Pressed at Quality Record Pressings !\r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n "Déjà Vu" is the title track to Crosby, Stills, Nash & Young's first album as a quartet. With Neil Young now in the mix, the album reached N° 1 on the Billboard 200 after its release in March 1970. The album remains a high point for the supergroup, having sold more than 7 million copies. Also on the record are hit singles "Teach Your Children", "Our House", and a cover of Joni Mitchell's "Woodstock".\r\n \r\n The late David Crosby penned "Déjà Vu" for the group. Though it wasn't released as a single, it gave that iconic album its name and has subsequently received its fair share of love from CSNY fans.\r\n \r\n "I'm one of those people who thinks we go round again", said Crosby back in 2008. "The Buddhists have got it right. It's a wheel and we get on and get off. I think life energy gets recycled. That's why I wrote ‘Déjà Vu'".\r\n \r\n CSNY took a while to craft the album-which is largely considered their magnum opus. "Getting that second album out of us was like pulling teeth, there was song after song that didn't make it," Stephen Stills once said. "The track 'Déjà Vu' must have meant 100 takes in the studio. But ‘Carry On' happened in a grand total of eight hours from conception to finished master. So you never know".\r\n \r\n All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor : Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …} -musicienOrchestre: "David Crosby (rhythm guitar, vocals), Graham Nash (rhythm guitar, organ, piano, harpsichord, percussion, tambourine, vocals), Neil Young (guitars, pipe organ, harmonica, vibraphone, organ, vocals)..." -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=mup1xIAwyKo" -referenceProduit: "Analogue Productions AAPA 020-45" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Carry On" "ordre" => 1 ] [ "nom" => "2. Teach Your Children" "ordre" => 2 ] [ "nom" => "3. Almost Cut My Hair" "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. Helpless" "ordre" => 5 ] [ "nom" => "2. Woodstock" "ordre" => 6 ] [ "nom" => "Side C : " "ordre" => 7 ] [ "nom" => "1. Deja Vu" "ordre" => 8 ] [ "nom" => "2. Our House" "ordre" => 9 ] [ "nom" => "Side D : " "ordre" => 10 ] [ "nom" => "1. Country Girl :" "ordre" => 11 ] [ "nom" => "- Whiskey Boot Hill" "ordre" => 12 ] [ "nom" => "- Down, Down, Down" "ordre" => 13 ] [ "nom" => "- "Country Girl" (I Think You're Pretty)" "ordre" => 14 ] [ "nom" => "2. Everybody I Love You" "ordre" => 15 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2123 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2132 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2125 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2127 …} -enregistreLe: DateTime @1698825414 {#2118 : 2023-11-01 07:56:54.0 UTC (+00:00) } -modifierLe: DateTime @1763922480 {#2119 : 2025-11-23 18:28:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2129 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-deja-vu-analogue-productions-aapa-020-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2137 -id: 1981 -nom: "Mardi Gras - (Half-Speed Master)" -informationComplementaire: null -description: """ - 50th Anniversary pressing of Creedence's final studio album !\r\n - Mastered at half-speed at Abbey Road Studios !\r\n - 180 gram LP with embossed jacket replicating the original packaging !\r\n \r\n 50th anniversary pressing of the final studio album from America's greatest rock `n' roll band; first released in 1972. Highlights include a cover of "Hello Mary Lou", and the Fogerty-penned rocker "Sweet Hitch-Hiker". The poignant "Someday Never Comes", marked the group's final single.\r\n \r\n Mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch. 180 gram LP. Embossed jacket replicating the original packaging. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stu Cook (bass, lead & rhythm guitars, keyboards, vocals), John Fogerty (lead & rhythm guitars, keyboards, harmonica, vocals), Doug Clifford (vocals, drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=8dmCoQu843M" -referenceProduit: "Concord Craft Recordings 0130" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Lookin’ for a Reason" "ordre" => 1 ] [ "nom" => "2. Take It Like a Friend" "ordre" => 2 ] [ "nom" => "3. Need Someone to Hold" "ordre" => 3 ] [ "nom" => "4. Tearin’ Up the Country" "ordre" => 4 ] [ "nom" => "5. Someday Never Comes" "ordre" => 5 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "1. What Are You Going to Do" "ordre" => 7 ] [ "nom" => "2. Sail Away" "ordre" => 8 ] [ "nom" => "3. Hello Mary Lou" "ordre" => 9 ] [ "nom" => "4. Door to Door" "ordre" => 10 ] [ "nom" => "5. Sweet Hitch-Hiker" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …} -label: Proxies\__CG__\App\Entity\Label {#2142 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2151 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2144 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2146 …} -enregistreLe: DateTime @1612083962 {#2134 : 2021-01-31 09:06:02.0 UTC (+00:00) } -modifierLe: DateTime @1763917040 {#2135 : 2025-11-23 16:57:20.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2148 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-mardi-gras-half-speed-master-concord-craft-recordings-0130" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3508 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2137 -id: 1981 -nom: "Mardi Gras - (Half-Speed Master)" -informationComplementaire: null -description: """ - 50th Anniversary pressing of Creedence's final studio album !\r\n - Mastered at half-speed at Abbey Road Studios !\r\n - 180 gram LP with embossed jacket replicating the original packaging !\r\n \r\n 50th anniversary pressing of the final studio album from America's greatest rock `n' roll band; first released in 1972. Highlights include a cover of "Hello Mary Lou", and the Fogerty-penned rocker "Sweet Hitch-Hiker". The poignant "Someday Never Comes", marked the group's final single.\r\n \r\n Mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch. 180 gram LP. Embossed jacket replicating the original packaging. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stu Cook (bass, lead & rhythm guitars, keyboards, vocals), John Fogerty (lead & rhythm guitars, keyboards, harmonica, vocals), Doug Clifford (vocals, drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=8dmCoQu843M" -referenceProduit: "Concord Craft Recordings 0130" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Lookin’ for a Reason" "ordre" => 1 ] [ "nom" => "2. Take It Like a Friend" "ordre" => 2 ] [ "nom" => "3. Need Someone to Hold" "ordre" => 3 ] [ "nom" => "4. Tearin’ Up the Country" "ordre" => 4 ] [ "nom" => "5. Someday Never Comes" "ordre" => 5 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "1. What Are You Going to Do" "ordre" => 7 ] [ "nom" => "2. Sail Away" "ordre" => 8 ] [ "nom" => "3. Hello Mary Lou" "ordre" => 9 ] [ "nom" => "4. Door to Door" "ordre" => 10 ] [ "nom" => "5. Sweet Hitch-Hiker" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …} -label: Proxies\__CG__\App\Entity\Label {#2142 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2151 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2144 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2146 …} -enregistreLe: DateTime @1612083962 {#2134 : 2021-01-31 09:06:02.0 UTC (+00:00) } -modifierLe: DateTime @1763917040 {#2135 : 2025-11-23 16:57:20.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2148 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-mardi-gras-half-speed-master-concord-craft-recordings-0130" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2156 -id: 1822 -nom: "Creedence Clearwater Revival (HalfSpeed Mastered)" -informationComplementaire: null -description: """ - Creedence Clearwater Revival (HalfSpeed Mastered) 180 gram vinyl !\r\n - Half-speed mastered at Abbey Road Studios !\r\n - Tip-on jacket replicating the original packaging !\r\n \r\n With the release of this extraordinary debut album in July 1968, Creedence Clearwater Revival was launched upon a career that little more than a year later would lead to enormous worldwide popularity. The four-man group from San Francisco's East Bay had worked ten years as a bar band and recorded several singles on the Scorpio label (under the forgettable name Golliwogs), but it was with this Fantasy release that CCR caught fire.\r\n \r\n Using high-res transfers from the original analog tapes, the half-speed mastering process involves playing back audio at half its recorded speed while the cutting lathe is turned at half the desired playback speed. The technique allows more time to cut a micro-precise groove, allowing more accuracy with frequency extremes and dynamic contrasts. Abbey Road Studios' award-winning engineer Miles Showell explains, "I've tried to be as authentic as I could, and just make it sound like music. Not over-hyped, not over-processed. Up until now a lot of processing has been done on these recordings, so my approach was to strip them right back and just expose them for what they are because what they are is great music".\r\n \r\n On this album debut, lead singer/ guitarist/ writer John Fogerty emerges as a fine lyric shouter with "Ninety-Nine and a Half", "I Put A Spell On You" and "Suzie Q", a brilliant extended redition of the Dale Hawkins classic that quickly became a Top Ten Hit. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "John Fogerty (lead guitar, vocals), Tom Fogerty (rhythm guitar), Stu Cook (bass), Doug Clifford (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=7x60p7UNLnQ&list=PLHTo__bpnlYU_iW-wnWb1fUrqznTdpC1r&index=3" -referenceProduit: "Concord Craft Recordings 0124" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. I Put A Spell On You" "ordre" => 1 ] [ "nom" => "2. The Working Man" "ordre" => 2 ] [ "nom" => "3. Suzie Q." "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. Ninety-Nine And A Half (Won’t Do)" "ordre" => 5 ] [ "nom" => "2. Get Down Woman" "ordre" => 6 ] [ "nom" => "3. Porterville" "ordre" => 7 ] [ "nom" => "4. Gloomy" "ordre" => 8 ] [ "nom" => "5. Walk On The Water" "ordre" => 9 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …} -label: Proxies\__CG__\App\Entity\Label {#2142 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2164 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2157 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2159 …} -enregistreLe: DateTime @1583049563 {#2153 : 2020-03-01 07:59:23.0 UTC (+00:00) } -modifierLe: DateTime @1763916763 {#2154 : 2025-11-23 16:52:43.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2161 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-creedence-clearwater-revival-halfspeed-mastered-concord-craft-recordings-0124" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3561 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2156 -id: 1822 -nom: "Creedence Clearwater Revival (HalfSpeed Mastered)" -informationComplementaire: null -description: """ - Creedence Clearwater Revival (HalfSpeed Mastered) 180 gram vinyl !\r\n - Half-speed mastered at Abbey Road Studios !\r\n - Tip-on jacket replicating the original packaging !\r\n \r\n With the release of this extraordinary debut album in July 1968, Creedence Clearwater Revival was launched upon a career that little more than a year later would lead to enormous worldwide popularity. The four-man group from San Francisco's East Bay had worked ten years as a bar band and recorded several singles on the Scorpio label (under the forgettable name Golliwogs), but it was with this Fantasy release that CCR caught fire.\r\n \r\n Using high-res transfers from the original analog tapes, the half-speed mastering process involves playing back audio at half its recorded speed while the cutting lathe is turned at half the desired playback speed. The technique allows more time to cut a micro-precise groove, allowing more accuracy with frequency extremes and dynamic contrasts. Abbey Road Studios' award-winning engineer Miles Showell explains, "I've tried to be as authentic as I could, and just make it sound like music. Not over-hyped, not over-processed. Up until now a lot of processing has been done on these recordings, so my approach was to strip them right back and just expose them for what they are because what they are is great music".\r\n \r\n On this album debut, lead singer/ guitarist/ writer John Fogerty emerges as a fine lyric shouter with "Ninety-Nine and a Half", "I Put A Spell On You" and "Suzie Q", a brilliant extended redition of the Dale Hawkins classic that quickly became a Top Ten Hit. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "John Fogerty (lead guitar, vocals), Tom Fogerty (rhythm guitar), Stu Cook (bass), Doug Clifford (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=7x60p7UNLnQ&list=PLHTo__bpnlYU_iW-wnWb1fUrqznTdpC1r&index=3" -referenceProduit: "Concord Craft Recordings 0124" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. I Put A Spell On You" "ordre" => 1 ] [ "nom" => "2. The Working Man" "ordre" => 2 ] [ "nom" => "3. Suzie Q." "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. Ninety-Nine And A Half (Won’t Do)" "ordre" => 5 ] [ "nom" => "2. Get Down Woman" "ordre" => 6 ] [ "nom" => "3. Porterville" "ordre" => 7 ] [ "nom" => "4. Gloomy" "ordre" => 8 ] [ "nom" => "5. Walk On The Water" "ordre" => 9 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …} -label: Proxies\__CG__\App\Entity\Label {#2142 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2164 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2157 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2159 …} -enregistreLe: DateTime @1583049563 {#2153 : 2020-03-01 07:59:23.0 UTC (+00:00) } -modifierLe: DateTime @1763916763 {#2154 : 2025-11-23 16:52:43.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2161 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-creedence-clearwater-revival-halfspeed-mastered-concord-craft-recordings-0124" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2169 -id: 400 -nom: "Pendulum (Half-Speed Master)" -informationComplementaire: null -description: """ - 50th Anniversary pressing of Creedence's penultimate studio album !\r\n - Mastered at half-speed at Abbey Road Studios !\r\n - 180 gram LP with tip-on jacket replicating the original packaging !\r\n \r\n 50th anniversary pressing of the penultimate studio album from America's greatest rock `n' roll band; first released in 1970 at the peak of Creedence's prolific caree. Includes the hits "Have You Ever Seen The Rain", "Hey Tonight" and more. The album was mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch. This 180 gram vinyl comes housed in a tip-on jacket replicating the original pressing packaging. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "John Fogerty (lead guitar, piano, organ, Fender Rhodes electric piano, saxophone, percussion, vocals), Tom Fogerty (rhythm guitar, percussion), Stu Cook (bass guitar, double bass, piano, kalimba, percussion), Doug Clifford (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=dHsglyyr7QU" -referenceProduit: "Concord Craft Recordings 0129" -titreMorceau: [ [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "1. Pagan Baby" "ordre" => 1 ] [ "nom" => "2. Sailor’s Lament" "ordre" => 2 ] [ "nom" => "3. Chameleon" "ordre" => 3 ] [ "nom" => "4. Have You Ever Seen the Rain ?" "ordre" => 4 ] [ "nom" => "5. (Wish I Could) Hideaway" "ordre" => 5 ] [ "nom" => "Side B :" "ordre" => 6 ] [ "nom" => "1. Born to Move" "ordre" => 7 ] [ "nom" => "2. Hey Tonight" "ordre" => 8 ] [ "nom" => "3. It’s Just a Thought" "ordre" => 9 ] [ "nom" => "4. Molina" "ordre" => 10 ] [ "nom" => "5. Rude Awakening #2" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …} -label: Proxies\__CG__\App\Entity\Label {#2142 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2177 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2170 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2172 …} -enregistreLe: DateTime @1290064927 {#2166 : 2010-11-18 07:22:07.0 UTC (+00:00) } -modifierLe: DateTime @1763915894 {#2167 : 2025-11-23 16:38:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2174 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-pendulum-half-speed-master-concord-craft-recordings-0129" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3609 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2169 -id: 400 -nom: "Pendulum (Half-Speed Master)" -informationComplementaire: null -description: """ - 50th Anniversary pressing of Creedence's penultimate studio album !\r\n - Mastered at half-speed at Abbey Road Studios !\r\n - 180 gram LP with tip-on jacket replicating the original packaging !\r\n \r\n 50th anniversary pressing of the penultimate studio album from America's greatest rock `n' roll band; first released in 1970 at the peak of Creedence's prolific caree. Includes the hits "Have You Ever Seen The Rain", "Hey Tonight" and more. The album was mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch. This 180 gram vinyl comes housed in a tip-on jacket replicating the original pressing packaging. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "John Fogerty (lead guitar, piano, organ, Fender Rhodes electric piano, saxophone, percussion, vocals), Tom Fogerty (rhythm guitar, percussion), Stu Cook (bass guitar, double bass, piano, kalimba, percussion), Doug Clifford (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=dHsglyyr7QU" -referenceProduit: "Concord Craft Recordings 0129" -titreMorceau: [ [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "1. Pagan Baby" "ordre" => 1 ] [ "nom" => "2. Sailor’s Lament" "ordre" => 2 ] [ "nom" => "3. Chameleon" "ordre" => 3 ] [ "nom" => "4. Have You Ever Seen the Rain ?" "ordre" => 4 ] [ "nom" => "5. (Wish I Could) Hideaway" "ordre" => 5 ] [ "nom" => "Side B :" "ordre" => 6 ] [ "nom" => "1. Born to Move" "ordre" => 7 ] [ "nom" => "2. Hey Tonight" "ordre" => 8 ] [ "nom" => "3. It’s Just a Thought" "ordre" => 9 ] [ "nom" => "4. Molina" "ordre" => 10 ] [ "nom" => "5. Rude Awakening #2" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …} -label: Proxies\__CG__\App\Entity\Label {#2142 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2177 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2170 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2172 …} -enregistreLe: DateTime @1290064927 {#2166 : 2010-11-18 07:22:07.0 UTC (+00:00) } -modifierLe: DateTime @1763915894 {#2167 : 2025-11-23 16:38:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2174 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-pendulum-half-speed-master-concord-craft-recordings-0129" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2182 -id: 471 -nom: "Green River (Half-Speed Master)" -informationComplementaire: null -description: """ - Creedence Clearwater Revival - Green River 50th Anniversary Edition !\r\n - Half-speed mastered 180 gram vinyl LP !\r\n - Half-speed mastered by Miles Showell at Abbey Road Studios !\r\n - Available as a stand-alone half-speed master LP for the first time !\r\n - Handsome tip-on jacket replicating original packaging !\r\n \r\n This 50th anniversary edition of Creedence Clearwater Revival's third studio album, originally released in 1969, is pressed on 180 gram vinyl mastered at half-speed for optimum audio quality by award-winning engineer Miles Showell at Abbey Road Studios in London. The release marks the first time the album has been available as a half-speed master individually; it was previously only part of CCR's 7LP Studio Album Collections box set.\r\n \r\n Green River was one of three albums released by CCR during 1969, all of which made the US Top Ten. Released in August of that year, Green River was the band's first N° 1 album and includes the signature hits "Bad Moon Rising" and "Green River", enduring CCR fan favorites "Lodi" and "Wrote A Song For Everyone", plus a cover of the R&B standard "The Night Time Is The Right Time".\r\n \r\n Mastered at half-speed at Abbey Road Studios, Green River benefits from an exacting process that allows for an exceptional level of sonic clarity and punch, bringing these classic recordings a new vibrancy. This 180 gram LP comes housed in a handsome tip-on jacket replicating the packaging of the original pressing. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "John Fogerty (lead guitar, piano, keyboards, harmonica, vocals), Tom Fogerty (rhythm guitar), Stu Cook (bass guitar), Doug Clifford (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=w0VI1zByJ3s" -referenceProduit: "Concord Craft Recordings" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Green River" "ordre" => 1 ] [ "nom" => "2. Commotion" "ordre" => 2 ] [ "nom" => "3. Tombstone Shadow" "ordre" => 3 ] [ "nom" => "4. Wrote A Song For Everyone" "ordre" => 4 ] [ "nom" => "Side B : " "ordre" => 5 ] [ "nom" => "1. Bad Moon Rising" "ordre" => 6 ] [ "nom" => "2. Lodi" "ordre" => 7 ] [ "nom" => "3. Cross-Tie Walker" "ordre" => 8 ] [ "nom" => "4. Sinister Purpose" "ordre" => 9 ] [ "nom" => "5. The Night Time Is The Right Time" "ordre" => 10 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …} -label: Proxies\__CG__\App\Entity\Label {#2142 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2190 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2183 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2185 …} -enregistreLe: DateTime @1319613151 {#2179 : 2011-10-26 07:12:31.0 UTC (+00:00) } -modifierLe: DateTime @1763915533 {#2180 : 2025-11-23 16:32:13.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2187 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-green-river-half-speed-master-concord-craft-recordings" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3657 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2182 -id: 471 -nom: "Green River (Half-Speed Master)" -informationComplementaire: null -description: """ - Creedence Clearwater Revival - Green River 50th Anniversary Edition !\r\n - Half-speed mastered 180 gram vinyl LP !\r\n - Half-speed mastered by Miles Showell at Abbey Road Studios !\r\n - Available as a stand-alone half-speed master LP for the first time !\r\n - Handsome tip-on jacket replicating original packaging !\r\n \r\n This 50th anniversary edition of Creedence Clearwater Revival's third studio album, originally released in 1969, is pressed on 180 gram vinyl mastered at half-speed for optimum audio quality by award-winning engineer Miles Showell at Abbey Road Studios in London. The release marks the first time the album has been available as a half-speed master individually; it was previously only part of CCR's 7LP Studio Album Collections box set.\r\n \r\n Green River was one of three albums released by CCR during 1969, all of which made the US Top Ten. Released in August of that year, Green River was the band's first N° 1 album and includes the signature hits "Bad Moon Rising" and "Green River", enduring CCR fan favorites "Lodi" and "Wrote A Song For Everyone", plus a cover of the R&B standard "The Night Time Is The Right Time".\r\n \r\n Mastered at half-speed at Abbey Road Studios, Green River benefits from an exacting process that allows for an exceptional level of sonic clarity and punch, bringing these classic recordings a new vibrancy. This 180 gram LP comes housed in a handsome tip-on jacket replicating the packaging of the original pressing. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "John Fogerty (lead guitar, piano, keyboards, harmonica, vocals), Tom Fogerty (rhythm guitar), Stu Cook (bass guitar), Doug Clifford (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=w0VI1zByJ3s" -referenceProduit: "Concord Craft Recordings" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Green River" "ordre" => 1 ] [ "nom" => "2. Commotion" "ordre" => 2 ] [ "nom" => "3. Tombstone Shadow" "ordre" => 3 ] [ "nom" => "4. Wrote A Song For Everyone" "ordre" => 4 ] [ "nom" => "Side B : " "ordre" => 5 ] [ "nom" => "1. Bad Moon Rising" "ordre" => 6 ] [ "nom" => "2. Lodi" "ordre" => 7 ] [ "nom" => "3. Cross-Tie Walker" "ordre" => 8 ] [ "nom" => "4. Sinister Purpose" "ordre" => 9 ] [ "nom" => "5. The Night Time Is The Right Time" "ordre" => 10 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …} -label: Proxies\__CG__\App\Entity\Label {#2142 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2190 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2183 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2185 …} -enregistreLe: DateTime @1319613151 {#2179 : 2011-10-26 07:12:31.0 UTC (+00:00) } -modifierLe: DateTime @1763915533 {#2180 : 2025-11-23 16:32:13.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2187 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-green-river-half-speed-master-concord-craft-recordings" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2195 -id: 1013 -nom: "The Trinity Session" -informationComplementaire: null -description: """ - Recorded originally at 44.1kHz / 16-bit !\r\n - Remastered by original recording engineer Peter Moore, and Cowboy Junkies !\r\n - Lacquers cut by Ryan K. Smith at Sterling Sound !\r\n - Expanded gatefold edition with additional photos, new cover design as the musicians / artist intended !\r\n - New liner notes written by author and music editor Jason Schneider !\r\n - Stoughton Printing old-style tip-on gatefold jacket !\r\n - Plated and pressed on 180 gram vinyl at Quality Record Pressings !\r\n \r\n Cowboy Junkies recorded this spectacular LP as a "live" event Nov. 27, 1987 at the Church of the Holy Trinity in Toronto. It was recorded with a digital R-Dat and using only a Calrec Ambisonic Microphone. What this means is the record sounds like the band was playing right in front of you with the perfect ambiance.\r\n \r\n Yes, this is a digital recording. True to our company principles, Analogue Productions in almost all cases reissues recordings only where the analog master tape is available. However, there are rare exceptions that whether digitally recorded or otherwise, a recording is so outstanding it's worthy of the highest quality vinyl reissue.\r\n \r\n Featuring the sultry voice of Margo Timmins, the precise musicianship of her brothers Peter (on drums) and Michael (on guitar), and bassist Alan Anton, The Trinity Session is a spare, evocative, countrified-rock classic. First released in late 1988, The Trinity Session was named "Album of the Year" by The Los Angeles Times and The New York Times described it as "a quiet, special record that challenges traditional music". Rolling Stone declared the album to be "as important as it its inspiring".\r\n \r\n Today, it remains much more than a snapshot of a single day's work captured on tape. So for this deluxe Analogue Productions reissue, we pulled out all the stops. Starting with new mastering from the original session digital tapes by the original recording engineer, Peter Moore. And lacquer cutting by Ryan K. Smith at Sterling Sound. The church where the album was recorded was selected on the basis of work Moore had done there with other jazz and classical artists. Using a single Calrec Ambisonic microphone, the results are stunning.\r\n \r\n Next, we kicked up the packaging and content several notches. You're holding a heavyweight old-style tip-on Stoughton Printing jacket, and it has brand-new liner notes by author and music editor Jason Schneider. Schneider is the author of Whispering Pines: the Northern Roots of American Music from Hank Snow to The Band. He's also the roots music editor at Exclaim! and his work has been published in Paste, The Word, The Toronto Star and other publications. The liner notes share space with additional recording session photos, inside and on the back cover. Additionally, the cover has been redesigned to remove the lettering and photo distortion originally applied and make it appear as the musicians/artist originally intended. Lastly, this sonic treasure has been pressed on 200 gram vinyl at Quality Record Pressings, maker of the world's finest LPs, with stampers plated by master plating technician Gary Salstrom.\r\n \r\n The inspired reworking of both "Blue Moon" and "Working On A Building" reveal the Timmins family to be talented interpreters and insightful neo-traditionalists. Mixing the ambitious songwriting of Margo and Michael Timmins with subdued covers of Lou Reed's "Sweet Jane" and Hank Williams' "I'm So Lonesome I Could Cry", The Trinity Session is an exquisite collection that holds up quite well under repeated listenings.\r\n \r\n "The main appeal of The Trinity Session, the Cowboy Junkies' second album, remains its lo-fi sound. The ambient buzz of Toronto's Church of the Holy Trinity, where the Junkies recorded the album around one microphone, colors every song, reinforcing the live setting and generating vinyl intimacy even on CD. It's as if the church itself was an instrument, one that Junkies could play pretty well. It allows Margo Timmins' voice to fill your field of vision, simultaneously soothing and unsettling, while her brother Michael's guitar rumbles through the songs, a little louder and sharper than anticipated". - Pitchfork """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Margo Timmins (vocals), John Timmins (guitar, vocals), Michael Timmins (guitar), Kim Deschamps (guitars), Steve Shearer (harmonica), Jeff Bird (fiddle, mandolin), Jaro Czerwinec (accordion), Alan Anton (bass), Peter Timmins (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=I4hKmQpcT1k" -referenceProduit: "Analogue Productions AAPP 072-45" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Mining For Gold" "ordre" => 1 ] [ "nom" => "2. Misguided Angel" "ordre" => 2 ] [ "nom" => "3. Blue Moon Revisited (Song for Elvis)" "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. I Don't Get It" "ordre" => 5 ] [ "nom" => "2. I'm So Lonesome I Could Cry" "ordre" => 6 ] [ "nom" => "3. To Love is to Bury" "ordre" => 7 ] [ "nom" => "Side C : " "ordre" => 8 ] [ "nom" => "1. 200 More Miles" "ordre" => 9 ] [ "nom" => "2. Dreaming My Dreams With You" "ordre" => 10 ] [ "nom" => "3. Working on a Building" "ordre" => 11 ] [ "nom" => "Side D : " "ordre" => 12 ] [ "nom" => "1. Sweet Jane" "ordre" => 13 ] [ "nom" => "2. Postcard Blues" "ordre" => 14 ] [ "nom" => "3. Walking After Midnight" "ordre" => 15 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …} -label: Proxies\__CG__\App\Entity\Label {#2200 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2209 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2202 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2204 …} -enregistreLe: DateTime @1471420650 {#2192 : 2016-08-17 07:57:30.0 UTC (+00:00) } -modifierLe: DateTime @1763914494 {#2193 : 2025-11-23 16:14:54.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2206 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-trinity-session-analogue-productions-aapp-072-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3703 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2632 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2195 -id: 1013 -nom: "The Trinity Session" -informationComplementaire: null -description: """ - Recorded originally at 44.1kHz / 16-bit !\r\n - Remastered by original recording engineer Peter Moore, and Cowboy Junkies !\r\n - Lacquers cut by Ryan K. Smith at Sterling Sound !\r\n - Expanded gatefold edition with additional photos, new cover design as the musicians / artist intended !\r\n - New liner notes written by author and music editor Jason Schneider !\r\n - Stoughton Printing old-style tip-on gatefold jacket !\r\n - Plated and pressed on 180 gram vinyl at Quality Record Pressings !\r\n \r\n Cowboy Junkies recorded this spectacular LP as a "live" event Nov. 27, 1987 at the Church of the Holy Trinity in Toronto. It was recorded with a digital R-Dat and using only a Calrec Ambisonic Microphone. What this means is the record sounds like the band was playing right in front of you with the perfect ambiance.\r\n \r\n Yes, this is a digital recording. True to our company principles, Analogue Productions in almost all cases reissues recordings only where the analog master tape is available. However, there are rare exceptions that whether digitally recorded or otherwise, a recording is so outstanding it's worthy of the highest quality vinyl reissue.\r\n \r\n Featuring the sultry voice of Margo Timmins, the precise musicianship of her brothers Peter (on drums) and Michael (on guitar), and bassist Alan Anton, The Trinity Session is a spare, evocative, countrified-rock classic. First released in late 1988, The Trinity Session was named "Album of the Year" by The Los Angeles Times and The New York Times described it as "a quiet, special record that challenges traditional music". Rolling Stone declared the album to be "as important as it its inspiring".\r\n \r\n Today, it remains much more than a snapshot of a single day's work captured on tape. So for this deluxe Analogue Productions reissue, we pulled out all the stops. Starting with new mastering from the original session digital tapes by the original recording engineer, Peter Moore. And lacquer cutting by Ryan K. Smith at Sterling Sound. The church where the album was recorded was selected on the basis of work Moore had done there with other jazz and classical artists. Using a single Calrec Ambisonic microphone, the results are stunning.\r\n \r\n Next, we kicked up the packaging and content several notches. You're holding a heavyweight old-style tip-on Stoughton Printing jacket, and it has brand-new liner notes by author and music editor Jason Schneider. Schneider is the author of Whispering Pines: the Northern Roots of American Music from Hank Snow to The Band. He's also the roots music editor at Exclaim! and his work has been published in Paste, The Word, The Toronto Star and other publications. The liner notes share space with additional recording session photos, inside and on the back cover. Additionally, the cover has been redesigned to remove the lettering and photo distortion originally applied and make it appear as the musicians/artist originally intended. Lastly, this sonic treasure has been pressed on 200 gram vinyl at Quality Record Pressings, maker of the world's finest LPs, with stampers plated by master plating technician Gary Salstrom.\r\n \r\n The inspired reworking of both "Blue Moon" and "Working On A Building" reveal the Timmins family to be talented interpreters and insightful neo-traditionalists. Mixing the ambitious songwriting of Margo and Michael Timmins with subdued covers of Lou Reed's "Sweet Jane" and Hank Williams' "I'm So Lonesome I Could Cry", The Trinity Session is an exquisite collection that holds up quite well under repeated listenings.\r\n \r\n "The main appeal of The Trinity Session, the Cowboy Junkies' second album, remains its lo-fi sound. The ambient buzz of Toronto's Church of the Holy Trinity, where the Junkies recorded the album around one microphone, colors every song, reinforcing the live setting and generating vinyl intimacy even on CD. It's as if the church itself was an instrument, one that Junkies could play pretty well. It allows Margo Timmins' voice to fill your field of vision, simultaneously soothing and unsettling, while her brother Michael's guitar rumbles through the songs, a little louder and sharper than anticipated". - Pitchfork """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Margo Timmins (vocals), John Timmins (guitar, vocals), Michael Timmins (guitar), Kim Deschamps (guitars), Steve Shearer (harmonica), Jeff Bird (fiddle, mandolin), Jaro Czerwinec (accordion), Alan Anton (bass), Peter Timmins (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=I4hKmQpcT1k" -referenceProduit: "Analogue Productions AAPP 072-45" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Mining For Gold" "ordre" => 1 ] [ "nom" => "2. Misguided Angel" "ordre" => 2 ] [ "nom" => "3. Blue Moon Revisited (Song for Elvis)" "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. I Don't Get It" "ordre" => 5 ] [ "nom" => "2. I'm So Lonesome I Could Cry" "ordre" => 6 ] [ "nom" => "3. To Love is to Bury" "ordre" => 7 ] [ "nom" => "Side C : " "ordre" => 8 ] [ "nom" => "1. 200 More Miles" "ordre" => 9 ] [ "nom" => "2. Dreaming My Dreams With You" "ordre" => 10 ] [ "nom" => "3. Working on a Building" "ordre" => 11 ] [ "nom" => "Side D : " "ordre" => 12 ] [ "nom" => "1. Sweet Jane" "ordre" => 13 ] [ "nom" => "2. Postcard Blues" "ordre" => 14 ] [ "nom" => "3. Walking After Midnight" "ordre" => 15 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …} -label: Proxies\__CG__\App\Entity\Label {#2200 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2209 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2202 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2204 …} -enregistreLe: DateTime @1471420650 {#2192 : 2016-08-17 07:57:30.0 UTC (+00:00) } -modifierLe: DateTime @1763914494 {#2193 : 2025-11-23 16:14:54.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2206 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-trinity-session-analogue-productions-aapp-072-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 6.0 MiB | 0.23 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3904 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2400 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3905 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3953 …} +isValidated: false +validatedFields: [] } |
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